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Cat: 690893 Rel: 08 Jun 18
 
Five-knob four-stage phaser effects pedal
Notes: A few years ago ZVEX Effects released the Candela Vibrophase, a candle-powered vibrato/phaser machined from solid brass and glass that used a mix of 1800s technology (a Sterling heat engine) and 60s/70s audio circuitry to create a lovely swirling effect. After numerous requests to put that sound into a guitar pedal, they came up with a way of dramatically broadening the spectrum of textures available using the original circuitry from the Candela.

It's presented to you here as the Vibrophase, a five-knob four-stage phaser that creates phase and vibrato nuances never heard before. Five knobs! Count 'em! Speed sweeps from maddeningly slow to puppy dog flippy, vibrato/phase sweeps from, erm, you'll figure that out, feedback sends the output back through the phaser again to raise intensity, and there are controls for the top end and bottom end of the sweep so you can completely tailor the sound to your song.
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 2 in stock $197.77
Cat: 730429 Rel: 29 Apr 19
 
Vertical, pedalboard-friendly version of the Instant Lo-Fi Junky pedal
Notes: This pedal was designed to emulate the sounds and textures of the Lo-Fi Loop Junky in real time, but it goes far beyond that. Click it on and mix your sparkly clear compressed signal with the smashed, lo-fidelity warbled signal and listen to it become a luscious emulsification that can be blended to the most perfect depth. Achieve new haunting chorus sounds and pulsating vibrato. Unusual and fun, you've never heard anything quite like it.
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 2 in stock $202.99
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quote 730429
Cat: 726481 Rel: 04 Apr 19
 
Multi-effects processor with 60+ effects, 13 amp models, 68 drum patterns & looper
Notes: The Zoom G1 FOUR features over 60 effects and amp models, looper and drum machine. Plus, access ZOOM Guitar Lab's additional library of downloadable effects. Plug in and be amazed!

Sounds That Inspire:
The pedal has more than 60 traditional and boutique effects, including ring modulator, pitch-shifting delay and even sitar simulation.

Your Favourite Amps & Cabinets:
With 13 classic amps and cabinets like Fender, Marshall, Orange and more, the G1 series brings big stage sound wherever you go.

You'll Love The Free Guitar Lab Software:
With ZOOM Guitar Lab, explore an endless world of artist patches, effects and more. And with its ability to manage and backup all of your patches, you can experiment and create endless combinations.

Drums Included:
Play along with 68 great-sounding rhythm patterns in different time signatures, including 4/4, 3/4 and more.

Stay Looped In:
The built-in looper can record up to 30 seconds of playing, allowing you to create dynamic, multi-part arrangements.

Auto Patch Backup:
Your patches and level settings are instantly backed up when using the Auto Save function, ensuring you never lose your latest creation.

Perform Live:
Seamlessly switch up your sounds during live shows using either of 2 performance modes.

PRESELECT mode lets you jump from patch to patch without affecting the patch your currently playing.

STOMP mode lets you turn individual effects on and off with the tap of your foot.

Off the Floor:
The G1 FOUR control panel is also designed for hands-on, desktop use. Dial in tones and adjust level settings with absolute precision to craft your perfect sound.

Power Options:
The G1 FOUR runs on just four AA batteries. Alternatively, it can be powered using the optional Zoom AD-16 AC adapter or via USB bus power.
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 1 in stock $72.19
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quote 726481
Cat: 595567 Rel: 08 Dec 15
 
Analog delay effects pedal with compact design & true bypass
Notes: - Warm analog delay
- Timeless warmth on effected signal
- Easy Echo/F.Back/Time controls
- Excellent dynamic response
- Simple, easy to use design
- 100% Analog design with True Bypass circuitry
- "Effects on" indicator light
- Original XVIVE tone
- Micro pedal package
- Durable all-metal housing
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 1 in stock $36.61
Cat: 698452 Rel: 21 Aug 18
 
Digital distortion pedal with high gain modern preamp
Notes: The WMD Geiger Counter is hundreds of entirely new face melting sounds. A high gain modern preamp drives an 8 bit computer, creating sounds which range from nice (tubey overdrive, lofi aliasing, hot gated leads) to total madness (impossible amounts of gain, multiple octave foldover, harsh digital data errors, and piercing sculpted noise).

- High Gain Modern Preamp
- Dramatic Tone Control with Disable
- Sample Rate from 260Hz to 58kHz
- 1 to 8 Bit Depth with Mask mode
- 252 Wave Table Modulator
- CV In for Expressive Control
- Always saves settings
- Hand Wired True Bypass
- Top Quality Components
- Super Hard Epoxy Powder Finish
- Standard 9V Power Jack
- 4.5" x 3.5" Small Footprint
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 2 in stock $280.43
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quote 698452
Cat: 731606
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


The Geiger Counter - Civilian Issue is 32 killer sounds from the original Geiger Counter. WMD stripped off the majority of the controls and took $100 off the price. This is for those players who want to dial in a tone quickly and save pedalboard space.

The Controls:

Stomp Switch - Like all WMD pedals, the GCCI (Geiger Counter Civilian Issue) is handwired and true bypass, so it won't affect your tone when disabled. When the GCCI is on, the red LED will be lit.

Gain - The gain control provides anywhere from a nice clean tone to a ton of overdrive. Use this to hit the Function tables harder or softer to produce different amounts of harmonics.

Tone - The tone control can be used to fine tune the harmonic content from the Function tables. Use lower settings for fewer upper level harmonics.

Function - Twisting this knob will cause the number on the display to change. It goes 0 to 9 and A to F. This selects the 16 presets inside the GCCI. Push the knob in to activate the Low Fidelity mode for each preset. Low Fidelity mode is indicated by the decimal point on the display.

Each Function recalls parameters from the original Geiger Counter including the Bit Depth, Sample Rate and the Wave Table. The wave tables are displayed in the manual file. As your guitar string swings up and down, the wave table is played left to right from the centre. The output is what's vertically on the graph. The more movement in the Function, the more harmonic content you'll get out.

Volume - Sets the output volume of the GCCI which can be up to 5Vpp, enough to really crush your amp's input stage.
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 1 in stock $167.43
Cat: 698451 Rel: 30 Aug 18
 
Stripped down version of the Geiger Counter digital distortion pedal
Notes: The Geiger Counter - Civilian Issue is 32 killer sounds from the original Geiger Counter. WMD stripped off the majority of the controls and took $100 off the price. This is for those players who want to dial in a tone quickly and save pedalboard space.

The Controls:

Stomp Switch - Like all WMD pedals, the GCCI (Geiger Counter Civilian Issue) is handwired and true bypass, so it won't affect your tone when disabled. When the GCCI is on, the red LED will be lit.

Gain - The gain control provides anywhere from a nice clean tone to a ton of overdrive. Use this to hit the Function tables harder or softer to produce different amounts of harmonics.

Tone - The tone control can be used to fine tune the harmonic content from the Function tables. Use lower settings for fewer upper level harmonics.

Function - Twisting this knob will cause the number on the display to change. It goes 0 to 9 and A to F. This selects the 16 presets inside the GCCI. Push the knob in to activate the Low Fidelity mode for each preset. Low Fidelity mode is indicated by the decimal point on the display.

Each Function recalls parameters from the original Geiger Counter including the Bit Depth, Sample Rate and the Wave Table. The wave tables are displayed in the manual file. As your guitar string swings up and down, the wave table is played left to right from the centre. The output is what's vertically on the graph. The more movement in the Function, the more harmonic content you'll get out.

