Search dance music

Notes: The ZIO Analog Bass Preamp + DI is an ultra-low noise, all-analogue preamp and DI for bass guitar. The pedal offers maximum headroom and a simple but flexible set of tone shaping controls. ZIO Bass can be used as a direct input using the balanced XLR output for connection to a mixer or audio interface as well as with headphones through its dedicated headphone jack.

The ZIO Bass features a simple control panel. The OUTPUT knob offers +12db of additional boost plus a significant amount of cut. The BASS and FOCUS controls work best in tandem - use the BASS knob to increase low-end output and the FOCUS knob (which adjusts the cut-off point of a high-pass filter) to eliminated excessive lows and create added punch. The TREBLE knob boosts or cuts the high frequencies, providing enhanced articulation without adding harshness.

The GRIT toggle enables a mild distortion to mimic the transformer-style breakup from high-end bass amps. GRIT mode's gain level can be adjusted for more or less distortion with the GAIN control located on the side of the pedal. The SCOOP toggle engages a special midrange cut to clean up "muddy" mid-range frequencies. The SCOOP profile is based on the "Pultec Trick" - a setting commonly used with vintage Pultec Equalizers to add clarity.

The pedal has three outputs that can be used individually or simultaneously. The OUTPUT jack connects to an amplifier or pedalboard.

The DIRECT OUT is a balanced XLR output that sounds great running into a mixer or audio interface for recording or live sound applications. The HEADPHONE jack features a high dynamic range, low noise amplifier that is capable of driving low impedance studio headphones.

Notes: The SoundForce Chorus 6 is 16HP Juno style BDD chorus with plenty of CV inputs. It is using the Xvive MN3009 and the same audio path as the original circuit. It can do the classic Juno I, II and I+II modes. I+II modes are available from both the Juno 6 and Juno 60, each in mono (as the original) or stereo, giving you 4 I+II options. But the manual and external modes can take the module away from sweet and pretty sound territories right into weird and noisy soundscapes.

Some tech-talk:

A chorus effect is created by mixing a dry signal with a delayed signal. The delay time is modulated by an LFO to create more movement. To create some stereo width, the left and right modulation are 180 degrees out of phase. Exactly like the chorus in the Juno 6/60/106, the delay is made with MN3009 BBD chips. Also as in the original design, filters are added both before and after the BBD chips in an attempt to hide some of the artefacts of this very crude IC.

To get the audio "moving" through the chain of MOSFETs in the BBDs, driver signals are needed. This used to be done with the MN3101 BBD driver chip. Unlike the MN3009, there is no clone available of this ancient IC and this was a chance to add some modernity to the design. The drivers were replaced by a modern STM32 micro-controller along some extra ICs to convert the 3.3V logic to the negative voltage needed by the MN3009.

In order to recreate a genuine Juno-type modulation, the BBD driver signals of my Juno-106 were sampled over a few periods. Using the timer peripherals of the STM32, a replica of the BBD driver signals can be sent out to the MN3009's. Although the driver signals only follow a very basic triangle LFO shape and could have been generated using direct synthesis in the firmware, this method gives an exact copy of the original driver signals including all the potential imperfections.

Implementing a digital programmable chip also allows a digital-style interface with tactile switches and LEDs as in the original Juno interface. The last used mode is saved and loaded when the module powers on. The CV inputs (with the exception of the MIX CV) are acquired by the STM32 ADC and can modulate the BBD driver signals based on parameters in the firmware.

Features:

The SoundForce Chorus 6 has 4 main modes: I, II, I+II, MAN for manual and EXT for external. I and II are the classic Juno modes available in the Juno 6/60/106. Press both I and II to enter the I+II mode. While holding down I and II, press the OFF button to cycle through the 4 I+II options:

- Juno 60 mono - 1hz - 8% depth
- Juno 60 stereo - 1hz - 8% depth
- Juno 6 mono - 8hz - 25% depth
- Juno 6 stereo - 8hz - 25% depth

In I, II and I+II, only the mix controls can influence the sound, all the other parameters are fixed and CV inputs are not active.

Mix control:

Using the slide pot (fader) or the CV input, the mix between the dry input signal and the BBD delays output can be set. The orignal Juno balance is reached when the slide pot is in the middle (without CV connected). The mix control is a VCA-based crossfader and is 100% analog which means it can withstand really high audio rate frequency modulation.

MAN mode:

The manual mode gives you the opportunity to control every parameter of the chorus and gives you acces to the LFO that modulates the BBD delay times. Here is what you can tweak:
- time slide pot: sets the start delay time
- rate slide pot and CV input : sets the frequency of the delay time modulation
- depth slide pot and CV input: sets the depth of modulation around the start time
- mix slide pot and CV input: see above
- LFO wave: selection of different waveforms to modulate the delay time
- range: selection of 3 different frequency ranges for the LFO (S: 30Hz to 500Hz | M: 1Hz to 100Hz | L: 0.016Hz/1min to 10Hz)

In manual mode, the EXT IN CV input can be used to change the LFO wave, range or add additional modulation of the delay start time.

EXT mode:

In external mode, the BBD delay times can be modulated using an external signal through the EXT IN cv input. Plug in a CV source from your eurorack case into the EXT IN, set manually the starting delay time using the time slider and use the EXT ATT slide pot to attenuated the incoming CV signal (equivalent to setting the depth). In external mode, the depth/rate sliders and CV inputs are not active.

Stereo inputs:

The Chorus 6 can be used with either mono or stereo input signals. When the right channel is unconnected, the left channel is sent to the right jack so it can be used with mono signals. When using both inputs, each input signal is going through its own BBD delay line.

BBD delay time range:

The Chorus 6 gives you in the MAN and EXT modes a delay range that it is about doubled compared to the I/II modes. The original Juno chorus was using only a very limited range of the BBD chip and really stayed in the sweet spot. Extending to the full spectrum of the MN3009 yields pretty horrible high pitch noise at audio rate modulation, so the range has been limited to a usable section. When you apply high frequency modulation with great amount of depth, the delay time will be pushed in the extremities of its time range and quite nasty artifacts will appear in the form of squeaks and whines. Please note this is a characteristic of the BBD. If you want to reduce those artifacts, reduce the depth of modulation. On the other hand, if you are looking to add characteristic and vibe to the sound, audio rate modulation and plenty of depth will help you to get there.

Input levels:

Both Eurorack and Line level signals can be used as input for the Chorus. A small slide switch between the 2 PCBs can switch between Euro and Line. In Euro levels, the input signal is attenuated to an healthy level that is well below the BBD distortion point. Some headroom is also needed as the chorus is a sum of the input signal and the modulated delayed signals. For that reason, when the chorus is turned off the output attenuation is about 50% of the input level. When the chorus is on, the resulting output amplitude is similar to the input level. Line levels are also accepted by the module when the switch is on Line. Please note that Line levels input will be amplified to the Eurorack levels range at the output of the module. So the output levels are Eurorack in both Euro or Line input ranges.

Specifications:
16HP
Depth: 38mm (including power connector)
Power: +12V 76mA, -12V 35mA

Notes: Part of Sonicware's Liven groovebox series, this time focussing on granular synthesis and effects processing. 128-step sequencer and shimmer reverb allow you to create grooves.

Supplier's Notes:
Sample, slice, transform and reconstruct audio to synthesize completely new sounds

The LIVEN Texture Lab offers a wide variety of sound textures ranging from beautifully lush ambient pads to chaotically aggressive experimental noise that will take you to new sonic frontiers.

The Texture Lab uses a granular processor that slices sounds into grains ranging from 2 ms to 1 second in length, then transforms and reconstructs them in a variety of ways, including manipulating grain shape, density, time warp, spatial position, and playback method to create entirely new sounds.

Granular synthesis parameters are easily accessed from 10 knobs and are designed for intuitive control

Granular synthesizer with granular effects processor mode

The LIVEN Texture Lab is a 4-voice polyphonic synthesizer that can record 32 samples of up to 6 seconds, generate grains from any part of a sample, and synthesize them using two modulations sources, an envelope generator, and process the sound through different filter types.

The Texture Lab can also be used as an effects processor for real-time granular processing of stereo signals from the line input. It is also possible to freeze the flowing sounds for 6 seconds to add granulated sound effects.

Shimmer reverb for fantastical and majestic sounding spaces

The LIVEN Texture Lab features six high-quality stereo reverb types. All reverb types have a shimmer parameter that allows you to layer reverb on top of reverb in octaves to create fantastical and majestic sounding spaces.

128-step sequencer with parameter locking

The LIVEN Texture Lab is equipped with a high-performance 128-step sequencer that has earned the LIVEN series a solid reputation. In addition to recording notes, it can also record changes in granular processing parameters over time.

You can record knob operations in real time or directly record parameters to specific steps allowing for more complex sound textures.

Specifications

[Granular processor]

Synthesizer mode
- Sampling up to 6 seconds per sample (16bit - 32kHz mono, Start/end point adjustment)
- Auto start sampling function with the input level (input level can be set)
- Internal resampling function
- 32 sample memory slots

Effects processor mode
- Real-time processing of stereo signals from the line inputs
- Freeze function


- Pitch: Pitch of the sample (i2 octaves)
- Position, Length/FB: The sample range for generating grains (with random position function)
- Speed, Direction: Playback speed, scan direction, and playback direction of the grains.
- Size, Shape: Size and shape of the grains (with random function)
- Timing, Jitter: Interval of generating grains (with our original LUSH setting)
- Density: Number of the grains (up to 64 grains in legato mode)
- Diffusion: Diffusion width of the grains
- Blend: Balance between the sample and the granular sound mix
- Modulation 1: LFO assignable to various parameters (with wave shape selection, start fade-in time, retrigger, and tempo sync)
- Modulation 2: LFO assignable to various parameters (with wave shape selection, retrigger, and tempo sync)


- Attack
- Release


- Low Pass
- High Pass
- Band Pass

Reverb effects
6 high-quality reverbs with Shimmer reverb parameters
- Hall
- Room
- Arena
- Plate
- Tunnel
- Infinity


- 4-note polyphonic mode (Up to 16 grains per voice, internal sequencer records up to 3 voices of polyphony)
- Mono mode (Up to 32 grains, adjustable glide time)
- Legato mode (Up to 64 grains, adjustable glide time)
- Arpeggiator modes (Up, Down, UpDown, DownUp, Up&Down, Down&Up, Up+1, Up+2, Down-1, Down-2, Random, Play Order)

[Sequencer]
- 1 track
- Up to 128 steps per pattern
- 128 patterns
- Step length can be set from 1/1 to 1/32
- Real-time recording
- Directly enter notes for each step when sequencer is on or off
- Enter longer notes (Tied notes)
- Metronome and pre-count function
- Undo/Redo function
- Transpose function
- Swing function
- Pattern BPM / Global BPM can be set
- Pattern chain function
- Parameter Lock function to record parameter settings for each step
- RANDOM function to play back steps in random order
- STUTTER function to play back only the step being pressed

[MIDI]
- Notes, control changes, clock input/output
- IMPORT/EXPORT of user data (Including samples) via Sysex
- Firmware update via Sysex

[Unit]

27 keys (with a hold function)


- 15 physical control knobs
- Optional LATCH function prevents jumps in value when knob position and parameter values do not match.
- One physical encoder for fine adjustments.
- LCD dot indicates when a parameter value matches the saved value, or when the value has been changed.

Notes: Part of Sonicware's Liven groovebox series, the 8bit Warps draws on retro 80s chiptune vibes to create a mini instrument with huge character and surprising range.

*** Update: New features of the version 3.0 firmware September 2023 ***

Added 6 effect types:
- Distortion
- Phaser
- Tremolo
- Ring Modulator
- Auto Wah
- Reverse Delay

Added the Sound Locking features

A sequence can be duplicated to double the length

Looping of chain playback is now possible

New preset 29 drum sounds that can be easily made drum patterns with the sound locking feature

And several bug fixes and improvements

Supplier's Notes:
The LIVEN 8bit warps combines an 8-bit waveform memory synthesizer with a step sequencer.

Carefully selected preset waveforms and editable user waveforms along with high-quality filters and effects can be used freely to create a wide spectrum of sounds. The LIVEN 8bit warps can generate classic retro game sounds of course, but its unique 8-bit sound can also be used in a range of music genres, including EDM, hip-hop, techno and rock.

