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Notes: The new MULTI-FORMAT CASE PLAYER/MIXER (V10/A9) SET is specifically designed for transporting two CDJ/Multimedia Players and a 6 or 4-channel club mixer, such as the Pioneer DJM-V10, DJM-A9, or Ecler Warm 4. The case is universally compatible with all current models from Pioneer DJ, Denon, Allen & Heath, Ecler, Rane and Reloop, and can be adjusted to different device sizes using the included foam strips. Crafted from 9 mm vinyl laminated plywood, sturdy aluminum profiles, heavy duty butterfly latches and smooth rolling wheels, this case provides ultimate protection for mobile use on the road.

Fits

Pioneer DJM-V10
Pioneer DJM-A9
Pioneer DJM-900 NXS2
Pioneer DJM-900 NXS / SRT
Pioneer DJM-800 / 700 / 600
Pioneer CDJ-3000
Pioneer CDJ-2000 NXS2
Pioneer CDJ-2000 NXS
Pioneer CDJ-900 / 850 / 800
Pioneer XDJ-1000
Allen & Heath PX5
Allen & Heath DB4
Allen & Heath DB2
Allen & Heath Xone 92 / 62 / 43C
Denon LC 6000 Prime
Denon SC-6000 / SC-6000M
Denon SC-5000 / SC-5000M
Denon X1850 / X1800
Denon X1600
Denon SC3900
Denon SC2900
Reloop RMX-90 DVS
Reloop RMX-80 Digital
Ecler Warm 4
Ecler NUO4
Rane MP2015
Rane Sixty-Eight / Sixty-Four

Specs

Outer measures: 125,4 x 59 x 25 cm
Inner measures: 33,1 x 42,5 x 8,4 cm / (CDJ compartment) 43,7 x 45,4 x 8,4 cm (Mixer compartment)
Weight: 21,5 kg

Review: Spasibo Records introduces a new 7" vinyl by St. Petersburg outfit the Vicious Seeds, this time on yellow and green wax. In an unconventional move, vibraphonist Pavel Chizhik takes the spotlight and the result is that he truly enhances the band's signature sound. 'Village Hassle' offers a unique blend of rare groove and instrumental reggae-soul - the A-side highlights Chizhik's vibraphone prowess, intertwining it with a dynamic instrumental backbeat. On the flip side, 'Monthly Rainfall' delves into a soulful journey, characterized by cross-sticked snares and offbeat chord plucks which create an atmosphere reminiscent of slow-jammed soul with a contemporary twist.

Review: Spasibo Records has been busy lining up plenty of great funk sounds that all seem to be dropping at once. One of them is this limited yellow and red marbled vinyl from The Great Revivers. The band hail from St Petersburg in Russia and these two instrumental tunes are perfect examples of their lush library funk sound. Both were recorded pre-pandemic back in 2019 at a vintage studio in an old church. The organs really shimmer and bring the heat to opening cut 'Adventures Begin' while 'Estrellas' dial down into a more late night and intimate atmosphere before the funky breaks and neat guitar riffs come on with full force.

Notes: ***B-STOCK: Box opened, product in perfect working order***


Intended as an all-rounder for all production purposes, the HD 490 Pro are built for comfort as well as top-notch sound quality thanks to their open-back design. DearVR MIX-SE software allows you to mix, monitor and master with accuracy.

Supplier's Notes:
The perfect mix of clarity, comfort, and reliability, HD 490 PRO studio headphones are built to handle all the complexities of today's music production. The open-back design delivers an extremely wide, dimensional sound stage and ultra-precise sound reproduction, eliminating audio blind spots and ensuring you're in full control of every detail.

Handcrafted and German-engineered with built-to-last components and a lightweight, comfortable design, HD 490 PRO lets you feel the music and forget about the headphones. Meticulously engineered ergonomics eliminate pressure points while the open-back design provides natural ventilation, making hours in the music feel like minutes. Two sets of switchable ear pads, each with a unique sound signature for long hours of mixing and producing, eliminate ear fatigue and are designed with sustainability and durability in mind - they're both washable and replaceable. HD 490 PRO mixing headphones also include the innovative DearVR MIX-SE plugin from Dear Reality, placing you in the "sweet spot" and turning your DAW into an ultimate virtual mixing environment. DearVR MIX-SE simulates the carefully designed acoustics of mixing studios, helping you ensure a balanced, consistent translation of your mix on different systems. HD 490 PRO helps you achieve your full creative vision, eliminating audio blind spots, putting you in full control of every detail, and ensuring accurate playback beyond the studio.