Volume - Sets the output volume of the GCCI which can be up to 5Vpp, enough to really crush your amp's input stage.
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 2 in stock $187.30
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quote 698451
Cat: 486359 Rel: 05 Jun 13
 
Classic wah wah guitar effects pedal
Notes: The V845 wah wah pedal is a new version of the most famous guitar effects pedal of all time. Based on the specifications of the original pedal developed by Vox in the '60s, the V845 wah wah offers guitarists the same legendary wah wah tone in a new sturdy but very affordable design. An AC power connector is fitted to save on batteries and the outer case is coated with tough all-black finish making it the perfect choice for your pedal board.

Vox developed the world's first Wah-Wah effect during the '60s in an effort to allow guitarists to emulate the sound of a trumpet being muted, an important musical ingredient of the day. Vox's original Wah-Wah pedal quickly gained widespread popularity and its unique sonic characteristics have encouraged further experimentation by guitarists ever since. Having made spotlight appearances on some of the most famous recordings of all time, the Wah-Wah is still considered must-have equipment for guitar players of all levels and abilities today.
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 2 in stock $55.46
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quote 486359
Cat: 738696
 
B-STOCK: Box opened, product unused & in perfect condition
Notes: ***B-STOCK: Box opened, product unused & in perfect condition***


The StompLab series of effect pedals are impressive new contenders that pack powerful sounds into compact and sophisticated looking metal bodies. Sound variations are categorized by style, such as rock, blues, and ballad, making it easy for even novice users to recall the desired sound. In addition to the StompLab IG's dedicated guitar modeling and the StompLab IB dedicated bass modeling, the lineup also includes the StompLab IIG and IIB which provide an expression pedal. With high-quality looks, plus its high quality sound, the StompLab series will be a great companion for the guitarist or bassist for years to come.

Multi-effects units contain an incredibly diverse array of sounds that range from distorted to clean, and the sheer number of these sounds can be staggering. Although having a large number of sounds is a great advantage, it can also overwhelm the novice user, causing difficulty or confusion. The StompLab series is designed to be easily usable, even by novice players. Since each program is named with a musical style, such as rock, blues, or metal. You'll be able to find the perfect sound without being concerned with specific effect names. The musical styles are categorized into ten types, and cover everything from straight-ahead traditional styles to quirky, unusual sounds. There are ten variations for each category, so you're sure to find sounds you like.

Simply playing the preset sounds is a lot of fun, but you'll definitely want to create some of your own original sounds as well. The StompLab IG contains 103 types of modeling effects, the StompLab IIG has 104, the StompLab IB has 60, and the StompLab IIB has 61. These effects are categorized as pedal, amp, drive, cabinet, modulation, delay, and reverb effects. When noise reduction is included, you can use up to 8 of them simultaneously. Each effect type provides multiple parameters that you can deeply edit to create your perfect sound. Since the sound engine is equivalent to those featured on the worldwide best-selling VT+ series of modeling amps and the ToneLab series of multi-effect units, you need no further guarantee of quality. Sounds you create can be saved as 20 user programs.

The StompLab series was designed with great care, not only for its sounds, but also for its superb aesthetic. You'll never get tired of the cool metallic exterior. The pedal design is reminiscent of the vintage VOX wah pedals, which is sure to boost inspiration. One of the attractions of the StompLab series is the high-quality appearance, which is unheard of among other compact multi-effect units. It sounds excellent, it looks great and it's compact enough to fit into a gig bag, so you can take it along with you anywhere your music takes you, quickly and easily.

The StompLab IIG and IIB are equipped with an expression pedal that can be used to control wah and volume, and also the parameters of each effect. You'll be free to create unique original sounds that you've never heard before.

The StompLab series has a built-in chromatic tuner, so you won't need to provide one separately. The three-LED indicator makes tuning easy. For convenience on stage, there's a mute function that lets you tune without being heard by others. Headphones can also be connected, so you'll be able to play at home late into the night without disturbing anyone. Battery operation makes these units easily portable, letting you enjoy serious sound from your guitar or bass wherever you go.
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 1 in stock $81.54
Cat: 712096 Rel: 27 Nov 18
 
Compact 6-in-1 multi-effect for electric bass
Notes: Dapper Bass is an all-in-one workhorse for bass players. This strip has everything you need, plus some inspiration.

TUNER:

First in line is a big, bright, fast and accurate tuner so you can play confidently in tune.

BOOST COMP:

BOOST COMP is a booster and compressor combo. Set-to-forget knobs make it simply diabolical.

DIRTY Q:

The DIRTY Q module is an envelope filter with some interesting tricks. Tweak the knobs onboard until you find the vocal tone that suits your playing style.

BASS AMP:

This BASS AMP module will give your bass the life it needs for every musical genre. The EQ is golden with cleans and highly responsive even with the gain up.

OCTAVE:

Use the all-analogue monophonic OCTAVE module to beef up your low end, create synthy leads, or make everything crash off the walls. Individual octave and dry control ensure maximum inspiration.

CHORUS:

Plunge into the lush CHORUS module to take your sound to a brave new world. No patience for annoying parameters - the single depth knob will let you decide how deep into analogue chorus dimensions you want to go.

And Dapper Bass is expandable for everything else you might need too:

FX LOOP:

Hook up your other effects - as many as you want! - and make Dapper Bass the core of your rig.

THRU and XLR out:

Use the THRU output jack to run through some parallel effects (rack processors, interfaces, etc.) or do some re-amping.

The XLR OUT feeds a balanced signal to audio interfaces or mixers.
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 1 in stock $154.86
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quote 712096
Cat: 718593 Rel: 01 Jan 90
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


Dapper Dark is your ally from the dark side. This all-in one monster has everything you need:

TUNER:

First in line is a big, bright, fast and accurate tuner so you can play confidently in tune.

BOOST :

Use the one-knob BOOST to kick your sound up to the next level. You get up to +12dB of gain with some extra highs and digging-in lows.

HIGAIN:

Featuring definitive lows, edgy highs, massive gain and sweet definition, the hi gain distortion module is deliberately brutal. A 3-band EQ makes it flexible, and a built-in noise gate keeps hum away.

CHORUS:

Plunge into the lush CHORUS module to take your sound to a brave new world. Fine tune the onboard rate and depth knobs to beef up your cleans or give some extra body to your heavy riffing.

DELAY:

Beef up your riffs and solos with this luscious delay. You can set the tempo in with the dedicated tap switch.


And Dapper Dark is expandable for everything else you might need too:

FX LOOP:

Hook up your other effects- as many as you want! - And make Dapper Dark the core of your rig.

CAB SIM:

Dapper Dark's cab sim function will set you up for any possible performance venue, from Radio City to the backyard barbecue show.
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 1 in stock $118.65
Cat: 712106 Rel: 27 Nov 18
 
Passive 2-in-1 volume/expression for variety of instruments
Notes: The Valeton Surge EP-2 is a compact, robust and highly affordable unit that can be utilised as either a Volume pedal or Expression pedal, depending on your needs.

This highly-effective pedal is totally passive and needs no battery or adapter to power is, but still manages to give you accurate parameter control thanks to its extra-smooth taper and comfortable action.

The EP-2 works just as effectively with electric bass as guitar, as well as a wide variety of other musical instruments.
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 2 in stock $47.08
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quote 712106
Cat: 720551 Rel: 08 Feb 19
 
All-in-one mini effects strip
Notes: Dapper MDR is your ambient station. Combining modulation, delay and reverb effects in one, this all-in-one mini effects strip has everything you need.

