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Cat: 686576 Rel: 30 Apr 18 • View all MIDI keyboards
 
Professional-grade 61 key semi-weighted MIDI keyboard & controller, with Analog Lab 2 Software
Notes: ***Limited 'Art Of Keys' Promo! Simply register your KeyLab Essential on the Arturia website. As soon as you've done this you will see MINI V and STAGE-73 V software in your account, available for download. Install it, and get set to create musical magic. Offer ends 30th September 2019***

With everything you need to express your musical ideas, take command of your studio, and perform like you've always dreamed, KeyLab Essential is an intuitive, powerful, carefully crafted controller keyboard that's easy to master.

Music is at the heart of this controller. Every aspect of KeyLab Essential has been carefully chosen to give you the best possible experience when creating and performing. From the responsive keyboard to the intelligently assigned knobs and faders, you'll feel like everything you touch turns to gold. KeyLab Essential makes navigating your track a breeze thanks to the dedicated DAW Command Center, and makes browsing your presets an exciting, inspiring experience.

KeyLab Essential helps you keep your eye on the target. Spend less time with a keyboard and mouse, and more time creating, performing, and playing.

It's easy to let your concentration drift and your inspiration slip when you spend hours on tedious tasks. KeyLab Essential is the result of careful research, with the aim of streamlining your creative process, giving you more time to express yourself through music. With the KeyLab Essential on your desk and its comprehensive set of music software loaded in your computer, the only required step to start experimenting, composing and recording is sitting in front of them.

Once you've experienced the creative workflow of KeyLab Essential, you'll wonder how you ever made music without it.

KeyLab Essential is packed with clever controls that help you make swift work of everyday tasks within your recording software. Play your track, jog forwards and back, save, toggle your metronome and loop, record, and punch in on the fly. This functionality keeps your hands on the controller and your mind in the music. As well as offering ultimate integration with Analog Lab 2, KeyLab Essential is a universal MIDI controller, compatible with any third-party instruments or software. KeyLab Essential also comes with Ableton Live Lite so you can start recording, editing, and releasing your music with one of the most popular music platforms on the planet.

Whether you're a total newcomer to the world of recording, or a seasoned pro who's set in their ways, KeyLab Essential has the potential to revolutionize your creative process.

A complete keyboard production studio, KeyLab Essential comes with some incredible software titles. Whether you want a searing-hot synth lead or an ethereal string pad, a vintage upright piano or a complex, animated soundscape, KeyLab Essential gives you everything you need to perform and record. All the ingredients of the cocktail are there and ready to be mixed according to your own style.
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 1 in stock $213.39
Cat: 693972 Rel: 05 Jul 18 • View all DJ turntables
 
Quartz-driven DJ turntable with direct drive motor
Notes: The RP-2000 MK2 is a dependable turntable for prospective DJs. The MK2 version features several improvements, including a newly developed top panel construction and improved metallic buttons with enhanced feel.

Quality direct drive motor and precision-engineered die-cast platter:

Compared to belt-driven turntables, the RP-2000 MK2 transfers its motor force directly to the drive hub - this way a higher torque generates power faster on the precision-engineered platter with minimal wow and flutter. The adjustable pitch control with a range of +/- 8% is suitable for the finest pitch adjustments.

Statically balanced S-shaped tone arm:

The RP-2000 MK2 features a statically balanced s-shaped tone arm with hydraulic lift and anti-skating mechanism. Thanks to the universal SME connection, a large number of pick-up cartridges can be connected.

Newly developed top panel and sturdy housing design:

The new deep-black metallic top panel is equipped with metallic buttons for start/stop and speed settings. The improved touch upon hit offers a clear haptic feedback. With the push of a button the aluminium target light can be extended, so that the needle position can be seen in dark surroundings. The sturdy construction with optimized damping features and shock-absorbing feet improve isolation from unwanted vibrations.

With pick-up and headshell:

The RP-2000 MK2 comes with the high-quality OM Black pick-up, handmade by Ortofon in Denmark, pre-fitted to a headshell ready for immediate playback.
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 4 in stock $224.50
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Cat: 688775 Rel: 31 Jan 19 • View all Synth modules
 
Flexible five stage function generator - 19HP
Notes: The 'Quaid Megaslope' is a five stage function generator or modulator which operates in one of 3 modes; a multistage 'CZ' or 'Juno' style complex envelope, a super flexible LFO and a step sequencer with per step programmable slew or slides.

Each mode produces a varying output voltage moving from point to point across a set number of chained together stages. Each stage features a destination level, an overall rate or time to reach its destination level and a variable slope for the output path to take. As well as direct control, every stage feature voltage control of both level and rate. There are both unipolar and bipolar voltage outputs together with triggers emitted for the end of each stage and the end of a full cycle.

The Quaid Megaslope is designed to be fun, flexible and intuitive to use.
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 2 in stock $225.55
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quote 688775
Cat: 561651 Rel: 27 Feb 15 • View all Shotgun microphones
 
Shotgun condenser microphone with internal rechargeable battery and broadcast quality sound
Notes: Building on the popularity and acceptance of the RODE NTG2, the NTG4+ features an all-new condenser capsule with low noise, high sensitivity and the convenience of on-board equalisation/level control via digital switching.

The NTG4+ is the very first microphone to feature an in-built battery that provides 150+ hours of operation with the convenience of USB charging.
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 1 in stock $226.83
Cat: 707212 Rel: 06 Dec 18 • View all Effects pedals
 
Advanced multifunction delay & looper with up to three seconds of delay time
Notes: The Grand Canyon is EHX's most advanced multifunction delay and looper pedal. It's equipped with 12 effect types plus a fully featured looper capable of recording and overdubbing the Grand Canyon's effects.

The pedal provides superior sound quality, up to three seconds of delay time, tap tempo and nine tap divide settings, stereo output, 13 presets, programmable EXP pedal settings, high quality analogue bypass with soft switching and more. The Grand Canyon's 13 modes are:

1. ECHO - pristine 24-bit digital delay with available bit crush/sample rate reduction and low/high pass filtering

2. MOD - Modulated delay, yields rich flanger, chorus, vibrato, warble and more

3. MULTI - Multi-tap delay, set the exact number of echo repeats up to 31. Includes adjustable swell or decay volume envelopes on repeats.

4. REVERSE - Reverse delay, an easy-to-use reverse delay with an intelligent pick detection algorithm for great sounding reverse echoes

5. DMM - Deluxe Memory Man, re-creates the luscious tone of EHX 's legendary bucket-brigade delay pedal

6. TAPE - Tape Delay, simulates the organic sound of an analogue tape, echo machine including tape distortion, wow and flutter

7. REVERB - Plate reverb plus echo. A reverberant echo where each repeat is followed by a wash of gorgeous plate reverb. Can also be used as a pure reverb without the delay

8. PITCH - EHX's critically acclaimed polyphonic pitch shifting plus digital delay provides pitch-shifted echoes and cascading echo repeats

9.SHIM - Shimmer generates a rich octave-shifted wash of shimmering soundscapes

10. SAMPLE/HOLD - Sample and hold, senses a note being played and produces echoes indefinitely until another note is detected

11. DRUM - Magnetic drum echo that faithfully emulates a classic Binson Echorec style delay. Features an assortment of playback head configurations that let you create musical, rhythmic, echo patterns

12. DOUBLE - Thickens up a mono signal or creates a stereo spread. Includes detune and delay time offset of the left and right outputs

13. LOOPER - Looper with up to 16 minutes of recording time. Includes unlimited overdubs, undo/redo, dedicated stop button, loop fade-out, reverse and speed adjust.
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 2 in stock $265.61
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Cat: 682321 Rel: 30 Apr 18 • View all Synth modules
 
Complex 12-stage phase shifter with separate in- and outputs for all phaser stages
Notes: Module A-101-3 is a 12-stage phase shifter with vactrols as phase shifting elements. Vactrols are known for their smooth sound behaviour. In contrast to other phaser designs, the A-101-3 is much more flexible and offering a lot of new features not available from other phasers on the market. The main difference is that the Doepfer design offers access to each of the 12 input and output stages leading to a lot of new filters that cannot be obtained in other ways. Especially the free patchable feedback loops (yes, not only one feedback loop is possible) between each of the 12 stages, the separate phase shift control for the stages 1-6 and 7-12, and the 2 polarizers intended to control the feedback loops lead to completely new filter types (a polarizer is a circuit that is able to generate positive and negative amplifications in the range -1...0...+1 with -1 = inversion, 0 = full attenuation, +1 = unchanged signal, for details concerning the polarizer function please look at the A-133 VC Polarizer or A-138c Polarizing Mixer module).

