Search dance music

Notes: If guitar is your passion, you need freedom and flexibility to explore all of its sound possibilities. The Zoom G3n Multi-Effects processor removes any creative barriers in your way.

The G3n is a versatile multi-effects processor that lets you defy genre with the most realistic stompbox, cabinet, and amplifier emulations Zoom has ever created. Its high-quality sound, portable design, 80 second Looper, and intuitive interface make it the perfect addition to your pedalboard. To put it simply, the G3n offers all the sounds and tools you need to improve your tone and sound greater than ever.

Boutique Pedals, Legendary Amps, and Superior Effects:

The G3n is pre-loaded with 70 expertly crafted and assembled DSP effects (68 effects, 1 looper pedal, and 1 rhythm pedal), plus 10 of the most realistic amp/cabinet emulators Zoom have ever created. Zoom have loaded the G3n with essential guitar sounds like overdrive, distortion, compression, EQ, delay, reverb, flanging, phasing, vibrato, and chorusing. Unique multi-effects such as Seq Filter, Reverse Delay, HD Hall, and OSC Echo are also included.

Create Complex Signal Chains:

Use up to seven effects and amp/cabinet models simultaneously, chained together in any order you like. It's like having hundreds of fully loaded pedalboards all in one compact and easy-to-use device.

Accurate, Realistic Amp and Cabinet Emulation:

Choose from five classic amp models and adjust the sound exactly as you would with the knobs and switches of the real thing - and then pair your amp with one of the five new cabinet emulators to complete the sound. Plus, you can download even more faithfully recreated amp/cabinet combinations such as Fender Bassman, Hi-Watt Custom 100, Mesa Boogie Dual Rectifier Orange Channel, Fender '65 Deluxe Reverb, and Orange Graphic120 - available now with more being released every month.

75 Custom-Crafted Patches and Counting:
Recreate essential guitar tones and pioneer new territory with 75 custom-designed patches created exclusively by Zoom guitarists. Use these patches to emulate the iconic sounds of Eddie Van Halen, Jimi Hendrix, Jimmy Page, Carlos Santana, Michael Schenker, and Brian May or explore something completely brand new.

Fast and Intuitive Editing:

The G3n's switches and knobs give you enhanced control and have the responsive, hands-on feel of a standard stompbox. The G3n combines three LCD displays to show whole effect-chains at a glance, making it easy to add, delete, or change the order of effects quickly. Plus, you can store up to 150 of your custom effects-chains as patches.

Practice and Perform:

There are 68 built-in rhythm patterns included with the G3n, making it the perfect practice rig and enabling "one-man band" performances. An onboard Looper (which can be used with the rhythm patterns) allows you to record and overdub phrases up to 80 seconds long through the effects of your choice. A built-in chromatic tuner lets you bypass the currently selected patch while tuning, or mute the signal altogether.

Inputs and Outputs:

The G3n can be easily integrated into any live performance or studio rig. In addition to a standard guitar input, there's an auxiliary stereo input for connecting smartphones or music players. It also includes a dedicated headphone jack for practice and dual outputs for mono or stereo L/R connection to guitar amps, PA systems, and audio interfaces. The Mic On/Off feature lets you optimize the G3n for use with a real amp and cabinet (Mic Off) as well as optimize for playing through a PA system or recording direct with amp and cabinet emulators (Mic On).

ZOOM Guitar Lab Software:

The free ZOOM Guitar Lab Mac/Windows software enables you to manage your patches and download new effects and amp/cabinet emulators. It includes both a Patch Manager for effects chains and an Effects Manager, with a simple graphic user interface that provides point-and-click control over re-naming or re-ordering your custom patches.

Notes: Analogue Ring Modulation Pedal With LFO, MOD, Frequency & RATE Controls.

Reviving An Avant-Garde Pedal For Music's Trailblazers

From light Lo-Fi modulation all the way to the piercing sound of infinity ring-modulation, the Warm Audio RingerBringer accurately recreates the ultimate all-analogue ring modulation effect used for experimental tones. Like the original, loved by artists like Jeff Beck, Radiohead, Omar Rodriguez-Lopez, Trent Reznor, and many more, RingerBringer delivers the original distinct set of controls, extensive in/out options, and rich sonic textures to inspire boundless sonic experimentation.

Don't Just Play, Create

The ideal platform for the sonic tinkerer, RingerBringer inspires you to generate layered frequencies and harmonics, explore a wide range of sonic possibilities for guitar & beyond, and design your own sounds from the ground up. Extensive controls including LFO, MOD, Frequency & RATE open up sonic possibilities that range from subtle overdriven textures all the way to wobbling, warped leads soaked in texture and tone. RingerBringer is 100% analogue and sports premium components including hand-selected op-amps and transistors. RingerBringer is no emulation or "patch", instead it delivers true-to-spec performance of the boutique, analogue original.

For Original Artists Building Memorable Sounds

Delivering tones ranging from nuanced drive to out-of-this world modulation, RingerBringer helps develop a unique sonic signature for any instrument, on any track.

A Sandbox For Synths & Keys:

Send any keyboard or synth through the WA-RB for added harmonic content and endless modulation. Try sending digital synths, keys, and pads from your interface through the WA-RB for added analogue vibe and "fattened up" tone on otherwise dry digital signals.

Technical Specifications

100% Analogue Ring Modulation Pedal With LFO, MOD, Frequency & RATE Controls
Accurate Recreation Of The Ultimate Ring Modulator For Experimental Tones
Premium Components Including LM13700M & TL072ACDR Op-Amps + Hand-Selected Transistors (DMMT3906W & MMBT3904) For True-To-Spec Performance
LFO Controls: Amount, Rate, & Sine/Square Wave Switch
Modulation Controls: Mix, Frequency, & Lo/Hi Switch
Universal Drive Control + LED Indicators For Level, LFO, & Bypass
CV Inputs: Rate | Amount | Mix | Frequency
1/4" Input Jacks: Audio In | Audio Out | LFO Out | Carrier IN/Out
Output Impedance: 600 Ohms | Buffered Bypass
9-Volt Battery Or /External 9V Regulated (Centre-Negative) DC Adapter
Nominal Current Draw: 100 mA (9V)
Custom Black Panel Enclosure With Retro Faux-Wood Sides
Dimensions: 6.5" x 5.25" x 3" | Product Weight: 1.90 lbs

Notes: The Sloer Stereo Ambient Reverb builds on our popular Slo lineup but adds two additional reverb algorithms, stereo width control, two additional modulation wave shapes, and the ability to control the sample rate. Now you can create immersive, lush, modulated, sleepy, and ambient soundscapes with more width and depth than ever before.

Save your favourite dreamscapes with three onboard presets by simultaneously pressing and holding down on the bypass and sustain switches. Scroll through them by simultaneously pressing and releasing bypass and sustain.

The five-way rotary dial allows five different reverb modes - the three you know and love from the Slo: Dark (Lower Octave), Rise (Ambient Swell), and Dream (Latching Pad); and the addition of two new modes: Rain (Delay Tap Diffusion) and Light (High Octave Shimmer). Secondary functions on the dial change between five different wave shapes for modulation on the reverb trail.

Combine deep modulation, long washy trails, and an immersive stereo field to experience Sloer.

5 reverb modes:

DARK - Add a lower octave to your reverb trail. Here you'll create deep and wide atmospheric sounds and channel nightmarish soundscapes. X knob sets the level of a -1 octave signal that feeds the reverb.

RISE - This is an auto-swell reverb for beautiful cinematic swells. Don't rush it. Let it breathe and gently wake up. X knob sets the amount of time it takes the reverb to swell in after a note is played. Set lower for shorter rise times and higher for longer rise times.

DREAM - Lush reverb with a latching pad function. Press the sustain switch to latch signal. Experiment with the X knob to add vibrato over the pad. Press sustain again and the pad will decrescendo according to where the decay knob is set. X knob sets the depth of vibrato applied to the reverb trail.

RAIN - Tappy and trippy, this program creates a unique effect with lower levels of diffusion allowing the reverb delay taps to audible create an echo-like effect within your reverb. Use the Xcontrol to set the amount of diffusion of the delay taps.

LIGHT - Bright and smooth reverb with an octave-up shimmer. Create a range of ethereal sounds with the X slider, keep it low for a smooth pad-like reverb or push it higher for a bright shimmer effect.

5 wave shapes

The Sloer also features five different wave shapes accessible by holding down bypass while switching the algorithm dial.

Sine - Smooth and even pitch up and down modulation.
Warp - Asymmetric pitch up modulation similar to a warped record.
Sink - Asymmetric pitch down modulation for sinking detune similar to a Bigsby.
Square - Symmetric pitch up and down modulation for stepped modulation.
Random - Uses sample and hold that picks new random values.

Momentary functions

Bypass: When the switch is in the off position, press and hold to temporarily activate the effect to add a moment of reverb texture. Releasing the switch turns the effect off, and fades it out.

Sustain: When pressed, the decay switch ramps up the reverb trail to maximum creating a long dreamy reverb trail, and then ramps back down to the decay knob setting when released. In the "Dream" algorithm, the sustain switch is latching. Press it once to capture and sustain the current reverb decay for extremely long pad-like sounds. Press it again to let the reverb trail taper off, based on the position of the decay knob.

Trails mode

The Sloer can run in trails or no trails mode. In trails mode, when you turn the pedal off, the reverb decay dies off naturally. In no trails mode, the decay is abruptly cut off when you turn the pedal off. To toggle between either mode, hold down the bypass switch for 1 second while applying power to the pedal. Unplug power and repeat to toggle to the other mode.

Preset spillover

When scrolling through presets, there is only preset spillover if the next preset is the same algorithm as the one preceding it. For example, if your red and green presets are both in Dream mode, switching from red to green will not cut your reverb trails.

Specs

The Sloer comes in a Lollipop Blue finish with light blue and off white ink featuring original artwork by Christi Du Toit OR a matte black finish with cream ink.
The die-cast enclosure's exact size is 4.79" x 3.62" x 2.25" including knobs.
Power requirements are 9VDC (100mA minimum).
The use of an isolated power supply is recommended for powering all Walrus Audio Pedals. Daisy chain power supplies are not recommended.
Power supply not included.

Notes: Unearth the Walrus Audio Silt Harmonic Fuzz, a collaborative creation with tube expert Jim Hagerman.

Wielding an internal pre-amp tube, the Silt is a two-in-one fuzz that creates massively rich fuzz tones perfect for chords and rhythmic parts or with the press of a switch, adds uniquely harmonic overtones to the signal before hitting the tube. Crafted specifically for those seeking a harmonically rich fuzz experience, the Silt boasts an analogue circuit with the distinctive warmth of a 12AU7 tube as its drive section, letting you explore a unique and wild sonic landscape.

Main Features:

1. 12AU7 Tube Drive

The Silt's 12AU7 tube section drives the warm, bone-rattling fuzz. We unearthed this sonic fossil to encase your sound in an amber warmth, while still providing the grit, growl, and harmonically complex textures that only a tube-driven fuzz can provide.

2. Harmonic Mode

Harmonic Mode acts as a frequency doubler before the drive section of the pedal. This produces crispy, octave-like sounds, lending a unique edge to your lead tones. Try this with your guitar tone knob rolled off.

3. Contour Control for Precision Tone Sculpting

Refine your fuzz tones with the precision of the Contour control to achieve a wide spectrum of timbres.

Toggle between highpass, flat, and lowpass curves in the pre-tube EQ stage, like uncovering layers of sonic strata. Especially helpful when switching between different styles of pickups. Whether you're chasing searing leads or wooley rhythm, the Silt adapts to your style with roaring precision.

4. Designed for Operation at 9v-12v for Plenty of Gain

Supercharge your fuzz experience by operating the Silt anywhere between 9v and 12v. Running the pedal at 12v will give you an extra gain boost, letting you push the primal boundaries of fuzz to deliver the searing tones you've been searching for.

5. True Bypass Circuit

Maintain the integrity of your original tone with the relay bypass circuit. When disengaged, the Silt ensures your signal remains pure, allowing your guitar's natural voice to shine through undisturbed.

Controls:

Volume: Control the output volume level of the pedal.
Tone: Sculpt your output tone with a lowpass/highpass tilt tone control.
Gain: Control the input gain into the fuzz circuit, from subtle, distortion-like crunch to full-throttle fuzz.
Contour: Toggle between highpass, flat, and lowpass curves in the pre-tube EQ stage.
Bypass Switch: Enable or disable the effect with the relay bypass switch, preserving your original signal when the Silt is not in use.
Harmonic Switch: Activate or deactivate the frequency doubler circuit before the clipping stages, infusing your sounds with octave-like textures for a unique sonic edge.

Notes: *** Onyx Edition ***

Like the Iguana that's malleable to its environment, blending into its surroundings for harmonious balance or standing out with vibrant confidence, the Polychrome Flanger is a uniquely colourful tool for adding modulated textures to songs.

The Polychrome Flanger is a true bypass, all analogue Flanger pulling in familiar layout controls from the Julia and Lillian.
Dial in a wealth of colourful flange with the D-F-V blend knob and the shape and voice switches.
The Shape Switch lets you select from sine, triangle, or random LFO wave to modulate the delay line

The Voice Switch lets you select between two voices for the flanging effect.
In the down position, the flanger is more traditional and full frequency.
In the up position, you get a more complex and notched flange effect with less low end.