Powerful functions for live electronic music performance include 16 physical control knobs, parameter locking for each sequencer step, a looper, and SYNC IN/OUT and MIDI IN/OUT connectors to make synchronized performance with other equipment easy.

All these powerful functions are in a device that weighs only 790 g. Play it anywhere at any time.

Size : 11.7 inch (W) x 6.92 inch (D) x 1.89 inch (H), 297mm (W) x 176mm (D) x 48mm (H)

Weight : 1.74lb., 790g

Accessories: Warranty

Power supply: AA batteries x 6, or 9V DC output AC adapter (1A or higher, EIAJ3 standard inner diameter 1.7mm outer diameter 4.75mm, center +)

Notes: Part of Sonicware's excellent Liven groovebox series, the XFM is a modern take on classic digital FM sounds, offering a choice of intuitive and quick sounds or logical and deep programming.

Supplier's Notes:
Classic FM sounds, effortlessly merged with FM FUSION.

Using the 4-track sequencer and presets, you can construct an entire song.

Three Fusion FM Engines X-LAB Engine
Merge two FM sounds with a single knob to create a completely new sound.

XFORM Engine
Transform one FM sound into another over a specific period of time.

X-LFO Engine
Continuously transform between two FM sounds using an LFO.

Over 300 Inspiring Preset Sounds
Ready-to-use presets including, leads, keyboards, strings, winds, basses, pads, chords, drums, and sound effects.

Two approaches to FM sound design

Intuitive and Quick
Merge and sculpt FM sounds with a single, intuitive, knob turn.

The X-Lab engine merges two FM sounds by smoothly blending their envelopes, modulation routing, and feedback. The X-Lab algorithm can merge sounds with radically different FM structures and overtones, all without losing the fundamental tuning of the sound. Pitch locking can also be turned off to create brilliant atonal transitions between FM sounds.

Merged sound can then be saved, recalled, and merged with additional FM sounds. This is called merging process FUSION FM.

Logical and Deep

For those who want to dive into the FM Engine, the EDIT mode and included overlay provide full access to the innovative 4-OP XFM engine.

15 knobs and 30 buttons provide quick and intuitive access to all FM parameters.

Explore FM synthesis without the conventional menu diving and head scratching.

4-Track Step Sequencer

Perfect for song production and live performance

Manage lead, bass, rhythm, and more, each on separate tracks.

Sequence up to 64 steps per pattern.

Save up to 128 patterns.

The parameter locking function allows you to record knob changes into your patterns. This automation function can be recorded live, or programmed in step by step.

Sub-divide the tempo down to 32nd notes for higher resolution sequencing.

Sequence longer notes across several steps, AKA Tied Notes.

Specifications:

Size
297mm (W) x 176mm (D) x 48mm (H)
11.7 in (W) x 6.92 in (D) x 1.89 in (H)

Weight:
790g/1.74lb.

Keyboard:
27 keys (with a hold function)

Knob:
15 physical control knobs
Optional LATCH function prevents jumps in value when knob position and parameter values do not match. LCD dot indicates when a parameter value matches the saved value, or when the value has been changed.
One physical encoder

Audio output:
Stereo line out (stereo 3.5mm mini jack)
Headphone out (stereo 3.5mm mini jack)
Compatible with Teenage Engineering Pocket Operator2 Series SYNC OUT
Speaker

Audio in:
LINE IN (stereo 3.5mm mini-jack)
Compatible with Teenage Engineering Pocket Operator 2 Series SYNC IN

Interfaces:
MIDI IN connector (5-Pin DIN type)
MIDI OUT connector (5-Pin DIN type)
SYNC IN jack (monaural 3.5mm mini jack)
SYNC OUT jack (monaural 3.5mm mini jack)

Power supply:
9V DC output AC adapter
Current: 1A or greater
Plug Type: EIAJ3 Standard
Inner Diameter: 1.7mm
Outer Diameter: 4.75mm,
Polarity: Center +
Compatible with power supplies designed for the Korg Volca 1 .
6 AA batteries

Synth Engine:
Four FM synth engines, X-LAB, XFORM, X-LFO, and LIBRARY

Voice mode:
6-note polyphonic mode
Mono mode
Legato mode with adjustable glide time
Arpeggiator modes (Up, Down, UpDown, DownUp, Up&Down, Down&Up, Up+1, Up+2, Down-1, Down-
2, Random, Play Order)

Sweep:
Sweep with adjustable speed, range, and curve

Filter
Low Pass
High Pass
Band Pass
Each track has its own filter envelope.

Effects:
Chorus
Flanger
Send Delay
Insert Delay
Bit Crusher
Reverb
Distortion
Low Pass
High Pass
Isolator

LFO:
Each track has one LFO which can affect both pitch and filter cutoff.
Adjustable LFO Shapes.
Adjustable start time delay for each LFO.

Sound memory:
512 FM sound memory slots (16 x 32 banks)

Sequencer:
4 tracks
Up to 64 steps per pattern
128 patterns
Step length can be set from 1/1 to 1/32
Enter longer notes (Tie)
Track level and pan can be set independently
FX send amount can be set independently for each track
Pattern BPM / Global BPM can be set
Step copy and paste function
Track copy and paste function
Transpose function
Real-time recording
Directly enter notes for each step when sequencer is on or off
Parameter lock function
Random playback function (Playback step size can be set)
Stutter function
Note Trigger probability can be set between 25% and 100%
Pattern chain function
Metronome and pre-count function
Swing function

MIDI:
Notes, control changes, clock input/output
IMPORT/EXPORT of user data
Firmware update via Sysex

Accessories:
FM sound editing overlay
Warranty

The AC adapter is not included.
Please use 9V DC output AC adapter (1A or higher, EIAJ3 standard inner diameter 1.7mm outer diameter 4.75mm, center +).
Compatible with power supplies designed for the Korg Volca 1.

Notes: *** New features in version 2.0 ***

The new features expand its capabilities meaning it's easier to use whilst making it a more flexible music production tool.

Resampling

Patterns and tracks can be resampled by internally recording the audio output into a new sample. Real-time resampling of your keyboard playing is also possible.

Chopping

Two new voice modes called 'Drum' and 'Chop' auto-slice samples easily with the newly developed Downbeat Divider*. Sliced sections of a sample are then spread across the keyboard making finger drumming possible.

Remix Effect

A beat repeater effect 'R.MIX', added to the master effect options, makes glitchy real-time performances possible.

The new features are designed to work well with each other so you can easily create drum tracks with auto-slicing and record lively performances that are not constrained by the grid of the internal step sequencer.You can also resample samples and tracks for infinite effects processing.

A quirky take on sampling from this 12-bit groovebox inspired by classic 12-bit samplers like the Akai MPC60. Gritty, distinctive sound and some nice sequencing options.

Supplier's Notes:
Retro sampling engine with 12bit Sampler mode

The LIVEN Lofi-12 has a 16bit - 12kHz/24kHz sampling engine with the 12bit Sampler mode that will turn any sound into a pleasing lo-fi sound.

Like the many legendary samplers that were released in the late 80s, this is a genuine low-bit and low sampling frequency sound that cannot be obtained authentically with bit crusher effects and other modern sound degrading tools.

Up to 4 seconds mono sampling per sample slot (2 seconds mono sampling at the 24kHz mode). Start and end point trimming, pitch adjustment, reverse playback, sustain loop, filtering and LFO modulation are all possible.

Easily play samples chromatically across the keyboard

Sounds sampled by the LIVEN Lofi-12 are automatically assigned to the keyboard and can be played easily at different pitches.

The well-known vintage sampler technique of sampling a 33 RPM vinyl at 45 RPM then slowing it down created the gritty, lo-fi sound that is often heard in '90s hip-hop.
The LIVEN Lofi-12 makes it easy to recreate that sound!

80 carefully selected lo-fi preset sounds are included.

Powerful 4-track sequencer with parameter and sound locking
The LIVEN Lofi-12 is equipped with the powerful 4-track step sequencer that has earned the LIVEN XFM a solid reputation.

You can easily create a 4-part song by selecting a sampled sound for each track, and with the Sound Lock function, you can easily switch sampled sounds for each phrase or sequencer step, allowing you to use an almost infinite combination of sounds within a single song.

Sequence up to 64 steps per pattern.

Save up to 64 patterns.

Sub-divide the tempo down to 32nd notes.

Program notes step by step or record them in real time. Additionally, you can also input notes to specific steps while the sequencer is playing to add variation.

The Parameter Lock function allows you to record knob changes into your patterns. This can be recorded live, or programmed in step by step.

The Sound Lock function allows you to record selected sound changes into your patterns. You can use an almost infinite combination of sounds within a single song.

Laid-back knob for creating drunk beats
The Laid-back knob on the LIVEN Lofi-12 allows you to delay the start of the selected sampled sound.

For example, you can slightly delay the snare drum sound in your drum pattern, or use the Parameter Lock function to shift the sound timing later for each step individually.

11 types of Effects each track and 8 types of Master Effect
The LIVEN Lofi-12 features independent effects on all four tracks.
You can select from 11 types of effects from the LIVEN series, and the effect parameters can be automated in steps using the Parameter Lock function.

In addition, 6 types of high-quality Reverbs + Cassette Tape Simulator and Vinyl Simulator are included as the master effect.
The send amount can be adjusted for each track for mixing.

Specifications

Sampler
16bit - 12kHz or 24kHz (switchable) linear PCM sampling (mono)
12bit Sampler mode
Sampling up to 4 seconds per sample (12kHz) or 2 seconds per sample (24kHz)
Auto start sampling function with the input level (input level can be set)
Start/end point, attack, release, pitch, and level adjustment
Reverse playback
Sustain loop settings
Maximum polyphony: 10 voices
128 sample memory slots (16 x 8 banks)
Import and export of a slot or banks of samples (via MIDI)
*Import of audio files from PC/Mac is not supported.


10-note polyphonic mode
Mono mode with adjustable glide time
Legato mode with adjustable glide time
Arpeggiator modes (Up, Down, UpDown, DownUp, Up&Down, Down&Up, Up+1, Up+2, Down-1, Down-2, Random, Play Order)

Filter
Low Pass
High Pass
Band Pass
Each track has its own filter and envelope

LFO
Each track has one LFO which can affect both pitch and filter cutoff with separate adjustable levels
Adjustable LFO Shapes
Adjustable start time delay for each LFO

Sweep
Sweep with adjustable speed, range, and curve

Effects

Track effects

One effect per track
Chorus
Flanger
Tremolo
Delay
Distortion
Bit Crusher
Low Pass Filter
High Pass Filter
Isolator
Tilt EQ
Compressor

Master effects

Reverb send amount can be set independently for each track
Hall Reverb
Room Reverb
Arena Reverb
Plate Reverb
Tunnel Reverb
Infinity Reverb
Cassette Tape Simulator
Vinyl Simulator

Sequencer

4 tracks
Up to 64 steps per pattern
64 patterns
Step length can be set from 1/1 to 1/32
Real-time recording
Directly enter notes for each step when playback is on or off
Enter longer notes (Tied notes)
Metronome and pre-count function
Step copy and paste function
Track copy and paste function
Transpose function
Swing function
Pattern BPM / Global BPM can be set
Pattern chain function

Notes: Part of Sonicware's excellent Liven series, the Bass & Beats packs a powerful wavetable synth engine designed for dance music. Presets are classified by genre, making it quick to nail sounds.

Supplier's Notes:
Unleash this wavetable engine to create thick basslines that fit into all genres.

Combine wavetable modulation and our rich resonant filter to create satisfying growls and wobbles.

The bass synth engine includes:
- Two independent Wavetable oscillators with the 64 available wavetables.
- One sub-oscillator
- One noise generator which can create 16 different noise types.

Add even more flavor to your basslines with the built-in LFO, envelope generator, unison control, multi-mode filter, and distortion effects.
A Library of Rhythm Sounds Specialized for Electronic Dance Music

The Liven Bass & Beats is loaded with 350 high-quality rhythm sounds carefully selected for modern and timeless compositions.
The library of drum sounds also include risers and tension releases SFX which are useful tools when transitioning to new sections of your compositions.