Features

Backed by decades of Sennheiser engineering, technology, research and development
Open-back design with an extremely wide, dimensional sound stage and ultra-precise localization
Uncolored frequency response for honest, dynamic sound reproduction across the full spectrum
Innovative low-frequency cylinder system for full, accurate, and clearly defined low end
Precision-engineered ergonomics eliminate pressure points and deliver supreme, flexible, lightweight comfort
Sennheiser Open-frame Architecture reduces total harmonic distortion (THD) and minimizes resonance,improving audio accuracy
Includes Dear Reality dearVR MIX-SE plugin, turning your DAW into an ultimate virtual mixing environment via advanced spatial audio technology
Two unique sets of ear pads for producing or mixing help eliminate ear fatigue and pinpoint frequencies


Sustainability-inspired with washable, replaceable pads and FSC-certified, forest-friendly packaging
Geometrically angled earcup design optimizes transducer placement for a consistent listening experience
State-of-the-art neodymium magnets for superior driver performance and efficiency
Patented cable coil structure blocks cable-borne noise, ensuring the clearest signal
Ultralight voice coil for remarkably authentic and dynamic audio reproduction
Right and left ear jacks with detachable cable easily adapts to any studio configuration
Patented accessibility features: braille-guided L/R earcups and grooved ear pads for eyeglasses
Open-mesh metal earpiece covers provide natural ventilation
Durable design meticulously engineered in Germany and hand-assembled in Romania

Specs

Weight (g): 260 gr. (w/o cable)
Max. Sound Pressure Level: l128 dBSPL (1 kHz @ 5% THD)
Sensitivity: 105 dBSPL (1 kHz/ 1 Vrms), 96 dBSPL (1 kHz/ 1 mW)
Transducer principle: Dynamic, open
Wearing Style: Circumaural

Total harmonic distortion: <0.2% (1kHz, 100dB SPL)
Connector: 3.5mm/6.3mm

Ambient Conditions

Operating Relative Humidity: 10 to 80%, not condensing
Operating Temperature: +0-CC

Electrical Properties:

Sensitivity: 105dBSPL (1kHz/1Vrms), 96 dBSPL (1kHz/1mW)
Impedance: 130 ohms (1kHz)

Dimensions

Weight (g): 260g (w/o cable)
Cable length: 1.8m

Review: Natacha Fink's 'Pirarublue' delivers a sexy lounge vibe with hints of jazz rock, characterised by its catchy rhythms and melodies, while on the flip Nimalan Yoganathan presents 'Unseen Songlines,' an ambient piece rich in field recording atmosphere and experimental textures. With its unique sounding hord structures and ample use of echo, this track transports listeners on an introspective journey through soundscapes. Overall, the EP showcases the label's commitment to showcasing eclectic and boundary-pushing music from emerging artists.

Review: ***B-STOCK: Sleeve damaged but otherwise in excellent condition***


Berlin-based Korean Peggy Gou has been surprisingly quiet since first bursting onto the scene back in 2016. Here, she returns to action having graduated from Technicolour to parent label Ninja Tune. Many may already have heard EP standout "It Makes You Forget (Itgehane)", a percussively ambidextrous beast based around a bouncy, off-skilter, snare-heavy rhythm track. It has been much discussed online after Gou included it her recent Resident Advisor podcast. On the B-side you'll find tracks representative of her developing style, which draws together elements of European deep house, electro, early '90s U.S house, the rubbery disco eccentricity of Maurice Fulton and the instinctive polyrhythms more often found in traditional African music.

Notes: Introducing the CTRL CASE PUSH 3 - the perfect protective solution for live performers on the go. Custom designed to a hold the new Ableton Push 3 and is a very lightweight and convenient solution to carry the standalone instrument well protected to your next studio or live session. Crafted from rigid Durashock moulded EVA shell and a high-density foam interior it is furthermore equipped with an accessory panel to organize power plug, audio cables and accessories.

Fits

Ableton Push 3
Ableton Push 2
Ableton Push

Specs

Outer measures: 43 x 37 x 10,5 cm
Inner measures: 39 x 33 x 5 cm
Weight: 1,3 kg

Review: This is techno, but not as we know it from the Vigenere. Sparagamos (a fitting name given the word originally means to render, tear apart, or mangle) is behind these freaky beats but we nothing more about the artist. Suffice it to say they sure do have a fine grip of their studio and can manipulate sound in some thrilling ways. The opener is a warp-speed warehouse banger with distorted bass and manic energy, track two explores sludgy acid techno underworlds and track there is a twitchy cosmic workout with serene pads. 'Track 4' is a world of dystopian robotics while the flip side offers tripped-out, double-time dub techno, more acid intensity and experimental mind melters with exceptional sound design.

Review: BODEGA's debut album under Chrysalis Records, Our Brand Could Be YR Life, arrives as a culmination of their indie-rock musings on the encroachment of corporate influence into youth culture. Initially conceived eight years ago, guitarist and vocalist Ben Hozie has described it as a project they have long wanted to undertake. With 15 fantastic tracks, the album delves into various indie-rock subgenres, from dance-punk to shoegaze and psychedelic rock. Reflecting on themes of self-critique and cultural commentary, it offers a diverse sonic landscape, with hints of influences like R.E.M. This vital new collection shows BODEGA's musical evolution and retains their keen observations on contemporary societal shifts.