Like the other members of the Walrus Audio modulation family, the Polychrome has a blend knob. The D-F-V (Dry, Flange, Vibrato) knob lets you blend the dry and delayed signal from full dry at minimum (no effect), to traditional flange at noon to full pitch vibrato at maximum. Don't sleep on the vibrato sounds in the Polychrome.
Set the D-F-V knob to maximum, feedback to a minimum, and the voice switch up for some unique pitch vibrato.

Top mounted input, output, and power jacks as well as soft switch relay bypassing make the Polychrome fit well on your board and ensure smooth operation for years to come.

Specs

Power supply not included.

Dimensions and power consumption:
0.25kg
6,6 x 12,2 x 5,6 cm (W x D x H)
50 mA

In the box:

Walrus Audio Polychrome
Manual
Sticker
Guitar pick
Pouch

Notes: With Melee, Walrus Audio have given you the two most quintessential effects that yield unruly amounts of power and influence to an instrumentalist: reverb and distortion. They have been harnessed and woven together for an eternity of ethereal power with The Melee: Wall of Noise. The Melee unapologetically uses a joystick to meld reverb and distortion into one massive blaze of sound. With the flip of the order switch, run the distortion into the reverb or reverb into distortion; signal chain is your call now. For the explorer, the Melee can run one of three different reverb programs Ambient, Octave, and Reverse.

In a less-is-more approach, Walrus have intentionally decided on controls that are fun to use and will inspire a wealth of creative output. Use the joystick to control the amount of distortion by moving it up and down. Moving the joystick left and right will adjust your reverb mix. The tone and decay toggles have low, medium, and high settings. Modulation can be added to the wet signal by holding down the bypass switch and moving the decay toggle. The left position is no modulation, the middle is a slight modulation, and the right is a high modulation.

Algorithms

The Melee is equipped with three different reverb programs, which can be changed by simultaneously pressing the bypass and sustain stomp switches. Experiment with the order toggle switch to hear how differently these all react in front and after the distortion!

Ambient Reverb (Pink LED) - Huge reverb capable of massive trails and engulfing your chords into an angry wash of sound. Great for soaring melodic lines or shoegaze-driven chord progressions.
Octave Down Reverb (Yellow LED) - Similar to the Dark mode in the Slo, you'll find an eerie lower octave hovering in the reverb trail for a nice and dark atmospheric touch.
Reverse Reverb with Feedback (Blue LED) - Add reversed reverb trails back into your signal, create gentle melodies or push into reverse feedback overload. Big, slow, and sad chords love to hang out there.

Momentary

Press and hold the sustain switch to ramp up the reverb trails. Release and the trails will ramp back down to where the decay switch is currently set. The sustain switch can also latch in all three programs. Press and release the Sustain switch to capture and sustain the current reverb decay for long pad-like sounds in your wet mix. Press again to release the latch, and the reverb trail will taper off based on the position of the decay knob.

Specs
The Melee comes coated in a glossy neon pink enclosure with white, yellow, and green inks with art by David Huttner.
The die-cast enclosure's exact size is 3.62" x 4.79" x 3.14" (including joystick height).
Three bypass modes: DSP, DSP+True, True Bypass
Power requirements are 9VDC, centre negative (200mA minimum).
The use of an isolated power supply is recommended for powering all Walrus Audio Pedals.
Daisy chain power supplies are not recommended.
Power supply not included.

High-Gain Distortion and Reverb combo
Controls: Vol, Tone, Decay, D>R|R>D (determines order of effects), Joystick (distortion level + reverb mix), bypass, sustain switch
Joystick control to meld reverb and distortion and inspire a wealth of creative output
Joystick controls reverb mix (x-axis) and distortion level (y-axis)
Switch signal-chain-order of distortion- and reverb-effect
D>R (distortion into reverb) or R>D (reverb into distortion)
D>R mode: traditional set up. Notes and chords remain their clarity
R>D mode: notes and chords are muddied to create a wall of sound
3 different reverb programs: Ambient, Octave and Reverse
Ambient Reverb: Huge reverb with massive trails
Octave Reverb: Lower octave on reverb trail. Like "Dark" mode on Walrus Audio Slo.
Reverse Reverb with Feedback: Add reversed reverb trails or push into reverse feedback overload.
Tone 3-way-toggle-switch sets the tone of reverb and distortion: normal, dark, bright
Decay 3-way-toggle-switch sets time of the reverb: minimum, medium, maximum
Set modulation via secondary control (decay 3-way-switch): none, slight (33RPM), high (45RPM)
Use momentary bypass to create a moment of texture
Sustain switch ramps up reverb trail to maximum or latches current reverb decay
3 bypass modes: DSP bypass, DSP+ true bypass, true bypass
9-volt DC, Centre Negative, 200mA minimum
Power Supply not included
Designed and assembled in the USA

Notes: *** Onyx Edition ***

Distortion and reverb meet in this unique pedal, sporting a joystick to tweak the sound and the option to flip the order of the two effects in the signal chain. Simple, quirky and effective.

Supplier's Notes:
Walrus Audio give you the two most quintessential effects that yield unruly amounts of power and influence to an instrumentalist: reverb and distortion. They have been harnessed and woven together for an eternity of ethereal power with The Melee: Wall of Noise. The Melee unapologetically uses a joystick to meld reverb and distortion into one massive blaze of sound. With the flip of the order switch, run the distortion into the reverb or reverb into distortion; signal chain is your call now. For the explorer, the Melee can run one of three different reverb programs Ambient, Octave, and Reverse.

In a less is more approach, Walrus Audio have intentionally decided on controls that are fun to use and will inspire a wealth of creative output. Use the joystick to control the amount of distortion by moving it up and down. Moving the joystick left and right will adjust your reverb mix. The tone and decay toggles have low, medium, and high settings. Modulation can be added to the wet signal by holding down the bypass switch and moving the decay toggle. The left position is no modulation, the middle is a slight modulation, and the right is a high modulation.

Algorithms

The Melee is equipped with three different reverb programs, which can be changed by simultaneously pressing the bypass and sustain stomp switches. Experiment with the order toggle switch to hear how differently these all react in front and after the distortion!

Ambient Reverb (Pink LED) - Huge reverb capable of massive trails and engulfing your chords into an angry wash of sound. Great for soaring melodic lines or shoegaze-driven chord progressions.
Octave Down Reverb (Yellow LED) - Similar to the Dark mode in the Slo, you'll find an eerie lower octave hovering in the reverb trail for a nice and dark atmospheric touch.
Reverse Reverb with Feedback (Blue LED) - Add reversed reverb trails back into your signal, create gentle melodies or push into reverse feedback overload. Big, slow, and sad chords love to hang out here.

Momentary

Press and hold the sustain switch to ramp up the reverb trails. Release and the trails will ramp back down to where the decay switch is currently set. The sustain switch can also latch in all three programs. Press and release the Sustain switch to capture and sustain the current reverb decay for long pad-like sounds in your wet mix. Press again to release the latch, and the reverb trail will taper off based on the position of the decay knob.

Specs

The die-cast enclosure's exact size is 3.62" x 4.79" x 3.14" (including joystick height).
Three bypass modes, DSP, DSP + True, True Bypass
Power requirements are 9VDC, centre negative (200mA minimum).
The use of an isolated power supply is recommended for powering all Walrus Audio Pedals.
Daisy chain power supplies are not recommended.
Power supply not included.

Notes: Once upon a time, in a fairy tale world, there stood a hidden forest. On the eve of every full moon, magical and delicate sounds of light were heard bouncing and reverberating through the trees. These sounds carry artifacts of notes moving backward and stretching through time. They are referred to as, Lore. Walrus Audio is excited to announce their next experiment into ethereal ambiance called the Lore Reverse Soundscape Generator. Made up of five different programs, each utilizes different combinations of delay and reverb that feed into each other for time-warping ambient creations. to create the soundtrack to your storybook adventure. Featuring two DSP chips running in series, each with their own analogue feedback path, the Lore takes you on an adventurous journey rich with themes of reversing, time-stretching, pitch-shifting, and vast ambiance.

Explore vast time stretching and reverse sounds with five different custom programs:

I. Reverse Delay into Reverse Reverb
II. Reverse Delay into Octave Up Reverb
III. Reverse Delay into Octave Down Reverb
IV. Reverse Reverb into Forward Reverb.
V. Pitch Delay into Pitch Delay.

Further explore the Lore with momentary features for adjusting modulation speed and a time warping effect that can shift the clock rate up or down, giving a rising or sinking effect. The Lore comes coated in a muted green enclosure with cream, orange, brown and dark green ink with art by David Huttner. The die-cast enclosure's exact size 9,2 cm x 12,2 cm x 5,72 cm including knobs. Power requirements are 9VDC, centre negative (300mA minimum).

Dimensions and power consumption: 9,3 x 11,8 x 5,6 cm (W x D x H)
300 mA

In the box:

Walrus Audio Lore
Manual
Sticker
Guitar pick
Pouch

Notes: *** Onyx Edition ***

Reverb and reverse delay go to the next level with this "ambient creation machine". Two DSP circuits with analogue feedback allow you to create epic soundscapes, time-stretching effects and more.

Supplier's Notes:
Once upon a time, in a fairy tale world, there stood a hidden forest. On the eve of every full moon, magical and delicate sounds of light were heard bouncing and reverberating through the trees. These sounds carry artifacts of notes moving backward and stretching through time. They are referred to as... Lore.

Create the soundtrack to your storybook adventure with the Lore Reverse Soundscape Generator. Made up of five different programs, each utilizes different combinations of delay and reverb that feed into each other for time-warping ambient creations. Featuring two DSP chips running in series, each with their own analogue feedback path, the Lore takes you on an adventurous journey rich with themes of reversing, time-stretching, pitch-shifting, and vast ambiance.

Having two analogue feedback paths allows each program to incorporate a unique mix of affected and unaffected feedback. The two feedback paths interact and build off of each other organically, offering the user a wide array of sounds and behaviours to experiment with.

Programs:

I. Reverse Delay into Reverse Reverb: Program 1 combines reverse delay with reverse reverb with a focus on organically interacting feedback paths. Space and ambiance build as the signal is reversed, re-reversed, reverberated, and reversed again within the feedback network. Experiment with the X knob to control how reversed your delay trails are with left being least reversed and right being fully reversed. Lots of fun with big, eerie minor chords!

II. Reverse Delay into Octave Up Reverb: Program 2 is a "light reverb" that combines octave-up harmonic feedback with an expansive, airy, reverb tank to create a breathy, spacious ambiance. Use the Regen knob to introduce a playful shimmer into the reverb decay. Increase the X knob to control the decay of the reverb. It sounds especially great with delicate fingerpicking parts.

III. Reverse Delay into Octave Down Reverb. Program 3 is a "dark reverb" that combines octave down harmonic feedback with heavy filtering and harmonic distortion, to create a sound that is thick, rich, and murky. Use the Regen knob to bring a lower octave into the reverb decay. Increase the X knob to control the decay of the reverb. Add in some high gain or fuzz to alter the time-space continuum.

IV. Reverse Reverb into Forward Reverb. Program 4 is a dual reverb program, featuring reverse reverb into forward reverb, Dual harmonic feedback paths allow the user to dial in octave up and octave down, and time stretching allows for control of the size and character of the space. Perfect for instantly transforming guitar into rich ambient pads. Use the Feedback knob to add a lower octave to the reverse reverb. Conversely, use the Regen knob to add an octave up to the reverse reverb decay. Control the decay of the forward reverb with the X knob. To channel all things ambient, experiment with dynamic picking and strumming techniques with the mix fully wet for ethereal drones and pads.

V. Pitch Delay into Pitch Delay. Program 5 features two "duelling" pitch delays, which shift the input signal up and down in complementary or opposing directions, allowing the user to create intricate harmonic patterns in the feedback network. Behaves like a sequencer at higher delay times and like a harmonizer at lower delay times. Use Feedback and Regen knobs to control various amounts of pitched delay repeats. Use the X knob to change the order of the 4th, 5th, and octave intervals that the pitch delay steps through. Experiment with short staccato notes to create some very interesting rhythmic parts!

Dive / Rise - Holding down the tap tempo switch will momentarily shift the clock rate of the pedal down or up and will hold it at that rate for as long as the switch is pressed. The direction of the dive can be changed by simply pressing bypass and tap simultaneously. A green LED over tap will indicate rise is set and a blue LED will indicate that dive is set.

The Mod knob will control the amount of modulation applied to the wet signal. Holding down bypass and adjusting the Mod knob will adjust the modulation rate. The bypass LED will blink to show your set mod rate.

Specs:

The die-cast enclosure's exact size is 3.62" x 4.79" x 2.25" including knobs.
Buffered bypass.
Power requirements are 9VDC, center negative (300mA minimum).
The use of an isolated power supply is recommended for powering all Walrus Audio Pedals.
Daisy chain power supplies are not recommended.
Power supply not included.

Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


*** Onyx Edition ***

Building off of the lush, tonal landscapes that the Julia Analog Chorus/Vibrato created, Julianna is an all analogue, digital LFO, stereo chorus/vibrato with new expanded features. Julianna is able to produce mild smooth chorus, to seasick vibrato, to everywhere in between.