- Tuner module with fast, accurate tuning
- Modulation module with 9 high quality modulation effects in one
- Delay module with 3 fine-tuned delay effects ranging from vintage to modern
- Classic-voiced, 3-mode REVERB module with natural, clear decay
- Tap Tempo function for MODULATION and DELAY modules
- Switchable effect trail
- Phones output for practicing
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 2 in stock $103.60
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quote 720551
Cat: 720548 Rel: 08 Feb 19
 
Mini digital IR cabinet simulator system stompbox
Notes: The Valeton Coral Cab is a professional IR cabinet simulator system featuring 28 legendary guitar / bass cabinets ready for any music style. You can use the detailed presence control and specialized 3-band EQ to get your ideal tone for full experience on stage or right to your DAW.
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 1 in stock $72.19
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quote 720548
Cat: 712098 Rel: 28 Nov 18
 
Effects pedal for electric guitar & bass with JRC4558 chip for original classic tube-style overdrive
Notes: The Valeton Tube Engine is based on the legendary Tube Screamer overdrive pedal and utilizes a JRC 4558 chip for original tasty tube overdriven tone with a 100% analogue signal path. It's the perfect choice for adding smooth, tube-like overdrive to any clean amp, pushing out a warm, creamy, organic overdrive tone.

The pedal has a True Bypass footswitch for crystal-clear tone, has 2 Band EQ for flexible tone shaping and 4 easy-to-read, readily accessible knobs. The Tube Engine is housed in an aluminium-alloy Die Cast case to withstand wear and tear and has a heavy-duty metal footswitch with on/off status LED.

Great booster as well, ideal for pushing an overdrive/distortion pedal (or an overdriven amp) over the edge with great tone with low noise level.
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 1 in stock $38.08
Cat: 720543 Rel: 08 Feb 19
 
Distortion effects pedal
Notes: - Designed for metalheads
- Coveted modern high gain sound with clear, punchy bottom-end and aggressive presence
- 100% analogue signal path
- True bypass footswitch for crystal-clear signal thru
- Aluminium-alloy die cast casing to withstand wear and tear
- Heavy duty metal footswitch and on/off status LED
- 4 easy-to-read, readily accessible knobs
- Perfect choice for modern metal players
- Pristine tone with low noise level
- 2 band EQ for flexible tone shaping

DIST: Controls the gain
VOLUME: Controls the output volume
BASS/TREBLE: Controls the low/high EQ Level
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 1 in stock $35.57
Cat: 720542 Rel: 08 Feb 19
 
Crunch distortion pedal
Notes: - Carefully selected chip for perfectly recreating the classic high gain British amp distortion
- 100% analogue signal path
- True bypass footswitch for crystal-clear tone
- Aluminium-alloy die cast case to withstand wear and tear
- Heavy duty metal footswitch and on/off status LED
- 4 Easy-to-read, readily accessible knobs
- Perfect choice for hard rock style crunch tone
- Great tone with low noise level
- 2 band EQ for flexible tone shaping

VOLUME: Controls the output volume
CRUNCH: Controls the gain
BASS/TREBLE: Controls the low/high EQ level
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 1 in stock $35.57
Cat: 720527 Rel: 08 Feb 19
 
Vintage distortion
Notes: - LM308 chip for perfectly recreating the most famous underground overdriven-distortion tone
- 100% analogue signal path
- True bypass footswitch for crystal-clear tone
- Aluminium-alloy die cast case to withstand wear and tear
- Heavy duty metal footswitch and on/off status LED
- 4 easy-to-read, readily accessible knobs
- Wide tone range performance: from cleaned-up, overdrive to distortion, and even fuzz tones
- Perfect choice for blues/rock style dirty sound
- Great tone with low noise level
- 2 band EQ for flexible tone shaping

VOLUME: Controls the output volume
BASS/TREBLE: Controls the low/high EQ level
DISTORTION: Controls the gain
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$34.27 SAVE 20%
 1 in stock $27.42
Cat: 720544 Rel: 08 Feb 19
 
Analogue-voiced delay pedal
Notes: - Analogue-voiced delay with digital IC chip
- Natural, warm delay tone with nice clarity
- True bypass footswitch for crystal-clear signal thru
- Aluminium-alloy die cast casing to withstand wear and tear
- Heavy duty metal footswitch and on/off status LED
- 4 easy-to-read, readily accessible knobs
- Pristine tone with low noise level
- Unique tone knob for further tone shaping

E LEVEL: Controls the wet signal level
TIME: Controls the delay time
TONE: Controls the delay tone
REGEN: Controls the delay feedback (repeats)
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 1 in stock $33.48
Cat: 720529 Rel: 08 Feb 19
 
Vintage compressor based on vintage studio rack-mount compressor equipment
Notes: - Sound based on vintage studio rack-mount compressor equipment
- Carefully selected transistors for reaching the hi-end compression sound
- 100% analogue signal path
- True bypass footswitch for crystal-clear tone
- Aluminium-alloy die cast case to withstand wear and tear
- Heavy duty metal footswitch and on/off status LED
- 4 easy-to-read, readily accessible knobs
- Wide range sustain control
- Tone knob can adjust the brightness
- Attack knob for creating hard punchy tone

Output: Controls the output volume
Sustain: Controls the threshold of compression
Tone: Controls the brightness
Attack: Controls the attack time
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 1 in stock $46.03
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quote 720529
Cat: 720533 Rel: 08 Feb 19
 
Vintage analogue chorus
Notes: - Classic BBD chip for perfectly recreating the magical jazz chorus tone
- 100% analogue signal path
- True bypass footswitch for crystal-clear tone
- Aluminium-alloy die cast case to withstand wear and tear
- Heavy duty metal footswitch and on/off status LED
- 4 easy-to-read, readily accessible knobs
- Lush, warm, natural, focused chorus tone
- Musical range of speed and depth settings
- Tone knob for controlling tone brightness

TONE: Controls the brightness
MIX: Controls the mix level between dry/wet signal
SPEED: Controls the chorus speed
DEPTH: Controls the chorus depth
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$40.80 SAVE 20%
 1 in stock $32.64
Cat: 720546 Rel: 08 Feb 19
 
Fully controllable auto wah pedal
Notes: - Highly accurate, very fast tracking
- 100% analogue signal path
- True bypass footswitch for crystal-clear signal thru
- Aluminium-alloy die cast casing to withstand wear and tear
- Heavy duty metal footswitch and on/off status LED
- 4 easy-to-read, readily accessible knobs
- Pristine tone with low noise level

SENSE: Controls the sensitivity
FREQ: Controls the frequency range of the filter
RESO: Controls the sharpness of the filter
DECAY: Controls how fast the filter frequency falls back to the resting point
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 1 in stock $40.80
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quote 720546
Cat: 712088 Rel: 27 Nov 18
 
Warm analogue delay pedal with dual BBD chipset for vintage style delay sounds
Notes: - Warm, sweet analogue delay tone
- Dual BBD chipset for recreating the iconic, vintage delay sound
- Buffer bypass
- 100% Analogue signal path
- Zinc-alloy die cast casing to withstand wear and tear
- Easy-to-use, readily accessible knobs onboard
- Great tone with low noise level
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 1 in stock $60.68
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quote 712088
Cat: 719167 Rel: 22 Mar 19
 
Fully analogue echo/delay effects pedal
Notes: The Supro Delay is a premium, all-analogue echo pedal that uses a pair of new-production MN3005 "bucket brigade" IC chips to deliver sounds ranging from 20ms slapback up to 600ms of buttery vintage delay. Far superior in fidelity to the low-voltage MN32XX series chips more commonly used in modern stompboxes, the high-voltage MN3005 IC chips found in the Supro Delay provide sweeter echoes with dramatically increased headroom and dynamic range, due to their robust 15V power rails.