Internally, the module is made of 2 independent 6 stage phase shifters (1-6 reps. 7-12) with separate audio inputs (with attenuators), audio outputs (with mix control), and phase shift control units. The phase shift control units feature both manual and voltage-controlled phase shifting (e.g. from a LFO, ADSR, Random Voltage, Theremin CV, Foot Controller CV ...). For each sub-module a phase shift display (LED) is available. The LED shows the illumination state of the 6 vactrols of the sub-module in question as it is connected in series with the internal vactrol LEDs.

Each of the 12 phase shift states is equipped with an audio output socket and feedback input socket to obtain full flexibility to create a multitude of different filters. The audio input signal and the output signals of stage 6 resp. stage 12 are mixed with 2 manual controls to obtain effects at two audio outputs (for normal phase shifting effect this is 50% input signal and 50% phase shifted signal). The two submodules are internally connected via normalized sockets so that two 6 stage phase shifters can be obtained without external patches. Audio output of stage 6 is normalized to audio input of stage 7 and CV input 1-6 is normalized to CV input 7-12. But due to the open structure of the module even other stages than stage 6 and stage 12 can be used as outputs to generate different sounds (simply patch the desired stage output to the normalized mix input socket).
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 2 in stock $261.38
Cat: 676695 Rel: 20 Dec 18 • View all Synth modules
 
Four-channel MIDI-CV interface for playing polyphonic patches - 16HP
Notes: Module A-190-5 is a four voice Midi/USB to CV/Gate interface. For each voice a pitch control voltage (CV1, 1V/octave standard to control VCOs), a gate output (to control envelope generators) and two additional control voltages (CV2, CV3) are available. The two additional CV outputs can be controlled by Midi velocity, volume, modulation, pitch bend, after touch or free assignable Midi controllers.

- Four voice monophonic (i.e. to control four monophonic voices by four succeeding Midi channels)
- Four voice polyphonic (i.e. to control four monophonic voices by one Midi channel) with several sub-modes (e.g. rotating/non-rotating)
- Two voice polyphonic (i.e. to control two monophonic voices by one Midi channel)
- Unisono

The basic mode is selected by means of a momentary switch (probably Mode or Algor.) and is shown in the LC display. Certain parameters of each mode can be edited (e.g. the midi channel(s), the midi reference note for 0V CV, assigned controllers for CV2 and CV3). For this the momentary switch Edit/Play is used. The parameter values (e.g. midi channels) are shown in the display and can be modified by means of the momentary switches 1...4. In Play mode the LEDs of these four switches display the gate states.
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 1 in stock $267.71
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Cat: 519900 Rel: 16 Jul 14 • View all Theremins
 
Theremin with traditional heterodyning oscillator for pitch control with built-in speaker
Notes: The Theremini is a re-imagination of one of the oldest electronic musical instrument in history, and Bob Moog's first love - the theremin. Its design fuses the experience of performing with an instrument you don't actually touch, with a powerful sound engine derived from Moog's award winning synthesizer, Animoog. The Theremini guarantees immediate success to any player at any skill level, while providing new ways to experiment with music, education, and gestural control.

Assistive pitch correction allows each player to adjust the instruments level of playing difficulty. At the maximum position, the Theremini will play every note in a selected scale perfectly, making it impossible to play a wrong note. As this control is decreased, more expressive control of pitch becomes possible. When set to minimum, the Theremini will perform as a traditional theremin with analog heterodyning oscillator and absolutely no pitch assistance.

A built in tuner supplies real-time visual feedback of each note as it is played, as well as its proximity to perfection. This is useful for correcting a users playing position, or to educate younger players about pitch and scales.

The presets section allows you to select from 32 wave or wavetable-based patches, store a selected scale & root note, set and recall a specified playing range, and specify per-patch settings for the included stereo delay.

Recessed in the top of the Theremini is a compact speaker perfect for private rehearsal and quick setup anywhere. Silent rehearsal is also possible via front panel headphone jack. Simply plug in ear-buds or headphones and the built in speaker becomes silent.

For live performance and gestural control, the rear panel features two line level audio outputs, a pitch CV output with selectable range, and a mini USB jack for MIDI I/O and connectivity.
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 1 in stock $291.98
Cat: 633369 Rel: 05 Dec 16 • View all Synth modules
 
Analog signal processing module with simultaneous four & six-stage outputs - Eurorack compatible
Notes: Kamieniec is an analog signal processing module directly inspired by a range of classic phaser effect units from 1970s that helped to define entire musical genres. Most of these classic devices contained a fairly small number of phase shifting stages, but made up for that lack with tons of character! However, what was initially intended for guitars is not necessarily sufficient for synthesizers. Therefore, the intention is to preserve the classic sound as it's transported it to a new tonal space while prioritizing flexible modular usability.

Just like many of the famous OTA-based phasers of the 1970s, Kamieniec sports four tuneable stages. However, there are two additional fixed stages included so as to increase the number of notches, and ultimately offer two versions of the mixed signal (that may be used as a stereo pair) at the two outputs of the unit. While the general topology is similar to a certain very classic phaser pedal, the circuitry has been redesigned with modern components and low noise op-amps to bring down the noise floor, improve the bandwidth, and offer a wider range of tuning. The feedback control can be set extremely deep, which results in a very high resonance that is capable of self-oscillation. This produces a unique sound otherwise unreachable for typical phasers, which can vary from subtle and creamy to utterly brutal and grinding. On top of that we've included switchable feedback paths, individual stage group outputs, CV inputs, built-in LFO, and daisy chaining ability to provide a comprehensive integration with a modular synthesizer system.

Expandability:
Unlike any other phaser module, multiple Kamieniec units can be chained together to achieve a more radical response with many notches. The general idea of chaining is to pass along the phase shifted signal to subsequent units before it is mixed with the original version in the last unit of the chain. This approach has a very different effect than plain cascading (connecting multiple phaser units in series), because a long chain of allpass sections yields a dense and uniform pattern of multiple notches, exactly like in a long phaser.

- Eurorack synth compatible
- 9hp, skiff friendly
- Current draw: +40mA / -40mA
- Reverse power protection
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 2 in stock $211.84
Cat: 676902 Rel: 31 May 18 • View all Effects pedals
 
USB pedalboard controller & audio interface
Notes: iRig Stomp I/O is a brand new type of USB pedalboard controller that integrates a professional, high-resolution, MFi certified audio interface with MIDI input/output for iPhone, iPad, Mac, and PC. It comes bundled with state-of-the-art guitar, vocal processing, and recording software for flexibility and usability, both live and in the studio.

Sturdy and robust, yet easily transportable, iRig Stomp I/O features four onboard metal stomp switches plus an expression pedal with a switch, all with LED indicators. To further extend its control possibilities, you can connect up to 2 additional switches or pedals. The MIDI IN/OUT ports make it possible to seamlessly control external processors when iRig Stomp I/O is used as a stand-alone MIDI foot controller, without any device or computer connected to it.

The Neutrik 1/4" XLR combo jack accepts instruments and microphones including condenser mics with switchable 48V phantom power. The balanced stereo output connects to an external amp, mixer or PA, and a 1/4" stereo headphone output is available for silent monitoring. The input gain and volume output knobs are easily accessible on the front panel, each with its dedicated LED VU-Meter indicator, for the quick-and-easy setting of levels.

Ready to rock, ready to record:

iRig Stomp I/O boasts an elegant all-in-one design that perfectly highlights its flexibility and versatility. In a single piece of equipment, you now have everything you need to record in the studio, rehearse, or go out on stage and gig, without having to assemble a bulky and costly hardware setup.

With its high-quality 96kHz/24-bit audio interface, iRig Stomp I/O lets you easily record your guitar, bass or microphone - including studio condensers requiring 48VDC phantom power with true studio quality on iPhone/iPad, Mac and PC. The seamless integration with AmpliTube and VocaLive makes it as easy as plug-and-play to record on multiple devices using IK's powerful, state of the art, 64-bit software. iRig Stomp I/O features a Class A preamp that can rival, if not surpass, the sound quality of floor processors costing up to three times as much.

The integrated headphone output allows you to monitor the signal during tracking or when practicing, while the balanced stereo outputs can be used to send the signal to an amplifier, a mixer, a PA or powered speakers.

As a floor controller, iRig Stomp I/O features an onboard expression pedal and four foot switches, allowing you to seamlessly flip through your favourite presets for natural, hands-free performance. The two optional control inputs let you connect up to two additional external pedals/switches. To further extend your control possibilities, you can exploit its MIDI functionality to send MIDI control messages via its MIDI OUT to your external gear and processors, using iRig Stomp I/O as a MIDI interface or as a stand-alone controller (even without a device).