Familiar controls like Lag, Dry-Chorus-Vibrato Blend, and selectable LFO wave shapes are all still here, but Julianna employs some new tricks: The Secondary LFO speed, modulation drift, tap/expression control and momentary features will have you commanding all new kinds of sounds not found in traditional chorus pedals.

Unlike most other chorus pedals, the Julianna and Julia have a special feature called Lag control. The Lag knob lets you set the centre delay time that the LFO modulates. From smooth and tight modulation at lower settings, to a warbling detune at maximum, the Lag knob adds a new dimension to the traditional chorus/vibrato landscape.

D-C-V KNOB

The DCV knob sets the ratio of dry to wet signal through the mono channel of the Julianna. Traditional mono chorus sounds can be heard with the knob set around noon. Pitch vibrato is found in the full clockwise position. The ground in between offers unique blends of chorus and vibrato not commonly found on other chorus pedals.

When both outputs are connected, set the DCV knob to full counterclockwise to send your dry signal to the mono output and vibrato signal to the stereo output for a traditional stereo chorus sound. Explore other variations by turning the DCV knob up slightly to add some vibrato signal to the dry output changing the stereo image.
Dimensions and power consumption:

6,6 x 12,2 x 5,6 cm (W x D x H)
100 mA

In the box:

Walrus Audio Julianna
Manual
Sticker
Guitar pick
Pouch

Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


*** Onyx Edition ***

The Julia is a fully analogue, feature-rich chorus/vibrato packed with a wide array of tonal landscapes begging to be explored. Julia is able to produce mild smooth chorus, to seasick vibrato and everywhere in between. With controls like Lag, Dry-Chorus-Vibrato Blend, and selectable analogue LFO wave shapes, you are able to dial in all types of classic and unique chorus/vibrato sounds not found on traditional chorus pedals.

In 1999, spectrographs picked up an unexplained sound emanating from dark ocean depths. The source of the sound was untraceable. While most scientists attributed it to an iceberg dragging the ocean floor, some sceptics began to understand the true source of the sound. Julia, the water demigoddess. Crying from the deep in a chorus of melancholy hymns, she remains to be uncaught but the pursuit for her is unceasing. Walrus has captured a fraction of her powers in the Julia Analog Chorus/Vibrato.

9V DC, 30mA
121 x 66 x 41 mm, 0.27 kg
Made in Oklahoma, USA

Dimensions and power consumption:

6,6 x 12,2 x 4,1 cm (W x D x H)
100 mA

In the box:

Walrus Audio Julia V2
Manual
Sticker
Guitar pick
Pouch

Notes: For the Fundamental Series, Walrus Audio challenged themselves to design a set of pedals with the tonal integrity that's required to live on a professional's pedalboard, but with simplified controls friendly enough for even the newest effect pedal users. Each Fundamental pedal has three faders for tweaking the sound and a three-way switch for changing pedal modes. The result is a line of pedals that will keep you covered from your first band practice all the way to a sold-out arena. Designed and assembled at Walrus Audio headquarters in OKC, OK.

Because vast ambient sounds shouldn't just be for larger pedals with vast price points, the Fundamental Ambient brings expansive pillowy reverb to the Fundamental Series with three atmospheric modes in a compact size. The Fundamental Ambient offers a great entry point into ambient exploration with the tonal integrity to live on a professional's pedalboard but with simplified controls friendly enough for even the newest effect pedal users. With Ambient's three reverb algorithms, you can experiment with deep, dark pad-like sounds to AM Radio-like lo-fi sounds with the flip of a switch.

The Fundamental Ambient provides three different atmospheric reverb algorithms to explore beautifully vast and lush soundscapes with plenty of decay time for pillowy soft pad-like decay.

Modes:

Deep - A dark ambient reverb with an added low octave, perfect for creating murky, cavernous sustain or adding a touch of moody atmosphere.
Lush - A breathy, expansive reverb featuring ultra-long sustain. Perfect for generating silky pads and immersive soundscapes with every note.
Haze - A textured, lo-fi reverb featuring distortion, sample rate reduction, and a resonant bandpass tone control, great for vintage or experimental tones.
Decay: Control the amount of reverb decay time. Left is the minimum and right is the maximum amount of time.
Tone: Shapes the overall tonality of the reverb. On Deep and Lush this controls the cutoff of a synth-style lowpass filter. On Haze this controls the width of a resonant bandpass filter, filtering both high and low end at the right, and allowing more high and low to pass through at the left.
Mix: Control the mix of the effect and the original clean signal. All the way to the left outputs only the fully clean signal, and all the way to the right outputs only the affected Reverb signal.
Slide Switch - The slide switch allows you to change between three distinct Reverb algorithms.

Trails Mode - The Fundamental Ambient Reverb comes with trails mode active by default, to disengage trails mode hold down the bypass stomp switch when applying power to the pedal. Once the LED flashes it indicates that trails mode is turned off. To re-engage trails mode, repeat the process, and wait for the LED to turn dark, indicating that trails mode is back on. With trails mode active, your reverb decay will fade off naturally after turning the pedal off. With trails mode inactive, the decay abruptly cuts off when you turn off the pedal.

Notes: *** Onyx Edition ***

Delay and granular sampling combine to create unique ambience effects, creative reverbs and glitchy chaos. Hugely versatile pedal with five contrasting programs.

Supplier's Notes:
In the high woodlands of the north, undiscovered by most inhabitants, there ruled a clan of old, mystic Treefolk. On the first new moon of spring, these Treefolk could be heard grafting limbs to grow their young - splicing bits of branches from each generation to produce the next line of Treefolk. These new beings keep the lifeblood of all who came before in their new skin. These sounds are in part very old, but in part very new. They are referred to as... Fable.

Let your storybook adventure grows with the Fable Granular Soundscape Generator. The Fable gives you five all-new programs centered around sample and chop delay algorithms to create bizarrely beautiful networks of sampled and resampled sounds. The Fable uses a powerful dual DSP architecture to combine delay programs in series with granular sampling algorithms, each with its own analogue feedback path. Find unique soundscapes ranging from smooth, flowing ambience; to bizarre, organic reverberance; to chaotic, glitchy swarms.

So, what exactly is this granular effect and why is it a magical experience when combined with delay? Granular is a digital processing technique of micro-sampling, wherein short samples called grains are read from a delay buffer. In the Fable, players can adjust these grains by manipulating their sampling length, position, and buffer size from which they're read. They can be played at double or half speed for pitch shift and time stretching effects, play them in reverse, read from multiple positions, and more, in order to achieve different effects.

It's a powerful but complex technique and Walrus Audio created five streamlined programs in the Fable that explore different aspects of its sonic range.

Programs

I. Reverse Delay into Reverse Granular

Program 1 runs a reverse delay into a reverse granular algorithm, in which sampled grains are played backwards. Reversal and re-reversal build up in the feedback paths, creating a complex and organically shifting soundscape. Turn grain size down for long, smooth reversed transients, and grain size up for stuttering reverse glitch madness.

II. Forward Delay into Octave Up Granular

Program 2 runs a forward delay into an octave-up granular program, in which sampled grains are played at double speed. Swarms of double-speed grains build up in the feedback path for bright and airy cascades of sound.

III. Analogue Delay into Octave Down Granular

Program 3 runs a warm, dark analogue-style delay into an octave-down granular program, in which sampled grains are played back at half speed. Slowed down repeats combine with analogue-style processing to create deep, thunderous footfalls and thick, murky ambience.

IV. Multi-Tap Granular into Multi-Tap Granular (Grain-Verb)

Program 4 runs two multi-tap granular algorithms in series, in which multiple samples are played back from each granular buffer simultaneously. Multiple points of sampled sound build upon each other in the feedback paths to create glitchy clouds and unique organic reverberance. Time in this program controls time-stretching of both granular algorithms, changing both the length and tonal character of the granular effect.

V. Forward Delay into Randomized Pitch Granular

Program 5 runs a forward delay into a randomized pitch granular program, in which each grain is played back at a randomly selected speed and direction, varying between pitched up double speed, pitched down half speed, normal speed, plus forward and reversed playback from grain to grain. Pitch changes with each new grain, so play with the X knob in this program to control the rate of randomized pitch modulation.

Notes: In the high woodlands of the north, undiscovered by most inhabitants, there ruled a clan of old, mystic Treefolk. On the first new moon of spring, these Treefolk could be heard grafting limbs to grow their young - splicing bits of branches from each generation to produce the next line of Treefolk. These new beings keep the lifeblood of all who came before in their new skin. These sounds are in part very old, but in part very new. They are referred to as... Fable.

Let your storybook adventure grows with the Fable Granular Soundscape Generator. The Fable gives you five all-new programs centered around sample and chop delay algorithms to create bizarrely beautiful networks of sampled and resampled sounds. The Fable uses a powerful dual DSP architecture to combine delay programs in series with granular sampling algorithms, each with its own analogue feedback path. Find unique soundscapes ranging from smooth, flowing ambience; to bizarre, organic reverberance; to chaotic, glitchy swarms.

So, what exactly is this granular effect and why is it a magical experience when combined with delay? Granular is a digital processing technique of micro-sampling, wherein short samples called grains are read from a delay buffer. In the Fable, players can adjust these grains by manipulating their sampling length, position, and buffer size from which they're read. They can be played at double or half speed for pitch shift and time stretching effects, play them in reverse, read from multiple positions, and more, in order to achieve different effects.

It's a powerful but complex technique and Walrus Audio created five streamlined programs in the Fable that explore different aspects of its sonic range.

Programs

I. Reverse Delay into Reverse Granular

Program 1 runs a reverse delay into a reverse granular algorithm, in which sampled grains are played backwards. Reversal and re-reversal build up in the feedback paths, creating a complex and organically shifting soundscape. Turn grain size down for long, smooth reversed transients, and grain size up for stuttering reverse glitch madness.

II. Forward Delay into Octave Up Granular

Program 2 runs a forward delay into an octave-up granular program, in which sampled grains are played at double speed. Swarms of double-speed grains build up in the feedback path for bright and airy cascades of sound.

III. Analog Delay into Octave Down Granular

Program 3 runs a warm, dark analogue-style delay into an octave-down granular program, in which sampled grains are played back at half speed. Slowed down repeats combine with analogue-style processing to create deep, thunderous footfalls and thick, murky ambience.

IV. Multi-Tap Granular into Multi-Tap Granular (Grain-Verb)

Program 4 runs two multi-tap granular algorithms in series, in which multiple samples are played back from each granular buffer simultaneously. Multiple points of sampled sound build upon each other in the feedback paths to create glitchy clouds and unique organic reverberance. Time in this program controls time-stretching of both granular algorithms, changing both the length and tonal character of the granular effect.

V. Forward Delay into Randomized Pitch Granular

Program 5 runs a forward delay into a randomized pitch granular program, in which each grain is played back at a randomly selected speed and direction, varying between pitched up double speed, pitched down half speed, normal speed, plus forward and reversed playback from grain to grain. Pitch changes with each new grain, so play with the X knob in this program to control the rate of randomized pitch modulation.

Granular soundscape generator
Unique soundscapes ranging from smooth ambience to bizarre reverberance to chaotic glitchy swarms
Powerful dual DSP architecture with individual feedback paths
Combine delay programs in series with granular sampling algorithms
5 programs centered around sample and chop delay algorithms
Program 1: Reverse Delay into Reverse Granular
Program 2: Forward Delay into Octave Up Granular
Program 3: Analog Delay into Octave Down Granular
Program 4: Multi-Tap Granular into Multi-Tap Granular (Grain-Verb)
Program 5: Forward Delay into Randomized Pitch Granular
Manipulate sampling length, position and buffer size of grains (short samples)
Play grains at double- or half-speed, reverse or from multiple positions to achieve different effects
Tap Tempo switch
Top-mounted Input and Output
Coated in a slate grey enclosure with white, black, cream, red, and orange ink
9-volt DC, Centre Negative, 300mA minimum
Buffered bypass
Power supply not included.
Designed and assembled in USA

Notes: Arguably the most important pedal on your board, the Canvas Tuner ensures that your instrument is ready to sound its best with the perfect meld of versatility and precision.

Packaged in the same tough-as-nails, tour-ready enclosure as all Walrus pedals, the Tuner features a bright 2.8" TFT LCD display that can be viewed under just about any stage lighting conditions, multiple screen orientations, i0.1 cent accuracy, buffered or true bypass options and more. The Canvas Tuner ensures that you have the most accurate brush to paint your sonic picture.

Uncompromising Accuracy

Precise and accurate tuning you expect with i0.1 cent accuracy and multiple tuning presets. Tune with confidence, allowing your music to shine with clarity.

A World of Sound at Your Fingertips

With a flat frequency range spanning from 20Hz to 20KHz, the Walrus Audio Tuner is ready to handle tuning for low bass notes to high-strung acoustics. Even bassists needing that low B rumble can tune with confidence.

See the Music Come to Life

The 2.8" TFT LCD display is your window to pitch-perfection. Its crystal-clear quality ensures your tuning is always on point, even under the blazing stage lights or glaring sunlight.

Tailored to Your Preferences

Tailor your tuning experience to your liking with multiple screen orientation options and selectable Strobe or Needle tuning modes. Your preferences, your performance.

Your Aesthetic, Your Way

Match your style with ease. The Walrus Audio Tuner comes with eight colour themes and multiple screen savers including a custom picture mode* allowing you to personalize your tuner to fit your unique aesthetic. *Photos can be uploaded to the tuner via walrusaudio.io.