Hit the Ground Running With 64 Bass Patches That Cover All Genres

The LIVEN Bass & Beats includes 64 bass presets including battle tested favorites such as the Reese Bass, Future Bounce Bass, Wobble Bass, Growl Bass, Neuro Bass, Deep House Bass, Acid Bass, 808 Sub Bass, and more.
Use these presets to quickly dial in the vibe of a specific genre.

Ready-To-Go Preset Drum Kits

The drum sounds are organized into well balanced kits for specific genres such as: DUBSTEP, HOUSE, HIPHOP, TRAP, TECHNO, EDM, R&B, DOWNTEMPO, CHILL TRANCE, DRUM'N'BASS, JUNGLE, FUTURE BASS, ELECTRO, ELECTRONICA, IDM, DISCO, BREAK BEATS, etc.

You can also mix and match sounds from the drum library to create your own custom kits. Side-Chain Compressor

The LIVEN Bass and Beats has built-in sidechain compression function that ducks the volume of the bass and the line-in audio. The amount of this effect is variable so you can dial it in to taste or turn it off when it is not needed.

Two Performance Knobs Can Be Mapped to Many Parameters at Once

Two ASSIGN knobs are provided for complex multi-parameter control.

Similar to the Turnado1 VST plugin, our "ASSIGN" knobs allow you to map many parameters to a single knob to create powerful effects which transform or mangle your sound with a single twist.

All preset patches include these "ASSIGN" knobs pre-programmed and ready for sonic exploration.

The "ASSIGN" knobs can also be parameter locked to create automated changes to multiple parameters over time.

Quick Muting and Un-Muting for Each Drum Sound

Each rhythm track consists of 16 individual drum sounds. Each sound can be individually muted and unmuted with a single button press. This allows users to introduce drum elements on-the-fly to build energy and create unique breakdowns.

Dedicated Mixer Controls

Dedicated controls for balancing the levels of you drums, bass, and line input. These knobs can be used to create an overall volume balance, or they can be used to create drops and breakdowns during live performances.

Advanced Bass Shaping Tools

The DIMENSION knob increases the stereo width of the bass synth without losing clarity or richness.

The M.Gun effect uses a rapid tremolo to add glitchy grit.

Explore Beyond the Preset Sounds With the Bass Engine Edit Mode Overlay

Build your own bass sounds from scratch or modify the presets.

Every parameter of the bass engine is accessible when the edit mode active.

Slip on the overlay and enter a whole new world of bass sound design.

Synth Engine Basic Configuration

2x Wavetable OSC: Each of the wavetable oscillators can assigned one of the 64 wavetables.

SUB OSC: The sub-oscillator provides solid, foundational bass support.

It can generate sine, triangle, sawtooth, square, LOG, and random waveforms.

NOISE Generator: The noise generator can generate 16 different types of noise, including both white and pink noise. It is a powerful tool for aggressive and industrial tones.

Deep Modulation

Almost all of the internal parameters of this device can be targets for modulation. The LFO, Envelope Generator, and ASSIGN knobs provide a wide range of ways to modulate every aspect of your sound.

For example, the LFO could modulate the settings of the Envelope Generator which is simultaneously modulating the Bass engine's wavetable position.

Notes: ***B-STOCK: Box opened, but product is in excellent condition and in perfect working order***


*** New features in version 2.0 ***

The new features expand its capabilities meaning it's easier to use whilst making it a more flexible music production tool.

Resampling

Patterns and tracks can be resampled by internally recording the audio output into a new sample. Real-time resampling of your keyboard playing is also possible.

Chopping

Two new voice modes called 'Drum' and 'Chop' auto-slice samples easily with the newly developed Downbeat Divider*. Sliced sections of a sample are then spread across the keyboard making finger drumming possible.

Remix Effect

A beat repeater effect 'R.MIX', added to the master effect options, makes glitchy real-time performances possible.

The new features are designed to work well with each other so you can easily create drum tracks with auto-slicing and record lively performances that are not constrained by the grid of the internal step sequencer.You can also resample samples and tracks for infinite effects processing.

A quirky take on sampling from this 12-bit groovebox inspired by classic 12-bit samplers like the Akai MPC60. Gritty, distinctive sound and some nice sequencing options.

Supplier's Notes:
Retro sampling engine with 12bit Sampler mode

The LIVEN Lofi-12 has a 16bit - 12kHz/24kHz sampling engine with the 12bit Sampler mode that will turn any sound into a pleasing lo-fi sound.

Like the many legendary samplers that were released in the late 80s, this is a genuine low-bit and low sampling frequency sound that cannot be obtained authentically with bit crusher effects and other modern sound degrading tools.

Up to 4 seconds mono sampling per sample slot (2 seconds mono sampling at the 24kHz mode). Start and end point trimming, pitch adjustment, reverse playback, sustain loop, filtering and LFO modulation are all possible.

Easily play samples chromatically across the keyboard

Sounds sampled by the LIVEN Lofi-12 are automatically assigned to the keyboard and can be played easily at different pitches.

The well-known vintage sampler technique of sampling a 33 RPM vinyl at 45 RPM then slowing it down created the gritty, lo-fi sound that is often heard in '90s hip-hop.
The LIVEN Lofi-12 makes it easy to recreate that sound!

80 carefully selected lo-fi preset sounds are included.

Powerful 4-track sequencer with parameter and sound locking
The LIVEN Lofi-12 is equipped with the powerful 4-track step sequencer that has earned the LIVEN XFM a solid reputation.

You can easily create a 4-part song by selecting a sampled sound for each track, and with the Sound Lock function, you can easily switch sampled sounds for each phrase or sequencer step, allowing you to use an almost infinite combination of sounds within a single song.

Sequence up to 64 steps per pattern.

Save up to 64 patterns.

Sub-divide the tempo down to 32nd notes.

Program notes step by step or record them in real time. Additionally, you can also input notes to specific steps while the sequencer is playing to add variation.

The Parameter Lock function allows you to record knob changes into your patterns. This can be recorded live, or programmed in step by step.

The Sound Lock function allows you to record selected sound changes into your patterns. You can use an almost infinite combination of sounds within a single song.

Laid-back knob for creating drunk beats
The Laid-back knob on the LIVEN Lofi-12 allows you to delay the start of the selected sampled sound.

For example, you can slightly delay the snare drum sound in your drum pattern, or use the Parameter Lock function to shift the sound timing later for each step individually.

11 types of Effects each track and 8 types of Master Effect
The LIVEN Lofi-12 features independent effects on all four tracks.
You can select from 11 types of effects from the LIVEN series, and the effect parameters can be automated in steps using the Parameter Lock function.

In addition, 6 types of high-quality Reverbs + Cassette Tape Simulator and Vinyl Simulator are included as the master effect.
The send amount can be adjusted for each track for mixing.

Specifications

Sampler
16bit - 12kHz or 24kHz (switchable) linear PCM sampling (mono)
12bit Sampler mode
Sampling up to 4 seconds per sample (12kHz) or 2 seconds per sample (24kHz)
Auto start sampling function with the input level (input level can be set)
Start/end point, attack, release, pitch, and level adjustment
Reverse playback
Sustain loop settings
Maximum polyphony: 10 voices
128 sample memory slots (16 x 8 banks)
Import and export of a slot or banks of samples (via MIDI)
*Import of audio files from PC/Mac is not supported.


10-note polyphonic mode
Mono mode with adjustable glide time
Legato mode with adjustable glide time
Arpeggiator modes (Up, Down, UpDown, DownUp, Up&Down, Down&Up, Up+1, Up+2, Down-1, Down-2, Random, Play Order)

Filter
Low Pass
High Pass
Band Pass
Each track has its own filter and envelope

LFO
Each track has one LFO which can affect both pitch and filter cutoff with separate adjustable levels
Adjustable LFO Shapes
Adjustable start time delay for each LFO

Sweep
Sweep with adjustable speed, range, and curve

Effects

Track effects

One effect per track
Chorus
Flanger
Tremolo
Delay
Distortion
Bit Crusher
Low Pass Filter
High Pass Filter
Isolator
Tilt EQ
Compressor

Master effects

Reverb send amount can be set independently for each track
Hall Reverb
Room Reverb
Arena Reverb
Plate Reverb
Tunnel Reverb
Infinity Reverb
Cassette Tape Simulator
Vinyl Simulator

Sequencer

4 tracks
Up to 64 steps per pattern
64 patterns
Step length can be set from 1/1 to 1/32
Real-time recording
Directly enter notes for each step when playback is on or off
Enter longer notes (Tied notes)
Metronome and pre-count function
Step copy and paste function
Track copy and paste function
Transpose function
Swing function
Pattern BPM / Global BPM can be set
Pattern chain function

Notes: LYRA8-FX is a processor that can give you a significant part of the mysterious LYRA-8 sound thanks to the FX section from the LYRA-8, expanded with CV controls and packed into a Eurorack module.

It contains a double modulated lo-fi delay with cross-feedback and the unique possibility of self-modulation, where the delay output signal modulates its own sample rate. Also, it packs a parallel distortion with CV control of the drive. The distortion is after the delay. It's much more than a delay - you can get a simple reverb, comb filter, chorus and much more cool FXs which are hard to describe.

It has a famous LYRA-8 build quality - no SMD, no twisted plastic shafts.

Pots:
IN volume
Stage 1 delay time
Stage 2 delay time
Stage 1 delay time modulation depth
Stage 2 delay time modulation depth
Delay feedback
Delay feedback CV amount
Delay mix
Distortion drive
Distortion mix
Distortion drive CV amount

Switches:
- Stage 1 delay time modulation source
Stage 2 delay time modulation source

Ins:
Audio in
Delay time CV
Delay feedback CV
Distortion drive CV

Outs:
Main audio out
Delay only out

Dimensions:
Width: 20HP
Depth:40mm

Power consumption:
+12V - 90ma
-12V - 20ma

Notes: ILLUMINATOR is an eight channel converter that turns Eurorack and analog CV signals into a voltage that drives LEDs and LED strips, creating a unique light show in sync with your live performance. CV signals coming from your music gear are already pulsating with the different parts and sounds of your track, so there is no need for any kind of programming or light operator.

You can focus on playing your set and let ILLUMINATOR take care of the rest, creating a dynamic visual show that follows your tracks down to every note and beat!

No presets, no memory- just your music driving the lights. Create intense strobe-like effects by connecting rapid hi-hats from your analogue drums, or use slow external LFOs for a moody ambience during your ambient sessions.

ILLUMINATOR is compatible with standard 12V LED strips that are affordable and widely available. LED strips are flexible and typically come with adhesive on the back, so it's easy to attach them to any objects and surfaces, including irregular and unusual ones. It can be your Eurorack case, synth stands, walls of the venue, furniture and even your body! This way you can create a unique light show that would otherwise require an expensive (and unwieldy!) lighting setup. Everything you need for your ILLUMINATOR show easily fits into a small backpack for just a couple hundred euros.

ILLUMINATOR can also run an art installation, as LED strips are far from its only application. It can drive anything that accepts DC 12V with a current up to 0.5A. You can hook up anything from motors, electromagnets to old-fashioned filament bulbs. It's the perfect beating heart for your weird mechanical steampunk orchestra. Your imagination is the limit!

ILLUMINATOR accepts all types of CV signals in the range from 3 to 20 volts. Each of the eight channels contains an individual trimmer pot that defines the sensitivity of the channel. It not only adjusts the optimal input range for connected CV sources, but it can also set the brightness of each LED strip. Default factory setting for all trimmer pots is made for the range of 5V, compatible with most gear out of the box.

Applying bipolar CV is also possible but the negative part of the signal will not light up the LEDs (everything below zero will be processed as zero).

CV signals can be connected to ILLUMINATOR using Eurorack mini-jacks or PULSAR-23-like pins and alligator clips. PSU DC IN and all outputs are standard DC sockets 5.5×2.1mm center plus.