Ideal for guitar, bass, vocals and synths:

iRig Stomp I/O is designed to give guitarists, both electric and acoustic, bass players, vocalists, and songwriters a new way to have full control over their tone, in any situation.

Seamless software integration:

iRig Stomp I/O is designed to seamlessly integrate with AmpliTube for Mac/PC and iOS as well as with VocaLive for iOS, for full-blown performance in the studio and live.

While using AmpliTube or VocaLive with iPhone, iPad, Mac, PC and PC tablets like Microsoftr Surface, you can easily browse your tone presets, preset banks, control wah processors in real time using the integrated expression pedal, as well as quickly access useful functions like the Looper, the Tuner, and more.

With your device or stand-alone:

A unique advantage of iRig Stomp I/O is its plug-and-play ease of use. As an MFi certified audio interface, it is designed to work right out of the box with your iPhone and iPad using the included lightning cable as well as with Mac and PC via USB.

It is the only floor controller to feature a convenient device bay, where you can safely position your iOS device - charging it during use - for an immediate and clear view of the interface. Used with PC tablets like Microsoftr Surface, you can take advantage of the touchscreen interface for enhanced speed and flexibility in creating and tweaking your tones.
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 1 in stock $245.13
Goldring 1042 Cartridge & Stylus (cartridge & stylus)
Cat: 661184 Rel: 01 Nov 17 • View all Hi-fi cartridges
 
Audiophile record cartridge with Gyger-S diamond stylus
Notes: The 1042 is a record cartridge for the audiophile who demands the ultimate sonic performance from their system, together with the convenience of a user replaceable stylus. The extended groove contact of its Gyger-S diamond gives the 1042 unsurpassed resolution of the fine groove modulations, producing an exceptionally detailed, smooth and musical sound.
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 2 in stock $255.06
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quote 661184
Notes: Confundo Funkitus crossfades between two sets of four rhythms using probability. Three different probability curves can be selected to control the behaviour of the crossfader. Per-part switch mutes are included with live performance in mind.

Connect up to four rhythm outputs to each of the two sets of inputs. Connect the outputs to modules that take triggers. Drums that take triggers are perhaps the easiest.

Toggle the Curve switch to the top position. If the crossfader is fully left, then only inputs on the left will create gates. If the crossfader is positioned in the middle, the Centre light is illuminated the two rhythms are blended together: gates are generated any time either rhythm is played. If the crossfader is all the way to the right the gates generated come from the second (right-hand) set of inputs.

Between these extremes the produced rhythm is a combination of both sets of input weighted by the position of XFADE and which curve is selected.

Size: 12HP Eurorack
Depth: 1 Inch
Power: 2x5 Eurorack
Draw +12V: 50 mA
Draw -12: 5 mA
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 1 in stock $221.33
Cat: 712706 Rel: 10 Jan 19 • View all Synth modules
 
Drum modulator featuring two independent modulation/pitched noise sources
Notes: Erica Synths Modulator is an advanced modulation and pitched noise source with focus on rhythmic (but not limited to) compositions in mind. It features two identical syncable to the BPM LFOs/noise sources with selectable morphing waveshapes. LFO frequency can be manually adjustable, as well as they provide frequency divisions and multiplication in Sync mode. Each LFO has two outputs- main one and secondary one with adjustable phase, so you can create evolving modulations. Furthermore, LFOs can be linked to work at the same frequency and the first LFO has built in VCA to control output signal amplitude.
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 1 in stock $208.68
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Cat: 741570 Rel: 29 Jul 19 • View all Synth modules
 
Dynamic rhythm generator module
Notes: Integra Funkitus takes up to four input rhythms and combines and modifies them into rhythm outputs. There are three modes: two based on probability and one on generalized logic combinations.

Feed up to four rhythms from a rhythm module (such as Numeric Repetitor) into the inputs.

Connect the gate outputs to percussion modules, then turn the knobs to control how the rhythms are combined and modified.

Size: 8HP Eurorack
Depth: 1 Inch
Power: 2x5 Eurorack
Draw +12V: 50 mA
Draw -12: 5 mA
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 3 in stock $231.87
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Cat: 641967 Rel: 27 Feb 17 • View all Synth modules
 
Rhythmical gate generator based on the rhythm theory of African music
Notes: The Zularic Repetitor is a rhythmic gate generator based off the rhythmic theory of African music. A core pattern forms the basis and variation is achieved by offsetting this pattern in time relative to the base.

This module contains 16 mother rhythms from African, Indian, Latin and Funk roots. Each rhythm outputs four variations of itself simultaneously while allowing the offset of each part in time by CV and Knob. It requires only a master clock to run and also allows the pattern to be reset by an external gate.

Connect a clock to the Beat input and let's go! With the Mother potentiometer or a CV you can select one of 32 rhythmical patterns which have African, Indian, Latin American or Funk roots. With a switch you can select between rhythms from the Old or New World.

The gate pattern is available at the Mother output, variation of it at outputs Child 1, 2 and 3. Each of the variations can be offset in time with the Offset potentiometer or a CV, which can generate great rhythms. Each channel has a LED which visualizes a gate.

The Measure input allows you to reset the pattern.

Size: 8HP Eurorack
Depth: 1 Inch
Power: 2x5 Eurorack
Draw +12V: 50 mA
Draw -12: 5 mA
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 2 in stock $204.47
Cat: 712709 Rel: 10 Dec 18 • View all Synth modules
 
Distinct topology digital/analogue cymbals module - 10HP
Notes: Erica Synths Cymbals is a distinct topology digital/analogue module, where cymbal samples are passed through AS3330 based VCA and controlled via envelope generators of unique design. The module features 10 sets of custom Crash and Ride cymbal samples with Tune control and individual Decay control. Accent and CV control over Tone and Decay allow you to create lot of variations in the Cymbals track. An extra feature is sample looping - when it's on, a certain part of the sample is looped while the envelope decay is on, thus creating a distinct, delay-like effect. Cymbal samples are developed by producer and musician Nero Bellum.
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 1 in stock $201.30
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Cat: 519624 Rel: 15 Apr 14 • View all Studio monitors
 
Two-way active studio monitor with powerful 8" woofer and 1" tweeter, 120 watts total power
Notes: The Yamaha HS8 Active Studio Monitor White is an affordable two-way powered speaker designed to deliver accurate and detailed sound production for recording, mixing and production.

The Yamaha HS8 follows in the footsteps of the legendary Yamaha NS10 which, can be found in most studios all around the world, and provides a pristine sound, critical to recording studio applications. The 120W bi-amplified speaker features an 8" woofer powered by a 75W amplifier and a 1" tweeter with 45W amplification delivering an extremely flat and accurate response.

The low resonance, bass reflex enclosure improves the cabinet's rigidity, reducing cabinet resonance and delivering a clear and uncoloured sound crucial for accurate mixing.

In addition, Yamaha have implemented a new technology that helps reduce the audible port noise by 6dB ensuring a tighter restitution of the crucial low-end without sacrificing power. The Yamaha HS8 also features Room Control, High Trim and Low Trim controls reducing room modes and imperfections.
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 4 in stock $222.39
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Cat: 728569 Rel: 20 May 19 • View all Synth modules
 
synth module with professional trigger input and audio input
Notes: Feel the sizzle as you harness the energy of liquid metal. Forge your sonic desires, and rain hot fire onto the eardrums of your listeners. Cymbals, gongs, bells, and sheet metal are the territory of Crucible.

Have you ever wanted to start with the smallest cowbell, and then CV it until it becomes a gong larger than the room you're standing in? Crucible makes this possible.

By utilizing classic digital synthesis blocks like delay and digital filters, Crucible can fully synthesize, in real time, sounds similar to thin struck pieces of metal.

We expose the engine to the user through parameters specifically chosen for their sonic resemblance to the "parameters" of a real drum kit cymbal.

Size, Pitch, Tone, and Deform give the user the tools to shape their cymbal. The Excite knob allow the user to shape their exciter, completely changing Crucible's response. Finally, select where the exciter contacts the engine by triggering the EDGE and MID inputs, or trigger both to strike the "bell."

All of this adds up to a module that is lively and energetic, completely mimicking the feeling of playing a real cymbal, while still incorporating WMD's "New Sounds, Maximum Experience" philosophy.

- Realistic sound!

- Positional trigger input. Hit the edge, middle, or bell.