Tune Faster with Tune Assist

Let Tune Assist guide you swiftly and accurately through your tuning process. Quick and easy tuning has never been so effortless. With Tune Assist, once your note stays in tune longer than a pre-determined threshold, a border outlining the display will flash letting you know that you are in tune and can move to the next string.

Versatile Bypass Options

Enjoy ultimate flexibility with buffered bypass which routes your audio through the clean, low-noise, high headroom audio buffer with a Total Harmonic Distortion ratio of .001%. This buffer offers a high input impedance of 1M Ohms and low output impedance of 400 Ohms to maintain the highest level of single integrity. Other available bypass modes include relay bypass, monitor mode, and pass-thru.

Customize Your Reference Pitch

Adjust the reference pitch from 390Hz to 490Hz to suit your musical needs. Precision tuning for any style of music.

Stay Current with Firmware Updates

Keep your tuner up to date with firmware updates via www.walrusaudio.io. Experience continuous improvement and new features as they become available.

Notes: *** Onyx Edition ***

The ARP-87 is a compact, feature-rich delay, packed with a large pallet of inspirational delay tones. Featuring four main algorithms, digital, analog, lo-fi, and slap back, the ARP-87 can cover some serious ground in the world of echoes. The Digital algorithm boasts pristine, crystal clear repeats great for rhythmic riffs. The Analog setting works well to add warmth and dimension to chords and lines without getting in the way. The Lo-Fi algorithm, with its adjustable frequency range on the repeats, goes from warm, warped, and murky, to strait AM radio. Finally, the Slap setting makes it easy to dial in a great slap back echo perfect for smoking chicken pickin' runs.

With other features like the smart bypass switching, and momentary knob ramp, the ARP-87 provides endless creative opportunities that are waiting to be explored.The X knob changes functions depending on which Algorithm you are using. It adjusts a specific parameter in each algorithm.

In Digital, Analog, and Slap modes, the knob will control modulation depth. In Lo-fi mode, the knob will control Filter width. Note that when changing delay types this loads a whole new algorithm and the tempo must be tapped in again.

Trails Mode

The ARP-87 can be run in trails or no trails mode. In trails mode, when you turn the pedal off, the delay trails die off naturally. In no trails mode, the delay trails are abruptly cut off when you turn the pedal off. To toggle between either mode, hold down the bypass switch for 1 second while applying power to the pedal. Unplug power and repeat to toggle to the other mode.

Momentary Functions

When the switch is in off position, press and hold the Bypass Switch to temporarily activate the effect to add a moment of delay texture. Releasing the switch turns the effect off. When the effect is on, press and hold the bypass switch to momentarily ramp the X parameter to maximum. Releasing the switch sets the X parameter back to the knob location. Press and hold the Tap Switch to temporarily ramp the feedback to maximum.
Release to set the feedback back to the knob location.

The ARP-87 comes in a Frosted Charcoal finish with cream and seafoam ink featuring original artwork by Chris Castro of a lone ship traveling through the ARP-87 Galaxies.
Dimensions and power consumption:

6,6 x 12,2 x 5,6 cm (W x D x H)
100 mA

In the box:

Walrus Audio ARP-87
Manual
Sticker
Guitar pick
Pouch

Notes: Inspired by the vintage Bell and Howell 385 Filmosound projector that guitarists have modified and used as guitar amps, Walrus has created a dynamic and responsive overdrive modeled after the projector's tone.

The 385 was developed to have the same simple but effective tone control as it's older relative, but unlike the projector, the 385 breaks up the single tone control and integrates separate, boost and cut bass and treble, allowing the player to get more creative with mid-frequency scoops and bumps allowing for a much wider array of tones to be achieved.

The pedal is internally running at 18v, which helps us nail the same dynamic feel of the amp in a stomp box.

This means it is extremely sensitive to how hard you dig in - just like the amp.

Updated for 2023.

Controls:

Bypass: Soft touch, relay true-bypass. Press the switch to engage/disengage the pedal. LED indicates whether the circuit is engaged or not.
A/B: Soft touch switch. Press to swap between using either A (White) or B (Red) Volume and Gain controls. LED indicates which controls are being used - White for A, Red for B.
Volume A: Controls the overall volume in the A setting. Turn clockwise for more volume, counter-clockwise for less volume.
Gain A: Controls the overall gain in the A setting. Turn clockwise for more gain, counterclockwise for less gain.
Volume B: Controls the overall volume in the B setting. Turn clockwise for more volume, counter-clockwise for less volume.
Gain B: Controls the overall gain in the B setting. Turn clockwise for more gain, counterclockwise for less gain.
Treble: Used to adjust the level of the treble frequencies. Turn clockwise to increase the level of the treble frequencies. Turn counter-clockwise to reduce the level of the treble frequencies.
Bass: Used to adjust the level of the bass frequencies. Turn clockwise to increase the level of the bass frequencies. Turn counter-clockwise to reduce the level of the bass frequencies.
385+ Switch: When the switch is down, you are able to achieve classic 385 sounds. Flip the switch up to add an additional gain stage to the input of the pedal, achieving heavier gain sounds and driving the pedal harder.

Specifications

The 385 comes in a matte black finish with yellow and red ink featuring original artwork of a vintage Belle and Howell 385 projector by David Huttner ready to give you the dynamic tone you've been searching for.
The die cast enclosure's exact size is 12.1 x 6.6 x 3.5 cm
Power requirements are 9VDC (100mA minimum). The use of an isolated power supply is recommended for powering all Walrus Audio Pedals.
Daisy chain power supplies are not recommended. Power supply not included.
Input: 1/4" TS, Unbalanced, 1M impedance
Output: 1/4" TS, Unbalanced, 10k impedance
True Bypass

Notes: Inspired by the vintage Bell and Howell 385 Filmosound projector that guitarists have modified and used as guitar amps, Walrus has created a dynamic and responsive overdrive modeled after the projector's tone.

The 385 was developed to have the same simple but effective tone control as it's older relative, but unlike the projector, the 385 breaks up the single tone control and integrates separate, boost and cut bass and treble, allowing the player to get more creative with mid-frequency scoops and bumps allowing for a much wider array of tones to be achieved.

The pedal is internally running at 18v, which helps us nail the same dynamic feel of the amp in a stomp box.

This means it is extremely sensitive to how hard you dig in - just like the amp.

Updated for 2023.

Controls:

Bypass: Soft touch, relay true-bypass. Press the switch to engage/disengage the pedal. LED indicates whether the circuit is engaged or not.
A/B: Soft touch switch. Press to swap between using either A (White) or B (Red) Volume and Gain controls. LED indicates which controls are being used - White for A, Red for B.
Volume A: Controls the overall volume in the A setting. Turn clockwise for more volume, counter-clockwise for less volume.
Gain A: Controls the overall gain in the A setting. Turn clockwise for more gain, counterclockwise for less gain.
Volume B: Controls the overall volume in the B setting. Turn clockwise for more volume, counter-clockwise for less volume.
Gain B: Controls the overall gain in the B setting. Turn clockwise for more gain, counterclockwise for less gain.
Treble: Used to adjust the level of the treble frequencies. Turn clockwise to increase the level of the treble frequencies. Turn counter-clockwise to reduce the level of the treble frequencies.
Bass: Used to adjust the level of the bass frequencies. Turn clockwise to increase the level of the bass frequencies. Turn counter-clockwise to reduce the level of the bass frequencies.
385+ Switch: When the switch is down, you are able to achieve classic 385 sounds. Flip the switch up to add an additional gain stage to the input of the pedal, achieving heavier gain sounds and driving the pedal harder.

Specifications

The 385 comes in a matte black finish with yellow and red ink featuring original artwork of a vintage Belle and Howell 385 projector by David Huttner ready to give you the dynamic tone you've been searching for.
The die cast enclosure's exact size is 12.1 x 6.6 x 3.5 cm
Power requirements are 9VDC (100mA minimum). The use of an isolated power supply is recommended for powering all Walrus Audio Pedals.
Daisy chain power supplies are not recommended. Power supply not included.
Input: 1/4" TS, Unbalanced, 1M impedance
Output: 1/4" TS, Unbalanced, 10k impedance
True Bypass

Notes: How It Works

Chaining up an EQ, compressor and overdrive pedal will never give you the same result as SkarBassOne achieves, not by a long shot! The precise filters in SkarBassOne is what gives you the extremely surgical tone and the wide range of possibilities without breaking a sweat!

No matter the settings you will always keep the clean powerful low end with this multiband overdrive and that is a must for bass. Controlling the mids of a bass sound has never been easier! You will get out of the way from other instruments masking frequencies and take up all the space that is ment for you and ONLY you!

It might look simple on the outside, but I assure you the inside is a matrix of years with development. The flexible multiband drive is smooth all the way thru it's range and I promise you it will never ever mess with your low end!

Details

Compression:

One knob FET compressor with fast attack and release. It handles dynamics with ease and creates a solid wall of tone.

Compression LED:

Visual indication of how hard the compressor is working.

Mid:

Mid filter to achieve the surgical studio tone! Create a defined, in the pocket frequency response for the bass to sound massive and to make it sit with other instruments. Your band mates will never beg you to turn down your bass again!

Mix:

Quickly set the tonal balance between low frequencies and high frequencies. Find the sweet spot in any situation.

Footswitch:

On/Off switch for Drive and Tone.
Red channel =Drive and Tone active.
Blue channel = Drive and Tone off.
Compression, Mid and Mix is active on both channels.

Drive:

Set the amount of multiband drive, from gentle push to full on bark!

Tone:

Hi-cut filter to control the high frequencies of the output.

Notes: The Cosmic ECHO is an analogue-sounding LoFi delay that will work with just about anything you plug into it.

The dark, lush, moody tones of the ever-popular PT2399 IC provide an out-of-this-world experience. Our take on this classic pedal pushes the chip's limits so you can explore all the gritty elements drifting at the edge of long delay rates. It already outperforms other bucket brigade style echoes, but just to be sure, we added 2 momentary switches, Zone and Warp.

Dark, rich sounds with the analogue vibe of a tape echo.

Uses the PT2399 IC, a bucket brigade style emulation. This IC has 16-bit sampling for 30-300 milliseconds. After that, the sample rate goes down in relation to the delay length. This results in artifacts and noise being introduced into the audio for weird, cosmic, psychedelic sounds.

Delay length: 30ms-1,250ms

3 knobs: Feedback, Mix and Rate. The Mix is a wet-only control that attenuates the amount of delayed signal in the signal chain. The Rate controls the number of repeats in an organic-sounding way.

Warp button: Momentary pushbutton switch that gives a bright, "small speaker" tone.

Zone button: Momentary pushbutton switch that introduces feedback into the circuit momentarily. Great for adding rhythmic feedback and other strange sounds. The Zone amount can be adjusted by an internal trim pot.

Pedal may have a slight volume drop.

Great for shoegaze, surf rock, ambient and experimental sounds.

Pedal uses a 125B case

Dimensions (L x W x H): 4 7/8" x 2 5/8" x 2 3/16" (124mm x 67mm x 56mm).

Takes a 9V battery or 9V centre negative 2.1mm barrel power supply (not included).

Notes: Great for live performances! The Cosmic ECHO Squared is an analogue-sounding LoFi delay that will work with just about anything you plug into it.

The dark, lush, moody tones of the ever-popular PT2399 IC provide an out-of-this-world experience. Our take on this classic pedal pushes the chip's limits so you can explore all the gritty elements drifting at the edge of long delay rates. It already outperforms other bucket brigade style echoes, but just to be sure, we added 2 stomp switches, Blast and Warp.

The "Squared" version of the pedal is tailored to live guitar and keyboard performers. It has all the features of the original plus:

Expression pedal input over Rate
Warp and Blast ("Zone" on the Cosmic Echo) are now momentary stomp switches
Blast amount knob now accessible externally

Features:

Dark, rich sounds with the analogue vibe of a tape echo.

Uses the PT2399 IC, a bucket brigade style emulation. This IC has 16-bit sampling for 30-300 milliseconds. After that, the sample rate goes down in relation to the delay length. This results in artifacts and noise being introduced into the audio for weird, cosmic, psychedelic sounds.

Delay length: 30ms-1,250ms

4 knobs: Feedback, Mix and Rate, Blast Amount. The Mix is a wet-only control that attenuates the amount of delayed signal in the signal chain. The Rate controls the number of repeats in an organic-sounding way.

Warp button: Stomp switch that gives a bright, "small speaker" tone.

Blast button: Stomp switch that introduces feedback into the circuit momentarily. Great for adding rhythmic feedback and other strange sounds. The Blast intensity is adjusted with the Blast Amount knob.

Pedal may have a slight volume drop.

Great for shoegaze, surf rock, ambient and experimental sounds.

Pedal uses a 1590XX case.

Dimensions (L x W x H): 5 3/4" x 4 3/4" x 2 1/8" (146mm x 121mm x 54mm)

Takes a 9V battery or 9V centre negative 2.1mm barrel power supply (not included)

Notes: The ZIO Analog Bass Preamp + DI is an ultra-low noise, all-analogue preamp and DI for bass guitar. The pedal offers maximum headroom and a simple but flexible set of tone shaping controls. ZIO Bass can be used as a direct input using the balanced XLR output for connection to a mixer or audio interface as well as with headphones through its dedicated headphone jack.