In addition to TIME, REPEATS and LEVEL knobs, the Supro Delay features a newly-designed FILTER control that provides both low-pass and band-pass functions on a single knob. This unique filter design provides both the dark and murky echoes associated with BBD analogue delays as well as bright tape echo sounds that evolve over time with extended repeats. Drawing inspiration from the golden era of analogue pedals and recording to tape, the Supro Delay was designed by Howard Davis, master engineer behind the legendary late-1970's EHX Deluxe Memory Man and the Pigtronix Echolution.

Supro Delay offers an Expression input which can be assigned to control of the TIME, REPEATS or LEVEL knobs using a standard TRS expression pedal. The Supro Delay comes housed in a custom-made anodized aluminium chassis and features soft-touch, click-free, true bypass switching, as well as internally switchable Dry Kill and Trails functions. The Supro Delay runs on standard 9VDC power, using internal voltage-doubling to provide world-class headroom in a compact analogue delay pedal.
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 2 in stock $259.50
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quote 719167
Supro 1310 Tremolo Pedal (effects pedal)
Cat: 640522 Rel: 13 Feb 17
 
Tremolo effects pedal, with switchable amplitude/harmonic tremolo modes & expression pedal input
Notes: The Supro Tremolo is an analog stompbox designed to recreate two of the most desirable vacuum tube based modulation effects found in American amplifiers of the 1960's. The Supro Tremolo pedal's AMPLITUDE / HARMONIC switch allows the musician to choose between these distinctly different, vintage effects. AMPLITUDE mode provides the traditional swampy, tremolo sounds generated by bias modulating the power tubes in the original Supro amps. HARMONIC mode provides the psychedelic tones of Leo Fender's brownface and blonde amps from the early 60's. We've implemented Leo's unique "harmonic tremolo" effect within the output stage of the pedal to create an "amp-like" modulation experience.

The Supro Tremolo pedal features pre-amp and power amp sections, with an actual output transformer deployed to recreate the magnetic saturation and coloration of the original vacuum tube based effects found in these historic amps. Along with the standard modulation controls for speed and depth, the Supro Tremolo also features a gain circuit that allows the musician to overdrive the output stage, right where the modulation effects are created. The GAIN control sets the amount of "preamp" gain in the pedal. As you turn the gain up, the "power amp" circuit will gradually be pushed into overdrive. This control gives you a wide range of sounds from clean to grind, with magnetic saturation occurring as the power section is pushed into overdrive. As you crank up the gain, the overall output level of the Supro Tremolo is automatically compensated in order to maintain consistent signal level. This allows the musician to use the GAIN control to alter the texture of the modulation effects without an overwhelming increase in audio output level.

SPEED and DEPTH controls determine the rate and amount of modulation present in the effect. An industry-standard TRS expression pedal can be used to control the speed of the Supro tremolo. When an expression pedal is in use, the on-board SPEED knob is used to set the maximum value. The rate of modulation is indicated by the pulsing LED status indicator. All Supro pedals are assembled in Port Jefferson, NY, USA, featuring custom-tooled, anodized, brushed-aluminium enclosures, 9V battery or AC powered operation, rear-mounted metal jacks, easy-access side-mounted battery drawer and studio-friendly, noiseless (click-free) true-bypass switching.
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 4 in stock $238.57
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quote 640522
Cat: 712754 Rel: 03 Dec 18
 
Analogue dual-filter/wah stomp box
Notes: Versatile Wah Multi-Effects Pedal
The Sonuus Wahoo is an innovative multi-effects pedal designed for use with guitars, synths and more. What sets the Wahoo apart from the rest of the FX pedals out there is its coupling of Wah and Filter effects in a single unit. The dual analog filters deliver exceptional clarity with a wide sonic palette you can control. The wide frequency and resonance range allows you to achieve virtually any Wah or Filter sound you can think of. The versatile design makes it ideal for a range of music genres and applications, from the classic British Wah sound to the resonant bass envelope filters.

Pure Analog Signal Path
The fully analog signal path is incorporated to capture the warmth and grit of analog circuitry, resulting in a unique sound and tonal palette. You can adapt the analog circuit's response to create virtually any sound or tone you desire. The pedal features 100 factory presets and 100 user presets, allowing you to save and recall settings instantly. This gives you the ability to create your own custom filters for added versatility. You can achieve everything from vocal vowel Wah to Overdrive and everything in between.

InfiniQ Pedal Sensor
The pedal itself utilises the unique patented InfiniQ pedal sensor. This custom position sensor provides high-end precision and control with no mechanical couplings. On conventional guitar pedals, the unit operates using a potentiometer. The downside of this is that they can wear out quite quickly, making your effects scratchy and not concise. The innovative InfiniQ pedal sensor eliminates this, ensuring the pedal will never wear out.

Ergonomic Controls
The flexible control panel features an ergonomic layout with clearly annotated controls. The top of the pedal features up and down navigation buttons, allowing you to toggle between presets. The pedal is comprised of three sections: Level, Filter and Mode. Each section is designed to control various parameters, the Level section features an encoder that allows you to switch between Drive, Output, Dry/Wet and Filt Mix settings. The Filter section allows you to switch between Hi/Lo Q, Hi/Lo Frequency and the Shape of your filter, while the Mode section lets you switch between various modes for added flexibility.

Robust, Compact Design
The compact and highly robust design ensures a long life span and optimal durability. The metal body and high-grade materials make the Wahoo perfect for life on the road, easily withstanding the rigours of transportation and extensive live use. Transparent-True-Bypass allows you to reap all the benefits of true-bypass without the problem of switching noise. Additionally, the pedal features a USB connection which can be used with the Wahoo Desktop Editor Software, allowing you to edit and manipulate presets. The USB-MIDI can also be used to sync internal LFOS and automate the filter parameters.
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 1 in stock $209.27
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quote 712754
Cat: 704150 Rel: 28 Sep 18
 
Tracer City with true analog multi-mode resonant filter
 1 in stock $390.31
Cat: 704144 Rel: 28 Sep 18
 
Unique monophonic tracking device
Notes: Don't let the name fool you. There is nothing tiny about the sound of this device. THE MINI-ARK is in a class of its own in the world of guitar synths and tracking boxes.

THE MINI-ARK is the little brother to the one-of-a-kind AUDIO ARK, SNAZZY FX's super processor. It has the capability to take your guitar input, track it precisely, add an octave of your choice below or above, an interval of your choosing above (or below) and the capability to mix the two in any combination with the original signal or a dirty version of the original signal. This is huge. You can now create chords or thickened notes in thousands of combinations, all by changing the mix knobs and the position of the Interval and Octave selectors.

But that's just the beginning. In addition to the Octave and Interval sections, there is also an Infinite Hold section which allows you to stomp on a second switch and let the note go on and on and on and on.

While the sound is droning, there is an additional octave down effect that you can play on top of the continuous sound. Think of it this way - you could be playing a lead, the lead could be mimicked a 3rd above, and 3 octaves below, and then get mixed with a distorted version of the same guitar. Then, you could step on the infinite switch, and start playing the distorted guitar and an octave below on top of the already holding 3rd above and 2 octaves below. Its really something you have to hear in action.

