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Cat: 717404 Rel: 17 Nov 17 • View all Effects units
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


Mr Hyde is the first in a new series of 'synthBlocks'. These are small table top effects processor, and later synthesisers and sequencers. Designed by renowned UK synth designers Analogue Solutions who have over 24 years in the industry.

Mr Hyde is an analogue filter effects box use for subtle to extreme filtering and modulation effects.

SynthBlocks are used to process any sound that you feed into it from your DAW, Mixer or some musical instrument (with prior pre-amplification where necessary). To give your plug-ins some real analogue hardware life.

Mr Hyde has 1/4" input and output jacks on the rear, so it can be connector straight to a mixer or DAW audio interface without the need for adaptors.

On the top panel are mini jack sockets to patch with a semi-modular synth, such as AS's very own Fusebox, or to Eurorack and other modular systems.

Mr Hyde can change the sound in subtle ways, such as nice sweeping filtering, right up to mangled FM mayhem!

Designed, engineered, and hand built in England.
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 1 in stock $200.05
WMD Pro Output Module (synth module)
Cat: 580282 Rel: 30 Jul 15 • View all Synth modules
 
Pro Output synth module with Low Distortion / Low Noise & High Headroom - 6HP wide
Notes: The WMD Pro Output is a simple and purpose built module to get your modular signal interfaced with professional and consumer audio gear. It also includes a very high quality headphone driver.

Rail to rail opamps at the input stage allow for headroom above the typical eurorack levels of 20Vpp. The Pro Output can handle 23Vpp before clipping. Signals are attenuated down to the proper levels allowing for simple adjustment free connection to any type of device, professional or consumer.

The Pro Output is DC coupled through the entire signal path, including the headphone driver. This design eliminates coupling capacitors and the distortion they can cause.

Controls and I/O:

Input - The inputs are designed to accept any normal modular level. 10Vpp is the nominal operation level. The left input is normaled to the right side for mono operation. Inputs will clip at 23Vpp, giving enough headroom for any eurorack signal.

Phones/Line - The headphone driver connects to a 3.5mm stereo jack, and a 1/4" jack for whatever type of headphones you use. It can drive both simultaneously.

The headphone output level is internally limited to protect against accidental knob turns. Connect a couple of jumpers to the rear of the module to disable this limiting. This will allow the headphone amp to drive headphones extremely loudly, but still without distortion. Output quality remains the same regardless of the jumper settings.

With the limiting enabled (jumpers off), the maximum output is around -10dBV. With limiting disabled (jumpers on), the maximum output increases to pro level, about +4dBu.

Stereo - The Stereo (-10dBV) output is designed to interface directly with consumer level gear. Hook directly to sound cards, portable recorders, and speakers. It can be used as a second headphone output but will be loud.

+4dBu Bal - These two outputs (left and right) are high quality low impedance balanced line drivers. They are designed to drive long cables and to drive balanced transformer or transformerless inputs. Use these to connect directly to mixing consoles, mic preamps, or any other piece of professional outboard gear.
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 1 in stock $200.52
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Cat: 739136 Rel: 16 Jul 19 • View all Synth modules
 
Random looping sequencer - silver faceplate, 6HP
Notes: Permutation is a set of random sequencers that use a digital shift register to generate unpredictable CV and gate patterns that can be locked into repeating loops. The concept is based on the Turing Machine, an open source module designed by Tom Whitwell.

Permutation retains the core functionality of the Turing Machine while adding new features such as dedicated outputs for each bit of the shift register, CV inputs for all parameters, and an internal bipolar VCA. Locked sequences are also saved across power cycles.
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 1 in stock $200.52
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Cat: 544377 Rel: 29 Oct 14 • View all DJ controllers
 
DJ controller designed for use with Serato DJ with oro-grade, adjustable mini innoFADER included
Notes: Put hands-on control at the center of your Serato DJ setup with AMX, a versatile 2-channel mixing surface from Akai Professional. A powerful controller for any performer, AMX controls 2 decks of Serato DJ with an intuitive array of faders, touch-activated knobs, and buttons. Featuring a curve-adjustable mini innoFADER crossfader, dedicated line faders, and control signal inputs, AMX can interface Serato DJ with turntables using Serato NoiseMap (DVS) or HID players over a single USB cable. Built-in headphone and master outputs integrate into any booth or tabletop setup, bringing the trusted Akai Professional hardware experience to stages and studios all over the world. Read on to see what it can bring to your next live performance using Serato DJ.

Serato DJ is a robust program for digital DJ'ing. AMX comes with the full-version, letting you take advantage of precise, powerful audio manipulation in real-time. Already have Serato DJ? AMX unlocks it, providing both a control surface and audio interface to build around or have as an extra controller option. Utilizing Akai Pro's expertise in hardware innovation and sound manipulation mastery, the line between the physical and digital DJ world is extinct.

AMX features two sets of audio inputs, selectable as Line or Phono, to accept signals from Serato timecode vinyl, also known as Serato NoiseMap. This Digital Vinyl System (DVS) lets you DJ with your digital music collection, while maintaining the feel and action of a turntable+vinyl setup. AMX accepts the Serato NoiseMap signal from your turntables and instantly sends it Serato DJ over a USB connection. Until now, similar systems were complex and cost-prohibitive. AMX is a rock-solid, affordable interface that fuses the best of analog feel with the best of digital music access. (Serato DVS Expansion Pack and timecode vinyl are sold separately)

AMX features the renowned innoFADER mini crossfader at the heart of its mixing surface. Coveted for its uncanny response, smooth action, and impossibly-durable build quality, the innoFADER gives DJs of all types unmatched command over transitions and cuts. With a fully-adjustable curve response, the innoFADER mini can be calibrated for turntablists, electronic music DJ's, scratch/battle performers - AMX even includes a fader reverse switch - that can be worked hard, night in and night out.

By themselves, the EQ and Filter knobs on AMX are tactile, responsive controls for shaping tracks and carving out transitions. These knobs also incorporate a dramatic "twist" they react to the human touch. In Touch mode, each knob responds to a twist, a touch, or a combination of both. With a simple tap, you can kill an entire frequency band (or two, or three). Remove your finger and the missing bands become audible again, instantly. With Touch mode disengaged, they function as traditional mixer-style knobs for precision control over each decks' sonic composition.

AMX packs professional functionality into a compact form-factor - take it everywhere. In addition to transport and mixing controls, it features a studio-grade audio interface. Get the mix from your computer to an amplification system with support for 24-bit, 96kHz audio output. As the center of your DVS setup, or as a compact travel-friendly controller, AMX brings the best of the studio to the stage in a way that only Akai Professional can.
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 1 in stock $200.58
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Cat: 676107 Rel: 17 Nov 16 • View all Synth modules
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


More Modular Mojo from Sequential:
The DSM03 Feedback Module is Sequential's third offering for modular synths. At the heart of this unique module is a tuned feedback line for sound mangling; a newly-designed, resonant, low-pass filter for tone shaping; and a triggerable noise source for Karplus-Strong-type plucked string synthesis. Tuned feedback has been a part of the Sequential tonal palette since the ground-breaking Evolver, and is also a key sound-shaping component of the Pro 2 and Prophet 12 synths.

Plug It In and Tweak It:
The DSM03 is a 10HP wide, standard Eurorack-format device with interconnections made using 3.5 mm phone jacks. A set of inputs allow individual voltage control of feedback amount, tuning, low-pass filter frequency, and filter resonance. The module provides one audio input and one audio output as well as an audio trigger input for the noise source.

New Filter Design:
The 4-pole, resonant, lowpass filter is a new digital design, based partially on classic analog filters of the past. It features over-sampling and numerous refinements to the signal path, which is 24-bit, 96 kHz resolution for outstanding audio fidelity. It's a great-sounding design that works well both in the feedback context and as a stand-alone tone-shaping tool.

Creative Possibilities Abound:
So if you're looking for something esoteric, but still fundamental to the Sequential sound, add this secret weapon to your modular arsenal. From Karplus-Strong synthesis to metallic, industrial grit, the creative possibilities are wide open.
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 2 in stock $201.22
Cat: 616173 Rel: 27 Jul 16 • View all Handheld recorders
 
4-track handheld audio recorder with built-in X/Y stereo microphnones
Notes: Brilliant Four-Track Audio Recording for Music, Film, Podcasting, and Beyond
At Zoom we're always developing new ideas to improve the performance and function of our Handy Recorders. With the new H4n Pro, we've taken everything creators love about the H4n and brought it to the next level.
The H4n Pro isn't just improved, it's superior in every way. With advanced X/Y microphones, incredibly natural-sounding preamps, and a super-low noise floor, you can record everything from the Indy 500 to the fluttering of a hummingbird with extraordinary realism.
Welcome to the new gold standard in field recording.