The ZIO Bass features a simple control panel. The OUTPUT knob offers +12db of additional boost plus a significant amount of cut. The BASS and FOCUS controls work best in tandem - use the BASS knob to increase low-end output and the FOCUS knob (which adjusts the cut-off point of a high-pass filter) to eliminated excessive lows and create added punch. The TREBLE knob boosts or cuts the high frequencies, providing enhanced articulation without adding harshness.

The GRIT toggle enables a mild distortion to mimic the transformer-style breakup from high-end bass amps. GRIT mode's gain level can be adjusted for more or less distortion with the GAIN control located on the side of the pedal. The SCOOP toggle engages a special midrange cut to clean up "muddy" mid-range frequencies. The SCOOP profile is based on the "Pultec Trick" - a setting commonly used with vintage Pultec Equalizers to add clarity.

The pedal has three outputs that can be used individually or simultaneously. The OUTPUT jack connects to an amplifier or pedalboard.

The DIRECT OUT is a balanced XLR output that sounds great running into a mixer or audio interface for recording or live sound applications. The HEADPHONE jack features a high dynamic range, low noise amplifier that is capable of driving low impedance studio headphones.

Notes: Updated version of Source Audio's excellent Nemesis delay features an all-analogue dry signal path, meaning your original signal passes through unadulterated. Same versatile delay options, including patches based on vintage and modern hardware.

Supplier's Notes:
The NEMESIS Delay ADT is an updated version of Source Audio's award-winning NEMESIS Delay. It has all the tones and features that made the original NEMESIS so popular and includes some key updates including an analogue dry through signal path.

Analogue dry through means that the guitar's dry signal maintains a 100% pure and unprocessed analogue signal adding only the delay you choose. Other new features include enhanced MIDI functionality, 100 factory loaded presets, and an updated collection of delay effects easily accessible with the pedal's intuitive interface. The updated NEMESIS is also compatible with over 1,000 Neuro user presets created for the original NEMESIS Delay.

Additional NEMESIS Delay ADT features include stereo ins & outs, full MIDI functionality with 5-pin MIDI DIN and through ports, tap tempo with 15 different beat divisions, 8 onboard presets (128 with MIDI), bypass trails, external expression control, and a delay "freeze" function engaged by holding down the tap tempo footswitch.

NEMESIS Delay ADT captures the full spectrum of delay effects, starting with a comprehensive collection of meticulously crafted vintage delay tones. The Source Audio engineering team spent over a year studying numerous iconic and sought-after tape and bucket brigade delay units with a staunch dedication to identifying their every nuance and idiosyncrasy. At the opposite side of the spectrum, you'll find an advanced collection of sophisticated and specialized delay effects.

In addition to the basic 12 delay engines available on the front panel, the NEMESIS Delay ADT also features 12 extended delay engines for a total of 24 engines in all. These additional "back 12" effect engines offer a variety of tonal options and can be selected using the Neuro App or via MIDI. Any of these effects can be used to overwrite the default effect engines on the effect dial or can be stored as user presets.

Job one in the development of the NEMESIS Delay ADTwas to create a flexible, easy-to-use, and great sounding delay pedal. Out of the box, that's exactly what it is - plug in, select from the twelve onboard delay engines and make beautiful music... simple. But there is much more here than meets the eye - the truly "Big Idea" behind our One Series pedals was to give musicians a second, far deeper, set of options and editing tools with which to craft the perfect tone. The Neuro Desktop Editor and Neuro Mobile App are free downloads for iOS, Android, Mac, and Windows.

Additional parameters found in Neuro include Diffusion, Distortion, Wow and Flutter, Advanced Filtering, Sample Rate Reduction,12 different Tap Tempo Beat Divisions, Polyphonic Pitch Shifting and much more. Neuro's complete collection of delay effects includes "Sweeper" (a modulated filter delay), "Degrade" (with sample rate reduction), "Sequenced Filters," "Warped Record", "Chorus," and more.

Customized presets can be published to the cloud and made accessible to the entire Neuro Community. To date there are well over 8K published presets available for One Series pedals in Neuro. After editing your preset, burn it directly to the pedal and access it easily without reconnecting the Neuro App.

Notes: Limited-edition Zanzibar blue version of Soma's unique memory station, combining looping effects with real-time performance options, allowing you to craft and perform soundscapes while manipulating live sound.

Supplier's Notes:
COSMOS is a drifting memory station designed to work with meditative states through music. The design of the controls, functions and generated soundscapes are intended to evoke, in both performer and listener, states and experiences inherent in meditation, such as limitless space, fluidity, spontaneous development, presence, the ability to hear, tranquility, the experience of subtle harmony and happiness enveloping the whole world.

From a functional point of view, COSMOS is a large array of sound memory, in which recorded sounds undergo constant recombinations, spontaneously generating an ever-changing soundscape. This is achieved in three ways - by a mathematical shift based on the relationships between large prime numbers (the size of all delay lines are different primes), an asynchronous operation of the LFO, and modulation with a slowly changing chaotic signal. As a result, it allows the endless layering and processing of various sounds, as in a looper, but without an intrusive, repetitive loop.

COSMOS generates rich, fluid and evolving soundscapes perfect for ambient music. Using COSMOS, you can play an entire meditative solo concert while being in a spontaneous flow and without using studio-prepared sequences, backing tracks and other things that can't be a reflection of the "here and now".

Specifications

Minimum input voltage: 0.35 V peak-to-peak
Maximum output voltage at line outputs: 11.3 V peak-to-peak
The maximum output voltage at the headphones output: 10.4 V peak-to-peak
Frequency response: 10-22000 Hz
Sound memory: 44.7 sec
Supply voltage: 12 V *
Power connector polarity: centre plus
Current consumption: 0.25 A
Dimensions: 342 x 153 x 68 mm
Weight: 2.2 kg

* Use only the power supply supplied with the device! In case of failure, it can be replaced with a high-quality modern switched-mode power supply with an output voltage of DC 12 volts, the center is plus and an output current of at least 0.5 amperes (more is fine). The power supply must have a wide AC input voltage range of 100-240 volts. Such power supplies have excellent output voltage stabilization required for the device. It is forbidden to use COSMOS with nonstabilized voltage from transformer power supplies. It can lead to damage to the device, which is not covered by the warranty repair!

Notes: A typically unique take on multi-effects from Soma, designed to induce meditative states. Hybrid analogue-digital delay/reverb/granular processing gives a range of creative approaches.

Supplier's Notes:
COSMOS is a drifting memory station designed to work with meditative states through music. The design of the controls, functions and generated soundscapes are intended to evoke, in both performer and listener, states and experiences inherent in meditation, such as limitless space, fluidity, spontaneous development, presence, the ability to hear, tranquility, the experience of subtle harmony and happiness enveloping the whole world.

From a functional point of view, COSMOS is a large array of sound memory, in which recorded sounds undergo constant recombinations, spontaneously generating an ever-changing soundscape. This is achieved in three ways - by a mathematical shift based on the relationships between large prime numbers (the size of all delay lines are different primes), an asynchronous operation of the LFO, and modulation with a slowly changing chaotic signal. As a result, it allows the endless layering and processing of various sounds, as in a looper, but without an intrusive, repetitive loop.

COSMOS generates rich, fluid and evolving soundscapes perfect for ambient music. Using COSMOS, you can play an entire meditative solo concert while being in a spontaneous flow and without using studio-prepared sequences, backing tracks and other things that can't be a reflection of the "here and now".

Specifications

Minimum input voltage: 0.35 V peak-to-peak
Maximum output voltage at line outputs: 11.3 V peak-to-peak
The maximum output voltage at the headphones output: 10.4 V peak-to-peak
Frequency response: 10-22000 Hz
Sound memory: 44.7 sec
Supply voltage: 12 V *
Power connector polarity: centre plus
Current consumption: 0.25 A
Dimensions: 342 x 153 x 68 mm
Weight: 2.2 kg

* Use only the power supply supplied with the device! In case of failure, it can be replaced with a high-quality modern switched-mode power supply with an output voltage of DC 12 volts, the center is plus and an output current of at least 0.5 amperes (more is fine). The power supply must have a wide AC input voltage range of 100-240 volts. Such power supplies have excellent output voltage stabilization required for the device. It is forbidden to use COSMOS with nonstabilized voltage from transformer power supplies. It can lead to damage to the device, which is not covered by the warranty repair!

Notes: A typically unique take on multi-effects from Soma, designed to induce meditative states. Hybrid analogue-digital delay/reverb/granular processing gives a range of creative approaches.

Supplier's Notes:
COSMOS is a drifting memory station designed to work with meditative states through music. The design of the controls, functions and generated soundscapes are intended to evoke, in both performer and listener, states and experiences inherent in meditation, such as limitless space, fluidity, spontaneous development, presence, the ability to hear, tranquility, the experience of subtle harmony and happiness enveloping the whole world.

From a functional point of view, COSMOS is a large array of sound memory, in which recorded sounds undergo constant recombinations, spontaneously generating an ever-changing soundscape. This is achieved in three ways - by a mathematical shift based on the relationships between large prime numbers (the size of all delay lines are different primes), an asynchronous operation of the LFO, and modulation with a slowly changing chaotic signal. As a result, it allows the endless layering and processing of various sounds, as in a looper, but without an intrusive, repetitive loop.

COSMOS generates rich, fluid and evolving soundscapes perfect for ambient music. Using COSMOS, you can play an entire meditative solo concert while being in a spontaneous flow and without using studio-prepared sequences, backing tracks and other things that can't be a reflection of the "here and now".

Specifications

Minimum input voltage: 0.35 V peak-to-peak
Maximum output voltage at line outputs: 11.3 V peak-to-peak
The maximum output voltage at the headphones output: 10.4 V peak-to-peak
Frequency response: 10-22000 Hz
Sound memory: 44.7 sec
Supply voltage: 12 V *
Power connector polarity: centre plus
Current consumption: 0.25 A
Dimensions: 342 x 153 x 68 mm
Weight: 2.2 kg

* Use only the power supply supplied with the device! In case of failure, it can be replaced with a high-quality modern switched-mode power supply with an output voltage of DC 12 volts, the center is plus and an output current of at least 0.5 amperes (more is fine). The power supply must have a wide AC input voltage range of 100-240 volts. Such power supplies have excellent output voltage stabilization required for the device. It is forbidden to use COSMOS with nonstabilized voltage from transformer power supplies. It can lead to damage to the device, which is not covered by the warranty repair!

Notes: A typically unique take on multi-effects from Soma, designed to induce meditative states. Hybrid analogue-digital delay/reverb/granular processing gives a range of creative approaches.

Supplier's Notes:
COSMOS is a drifting memory station designed to work with meditative states through music. The design of the controls, functions and generated soundscapes are intended to evoke, in both performer and listener, states and experiences inherent in meditation, such as limitless space, fluidity, spontaneous development, presence, the ability to hear, tranquility, the experience of subtle harmony and happiness enveloping the whole world.

From a functional point of view, COSMOS is a large array of sound memory, in which recorded sounds undergo constant recombinations, spontaneously generating an ever-changing soundscape. This is achieved in three ways - by a mathematical shift based on the relationships between large prime numbers (the size of all delay lines are different primes), an asynchronous operation of the LFO, and modulation with a slowly changing chaotic signal. As a result, it allows the endless layering and processing of various sounds, as in a looper, but without an intrusive, repetitive loop.

COSMOS generates rich, fluid and evolving soundscapes perfect for ambient music. Using COSMOS, you can play an entire meditative solo concert while being in a spontaneous flow and without using studio-prepared sequences, backing tracks and other things that can't be a reflection of the "here and now".

Specifications

Minimum input voltage: 0.35 V peak-to-peak
Maximum output voltage at line outputs: 11.3 V peak-to-peak
The maximum output voltage at the headphones output: 10.4 V peak-to-peak
Frequency response: 10-22000 Hz
Sound memory: 44.7 sec
Supply voltage: 12 V *
Power connector polarity: centre plus
Current consumption: 0.25 A
Dimensions: 342 x 153 x 68 mm
Weight: 2.2 kg

* Use only the power supply supplied with the device! In case of failure, it can be replaced with a high-quality modern switched-mode power supply with an output voltage of DC 12 volts, the center is plus and an output current of at least 0.5 amperes (more is fine). The power supply must have a wide AC input voltage range of 100-240 volts. Such power supplies have excellent output voltage stabilization required for the device. It is forbidden to use COSMOS with nonstabilized voltage from transformer power supplies. It can lead to damage to the device, which is not covered by the warranty repair!

Notes: The AURRAS Optical Vibraphase by SolidGoldFX is a powerful effects pedal named after the goddess of sound that meets the legacy of its predecessor the Athena Vibraphase in a harmonious blend of legendary, vintage Uni-Vibe textures and innovative, modern prowess.

Rich, Energetic Soundscapes

AURRAS Optical Vibraphase is a 2-stage asymmetric phase shifter built around a pair of selected and individually controlled opto-isolators offering a clearer signal with minimal distortion while simultaneously isolating the audio path from any possible LFO interference.