Technical specs

Number of channels: 8
Supply voltage: DC 12V
Supply voltage socket: 5.5 × 2.1 mm (center plus)
Output voltage: DC 12V
Output LED socket: 5.5 × 2.1 mm (center plus)
Maximum total power of all channels: 48 watts
Maximum total current of all channels: 4A
Recommended maximum current for one channel: 0.5A
Absolute maximum current for one channel: 1.5A
Input voltage range: 3 - 20 Volts
Input impedance / with correct adjustment of the input sensitivity: > 5.7 kOm / 100 kOm
Input sockets: Eurorack mini-jacks and Pulsar-23 / Ornament-8 pins
Number of mini-jack sockets: 8 (1 for each channel)
Number of Pulsar-23 pins: 9 (1 for each channel + 1 common ground)
LED Items: 8
LED Color: 4000K x 2, Red x 2, Blue x 2, Green x 2
LED Length: 1.5 + 3 m cable
LED Power: 4.8 W/M
LED Voltage: DC 12V
LED IP Rate: IP65
Power supply Input: 100 - 240 VAC, 1.5 A, 50/60 Hz
Power supply Output: 12 DC, 5A
Dimensions: 275 x 70 x 40 mm
Weight: 300 g
Box size: 375 x 310 x 85 mm
Box weight: ~ 800 g

Product dimensions
Illuminator: 275 x 70 x 40 mm
Box: 375 x 310 x 85 mm
Net and gross weight
Illuminator net weight: 300 g
Gross weight: ~ 800 g

Notes: Exciting home studio interface from one of the leading names in high-end studio tech. 2-in, 2-out design with high quality pre-amps and a 'Legacy 4K' option to add analogue flavour. Full review coming soon.

*** New Loopback feature - May 2023 ***

Loopback allows you to take the output audio stream from your SSL 2 or SSL 2+ and record it back into the DAW (or another application). This can be really useful for music makers, podcasters and streamers.

To take advantage of the new loopback feature of the SSL 2/2+ you will need to update your SSL2/2+ using the SSL USB Audio Firmware updater.

Supplier's notes:
Solid State Logic studio tools have been at the heart of music production for over 40 years, helping world famous artists, producers and studios to create so many of the records you've come to know and love. Now, with SSL 2+, you get all that hit-making know-how in your own personal studio.

With beautifully SSL-designed analogue microphone preamps and immaculate 24/192kHz conversion for studio-quality recording, pristine monitoring paths and high-performance headphone amps for crystal-clear playback and an intuitive front-panel low-latency monitor mix control, you're always ready to capture the next great performance.

The 'Legacy 4K' mode - inspired by classic SSL consoles, gives you the ability to add extra analogue character and sparkle to your sources when needed.

To top it all off, the included 'SSL Production Pack' software bundle, which includes some of SSL's own studio-grade Native plug-ins and a carefully selected range of DAWs, samples, loops and virtual instruments from industry leaders, gives you an incredible arsenal of tools for creating your next hit.

2X Class-Leading Mic Preamps (130.5dB EIN / 62dB of Gain)
Pro-Studio Quality Neutrik Connectors and Alps pots
2X High Current Headphone Amp with independent monitor mix
24-bit / 192 kHz AKM Converters
Legacy 4K Analogue Enhancement - Inspired by SSL4000 series console
MIDI I/O
Additional un-balanced Outputs for DJ Mixers
SSL Production Pack - Exclusive software bundle
Advanced Workflow Technology utilised in ergonomics, layout and metering

Notes: SSL Recording Pack

Condenser mic, shock mount, studio headphones and XLR cable

Step Up Your Recording Game

Introducing the SSL Recording Pack from Solid State Logic, the all-in-one solution to capture your ideas and record great music. Available in a bundle with an SSL 2 interface, the SSL Recording Pack includes a condenser microphone with shock mount and thread adapter, closed-back studio headphones and an XLR microphone cable, bringing you everything you need to record with your SSL 2 interface.

Recording Made Easier

SSL Recording Pack includes everything you need to start recording now. Just plug your SSL microphone and headphones to your SSL 2 interface and start turning your ideas into records.

SMC 80 Studio Microphone

Capture every detail and nuance of your vocals, guitars and acoustic instruments with the SMC 80 studio condenser microphone.

SHP 20 Headphones

Listen with clarity and detail. Hear every step of your recording and production process with SHP 20.

Included with SSL 2 Interface

Bring Your Productions To The Next Level

The SSL 2 Interface include the acclaimed SSL Production Pack, featuring a selection of must-have virtual instruments, plug-ins, samples and DAW, to let your creativity shine and bring your productions to life.

What's in the Kit

SSL 2
SSL headphones (including 1/4" jack adapter)
SSL condenser microphone, shock mount and thread adapter (5/8" outer and 3/8" inner) for microphone stands
2.5 M XLR microphone cable

Specifications

SHP-20 Headphones
Operating Principle: Closed
Fashion: Supra-aural Transducer Type Dynamic
Loudhailer: 50mm
Impedance: 32 O
Sensitivity: 98 +/-3dB
Frequency Response: 15Hz-25kHz
Max. Power: 1200mW
Rating Power: 300mW
Cable: About 3m (straight)
Plug: 3.5mm + 6.3mm

SMC-80 Microphone
Element: 25mm condenser capsule
Polar Pattern: Cardioid
Frequency Response: 20Hz-20kHz
Sensitivity: -36dB+/-2dB (0dB=1V/Pa at 1kHz)
Output Impedance: 200+/-30% (at 1kHz)
Load Impedance: >1000 O
Self-Noise: 16dB A
Max. Input SPL: 136dB (at 1kHz<1% T.H.D)
S/N Ratio: 78dB
Phantom Power Requirement: 48V DC Phantom Power
Weight: ~340g
Dimensions:55x38x165mm

Notes: The Triple Waveshaper (TWS) is a non-linear modifier which can transform a sawtooth wave into a sine wave. This classic module incorporates three independent waveshapers for modifying synthesizer waveforms or for processing signals from preamplified instruments. Although originally designed as a waveshaper for early Serge oscillators, this module has been found to be a excellent modifier of electronic and acoustic sounds, and is highly recommended for subtle timbral modifications beyond the range of simple oscillator/filter patches.

The R*S version extends the classic TWS concept:

+1: An additional (4th) waveshaper has been added (right after the first / bottom waveshaper) that can be dialed in smoothly using the +1 knob. Turned down (CCW) the bottom section acts as in the original (as if that additional waveshaper would not exist). Turned up (CW) the bottom section is actually 2 waveshapers in series.

Switches to link the 3 sections - bottom to top. Using these switches all sections can be set to act in series, starting at the bottom and ending at the top, providing the combined effect of 3 to 4 waveshapers (or anything in between) using the +1 knob.

Linking only the middle and top section and turning the +1 knob up (to have 2 sections in the bottom) allows you to use the module for isntance as two independent 2-stage waveshapers (using bottom in and out for one and middle in and top out for the other) - e.g. for stereo processing.

Notes: Designed with mixing and mastering in mind, Sennheiser's HD400 Pros are a competitively priced pair of open-backed headphones with excellent clarity and fatigueless sound.

Supplier's Notes:
It's all in the mix.

When working at home or in the studio, you need your mix to sound as it does when your listeners hear it. The HD 400 PRO reference headphones are your everyday tool to get the job done. Its open-back design provides a natural and accurate listening experience for fine tuning your signature sound. The core of the HD 400 PRO is the 120 ohm transducer developed by Sennheiser engineers, featuring a specialized polymer blend in its diaphragm. The drive magnet offers high power while its damping system manages ventilation - this combination yields deeper bass while mitigating the distortion that otherwise impacts clarity - a difference our professional users will appreciate. This makes the HD 400 PRO a precise monitoring tool which reveals your mix in every detail. Velour earpads and a distinct lightweight design provide the comfort you need during long sessions. The robust housing endures everyday wear and tear regardless of your application, whether editing, mixing or mastering. A single-sided and coiled cable gives you the freedom to operate. For convenience, a straight cable is also included in the delivery. In addition, open ear cups and angled transducers allow for a wide and transparent soundstage, recreating the optimal listening position found in high-end recording studios. Artifacts of a confined space are a thing of the past. The HD 400 PRO is a true reliable companion for those who put quality and precision above all else.

Specifications:

Acoustic principle dynamic, open
Ear coupling circumoral
Ear pad material Velour
Jack plug 3.5 mm jack plug with 6.3 mm adapter
Impedance: 120 O
Frequency response: 6 Hz to 38 kHz (-10 dB)
Sound pressure level: (SPL) 110 dB (1 kHz / 1 V RMS)
THD (total harmonic distortion): < 0.05 % (1 kHz / 90 dB SPL)
Weight (w/o cable): 240 g
Temperature
Operation:
Storage:
-15 -C to +55 -C (5 -F to 131 -F)
-55 -C to +70 -C (-67 -F to 158 -F)
Relative humidity = 90 %

Included in the box:

HD 400 PRO Studio Reference Headphone
3 m coiled cable with 3.5 mm jack plug
3.5 mm jack plug to 6.3 mm adapter
1.8 m straight cable
Quick Guide
Safety Guide

Notes: The S-Com 4 is a compact and versatile single-rack space device that provides four channels of high-quality dynamic processing with an Expander/Gate and Compressor/Limiter on each channel.

The four channels operate independently or in stereo pairs. Its multi-segment LED metering displays input/output level as well as gain reduction. The Expander/Gate section features a continuously variable Threshold control, as well as a switch for fast or slow release times. The Compressor/Limiter section includes variable Threshold, Ratio and Output levels. S-Com 4's Enhancer switch restores high frequencies that are sometimes diminished by heavy compression.

This wide-ranging combination of features makes the S-Com 4 an efficient and versatile audio tool for a wide variety of applications. Its clean and quiet audio characteristics make it ideal where high sonic integrity is imperative.

Notes: An expander module for Rossum's powerhouse Assimil8or sampler module, the Locutus provides MIDI in, out and thru connections over 5-pin DIN sockets, letting you take full control of the module alongside other MIDI gear.

Supplier's notes:
Locutus is designed to interface Assimil8or with MIDI instruments, controllers, and sequencers to provide multichannel modulation and new polyphonic possibilities.

Locutus includes a special cable to connect to the Assimil8or CPU behind the panel.

Locutus is 6 HP wide and 25mm deep.

More pricing and availability information is coming soon.

Locutus is on display in the MIDI Association booth #9901 at NAMM 2023 where Locutus and Assimil8or will be performing with a Rossum SP-1200 Reissue, an Oberheim OB-X8, and other new and vintage MIDI-equipped instruments.

MIDI Association booth #9901 is dedicated to the MIDI@40 Lifetime Achievement Award winners, including Rossum Electro-Music co-founder Dave Rossum.

From the MIDI Association: "At Saturday's anniversary celebration, lifetime achievement awards will be presented to (or posthumously honour) legendary music industry innovators who created the modern music production environment of synths, drum machines, and sequencers, including Bob Moog, Don Buchla, Ikutaro Kakehashi, Tsutomu Katoh, Roger Linn, Tom Oberheim, Alan Pearlman, Dave Rossum, and Dave Smith."

Notes: LOCUTUS is designed to interface Assimil8or with MIDI instruments, controllers, and sequencers to provide multichannel modulation and new polyphonic possibilities.

LOCUTUS includes a special attached cable to connect to the Assimil8or CPU behind the panel.

LOCUTUS is 6 HP wide and 25mm deep.

MIDI sources connected to LOCUTUS’ MIDI IN port can be used to modulate Assimil8or parameters using velocity, channel pressure, and MIDI CC (Continuous Controller) messages, select presets using MIDI Program Change (PC) messages, and/or optionally trigger Assimil8or channels with MIDI notes using user-selectable assignment modes. MIDI Setups can be configured with assignment modes including Dynamic, which intelligently cycles through Assimil8or’s channels to easily create polyphonic patches, Multi assignment modes ideal for playing multitimbral Assimil8or patches with MIDI sequencers, SP-1200 modes designed especially for triggering Assimil8or with SP-1200’s MIDI output, and more.

Locutus’ MIDI OUT port can be used to optionally transmit program messages when presets are changed and/or to send MIDI CC data based on the analog control voltages patched to Assimil8or’s 24 CV inputs. Using the new CV-to-MIDI options, Assimil8or and Locutus can be configured to control and modulate MIDI equipment using a eurorack modular system.

Notes: The NT5 matched pairs are a masterpiece of small-diaphragm cardioid-condenser microphone design.

Intended for recording acoustic instruments, drum overheads, cymbals and live performances, the compact externally polarized mic employs a 1/2" capsule, an active J-FET impedance converter with bipolar output buffer.