Review: We're big fans of this label here at Juno HQ as we have said before and how can you not be when it serves up soul as good as this? Mel Day delivers authentic deepness with 'Every Day I Try.' It is a heartfelt lament for lost love that is backed by the accomplished Tito Lopez Combo and some magnificent instrumentation. On the flip side, 'Baby Girl' sees Mel channelling the spirit of Joe Tex with confidence and flair. Produced under license from music maestro Harbans Srih, this vinyl-only release harks back to the golden era of soul music and is sure to prove a timeless modern classic.

Review: This Hawaii-based label consistently delivers soulful gems like this which is why we love it so much. Mel Day brings genuine depth with 'Every Day I Try,' a poignant reflection on lost love, complemented by the talented Tito Lopez Combo and superb instrumentation. On the other side, 'Baby Girl' showcases Mel's confident and stylish channelling of the spirit of Joe Tex. This vinyl-exclusive release, produced under license from the esteemed music maestro Harbans Srih, pays homage to the golden age of soul music and is destined to become a timeless modern classic.

Review: Lynn Davis, known for her illustrious career as a backing vocalist and member of George Duke's band, continues her solo journey with 'Beautiful You, her second single. Following the success of her debut release, 'Come Over,' Davis showcases her vocal prowess and sensuality once again in this sophisticated r&b ballad with a touch of jazzy swing. In 'Beautiful You,' Davis sings of recognising the inner and outer beauty in her partner, expressing gratitude for finding someone who surpasses expectations. The song beautifully captures the feeling of discovering that something seemingly too good to be true is, in fact, real. With its soulful melodies and heartfelt lyrics, 'Beautiful You' is another standout track from Davis, reaffirming her talent as a solo artist.

Review: Having previously successfully turned her hand to house and disco - many of our top pop performers have always been shapeshifting musical magpies (hello Madonna) - Beyonce Knowles Carter has now delved into the world of country music. No doubt you'll be bored of the endless discourse around Cowboy Carter, but that doesn't stop it from being a genuinely good album - a brilliant fusion of neo-soul, r&b and, yes, country music instrumentation that wisely leaves Beyonce's incredible voice front and centre. There are some genuinely notable covers - see her takes on the Beatles 'Blackbird' and Dolly Parton's 'Jolene' (featuring an introduction from her Dollyness) stand out - but the most striking songs are by and large her own work. For proof, see 'American Requiem', 'Most Wanted' (with Miley Cyrus), 'Sweet Honey Buckin' (with Shaboozy) and 'Tyrant'.

Notes: ***B-STOCK: Box opened, but product is in excellent condition and in perfect working order***


A characteristically unique take on mixing from Buchla, with six mono inputs and a built-in mic/guitar pre-amp. Each channel can be cued to a monitor mix, while the first and last channels also include voltage-controlled panning.

Supplier's Notes:
The Tiptop 207t is a modern reimagining of the classic Don Buchla 207 Mixer/Preamplifier from the 1970s 200 Series. This stereo mixer comes with a built-in preamp that allows you to boost external instruments and microphones, making it a versatile tool for any modular setup. The 207t also features a six-channel mixer with a variety of signal routing options, including the ability to route channels to the monitor and L&R signal outputs, with per-channel control over loudness and panning.

Each channel has a Mon switch that sends the channel's signal to the monitor outputs, which are always full-volume and summed to mono, making it useful for basic monitoring applications or rudimentary mixing. The Prog switch sends the signal to the L&R signal outputs, with loudness controlled by the Level Adjustment slider and panning determined by the Channel Assignment knobs. The first and sixth channels offer voltage control of panning; these channels are hard-panned when no CV is applied.

The preamp section features a 1/4" input and multiple gain settings, making it suitable for use with external line level instruments, electric guitars, or dynamic microphones. The continuous amplification control provides added flexibility for your audio needs. Finally, the Expansion In is a stereo input that sums to the left and right main outputs, which is great for chaining multiple 207t modules or adding another stereo source at the final output.

While the 207t's functionality may be simple, it is an essential part of any 200t system, serving as the glue that holds everything together. The Tiptop 207t is a fantastic mixer/preamp option that delivers quality sound and reliable performance.

Buchla 207t Features

Mixer/preamp module based on Don Buchla's original 207 design
Six-channel mixer with per-channel level control and panning
Voltage-controllable panning on channels 1 and 6
Manual panning on channels 2-4
Program switches can act as channel mutes for main outputs
Mon switches route signal (in mono) to Monitor output
Expansion input useful for stereo chaining and more
Re-designed preamp for high audio fidelity
Preamp suitable for use with external instruments, electric guitars, dynamic microphones, and more

Eurorack module
28hp wide

Notes: ***B-STOCK: Box opened, but product is in excellent condition and in perfect working order***


The Wave Transformer is a complex single oscillator with 7 audio outputs. Its method of wave shaping differs from other complex oscillators in that it is not based upon classic wave folding such as is common in West Coast synthesis, or filtration such as is common in East Coast synthesis.