The Filmmaker's Favorite:
The H4n Pro is packed with features that make it perfect for capturing audio for film. The onboard X/Y microphones deliver spectacular stereo imaging, and two combo input jacks allow you to use your favorite microphones as well. It also includes a headphone/line out jack to easily send high-definition stereo directly to your camera.

Unmatched In Concert:
The Pro is perfect for capturing live performances. Capable of handling up to 140 dB SPL, it can record everything from ear-splitting heavy metal to bass-heavy EDM. Take a line-level* stereo feed from your mixing console and capture room ambience with the X/Y microphones to put your listeners front row center.
* +4dBu line-level is not supported.

Podcasters and Journalists:
The H4n Pro provides the essential combination of mic'ing versatility, portability, and superior audio necessary for impactful storytelling. With support for plug-in power, you can use a lavalier to mic up your subject for podcasts or interviews. Record time-stamped WAV files to sync with video footage in post-production, or embed superior audio directly on your video in real-time through a ?" stereo feed.

Mobile Studio:
With overdubbing and punch-in features, as well as studio-grade instrument effects and emulators, you can create songs from start to finish. The Pro also functions as a 2-input/2-output USB audio interface for PC or Mac. Launch your favorite recording/editing software or use the included Cubase LE to start creating.

High-Performance Mic Preamps:
The Pro features the same high performance, low-noise mic preamps as our acclaimed Zoom H5 and H6 Handy Recorders, with recording and playback at resolutions up to 24-bit/96 kHz. The improved noise floor (-120 dBu EIN) captures audio at lower volumes with less noise and fewer artifacts.

Built-in Stereo Recording:
X/Y stereo recording covers a wide area while capturing sound sources in the center with clarity and definition. The angle of its two unidirectional condenser mics can easily be changed from 90 degrees for a tightly focused stereo image to 120 degrees for a wider image simply by twisting the mic capsules.
The H4n Pro provides an onboard MS decoder for Mid-Side recording with external microphones. This allows you to adjust the width of the stereo image, making it especially useful for sound design and broadcasting.

Inputs and Outputs:
Inputs - The two locking combo connectors accept either XLR or 14" balanced/unbalanced phone cables, handling mic- and line-level signals as well as instrument-level signals. Phantom Power of +24 or +48 volts can be applied to both inputs. Plus, there's a stereo 1/8" Mic jack for external audio sources, including lavalier microphones requiring 2.5 volts of plug-in power.
Outputs - A stereo 1/8" Line/Phone Out, with dedicated volume control, allows for headphone monitoring or connection to your DSLR, while the built-in monophonic speaker allows for quick playback reference. In addition, a USB port enables fast file transfer, firmware updates, and use as a 2-in/2-out audio interface for computers.

Form Factor:
A new rubberized, ergonomic body is perfect for use in the field or with a camera, while new locking XLR/TRS connectors ensure your mic cables stay secure. Highly portable, the H4n Pro can travel anywhere for convenient mobile recording.

Three Ways to Record:
STEREO MODE uses the built-in X/Y microphones (or external mics) and is convenient for recording live performances, acoustic instruments, dialogue, and more.
In 4CH MODE, you can record with the built-in X/Y mics and two external inputs simultaneously, great for getting live room sound and a stereo board feed at the same time.
MTR MODE (Multi-track Mode) turns your device into a four-track studio, with built-in effects, overdub functions, and the ability to work with previously recorded sound files.

Recording Functions:
Pre-Record (for STEREO/4CH mode) - Pre-Record ensures that you'll never miss the start of a great take. The device is continuously listening, keeping the previous two seconds* of audio whenever you hit RECORD.
*One second when recording at 96k or working 4CH mode.
Auto-Record (for STEREO/4CH mode) - Auto-Record automatically starts recording when a user-set sound level is detected. There's also an Auto-Record
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 2 in stock $201.24
Cat: 752795 Rel: 11 Aug 14 • View all Synthesisers
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


Streichfett combines the best of the now extinct species of String Synthesizers of the 70s and early 80s. Its dual sound engine features a fully polyphonic strings section and a monophonic solo section, which is essential for recreating how adult movies sounded thirty years ago. The Ensemble Effect handles lubrication of the String Section, while the Effects section adds adjustable Phaser or Reverb. Alternatively, the Effect section can be used to animate the strings registration, allowing spectacular sound morphs.

The Solo Section offset presets named Bass, E-Piano or Clavi, and just like in your typical string machine, the sound has little to do with that name. Instead, these are shimmering and slightly percussive sounds that blend well with the string section.

Although the User Interface is simple and easy to comprehend, it controls a rather complex sound engine which is capable to delivers rich and creamy pads unlike any other instrument.

Twelve patches can be stored and selected in the Memory section, USB and MIDI are of course on board.
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 1 in stock $201.51
Cat: 593673 Rel: 13 Nov 15 • View all Synth modules
 
Meta modulator synthy module designed to blend and combine two audio signals - 10HP wide
Notes: Evolved from the oscillator mixing section of Mutable Instruments' desktop hybrid synths, Warps is designed to blend and combine two audio signals. A variety of wave-shaping and cross-modulation methods - some of them emulating classic analog circuits, some of them purely digital - are provided by the module.

With Warps, the cross-modulated sound can be sculpted with control voltages along 4 dimensions: by controlling the amplitude and distorting the input signals, by smoothly scanning through the collection of modulation algorithms, and by adjusting a timbre parameter controlling the brightness/harshness of the modulated signal.

Since many classic cross-modulation effects work best when the carrier is a simple waveform - for example, a sine wave for ring-modulation or a buzzing waveform for vocoding - Warps includes a digital oscillator offering a handful of classic waveforms. This internal oscillator, which tracks V/Oct and supports through-zero FM, will replace the carrier audio input - freeing up one oscillator in your system for other duties!
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 2 in stock $201.59
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Cat: 584252 Rel: 15 Apr 16 • View all Synth modules
 
12bit digital drum voice synth module with full voltage control and an analog EQ output path - 12HP wide
Notes: Dinky's Taiko' is a 12 bit digital drum voice with full voltage control and an analog EQ output path.

The drum voice consists of 3 parts; a digital noise source with controllable frequency and release time, a wavetable oscillator with start and end frequency settings together with a variable rate (and release time, and finally a mix and tone control for the audio output. All settings, bar the tone control, are both direct and voltage controllable.

The drum voice includes a trigger input as well as accent and choke trigger inputs to add further expressive and rhythmic control.
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 2 in stock $201.59
Cat: 533653 Rel: 04 May 16 • View all DJ mixers
 
14 input, 4 channel DJ mixer with 3 band EQ and microphone inputs
Notes: This 14 input, 4 channel professional DJ mixer is ideal for mobile use and installations. Each channel has 3 band EQ with individual volume control that can be assigned to either side of the cross fader or cue mix fader. It features USB IN/OUT for playback or recording, and there are 3 x microphone inputs, great for karaoke and DJ set-ups.
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 2 in stock $201.59
Cat: 640973 Rel: 27 Feb 17 • View all Synth modules
 
Tempo-syncable modulation source module - 6HP
Notes: The Modbox is a tempo syncable modulation source with a three-phase LFO, CV Skewable LFO, Sample and Hold, and White Noise generator.

LFO 1 is a three-phase LFO with independent outputs for each phase which are set at 0, 120, and 240 degrees. Shape can be switched between Sine, Triangle, and Saw with a push of a button.

LFO 2 is a Skewable LFO with three shapes. The LFO shape can be smoothly changed from a Ramp through Triangle to Saw wave shapes. The skew shape can be changed with the Skew knob or with CV

The Sample and Hold circuit's clock is normalled to the 2nd LFO but can be clocked externally as well. The sample and hold samples voltage from and internal white noise source. There is also an input for an external sample source. White noise has its own output as well for use with other modules and applications.

Both LFOs can be sync'd to an external clock source by holding the wave shape button for different lengths of time. As they are independent of each other, one can be sync'd while the other runs free like a gazelle on an African plain.