There is also a Gate/Sustain switch. This allows you to have notes blend continuously into each other as you play or create very artificial staccato effects.

But Wait....That is only half of the action. There is also the Magic Selector. This rotary switch allows you to switch from 8 different presets which come with THE MINIARK. Preset one is the normal mode, where your guitar creates an interval and an octave. But, choose any of the other seven modes and the operation of this device is sent into alien territory with Swells, Crazy Vibrato, Super Fuzz, or even clarinet like sounds, all flying out of the machine.

There is a rich array of CV Outputs. You get an Env Out which is useful for controlling an external device. You can, for example, plug this into the SNAZZY FX TRACER CITY. There is a gate out, for controlling an external synth, sequencer, or Modular Sythesizer, and the special Square Out. Please see the manual for the amazing things this output can do.

THE MINI-ARK features +/- 15 volt rails, similar to the rails found in analog synthesizers, powered by a standard barrel connector 9 volt DC adapter.This means greater headroom which translates into better tone. And like all SNAZZY FX products, it features True Bypass and a Seriously Heavy Duty Box with SNAZZY Graphics that will not only stand the test of time, it will turn heads wherever you take them.
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$281.49 SAVE 20%
 1 in stock $225.19
Cat: 712120 Rel: 27 Nov 18
 
Classic 80's BBD analogue delay with up to 700ms delay time
Notes: The Sinvertek Fluid Time MKII Analog Delay builds upon the first generation of this delay after years of continuous development. Utilising the versatile tonality of a BBD analogue delay loved by guitarists the world over, the Fluid Time MKII features upgraded tone quality and perfected functions. A pure analogue delay with a digital micro controller hosting an enormous amount of versatility and options, Sinvertek have crafted the Fluid Time MKII using five re-issued MN3208 BBD chips, with a possible delay time of 700ms for unleashing a barrage of creative possibilities.
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 1 in stock $166.38
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quote 712120
FORTHCOMING
Rainger FX Drone Rainger Digital Delay Pedal
coming soon TBA
FORTHCOMING
Rainger FX Dr Freakenstein's Chop Fuzz Pedal With Igor
coming soon $287.76
Cat: 675777 Rel: 14 Feb 18
 
Digital reverb custom mini-pedal with up to 6 seconds of reverberation time
Notes: This is a digital reverb mini-pedal, simple to use, but giving a whole selection of unique - and very useful - new sounds. It's based around an FV-1 chip, and comes with an Igor expression pad for real-time control. 'Size' adjusts the length of the effect, and 'Level' the amount of it you hear (the original guitar signal is always present).

Distortion:

The Reverb-X really comes into its own in how it can deal with the reverb. It's based on the excitement of plugging an overdrive pedal after a reverb pedal; it's 'wrong', but everything you play sounds huge and epic, exaggerated and full of texture and detail... Here, an overdrive circuit - after the reverb - can be blended in via the 'Distn' knob. Have it totally clean, a bit gritty, quite rough, or dial in a fully burnt-out glow.

At all times, however, the input signal is unaffected; if you already use an overdrive pedal, the Reverb-X can add a whole new dimension of distortion to your sound! If your tone is clean however, it stays clean - no matter how much distorted reverb you dial in.

Usually though, in this situation when you stop playing, the hum from your cable alone would be as loud as the notes you were playing! So you have to have a noise gate involved...

Noise Gate:

This is always on, either before the reverb and distortion circuits, unobtrusively silencing hums and buzzes when you're not playing. Switch in the 'Gate' button though, and this changes to post reverb and distortion. It opens when you play, and closes hard when you stop, totally cutting off any reverb that's happening - giving an incredibly dramatic and original effect. Sure, it's a gated reverb, but play a long riff and gate stays open, giving the full reverberation as set by the 'Size' knob. Stop playing and the whole thing is shut down, giving a tight control over it - like a hard-edited 'sample'.

The 'input' control and 'Overload' LED insure that the output is always as loud - and clean (if desired) - as possible. The 'Out' knob has plenty of spare output volume on tap.

Igor:

Plug in the Igor expression pad and you get no reverb at all. However as you start to lean on it the signal gets diverted to the waiting reverb pathway, and a bloom of reverberation grows behind whatever notes you're playing. Take your foot off Igor and you go back to fully dry - but the reverb decays on its own.

Or have the 'Gate' switch in, and the added reverb is cut short, like some twisted dub-meister at the controls, messing with everyone's depth perception...

The two types of reverb available are set to cover the widest range of musical situations as possible. The Reverb-X is an incredibly flexible, easy-to-use, and inspiring effect - all in a deeply cute package!
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 1 in stock $183.11
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quote 675777
Cat: 637298 Rel: 14 Mar 17
 
Sidechainer effects pedal with Igor & kick drum mic
Notes: This is a sidechainer pedal, an effect that ducks your guitar signal each time it gets a trigger - capable of putting deep spaces into your sound! It's an effect that's heard on many recordings, often subtly - like when a rock rhythm guitar is sidechained with the kick drum, so every time the kick drum hits, the guitar volume dips slightly for that instant - giving a really powerful overall effect... The guitar sounds pumping, or spring-loaded! Or it's sometimes used strongly, to make the signal completely disappear with each kick drum, as in big 4-on-the-floor club tunes.

Whatever way you use it, this effect has NEVER been so easily available - and controllable - as with the Deep Space Pulsar! (Up to now, it's always been an effect that's added in post-production - hardly ever live).

It comes with a microphone; put it inside your drummer's kick drum, plug it into the top end panel of the pedal and you're ready to go! The pedal sits there waiting for the drummer to play....

The 'Dip' knob adjusts the amount of dip to the signal, 'Rel' controls the speed of the release; how quickly the sound rises back up, and 'Vol' is the volume - the pedal can go quite loud, more than compensating for any loss in overall level due to all the ducking. The LED display gives a visual indication of the amount and length of ducking.

TAP TEMPO:

However, when instead you plug in the Igor pressure pad controller, the Deep Space Pulsar has tap tempo - a fully correctable facility - enabling it to work if you're playing along to a DJ or drum machine. Two presses of the Igor programs a tempo (the 'record' LED coming on to show that the tempo is being recorded and it's waiting for the second press), and at any point that tempo can be adjusted to bring it back into sync with the music, enabling the pulsing to stay in time for long periods. Pressing on the Igor erases the tempo, for you to start again at a different tempo.

PUSH-BUTTON SWITCHES:

There's a 'Pad' button to alter the sensitivity of the microphone, and also an 'Inv' button to invert the whole effect; no sound is heard until the kick drum (or tap tempo) hits, when a pulse of signal is let through - introducing whole new kinds of sounds!

This is a revolutionary effect, designed specifically for those that play with other people - whether in bands, clubs or studios.
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 3 in stock $193.58
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quote 637298
Cat: 706808 Rel: 29 Oct 18
 
Compact, full range fuzz/bleep effects pedal
Notes: The Bleep is the most fun, most out-there pedal in the Rainger FX line! It's a compilation of various sounds from the range of Dwarf pedals recently discontinued, but in a more usable format. Using the same full-on fuzz circuit from the Dr Freakenstein Fuzz pedal, it has more low-end, the LFO speed is adjustable on-the-fly, and the chip-destabilising 'bleep' facility is now accessible via a front panel knob.