This analogue, vintage-voiced, voltage-controlled oscillator features over 8 octaves of accurate pitch tracking. Its 7 simultaneous wave outputs include a unique Complex output. This strange and novel output varies between a simple waveform (triangle, unless you patch a signal into the Shape Insert jack) and a complex transformation of the harmonic structure of the original waveform. It contains a unique mixture of the fundamental frequency, odd order harmonics, even order harmonics and subharmonics. The Sub Octave panel control will determine whether the sub harmonics are derived from one octave down, two octaves down, or are muted altogether. It will vary from a simple waveform to a silhouette of your cat watching you as you react to a "present" that it left for you on the counter. No, seriously.

The module's Transform control morphs from a basic waveform through many strange iterations into a complex, gnarled mass of audio mutations at the Complex output using an asymmetrical multi differential audio transmutation circuit. You can yield countless variations on these permutations by combining this novel circuit with Hard Sync, Soft Sync, Linear FM and Exponential FM.

Additionally, you can mute the source waveform to use the circuit as a harmonic gate/VCA, rendering the Wave Transformer a voice unto itself.

If that is not enough, there is a Shape Insert that allows you to transform external oscillations and modular-level audio sources.

Notes: ***B-STOCK: Box opened, but product is in excellent condition and in perfect working order***


The 'Mega Milton' is a smorgasbord of handy all analogue utilities in just 8HP that will greatly extend the functionality of your Eurorack system.

It includes a stereo line input converter for incorporating line level external sources into a Eurorack system, a fixed 4 input mixer with breakout attenuator for combining signals, a gated slew limiter for adding slides to sequences, a sample and hold with analogue white noise with a myriad of uses such as generative melodies or producing percussive textures and finally a buffered mult for droop free signal distribution with handy LEDs to monitor.

All sections are normalised to help with typical use cases such as generating random CV from the sample & hold section, a smooth random source from the slew output and breaking out a standalone attenuator from the fourth mixer input.

The 'Mega Milton' provides essential classic synthesizer building blocks for patching in any Eurorack system.

Ideal For

Incorporating stereo external sources easily into your Eurorack system.
Signal attenuation and basic mixing in a small space.
Building percussion sounds from an analogue noise source.
Producing clocked random to add interest and variation to patterns and sounds.
Adding gated 303 style slides to patterns.
Creating and Manipulating patterns with Sample and Hold.
Buffering and monitoring voltage across multiple VCOs or other destinations with no drop.

Tech Specs

Supply: +12V 70mA / -12V 70mA
Size: 8HP
Depth: 32mm

Review: Togo Soul 2 is a fantastic compilation of rare Togolese recordings spanning 1974 to 1989. This treasure trove captures the essence of Lome's vibrant music scene and blends traditional voodoo chants, soul, and electro funk. Despite challenges in locating tracks and rights holders, after eight years of perseverance, 13 gems were selected with the guidance of Roger Damawuzan. Featuring stars like Akofa Akoussah and Gregoire Lawani, these tracks showcase Togo's rich musical landscape amid political influences. With original albums commanding high prices online, this selection offers a glimpse into a golden era of Togolese music, celebrating diversity and innovation.

Notes: ***B-STOCK: Box opened, but product is in excellent condition and in perfect working order***


Zoom's top-of-the-range handheld recording option, the H6essential records up to six tracks via built-in stereo mics and four mic/line inputs. Top quality 32-bit/96 kHz recording quality.

Supplier's Notes:
Zoom H6essential Handy Recorder

The Flagship - Zoom's most robust handheld recorder, the H6essential is a recording powerhouse. With 6 tracks of 32-bit float recording, the H6essential provides unprecedented quality and unmatched versatility.

Features

6-track 32-bit float recorder with Dual A/D Converters
Clip-free recording with no need to set gain
Records up to 96kHZ sample rate
Interchangeable Mic Capsule System 3.0 with 32-bit float support
Included X/Y Mic Capsule captures up to 135 dB SPL
4 XLR/TRS combo inputs with locking connector
Colour LCD Screen
Built-in mixer to adjust each track's audio level
Built-in speaker for quick reference playback
3.5mm headphone output plus 3.5mm line output
Voice Guidance accessibility for the visually impaired
32-Bit Float audio interface for PC, Mac, iOS, and Android devices via USB-C port
Use as an interface and record to SD card simultaneously
Using the BTA-1* Bluetooth Adapter, sync with wireless timecode devices via bluetooth
Use the BTA-1* Bluetooth Adapter to pair with the H6essential Control App for iOS
Record to SD cads up to 1TB
10 hours of battery life on AA battery (2x) or USB-C Bus Power
*Please note: BTA-1 Adapter not included

Outputs you need

Use the line output to connect to a camera and the headphone output to monitor your audio.