Tempo sync calculates the time between incoming clocks and reacts instantly to each new clock pulse. Each rate knob becomes a multiplier/divider when sync is engaged.
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 1 in stock $201.60
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FORTHCOMING
Hittin' The Ramp: The Early Years 1936-1943
Cat: HLP 9042. Rel: 01 Nov 19
 
Jazz
coming soon $202.66
Cat: 731213 Rel: 08 May 19 • View all Synth modules
 
Quad VC/Envelope - 10HP
Notes: The FLAME "X-4" is a compact multifunctional 4x Envelope/VCA module, which combines in a very small space (10HP) 4 AR envelopes and 4 separate VCAs.

The module complements quad VCOs (eg the FLAME "4VOX") to control 4 VCAs per envelope generator in a small space.

Each channel can be used separately as an AR envelope generator with VCA, or even as a VCA.

There are 3 modes:

AR: 4 CV controllable separate Attack/Release envelopes on 4 VCA channels (per gate)
AD: 4 CV controllable separate Attack/Decay envelopes on 4 VCA channels (one shot per trigger)
VCA: 4 CV controllable separate VCAs

There is available a three-level switch for three different envelope rates from extremely short to long.

The envelope shape is set with the sliders (also adjustable via CV inputs).

In addition, the envelope can be looped (gated AD envelope loop).
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 2 in stock $202.67
Cat: 702731 Rel: 18 Sep 18 • View all MIDI controllers
 
Maschine Mikro MK3 compact beatmaking instrument
Notes: Already a firm favourite. The third incarnation of NI's mini Maschine is better than ever. Sampling, sequencing, synths and much more in a compact box.

Supplier notes:
Meet MASCHINE MIKRO, your flexible, compact companion for making music with a laptop. Use it to tap out beats, play melodies, and build up tracks fast, fun, and hands-on. Want to start creating right away? We've thrown in everything you need including instruments, sounds, effects, and powerful tools like sampling and drum synths.

MIKRO gives you four different ways of getting hands-on with your music using the 16 pads. Drum beats in Pad mode, with color coding for kicks, snares, and other sounds. Switch to Keyboard mode to play melodies with the pads. In Chord mode, it's easy to lay down inspiring chord progressions. And in Step mode, program beats and patterns visually in a classic step-sequencer style on the 16 pads get exciting musical results quickly.

Find, audition, and swap sounds without stopping the music. Browse through your favorite instruments, and load samples, projects and kits. A compact screen guides the multi-function encoder so you know exactly what you're controlling, while staying in the creative flow.

Found a great sample? Hit the Sample button to quickly load it into your project from the software. Record from your audio interface to capture from vinyl, play in a guitar, or grab any other sound into your track. Shape and refine your samples using the powerful editing tools in the MASCHINE software.

You'll find inspiration using the selection of premium sounds, samples, instruments, and FX included with MASCHINE MIKRO. Plus it comes with full versions the popular synths MASSIVE, MONARK, and REAKTOR PRISM.

MASCHINE MIKRO gives you everything you need to get creating music, and it also works as plug-in in Ableton Live, Logic Pro, Cubase, FL Studio, or any other compatible DAW as a VST or Audio Unit. Use it to build up loops, then work with them in your DAW to quickly flesh out tracks, making it a powerful addition to your setup, however you make music.

Don't feel lost staring at a blank screen. Whether you're making your first track, or wanting to step up your game, we've got you covered. Discover exclusive content from our MASCHINE experts covering everything from your first steps, to diving deep into power features with our popular TruTorials.
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 2 in stock $202.67
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Cat: 659995 Rel: 06 Oct 17 • View all Synth modules
 
6 channel trigger sequencer/clock divider with bipolar CV - 18HP
Notes: MITO (derived from "mitosis") is a 6 channel trigger sequencer that specializes in swingin', divide'n, n' polyrhythm'n. With the turn of a knob, the user can select which division of the incoming clock (BANG!) is output from the corresponding jack (all the way left: divide by 16, all the way right: divide by 1). Each channel is equipped with its own mute switch, allowing the user to turn each individual sequence on and off while other channels keep chuggin' and clockin' along. Global swing can be controlled with the amoeba knob in the top right hand corner of the module. Beneath the amoeba, a global pulse width feature allows the user to lengthen and shorten pulse length of all 6 channels at the same time. This feature is particularly useful when paired with the Muskrat & Kriket, or any other module that reacts proportionally to incoming pulse length. Last but not least, the RESET input will set all division counts back to zero to square up your groove. Each channel will be held HIGH, as long as the incoming voltage is HIGH. This RESET capability allows you to get even more odd metered grooves as it is not dependent on the internal clock of MITO.

All features on MITO can be controlled with bipolar CV, allowing for a wide range of modularity and flexibility. When paired with the Deviant, each knob on the module becomes the anchor point of the groove. As the random voltages from Deviant shift around, creating rhythmic variations by adding and subtracting CV, the position of the knob will dictate how busy or relaxed the groove is. For playability sake, this patching approach is what led to the decision to have the pots as offsets rather than attenuators on MITO. Everything from simple poly-rhythmic structures to nonsensical spewing and sputtering are now at your finger tips with this lovely duo.

Something considered when coding the module was avoiding the use of averaging to determine master clock tempo. In a performance setting when averaging is used, it often translates to the module taking a few pulses to calculate the overall clock speed. With MITO, the divisions are calculated in an "analog" fashion, step by step with each individual clock pulse.
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 1 in stock $202.67
Cat: 679274 Rel: 24 Apr 18 • View all Studio mixers
 
10-channel mixing console with Cubase AI downloadable software
Notes: For more than a century, Yamaha has been building a legacy of superior craftsmanship and innovation exemplified in their products, from an unrivalled catalogue of world-class musical instruments to touring-grade professional audio. Now in its third incarnation, the MG Series embodies this pursuit of design excellence, and incorporates some of the same technologies developed for use in high-end professional consoles, including studio-quality preamps, powerful digital processing, and a rugged, reliable construction.

With an intuitive, easy-to-use interface, the MG Series boasts an extensive line-up of compact mixing consoles with models ranging from six to twenty channels, suitable for a diverse range of users and applications. For installed, recording, or live music settings, the solid construction and flexible design of these consoles lets you shape your sound with confidence, continually delivering peak performance and a level of sound quality and reliability unrivalled in its class.

Included in the box:

1 x Yamaha MG10XUF Analogue Mixer
1 x AC Adapter
1 x Cubase AI Download Information
1 x Owner's Manual
1 x Technical Specifications Sheet
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 1 in stock $202.67
Cat: 655853 Rel: 06 Sep 17 • View all Synth modules
 
Voltage controlled state variable filter module
Notes: Simultaneous high pass, low pass, and band pass outputs, all with a 12 dB/oct slope. The notch is the inverse of the bandpass, achieved by summing the low pass and high pass outputs. This version is a combination of the original SEM filter and the newer design from the OBX, along with improvements by SE. It has a modest current draw, which it pulls evenly from the plus and minus rails.

Potentiometer Potential:
Three attenuverter and four attenuation pots control the FREQUENCY, RESONANCE, FREQ CV 1, RESO CV, LP HP, INPUT and OUTPUT, delivering smooth, detailed, and complex expression.

Switch it Up:
FULL and HALF strength filter frequency keyboard/voltage tracking, and BP / LP-HP modes.

Patch it Up:
Seven patch points: 1 V/O, FREQ CV 1, FREQ CV 2, RESO CV, INPUT, BP LP-HP, and OUTPUT direct the deepest manipulation.

All Controls and Patch Points:
FREQUENCY - Adjusts the frequency, or cut-off of the filter.
RESONANCE - Adjusts the resonance of the filter.
FULL HALF TRACK - Switch between full and half keyboard/voltage tracking.
FREQ CV 1 - Frequency control voltage 1 input attenuverter.
RESO CV - Resonance control voltage input attenuverter.
LP HP - Low Pass / High Pass attenuverter.
INPUT - Adjusts the audio input.
OUTPUT - Adjusts the audio output.
1 V/O - One volt per octave control voltage input.
FREQ CV 1 - Frequency control voltage 1 input.
BP OUT - Band Pass Output. No cable patched, BP passes through the mains.
RESO CV - Resonance control voltage input.
INPUT - Audio input.
BP LP-HP - Switch between Band Pass and Low Pass - High Pass modes.
OUTPUT - Audio output.

- Size: 12hp
- Depth: 39.7mm with ribbon cable attached
- Power Usage: 32mA (+12 / -12)
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 1 in stock $202.67
FORTHCOMING
Flame Panmix Dual Panning Recorder Module
Cat: 749823 Rel: 31 Oct 19 • View all Synth modules
 
Dual channel stereo panner with automation
Notes: The FLAME "PANMIX" module contains two independent panning mixers with one input each on two outputs left/right and is designed for audio or CV sources in the voltage range +-5v (audio modular level). In addition, the 2 inputs can be switched separately to +6db audio (for external audio line level sources) using the slide switch on the rear panel.