- 3 Model Types: Cymbal, Cracked Cymbal, and Curved Plate

- Audio input for experimental effects.

- Separate Pitch and Size controls for maximum realism.

- Choke input for perfectly timed catches.

- Proprietary Synthesis model using digital filter and delay networks. No samples!
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 4 in stock $258.22
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Cat: 698452 Rel: 21 Aug 18 • View all Effects pedals
 
Digital distortion pedal with high gain modern preamp
Notes: The WMD Geiger Counter is hundreds of entirely new face melting sounds. A high gain modern preamp drives an 8 bit computer, creating sounds which range from nice (tubey overdrive, lofi aliasing, hot gated leads) to total madness (impossible amounts of gain, multiple octave foldover, harsh digital data errors, and piercing sculpted noise).

- High Gain Modern Preamp
- Dramatic Tone Control with Disable
- Sample Rate from 260Hz to 58kHz
- 1 to 8 Bit Depth with Mask mode
- 252 Wave Table Modulator
- CV In for Expressive Control
- Always saves settings
- Hand Wired True Bypass
- Top Quality Components
- Super Hard Epoxy Powder Finish
- Standard 9V Power Jack
- 4.5" x 3.5" Small Footprint
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 1 in stock $282.46
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Cat: 677518 Rel: 13 Apr 18 • View all Synth modules
 
8HP drum/percussion synth module
Notes: Originally inspired by audience applause, hip-hop samples, and classic drum machines, Fracture is a multi-particle percussion synthesizer that applies concepts from classic analogue clap circuits to granular synthesis methods.

It all starts from proprietary micro-samples we recorded specifically for this purpose and ends with an engine built to suit these samples.
Unlike our other percussion module, the Chimera which uses impulse rich samples as it's tonal centre, Fracture uses single impulse samples like Claps, Snaps, Ping Pong Balls, Opening a beer can, and many more. It then plays a group of similar samples back in a psuedo random order for unique hits. Density, Decay, and Tail affect tone and how "tight" your virtual clappers are to playing together.

Our goal was to design a clap percussion module covering the range from classic drum machine claps all the way to full audience applause. We ended up with a module that covers a huge range of timbres beyond claps. We hope this engine provides you with the tools to intuitively create wild percussion sounds that bring your system to life in a new way.
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 1 in stock $252.95
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Cat: 640975 Rel: 18 Apr 17 • View all Synth modules
 
Rhythmic arpeggio generator & quantizer module - 12HP
Notes: Simply put, Arpitecht is a voltage controlled Quantizer and rhythmic arpeggio generator. As one of WMD's most musical modules to date, Arpitecht is designed to be an inspiring tool for the modular musician.

With the Arpitecht, you can create intricate melodies span 8 octaves, imply chord changes, instant acid basslines, evolving generative sequences, and, using the Triad expander, polyphonic chord generation.

The Arpitecht features 16 scales, each with a unique set of "note masks" offering hundreds of note combinations with the ability to dial in via knobs on the front panel or CV. 32 rhythm patterns and 32 slide patterns all with CV control let you feed a static clock into it and get unique, evolving patterns of gates and note changes.
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 1 in stock $257.17
Cat: 640977 Rel: 30 May 17 • View all Synth modules
 
Stereo filter module in 6HP with high pass & low pass circuits
Notes: The WMD Overseer is a stereo filter inspired by those commonly found on DJ mixers and DJ software. It features two filters on one knob, stereo ins and outs, bypass switch, and a fun stereo "Tilt" function which offsets the filter cut-off frequency across the stereo field creating some dizzying stereo effects.

Controls:

- Bypass Switch: Turns the filter on and off. LED will be red when the filter is engaged. Toggles on button release.
- Filter Cut-off Knob (the big one): Turn Left for Low-Pass filtering and Right for High-Pass filtering. No filtering in the middle. Becomes offset with CV.
- Filter Cut-off Switch: Switched to the left limits both filters to audible frequencies so you cannot accidentally filter out all signal. Switched to the right disables the limit allowing you to filter the signal into oblivion.
- Resonance knob: Controls the amount of frequency boost at the cut-off point. Will not self-oscillate. Knob becomes offset with CV.
- Tilt Knob: In the middle applies no tilt. Rotate left or right to off set the offset to the filter cut-off on each side. Knob becomes offset with CV.
- Tilt Switch: Allows you to apply the Tilt function to either or both HP and LP. Left for LP, right for HP, centre for both.
- HP - LP Knobs: Attenuverters for incoming CV over the filters.
- HP - LP Switch: Switch to the right sends 5V to the HP - LP knobs and turns them into independent controls for the cut-off frequency of both filters, allowing you to control both filters at the same time with these independent knobs.

Jacks:

- HP: CV input for the High-Pass filter
- LP: CV input for the Low-Pass Filter
- Tilt: CV input for the Stereo Tilt function
- Res: CV input for the Resonance of both filters
- Master: CV Input over both filters, accepts -5V to +5V

Other:

- Input Impedance: 40k
- Output Impedance: 220 ohms
- Frequency Response: 20Hz to 20kHz +-1dB
- LPF Cut-off Range (-3dB Fc)
- Limited LPF: 22Hz to 32kHz
- Unlimited LPF: 1Hz to 32kHz
- HPF Cut-off Range (-3dB Fc)
- Limited HPF: 3Hz to 12kHz
- Unlimited HPF: 3Hz to 38kHz
- Signal Path: AC Coupled at all times
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 2 in stock $266.65
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Cat: 572805 Rel: 14 May 15 • View all Effects units
 
1U spring reverb unit using a spring tank from Accutronics, ideal for use with any kind of audio signal - UK power adapter included
Notes: Finally the VSR 3.2 is here! It is the enhanced successor of the Vermona VSR-3 - Vintage Spring Reverb.

Most of the features, like the AccuBell spring tank (type 9), the TONE control as well as in and output stages are equal.

What has been improved is the way EFFECT STOP is working. Compared to its predecessor VSR 3.2 offers the possibility to determine where EFFECT STOP cuts the signal path: PRE or POST the spring tank. In the new PRE mode the input of the spring tank is cut from the signal path, so the reverb's decay isn't abruptly stopped when pressing EFFECT STOP and still can fade out.

The VSR 3.2 is suitable for all kinds of input signals like synthesizer, organs, guitars, vocals etc. It's available as of now from stock. It is already listed in our latest price list from 2015-05-01.

*UK 3-pin power adapter included.
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 3 in stock $248.73
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Cat: 688824 Rel: 01 Aug 18 • View all Synth modules
 
Analogue waveform animator & dual channel device - black, 14HP
Notes: The WaveSwarm is a waveform animator and all analogue dual channel device.

Each channel simulates up to six VCO's beating in unison with a different beat frequency between each animation. The fixed beat frequencies are generated by twelve onboard LFO's, and the front panel pots control the level of each of the six animators, along with the level of the dry signal to the final mix. In addition to independent channel inputs and outputs it also has an A+B output, which sums the outputs of the two channels, creating an effect similar to twelve VCO's in unison! This is possible because channel B uses slightly different beat frequencies to channel A, they are not identical.

The input waveform can be saw, triangle, sine or wavetable/complex waveforms, in fact most waveforms with the exception of square or PWM waves will give some form of animation.

A soft clip circuit is built in so that at higher signal levels the signal magnitude is limited by rounding the top and bottom of the waveforms, thus slightly softening the sound. There are soft clip LED indicators for both channels.

It can produce huge, fat drones or supersaw type waveforms from a single sawtooth or triangle wave input.
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 2 in stock $264.54
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Cat: 708087 Rel: 23 Jan 19 • View all Synth modules
 
Sample & Hold, Track & Hold, Gated Slew, Clock & Noise generator - black, 12HP
Notes: A real powerhouse module that takes up only 12 HP of rack space. It can generate random and pseudo random control voltages, staircase waveforms, deliberate aliasing of audio signals, portamento type effects, adjustable audio range noise and has many other uses too.

It can be switched between Sample & Hold or Track & Hold modes, and the unique "Restrict" control affects the way the hold output changes with respect to the current input level and previously held output level. With the control fully off the unit behaves just like any other S/H, but at fully clockwise the output is restricted to move by only a small amount after each new sample. The output will still have the same range as the input, but will need more hold commands to get there. This versatile Sample and Hold circuit was designed by Tony Allgood, and is built under licence from Oakley Sound.