Quieter controls

Recording and rotary controls have been meticulously designed to allow for silent operation.

Onboard speaker

Use the improved onboard speaker to listen to your recordings for quick reference.

Six perfect tracks

The 4 XLR/TRS combo inputs feature ultra-clean Zoom preamps, and the included X/Y microphones can capture up to a booming 135 dB SPL, equivalent to a jet taking off.

Record and stream

Use the USB-C port to connect to PC, Mac, iOS, and Android device to use the H6essential as a 32-bit float interface while simultaneously recording all 6 tracks to an SD card.

Pair with your iOS device

Use the BTA-1* Bluetooth Adapter to pair with your iOS device to remotely hit record, adjust your mix, view your waveforms, and change settings.

Bluetooth timecode

With the BTA-1* Bluetooth Adapter you can also pair with Bluetooth timecode devices for audio and video sync. *BTA-1 Adapter not included.

Specs

Input & output channels

Inputs
Mic capsule: 1
MIC/LINE (mono): 4

Outputs
LINE OUT: 1
Headphones: 1
Built-in speaker (mono): 1

INPUTS
XY mic: XYH-6e: 90O XY stereo format
Directionality: Unidirectional
Sensitivity: -42dB/1Pa at 1kHz
Maximum sound pressure input: 135 dB SPL

MIC/LINE (mono)
Connectors: 4 XLR/TRS combo jacks (XLR:2 HOT TRS:TIP HOT)
Input gain: Adjustment unnecessary (dual A/D converter circuits used)
Input impedance: MIC: 3.8 kO or more, LINE: 39 kO or more
Maximum input level: MIC: +4 dBu, LINE: +24 dBu
Phantom power: +48 V
Channel total: 32 mA or less
Equivalent input noise MIC: -120 dBu or less(IHF-A) @150 O input, LINE: -95 dBu or less(IHF-A) @600 O input

OUTPUTS

LINE OUT
Connector: Stereo mini jack
Maximum output level: +1 dBu
Output impedance: 110 O or less

Headphones
Connector: Stereo mini jack
Maximum output level: 20 mW + 20 mW(when 32 O load)
Output impedance: 10 O or less

Built-in speaker
Type: 20 mm x 30mm elliptical dynamic speaker
Effective maximum output: 250mW

RECORDER
Maximum simultaneous recording tracks: 8
Maximum simultaneous playback tracks: 6

Recording formats:
WAV
44.1/48/96 kHz,
32-bit float mono/stereo
BWF and iXML formats supported

Recording media: 4-32GB cards compatible with the microSDHC specification, 64GB-1TB cards compatible with the microSDXC specification

Display: 2.0-inch full-colour LCD 360 x 240

USB
Connector: USB Type-C - Use a USB cable that supports data transfer.
Audio Interface : USB 2.0 High Speed
Input and output channels: 6 in / 2 out (Multi), 2 in / 2 out (Stereo)
Sampling frequency: 44.1/48/96 kHz (AIF only), 44.1/48 kHz (AIF + onboard recording)
Bit depth: 24-bit, 32-bit float
File transfer: USB 2.0 High Speed

Remote

Dedicated wireless adapter: ZOOM BTA-1

Power

4 AA batteries: Alkaline, lithium or rechargeable NiMH batteries
AC Adapter: ZOOM AD-17 (DC 5 V/1 A) - USB bus power is supported.

Estimated continuous operation times using batteries: 2-track recording (XYH-6e)
Alkaline batteries: About 18 hours
NiMH batteries (1900 mAh): About 14.5 hours
Lithium batteries: About 30 hours

48 kHz/32-bit float with phantom power off, no headphones, no LINE OUT, no REMOTE, Power Saving on, Display Brightness Medium
These values are approximate.
Continuous battery operation times were determined using in-house testing methods.They will vary greatly according to use conditions.

Estimated continuous operation times using batteries: 6-track recording (XYH-6e and inputs 1-4)
Alkaline batteries: About 3.5 hours
NiMH batteries (1900 mAh): About 4 hours
Lithium batteries: About 9 hours
48 kHz/32-bit float with phantom power off, headphones used (33O load), no LINE OUT, no REMOTE, Power Saving on, Display Brightness Medium
These values are approximate.
Continuous battery operation times were determined using in-house testing methods.They will vary greatly according to use conditions.