The movements of the two mix controls can be recorded. The recording time per channel is more than one minute. The playback speed can be adjusted in playback. The recorded track is played back once when the Play button is pressed briefly (one shot) or in the loop when the button is pressed a little longer.

Both panning channels have a separate reset input as well as a separate CV input (+-5V ) for controlling the mix e.g. by an LFO. The track data remains permanently stored (battery buffered memory).

In addition, there are three further audio/CV signal inputs (a mono and stereo left+right), which are routed directly to the output and mixed together with the two PAN channels. This allows you to mix in other sources directly and e.g. connect two or more "PANMIX" modules together.
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coming soon $202.67
Cat: 736449 Rel: 15 Jul 19 • View all Synth modules
 
Facilitates effects processing between eurorack, guitar pedals & electronic instruments
Notes: Want to connect outboard gear to your eurorack synthesizer without taking up valuable HP in your case? The INTRFX allows eurorack-level signals to be processed with pedals and/or outboard effects, and also allows line-level instruments to be processed with eurorack modules. Each of its three channels has an Interchange Switch to swap this mode, as well as an FX Blend parameter which can be controlled via CV. Because of its compact physical design, the INTRFX can be placed almost anywhere and connected to eurorack systems with 3.5mm patch cables rather than bulkier 1/4-in cables.

Feedback effects can be achieved by switching into the "wrong" mode, sending the FX return back into the FX send, while still allowing for dry signal blend and modulation. Channels can also be patched into one another and toggled between modes for experimental routing. Conveniently, each channel can operate as a reversed linear VCA for both audio and DC signals if no effects are used.

Whether you'd like to patch eurorack through some classic pedals or run a drum machine through your gnarliest modules, INTRFX makes these connections easy and flexible.
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 7 in stock $202.67
Cat: 702728 Rel: 02 Nov 18 • View all MIDI keyboards
 
Smart, streamlined keyboard controller with 61 semi-weighted keys
Notes: Get hands-on with your music:

Music-making is at its best when it's fast, fun, and physical. Find the right sound, make it your own, perform, and capture the results - all from a responsive, semi-weighted keyboard. Complete with four premium instruments plus MASCHINE Essentials, A-Series keyboards come with everything you need to bring your ideas to life.

Find your sounds faster:

With hundreds of presets to choose from, finding the right sound can be a chore. With KOMPLETE KONTROL, however, all of your KOMPLETE and NKS presets are intuitively tagged and organised, so finding the right one is fast and easy. What's more, you can hear a preview of each sound as you browse, without loading individual instruments.

Need some serious low end? Use the encoders and OLED display to select SYNTH > BASS > SUB BASS, then listen through the presets and load up the right one for your track.

Pre-mapped and ready to play:

All of your KOMPLETE and NKS instruments and effects are pre-mapped to the KOMPLETE KONTROL hardware by the people who know them best - the instrument designers themselves. Essential parameters like envelope controls and filter cutoffs are instantly displayed on the OLED display as you touch the corresponding knob. That means you can see exactly what you're adjusting in real time - whether it's in kHz, dB, or BPM.

Perform creatively:

With Smart Play, you never need to worry about hitting a wrong note - just pick a scale and play. Activate chord mode to create a rich progression by playing single keys, then switch on the arpeggiator and turn it into an expressive musical performance. And for keyboard novices, Easy Mode maps the white keys to whichever scale you like.

Capture your ideas:

No matter your setup, A-Series is designed to fit right into your existing workflow, with immediate access to transport, mixing, and editing controls in your favourite DAW. Logic Pro X and GarageBand are currently supported, with advanced integration for Ableton Live, Cubase, and Nuendo coming soon after launch. And if you're just getting started, the included MASCHINE Essentials allows you to capture and arrange your ideas direct from your hardware - no additional software needed.

Instruments included:

With more than 4,500 sounds and 9.7 GB of content included, A-Series keyboards come with everything you need to start making music. Register your hardware and get two powerful synths, two meticulously sampled pianos, and more. Plus with MASCHINE Essentials, you'll have all the tools you need to go from inspiration to finished track.
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 1 in stock $202.67
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Cat: 634214 Rel: 18 Jul 18 • View all Synth modules
 
Versatile voltage generator module with 16 touch-sensitive pads
Notes: The Twisted Electrons Cells features 16 touch-sensitive pads including integral LED lights to give visual feedback on which pads are activated. The Eurorack style module can be fed up to two 12-bit values (semi-tone quantized or free scale) ranging from 0 to 5 volts. This duophonic rack-style instrument is primarily made for generating low-bit tones but can be also used to modulate parameters such as filters or amps and anything else that features a CV input. You can use the module as a sequencer using the 2 trigger inputs with the left input shifting up a row and the right input shifting right by one column. The handmade design features 2 CV/gate outputs, 2 tune buttons and 2 trigger inputs for optimal versatility, allowing you to use the Twisted Electrons Cells for a range of modulation applications.

Operation Overview:

Feed It:
- Tap a pad to select it
- Hold a tune button to engage the "feeding process" (left button for channel 1, right for channel 2).
- Adjust a knob to the desired pitch (left knob for channel 1, right for channel 2).
- So long as a tune button is held, the output is automatically changed as you move the knob
- Release the button, pitch information is stored to Eeprom

You can toggle between free scaling and semi-tone increment modes by pressing both tune buttons simultaneously.

Play it:
- Press a pad to trigger both gate and CV outputs
- Hold 2 or more pads and Cells will arpeggiate, the rate can now be changed with the left knob. The right knob changes the octave range.

Sequence it:
- Sequence the cells using the 2 trigger inputs. The left input shifts up a row and the right input shifts right by one column
- The gate outputs mirror the trigger inputs.
- Cells requires +5V DC power to operate, as well as +/- 12V. On-board 12V to 5V conversion is provided if 5V isn't available in your system. This is configured via a jumper on the rear of the module
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 3 in stock $202.67
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Cat: 638769 Rel: 20 Feb 17 • View all Synth modules
 
Quad envelope generator with looping, CV over attack/decay & unique chaining capabilities
Notes: Contour is a quad envelope generator. Each channel has looping, CV over attack and decay, as well as unique chaining capabilities. This makes for the creation of complex modulation patterns with a minimum amount of trigger sources. Cycle times range from 5ms all the way to 20 minutes, providing an extremely wide range. In addition to its full feature set and four channel architecture, the ergonomic interface makes it ideal for performance scenarios.
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 1 in stock $202.67
Cat: 677171 Rel: 31 Jul 17 • View all Synth modules
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


Not just another clone or continuation of the 808-esque, acid-style kicks of the Mutant Bassdrum - the Mutant BD9 seeks to explore uncharted bassdrum territory by having an integrated sub-oscillator for maximal auditory obliteration.

Parametric bassdrum synthesis offers creative control of the core sound:
- The primary analog VCO offers classic 909-esque sinusoidal bassdrums, but can also be switched to generate a square wave bassdrum
- The PITCH of the VCO spans several octaves, from about 30Hz to 240Hz, and can be modulated with voltage control
- A novel PITCH DECAY circuit allows you to adjust the duration and AMOUNT of the pitch-modulation envelope applied to the bassdrum, from short blips to exaggerated tom-like sweeps
- The AMPLITUDE DECAY allows adjustment of the length of the bassdrum, from short punchy kicks to massive booms. This parameter is voltage-controlled with a snappy CV response time, allowing you to modulate the duration of your kicks per step.
- The CLICK generator is responsible for the attack intensity of the BD9. A fair amount of circuitry goes into creating this subtle punch at the beginning of the kick. The level of this effect is adjustable up to a fairly dramatic extremity.
- The overall timbre of the BD9 varies with the DRIVE control from warm, analog bassdrums at low settings to speaker-shattering overdriven sounds at high settings. Output levels are modular-level signals, unlike many classic line-level percussive devices.

Still not heavy enough? Try the sub-oscillator:
- A square wave sub-oscillator derived from the primary oscillator's pitch can be mixed in (manually and with voltage control) to the BD9. The effect can be subtle deepness or extreme timbre changes.
- A jumper on the back of the module allows you to select between the sub-osc being a raw square wave or having some of the high frequency components removed with a lowpass filter.
- At high OUTPUT DRIVE and SUB LVL combinations, the sub-oscillator can be modulated with CV to saturate the BD9 output in evolving ways.
- The SUB OCT can be set to 0, -1 or -2 octaves down from the primary oscillator. A drop of 0 means that you can mix an equal-pitch square wave with a sinusoidal primary wave.