Finished in durable satin nickel, the NT5 is intended for either single or stereo X/Y mic set-ups. The NT5 matched pairs comes supplied in a custom carry case with windshields and mounts.

NT5 - Matched Pair Box Contains :

As of 2022, the updated packaging is made from engineered cardboard instead of foam or plastic blister, making it more environmentally friendly, and they all share a unified look to further enhance brand consistency.

RODE have also made a change to the box contents removing the hard cases and including a zip case instead. This has meant that the new dimensions of the packaging are significantly smaller than the original packaging.

2 x NT5
2 x RM5 (mic clip)
2 x WS5 (windshield)
1 x ZP1 (zip pouch)

Notes: The latest and greatest version of one of the most popular microphones around. XLR and USB connections both offer warm sound suitable for vocals, instruments and podcasting.

Supplier's Notes:
The NT1 5th Generation is a revolutionary studio condenser microphone that fuses the classic sound signature of the iconic NT1 with cutting-edge, next-generation technology. It features RODE's groundbreaking (patent-pending) Dual Connect output, offering both XLR and USB connectivity for incredible versatility, a world-first "unclippable" 32-bit float digital output, advanced digital signal processing, and more, all while delivering the same warm, silky character, extremely low noise, and high SPL handling that the NT1 is renowned for. The NT1 5th Generation is a true studio workhorse that excels on everything from vocals and speech, to guitar, piano, drums and percussion - the ultimate studio microphone.

The Iconic Original Studio Microphone, Reborn

The NT1 5th Generation is the latest evolution of the iconic NT1. First introduced in 1991, the NT1 is the world's most popular studio microphone, renowned for its warm, classic sound and incredible versatility. The NT1 5th Generation takes the much-loved and respected core of the NT1 and introduces state-of-the-art features while preserving the legendary sound quality that made the original the go-to microphone for countless creators. A perfect marriage of tradition and innovation.

Game-changing Connectivity

Featuring RODE's groundbreaking, patent-pending Dual Connect output, the NT1 5th Generation can either be connected to an audio interface or mixer via XLR or directly to a computer via USB for studio-grade, plug-and-play recording. Unprecedented flexibility for any studio setup.

Classic Sound on the Cutting-edge

The NT1 5th Generation delivers the same warm, silky character, extremely low noise, and high SPL handling capability that the original is revered for, with improved circuitry for even lower self-noise - an astonishingly low 4dBA, making it the world's quietest studio condenser microphone. When using the XLR output, it delivers the rich, classic studio condenser sound you know and love from the NT1. When using the digital output, you get this same sound plus a slew of cutting-edge features to further enhance your audio for recording pro studio sound directly into your computer.

The Digital Studio of the Future

The NT1 5th Generation features a professional-grade audio interface built into the microphone, which is perfectly optimised to preserve its pristine audio fidelity and also offers a range of highly innovative features for enhanced sound, including the ultra-low-noise, high-gain Revolution Preamp™, high-resolution (192kHz) A/D conversion and advanced digital signal processing. This is so much more than just a studio condenser microphone, it's an all-in-one digital recording solution.

The "Unclippable" Microphone

The NT1 5th Generation features a world-first 32-bit float digital output - a revolutionary recording format that allows you to record everything from a whisper to a scream, the softest guitar to the loudest drummer without having to worry about setting your gain - simply adjust your audio after recording and all the dynamics of your performance will be maintained, with zero risk of clipping or distortion. Gamechanger.

Versatility Like No Other

With its smooth frequency response, extremely low noise, high SPL handling, flexible connectivity options and powerful digital capabilities, the NT1 5th Generation offers versatility like no other studio mic. It excels in any recording application, from vocals and speech to guitars, drums to piano, and can fit into any workflow, from a solo bedroom recording setup to a professional studio.

Craft Your Sound

Craft your sound with advanced APHEXr audio processing, driven by the NT1 5th Generation's powerful on-board DSP. Add compression, a high-pass filter, noise gate, and the legendary APHEXr Aural Exciter™ and Big Bottom™ to your audio with ease using the free RODE Connect and RODE Central companion apps. Dial in the perfect sound with the touch of a button using the intuitive VoxLab™ editor or fine-tune each processor using the advanced editor.

Premium Components, Built to Last

Made from premium components, the NT1 5th Generation is built to the highest standard in RODE's state-of-the-art manufacturing facilities in Sydney, Australia. The HF6 capsule is precision manufactured to sub-micron tolerances to ensure the utmost consistency in tonality and frequency response and is internally shock-mounted for minimising external vibrations. The body is machined from rugged aluminium and is available in black or silver, with high-grade finishes that are extremely resistant to scuffs and scratches, ensuring the NT1 5th Generation is ready to take on the rigours of recording day in, day out.

Everything You Need to Start Recording

The NT1 5th Generation comes with everything you need to start recording in the box, including XLR and USB cables, and a studio-grade shock mount and pop filter for minimising unwanted artifacts in your recording caused by plosives, knocks and bumps.

Unlock More Creative Potential with the RODE App Suite

The NT1 5th Generation is compatible with a range of free RODE apps, including the RODE Central companion app, RODE Connect podcasting app and UNIFY streaming app, all of which allow you to configure settings, access the advanced DSP, update firmware and more.

Specifications

Acoustic & Electrical Specifications

Acoustic Principle: Pressure gradient
Active Electronics: JFET impedance converter with bipolar output buffer
Capsule: 1.00"
Polar Pattern: Cardioid
Address Type: Side
Frequency Range: 20Hz - 20kHz
Output Impedance: 100O
Maximum SPL: 142 dB SPL
Equivalent Noise (A-weighted): 4dBA
Sensitivity: -32 dB re 1 Volt/Pascal (25 mV @ 94 dB SPL) +/- 2 dB @ 1 kHz
Analogue Power Requirements: Via XLR: P48
Analogue Output Connection: 3-pin XLR

Digital Specifications

Digital Power Requirements: Via USB: 5V
Digital Output Connection: USB-C
Bit Depth: 24-bit / 32-bit floating point
Sampling Rate (kHz): 48 / 96 / 192
Processing: APHEX digital signal processing (only available at 48kHz / 24-bit)
Minimum OS Requirements: Windows 10 Mac OS 10.15

Mechanical Specifications

Weight (grams): 308

Dimensions (millimetres):
Length: 52
Width: 52
Height: 189

Box Contains

1 x NT1 5th Generation
1 x SC29
1 x XLR-6
1 x SM6

Notes: ***B-STOCK: Box opened, product in perfect working order***


The latest and greatest version of one of the most popular microphones around. XLR and USB connections both offer warm sound suitable for vocals, instruments and podcasting.

Supplier's Notes:
The NT1 5th Generation is a revolutionary studio condenser microphone that fuses the classic sound signature of the iconic NT1 with cutting-edge, next-generation technology. It features RODE's groundbreaking (patent-pending) Dual Connect output, offering both XLR and USB connectivity for incredible versatility, a world-first "unclippable" 32-bit float digital output, advanced digital signal processing, and more, all while delivering the same warm, silky character, extremely low noise, and high SPL handling that the NT1 is renowned for. The NT1 5th Generation is a true studio workhorse that excels on everything from vocals and speech, to guitar, piano, drums and percussion - the ultimate studio microphone.

The Iconic Original Studio Microphone, Reborn

The NT1 5th Generation is the latest evolution of the iconic NT1. First introduced in 1991, the NT1 is the world's most popular studio microphone, renowned for its warm, classic sound and incredible versatility. The NT1 5th Generation takes the much-loved and respected core of the NT1 and introduces state-of-the-art features while preserving the legendary sound quality that made the original the go-to microphone for countless creators. A perfect marriage of tradition and innovation.

Game-changing Connectivity

Featuring RODE's groundbreaking, patent-pending Dual Connect output, the NT1 5th Generation can either be connected to an audio interface or mixer via XLR or directly to a computer via USB for studio-grade, plug-and-play recording. Unprecedented flexibility for any studio setup.

Classic Sound on the Cutting-edge

The NT1 5th Generation delivers the same warm, silky character, extremely low noise, and high SPL handling capability that the original is revered for, with improved circuitry for even lower self-noise - an astonishingly low 4dBA, making it the world's quietest studio condenser microphone. When using the XLR output, it delivers the rich, classic studio condenser sound you know and love from the NT1. When using the digital output, you get this same sound plus a slew of cutting-edge features to further enhance your audio for recording pro studio sound directly into your computer.

The Digital Studio of the Future

The NT1 5th Generation features a professional-grade audio interface built into the microphone, which is perfectly optimised to preserve its pristine audio fidelity and also offers a range of highly innovative features for enhanced sound, including the ultra-low-noise, high-gain Revolution Preamp™, high-resolution (192kHz) A/D conversion and advanced digital signal processing. This is so much more than just a studio condenser microphone, it's an all-in-one digital recording solution.

The "Unclippable" Microphone

The NT1 5th Generation features a world-first 32-bit float digital output - a revolutionary recording format that allows you to record everything from a whisper to a scream, the softest guitar to the loudest drummer without having to worry about setting your gain - simply adjust your audio after recording and all the dynamics of your performance will be maintained, with zero risk of clipping or distortion. Gamechanger.

Versatility Like No Other

With its smooth frequency response, extremely low noise, high SPL handling, flexible connectivity options and powerful digital capabilities, the NT1 5th Generation offers versatility like no other studio mic. It excels in any recording application, from vocals and speech to guitars, drums to piano, and can fit into any workflow, from a solo bedroom recording setup to a professional studio.

Craft Your Sound

Craft your sound with advanced APHEXr audio processing, driven by the NT1 5th Generation's powerful on-board DSP. Add compression, a high-pass filter, noise gate, and the legendary APHEXr Aural Exciter™ and Big Bottom™ to your audio with ease using the free RODE Connect and RODE Central companion apps. Dial in the perfect sound with the touch of a button using the intuitive VoxLab™ editor or fine-tune each processor using the advanced editor.

Premium Components, Built to Last

Made from premium components, the NT1 5th Generation is built to the highest standard in RODE's state-of-the-art manufacturing facilities in Sydney, Australia. The HF6 capsule is precision manufactured to sub-micron tolerances to ensure the utmost consistency in tonality and frequency response and is internally shock-mounted for minimising external vibrations. The body is machined from rugged aluminium and is available in black or silver, with high-grade finishes that are extremely resistant to scuffs and scratches, ensuring the NT1 5th Generation is ready to take on the rigours of recording day in, day out.

Everything You Need to Start Recording

The NT1 5th Generation comes with everything you need to start recording in the box, including XLR and USB cables, and a studio-grade shock mount and pop filter for minimising unwanted artifacts in your recording caused by plosives, knocks and bumps.

Unlock More Creative Potential with the RODE App Suite

The NT1 5th Generation is compatible with a range of free RODE apps, including the RODE Central companion app, RODE Connect podcasting app and UNIFY streaming app, all of which allow you to configure settings, access the advanced DSP, update firmware and more.

Specifications

Acoustic & Electrical Specifications

Acoustic Principle: Pressure gradient
Active Electronics: JFET impedance converter with bipolar output buffer
Capsule: 1.00"
Polar Pattern: Cardioid
Address Type: Side
Frequency Range: 20Hz - 20kHz
Output Impedance: 100O
Maximum SPL: 142 dB SPL
Equivalent Noise (A-weighted): 4dBA
Sensitivity: -32 dB re 1 Volt/Pascal (25 mV @ 94 dB SPL) +/- 2 dB @ 1 kHz
Analogue Power Requirements: Via XLR: P48
Analogue Output Connection: 3-pin XLR

Digital Specifications

Digital Power Requirements: Via USB: 5V
Digital Output Connection: USB-C
Bit Depth: 24-bit / 32-bit floating point
Sampling Rate (kHz): 48 / 96 / 192
Processing: APHEX digital signal processing (only available at 48kHz / 24-bit)
Minimum OS Requirements: Windows 10 Mac OS 10.15

Mechanical Specifications

Weight (grams): 308

Dimensions (millimetres):
Length: 52
Width: 52
Height: 189

Box Contains

1 x NT1 5th Generation
1 x SC29
1 x XLR-6
1 x SM6

Notes: The Interview PRO is a broadcast-quality handheld wireless microphone that's ideal for capturing professional audio in a wide range of content creation, media and broadcast applications. It pairs seamlessly with all RODE Series IV wireless receivers, utilising state-of-the-art 2.4GHz digital transmission to deliver incredibly stable audio with a range of up to 200m (line of sight). Featuring a high-quality omnidirectional condenser capsule, 32-bit float on-board recording, and intelligent GainAssist technology, it delivers professional results in any recording scenario.