Power consumption: 5 W maximum

Dimensions
Recorder: 78.1 mm (W) × 160.1 mm (D) × 42.8 mm (H)
XYH-6e: 69.1 mm (W) × 50.8 mm (D) × 43.0 mm (H)
Weight Recorder: 381 g (including batteries)
XYH-6e: 42 g
Note: 0 dBu = 0.775 Vrms

Review: ***B-STOCK: Box slightly damaged, slight surface marks, otherwise in perfect working order***


The 1971 classic album by Canadian singer-songwriter Joni Mitchell, Blue is widely thought by many music lovers to be one of the best albums of all time. Already well into her career by the time of its release - it's her fourth album - it was certainly Mitchell's best yet, reflecting a period in her life where she took a break from touring and live performing to focus on creation. Its confessional and poetic lyrics, not to mention the distinctively groggy yet idyllic guitar and piano playing on songs like 'All I Want', 'River', 'A Case Of You', heard Mitchell encapsulate the various milestones, Renaissances and turning points of the contemporary rock landscape of the 1970s, into a singular LP.

Review: Mute's latest offering, Extra, unveils a treasure trove of live recordings and remastered tracks from the enigmatic post-punk outfit These Immortal Souls. Led by the inimitable Rowland S. Howard, known for his pioneering work with the Birthday Party alongside Nick Cave, the band's Australian roots infuse their London-based sound with a unique edge. This album, accompanied by detailed sleeve notes by original member Harry Howard, serves as a companion piece to the 2024 remasters of their seminal debut Get Lost (Don’t Lie!) and sophomore effort I’m Never Gonna Die Again. The tracklist is a akin to the band's eclectic tastes, featuring visceral renditions of classics like Alice Cooper’s 'Luney Tune' and Iggy Pop & James Williamson's 'Open Up and Bleed.' With Rowland S. Howard's distinctive vocals leading the charge, complemented by the masterful musicianship of Harry Howard, drummer Epic Soundtracks, and keyboardist Genevieve McGuckin, These Immortal Souls deliver a sonic journey that transcends time and genre boundaries. Formed in 1987 after departing Crime & the City Solution, These Immortal Souls carved out their own sonic niche, blending raw energy with haunting melodies. Extra offers a glimpse into the world of one of post-punk's most underrated gems.

Review: Back in 1991, PT House's debut album Big World introduced Soweto rapper Nelson Mohale (who was later known as Dr House) to South Africa's burgeoning house and kwaito scene. Collaborating with producer Danny Bridgens, known for his work with Yvonne Chaka Chaka and Margino, the newly formed pair fused US and UK hip-house influences with local flavours and always imbued their music with a positive outlook for the future. Now reissued for the first time on Afrosynth Records, the small but well-formed four-track record remains a bold testament to their vision and has more than stood the test of time with its vibrant energy and forward-looking spirit.

Review: Mark Knopfler's One Deep River delivers a steady stream of timeless classics, featuring his signature blend of poetic lyricism and exquisite guitar work. As the tenth solo album released on his own label, British Grove via EMI, Knopfler continues to captivate with his warm vocals and masterful compositions. The album's lead single, 'Ahead Of The Game,' sets the tone with a melancholic narrative, possibly autobiographical, over a classic Knopfler riff. Title track 'One Deep River' taps into Knopfler's emotional ties to his hometown of Newcastle, particularly the Tyne River. This connection to childhood memories imbues the album with a sense of nostalgia and introspection, echoed in each meticulously crafted song. Produced alongside longtime collaborator Guy Fletcher, the album exudes sophistication and depth, with Knopfler's guitar textures and evocative storytelling taking center stage.

Review: The present face of IDM is here heard occupied by dream duo D'Arcangelo and Karsten Plum, whose latest joint effort for Acid Avengers bowls us over with its acid tweezings, pangs, twingings, twangs, thrums and flits-past. The pH scale skyrockets to the point of insanity on Pflum's side, with 'Hornfish Acid' and 'Aroe Acid' jointly corroding the full length of the Earth's core with their snippy but incisive sizzles and 'ows, until we reach a forbidden underworld uncannily reminiscent of Oz - except the faces of the protagonists are horribly twisted into a yellow, illegal-raved rictuses. D'Arcangelo's 'Gawain' does equally as much with its eerie sprung-verbed chroma-chords and muted but moving melodies; so too does 'Walker Two' raise the tempo to silly speeds, coming as a veritable velociraptor of Druqks-y breaks and drill bits, all let loose from the barrel at a surely illegal rate of fire.

Review: ***B-STOCK: Slight surface marks ***


The Charlatans self-titled fourth album gets a lovely yellow make over for this reissue on Beggars Arkive. It's the first time for over 20 years new copies of this landmark album have been pressed, and Frank Arkwright at Abbey Road has taken care of the excellent mastering. The original release date was in 1995, and the album was the most ambitious of the band's career with plenty of number ones included along the way. The most successful of these of course was 'Just When You're Thinkin' Things Over'. It's a real piece of classic 90s indie that will always sound good.