Designed for the contemporary modular synthesizer:
- Plenty of Eurorack-compatible control voltage inputs with bipolar attenuverters allow synthesis of dynamic percussion
- A practical analog trigger circuit allows activation of the BD9 from many signal sources (anything with a positive-going edge lasting 2ms or longer). Most electronic drum pads can also directly trigger the Mutant BD9.
- An accent input accepts analog voltage control (0 to 5V will fully modulate the volume from low to high)
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 1 in stock $203.64
Cat: 739544 • View all Synth modules
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


SWITCH 8 POTS, 8 SIGNALS:

Octopus is a dual 8 way multiplexer/switch capable of sequencing up to 8 signals or potentiometers. Sequence pitch with pots, switch audio signals with the CV inputs, so many possibilities! The horizontal axis sets the channel, the vertical axis stores 8 channel positions.

The fun begins when you start sequencing or modulating the channel selector either:

- Manually by use of the two large potentiometers
- By overriding the potentiometers with CV (0-5V DC)
- By moving up and down the vertical axis via Triggers (5v DC pulse)

NOTE: The CV inputs are not limited to Control Voltages. You can use octopus to "switch" audio too, like multiple waveforms of an oscillator, or audio tracks of a song!
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 1 in stock $203.66
FORTHCOMING
Mooer GE150 Amp Modelling & Multi Effects Pedal Mooer GE150 Amp Modelling & Multi Effects Pedal Mooer GE150 Amp Modelling & Multi Effects Pedal Mooer GE150 Amp Modelling & Multi Effects Pedal
Cat: 748617 • View all Effects pedals
 
Multi-effects processor featuring 55 high quality amp models
Notes: The MOOER GE150 is the newest entry in the GE line of multi-effects pedals from MOOER. The GE150 comes packed with 55 high-quality amp models and 151 different effects, a straight forward and intuitive UI, topped off with a fully-functioning expression pedal. With OTG capabilities, users can record directly into a compatible device from anywhere!

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coming soon $203.73
Cat: 676907 Rel: 28 Feb 18 • View all Synth modules
 
Crossfold modulation processor - 6HP
Notes: The Crossfold is a new concept wavefolder: A high quality, compact, 8-stage, dual voltage-controlled crossfader, analog wavefolder/waveshaper from Antimatter Audio capable of producing subtle to extreme distortion, folding, and experimental synthesis.

Voltage controlled balance of two audio sources before processing through the high fidelity 8 stage wavefolder creates "crossfolds", unexpected and complex interactions of sound that can resemble through-zero FM synthesis, bizarre distortion, and even more mysterious results.

As lovers of wave shapers, we refined the Crossfold to produce timbres and patches that we were always seeking, patches that were either not possible, or required many more modules to accomplish before the Crossfold.

The Crossfold utilizes high quality op amps, multiple high quality VCA chips, and a small army of resistors and diodes to create a unique, hi fidelity wavefolder capable of producing sounds yet unheard of!

The fold and range controls with voltage control provide the main intensity level, with the range control setting the scope of the fold control, traveling from single folds, up to eight, further into clipping, which compresses and offsets the folds both into the positive and negative range. A built-in output limiter allows you to explore clipping effects without large volume spikes, while still allowing for a musical dynamic range.

The output stage has 3 modes selectable by a switch on the front panel: a voltage-controlled dry/wet of the input crossfader (great for balancing fundamental tones Vs added harmonics), wet vs. input 1 (great for mixing signals for the wet signal while maintaining a single dry signal), or as a final VCA to complete a voice or provide amplitude modulation of the output.

The Crossfold is capable of combining sources to produce low punchy basses, glassy marimbas, screaming synced leads, morphing alien drones, and much more. It even sounds amazing on bass guitar, thanks to its smooth distortion capabilities!

Antimatter Audio modules are proudly designed and assembled in Portland, OR, USA.
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 1 in stock $203.73
Cat: 717715 Rel: 26 Feb 19 • View all MIDI controllers
 
Compact portable control surface
Notes: The SL MIXFACE is a complete controller device which combines style and simplicity with a powerful engine. Designed for mobility, you can bring it everywhere and use it in total freedom thanks to its hosting capability and auto-mapping of the main DAW apps.

Through its connectivity and the integrated batteries, it's a perfect portable device, which with a simple gesture becomes the best desk companion.

Press a button and switch the control from the DAW environment to your favourite instrument and vice versa. All the Transport functions are always ready to go, while you can edit any sound parameter of the instrument or mix the tracks of your song.

Connectivity:

The SL MIXFACE is able to host any keyboard turning it into a full 4 layers MIDI controller. Thanks to its connectivity ports it communicates with the computer as device by using Bluetooth and USB at the same time.

Extended capability:

The SL MIXFACE perfectly matches the SL controller line expanding its control capability. Thanks to the magnetic system it sticks on it becoming a natural physical controls extension. Simply plug MIXFACE to an SL keyboard and it gets the control of the 4 layers on the fly.
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 2 in stock $203.73
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Cat: 746361 Rel: 16 Sep 19 • View all Synth modules
 
Multiband distortion & VCA module
Notes: Distortion is fun, but it's even better when you split it up across the frequency spectrum. Seca Ruina takes an input, splits it up into three frequency bands, and lets you drive them into annihilation. SR includes a bypassable VCA on the output and CV over individual band and universal drive amount. With individual outputs for each band, you can process each band further externally. So much potential in only 6hp!
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 1 in stock $203.73
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quote 746361
Cat: 711097 Rel: 05 Dec 18 • View all Effects pedals
 
Vintage 4-input Marshall overdrive effects pedal
Notes: The vintage 4-input Marshall, just has that classic and rebellious rock tone we have all grown to love. It helped to define the classic hard rock tones of band and artists including AC/DC, Cream, Jimi Hendrix, Led Zeppelin, Free, Yngwie Malmsteen, and many more.

Mad Professor Loud'n Proud is a vintage 4-input Marshall in a box. It's a compact pedal with a complete amp signal path replicated inside. Not only the preamp but also the power amp containing phase inverter, push-pull stage, and output transformer simulation. This internal structure makes the pedal not only sound but also behave like a real amp.

And like a vintage Marshall amp, the pedal has a moderate amount of gain. This is what led us to adding a boost/fuzz to this medium gain overdrive circuit. The pre boost has the capability of pushing 13dB, which adds a nice amount of gain to the pedal. It also thickens the midrange a bit so feel free to experiment with the boost also for a different voicing for the overall tone of the pedal. The fuzz is designed to work like a vintage germanium fuzz. By engaging the fuzz you can find a great variety of tones from a clean tone to a thick and warm fuzzy tones just by rolling the guitar volume. The vintage germanium fuzz + Marshall plexi is a classic tone combination that we absolutely wanted to include to the Loud 'n Proud pedal!

You will also find a switch for two different character voicings in the Loud'n Proud pedal: tighter bass and slightly compressed tone on the left with a looser bass including maximum dynamics on the right. If you love the vintage Marshall amp tone, you will also love this pedal. It's the real deal for those who dare!

Best overdrive pedal for: Emulating vintage Plexi and JTM45 Marshall amplifier, AC/DC tone, Jimi Hendrix Tone, Yngwie Malmsteen tone, Paul Kossoff/Free tone, Led Zeppelin tone, Allman Brothers tone, Eric Clapton/Cream tone, Bluesbreakers tone, classic 60's and early 70's guitar tone, fat dynamic fuzz tone, classic rock tone, your tone.
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 2 in stock $203.73
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quote 711097
Cat: 751128 Rel: 06 Sep 17 • View all Synth modules
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


Deeply featured 12hp module with four digital oscillators - each with a selection of 64 waveforms, 7 different processing modes including phase distortion and wave sequencing, and a dedicated volt per octave input. In unison mode, all 4 OSCs can be played via the 1st 1V/O input, by 1V/O inputs 1-4, and widely detuned, or switched to a preset chord formation - a major move beyond the 'one note samba' monophonic, module choreography - scooch over Grainy, Quadnic is cookin' up digi-vittles for four. "Come 'n' git it!" and stay in record: the Quadnic is non-programmable; when the power recycles, the Quad defaults to voice 1 active with current pot positions. All edits are live; all edits are volatile. Exciting. Always fresh.