The dual LFO setup, powered by a microprocessor, provides limitless sonic flexibility. Drawing inspiration from albums such as Band of Gypsys or the Dark Side of the Moon, the AURRAS delivers the lush modulation and heavy pulse that have shaped Rock & Roll history.

With its dual LFOs, expression pedal input, adjustable dry mix control, and offset combined with Speed, Depth and Level knobs, AURRAS transcends eras with a rich tapestry of intriguing, lush liquid soundscapes. While the AURRAS features a 100% analogue audio path from input to output, it takes advantage of precise digital controls, offering soft-touch relay-based true bypass switching, on-board tap tempo and speed ramping.

Comprehensive Tone-Shaping Controls

With its dual LFOs, expression pedal input, adjustable dry mix control, and offset combined with Speed, Depth and Level knobs, AURRAS transcends eras with a rich tapestry of intriguing, lush liquid soundscapes.

While the AURRAS features a 100% analogue audio path from input to output, it takes advantage of precise digital controls, offering soft-touch relay-based true bypass switching, on-board tap tempo and speed ramping. Set your effect with the Speed knob, Expression Pedal, Tap Tempo, or by using the Ramp function. You can ramp up your LFO speed by simply holding the Tap Tempo footswitch, which will automatically ramp up to double your speed.
You can also ramp down your LFO speed by simply holding down the Bypass Footswitch. This will automatically decrease your speed to half. Repeat this process as many times as you'd like to achieve the desired speed.

Let's talk about LFO Offset

AURRAS runs on a pair of opto-isolators each operating on an independent LFO. While most Phaser or Modulation pedals use a single LFO to create their effect, independent LFOs can open a new array of effects by offsetting their symmetry.

The OFFSET ADJ knob and OFFSET MODE FREQ|PHASE knobs work in tandem. For a more conventional effect, turn the OFFSET ADJ mode fully counterclockwise, allowing both LFOs to be in sync with no offset.

The FREQUENCY OFFSET adds rhythmic patterns by slowing down the second LFO, while the PHASE OFFSET fine-tunes the throb by introducing asymmetry between the LFOs.

Notes: Something a bit different here. Red Panda's Radius combines ring mod and frequency shifter circuits with pitch tracking and modulation. Controllable chaos which delivers unique bell-like tones, atonal phaser sounds and much more.

Supplier's Notes:
Ring modulator / frequency shifter.

The Radius is a ring modulator and frequency shifter with pitch tracking and an advanced LFO. It is designed around a novel "eight-quadrant multiplier" algorithm that smoothly transitions from ring modulation to frequency shifting and allows different frequency ratios for the upper and lower tones. Radius puts complex harmonic structures, bell-like tones, metallic textures, frequency shifting, soft tremolo, and bubbly phaser sounds at your fingertips.

A ring modulator multiplies two signal signals together to create new frequencies that are the sum and difference of the input frequencies. One signal is your instrument, and the other is an internal oscillator. The Radius can double the sum or difference frequency ratios and adjust their relative levels, unlocking a spectrum of timbres beyond traditional ring modulation.

Pitch tracking, a push-to-tune footswitch, and picking dynamics make the Radius responsive and predictable on stage. Hold the left footswitch and play a note to tune the carrier oscillator to that note. Pitch tracking maintains the pitch ratio as you play up and down the scale, or tracks by a ratio (or inverse) for more dynamic sounds. An expression pedal can be assigned to any combination of knobs.

The Radius has an advanced LFO with triangle, square, random waveforms and an eight step sequencer, all of which can be envelope triggered. The envelope follower makes it responsive to playing dynamics, and two "X" modulation waveforms create sweeping spectral changes.

Well-spaced controls and stereo input/output make the Radius perfect for sound design, synths, and creative mixing. A full MIDI implementation allows you to sync to MIDI clock, sequence parameter changes, and play the carrier oscillator from a keyboard.

The Radius is a musical ring modulator and frequency shifter that transforms the timbre of your instrument in new ways. With deep features and intuitive control, Radius modernizes classic electronic techniques for the future.

Dimensions: 3.1" x 4.75" x 2.5" (with knobs)
Shipping dimensions: 5.2" x 3.75" x 3.0"
Shipping weight: 1.1 lbs

Requires a 9V DC 250 mA power supply (not included).

Notes: Cutting Room Floor V3 Pedal

(Vintage Reel-to-Reel Tape, Echo, and Stutter)

The Cutting Room Floor has been updated and now has separate controls over the saturation of the input signal and tape delay signal. With this change, it's possible to have any amount of emulated tape saturation on the input signal and an adjustable tape delay level.

Housed in a smaller, compact footprint, the Cutting Room Floor V3 provides beautifully marred saturated tape tone and ethereal repeats. Imagine an abandoned factory with a fluttering tape machine left on infinite replay.

The Cutting Room Floor was designed to emulate the sound and functionality of vintage reel-to-reel tape overdrive and echo. This pedal reaches into the 21st century with characteristics that traverse the world of modulation and delay. Other features include a freeze button that traps a tone while still playing, and expression/CV control for time.

Designed and assembled in Seattle, Washington. Includes a limited 1-year warranty, if registered within 30 days of purchase.

- 150ma current draw

New in V3:

- Independent control of the tape saturation and tape delay levels

- High-quality knobs with textured grip

- Tape reel design lights up when the pedal is on

- Better layout of the knob placement

- Smaller 125B enclosure (4.77" x 2.6" x 1.39")

Notes: Enlightening

Elevating the groundbreaking optical compression of the original Philosopher's Tone to a new plane of tonal enlightenment, the Philosopher's Tone 2 is a world-class compressor/sustainer with footswitchable Grit, allowing for more versatility than ever before. Featuring a refined implementation of the overdrive circuit first heard in the limited-edition Gold version of this iconic compressor pedal, the unique germanium distortion found in the Philosopher's Tone 2 delivers smooth top end and rich midrange response, tailored to perfectly match the characteristics of the optical sustainer driving it. In addition to Volume and Sustain controls, the Philosopher's Tone 2 features a parallel clean Blend knob that allows musicians to mix their instrument's original tone with the compressor/sustainer effect when the Grit circuit is bypassed. This mixing technique restores natural pick-attack and allows clean settings with extreme sustain to remain dynamic and musical. When the Grit circuit is engaged, the Blend knob is automatically bypassed, circumventing the compromises of the original unit and imparting a colourful distortion to your sound in both Germanium and Silicon modes. This nonlinear diode-clipping can range from subtle overdrive to overflowing distortion, all without unwanted feedback. A Treble control located just before the master Volume provides 6db of cut or boost at 2kHz for fine-tuning the frequency response of the effect. The Philosopher's Tone 2 features true-bypass switching and internal 18V power rails for maximum clean headroom that is ideal for use with hot pickups, active bass, synthesisers and other line-level sources. Runs on 9VDC.

Knob-by-knob

Volume: Sets the overall output volume.
Treble: Boosts or cuts treble at 2kHz.
Sustain: Sets the amount of sustain.
Blend: Mixes your compressed effect with your clean signal. Note: This control is only active when the Grit footswitch is turned OFF.
Grit: Controls the gain of the overdrive stage. Note: This control is only active when the Grit footswitch is turned ON.

Rare design

Generations of guitar players have sought noiseless clean sustain from a compressor, and this was the guiding goal of the research and design behind Philosopher's Tone, yielding a compressor with an internal 18 volts of headroom and naturally musical tone control.

The evolution of Philosopher's Tone

First released in 2009 and igniting a new following for Pigtronix, the Philosopher's Tone 2 is a "best of" design, incorporating the best elements of previous iterations plus a completely redefined Grit knob for significantly more versatility.

Modern-day alchemy

Practitioners of the mystical and ancient art of alchemy long sought an element called the Philosopher's Stone. They believed, if found, it could turn lead into gold and bestow immortality upon the person who wielded it. Philosopher's Tone 2 allows players to conjure gleaming sustain, soaring lead tones, and articulation across all six strings.

Model name: Philosopher's Tone
Function: Optical Compressor Sustainer
Category 1: Compression
Bypass: True Bypass

Electronics

Voltage: 9VDC
Current draw: 100mA
Input impedance: High
Output impedance: 150ohms

Body
Length (inches): 1.5
Width (inches): 3.75
Height (inches): 1.75
Weight (lbs): 0.5

Notes: Morph across the spacetime spectrum.

Years in the making and the first of its kind, Cosmosis is a stereo, high-fidelity ambient reverb that allows musicians to tailor three original spaces-Theatre, Temple, and Cosmos-as well as manipulate them in real time. In addition to controls for the size of the reverb, wet/dry blend, and filtering, Cosmosis features a unique Morph function that allows musicians to alter their reverb settings in real-time by pressing the left footswitch. The three space algorithms found inside of Cosmosis are all-original and truly unique. Theatre puts the player in a variable room that ranges from cozy to highly reflective using multiple parallel short reverberators. Temple occupies a dramatic, large indoor space by implementing numerous long reflections in both parallel and series. And Cosmos creates an enormous spectrum of heavenly reverb derived from the harmonic content it's fed. The Morph feature found in Cosmosis provides a simple way for players to trigger a gradual change to various reverb parameters over a specified amount of time set by the accompanying Morph Rate knob. Players can set both "red" and "green" values on their Tone, Blend, and Size knobs, then engage the Morph footswitch to oscillate between the two reverbs at their desired rate. Any combination of knobs can be assigned to morph. Create elegant morphs for subtle movement or sweeping, cinematic morphs for dramatic sound design effects. Save up to four custom reverb presets, including morphing. Cosmosis runs on standard 9VDC power.

Knob-by-knob

Size: Sets the size of the reverb space.

Blend: Sets the balance between wet (reverb) and dry (clean signal)

Tone: Clockwise from noon, this control applies a high-pass filter, making the reverb sound brighter. Counter-clockwise from noon, this control applies a low-pass filter, making the reverb sound darker.

Morph Rate: Sets the time it takes for parameters to change between "red" and "green" values when the Morph footswitch is engaged.

Morph: Enable morphing for any combination of the 4 on-board knobs. Push to toggle through knobs, press and hold to select. Press and hold again to deselect.

Preset Select: Push to toggle through 4 pre-loaded presets, press and hold to select. To save a custom preset after making changes, press and hold. Presets can also be toggled and selected using only footswitches (see manual).

Space Select: Push to toggle through 3 available reverb spaces.

Three evocative spaces

The three unique space algorithms found inside of Cosmosis are entirely original and comprise a combination of primary source impulse responses, imagined reflections, and inspired mathematics. Theatre is a vintage-inspired small room sound ranging from cozy to reflective; Temple is a rich and flowing larger space featuring long reflections in both parallel and series; and Cosmos makes use of divine inspiration to create an enormous spectrum of harmonically-informed reverb. Kill the Size knob in any space to conjure a ghostly, full-wet "reverse" reverb effect.

Enter the world of cosmosis

A portal of such divine proportions was always missing in the Pigtronix universe. One day, traveling further than ever before into the outermost reaches of what he knew to be true, Marvin caught glimpses of refracted light and mist hovering in the atmosphere of a new, far-distant planet. This was the long-sought Cosmosis-a planet that takes in the sounds of the galaxy, sublimates them, and ushers them to the other side forever changed.

Model Cosmosis

Model name: Cosmosis
SKU: COS
Function: Stereo Ambient Reverb with Morphing
Category 1: Reverb
Expression: TRS Remote
Bypass: Buffered

Electronics

Voltage: 9VDC
Current draw: 100mA
Input impedance: High
Output impedance: 1k
Body

Length (in): 3.25
Width (in): 4.5
Height (in): 2.2
Weight (lbs): 1

Notes: Warm and cozy

Class A Boost will fatten up and boost anything you feed it. This deceptively simple design uses discreet J-FET transistors in a single-ended "Class A" configuration to achieve the warmest possible tone. Class A Boost can deliver up to 20db of clean boost and remains effective with both instrument and line level signals. Superior signal to noise performance allows you to put the Class A Boost anywhere in your pedal chain. It can add punch and extra output to a classic overdrive sound and is able to push distortion pedals into extremely aggressive crunch land. Class A Boost is also ideal for hitting the front end of a tube amp to achieve an added layer of sweetness.

Knob-by-knob

Level: Sets the overall output volume.

Satisfying saturation

The feed-forward J-FET based design of the Class A Boost provides up to 20db of high-headroom boost with just enough class A saturation to warm up your tone.

Gotta bounce

Late for a rehearsal several light years away, Marvin thought it was a space mirage when he first saw Class A Boost-a trampoline strapped with rocket boosters. But before he knew it, he was blasting through time and space, landing in his buddy's garage right before their drummer (also late) counted in.

Model name: Class A Boost
Function: FET Clean Boost
Category 1: Utility
Bypass: True Bypass

Electronics

Voltage: 9-18VDC
Current draw: 100mA
Input impedance: 10M O
Output impedance: Freq. dependent

Body

Length (inches): 1.5
Width (inches): 3.75
Height (inches): 1.75
Weight (lbs): 0.5

Notes: Further pushing the boundary of clock-defined pedals, the latest entry in Old Blood Noise Endeavors' BL series is a Phase Repeater, in the process making a genre entirely of its own.

Phase repetition takes the modulation of a phaser and applies it to the realm of time, creating a completely unique sound and more like delay or reverb than its namesake phaser. First used in the OBNE Dweller pedal, the BL-52 Phase Repeater represents a new spin on the sound, with simple controls including a Clock slider that enlightens the timing of everything in the pedal.