Review: Fargo Year Five is the fifth instalment of the acclaimed series Fargo and it debuted on screens back in November 21, 2023, and rolled out ten more gripping episodes. Continuing the tradition, Jeff Russo crafted the captivating music for this season, as he did for the preceding four. Notably, Russo clinched the Primetime Emmy Award for Outstanding Music Composition for a Limited Series, Movie, or Special in 2017 for his exceptional work on Fargo. Besides his prowess in television composition, Russo is revered as one of the founding members of the band Tonic, showcasing his multifaceted talent across various facets of the music industry, and this score is as good as all the ones that came before it.

Review: Keyboardist Stale Storlokken leads the trio through six stellar compositions, showcasing hypnotic, magical, and razor-sharp polyrhythms. The album - the follow up to their acclaimed album Arrival of The New Elders - maintains the band's signature groovy mix of high-energy rock and power jazz while incorporating more structure and reflection and displaying a more diverse and mature approach. Recorded and mixed by producer Mattias Glava, Mythical River solidifies Elephant9's position as a contemporary, timeless and futuristic band.

Review: In 1994, legendary hip-hop stoners Cypress Hill took the stage at Woodstock '94 and left an indelible mark on the iconic festival. With their groundbreaking fusion of hip-hop and rock, the 'Hill captivated the Woodstock crowd with their electrifying performances and brought all of the raw energy and innovative sounds they are so well loved for. The group's set at Woodstock '94 showcased their ability to command any stage, drawing fans from diverse musical backgrounds as they worked through many of their most well loved hit and in doing so solidified their status as pioneers of the rap-rock genre.

Review: This project, which translates to "The Way of Music" in English, is a collaborative initiative spearheaded by Groh, founder of the esteemed Polish hip-hop label JuNouMi which was established in 2002. It marks a fusion of talents between Polish and Japanese artists and commenced with Twardowski crafting music using samples from Japanese albums followed by the inclusion of MCs KANETSUGU and Prykson Fisk. DJs 1an from Tokyo and DJ Eprom from Warsaw joined the ensemble while the design, handled by Magorzata "Mauko" Korczak, explores Japanese Shod? calligraphy. This 7" release marks the start of a new Polish-Japanese collaborative series with more to come.

Notes: Maggot Brain Issue 16: Spring 2024

This is a really packed, special issue of Maggot Brain, with the feature cover story a comprehensive interview by celebrated writer Sasha Frere-Jones with essayist, Lucy Sante (who's written for every issue of MB since the start), on the occasion of her awesome memoir about transitioning, I Heard Her Call My Name.

Phill Niblock: A tribute to the genius musician, filmmaker, label head, and generous promoter of ecstatic sound, by Steve Silverstein.

Tresa Leigh: An in-depth feature on the star of Efficient Space's beloved Ghost Riders compilation! Really a beautiful, untold story.

Dredd Foole: As his legacy is revealed through Corbett vs Dempsey's archival series, Foole talks to Six Organs of Admittance's Ben Chasny about the role of his band the Din in the Boston underground. Plus sidebars from Christina Carter, Kris Price, and Phil Milstein.

Loopsel: Mike McGonigal on some of the most elusive, beautiful contemporary music, straight out of Gothenburg.

Jeff Noon: An illuminating interview with the British speculative writer on his newest work as well as the 30th anniversary of the stunning Vurt.

Sleater-Kinney: 30 vital years of uncompromising music, by none other than Audrey Golden!

Hudson of Feature Inc.: A celebration of the most innovative gallerist of our lifetime on the occasion of the Soberscove Press book about his work and life.

Shabazz Palaces: The creator of vital, spiritual hip-hop beautifully interviewed by Detroit-based musician and writer Zachary Weedon.

Birtha: Nate Carson's in-depth feature on the pioneering, all-women boogie-choogle act.

Shonto Begay: One of Maggot Brai's favourite contemporary writers, JD O'Brien, in deep discussion with the great Native American painter-with particular emphasis on how his works engage with and are influenced by music. This piece alone is so well-written and illustrated it's worth buying the issue for.

Some columns: The debut of archivist Andy Zax's fabulous 'Extinctophonics' column! Cassette reviews, plus copious book and record reviews as well! Ana Gavrilovska on Detroit-based jazz duo Balance! Nate Carson on the Earth documentary, in the debut of the music documentary column! The latest Icons column finds Michelle Dove exploring the work of Chicago's beloved Douglas McCombs! 13 Questions for contemporary folk great Lael Neale by Mike McGonigal! And more Lucy Sante!

Review: Brian Williams' Lustmord project has existed in different forms for over 40 years, though it's only in the last couple of decades - when it has become a vehicle for his solo work - that new musical missives have become a regular occurrence. On Much Unseen Is Also Here, the former industrial musician turned soundtrack composer once again showcases his mastery of pitch-black sonics, creepy soundscapes and horror-inspired dark ambient workouts. As you'd expect, the sound design is incredible - listen on good quality headphones for the ultimate listening experience - while Williams' penchant for throwing in suspenseful chords, billowing aural textures and unsettling vocalisations adds further layers of paganistic mystery.