The Four Oscillator Structure image gets one into the weeds of the sound. Control of all the OSCs parameters globally without sacrificing individual CV control is now a reality: essentially a sensible polyphonic mode with individual CV control. Previous OS Master Modes used only OSC 1 as the controlling CV - the additional mode uses all 4 controlling CVs. Changing stronger together.

Master Matters:
- With MASTER mode switched on, the oscillator responds to it's own CV input
- Oscillators 2 to 4: If Master LED is not lit, the oscillator responds to CV 1, with the pitch control adding +/-1 octave offset
- Oscillator 1 always responds to CV input; the other oscillators follow CV 1 if they are not set to Master
- When all 4 oscillator switches/lights are selected, the Quadnic is in unison mode and all oscillators follow CV 1; the front panel control affects all 4 oscillators
- To get all oscillators to same pitch, adjust the Pitch and Fine controls
- To get all oscillators to play the same sound (they are quite independent), adjust all controls
- All 4 OSC lights on, with Master selected or flashing: unison can detune massively up to 4 octaves
- All 4 OSC lights on, with master not selected: unison and Chord produce chords

Inputs and Outputs:
1V/OCT 1 - Oscillator 1, 1 Volt per octave input. 0-10V input range. Controls the pitch of any other oscillator that is set to Slave mode.
1V/OCT 2 - Oscillator 2, 1 Volt per octave input. 0-10V input range. Only affects oscillator 2 when in Master mode.
1V/OCT 3 - Oscillator 3, 1 Volt per octave input. 0-10V input range. Only affects oscillator 3 when in Master mode.
1V/OCT 4 - Oscillator 4, 1 Volt per octave input. 0-10V input range. Only affects oscillator 4 when in Master mode.
Proc CV - Process CV input. +/-5V input range. One CV input for all oscillators, but can be attenuated for individual oscillators using the Process CV control.

Out 1 - Oscillator 1 output.
Out 2 - Oscillator 2 output.
Out 3 - Oscillator 3 output.
Out 4 - Oscillator 4 output.

- Size: 12hp
- Depth: 35mm including connectors
- Power Usage: 50mA max
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 1 in stock $204.56
Cat: 712709 Rel: 10 Dec 18 • View all Synth modules
 
Distinct topology digital/analogue cymbals module - 10HP
Notes: Erica Synths Cymbals is a distinct topology digital/analogue module, where cymbal samples are passed through AS3330 based VCA and controlled via envelope generators of unique design. The module features 10 sets of custom Crash and Ride cymbal samples with Tune control and individual Decay control. Accent and CV control over Tone and Decay allow you to create lot of variations in the Cymbals track. An extra feature is sample looping - when it's on, a certain part of the sample is looped while the envelope decay is on, thus creating a distinct, delay-like effect. Cymbal samples are developed by producer and musician Nero Bellum.
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 1 in stock $204.80
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quote 712709
Cat: 672786 Rel: 03 Jan 18 • View all Synth modules
 
Versatile 8 step sequencer - 10HP
Notes: With a simple, performance focused interface, the feature set of the Lifeforms Micro Sequence module speaks for itself. Eight sliders with integrated channel mute. Eight quantized scales. Eight sequencer direction modes. Sequences up to 8 steps. Four external modulation functions. Integrated tap tempo clock. Eight step external clock divider. Run/Stop transport button. Sequence reset button. Dedicated analog CV output. And more....

Full List of Features:

- 8 Step Sequencer
- 8 30mm Dedicated Channel Sliders with Integrated Mute
- Independent Quantized Pitch and Analog CV Outputs
- 8 Quantized Scale Options (Micro Tuning, Chromatic, Major, Minor, Blues, Phrygian, Lydian, Dorian Scales)
- 8 Sequencer Direction Modes (Forward, Reverse, Pendulum, Stagger, Skip, Transpose, Random, Random With Rest)
- Assignable Pattern Length From 1 to 8 Steps
- Modulation Gate Input Assignable to One of Four Functions (Reset, Hold, Reverse, Ratchet)
- Internal Tap Tempo Clock
- 8 External Gate or Trigger Clock Divider Options (#1, #2, #3, #4, #5, #6, #7, #8)
- 4 Octave Quantized Pitch Output Range
- 0 to 5 volt Analog CV Output
- 5 volt Gate Output
- 5 volt Tap Tempo Clock Output
- Run/Stop Transport Button
- Pattern Reset Button
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MRP:$250.93 SAVE 18%
 2 in stock $204.80
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quote 672786
AKG K712 Pro Studio Headphones (studio headphones)
AKG
Cat: 492017 Rel: 05 Jun 13 • View all Studio headphones
 
Studio headphones with wide 10Hz-39.8KHz frequency response
Notes: For precision listening, mixing and mastering.

The K712 Pro's are reference, open, over ear headphones for precise listening, mixing and mastering. The over ear design guarantees maximum wearing comfort for fatigue-free mixing and mastering, while providing spacious and airy sound without compromise. Their precise powerful sound results from improved low end performance by 3dB. Being hand crafted in Austria, the K712 Pro's represent the high quality and legendary design AKG is internationally known for.

These headphones have a genuine soft leather headband for a lightweight and comfortable fit, and the carefully selected transducers ensure consistency and accurate localization.

The K712 Pro's come with a professional mini XLR connector for quick replacement of the cable. Also included is an additional coiled cable and a premium carrying bag.
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 More than 10 in stock $204.82
Cat: 751684 Rel: 16 Jul 15 • View all MIDI controllers
 
B-STOCK: Item refurbished, repaired and in perfect working order.
Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


The ultimate sequencing powerhouse.

BeatStep Pro is unique: a world-class controller, performance sequencer and composing tool all in one very connectible package.

BeatStep Pro is unlike anything you have ever used on stage or in the studio. Wherever you are, whatever gear is available, taking control of the creative process has never been so easy.

Step into the spotlight

Two independent melodic sequencers and a drum sequencer put thousands of on-the-spot ideas at your disposal.

With BeatStep Pro you are master of the performance, taking full control of virtual devices, analog and digital instruments, drum machines and iPad apps all at once. 16 Projects are instantly accessible, each of which contains 16 sequences per melodic sequencer and 16 patterns for the drum sequencer. That's over 4000 possible combinations per Project!

Each melodic sequence can be up to 64 steps long with individual articulation of pitch, velocity and gate time per note. These are the most powerful step sequencers ever made. The drum sequencer has 16 separate tracks per sequence (one per pad). Record in real time from the pads or use the step buttons for that classic drum machine workflow.

Perfect performance

BeatStep Pro brings together the most unique and sought-after performance effects available: a looper with a touch strip, a randomizer, swing settings and a slew of hands-on controls that will make your performances the stuff of legend.

Take control

Control mode lets you trigger clips in your favorite DAW, play sounds from an external device or make magic with your plug-in of choice. Take your music from idea to reality with BeatStep Pro.

Plays well with others (very, very well)

With BeatStep Pro you can connect to virtually any musical device within reach: computers, virtual instruments, modular synths, drum machines; anything with USB, MIDI in and out, CV/Gate outputs, Clock in and out, or DIN sync. From the oldest music technology to the newest and beyond, BeatStep Pro is bound to become the centerpiece of your setup and the heart of your creative efforts for many years to come.
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 1 in stock $205.69
Cat: 671744 Rel: 18 Dec 17 • View all Synth modules
 
Dual clock divider/trigger generator with multiple modes
Notes: Integra Solum is a dual rotating clock divider with 16 trigger outs in two sets of eight, packed into 8 HP. The two sides can be clocked or reset independently or a single input and/or reset normals to both sides. IS switches between three modes and an encoder adjusts the offset of each side. Bonus modes add randomization options.
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 2 in stock $205.88
Cat: 702204 Rel: 19 Oct 18 • View all Synth modules
 
Dedicated drum mixer with a compressor - 14HP
Notes: Erica Synths Drum Mixer with extended headroom and a dedicated drum compressor of unique design keeps each drum sound clearly distinguishable and adds power to the final mix. Bonus feature - effects send output allows to apply external effects to the signals on the first three inputs. LEDs next to each input give visual feedback on the signal level.
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Cat: 526565 Rel: 11 Aug 14 • View all Synthesisers
 
String synthesiser unit with fully polyphonic string sections and monophonic solo sections
Notes: Streichfett combines the best of the now extinct species of String Synthesizers of the 70s and early 80s. Its dual sound engine features a fully polyphonic strings section and a monophonic solo section, which is essential for recreating how adult movies sounded thirty years ago. The Ensemble Effect handles lubrication of the String Section, while the Effects section adds adjustable Phaser or Reverb. Alternatively, the Effect section can be used to animate the strings registration, allowing spectacular sound morphs.