The Interview PRO can be used as a standalone field recorder, but for wireless operation, a RODE Series IV receiver or compatible product is required.

Pristine Wireless Audio in Your Hands

Combining the ultimate flexibility of RODE's cutting-edge wireless technology with the pristine audio quality of a broadcast-grade condenser microphone, the Interview PRO is a compact, versatile and professional solution for capturing your voice in a wide range of applications, from interviews and media to small presentations and content creation.

The Perfect Mic for Your RODE Wireless System

The Interview PRO is compatible with all RODE Series IV wireless receivers. This includes the ultra-versatile Wireless PRO, Wireless ME and Wireless GO II compact wireless systems for recording broadcast-quality audio into your camera, smartphone, or even a computer. It can also be paired directly to the RODECaster Pro II and Duo, just like an XLR microphone - perfect for podcasts and small presentations where you need the freedom of wireless.

The Leaders in Wireless Audio Solutions

The Interview PRO utilises RODE's state-of-the-art Series IV 2.4GHz digital transmission with 128-bit encryption to deliver incredibly stable wireless audio with a range of up to 200m, line of sight, and is optimised for extremely stable close range operation. It pairs in seconds with minimal setup required, so you can get creating right away.

Perfect Sound, Every Time

Designed to be as easy to use as possible, the Interview PRO features RODE's intelligent GainAssist technology, which automatically controls your audio level on-the-fly to make sure it doesn't clip or distort. With two different modes available, GainAssist will ensure your audio is perfect every time.

Broadcast-grade Voice Capture

The Interview PRO's broadcast-grade condenser capsule delivers rich, detailed voice reproduction and its omnidirectional polar pattern makes it very forgiving when it comes to mic placement - the perfect combination for street interviews, presenting and more. Featuring an internal pop filter, an included windshield, and internally shock mounting around the capsule, the Interview PRO is primed to protect against plosives, wind noise and handling noise, keeping your audio pristine.

Present, Interview, Create

Whether you're presenting in the field, conducting street interviews, hosting a casual podcast or creating content on the move, the Interview PRO's unique set of features make it an ultra-versatile and high-quality solution for capturing your voice.

Never Lose a Recording

With over 40 hours of 32-bit float on-board recording, you have the ability to recover any recording in post-production that was too loud or too quiet, so you can always be sure that your interview, presentation or performance has been captured safely. You can even record without the Interview PRO connected to a receiver, making it an ideal portable field recorder.

RODE Central

RODE Central is an easy-to-use desktop and mobile companion app that allows you to configure your Interview PRO anywhere, access and export your on-board recordings (desktop only), and update your firmware. Download it for free to unlock the full potential of your Interview PRO.

Note: OS Requirements - MacOS 10.15 or later; Windows 10 Version 1803 or later; iOS 14 or later; Android 9.0 or later.

Specifications

Capsule: Electret Condenser
Acoustic Principle: Pre-polarised pressure transducer
Polar Pattern: Omnidirectional
Frequency Range: 20Hz - 20kHz
Signal-to-Noise Ratio: 74dB
Dynamic Range: 102dB (as per IEC651)
Maximum SPL: 122dB SPL
Wireless Connectivity: RODE Series IV Wireless 2.4GHz
Transmission Range: Up to 200m (line of sight)
Computer Connectivity: USB-C (USB SuperSpeed 5Gbps)
Power Requirements: In-built lithium-ion rechargable
(charged via USB)
Recording Capacity: 32GB (over 40 hours of recording)
Operating Time: Up to 25 hours
Bit Depth: 32-bit
Sample Rate: 48 kHz

Minimum OS Requirements: macOS 11
Windows 10: iOS 14, Android 11

Compatible RODE Software: RODE Central, RODE Connect, UNIFY, RODE Reporter, RODE Capture, RODE Central Mobile

Mechanical specifications

Colour: Black
Weight (grams): 250
Dimensions (millimetres):
Length: 258
Width: 47
Height: 47

What's in the Box

1 x Interview PRO
1 x RM3
1 x SC34
1 x Windshield
1 x ZP2

Notes: Altar is a 3-pole state variable discrete filter.

Its discrete core is a brand new design made of modern discrete transistors. The filter can morph continuously from Bandpass to Lowpass to Highpass via CV.

By changing the input gain the character of the filter can go from very clean and vocal to a more distorted acidic sound.

Technical details

Eurorack 3U module
12HP wide
33.5mm deep (including connector)
Max power consumption: +12V: 37mA | -12V: 32mA | +5V: 0mA

2 inputs, In I with variable gain, In II with fixed gain
1 output, state variable with the Color setting
Voltage controlled Resonance
Voltage controlled Colour

Notes: No compromise on safety and security

When it comes to transporting your valuable equipment, there can be no compromise on safety and security. The Reloop Premium Large Controller Case is the ideal choice for DJs who need a reliable and secure case that can accommodate larger controllers such as the Reloop Mixon 4 /Mixon 8 Pro, Roland DJ-8008, Pioneer DJ DDJ-SX3 / DDJ-800, Denon DJ MC7000.

Built to last

Crafted from durable wood and aluminium with a scratch-resistant black hexagon texture, these cases are built to last. They also feature butterfly locks and angular blind cuts to keep your gear safe and secure during transport. Additionally, the case includes a laptop tray with fasteners and a spring-loaded and recessed carrying handle for easy and comfortable transportation.

Fits large controllers

The Reloop Premium Large Controller Case provides DJs a durable and secure solution for transporting larger controllers, ensuring the safety and protection of valuable equipment.

Premium large controller case

Rugged case for common, larger DJ controllers
Integrated laptop tray with fasteners
Two recessed, spring-loaded transport handles & removable blinds for cables

Technical data

Colour: Black
Internal dimensions: 657(W) x 376(D) x 89(H) mm
External dimensions: 751(W) x 474(D) x 198(H) mm
Weight: 11.3 kg

Notes: Reloop's compact Serato controller gives you two decks, compact jog wheels and performance pads in a portable format. Built-in sound card and included Serato DJ Lite software to help you get started instantly.

Supplier's Notes:
Small Size, Huge Possibilities

As lightweight as it is powerful, as compact as it is versatile - the Reloop Ready balances first-rate functionality in a practical design for DJs to perform at their highest level whilst maximizing portability and minimizing space. Its impressive feature set includes dedicated controls for track navigation, loops, effects, filters, EQs, master volume, cue section, key lock, sync, key sync, slip mode, censor, jump to the beginning of the track, and user mode.

Up to 9 Performance Modes with NEW Scratch Bank Support

The highly responsive jog wheels can be used for pitch bending, scratching, and fast searching within a track and the 16 large RGB pads give access to 9 different pad modes: Hot Cue, Auto Loop, Manual Loop, Sampler, Pitch Play, Scratch Bank, Loop Roll, and Beat Grid. With so much functionality packed into such a streamlined controller, the Reloop Ready punches way above its weight class as the premier solution for the home, mobile, and travelling DJs.

Plug-and-Play at Home or Away

With the specific needs of today's DJs in mind, the Reloop Ready was conceived by our world-class artists and developed in close partnership with industry leaders Serato for the smoothest connection and software integration possible - straight out of the box. Whether you're a hobby DJ, advanced DJ or a touring professional, the Reloop Ready provides a one-stop solution, giving DJs all the tools they need to perform - and even preparing incredible performances anytime, anywhere.

Stream Millions of Tracks

Furthermore, Serato's integration with streaming services such as Tidal, Soundcloud Go+, Beatport/Beatsource Streaming gives you access to millions of tracks for instant mixing, cutting and scratching.

Compact Convenience

Not only is the Reloop Ready fully USB bus-powered, it also boasts a full headphones cue section and 3.5mm jack, together with an RCA out port for direct connection to active speakers and sound systems. And for those who are conscious of saving space and even working on DJ sets while travelling, the Reloop Ready's innovative and sturdy design allows the unit to sit comfortably above your laptop keyboard while in use, keeping the overall footprint of your setup to a satisfying minimum.

Additional Connections & Cross Platform Support

For even more versatility, the Reloop Ready is also compatible with Algoriddim's djay Pro apps on iOS and iPadOS and can control smartphones, tablets or computers. Furthermore, when in iOS mode the Reloop Ready can be powered by both, a regular USB power supply or a power bank. So there are many options to make sure you never miss a beat.

HIGHLIGHTS:

High-performance compact controller for Serato
Full feature set: 16 large RGB pads, 9 performance modes incl. new Scratch Bank feature1, 2 FX units
Ideal as a home DJ solution and as a professional portable preparation device

Incl. USB cable, RCA cable, and instruction manual

Weight: 1,14 kg
Dimensions: 325mm (w) x 220mm (d) x 48mm (h)

Some modes require a paid Serato DJ Pro version or Pitch'N'Time Expansion pack

Notes: A bit of a bargain in the turntable world. Reloop's budget model punches way above its weight, offering features, sound and build quality found on much more expensive models.

Supplier's notes:
The RP-2000 MK2 is a dependable turntable for prospective DJs. The MK2 version features several improvements, including a newly developed top panel construction and improved metallic buttons with enhanced feel.

Quality direct drive motor and precision-engineered die-cast platter:

Compared to belt-driven turntables, the RP-2000 MK2 transfers its motor force directly to the drive hub - this way a higher torque generates power faster on the precision-engineered platter with minimal wow and flutter. The adjustable pitch control with a range of +/- 8% is suitable for the finest pitch adjustments.

Statically balanced S-shaped tone arm:

The RP-2000 MK2 features a statically balanced s-shaped tone arm with hydraulic lift and anti-skating mechanism. Thanks to the universal SME connection, a large number of pick-up cartridges can be connected.

Newly developed top panel and sturdy housing design:

The new deep-black metallic top panel is equipped with metallic buttons for start/stop and speed settings. The improved touch upon hit offers a clear haptic feedback. With the push of a button the aluminium target light can be extended, so that the needle position can be seen in dark surroundings. The sturdy construction with optimized damping features and shock-absorbing feet improve isolation from unwanted vibrations.

With pick-up and headshell:

The RP-2000 MK2 comes with the high-quality OM Black pick-up, handmade by Ortofon in Denmark, pre-fitted to a headshell ready for immediate playback.

Notes: A solid entry-level option for beginner DJs and vinyl collectors. Impressive sound quality and solid, durable build. Includes high-quality Ortofon OM Black cartridge and headshell.

Supplier's Notes:
The RP-1000 MK2 is the ideal turntable for prospective DJs and HiFi enthusiasts. The MK2 version features several improvements, including a newly developed top panel construction and improved metallic buttons with enhanced feel.

Precision-engineered die-cast platter and belt-drive motor:

Unlike direct-drive turntables, the RP-1000 MK2 uses a belt-driven motor to de-couple the drive unit from the precision-engineered platter and chassis. The elastic, high-quality rubber belt absorbs and reduces unwanted vibrations, resulting in distortion-free playback. The adjustable pitch control with a range of +/-10 % is suitable for fine pitch adjustments.

Statically balanced s-shaped tone arm:

The RP-1000 MK2 features a statically balanced s-shaped tone arm with hydraulic lift and anti-skating mechanism. Thanks to the universal SME connection, a wide variety of pick-up cartridges can be connected.

Newly developed haptic touch and sturdy housing design:

The new deep-black top panel is equipped with metallic buttons for start/stop and speed settings. The improved touch upon hit offers a clear haptic feedback. With the push of a button the aluminium target light can be extended, so that the needle position can be seen in dark surroundings. The sturdy construction with optimized damping features and shock-absorbing feet improve isolation from unwanted vibrations.

With pick-up and headshell:

The RP-1000 MK2 comes with the high-quality OM Black pick-up, handmade by Ortofon in Denmark, pre-fitted to a headshell ready for immediate playback.