At a point, describing sound feels like describing time: the fourth dimensional perplexity of it all! Of course, this makes sense in that time being intermingled with sound and frequencies only existing over a period of time, whatnot. We spend a lot of time thinking about all-pass filters, you and I. How they pass all frequencies, but at different times. How this, in the digital realm, can create a phaser or a reverb, depending on how much memory you allow it and thus, how much of the fourth dimension it's playing with at any given... well, time.

BL-52 is what we call a phase repeater pedal. It's an effect we stumbled upon in our Dweller pedal development, living somewhere between phaser, delay and reverb, as it creates a series of repeats both unexpected and pleasing. It's digital trickery to do something quite unfamiliar and once you've bonded with it, is irreplaceable.

The BL-52 Phase Repeater is solely focused on that effect, with the Clock control setting the timing of the entire system: the sample rate that determines signal fidelity, the timing of the phase repetition and the speed of the LFO that shapes the diffusion of the repetition.

In short, it is an effect that does not require exactness, but rather openness to where the repetition will lead you.

Notes: As an Old Blood Noise Endeavors take on reverb, BL-37 Reverb Variable-Clock Effector is a new voice with a streamlined control set: a reverb both more immediate and more degraded than any other.

Thanks to its simple yet intuitive and interactive control set this modulated reverb can be quick and highly reflective or slow and stretchy with noticeable pitched undulations.

The sheer audacity of sound, to fill a room, to fill our heads, to fill our hearts. To act digitally as if tangible, as if these walls could talk, as if this were a real space and not a series of all-pass filters and modulated delays meant to capture the idea of somewhere we'd been before and something we'd done before and something we were before, as if. To give control over the whole thing, to simply stretch by hand the entire clock! It's a heck of a concept really.

BL-37 is a reverb pedal. It is lush but also ringy, and easily stretchable. It modulates, and sometimes that modulation feels certain, an obvious pitch bend, while other times it washes, simply a shimmering softening element. The control set for BL-37 is simple. A Clock slider sets the timing of the entire system - the sample rate that determines signal fidelity, the timing of the reverb, and the speed of the modulation within that reverb are all affected as the slider slides. Additional controls for Feedback, Mix, and Volume allow you to further craft the spatial voice in play here.

Notes: The Beam Splitter is a single pedal meant to create a massive sound. It is three different takes on overdrive, voiced to work together perfectly. Two of them can be delayed in time, and all three can be run in parallel or split out to three separate sources.

Beam Splitter takes a mono input and makes it wildly bigger than before. Things stretch in time and compress in dynamics, and a rich harmonic wash is achieved without sacrificing clarity.

To be washed in sound, does it have to be one big sound, or will a number of small sounds do the trick? To create a wall of sound, same question, but also how does it stay solid? How can sound waves make a wall, and is it just a moment in time; will it always crash down?

Why record your guitar thrice when Beam Splitter exists?

Beam Splitter is best seen in three sections - Purple, Green and Blue.

Purple is a hard-clipping distortion that can be seen as the core gain sound of Beam Splitter.

Of Beam Splitter's three gain sections, it is arguably the heaviest and most compressed. It has three controls, identified by their purple knobs and labels - Gain, Volume and Tone.

Green is an overdrive with both soft and hard clipping. It is the lightest and brightest of the three gain sections in Beam Splitter. Also featuring Gain, Volume controls the green gain circuit features a Time knob, which sets the delay time, up to 125 sections. When blended in parallel with the other drives, this delay time can create anything from tight comb filters to loose doubling delays to short slapback.

Additionally, there is a Decay knob, which sets the feedback of the delay, from one repeat up to many repeats trailing off. In comb filter settings this can increase resonance.

Blue is a transistor Overdrive and the most neutral and reactive of the three gain circuits, with a gain range somewhere in the middle. Its Gain switch sets the amount of breakup. In the down setting, it is less overdriven, with less compression in the mids and highs. In the up setting, it is more overdriven and aggressive. It also boasts Time and Decay controls, on top of the Tone and Volume knobs and gain switch.

The pedal's Deviate control is a shared knob that sets the amount of random variation in the delay time of the Blue and Green drive sections. The more it is turned up, the farther their delay times can deviate, and the faster those deviations happen. When at zero, the delay times are fixed, above zero, each Time knob sets that sections delay time.

Deviate intends to create a more realistic sense of doubled players, with random variations in timing as if you were playing to the track twice. It can also give the impression of flanging, chorusing or broken vibrato, depending on the settings.

The Expression jack is used to externally control the Deviate knob using a TRS expression devices with standard polarity and tip connected to the wiper.

Beam Splitter has a mono input. From there the signal goes out to Purple, Green and Blue drive sections in parallel. If only plugged into the Purple Out Jack, all three sections will join in parallel mono at that Output. Green and Blue can each be broken off into their own output by plugging into the corresponding Out jacks.

In this way you can have a full 'stereo' setup.

Notes: ***B-STOCK: Box opened, product in perfect working order***


Voodoo Vibe is a mini guitar effect pedal that is recreates the rotating speaker effects produced by the classic uni vibe pedals used by famous guitarists from the 60's to the present day. Controls for Speed, Intensity and Volume give a wide range of adjustment to home in on the perfect vibe effect. An illuminated mini push button above the rotary controls can switch between a classic psychedelic vibe effect or a more chorus-type effect. Holding this button down during power-up selects between mono output or stereo output, which requires a stereo jack lead. Pressing the footswitch engages or disengages the effect. The smart tap tempo feature means that the pedal recognises pressing the footswitch twice or in a short space of time and responds to the timing as a tap tempo function. Perfect for trippy arpeggios and ethereal chord work.

Power supply: 9Vdc (DC5521 connector, negative centre, adaptor not supplied)
Controls: Speed, Intensity, Volume and Vibe/Chorus switch
Dimensions: 94 x 53 x 51mm
Weight: 175g

In the box

The box for this item contains :

Voodoo Vibe pedal

Notes: Verb Core Deluxe offers 8 different reverb effects in a single, straightforward stomp box format. A selection of classic and contemporary reverb types are available, with new features such as buffered tail bypass and kill dry functions. Each reverb type has adjustable Decay, Level and Tweak, which affects a different parameter depending upon the delay type selected. The dry signal follows an all-analogue signal path, keeping the signal pure and helping to avoid unwanted noise. If you need a reverb on your pedal board, this could be the answer to all your needs.

Mono or full stereo signal path
True bypass or buffered with reverb tails
8 distinct reverb types
Hold the footswitch for additional freeze function
USB-C port for firmware updates

Power supply: 9Vdc (PP3) battery or optional power adaptor
DC input connection: DC5521 jack (for optional adaptor - pin-negative)
Current consumption: <120mA
Controls: Decay, Level, Tweak, Reverb type
Modes: Room, Hall, Plate, Damp, Shim, Spring, Tre-verb, Mod-verb
Inputs: L+R 6.3mm mono jack
Outputs: L+R 6.3mm mono jack
Sampling format: 48kHz, 24-bit
Input impedance: 1M ohm
Output impedance: 1k ohm
Dynamic range: 104dB
Dimensions: 122 x 72 x 47mm
Weight: 270g

In the box

The box for this item contains:

Verb Core Deluxe pedal
Alkaline PP3 battery

Notes: A hugely powerful all-rounder, the Trident combines amp modelling with effects and looping, offering a rock-solid combination of features in a rock-solid die-cast aluminium case. A big step up from the cheaper Cerberus pedal.

Supplier's Notes:
Trident is the flagship integrated effects and amplifier simulation pedal from NU-X, built into a one-piece die-cast aluminium pedal housing to withstand the rigours of the stage and road. Using the new proprietary TSAC-4K physical modelling algorithm, with separate dedicated DSP engines for effects and amp simulation, the Trident employs premium AD/DA conversion hardware for accurate sound reproduction with minimal noise levels. Each of the 27 amplifier models faithfully emulates its real world counterpart with authentic features and functions, such as high/low inputs, cable jumping and toggle switch settings. Add to these 27 cabinet simulations and 4 microphone models and you have a wide palette of classic backline to conjure with. A full compliment of effects including boosters, filters, modulations, delay and reverb are available, with on-the-fly adjustments and foot switching easily from the top-side control panel. Current status and settings are neatly displayed in real-time on the backlit LCD display which is bright and clear for easy viewing on stage. Additional effects can be patched in via the send / return loop, which has serial or parallel modes and can also be used for connecting to an amplifier using the 4-cable method, or as a send-only output using branch mode. Full MIDI implementation is accessed through MIDI in and out for integration with external MIDI and switching gear. For interfacing with a Mac or PC computer, a USB type-C port can be used as a recording interface or for programming the Trident using the free to download Trident™ editing software. Additional connections on the rear panel include an expression pedal input, 3.5mm auxiliary input, 6.3mm headphone output, 2 x XLR outputs and 2 x 6.3mm outputs to support the many various wiring configurations. Overall, Trident is the complete war machine to launch your sonic attack with.

MIDI compatible (5-pin DIN adaptor leads supplied)
USB port for PC/Mac editing, audio interface and firmware updates
30 second phrase looper with pre and post routing
Trident™ Edit software free to download from www.nuxefx.com/trident.html
High resolution TSAC-4K physical modelling
Selectable amp & effects block order
Heavy duty cast aluminium housing
32 additional IR slots for custom cab simulations

Power supply9Vdc, 500mA, pin-negative (mains adaptor included)
Current consumption<330mA
Inputs: Exp pedal, Guitar, Return (6.3mm), Aux input (3.5mm)
Outputs: Send, Headphones, Out 1+2 (6.3mm), Out 1+2 XLR
Input impedance: 1M Ohm (guitar), 100k Ohm (return jack)
Output impedance: 1k Ohm (Out 1, Out 2, Send)
Aux Input Impedance: 10k Ohm
Headphone output: 6.3mm stereo (47 Ohm)
Dynamic range: 109dB
Latency: 1ms
Sampling format: 48kHz, 32-bit
USB port: Type-C PC/Mac interface
Dimensions: 312 x 164 x 65mm
Weight: 1.65kg

In the box

The box for this item contains:

Trident integrated amp modeller and effects pedal
9Vdc 500mA power adaptor
2 x 3.5mmm to 5-pin DIN adaptor MIDI leads
USB A to C cable

Notes: Time Core Deluxe mkII is the next generation digital delay pedal from NU-X, with 7 selectable delay types. Simulation of highly revered analogue, tape and digital effect pedals with the benefit of up-to-date features such as tap-tempo, kill dry and buffered tail bypass offer a choice of high end delay effects with augmented flexibility. New additions include the proprietary Phi delay, SOS looper and layered reverb. From short slap-back echo to long multi-tap repeats, the Time Core Deluxe mkII covers practically any delay duties required for your pedal board.

Full stereo or mono signal path
True or buffered bypass options
7 distinct delay types
40 second looper function
USB-C port for firmware updates

Power supply: 9Vdc (PP3) battery or optional power adaptor
DC input connection: DC5521 jack (for optional adaptor - pin-negative)
Current consumption: <120mA
Controls: Time, Mix, Repeat, Delay type
Recording mode: 40 second sound-on-sound looper
Modes: Phi Digital, Analog, Modulation, Tape, Pan, Verb, Reverse delay
Inputs: L+R 6.3mm mono jack
Outputs: L+R 6.3mm mono jack
Sampling format: 48kHz, 24-bit
Input impedance: 1M ohm
Output impedance: 1k ohm
Dynamic range: 104dB
Dimensions: 122 x 72 x 47mm
Weight: 270g

In the box

The box for this item contains:

Time Core Deluxe MkII pedal
Alkaline PP3 battery

Notes: Evolving from the popular Mod Core Deluxe pedal, this mkII version has new effect models, signal routing options and editing features. A choice of 8 modulation models range from chorus to phasing and vibrato, with Rate and Depth controls and an additional Tweak control to adjust a third parameter specific to each effect and a further Blend adjustment in Alt mode. Rate can also be adjusted using a Tap Tempo function of the main footswitch. Mod Core Deluxe mkII has routing options for mono out, stereo out or mono with send/return loop. When using the loop, there are 3 routing options for pre, parallel and post effect placement. If you have space for just one mod effect on your board, the Mod Core Deluxe mkII offers a choice of 8 high quality pedals in a single compact stomp box format.

8 distinct modulation effect models
Analog dry signal path for low noise and zero latency
Mono or stereo output
Built-in send-return loop
4 parameter control for effect settings
USB-C for firmware updates

Power supply: 9Vdc (PP3) battery or optional power adaptor
DC input connection: DC5521 jack (for optional adaptor - pin-negative)
Current consumption: <120mA
Controls: Rate, Depth, Tweak & Mod type
Modes: ST.CH, CE-1, SCF CHO, SCF FLG, SCF PM, U-VIBE CHO, U-VIBE VIB, PH-100
Inputs: Instrument in & Loop return (6.3mm mono jack)
Outputs: Out1 & Out2/Loop send (6.3mm mono jack)
Tempo range: 50-200 bpm
Sampling format: 48kHz, 24-bit
Input impedance: 1M ohm
Output impedance: 1k ohm
Dynamic range: 104dB
Dimensions: 122 x 72 x 47mm
Weight: 270g

In the box

The box for this item contains:

Mod Core Deluxe mkII pedal
Alkaline PP3 battery

Notes: Evolving from the popular Metal Core Deluxe pedal, the mkII version now has 3 selectable amplifier models based on much-revered high gain valve amplifiers. Now with an additional Middle control, the 3-band EQ pairs with Gain and Master to offer a full completement of real amplifier controls, with settings stored into each of the 3 amp models for fast recall. Metal Core Deluxe mkII goes a step further to include IR cabinet simulation, meaning that it can be used directly into a full-range PA system, or without IR simulation into the front of a guitar amplifier as a hard-edged drive pedal. Whichever wiring method is used, Metal Core Deluxe mkII delivers the full breadth of metal tones for hard rock to thrash.