The Solo Section offset presets named Bass, E-Piano or Clavi, and just like in your typical string machine, the sound has little to do with that name. Instead, these are shimmering and slightly percussive sounds that blend well with the string section.

Although the User Interface is simple and easy to comprehend, it controls a rather complex sound engine which is capable to delivers rich and creamy pads unlike any other instrument.

Twelve patches can be stored and selected in the Memory section, USB and MIDI are of course on board.
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Cat: 644210 Rel: 06 Apr 17 • View all Synth modules
 
High density 8 channel utility module - 10HP
Notes: Levit8 is a high density utility module designed to give you a large number of attenuator/gain functions along with optional mix, invert, DC offset and polarity indication for incoming signals.

Few modules can beat the LEVIT8's high density of functions, which has eight channels that can be used as individual attenuators, amplifiers, inverters of offset generators. Optionally it features three different mix configurations with four or eight inputs for control voltages or audio signals, fulfilling various tasks at the same time.
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 3 in stock $206.95
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Cat: 458818 Rel: 25 Jul 12 • View all Drum machines
 
Full MIDI controlled analog bass drum module
Notes: The MBase11 can do only one thing, but it does it right, and it does this even better than in the past.

The MBase11 is the logical follower of the MBase01 and offers even better performance, more versatility and an even phatter sound. It generates analog bass drums, from extremely powerful to soft and covers the whole range from 909-style to 808-fashioned. And also, the LFO has 8 different waveforms including true sine that can be used to create very different envelopes. The resulting sounds are not simply kicks, this turns out to be a bass drum synthesizer.

The MBase11 has a compression parameter to vary the thickness of decaying sound. It offers a variable gate time to to create very different sounding attacks. It also has a metalise parameter to have hundreds of variations on the attack noise.

For more intuitive editing, JoMox have added an analog potentiometer that works alternatively to the parameter editing when scrolling the data wheel is too hard.

The MBase11 purposefully sounds a bit different to the XBASE 999/888, making it a great sounding expansion for our other drum products and other analog percussion.

The kick sets in very precisely and the attack sounds very snappy at all kinds of sound variations.

The MBase11 can also be used as a real bass with some limitations. If decay is cranked up it is long enough for tones and the pitch can be played on the keyboard in semitones over three octaves.

The kick drum can be triggered by an external analog trigger input. This is especially useful for live drummers who want to thicken up their live drum kit. The trigger input works with regular piezo pickups or audio signals.

Last but not least: one of the most convincing arguments for the MBase11 is the price: This is an inexpensive tool that helps you to create great kick sounds, without the time-consuming searching associated with mostly not satisfying samples. You save time and energy while reaching the sound quality you always imagined.

Tweak the sound you need. Everything is real.

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 2 in stock $206.95
Cat: 625059 Rel: 22 Sep 16 • View all Synth modules
 
Mini Mod VCF Transistor Ladder Filter Module
 2 in stock $206.96
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quote 625059
Cat: 724633 • View all DJ controllers
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


Whether it's bass-heavy breakdowns, steppy synths, or peak-time rewinds that define your style, the TRAKTOR KONTROL S2 has everything you need to make your mix happen. Craft sets on two decks and get creative with easy-to-use tools like looping, beat syncing, and club-grade effects.

Turn the music you listen to into the sets you play, with a streamlined interface that makes blending tracks a breeze. Plug in, line up a few of your favourite tracks, and get mixing wherever you are. You can leave the beatmatching to TRAKTOR, so you have more time to pick tunes that fit the vibe, experiment with FX, use looping and remix decks, and to define your own sound. Whether you're at a house party, a bar, or the club, you can create mixes made to make you move.

WHAT'S NEW?

The perfect way to really ramp up your mixing, with eight RGB pads on each deck. Cut straight to a hook everybody knows by setting and triggering cue points, or punch in your own edits with samples on a Remix deck.

Upsized, touch-sensitive jog wheels let you cue, scratch, and nudge tracks much more accurately - not to mention perform bigger backspins. They also mean more fun getting hands-on with your music.

A familiar club-standard layout, wherever you go. Browse tracks, adjust beatgrids, use effects and features like Flux Mode, directly on the TRAKTOR KONTROL S2. Everything you need for creative mixes at your fingertips.

Turn up your track transitions with new Mixer FX: Cut bass with a filter instead of EQ for resonant kicks, or get hi-hats galloping with delay. A choice of eight effects and three filters ensures you always have the right tools to hand.

Scale up your set with Steams and loops. Trigger one-shot sounds and samples to inject new energy into your mix.
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 1 in stock $207.02
Cat: 703098 Rel: 10 Aug 18 • View all Effects pedals
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


Black Truck combines 6 individual effects pedals, a high precision tuner, an effects loop and a loop switcher, bringing them all together into a single portable unit that's built for the road.

Although incredibly versatile and useful as a tool for all styles of music, Black Truck has been designed primarily for hard rock and heavy metal musicians. With this in mind, a carefully selected array of popular analogue pedals from the Mooer Micro Series make up the Compressor, Overdrive and EQ modules.

A brand new 'amp like' analogue hi-gain distortion has been developed specifically for this product which, in itself, covers a huge spectrum of tonal possibilities and a wide range of gain.

These analogue modules are complemented well by a multi-modulation pedal and a digital ambience engine, simply named Space, which consists of a high-quality digital delay and a stereo reverb. Both of these digital modules are fully controllable by the dedicated tap tempo control footswitch.

When used in conjunction with the integrated loop switcher, Black Truck can very easily be programmed to provide one step presets.

Following a lot of feedback previously from the Red Truck, an independent volume control has been added to the cab simulated output so it can be used simultaneously with the main outputs.
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 1 in stock $207.50
Cat: 730429 Rel: 29 Apr 19 • View all Effects pedals
 
Vertical, pedalboard-friendly version of the Instant Lo-Fi Junky pedal
Notes: This pedal was designed to emulate the sounds and textures of the Lo-Fi Loop Junky in real time, but it goes far beyond that. Click it on and mix your sparkly clear compressed signal with the smashed, lo-fidelity warbled signal and listen to it become a luscious emulsification that can be blended to the most perfect depth. Achieve new haunting chorus sounds and pulsating vibrato. Unusual and fun, you've never heard anything quite like it.
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 1 in stock $208.02
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Cat: 738639 Rel: 09 Jul 19 • View all Synth modules
 
Four voltage controlled LFO's/ VCO's with triangle & rectangle outputs in one single module - 22HP
Notes: Module A-143-4 is a fourfold voltage controlled low frequency oscillator (LFO). As the frequency range includes moderate audio frequencies it can be used as a four-fold VCO too.

- Four independent VCLFOs/VCOs with triangle core
- Frequency range switches: low (bottom position) = LFO mode, high (top position) = VCO mode
- Two frequency control CV inputs for each unit
- CV1 without attenuator (~ 1V/oct)
- CV2 with attenuator
- Manual frequency control
- Internal jumpers for the frequency range of the manual frequency controls:
- Jumper not installed: ~ +/- 1 octave range (mainly for VCO applications)
- Jumper installed: ~ +/- 5 octaves range (mainly for VCLFO applications)
- Sync inputs: Combined Reset/Direction inputs for unit #1 - #3 / Separate Reset and Direction inputs for unit #4 (normalled sockets, i.e. Reset is connected to Direction if the Direction socket is unused) / Up/both/down direction switch for unit #4, for technical details concerning the Reset and Direction function please refer to the sketch below
- Triangle and rectangle outputs for each unit
- Typ. output voltage range -5V ... +5V for both outputs (i.e. about 10 Vpp, symmetrical with reference to 0 V)
- Red/yellow LED displays for the triangle outputs (red = negative output voltage, yellow = positive output voltage)
- Common control section with two CV inputs and manual control (these inputs and controls affect the frequency of all four units)
- Sum outputs for triangle and rectangle with red/yellow LED displays
- Optional ultra-low frequency mode: for this a negative voltage can be applied via a jumper internally to the CV2 input of each unit and the common section (i.e. a negative voltage is normalled to the socket CV2 in question). Then the CV2 - - Attenuator control works as a negative frequency control (i.e. turning up this control lowers the frequency). Herewith LFO periods up to about one hour (or even more) are possible.
- Optional CV bus access via jumper (i.e. the module can pick up the CV from the A-100 bus, e.g. generated by a Midi/CV or USB/CV interface A-190-x or a bus access module A-185-1/2), if the jumper is installed the bus CV affects all four units as the bus CV is added to the CV generated by the common control section
- Typ. frequency range: < 0.001 Hz (~ one hour, LFO mode with ultra-low option) ... 15 kHz (VCO mode with installed frequency range jumpers for the manual frequency controls)
- Heat-up time: ~ 15 minutes (required to heat-up the main circuit by the affixed oven)

The module was planned mainly as a quad VCLFO. But we added a range switch (nothing but a switch for two different capacitors) so that even audio frequencies are possible and the module can be used as VCO with some restrictions too. Because of the closeness of the main circuitry (i.e. four VCO cores within less ~ 1 square millimetre) the oscillators may lock if the frequencies are very close to each other and the VCO frequencies interact marginally. If a high quality quad VCO is required the A-111-4 is recommended as this module has four separate VCO circuits available.