Notes: Great value turntable from one of the most innovative brands in DJ tech. Classic Technics-style design updated with nice modern features like adjustable pitch range and reverse function.

Supplier's notes:
The RP-4000 MK2 is a solid DJ turntable for advanced users. The new MK2 version comes with several improvements, including a newly developed top panel and reworked metallic buttons with enhanced feel as well as a variety of functions.

The precision-engineered die-cast platter is accelerated by a powerful motor with a high-torque direct drive of more than 1.8 kg/cm. The precise motor control with 3 speeds (33 1/3, 45 & 78 rpm) allows for the RP-4000 MK2 to play back any record. The pitch section with a selectable range of +/-8% and +/-16%, respectively, is suitable for the finest pitch adjustments.

The RP-4000 MK2 features a statically balanced s-shaped tone arm with hydraulic lift and anti-skating mechanism. Via the universal connection for pick-up systems (SME) a large number of pick-up systems can be connected.

The new deep black metallic top panel construction is equipped with metallic buttons for start/stop, platter speed, pitch control, reverse function and tempo reset. The improved touch upon hit offers a clear haptic feedback. The sturdy construction with optimized damping features and shock-absorbing feet improve isolation from unwanted vibrations.

Notes: Clever little portable deck from German DJ gear specialists Reloop. Designed for mobile scratching or crate digging. Bluetooth streaming and USB recording too. Bonus.

Supplier notes:
The ultimate portable turntable.

Reloop SPIN is a portable turntable that guarantees mobile fun anywhere you want! The turntable comes with everything you need out of the box and is especially optimized for scratching and cutting.

Bluetooth streaming of your music:

The Bluetooth Audio Streaming technology allows wireless streaming of music or beats via SPIN - this way the turntable becomes a speaker for your smartphone.

Direct USB recording:

Via the USB recording function it is possible to record your scratches and cuts in MP3 format directly to an USB stick. This interface can also be used for digitizing records.

Includes 7" scratch vinyl:

SPIN comes with a 7'' slipmat and an exclusive 7" scratch vinyl containing specially mastered scratch samples and beats for beginners and experienced scratch artists alike.

Flexible power options:

Enjoy your records on the road: SPIN is extremely portable, not only due to its shape and small form factor, but also thanks to its flexible power options. It can be used with a regular USB power supply unit (5 V, 2 A), USB power bank or rechargeable batteries. The batteries can be inserted in the compartment on the bottom and are sold separately. A power LED keeps you informed about the turntable's operational status. The dust cover protects the turntable and thanks to the handle, SPIN can be carried like a suitcase. Skip-proof rubber feet guarantee stability.

Outstanding for mobile scratching and cutting:

Via the switch on the turntable's top panel you can select between 3 speeds (33 1/3, 45 & 78 rpm) which covers all available speeds. The straight tone arm offers enhanced stability and can be fixed into position with a transportation lock. The pre-installed cartridge has excellent tracking features and holds the groove tightly, even when carrying out fast scratches.

45-mm Crossfader pre-installed:

The precise 45-mm crossfader has a unique form factor and thanks to the two-rail technology it is especially sturdy. Moreover, it is possible to install the crossfader on either side of the platter - simply select your preferred position.

Extensive controls & adjustment possibilities:

On the top panel you can find a start/stop button as well as a pitch control with a range of +/-20 % for precise setting. A tone control can be used to adapt the sound of the lows to your requirements. Volume for the AUX input and master/headphones output can be adjusted via two separate controls. There is also a 7'' adapter for records with a large centre hole.

Reloop SPIN - Connect through vinyl:

Through the combination of turntable and mixer as well as the high connectivity, SPIN is ideal for vinyl lovers as well as scratch artists and aspiring DJs.

- Inputs: AUX 3.5 mm stereo, Bluetooth audio
- Outputs: master RCA, USB (USB-A), headphones 3.5/6.3 mm stereo
- Dimensions: 370 x 95 x 260 mm
- Weight: 1.61 kg

Notes: The Bitmap is a bitcrusher with fractional bit reduction and sample rate modulation. The Bitmap 2 adds waveshaping, wavefolding, and a window comparator for extreme digital distortion. A drive control handles everything from single coil guitars to synthesizers, with +8 dBu maximum signal level and enough gain to sound like an overdriven mixer channel. Modulation and envelope control create dynamic, responsive distortion and digital artifacts.

The Bitmap 2 is tuned to provide maximum sustain without sputtering on staccato notes. Less extreme settings add layers of nonlinearities that interact in subtle ways, giving you the warmth and grit of 8- and 12-bit samplers. Sample rate reduction turns your guitar into 8-bit video game sounds or twists scales into inharmonic melodies. Sample rate modulation adds subtle motion or morphs your guitar into entirely new textures.

The Bitmap works with guitar, bass, synthesizers, drum machines, and other instruments or line level sources.

Size:3.05" x 4.75" x 2.5"
Input impedance:1 MO
Output impedance:< 1 kO
Bypass: analog buffered
Power: 9 VDC, center negative
Current: 250 mA

Notes: Dizygote is an A-side/B-side digital oscillator with a built-in envelope generator. The A-side builds harmonies with a square waveform and frequency modulation. the b-side distorts a sine waveform with phase modulation.

Inputs:

Trig - button and gate in to trigger oscillator amplitude envelopes
Switch - button and gate in for toggling between the a and b sides
Length - knob and CV in for changing the envelope length
Mod - knob and CV in for changing the phase and fm modulation amounts
Mfreq - knob and CV in for changing the phase and fm modulation frequencies
Freq - knob for setting the oscillator frequency
V/oct - voltage per octave CV for modulating the oscillator frequency

Outputs:

Out L and out R - audio output
Env - CV envelope out

Notes: Polyphony is back!

Chord v2 is a plug and play solution for bringing musical polyphony to your system. It contains four oscillator voices, a multitude of waveforms, and intelligent tuning functionality. This new version features an expanded sonic palette and feature set in half the size of the original.

It features three primary modes of operation: Chord, Free Running, and Unison. These three modes allow the oscillators to be tuned as diatonic chords, run independently of each other, or be tuned to the same internal frequency for external v/oct sequencing through independent CV inputs.

The timbral possibilities of the Chord v2 bring its polyphonic tones to life. The module ships with eight banks of waveforms encompassing traditional shapes, vocal synthesis, organ emulation, and chiptune sounds. You can also load custom wavetables using the SD card slot on the front panel.

From harmonic drones to Switched On Bach, the Chord v2 is an unparalleled addition to any Eurorack modular.

Changes from v1:

- Half the size! 14HP down from 28HP
- Eight banks of waveforms
- Full polyphonic mode
- Harmonize in minor mode
- Custom wavetable compatibility
- Expanded chord types
- Improved synthesis engine

Notes: With a smart tonearm design we were able to combine pure sound quality with an easy setup. Our Plug & Play design with pre-adjusted tracking force and anti-skating for the included Ortofon OM cartridge has saved us costs and is extremely efficient in handling for our customers.

No compromise in sound: On contraire, the lightweight and low friction aluminium tonearm is optimized for the Ortofon cartridge and will bring out its maximum potential. Also the vibration absorbing feet isolate the turntable from the surface it is place on to deliver the best sound possible. The Primary E Phono is equipped with a switchable phono/line output, so it can be run with a dedicated external phono preamp or with the integrated phono preamp connected to a line input (for example AUX, CD, Tuner, Tape, etc.). With intelligent construction and without needless features we were able to keep the price attractive, despite this product being handmade in Europe. This way we're able to offer our customers the sound quality they deserve!

Features
Built-in phono stage
Switchable phono and line output
Belt-drive with synchronous motor
Ortofon quality OM cartridge
Vibration absorbing feet
Machined special composit fibre chassis
Light-weight, high-precision aluminium tonearm
Sapphire tonearm bearing
Gold-plated contacts
Stainless steel bronze bushing
Elegant dust cover with adjustable hinges
Silicon belt with optimum damping
Handmade in Europe

In the box:

Primary E Phono with Ortofon OM cartridge
Gold-plated RCA Phono Cable
Felt mat
Dust cover
Adapter for 7" singles
Power supply
Allen key, stylus pressure gauge

Notes: The E1 from Pro-Ject Audio Systems is the first E-Line turntable, aiming to deliver a great sound experience on a limited budget, hand made in Europe. It doesn't matter if you are a beginner, returnee or experienced vinyl fan. The E1 won't disappoint you! Our Plug & Play design with pre-adjusted tracking force and anti skating by our experienced technicians in the factory provides you the best settings for your turntable. Just lean back and enjoy your favourite records. The new E1 is available in three different versions to fit everyone's needs. All three models are equipped with an 33/45 RPM electronic speed switch.

The stylish CNC-machined composite fibre plinth, available in high gloss black, high gloss white or walnut finish, is carefully manufactured to ensure there are no hollow spaces inside. The lightweight and low friction 8,6" aluminium tonearm is optimized for the high quality Ortofon OM5e cartridge and will bring out its maximum potential. The new ABS Polymer main platter is strengthened with purpose-designed ridges in order to create an ideal, anti- resonant platform for your vinyl. To protect your E1 from dust, you will also find an elegant acrylic dustcover with adjustable hinges in the box. Boasting premium materials, stylish aesthetics and a rich, lively sound, the extensive development process has ensured that there has been no compromise in the sound performance despite such an affordable price.

In the box:

E1 with Ortofon OM5e cartridge
Directly soldered RCA Phono Cable (1,23m)
Felt mat
Dust cover
Adapter for 7" singles
Power supply

Technical Specs

Speed: 33, 45
Drive Principle: Belt Drive
Speed Variance: 33: +/-0.7%; 45: +/-0.6%
Wow & Flutter: 33: +/-0.25%; 45: +/-0.23%
Platter: Strengthened ABS Polymer
Signal to noise: 65dB
Tonearm: 8.6" Aluminium Tube
Effective arm length: 8.6" (218.5mm)
Overhang: 22.0mm
Effective Tonearm Mass: 7g
Included Accessories: 15V DC / 0.8A power supply, dust cover, 7" single adapter
Power Supply: 15V 0.8a
Power Consumption: 4.5W
Dimensions (W x H x D): 420 x 112 x 330
Weight: 3.5kg net

Notes: Feature-packed interface and control surface bundled into one box, allowing you to get audio in and out of your software while also taking control via a long channel fader, transport controls and more

Supplier notes:
When you're a solo artist, you have to be more than just creative to realize your visioniyou must also be a producer and an audio engineer. The ioStation 24c audio interface and production controller provides the tools needed for all of these diverse roles in a compact, ergonomic desktop design that will fit into any home studio. Record your audio through two pristine XMAX mic preamps and high-definition 24-bit, 192 kHz analog-to-digital converters. Navigate your recordings with easy-to-use transport controls. Edit your production and automate parameters in your favorite DAW with the powerful Session Navigator and mix it all with a 100 mm touch-sensitive motorized fader. Whether you're a musician producing your latest album or just getting started with your first podcast, the ioStation 24c gives you all the tools you need to record and mix with the ease of hands-on, tactile control- all in a single device that doesn't clutter your creative space.

Audiophile-grade digital converters and transparent preamps create a superior recording and listening experience. The ioStation 24c audio interface features two of PreSonusr' acclaimed XMAX Class A analog microphone preamps that deliver incredibly high headroom, deep lows, shared smooth highs, and a rich overall sound- you'll hear every breath, transient, and detail in your recordings. High-quality converters provide 115 dB of dynamic range to capture complex musical harmonics smoothly and naturally. The result is clear, consistent audio that makes mixing easier and creating a polished sound faster.

Rather than forcing you to reinvent your mixing method, the ioStation 24 augments the way you currently mix. You will still use your faithful keyboard and mouse for things they do well, while the ioStation 24c handles what you really want to get your fingers on: your mix. This is DAW control the way you always hoped it could be!

Streamlined workflow and support for the Mackie Control and HUI protocols make it fast and easy to control Pro Tools, Logic Pro X, Cubase, Ableton Live, and more. No driver installation is necessary; just plug in your ioStation 24c and take command of your mix. Deep integration with the included PreSonus Studio Oner Artist will let you mix at lightning speed.