The Sample Hold & Slew module also includes a very well featured Slew generator, which includes a Gated Slew function. It can be used independently or chained with the S&H module. Slew mode can be switched between Linear or Exponential Slew types. There is a Gate input, so that the Slew on/off can be switched using an External CV (Gated Slew), and also the Slew control logic can be reversed by a toggle switch that doubles as a manual Slew on/off switch. In addition, it has slew up only, slew down only or slew up and down modes, which are selected with a three-way toggle switch. An indicator LED lights when Slew is active

There is also an inbuilt analogue Noise generator, which is normalised to the input of the Sample and Hold section, and there are both regular and clipped Noise outputs - the Clipped Noise is particularly useful with the sample and hold section, as it is weighted to produce higher random voltages. Both Noise outputs are fed through an internal "Noise Colour" control - at centre position it allows the noise through unfiltered, turning the control anti-clockwise introduces low pass filtering of the Noise, and rotating it clockwise introduces high pass filtering. The Noise source itself is based on an analogue band gap shunt regulator configured in avalanche mode, and it generates white noise with a gradual roll off above 8kHz. It is a little "grainier" in character than the noise from our MiniMod Glide & Noise module (which uses a reverse biased transistor as a noise source), so is a useful compliment to this module as it does not generate exactly the same sounding Noise

Lastly, it includes a wide range clock generator with a rate LED. The range is from one cycle every thirty seconds to around 2 kHz and the clock output is normalised to the Clock Input of the S&H section. It also has a Clock Out jack so that it can be externally patched to other Eurorack modules.
Dimensions: 12HP wide, 26mm Deep
Current draw: 55mA Positive, 40mA Negative
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 1 in stock $218.18
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Cat: 625058 Rel: 22 Sep 16 • View all Synth modules
 
Mini Mod Vintage Transistor Core VCO Module
 2 in stock $261.38
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Cat: 625079 Rel: 22 Sep 16 • View all Synth modules
 
Ring SM Ring Mod Sub Bass Mixer Module
 1 in stock $257.17
Cat: 637044 Rel: 22 Mar 17 • View all Synth modules
 
Dual LFO with waveshaping, sync input & DC-coupled VCA - dark edition
Notes: This has two LFOs, each with variable waveshape from Saw to Triangle to Ramp waveforms, or variable Pulse width on the Square wave output. LFO 1 has the addition of a low range and a Sync input. The nominal maximum frequency of the LFOs when in Triangle shape is 20Hz, but under certain combinations of settings they will go much higher, well into audio range.

Also included is a DC coupled VCA, the input of the VCA is normalised to the output of LFO 2, so a 0 to +5V input to the VCA CV input gives control of the LFO waveform amplitude. It can also be used as a stand alone VCA.

This module is very useful for controllers such as the Waldorf KB37 where the modulation wheel gives out 0 to +5V, this can be routed to the VCA CV module so the level of the modulation waveform can be easily controlled. This makes it very easy to add VCO vibrato or filter 'wah' with control of modulation amount from the modulation wheel or other controller.
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 1 in stock $220.29
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Cat: 688825 Rel: 01 Aug 18 • View all Synth modules
 
Wave twister/distortion module - black, 10HP
Notes: The V-Shape is two modules in one, a wave twister and a distortion/wavefolding module. Both sections of the module are all analogue in design, and both can be used independently, or they can be normalised together in series, so that a waveform can be twisted first and then distorted and wavefolded.

The wave twister can take (for example) a saw tooth waveform as an input and shape it, under manual or external voltage control, through to being a triangle waveform and on to being a ramp waveform, and produces a sound similar to PWM for sawtooths. It will also work with symmetrical waveforms such as triangle and sine waves, again producing PWM like tones.

It can produce a wave twisting effect from most waveforms (with the exception of square waves), whether they are symmetrical or asymmetric. Under many conditions the transfer function is not perfect, so different harmonics may be generated too. The offset control allows a bias to be added to the incoming waveform, either to bias it correctly around zero or offset it for more distortion and harmonics.

The second part of the V-Shape module is a distortion unit, with selectable Soft or Hard Clipping, and the clipping amount can be varied either by a front panel control or an external control voltage with the "Distort" control. The distortion offset control adds or subtracts a bias voltage to the CV signal, to give an extended range of control. There is also a single stage, switchable wavefolder, which can be used with either soft or hard clipped waveforms.
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 1 in stock $219.23
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Cat: 677411 Rel: 05 Feb 18 • View all Synth modules
 
Four-band equaliser, reverb/delay, maximiser & exciter in Eurorack modular format - black faceplate
Notes: Perfect for adding that final touch to a modular patch, the AJHSynth Finaliser R-EQ module includes seven Mono / Stereo reverb types, along with a four band equaliser and a Sonic Maximiser / Enhancer.

The Reverb, EQ and Maximiser can be used in Mono IN, Mono OUT mode or Mono IN, Stereo OUT modes. The reverb alone can also be used in Stereo IN / Stereo OUT mode too.

The fully analogue four band Equaliser includes three parametric equalisers for Low, Low Mid and High Mid ranges, and the High EQ has switchable shelving of either 2kHz or 5kHz. The Low EQ also includes a shelving mode.

The Maximiser is a fully analogue circuit too, with low and high treatment bands which change the phase and amplitude relationships of the sound to add punch and harmonics and really bring the sound to life in the mix.

The Reverb engine is based on 20 year old DSP technology, harking back to the reverb units which were used extensively on many synth and EDM tracks a couple of decades ago. We have added full control of reverb wet / dry mix, either manually or under CV control.
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 2 in stock $294.07
AKG K712 Pro Studio Headphones (studio headphones)
AKG
Cat: 492017 Rel: 05 Jun 13 • View all Studio headphones
 
Studio headphones with wide 10Hz-39.8KHz frequency response
Notes: For precision listening, mixing and mastering.

The K712 Pro's are reference, open, over ear headphones for precise listening, mixing and mastering. The over ear design guarantees maximum wearing comfort for fatigue-free mixing and mastering, while providing spacious and airy sound without compromise. Their precise powerful sound results from improved low end performance by 3dB. Being hand crafted in Austria, the K712 Pro's represent the high quality and legendary design AKG is internationally known for.

These headphones have a genuine soft leather headband for a lightweight and comfortable fit, and the carefully selected transducers ensure consistency and accurate localization.

The K712 Pro's come with a professional mini XLR connector for quick replacement of the cable. Also included is an additional coiled cable and a premium carrying bag.
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 More than 10 in stock $201.31
Cat: 676893 Rel: 31 Aug 18 • View all Synth modules
 
Quad envelope generator with 16-step sequencer - 12HP
Notes: Quad Envelope includes 4 individual AHDSR envelope generators with individual outputs as well as a 16-step automation sequencer per channel. Hold the RECORD button and move the sliders for Attack, Hold, Decay, Sustain and Release to animate each of these settings for a given channel. Autosave in stand-alone mode, or save up to 16 presets of these settings using Varigate 4+ or up to 100 presets using Varigate 8+.

You can set each envelope to either Trigger, Gate, Loop or Gate/Loop. You can also set each individual envelope to either Fast, Slow or Tempo synced modes. Each automation sequencer can be set to either Forward, Reverse, Pendulum or Random. Link Mode allows for linking envelope channels 2-4 to channel 1. The Quad Envelope allows for a multitude of dynamic possibilities for live performance and recording.
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 2 in stock $249.79
Cat: 672786 Rel: 03 Jan 18 • View all Synth modules
 
Versatile 8 step sequencer - 10HP
Notes: With a simple, performance focused interface, the feature set of the Lifeforms Micro Sequence module speaks for itself. Eight sliders with integrated channel mute. Eight quantized scales. Eight sequencer direction modes. Sequences up to 8 steps. Four external modulation functions. Integrated tap tempo clock. Eight step external clock divider. Run/Stop transport button. Sequence reset button. Dedicated analog CV output. And more....

Full List of Features:

- 8 Step Sequencer
- 8 30mm Dedicated Channel Sliders with Integrated Mute
- Independent Quantized Pitch and Analog CV Outputs
- 8 Quantized Scale Options (Micro Tuning, Chromatic, Major, Minor, Blues, Phrygian, Lydian, Dorian Scales)
- 8 Sequencer Direction Modes (Forward, Reverse, Pendulum, Stagger, Skip, Transpose, Random, Random With Rest)
- Assignable Pattern Length From 1 to 8 Steps
- Modulation Gate Input Assignable to One of Four Functions (Reset, Hold, Reverse, Ratchet)
- Internal Tap Tempo Clock
- 8 External Gate or Trigger Clock Divider Options (#1, #2, #3, #4, #5, #6, #7, #8)
- 4 Octave Quantized Pitch Output Range
- 0 to 5 volt Analog CV Output
- 5 volt Gate Output
- 5 volt Tap Tempo Clock Output
- Run/Stop Transport Button
- Pattern Reset Button
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MRP:$246.64 SAVE 18%
 2 in stock $201.30
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Cat: 594654 Rel: 01 Dec 15 • View all DJ controllers
 
Successor of the DJ3 controller with iPad compatibility & 4 available FX slots
Notes: DJ4 as successor of the DJ3 is a controller for each DJ application with MIDI remote functionality.