The 'overtone' is controlled by knob, LFO, or Igor controller. With Igor plugged in, the Bleep is highly controllable while you're actually playing - no huge-and-heavy expression pedal needed. The dual-sensitivity pressure pad in effect adjusts the 'Overtone' knob, or the LFO speed. The built-in noise gate is always in operation, ensuring the pedal is totally silent when there's no signal; that means zero background hiss - at whatever volume you're playing at.

The green-on-green LED display changes with every new phrase you play - or every bleep, graphically showing what's going on in a truly mesmerising fashion.

This pedal covers a wide palette of sounds, from hard chunks of uncompromising fuzz, to edgy lead tones that are guaranteed to cut through a mix. The sustain can morph into robot alarm sounds, the signal degrading into rhythmical proto-synthy pulses, their pitch actually playable in real time. With the LFO on, the 'overtone' is automatically modulated to produce a slowly scything tonal movement - like an extreme phaser, and with the 'Bleep/Fuzz' knob and Igor pressed the speed ramps up, moving into psychotic chirping like some fiendish arcade game...

Igor is a pressure sensitive control pad - a small expression pedal 55mm wide with no moving parts. It's dual sensitivity; use it shiny side up on a hard stage or standing up, and rubber side up in you're sitting down or barefoot. Or use it by hand. If you've had enough of lugging around treadle-operated expression pedals, this will be a breath of fresh air!
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 1 in stock $131.84
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quote 706808
Cat: 693405 Rel: 02 Jul 18
 
Analogue guitar overdrive with unique synthy edge
Notes: This pedal is the new mini version of the Air Traffic Controller - but with a switchable filter. The overdrive circuit (not switchable) is from the - now discontinued - El Distorto, so this is actually a two-in-one pedal. With the filter on and some white noise blended in it gives a 'moogy-soloing' hi-resonance funk sound, or a stinging and intense lead tone. Filter off gives our tweaked mid-rangey optimum fuzz (as loved by Billy Gibbons).

White noise hiss is a feature often ignored in 'synth' pedals, but it can add a great texture to the tone. Here it's blendable; have none at all, just a clear zing - or crank it up towards electro percussion...

There's also volume and drive controls, a 'hi/lo' resonance button, and an 'incoming' signal indicator. It's powered by standard 9v PSU (centre earth) - not included.

This is actually the most flexible pedal from Rainger FX, covering guitar sounds that range from chunky and straightforward, or with a more electro edge, through to noise-based percussion guitar.
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 1 in stock $103.60
Cat: 725760 Rel: 09 Jul 18
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


Pigtronix Ringmaster is a ring modulator synth designed to create analog harmonizer and tremolo effects that can be made to follow the notes you play. Expanding on the "Intelligent Ring Mod" found in the original Mothership pedal, Ringmaster adds LFO and Sample + Hold modulation sources, pitch following tremolo and well as wave shaping for both inputs to the analog multiplier circuit at the heart of this uniquely musical ring modulator.

The effect known as ring modulation is created by merging the audio signal from your instrument with an internally generated waveform called the carrier signal. A ring modulator multiplies the notes you play by the value of the carrier signal - and outputs the sum and difference of the frequencies present in each waveform. In the Ringmaster, Pigtronix real-time pitch-tracking technology is used to make the carrier signal follow the notes you play, to produce musical harmonizer effects unlike any other pedal. The Follow function in the Ringmaster can also be switched off to achieve a comprehensive range of atonal, metallic and bell-like tones found in vintage ring modulators.

Ringmaster opens the door to a wide array of unique synthesizer tones by allowing the musician to modify both the input signal and the carrier signal, before they are multiplied together. The Source control blends between clean instrument signal and a pitch-following square wave feeding the multiplier, to increase harmonic content. The Gain control pushes the carrier signal into saturation - producing aggressive, non-linear slewing effects and brass sounds. Further warping and manipulation of the carrier signal is achieved with independent, on-board LFO and Sample + Hold function generators. These dual modulation sources can be used to add several layers of motion to the Ringmaster's unique selection of harmony, ring-mod and tremolo effects.

In addition to tonal harmonizer and atonal ring modulator sounds, the Ringmaster features a Trem function, which divides the rate of the carrier oscillator down into the LFO range to create tremolo. When combined with the Follow function, the tremolo will speed up as the pitch of the input signal goes up, tracking the notes you play and automatically adjusting the rate of the tremolo instantly. This function works extremely well with monophonic (one note at a time) playing but can also produce dramatic and unconventional amplitude modulation effects when chords are played, essentially confusing the pitch-tracking circuit, which will jump to whatever note is loudest at any given moment.

The control voltage coming from the pitch-tracking system, as well as the CV signals coming from the LFO and Sample + Hold function generators can be used to modulate outboard gear via the Ringmaster's CV output jack. This 14" CV output can be used as an expression controller for other pedals such as the Pigtronix Mothership 2 pedal, or any synthesizer that allows for external CV control. The Ringmaster also allows for an external carrier to be injected into the multiplier, enabling cross-modulation of multiple instruments within a single pedal. Ringmaster is an ideal companion to the Mothership 2, delivering new modulation effects for guitar, bass, and anyone brave enough to plug in to the analog future of Pigtronix!
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 1 in stock $196.51
Cat: 723363 Rel: 26 Apr 19
 
Tracking 24dB/octave multimode filter pedal with 100% analogue circuitry
Notes: Pigtronix Resotron is an analogue filter that brings the sound of 70's keyboard synthesizers to the world of envelope pedals for guitar, bass and beyond. The filter at the heart of the Resotron is based on the SSM2040 chip found in the legendary Prophet 5 and Octave CAT synthesizers. This 24db/octave, state-variable filter provides the full gamut of familiar envelope filter sounds with UP and DOWN sweeping modes, and a sensitivity control to dial in the response of the effect based on how hard you play.

In addition to these vintage-correct filter tones, the Resotron pushes the envelope pedal concept to a whole new level by using an analogue pitch-tracking system to move the cutoff frequency of the filter up and down. The pitch-following filter effect found in the Resotron moves around based on the notes you play instead of how hard you play. The attack time and rate of filter motion can be adjusted - using the GLIDE knob - to dial in how long it takes for the cutoff to travel between pitches.

"The pitch-following effect found in the Resotron is analogous to the "key-follow" function found on the original Minimoog and many other classic analogue keyboards," says Pigtronix president David Koltai. "Using our all-analogue pitch-tracking circuit to control cutoff frequency, the Resotron delivers mind-blowing filter motion for guitar players. I've dreamt of making this pedal for years, and it's finally here."

The Resotron has the ability to operate in Low Pass, Band Pass or High Pass modes. Each of these filter voices has a distinctive character that can be manipulated by adjusting the PEAK knob, progressively feeding the filter back upon itself to increase the resonance (or "Q") of the filter, right up to the point of self-oscillation. A push-button OSCILLATE function allows you to go even further - turning the Resotron into an analogue synthesizer pedal that follows both the pitch and dynamics of your playing. The synthesizer sounds created by the Resotron can be radically altered by switching between the LPF, BPF and HPF modes. This allows users to access waveforms that range from subtle voice emulations to bombastic, aggressive lead sounds, as well as ultra-smooth sub bass tones.

