Review: Sheesh! And the award for the swampiest, most mutated and wooziest 140 jam of recent times goes to Sibla & Teffa's "Bobby". Presented here on the a; proper sleazy, rolling, oily cosmic dub funk - with some fantastic vocal stamps from the master - it's quite remarkable for the pair's first ever collaboration. As is 'I Wonder Why' on the B. Taking a slightly more traditional dub route, here they dig deep into the roots and really get involved in the sounds and elements, gradually easing us deeper and deeper into the blend before we realise we're cap-deep in a pretty heady psychedelic stew... And we have no plans to swim to shore. Limited to 300, this won't hang around.
Review: Emptyset have been innovating in the world of electronic music for over a decade now. James Ginzburg and Paul Purgas' music is challenging yet poignant, artful yet immersive and fuses sound design with raw audio synthesis. "Blossoms", the new record for Thrill Jockey was developed by a process of "seeding a software model with a sonic knowledge base of material to learn and predict from". That base material was then embellished with 10 hours of improvised recordings using sources such as wood, drum skins and metal, giving rise to this bleakly beguiling album of drone, industrial and audio experimentation.
Review: Eight albums in and Elbow still know how to keep us interested. This time round it's a record that seems caught in perpetual motion, refusing to stay still even for a minute off its proggyness, with this the LP most removed from their standard modus of hyper-emotive, string-capped anthemia. Not that the contents aren't huge and destined to fill main rooms and outdoor arenas. A refreshing break for a band that, while unarguably talented and accomplished craftsmen, may - in the eyes of some at least - have at times been guilty of opting for the safety of familiarity rather than braving the great unknowns of sound. If anything, then, "Giants Of All Sizes" is the final pour that cements their place in the pantheons of British music. Exquisite, innovative and highly original stuff.
Review: Alex Pervukhin has enjoyed a productive 2019. This rock solid four-tracker on Colours Of Crocus marks the Ukrainian producer's fourth single of the year, following similarly impressive outings on Recordeep, Hubble Recordings and his own Laconica imprint. It's an attractive and warming affair, with Pervukhin effortlessly fusing elements of late '90s UK tech-house and the dreamy, spacey end of the deep house spectrum. Opener "Late Run", whose melodic flourishes, tactile synth bass and intergalactic electronics are wonderfully immersive, is the benchmark, with Kirik's flipside remix offering a tougher and more hypnotic take on the same seductive elements. Elsewhere, "909's Dreams" is more driving but no less atmospheric and melodious, while "Next Week" is a fine chunk of drowsy late night hypnotism.
Review: London's Jah Fingers present former Heptones singer Naggo Morris and producer Niney The Observer on this latest one. The A side houses the gentle roots and lovers rock combo of "Jah Guide": a steamy, earthy, humid cut that pairs great rim shots with the aloof vocal work of Morris. Flip over for a busier cut by The Observer. "Give Her My Love" features a lead line that rings out with naive charm, taut drum hits and prickly percussion that will keep your limbs moving. A two sided gem.