The device is optimized for NI Traktor Pro and has 8 centered pots for EQ and filter, 3 faders, 4 push-encoders to control FX, deck, global functions and various colored buttons and LEDs.

There are some improvments like MIDI ports, 4 additional buttons (filter + kill) and better encoder knobs.
New colored controls makes it easy to find the right button in dark club situations.

Now the bahaviour of the controls is programmable to adapt the device to other applications.
Use the internal 4 setups to save your individual settings.

The factory settings + the enclosed setup files for Traktor Pro and Ableton Live are perfect to control them out of the box.

Three switchable midi routings makes the unit much more flexible for complex midi setups.
Simultaneous control of external gear and computer software is no problem for the DJ4 due to the available USB and MIDI ports. It's also possible to extend your setup by other midi controllers thru the MIDI ports.

Rock the floor with this amazing little box...
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 1 in stock $209.75
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Cat: 627705 Rel: 26 Oct 16 • View all MIDI keyboards
 
88-key velocity sensitive MIDI keyboard featuring 8 LED illuminated, velocity sensitive pads
Notes: The Impact LX88+ is a unique USB MIDI controller keyboard designed for keyboard players looking for extra reach. It's jam-packed with intelligent, expressive performance control and hooks up automatically to your DAW! If you prefer to control MIDI hardware, use the build-in MIDI Out as well as the extensive MIDI programing options. Impact LX88+ does it all, and more. Nektar DAW Integration custom designed for most of the popular DAWs, takes Impact LX88+ way beyond functionality normally offered by a MIDI controller keyboard. With Impact LX88+ the hard work is done, so you can focus on your creativity.

IMPACT LX88+ MIDI KEYBOARD:
The 88 note velocity sensitive keyboard is a semi-weighted action with medium tension. Carefully balanced with an even and dynamic response , the Impact LX88+ offers 4 velocity curves that gradually increase in dynamics so there is a match for any playing style. If you don't need velocity, 3 fixed velocity levels cater for a consistent output. The full-size, piano-style keys are covered to protect against dirt and dust while also complementing the Impact LX88+ design.

SPLIT, LAYER & TRANSPOSE BUTTONS:
The Impact LX88+ keyboard can send on up to 3 zones at the same time. Press Layer to add the layer zone and split to add the split zone. When split or layer is active, the corresponding LED button is lit so there is no confusion. Each zone can be programmed to send on its own unique MIDI channel with essential settings either pre-programmed or adjustable during performance. This is where the 2 Transpose buttons below the Split and Layer buttons come in. Four functions are selectable on the fly so you can make important changes at any time, even while you play. A key combination makes assignment quick and easy with the LED display telling you which function you have selected. Choices include sending out MIDI Program Messages, change the Global MIDI Channel or select any of Impact LX88+'s 5 user presets with either the Octave or Transpose buttons.

CONTROL CENTER:
Nine 30mm faders, 9 MIDI buttons and 8 encoders are at the centre of Impact LX88+'s control panel. Each control is fully programmable to send any MIDI CC message for use with hardware or software MIDI products. Used with Nektar DAW integration, the controls take on a life of their own, providing flexible pre-mapped DAW control giving you the best of both worlds. Control settings can be stored in any of the 5 Impact LX88+ presets for recall at any time. And if you switch Null on, any parameter values are stored when you change presets so you avoid parameter jumping.

LED BUTTONS:
The 9 LED buttons can be programmed with a variety of MIDI messages including sending specific MIDI Program changes. The last MIDI Program message sent is remembered so a corresponding LED button illuminates correctly, even if Program was sent via, for example, the transpose buttons or the Setup menu. You can also assign the 8 pads to send Program messages so you'll have instant access to 17 buttons without changing preset or pad map. Used with Nektar DAW Integration the LED buttons indicate status for a number of parameters. In Instrument mode, an instrument plugin's switch parameters can be learned with the LED telling you when it's on or off.

PADS:
For groove and beat creation, Impact LX88+'s 8 velocity sensitive pads make life easy. Calibrated to trigger at a light touch, finger drumming is suddenly well within reach with a nice and even velocity response. Each pad can be assigned any MIDI note number or MIDI cc message for use as MIDI trigger or toggle buttons. But the best part is the "Pad Learn" feature, which allows you to just select a pad, play the note or drum sound you want on the keyboard and assignment is done. No complex menus for a task that's essential to getting the most out of your pads.
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 1 in stock $208.10
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Cat: 510945 Rel: 21 Mar 14 • View all Record bags
 
Record bag for holding up to 150 7" singles, with shoulder strap and zippered storage pocket
Notes: Zippered 7" single bag for storing up to 150 records, plus accessories.

The bag is constructed of Milled chrome tanned leather and features a detachable and fully adjustable shoulder strap for practicality and comfort.

"After decades of touring with bags that would eventually wear down and be replaced by the newest flavor of the month, this collaborative opportunity with Tucker & Bloom presented me with my first chance to help develop a product that is not only practical for the working class DJ who carries 45 RPM records, but further, almost any other working professional looking for a durable, high quality shoulder bag to add to their tool kit or traveling luggage."
- Rich Medina
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 2 in stock $230.83
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Cat: 665478 Rel: 25 Oct 17 • View all Music production software
 
Full boxed version of Reason 10 music production software from Propellerhead
Notes: Growing out of 90s classics ReBirth and ReCycle, Reason started life as a hardware-inspired remix package and grew into a fully fledged DAW. Still one of our favourites nearly two decades on.

Supplier notes:
Reason is easy to get started with, yet as deep as you want it to be. And it comes fully loaded with the instruments, effects and sounds your music making need. Create, compose, mix and finish your music-Reason will help you along the journey, from inspiration to mixdown.

New in Reason 10:

The biggest Reason update. Ever.

New sounds and new gear pave the way for new music, and Reason 10 is here with a rackload of new synths, instruments, samples and more. Grain and Europa: two massive, brand new synthesizers. Klang Tuned Percussion, Pangea World Instruments, Humana Vocal Ensemble: three new live-sounding organic instrument devices. Radical Piano: a top-notch acoustic piano. Synchronous: creative modulation device. Loop Supply and Drum Supply: a multi-gigabyte infusion of cutting-edge drum loops and samples. What music will you create?

Europa Shapeshifting Synthesizer:

Europa was created for huge, epic sounds and oh boy, does it deliver... From big stacks of buzzing sawtooths to shimmering, glitched-up sonic explorations, Europa has you covered. To call it a wavetable synth wouldn't be wrong, but it's so much more than that. Apply a wide range of modulation to the waveform itself, to start with. Add advanced spectral filtering, harmonics processing and even draw your custom waveforms. And the best part: despite its deep synthesis powers, it's still surprisingly easy to use.

Grain Sample Manipulator:

Get granular with your samples! The Grain synthesizer opens up the world of granular synthesis for your creative use. Drop any sample into Grain and explore the endless sonic variations you can create with Grain's selection of playback algorithms, ultra-flexible modulation, routing and effects. With immense sonic power and an inviting interface, Grain is the easy-to-use sonic lab that turns your samples into grains and your grains into music.

A huge cache of inspiration:

Update your sound with this multi-gigabyte injection of cutting-edge loops and drum samples made to deliver up-to-date pop. electronic and hip hop sounds for Reason. Get creative with a huge selection of patches for Reason's Kong drum machine and Dr Octo Rex loop player.

Advanced Acoustic Piano:

The premise is simple. The results are stunning. Three basic pianos paired with the technology to make an infinite number of your own. Based on a custom blend between sampling technology and physical modelling algorithms, Radical Piano affords songwriters, producers, and sound designers an unprecedented level of control to craft a realistic piano that is 100% unique.

Timed Effects Modulator:

Bring your music to life with Synchronous' modulation effects. Create quick sidechain effects or draw your own LFO curves to control filter, delay, reverb, distortion and level. Make your sound evolve, change and loop over time.