3 distinct high gain amplifier models
3-band EQ
Switchable IR cabinet simulation
Settings auto-stored for each model
True bypass
USB-C for firmware updates & future software

Power supply: 9Vdc (PP3) battery or optional power adaptor
DC input connection: DC5521 jack (for optional adaptor - pin-negative)
Current consumption: <120mA
Controls: Gain, Master, Bass, Middle, Treble, Model switch
Modes: Duo Rect, Fireman, VH4
Input: 6.3mm jack
Output: 6.3mm jack
Input impedance: 1M ohm
Output impedance: 1k ohm
Dynamic range: 104dB
Dimensions: 122 x 72 x 47mm
Weight: 270g

In the box

The box for this item contains :

Metal Core Deluxe mkII pedal
Alkaline PP3 battery

Notes: Next generation looper pedal with a high-definition colour LCD display, stereo inputs/outputs, and optional MIDI control. Loop Core Stereo allows you to create up to 6 hours of music phrases, save them in one of 99 provided memory slots, and play back as stereo loops or even backing tracks. 50 internal drum patterns can also be selected from for rhythm backing. Signal path can be mono, true stereo, split stereo (loop / drum machine) or direct to mixer (with cabinet simulation). A headphones output completes the package for silent loop practice or personal monitoring. A comprehensive looping machine in a standard compact pedal format.

Power supply: 9Vdc (PP3) battery or optional power adaptor
DC input connection: DC5521 jack (for optional adaptor - pin-negative)
Current consumption: <120mA
Controls: Drum, Tap, Save, Settings buttons & rotary Value control
Inputs: L+R 6.3mm mono jack (instrument or line), 3.5mm MIDI jack
Outputs: L+R 6.3mm jack outputs, 3.5mm headphones output
Recording: Up to 6 hours
Sampling format: 44.1kHz, 24-bit
Frequency response: 20Hz - 20kHz
Memories: 99
Noise: -100dBu
Dynamic range: 108dB

Dimensions: 122 x 72 x 48mm
Weight: 264g

In the box

The box for this item contains :

Loop core stereo pedal
Alkaline PP3 battery

Notes: Hook is a combined drum machine and phrase looper in a single miniature pedal format. The drum section is controlled by the play/pause button which doubles as a Smart Tap Tempo trigger. 11 individual rhythm styles can be selected from to cover a vast range of music genres with output governed by an independent Drum Level control. The inbuilt 24-bit phrase looper has up to 6 minutes recording time with unlimited overdubs. The current tempo is indicated by the integral LED within the Smart Tap Tempo trigger. The Looper recording is activated by tapping the footswitch, tapping again begins playback and tapping again begins overdubbing. Holding the footswitch performs will undo overdubs in sequence or erase the loop when playback is stopped. A choice of two recording modes can be set, with NR mode for normal recording, or AR mode, which will only begin recording when a guitar note is played. Adding to the smart tap tempo operation, the Hook pedal can detect the rhythm of the guitar phrase and set the drum tempo to match it. The guitar loop also has its own level control to balance with the drum track. In addition to guitar input and mixed output jacks, there is a headphones minijack for silent practice. The last remaining connector is a type-C USB for firmware updates and even for saving and loading the onboard loop recording as a WAV file to a PC or mac computer. Disguised by its tiny form factor, Hook is a complete practice or accompaniment tool for a solo guitar player who needs intuitive features with simplicity of use.

Smart tap and auto-detect tempo
11 different drum styles
Up to 6 minutes loop recording
USB firmware and loop file management
Headphones output

Power supply: 9Vdc (centre-negative power adaptor required)
Input impedance: 1M Ohms
Output impedance: 10k Ohms (headphones output: 10 Ohms)
Sampling format: 48kHz, 24-bit
Current consumption: <100mA
Dynamic range: 103dB
Dimensions: 94 x 53 x 51mm
Weight: 175g

In the box

The box for this item contains:

Hook drum & loop pedal

Notes: The Reissue series 6ixty 5ive overdrive puts the sound of the famous1960s black panel amplifiers right at your feet. Emulating the drive of these classic models gives a range of tones from just over-the-edge all the way to burning tube overdrive whilst retaining the guitar's natural voice and clearly defined edge. The all analogue circuit has a Gain control to adjust the amount of drive and the resulting output is balanced by the Level control. A Trim pot on the rear of the pedal further controls the saturation of the gain stage, bringing natural sounding compression and sustain into play. Bass and Treble controls provide tone shaping as you would find on a classic amplifier. Use as an "always on" drive pedal or switch in for a gain boost with a classic edge whenever the mood needs it.

Classic 1960's black panel amplifier tones
Level and Gain with Trim pot for drive & saturation settings
Bass & Treble EQ controls
True bypass switching
Batteries9V PP3 (supplied)
Power supply: Optional 9Vdc 300mA regulated (not supplied)
Controls: Level, Gain, Bass, Treble, Trim & foot switch
Input impedance: 1M Ohms
Output impedance: 10k Ohms
Dimensions: 121 x 77 x 48mm
Weight: 230g

In the box

The box for this item contains :

Reissue series 6ixty 5ive overdrive pedal
9V PP3 battery

Notes: The ODR-1 30th Anniversary Overdrive - Limited Gold Sparkle Edition commemorates three decades since the pedal's introduction in 1993.

Ideal for blues and crunchy rock sounds (or for that extra punch when soloing), the Nobels ODR-1 has been the first choice and secret weapon for many players and top studio guitarists for 30 years. To celebrate this milestone, Nobels have produced a very special gold sparkle finish edition and added a new versatile and convenient Bass Cut Pot for more even more tonal flexibility.

Limited to 5000 units worldwide, each pedal is numbered and includes a certificate, a sticker, a special plectrum and features the original ODR-1 front cover design.

The top selling ODR-1 pedal has developed its own almost cult following since it was first designed and engineered way back in the eighties. At NAMM 2020, the pedal was upgraded to the now current ODR-1BC model. With the addition of a (much-requested) bass cut switch to help tame low end (if needed for humbuckers etc.) as well as newly developed power circuitry for enhanced headroom, it makes the pedal way more versatile for the modern age.

However, in celebration of three decades of Natural Overdrive, the ODR-1 30th Anniversary Overdrive now features an even more useful and convenient variable Bass Cut Pot, based on feedback from musicians around the world. It also retains all the other upgraded features from the BC model such as higher headroom and Glow-in-the-Dark knobs, as well as Nobels' Spectrum control- one of the most important ingredients of the original pedal's success.

The very special gold sparkle finish makes this edition look as stunning as it sounds and only a limited number of ODR-1 30th Anniversary Overdrive pedals will be released, just 5000 worldwide.

So grab a piece of legendary overdrive history while you can!

Notes: MOOER, one of the world's leading guitar pedal innovators, has never been a stranger to octave pedals. The company has already enjoyed a successful response to its "Pure" and "Purer" Octave pedals, but the company's latest offering, the Tender Octaver X2, aims to take guitar octave capabilities to the next level.

Unlike the Pure and Purer Octave pedals which focus on pitch-shifting by the semitone, the Tender Octaver X2 is designed with a more specialized intention, focussing solely on octave shifts. When using the pedal, users can choose between two different octave shift modes, facilitating the addition of both subjacent and upper frequencies to a guitar signal. Both options have two dedicated rotatable dials, one for determining the volume of the added octave, and one for fine-tuning its tonal colour.

Both of these octave effects can be used independently and can be toggled on or off with their own easy-access footswitches, each paired with its own LED light to indicate its current activation status. Furthermore, both effects can also be used simultaneously, empowering guitarists to experiment with unique tri-octave guitar presets.

However, these subjacent and upper octave effects need not be explicit if the guitarist using the Tender Octaver X2 is looking for a more subtle octave manipulation. Thanks to the octave volume dials and the "Direct" dial for dry signal volume adjustment, anything from an explicit pitch shift to a subtle octave underlay can be achieved within the same pedal.

The pedal also contains 14 preset slots, allowing users to experiment and save their favourite parameter combinations with the "Save" button. In classic MOOER fashion, this has been presented in a minimalistic fashion, with 7 LED lights representing the full range of 14 save slots, lighting up blue or red depending on which half of the slots are being browsed. Each slot can be saved into or browsed through the two "Sub" and "Upper" footswitches, providing a further example of MOOER's dedication to making the most out of a minimalistic interface.

Using the pedal will be as simple as plugging it into the included DC 9V power supply, and plugging in a guitar with a standard 1/4" guitar cable. Overall, the Tender Octave X2 is set to be an exciting new addition to MOOER's octave pedal catalogue, and if paired with the "Pure" or "Purer" Octave products, just about any pitch-shift combination is made possible for guitarists of any style or experience level.

Features:
Precise octave-shifting DSP algorithm
Two octave effect options - subjacent and upper
Two effect volume dials, one for each octave
A 'Direct' dial for adjusting the dry signal volume
14 unique user preset slots
A dual-function 'Save' button for presets
7 dual-color preset LEDs, with red representing one half of presets, and blue representing the other half
Two additional LEDs, indicating the activation status of both octave effects
Two footswitches that function both independently and simultaneously for effect toggling and preset browsing
1/4" mono input and output
DC 9V power supply
Minimalistic and compact casing design

Notes: MOOER has been impressing musicians around the globe since 2010 with its cutting-edge guitar pedals, and this is set to continue with the new MOOER Purer Octave pedal. MOOER has taken a minimalistic and sleek approach to the design of Purer Octave, whilst leveraging a cutting-edge repitch algorithm to go beyond the functionality of regular octave pedals.

Purer Octave provides guitarists with 15 different polyphonic octave effect combinations in addition to one detune effect. The DSP algorithm separates the high and low input frequencies to ensure every preset operates seamlessly without spectral artifacts or distortions. These two frequency bands can be isolated or combined dynamically through the independent "SUB" and "UPPER" dials, allowing guitarists to finely craft the perfect effect to suit their specific needs.

Despite the minimalistic interface, Purer Octave users can still save their own presets by using the pedal's three-way toggle switch. Guitarists can choose whether to use the pedal's dials in real-time to craft their sound and once they are satisfied with the effect, they can leverage the three-way switch to save their favorite effects. Bypassing the effect simply requires a foot press from the guitarist, the status of which is indicated via an LED light.

Purer Octave is presented within a compact pedal case with a glossy orange finish, complete with an intuitive and tidy user interface. The pedal provides a standardized 14" mono input and output, powered by a 9V DC power port. These features ensure that Purer Octave can be used on the move by any guitarist, offering a truly flexible and intuitive product for octave effect perfection.

Specifications

INPUT: 1/4" mono audio jack (impedance value 470k Ohms)
OUTPUT: 1/4" mono audio jack (impedance value 100 Ohms)
Power supply: 9V DC (center negative)
Current draw: 120mA
Dimension: 93.5 (D) × 42 (W) × 52mm (H)
Weight: 157g
Accessories: Owner's manual.

Notes: MOOER is well known for producing highly versatile multi-effect pedals, but its latest product announcement, the Prime Stomp S1, is not just a multi-effect pedal. It is an all-in-one pedalboard for guitar effects and tones, looping, and music production, complete with a unique portability-focused design.

Initially, guitarists will be impressed by its 126 internal guitar effects and tone presets, which are editable, sharable, and downloadable through the MOOER Cloud platform, fostering unlimited tonal flexibility. However, these capabilities shine particularly brightly when combined with the pedal's recording features.

This includes a looper module, which facilitates up to 80 seconds of looping, whilst also providing functionality for real-time playback, loop deletion, and overdubbing. Loops and arrangements can also be recorded directly onto a mobile phone or tablet through a USB/OTG cable.

When combined with the pedal's 40 synchronizable drum machines, 10 metronomes, and tuner, these looping and recording capabilities empower guitarists to craft complete musical arrangements within a single unified pedalboard, without the need for studio equipment. All features can be controlled by four simple footswitches, making for a powerfully minimalist user experience.

Whilst MOOER offers several pedalboards that offer similar functionality, the Prime Stomp S1 stands out due to its focus on portability. Instead of being powered by a mains power supply, it is powered solely by an integrated lithium battery. This battery is charged by a USB C port, enabling users to charge the pedal with a portable power bank, laptop, or regular USB C charger. The device also weighs just 350g, making it effortless to carry in a backpack.

Whilst the Prime Stomp 1 primarily caters to traveling musicians, it still includes industry-standard pedal features, such as a 1/4" input, stereo 1/4" outputs, and an independent headphone output. All of these features are presented in a sleek case and are visualized by MOOER's signature digital LED display, making for an unbeatable unified toolkit for traveling guitarists.