The reset circuitry is optimized for the LFO mode. As it takes some time to discharge the oscillator capacitor the discharge time had to be chosen so that the capacitor is fully discharged in LFO mode. In the high range (where a much smaller capacitor is used) this will cause a zero state duration in the 0.3 ms range if the oscillator is synced (during this time the capacitor is shortened for discharge).
The control scale of the inputs "CV1" is about 1V/octave. To improve the behaviour in the VCO mode a tempco circuit is used to keep the temperature of the exponential converter at a fixed temperature (similar to the tempco option of the DIY SYNTH). That way the frequency of the VCOs (and even the VCLFOs) is nearly independent from the environment temperature. But the accuracy (1V/octave scale and temperature compensation) is not as precise as for the dedicated VCOs A-110 and A-111-1.
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Cat: 641967 Rel: 27 Feb 17 • View all Synth modules
 
Rhythmical gate generator based on the rhythm theory of African music
Notes: The Zularic Repetitor is a rhythmic gate generator based off the rhythmic theory of African music. A core pattern forms the basis and variation is achieved by offsetting this pattern in time relative to the base.

This module contains 16 mother rhythms from African, Indian, Latin and Funk roots. Each rhythm outputs four variations of itself simultaneously while allowing the offset of each part in time by CV and Knob. It requires only a master clock to run and also allows the pattern to be reset by an external gate.

Connect a clock to the Beat input and let's go! With the Mother potentiometer or a CV you can select one of 32 rhythmical patterns which have African, Indian, Latin American or Funk roots. With a switch you can select between rhythms from the Old or New World.

The gate pattern is available at the Mother output, variation of it at outputs Child 1, 2 and 3. Each of the variations can be offset in time with the Offset potentiometer or a CV, which can generate great rhythms. Each channel has a LED which visualizes a gate.

The Measure input allows you to reset the pattern.

Size: 8HP Eurorack
Depth: 1 Inch
Power: 2x5 Eurorack
Draw +12V: 50 mA
Draw -12: 5 mA
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 2 in stock $208.02
Cat: 625060 Rel: 22 Sep 16 • View all Synth modules
 
Mini Mod VCF Transistor Ladder Filter Module
 1 in stock $208.03
KRK
Cat: 718670 Rel: 01 Apr 19 • View all Studio monitors
 
Professional grade 7" (bi-amp) studio monitor designed & engineered in the USA
Notes: Hugely popular for a reason. You know what you're getting with Rokits: decent sound and great value. Plus they've got yellow cones, which is frankly a bonus.

Supplier notes:
The new 7" KRK ROKIT RP7 Generation 4 ("G4") bi-amp professional monitor takes music and sound creativity to a whole new industry-level. DSP-driven room tuning with 25 visual Graphic EQ settings on an LCD, combined with the included KRK App help minimize and correct problems in your acoustic environment. Matching drivers made with Kevlar ensures the same sonic integrity on every single frequency, minimizes listening-fatigue, and offers an incredibly balanced listening experience.

A scientifically designed high-quality speaker enclosure and newly-designed front-firing port offer exceptional low-end extension, punch and flexible room-positioning. High density Iso-foam pads decouple the speaker from the surface for improved clarity while fluid mechanics fully tuned to the entire system result in a deep and dynamic listening "sweet-spot" with incredible imaging and 3D soundstage.

A new custom designed efficient class D power amp reduces operating temperatures to retain better audio integrity while a built-in Brickwall limiter automatically engages at maximum amp-level to maintain a balanced sound, protect the system, and offer better and wider dynamics. Although truly affordable, price isn't even in the ROKIT conversation-professionals choose ROKITs for their time-tested and reliable results. The new ROKIT Generation 4 Line actually is ROKIT Science.
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Cat: 738775 Rel: 11 Jul 19 • View all Keyboard stands
 
Two-tier, standing-height, heavy-duty keyboard stand in black, with carry bag
Notes: The new standard in column keyboard stands is here; STAY's TOWER is a sturdy and ingeniously designed solution. Made from ultra-strong extruded aluminium, TOWER weighs nearly half of the leading column stand, yet supports comparable weight easily. Support legs are curved to lift the stand off the floor, allowing pedal placement wherever the player desires - even under the stand. TOWER also breaks down in seconds and comes with a sectioned carry bag for easy transport of all components.

- Maximum load capacity: 120 kg
- Automotive paint
- Ultra fast assembling
- Product net weight: starting at 5.4 kg
- Tote bag included
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 1 in stock $209.09
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Cat: 708090 Rel: 18 Apr 19 • View all Synth modules
 
Sample & Hold, Track & Hold, Gated Slew, Clock & Noise generator - silver, 12HP
Notes: A real powerhouse module that takes up only 12 HP of rack space. It can generate random and pseudo random control voltages, staircase waveforms, deliberate aliasing of audio signals, portamento type effects, adjustable audio range noise and has many other uses too.

It can be switched between Sample & Hold or Track & Hold modes, and the unique "Restrict" control affects the way the hold output changes with respect to the current input level and previously held output level. With the control fully off the unit behaves just like any other S/H, but at fully clockwise the output is restricted to move by only a small amount after each new sample. The output will still have the same range as the input, but will need more hold commands to get there. This versatile Sample and Hold circuit was designed by Tony Allgood, and is built under licence from Oakley Sound.

The Sample Hold & Slew module also includes a very well featured Slew generator, which includes a Gated Slew function. It can be used independently or chained with the S&H module. Slew mode can be switched between Linear or Exponential Slew types. There is a Gate input, so that the Slew on/off can be switched using an External CV (Gated Slew), and also the Slew control logic can be reversed by a toggle switch that doubles as a manual Slew on/off switch. In addition, it has slew up only, slew down only or slew up and down modes, which are selected with a three-way toggle switch. An indicator LED lights when Slew is active

There is also an inbuilt analogue Noise generator, which is normalised to the input of the Sample and Hold section, and there are both regular and clipped Noise outputs - the Clipped Noise is particularly useful with the sample and hold section, as it is weighted to produce higher random voltages. Both Noise outputs are fed through an internal "Noise Colour" control - at centre position it allows the noise through unfiltered, turning the control anti-clockwise introduces low pass filtering of the Noise, and rotating it clockwise introduces high pass filtering. The Noise source itself is based on an analogue band gap shunt regulator configured in avalanche mode, and it generates white noise with a gradual roll off above 8kHz. It is a little "grainier" in character than the noise from our MiniMod Glide & Noise module (which uses a reverse biased transistor as a noise source), so is a useful compliment to this module as it does not generate exactly the same sounding Noise

Lastly, it includes a wide range clock generator with a rate LED. The range is from one cycle every thirty seconds to around 2 kHz and the clock output is normalised to the Clock Input of the S&H section. It also has a Clock Out jack so that it can be externally patched to other Eurorack modules.
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Cat: 482709 Rel: 23 Feb 13 • View all Vocal microphones
 
Side address condenser microphone for USB plug & play
Notes: Specifically engineered for lead vocal reproduction, the PG42-USB side-address condenser microphone easily plugs into a computer USB port for the convenience of digital recording.

The PG42USB features a large cardioid diaphragm tailored with high sensitivity to clearly reproduce refined performances with guaranteed plug and play Shure quality.

The PG42USB is compatible with Windows 7 (32 & 64 bit), Vista (32 & 64 bit), XP, 2000 and Max OS X (10.1 or later).
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 1 in stock $209.11
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