System Requirements:

Mac OS:

- Fast, stable internet connection for installation and registration
- Intel Mac with multi-core processor
- 4 GB RAM (8 GB or more recommended for large [ReFills] or [Rack Extensions])
- 4 GB free system disk space required, plus 8 GB for optional content. Additionally, program may use up to 20 GB scratch disk space
- [Mac OS X] 10.7 or later (64-bit)
- Monitor with at least 1280x768 resolution
- [CoreAudio] compliant audio interface or built-in audio hardware
- MIDI interface and a MIDI keyboard recommended

WIndows:

- Fast, stable internet connection for installation and registration
- Intel or AMD multi-core processor
- 4 GB RAM (8 GB or more recommended for large ReFills or Rack Extensions)
- 4 GB free system disk space required, plus 8 GB for optional content. Additionally, program may use up to 20 GB scratch disk space
- [Windows 7] or later (64-bit)
- Monitor with at least 1280x768 resolution
- Audio Interface with ASIO driver
- MIDI interface and a MIDI keyboard recommended
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 2 in stock $232.93
Shure SM87A Vocal Microphone (vocal microphone)
Cat: 673759 Rel: 05 Jan 18 • View all Vocal microphones
 
Sensitive condenser microphone designed for vocal performances
Notes: The Shure SM87A microphone is a professional-quality, handheld condenser microphone for use in sound reinforcement, broadcasting, and studio recording installations. Its supercardioid polar pattern provides greater rejection of unwanted sound sources, making it ideal for miking individual instruments in a multi-microphone setting or for miking single sources in a reverberant or noisy environment. An integral three-stage wind and pop filter protects against wind and breath noise. Its built-in shock mount reduces stand and handling noise.
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 1 in stock $209.75
Cat: 518633 Rel: 12 Mar 14 • View all Studio monitors
 
Biamplified active studio monitor with 3" woofer and 3/4" tweeter
Notes: The new Genelec 8010 allows professionals to work in compact studios and on the move with an accurate monitoring tool.

The Genelec 8000 Series is widely used in broadcast, music and post-production studios around the world.

The ease of installation and outstanding sound quality make Genelec 8010 monitors ideal for small studios, OB vans, and perfect companions for portable recording devices and other mobile work.
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 2 in stock $232.69
Cat: 644210 Rel: 06 Apr 17 • View all Synth modules
 
High density 8 channel utility module - 10HP
Notes: Levit8 is a high density utility module designed to give you a large number of attenuator/gain functions along with optional mix, invert, DC offset and polarity indication for incoming signals.

Few modules can beat the LEVIT8's high density of functions, which has eight channels that can be used as individual attenuators, amplifiers, inverters of offset generators. Optionally it features three different mix configurations with four or eight inputs for control voltages or audio signals, fulfilling various tasks at the same time.
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 3 in stock $203.41
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Cat: 526235 Rel: 26 Aug 14 • View all Studio monitors
 
Active studio monitor with 6.5" woofer and 1" aluminium inverted dome tweeter
Notes: Alpha studio monitors are specifically designed for music creation.

Thanks to Focal's exclusive technologies, its expertise in terms of speaker drivers and to the mechanical design of Alpha studio monitors, optimum integration is guaranteed. The environments for music production are very diverse, they are not optimised acoustically, or have only been done so insufficiently, and the listening distances vary greatly. Whether for confined spaces, rooms with poor acoustic qualities or for styles of music, which require neutrality, dynamics and high SPL, Alpha studio monitors are the solution for you.

Right from the first stages of R&D, the Alpha line was designed as a solution to these problems whilst focusing on one objective in particular: improving the quality of music production by giving the user better control over the audio spectrum.

This is reflected in the choice of technologies used, such as the inverted dome tweeter, that provide a very linear treble, reveal the slightest imperfections of equalisation even from a short distance away and also prevent auditory fatigue ; the Polyglass cone woofer, which gives excellent damping qualities, ensuring flawless neutrality over the entire bass/high-midrange frequency spectrum, and a remarkable transparency to the midrange frequencies ; and the unique bass-reflex design with large double front ports, which improves acoustical integration even in confined spaces nor installed near a front wall.

Finally each Alpha studio monitor is equipped with two class AB amplifiers. The high-current amplifiers enable complete control of the dynamics of the audio signal. This also allows for listening at high volumes without distortion.

The Alpha 65 performs just as well with instrumental music as with electronic music, and is characterised by its great versatility.

This model is composed of a 6.5" (16.5cm) woofer/ midrange speaker with a Polyglass cone loaded in a large laminar port associated to a 70W amplifier and of a 1" (25mm) aluminum inverted dome tweeter (35W amplifier). Alpha 65 has a frequency response of 40Hz to 22kHz (+/- 3dB).
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 2 in stock $255.72
Cat: 685975 Rel: 19 Apr 18 • View all Music production software
 
Latest Signature Bundle FL Studio software - with a lifetime of free updates!
Notes: FL Studio 20 Signature Edition is the most complete virtual studio. Image Line FL Studio 20 Signature Edition DAW software serves up all of the awesome production power of FL Studio Producer Edition, plus even more outstanding instruments and effects to spur your creativity right from the start. Like the Harmless software synthesizer, a fresh take on subtractive synthesis that sounds amazingly smooth and fat. And Gross Beat, a time and volume effect for creating gating, scratching and glitch effects.

FL Studio 20 is a complete software music production environment, representing more than 16 years of innovative developments and our commitment to Lifetime Free Updates. Everything you need in one package to compose, arrange, record, edit, mix and master professional quality music.

What you can do with FL Studio 20 Signature Edition:

- Audio editing and manipulation including pitch correction, pitch shifting, harmonization, time-stretching, beat-detection & slicing, audio warping and standard audio manipulation (cut/paste etc).

- Automate most interface and all plugin parameters by recording, drawing, spline-based automation curves, automation generators with formula-based control of links.

- Be hosted in other DAWs as a VST or connected through ReWire.

- Live music performance including video effect visualization. Mix and remix audio including apply real-time audio effects including delay, reverb & filtering.

- Multi-track audio recording up to the limit of your audio-interface inputs.

- Record & play MIDI input recording from keyboards, drum pads and controllers.

- Sequencing and arranging with pattern and linear workflow possible.

- Synthesizer & effect plugin hosting VST 32 & 64 bit, DX and FL Native formats.

- Make virtually any sound - FL Studio includes over 30 software synthesizers covering acoustic/synthetic bass, electric guitar, multi-sampler tools including piano & strings, general sample playback and beat-slicing (With Rex 1 & 2 support).

- Multi-channel audio inputs - With the ability to simultaneously capture all the inputs on your audio-interface, FL Studio has the flexibility to record a single vocalist, guitar or a full symphony orchestra.

- Arranging audio - Audio can be arranged, with complete freedom in the Playlist. Features include the ability to host an unlimited number of audio recordings, time-stretching, pitch-shifting, beat-slicing, cropping, editing and the re-arranging of audio with only a few mouse clicks.

- Pattern or track sequencing - You choose, record your musical performances and ideas in the most logical way. FL Studio 20 can simultaneously function as a pattern and track based sequencer. Reuse patterns as Pattern Clips in the Playlist or record song-length sequences, as desired.

- Step sequencer or Piano roll - Scoring tools include FL Studio's legendary Step-sequencer, one of the most advanced Piano rolls in any software studio, event and multipoint automation envelopes. FL Studio supports MIDI input, standard controller compatibility, and the ability to simultaneously control multiple instrument channels from separate controllers.

- Determine your own project design - In FL20, you decide how your project will be laid out, including multiple 'Arrangements'. Unlike the competition, FL20's Playlist is a totally flexible and virtually unbounded workspace where Note Pattern, Audio and Automation data can be arranged and edited to suit your creative ideas and preferred workflow.

- The mixer - is about precision, control and flexibility. The mixer's tracks each hold up to 10 effects (VST or FL's proprietary format). To create sub-mixes or mixing chains of almost unlimited complexity, each mixer track can be routed to any other mixer track or the Master track. Sends provide the ability to sidechain inputs to multi-input effects plugins. Finally, each of the mixer tracks can be routed to any output on your audio interface, now that's flexibility.

- Effects - What about effects? FL Studio includes more than 40 effects spanning maximization, limiting, compression, delay, distortion, equalization (graphic & parametric), filtering, phasing, flanging, chorus, vocoding and reverb. These have you covered for the creative broad-brush effects, through to the minutia of the mastering process.
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 4 in stock $251.26
Cat: 677567 Rel: 03 Apr 18 • View all Synth modules
 
Sample-based percussion module - 12HP
 3 in stock $236.10
CME
Cat: 605857 Rel: 18 Mar 16 • View all MIDI keyboards
 
Ultra slim 37-key Bluetooth 4 MIDI keyboard, with robust aluminium body
Notes: Ultra Slim. Great Design.