Before the pedal's input signal hits the Resotron's filter, it passes through an optical compression stage derived from the Pigtronix Philosopher's Tone pedal. The increased volume and punch from this compressor can then be mixed into the audio signal using the BLEND control - without affecting the SENSITIVITY of the envelope. Resotron accepts active CV and passive TRS expression pedal inputs for foot-controlled filter sweeps and outboard modulation, which is mixed in parallel with the on-board pitch-following and amplitude tracking systems.
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 1 in stock $251.13
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quote 723363
Cat: 627790 Rel: 17 Oct 16
 
Micro compression sustainer pedal with volume, sustain, treble & blend controls
Notes: Turn Lead to Gold with the Pigtronix Philosopher's Tone Micro. Famous for its noiseless clean sustain, the Philosopher's Tone stands out as a uniquely powerful guitar effect in the crowded world of compressor pedals. The Philosopher's Tone Micro packs all of the optical compression and unrivalled sustain of the original award winning Pigtronix pedal into a micro size chassis that runs on standard 9V external power.

In addition to VOLUME and SUSTAIN controls, the Philosopher's Tone Micro features a parallel BLEND knob that allows the musician to mix their instrument's original tone with the compressed sound effect. This technique restores natural pick-attack and allows more extreme sustain settings to remain musical. The TREBLE control provides up to 6db cut or boost at 2KHz for fine tuning the frequency response of the effect. The Philosopher's Tone Micro features True-bypass switching and internal 18V power rails for maximum clean headroom, even when used with hot pickups and line level signals.

Practitioners of the mystical and ancient art of alchemy long sought an element called the Philosopher's Stone, believing that, if found, it could turn lead into gold and bestow immortality upon the person who wielded it. The Philosopher's Tone Micro represents an analog musical equivalent to this mythical substance in the world of guitar.

"People have been trying to get clean sustain from a pedal for decades, and the alchemists at Pigtronix seems to have found the secret to make it happen." - Art Thompson, Guitar Player Magazine
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 1 in stock $129.75
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quote 627790
Cat: 685756 Rel: 01 Jun 18
 
Compressor effects pedal in micro-sized stompbox format
Notes: The Pigtronix Philosopher's Tone Germanium Gold Micro brings back the original Pigtronix custom shop compressor/sustainer/distortion effect - in micro form.

This superlative version of the award-winning and top-selling Pigtronix Philosopher's Tone compressor takes the original pedal's optical sustain engine and lets you mix in a layer of germanium-enhanced distortion.

The unique diode arrangement found in the Germanium Gold version delivers a smooth top end and rich midrange response, tailored to match the characteristics of the optical sustainer driving it. If you felt that the original circuits in the Philosopher's Tone were brilliant, wait 'til you hear how the Germanium distortion adds to the overall character of this compressor/sustainer pedal! The clean side of the Philosopher's Tone remains the same; dial in your Blend and Volume to get the signal you desire. Use the Sustain knob to dial in the amount of compression you need. Higher settings on this control will provide a noiseless clean sustain previously unheard of in compression pedals, while retaining the original integrity of your tone.

What makes the Germanium Gold version unique is the GRIT control. More than a simple gain knob, the Grit knob found on the Philosopher's Tone Germanium Gold Micro acts as a blend for the germanium-enhanced distortion found in this unit. You can dial in more or less grit, depending on your tastes. Your clean and overdriven tones from the Philosopher's Tone can be blended perfectly with just the right amount of grit for your playing. This stompbox features true-bypass switching and runs on standard 9VDC power with an internal, voltage-doubling circuit providing the superior clarity and overall output of 18VDC power rails. The Pigtronix Philosopher's Tone Germanium Gold Micro packs an unprecedented amount of boutique compression and germanium distortion into a micro-sized pedal.
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 2 in stock $154.86
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quote 685756
Cat: 568755 Rel: 01 Apr 15
 
Remote switch pedal for the Pigtronix Infinity Looper pedal
Notes: The Infinity Remote Switch is a dual momentary switch designed to complement the Infinity Looper pedal. Unleashing the full potential of the Pigtronix Infinity Looper, this compact remote switch provides access to UNDO / REDO and REVERSE functionality as well as a few other hidden features.

UNDO / REDO:
When an overdub is in the process of being recorded (Loop LED is orange), pressing the UNDO switch will cause the Infinity to permanently erase that overdub at the end of the current loop cycle. Any material from previous overdubs that has already been merged with the initial recording will not be undone.
When an overdub has been recorded and closed (Loop LED is green), pressing the UNDO switch will remove that overdub instantly and retains the overdub for REDO if desired. Any material from previous overdubs that has already been merged with the initial recording will not be undone.

Reverse:
- Pressing the REVERSE button means that REVERSE playback will be started at the beginning of the next loop cycle. Pressing REVERSE also works during the initial recording of a loop.
- Once you are in REVERSE playback, pressing the REVERSE button means that playback will go forwards at the beginning of the next loop cycle.
- Once you are in REVERSE playback, you can use the UNDO switch to flip flop back and forth between forwards and reverse versions of the same layer instantly.
- Hitting REVERSE and then UNDO before the end of the loop cycle will cancel the REVERSE command.

Rec -> Overdub -> Play:
In response to numerous customer requests, we have implemented a feature that allows you to go directly from recording the base layer, straight into overdub mode. Once you have started the base layer recording, simply press the UNDO switch to close your initial loop and go straight into playback with overdub active. Press the appropriate Loop footswitch as you normally would to close the overdub when desired and begin regular playback.

Instant Clear:
When one or both loops are stopped, hitting UNDO will trigger an instant erase of the currently armed loop. This lets you simply leave the unit in ALL mode and retain the option to clear individual loops by pressing the UNDO switch after the desired loop has been stopped.

Varispeed:
To activate Varispeed mode, press and hold the REVERSE switch for two seconds. Depending on the sample rate used during loop recording, Varispeed can play back loops up or down any interval from a minor second to a perfect octave. The default Interval selection is one octave, enabling REVERSE and UNDO to double-speed and half-speed recorded audio respectively.

*1/4" TRS cable included*
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 3 in stock $65.91
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quote 568755
Cat: 569677 Rel: 01 Apr 15
 
Stereo looper effects pedal featuring 2 stereo loops with sync & 50 presets - bundled with the Infinity remote switch
Notes: Pigtronix Infinity is the world's most musical looping pedal. Simple to operate, yet tremendously powerful and flexible, the Infinity Looper from Pigtronix sets a new world standard for latency-free looping. Our state-of-the-art looping platform provides instantaneous record, playback, dub, undo and redo, on two stereo loop pairs that can be configured in several ways. On top of superior speed and a unique, performance friendly feature set, Infinity Looper sounds downright incredible thanks to its discreet analog limiter stages, transparent analog pass-through and 24 bit / 48 kHz HD recording engine.

Infinity's innovative "SYNC MULTI" mode provides a multiplier function allowing the length of Loop 2 to be 1, 2, 3, 4 or 6 times the length of Loop 1. The two loops can also be run out of sync or even in SERIES, for verse / chorus song structures. Ninja style input split mode assigns Input 1 to Loop 1 and Input 2 to Loop 2, effectively allowing performers to record and overdub separate instruments on separate loops, into isolated amps simultaneously.

The Pigtronix Infinity also provides a long awaited AUX Loop output intended to send looped audio to stage monitors. This is especially helpful for drummers to hear and stay in time. An expression pedal jack for Loop Volume allows hands-free control of the overall audio output. We thought of everything and kept only the F.A.T

MIDI input for beat clock sync causes loop start and stop points to obey Pro Tools or any other DAW / sequencer that outputs MIDI. The Infinity's USB access allows you to transfer your music to a computer at full 24bit, 48kHz resolution for further mixing, mastering or immediate publication. We have also implemented audio upload with automatic format conversion, allowing you to upload virtually any digital audio file onto the Infinity Looper.

