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Pre-orders at Juno
This vinyl is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $5.70
(No payment required now - pay when released)
FORTHCOMING
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Abbattere Rituali
Le Conseguenze Delle Parole
Una Storia Che Non Si Racconta
I Tratti Poetici/ I Lati Semantici
Nomi Nuovi Per Vecchi Modi Di Essere
Per Conoscer Se
Pre-orders at Juno
This vinyl is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $7.26
(No payment required now - pay when released)
FORTHCOMING
Related releases...
Cat: ODC 2217LP. Rel: 26 Apr 24
Indie/Alternative
Pre-orders at Juno
This vinyl is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 26 Apr 24 $5.96
(No payment required now - pay when released)
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Review: Emotional Response bring you some truly healing sounds from Polish producer Bartosz Kruczynski, who first teamed up with the label as The Phantom for the first round of the Schleissen series back in 2015. He's since delivered a debut album to Growing Bin and released as Earth Trax on Rhythm Section and others. The mood across this collection of pieces produced for Polish studio TVP Culture opens up a rich seam of inspiration around the ambient end of Kruczynski's work through short pieces rich in sonorous delights. From fluttering fourth world-isms to hazy dub soundscapes, this is pure listening pleasure from start to finish.
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Review: Carcass Identity are Matthieu Levet and Ernesto Gonzaalez, two heroes of the Brussels underground for over 10 years. Following up their 2018 debut for Bologna-based label Random Numbers, the duo present their next collaboration for Glasgow's Phase Group which once again infuses dub electronics with cosmic and psychedelic influences. Tracks such as 'Things To Forget' explore freefall tribal trance, while the contorted techno derivatives heard on tracks such as 'Freedom Principle' or the meditative polyrhythmic futurism of 'Desultory' were highlights. Highly recommended for fans of slo-mo ritual techno in the vein of Black Merlin or Vactrol Park - tip!
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Modern Delusion (LP limited to 200 copies in picture sleeve)
Cat: SOTCD CTLGLP1. Rel: 11 Apr 23
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Review: The always superb Sounds Of The City comes through here with some freshness and newness here via their newly minted 'Sounds Of The City, Dark' series. It finds the French outfit Catalogue debuting on the label with a sound that brings a different perspective to the new post-punk movement. Their sound is a mixing pot of an array of different influences and what you get is music that will get you nodding to the grooves while your mind gets lost exploring synthetic elements, angular guitar riffs, robotic rhythms and lovely deep bass.
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Review: Norwegian disco titan Prins Thomas returns to his regular stomping ground of Smalltown Supersound with this, his sixth solo studio album. Thomas is sounding as vibrant as ever, his musical ideas spilling forth in glorious arrangements of organic instrumentation and gentling bubbling electronics that melt into a mellow, groovy sonic realm. There are hazy, cosmic moments to be savoured on the likes of "Feel The Love", and more adventurous rhythmic trysts like the nagging, snaking percussive melee of "Ambitions". Thomas' studio proficiency is more than matched by his imagination and creative ambition - would you expect any less from such a titan of Scandinavian electronic music?
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Review: Originally released in the mid 80's on UK cassette label Bite Back!, this nearly lost gem finds new life 30 years later on Cocktail D'Amore Music. Steve has cobbled together a superbly melancholic electronic concept album. Wistful melodies often evoke sentiments of a lost childhood and hazy English mornings. Each song within remains untitled allowing full perceptive freedom as to what they all communicate, a language for the feelings that have no name. Untitled A1 - A6 leads one along intimate soundscapes of pattering drums and tinkering piano, a sense of closeness and trust develops with the introduction of each new idea much like the beginning of a bed time story. Untitled B1 - B3 then begin to breathe more openly awash in angelic colours before abruptly turning downward on B4, a wall of booming drums and atmospheres from the furthest reaches of the galaxy before the last trio of songs settles gently back on Earth.
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Review: Burnski's Instinct alias has given rise to two full-length albums and a swathe of EPs in just the past two years alone, and now he's heralding spring with the launch of a new label, Abyla, and his most delicate, ambient record to date. Happening is a far cry from what you might know of Burnski or indeed the Instinct project overall, focusing as it does on orchestral ambience with a preference for plaintive piano lines at the front of the mix and ample drone matter backing it up. These short vignettes glide between moods, hovering in moments of tender minimalism or bursting with effervescence depending on the situation.
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Review: Musique Plastique (Visible Cloaks/Pedro) rescues a nearly lost soundtrack to a Belgian avant-theatrical work from the 80s. Conceived in 1986 and part of the experimental show of the same name directed by Guy Cassiers, Daedalus is a fascinating score for small chamber orchestra (cello, violin, clarinet), voices, percussion and electronics. Recorded and mixed at Eastfield Recording Studios in Belgium, the music accompanies an ancient story told in an unconventional way by a company of 45 young disabled actors, who almost avoided completely verbal interventions - communicating exclusively through gestures, movement, costumes and sound.
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