Lighter than an iPad!
Xkey Air is made from rugged, brushed aluminium. The same material that is used in Macs.
It only weighs 610g (1.34 lbs) so you won't even know it's there. Pop it in your backpack, or use the optional Xkey carry case.

Mac. iPhone / iPad.
(PC and Android can be connected with the WIDI BUD accessory)

Slip Xkey Air into your backpack or carry case and you're good to go.
Connect it to your favorite device, launch your favorite app - and your recording studio is open for business. Xkey Air is pro standard. But even if you're still learning to play the keyboard, you'll love the quality and features.
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 1 in stock $254.40
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quote 605857
Cat: 637298 Rel: 14 Mar 17 • View all Effects pedals
 
Sidechainer effects pedal with Igor & kick drum mic
Notes: This is a sidechainer pedal, an effect that ducks your guitar signal each time it gets a trigger - capable of putting deep spaces into your sound! It's an effect that's heard on many recordings, often subtly - like when a rock rhythm guitar is sidechained with the kick drum, so every time the kick drum hits, the guitar volume dips slightly for that instant - giving a really powerful overall effect... The guitar sounds pumping, or spring-loaded! Or it's sometimes used strongly, to make the signal completely disappear with each kick drum, as in big 4-on-the-floor club tunes.

Whatever way you use it, this effect has NEVER been so easily available - and controllable - as with the Deep Space Pulsar! (Up to now, it's always been an effect that's added in post-production - hardly ever live).

It comes with a microphone; put it inside your drummer's kick drum, plug it into the top end panel of the pedal and you're ready to go! The pedal sits there waiting for the drummer to play....

The 'Dip' knob adjusts the amount of dip to the signal, 'Rel' controls the speed of the release; how quickly the sound rises back up, and 'Vol' is the volume - the pedal can go quite loud, more than compensating for any loss in overall level due to all the ducking. The LED display gives a visual indication of the amount and length of ducking.

TAP TEMPO:

However, when instead you plug in the Igor pressure pad controller, the Deep Space Pulsar has tap tempo - a fully correctable facility - enabling it to work if you're playing along to a DJ or drum machine. Two presses of the Igor programs a tempo (the 'record' LED coming on to show that the tempo is being recorded and it's waiting for the second press), and at any point that tempo can be adjusted to bring it back into sync with the music, enabling the pulsing to stay in time for long periods. Pressing on the Igor erases the tempo, for you to start again at a different tempo.

PUSH-BUTTON SWITCHES:

There's a 'Pad' button to alter the sensitivity of the microphone, and also an 'Inv' button to invert the whole effect; no sound is heard until the kick drum (or tap tempo) hits, when a pulse of signal is let through - introducing whole new kinds of sounds!

This is a revolutionary effect, designed specifically for those that play with other people - whether in bands, clubs or studios.
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 3 in stock $209.75
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quote 637298
Cat: 734882 Rel: 18 Jul 19 • View all Synth modules
 
High-quality dual linear VCA with mixing functionalities
Notes: Audiophile Circuits League VC Dual Amp contains two fully discrete voltage controllable amplifiers with linear characteristic. It is based on a new circuit design which delivers unheard clarity of sound. To this day there is no other VCA using this special technique!

The module offers a very low harmonic distortion in the whole linear gain range, no crossover distortion and no overshoots nor ringing. Furthermore, it has a very high dynamic range which provides a lot of headroom. The VCAs will amplify the input signal very accurately and it will sound crystal clear, without any coloration, distortion or bleed. Each channel has a Gain potentiometer for manually setting the VCA's initial gain and a control voltage input which is equipped with an attenuverter for scaling the modulation.

Thanks to normalized signal and CV inputs, both VCAs can be used in conjunction - great for processing stereo material. Furthermore, you can create voltage controlled panning effects and crossfades in next to no time. Beside the two individual audio outputs from each VCA, there is a Sum-output which provides the mix of the output of both VCAs and of the signal coming from the Aux-input. This additional input has no level control and is mixed at unity gain. Thus three different signals can be mixed together.

The amplifiers are also suitable for processing control voltages thanks to a completely DC-coupled signal path. Behind its simple appearance, this module shines with its functionality and sound quality!
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 1 in stock $285.62
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quote 734882
Cat: 683903 Rel: 28 Mar 18 • View all Effects pedals
 
Versatile distortion effects pedal
Notes: Although the Godeater was designed for bass guitar, it might just be the most versatile Animal Factory pedal yet.

With extreme compression and saturation in the low end, this is a very unique circuit that is not a clone of any existing pedal.

The idea behind the Godeater was to be able to run the pedal 100% distorted and have a full, strong bass response without having to dial the clean signal back in.

The Godeater distinguishes between global gain and saturation with two stages of gain control.

The very musical EQ can thin out the sound or go deep into the subs.

From adding a subtle grunt, blending clean and dirty sounds to full doomy chords, this pedal does it all and more.

The extended bass response makes it an ideal choice for downtuned or baritone guitar, but also bass synths and drum machines.
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 1 in stock $220.29
Cat: 742229 Rel: 05 Sep 19 • View all Synth modules
 
Low pass filter, VCA & distortion with brass touchpoints - 14HP
Notes: The 100 Grit is a touch-controlled distortion unit inspired by the output section of a vintage synthesizer. Sonically it can range from subtle tone shaping to complete sonic obliteration depending on the positions of the knobs and output chosen
.
The 100 Grit consists of a low pass filter, VCA, and distortion section with 8 touch points, voltage control overdrive, resonance, and frequency, along with a plethora of feedback paths allowing it to operate as a hands-on performance instrument with or without any input.

The touchpoints enable touch-controlled resistive patching between the cv points (gain, frequency, and resonance), sensitive points in the distortion circuit, and different distortion outputs for a mix of touch-controlled audio rate modulation and crackle box-like noise freakouts.

The low pass filter is a 24dB self-oscillating transistor ladder type with a jumper selectable resonance compensation scheme allowing more bass and volume at higher resonance settings.

The VCA is an OTA based circuit, which when pushed past 75% will impart a soft distortion characteristic, turning a triangle wave into a sine before being finally driven into a square wave close to max. If the levels are kept lower it is a reasonably clean vintage-style output section.

The distortion circuit is driven by the VCA, allowing for a voltage controlled gain amount and goes from heavy to extreme, especially when the x100 gain switch is engaged or the various self-modulation/feedback paths are utilized. The circuit is loosely based on a headphone amplifier circuit cranked into instability and self-oscillation.

Each Audio and CV input is normalized to a different feedback path, allowing for wild, self-oscillating distortions and extensive tone control with no external CV applied, or full control from external sources.
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 2 in stock $275.08
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quote 742229
Cat: 706888 Rel: 10 Dec 18 • View all Synth modules
 
Quadrature sine wave VCO/state variable filter - 18HP
Notes: The SPIN section is a quadrature sine wave oscillator. The GRIND section compares each phase against the input signal, then subtracts the resulting square waves from the input signal. If the spin section is either damped enough or enough signal is fed into it from the GRIND section then it will stop oscillating and become a state variable filter.

The Angle Grinder tracks volts per octave and can be used as a sine wave oscillator with voltage control over harmonic content available at the GRIND OUT. With no input it's four phase related sine outputs (0, 90, 180, and 27 degrees) remain clean from 0.1Hz to over 20kHz and are suitable for quad panning or XY applications.

With an input signal applied the GRIND out ranges from quadrature pulse width modulation (at LFO rate) to sync-like metallic tones (at audio rate). When GRIND is fed into the SPIN then it becomes a nonlinear feedback network with the faders and corresponding CV inputs providing instinctive control over phase cancellation, oscillation, and distortion. The four phase related outputs will become low pass, band pass, high pass, and inverted band pass filter outputs.

The function of the Angle Grinder depends on both the position of the knobs and the presence of an input signal.
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 1 in stock $274.04
Cat: 739134 Rel: 16 Jul 19 • View all Synth modules
 
Random looping sequencer - silver faceplate, 12HP
Notes: Permutation is a set of random sequencers that use a digital shift register to generate unpredictable CV and gate patterns that can be locked into repeating loops. The concept is based on the Turing Machine, an open source module designed by Tom Whitwell.

Permutation retains the core functionality of the Turing Machine while adding new features such as dedicated outputs for each bit of the shift register, CV inputs for all parameters, and an internal bipolar VCA. Locked sequences are also saved across power cycles.
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 1 in stock $225.55
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