Seamlessly integrated with the included PreSonus Studio One Artist music production software, the ioStation 24c audio interface works with virtually all macOSr and Windowsrx recording software. Easy to learn, Studio One enables you to compose, record, and produce without getting distracted by the tools or hemmed in by track limitations. Need a new loop or sample for your latest production? Studio One lets you shop, audition, and purchase new content and upgrades without even opening your browser- you'll build the version of Studio One that's right for you. By combining a flexible single-window user interface with a modern, beat-based production workflow, Studio One's drag-and-drop approach doesn't dictate how you work or what you work on; you do.

The ioStation 24c's unique Session Navigator is your caffeine-fueled assistant engineer, providing easy access to eight mission-critical functions for maximum flexibility. Use the large encoder button and companion buttons to edit and mix with greater efficiency and speed. Scroll through your timeline using the encoder or work measure-by-measure with the arrow buttons; zoom in and out on the timeline with the encoder and make your tracks larger or smaller with the arrow buttons; navigate and drop markers; and maintain constant control of your main level. Once you start using the Session Navigator, you'll wonder how you mixed without it.

Whether you're just getting into audio production or looking to streamline your recording rig, the ioStation 24c audio interface and production controller will give you clear, clean, ultra-high-def sound with professional mixing tools in a compact, space-saving design. While it's a perfect companion for any recording software, the ioStation 24c and included Studio One Artist provide you with a complete, affordable recording solution that will make you sound great.

This suite of plug-ins adds a wealth of fresh virtual instruments and effects to Studio One. Cherry-picked from the first names in virtual instruments and effects, each plug-in brings a different flavor of practical magic to your songs. These plug-ins aren't gimmicky one-trick ponies i these are real-deal workhorses that you'll rely on for countless mixes.

Notes: Create without boundaries.

Record, produce, compose, mix, master, and perform-all from a single, intuitive application. Only Studio Oner 5 provides integrated tools that take you from initial inspiration to mastered production, from full-length album to setlist on stage. The standard for end-to-end production, Studio One is the DAW that does it all.

Drag-and-drop everything.

Studio One pioneered the often-imitated drag-and-drop workflow that continues to be a guiding principle in Presonus' design philosophy. Audioloops, virtual instruments, plug-in effects, and even presets can all be dragged into your session from Studio One's innovative Browser. Copy FX Chains from one channel to another simply by dragging-and-dropping. Convert MIDI to audio or audio to MIDI using drag-and-drop. Upload and download files to and from your PreSonus Sphere Workspaces by drag-and-drop. Ease of use is at the heart of Studio One, so your mind stays focused on your inspiration.

Perfect harmony.

The only DAW with Harmonic Editing for both audio and MIDI, Studio Oner 5 offers Chord Track, a songwriter's dream come true. Create, audition, and change chord progressions and even have older parts follow a newer, better chord structure, thanks to the inspiration Harmonic Editing can provide. With version 5.3, you can now drag chords from the Chord Track to an Instrument Track to begin composing right away. Chord notes can even be extracted directly from audio by detecting chords and then dragging the audio event to an Instrument Track.

Inspiring plug-ins.

With a complete suite of effects plug-ins, Studio Oner 5 supercharges your mixing. These plug-ins are so good we've made a few available for use in any DAW by popular demand. From State Space Modeled guitar amps to lush reverbs and polyrhythmic delays, Studio One has all the plug-ins you need to mix and produce. Studio One Professional's unique Pipeline XT plug-in lets you use boutique and vintage analogue signal processors as easily as software plug-ins. Studio One's powerful Splitter plug-in lets you run multiple plug-ins in parallel on a single channel.

Analogue mixing with digital ease.

The proprietary Mix Engine FX plug-ins provide State Space Models of classic analogue consoles that can process your mix across channels on any bus, collectively. This isn't a stereo bus plug-in, this is multi-source processing that re-creates true analogue circuit behaviour like console input-gain saturation, analogue noise, and crosstalk-all painstakingly modelled component by component from real-world hardware.

Produce without limits.

Forget laborious transposition, cutting, pasting, and moving when arranging. Audition new arrangement ideas on the fly with a simple click of your mouse. Use Scratch Pads to test arrangements. The flexible Arranger Track makes moving sections of Songs as easy as moving Parts. Powerful comping tools make assembling a perfect take simple, efficient, and fun. A robust suite of tools ranging from transient detection to multiple slicing and time-stretching features makes editing multitrack drums blazingly fast. And with groundbreaking Harmonic Editing-the most flexible implementation ever-no other program can approach the ease of arranging and songwriting that Studio One 5 delivers.

Edit audio and MIDI- fast.

Clip Gain Envelopes let you polish performances or remove glitches with adding a plug-in to your effects chain. Convert audio to MIDI and MIDI to audio with a simple drag-and-drop for blazing fast sample replacement. Replace drum sounds with samples simply by dragging the source track to an Impact XT track. The combined Arrow and Range Tools boost your audio editing efficiency by merging the most frequently used tools into one. Select, move, split, or duplicate Events; trim start and end points of Events; adjust fades; and change the overall Event level in one seamless action.

A sound as unique as you.

Inspiring virtual instruments and unique Multi Instruments let you combine instruments to create your own unique library of sounds. You'll create beats faster than ever with Impact XT, our comprehensive rhythm-production environment. Build your own sampled instrument with Sample One XT. From polyphonic analogue to monophonic subtractive synthesis, Studio One has the sounds that make you want to create. Presence XT can be expanded with Add-on packs like Deep Flight One and PreSonus Studio Grand. Aux Channels let you easily use your hardware synths, drum machines, and groove boxes as part of your productions, so dust off that TX81Z or Portastudio and put them back to work! However you create, Studio One has a tool that makes the job easy.

Notes: Excellent studio-quality sound in a compact package from this clever PreSonus design. 4.5-inch coaxial drivers deliver point source reproduction, for precise imagine and off-axis response.

Supplier's Notes:
The Eris Pro 4 reference monitors employ a single point-source coaxial design for clear and accurate sound reproduction. This design provides superior phase alignment between components and delivers a wide sweet spot, precise stereo imaging, and symmetrical dispersion patterns - unique advantages for Dolby Atmos immersive rooms as well as stereo mix environments.

The Eris Pro 4 also delivers finely detailed transient response, and stunning dynamics that create a natural and less fatiguing listening experience. A 1-inch ultra-low mass, silk-dome tweeter ensures snappy, accurate transient reproduction, while a 4.5-inch woven-composite woofer offers tight, clear bass, with plenty of punch and no flab. A ported enclosure and 80 Watts of power allows the Eris Pro 4 to reach down to 55 Hz.

Acoustic tuning controls let you configure the Eris Pro 4 for your room and three-way Acoustic Space tuning can compensate for the effects of speaker placement against a wall or in a corner.

Flexible input options let you connect almost any line-level source, from mixers to audio interfaces and more. You'll have no problem hooking your Eris speakers up to virtually anything. Lastly, provisions for wall and ceiling mounts make it easy to integrate Eris Pro 4 monitors into any stereo or multi-channel system.

Specifications

Series: Erisr
Colour: Black
Country of origin: CN

Electronics

Voltage: 220-240V UK
Wattage: 80 Watts
Input impedance: 10 kO

Performance
Peak SPL: 99 dB (@ 1 meter)

Speakers
Crossover frequency: 3.4 kHz

Hardware

Cabinet material: Vinyl-Laminated, Medium-Density Fiberboard
Audio controls: Volume High Frequency (+/-6 dB, centre 10 kHz, continuously variable) Mid Frequency (+/-6 dB, centre 1 kHz, continuously variable)
Audio switches: Acoustic Space (Flat, -2 dB, -4 dB) Low Cut (Flat, 80 Hz, 100 Hz @ -12 dB / octave)
Monitor inputs:1- Balanced XLR, 1- Balanced 14" TRS, 1- Unbalanced RCA
Power amplifier type: Class AB

Measurements

Dimensions: 8.50x7.00x5.00 IN
Shipping weight: 9.04 LB
Product depth: 8.6" (21.8 cm)
Product height: 9" (22.9 cm)
Product width: 7.5" (19 cm)

Shipping length: 5.00 IN
Shipping height: 8.50 IN
Shipping width: 7.00 IN

Accessories
Footswitch: N/A

Miscellaneous
Power cable: IEC

Protections:

RF interference
Output-current limiting
Over-temperature
Turn-on/off transient
Subsonic filter

Review: Who's Next is the Who's most popular album, and is widely hailed as one of the greatest commercial rock albums of all time. Coasting on the enduring international success it has received for just about five decades, the album's 50th Anniversary now sees to this humungous CD and Blu-Ray box set reissue, putting together an ultra high quality Blu-Ray audio version of the original album, as well as over 50 demo tracks and oddballs from around the time. There's also a deluge of recorded live shows on there.

Review: If any album is more fitting of a deluxe reissue than a lavish prog record from the 70s then let us know. This brand new anniversary edition of Pink Floyd's seminal classic Dark Side of the Moon documents the band's best era in the best possible sound quality yet. The bumper package includes a vast book, booklet, stickers, many different formats including live DVDs and a hardback tome from Thames & Hudson making it a truly definitive edition of one of rock's most landmark albums. One for the hardcore collectors out there for sure, although the power of songs like 'Money' and 'Us and Them' means it's an album still being discovered

Notes: Echolution 3 is a multi-tap stereo modulation delay offering a myriad of sound design options including reverse, jump, pong, modulation tempo sync, variable low pass filter, flexible signal routing and comprehensive MIDI control. Delay times ranging from 100ms to 5 seconds can be dialed in using the Time knob or via Tap Tempo using the left footswitch. A second delay tap can be set to the same length or a fraction of the main delay time to create rhythmic echoes. The ¾ fraction creates a dotted eight note delay, while the Golden fraction uses the sacred geometry of the Golden Ratio (.382) as the multiplier for the second tap. The multi-tap settings can be even further enhanced by the stereo ping pong effect, which causes the different delay taps to switch sides on each repeat. Store up to 4 presets, unlock hidden features with the Universal Remote footswitch, and design yet unheard delay lines. Runs on standard 9VDC.

KNOB-BY-KNOB
Time: Sets the length of the delay line. Overrides tap tempo and vice versa. Select sub-divisions with the small push button. Can activate any two sub-divisions at once.

Mix: Sets the volume level of the delay signal.

Repeats: Sets the amount of regeneration in the delay line.

Mod: Select and set the modulation Speed, Depth, and Tone. Hold push button to sync Speed to tap tempo.

Preset Select: Push to toggle through presets, press and hold to select. To save a preset after making changes, press and hold. Presets can be toggled and selected using only footswitches (see manual).

Special FX: Reverse makes the delay line go backwards. Jump makes the delay line jump up one octave. Pong (activated with a push and hold) causes echoes to alternate between the left and right channels, meant to be used in stereo.

BREAK RULES AND BUILD WORLDS
Designed to offer a streamlined user experience and a massive feature set, Echolution 3 is a worldbuilder. In a compact package, "E3" offers multi-tap delay lines, with sound design FX options ranging from the subtly cinematic to the outlandishly dramatic. I/O options include stereo output, MIDI sync, and additional footswitch features. On board presets make revisiting your favorite corners of the Echolution 3 universe simple.

HOW TO DISAPPEAR COMPLETELY
Marvin has come across Echolutions in the Pigtronix universe beforeibut never quite like this. Echolution 3 is a supermassive black hole leading to a vivid dimension stuffed with color, light, and the unexplainable, causing the voyager to lose his or herself more deeply than they knew was possible. In this dimension, the imagination tends to expand: familiar figures appear in cloud formations, meteorites can be sat on like bean bag chairs, and ropes of light can be swung on like vines.

MODEL ECHOLUTION 3

MODEL NAME: Echolution 3
SKU: E3
FUNCTION: Stereo Multi-Tap Delay
CATEGORY 1: Delay
CATEGORY 2: Modulation
EXPRESSION: TRS Remote / MIDI
BYPASS: Buffered

ELECTRONICS
VOLTAGE: 9VDC
CURRENT DRAW: 100mA
INPUT IMPEDANCE: High
OUTPUT IMPEDANCE: 1k

BODY
LENGTH (IN): 3.25
WIDTH (IN): 4.5
HEIGHT (IN): 2.2
WEIGHT (LBS): 1