THE MUST-HAVE PIGTRONIX pedal for any musician. The Infinity Looper will inspire compositional depth and engaging performances; it is the ultimate practice and performance tool for every style of music.

*UK 3-pin power adapter included*

*1/4" TRS lead included*
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 1 in stock $467.75
Cat: 568754 Rel: 31 Mar 15
 
Stereo looper effects pedal featuring 2 stereo loops with sync & 50 presets
Notes: Pigtronix Infinity is the world's most musical looping pedal. Simple to operate, yet tremendously powerful and flexible, the Infinity Looper from Pigtronix sets a new world standard for latency-free looping. Our state-of-the-art looping platform provides instantaneous record, playback, dub, undo and redo, on two stereo loop pairs that can be configured in several ways. On top of superior speed and a unique, performance friendly feature set, Infinity Looper sounds downright incredible thanks to its discreet analog limiter stages, transparent analog pass-through and 24 bit / 48 kHz HD recording engine.

Infinity's innovative "SYNC MULTI" mode provides a multiplier function allowing the length of Loop 2 to be 1, 2, 3, 4 or 6 times the length of Loop 1. The two loops can also be run out of sync or even in SERIES, for verse / chorus song structures. Ninja style input split mode assigns Input 1 to Loop 1 and Input 2 to Loop 2, effectively allowing performers to record and overdub separate instruments on separate loops, into isolated amps simultaneously.

The Pigtronix Infinity also provides a long awaited AUX Loop output intended to send looped audio to stage monitors. This is especially helpful for drummers to hear and stay in time. An expression pedal jack for Loop Volume allows hands-free control of the overall audio output. We thought of everything and kept only the F.A.T

MIDI input for beat clock sync causes loop start and stop points to obey Pro Tools or any other DAW / sequencer that outputs MIDI. The Infinity's USB access allows you to transfer your music to a computer at full 24bit, 48kHz resolution for further mixing, mastering or immediate publication. We have also implemented audio upload with automatic format conversion, allowing you to upload virtually any digital audio file onto the Infinity Looper.

THE MUST-HAVE PIGTRONIX pedal for any musician. The Infinity Looper will inspire compositional depth and engaging performances; it is the ultimate practice and performance tool for every style of music.

*UK 3-pin power adapter included*
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$447.86 SAVE 10%
 5 in stock $403.07
Cat: 672172 Rel: 10 Jan 18
 
Noise Gate pedal for electric guitar with Threshold & Release controls
Notes: Pigtronix Gatekeeper Micro is a lightning fast, studio quality noise gate pedal that locks out all unwanted noise from any rig. Sporting threshold and release time knobs, the Gatekeeper Micro provides 100% attenuation with unprecedented response time, making it the most useful and effective noise gate pedal on the market.

The Gatekeeper Micro utilizes ultra-high speed J-FET circuitry to completely eliminate hum, hiss, buzz and any other non-musical sounds from your signal path. The wide range threshold control combines with superior headroom to deliver smooth transient response and warp speed time constants previously available only in rackmount, studio oriented noise gate processors. These extreme performance characteristics allow for musical gating even under the most punishing demands of high-speed metal. The addition of the release time knob allows the user to control how long it takes gate to slam closed. Mercilessly cutting out any and all sounds you don't want to hear at the very instant you stop playing, the Gatekeeper Micro will allow players to crank up the volume without fear of hearing the annoying 60-cycle hum or white noise that plagues most high gain rigs.
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 1 in stock $103.60
Cat: 647555 Rel: 02 May 17
 
Booster effects pedal for guitar
Notes: For guitar players wanting "more" the Pocket Booster is simply perfect. With just a Gain control the pedal is nonetheless extremely versatile: you can use it to increase the volume of an anaemic amp, or slam the front end for more overdrive. Before dirt boxes, the Pocket Booster generates more saturation and compression; placed at the end of an effects chain it provides a lead level boost.

The Pocket Booster works on a 9V battery or optional power adapter, e.g. Palmer PW9V.
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 1 in stock $33.54
Cat: 647537 Rel: 28 Apr 17
 
Dynamic mic switcher
Notes: The Palmer DMS (Dynamic Mic Switcher) routes a microphone signal to two footswitch-selectable outputs.

The Palmer DMS is a passive unit for dynamic microphones only. The switch is instantaneous and is operated via a footswitch.

The DMS provides a wide range of applications:

- Switch your vocal mic between the FOH and monitor mixing desks to communicate with the monitor mixer or the band on stage.

- Two different sound configurations: to switch between different effects or sounds on your microphone, e.g. a "telephone effect" or more levels of reverb. Run the outputs of the DMS into two channels of the mixing desk, that you can configure
differently. Now you can freely toggle between them on-stage at any time.

- You can also use the DMS to route the signal to two rooms or zones and select either one.
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 2 in stock $47.27
Cat: 682243 Rel: 02 May 17
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


The PECHOR is an easy to use but velvety sounding Chorus effect. With only three controllers Rate, Depth and Intensity you will easily and quickly find the sound you're looking for!
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 1 in stock $41.32
NUX
Cat: 712766 Rel: 21 Jan 19
 
Overdrive effects pedal with rotary drive, level & tone controls
Notes: Genuine tube-like sound that makes it more than your average Tube Screamer!

More gain! That was the overall goal. If you're not playing through a real tube amp, cranked for overdrive, it's difficult to get genuine tube overdrive sound.

The original Tube Screamer pedals used an OP-AMP system, a basic circuitry that became popular for its "perfect amp" attributes. It had no distortion so it had to be overdriven or distorted by re-shaping the signal until it distorts (diode-clipping). Clipping it a little bit gives you Overdrive. Clipping it a lot gives you distortion.

But there's a better way!

Using an FET Transistor System, which already has overdrive and distortion capabilities is a better approach to maintain the genuine sound you get from an actual analogue tube amp. An FET allows you to bring out the harmonic attributes, and break-up the distortion into a finer grit, the way a real tube does.

Now, your leads will sing richer and longer, and your rhythm will be more open and expressive than ever before. It all culminates into an overdrive that is superbly dynamic, with crisp precise clarity that lets players cut through a dense mix, without losing fat mid-range.
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 1 in stock $27.99
NUX
Cat: 712824 Rel: 29 Nov 18
 
Stereo multi-delay effects
Notes: Time Core Deluxe, awesome, user-friendly delay sounds all wrapped up in one little box. You get a total of 7 different delay types offering a wide variety of delay effects from: 40ms Doubled Rock'n Roll delay, then all the way to 1500ms, with an absolutely mesmerizing wash for ambient echo! Each delay mode has its own characteristic sound, tweak-able to personalize your preset. Fill your lead tone for solos or experience new and interesting ways to enhance rhythm guitar performance.
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 3 in stock $52.31
FORTHCOMING
NUX Tape Core Deluxe Tape Echo Pedal
NUX
Cat: 747769
coming soon TBA
NUX
Cat: 735364 Rel: 04 Jun 19
 
Analogue acoustic preamp with digital effects & looper function
Notes: NUX Stageman Floor is an analogue acoustic preamp with digital effects and looper function. The preamp features a highly sensitive 3-band EQ with MID scoop toggle switch, adjustable notch filter and input gain control. It is equipped with multi-functional chorus & reverb effects. High headroom gain stage with 3-band EQ, mid-scoop and switchable response for piezo or magnetic pickups. A built-in looper can make use of both pedals for freeze and overdub effects. A complete stage or studio tool for acoustic players.
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 1 in stock $100.45
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