Review: There's been rather a lot of noise about Jaguar II, Victoria Monet's much-delayed full-length follow up to 2021's Jaguar mini-album. The hype is, in many ways, understandable - it did recently scoop the 'Best R&B Album' award at the GRAMMYs. More importantly, it's also very good, with the decorated songwriter-turned-pop star confidently serving up retro-futurist gems who's punchy 21st century r&b beats come cloaked in musical motifs that frequently offer nods to black American music of the 1970s, 80s and early 90s. The plentiful highlights include Lucky Daye hook-up 'Smoke', the dancehall-fired excellence of 'Party Girls' (featuring Buju Banton), the Fugees-esque beauty of 'How Does It Make You Feel', and the glossy disco-soul dreaminess of 'Hollywood', where her young daughter Hazel and Earth, Wind and Fire both play starring roles.

Review: ***B-STOCK: Creasing to corner of outer sleeve but otherwise in excellent condition***


In anticipation of Nouvelle Phenomene's forthcoming album, Bordello A Parigi concomitantly announce the reissue of their acclaimed debut LP Glory Of Romance, almost ten years after its initial release. An emotively depth-scouring work of contemporary synthwave-via-darkwave, the musical quadrangle of Angela Santa, Fanni Santa, Peter B. and Zsolt Dziba first produced this impressive studio project under the ambit of Russian indie label Other Voices, giving rise to the likes of 'Glory Of Romance' and 'Caresse', both excellent singles venturing into a well-established sound, yet colliding it with a fabulously fresh thematic locus, such as modern-day fatigue and artifice. Truly an ever-new phenomenon, Nouvelle Phenomene's style - that of gothic-sonic art nouveau - is a newness that nevertheless does not forfeit timelessness.

Review: Thin Lizzy's double album 'Life,' recorded during their farewell tour in 1983, offers a boisterous yet intriguing glimpse into the band's final days. It boasts guest appearances by guitar legends Gary Moore, Eric Bell and Brian Robertson and boasts a tracklist that spans their discography, featuring selections from their last four albums. Highlights include fiery renditions of tracks like 'The Sun Goes Down,' 'Renegade,' and 'The Boys Are Back in Town.' Notable moments include a mind-blowing guitar solo by John Sykes on 'Got to Give It Up' and a chaotic jam session on 'The Rocker' featuring all five guitarists. While Life captures Thin Lizzy's energy and spirit os fully captured it remains a solid representation of the band's live performance abilities and serves as a fitting farewell to their legendary career. This reissue comes in limited gatefold translucent on blue vinyl which makes it extra special.

Review: The Soul Surfers & Shawn Lee have linked their creative energies once more with a new pair of singles for the cultured Spasibo Records. Both tracks on this limited gold vinyl were recorded in 2018. One was captured at Moscow's Magnetone studio during Lee's visit for the premiere of a movie documenting his prior recording with The Soul Surfers, and the other was recorded remotely with The Soul Surfers at their Nizhniy Novgorod headquarters and Lee at his London studio, The Shop. The collaboration is a fruitful one with two sublime and timeless funk cuts featuring some bittersweet replaying of classic melodies.

Notes: CoverUp designed two ergonomic support models for the OP-1: Studio and Live versions.

The Studio support has a higher incline and is elevated. This is ideal for seated use, improving screen visibility, and the height allows it to be positioned even behind other desktop equipment.

The Live version of this support has a slight incline and is intended for use in a live or standing situation.

Both supports have rubber feet to prevent slipping and are adorned with two well-known characters that appear on the OP-1.

Review: "The album was inspired by my many happy DJ nights promoting my club night 'Club Pod' down in Brighton in the 1990s and my love of all things Sixties Freakbeat. I wanted to put as many great tracks as I could on one compilation to hopefully bring across the feeling of sheer joy from spinning these awesome tracks in a club and seeing the place go off," says Mark McQuillan, the man responsible for this expansive compendium to a driving 1960s sub genre of UK and US guitar undergrounds. The Haunted, The Birds, The Wimple Winch, The Remains, The Kinks, The Eyes, The Shadows of Knight, and The Action, all make appearances. As do other bands that don't start with 'the'. For example, Davie Allan & The Arrows, Count Five, and Spencer Matthews Band (just kidding). If you know, you know.

Notes: Inside our brand new issue:

Still House Plants: London's post-post-punk trio use deconstructed songform to tap emotions others cannot reach. By Frances Morgan

FUJI|||||||||||TA: Pulling out the stops with homemade pipe organs. By Antonio Poscic

Cheer-Accident: Thymme Jones's motley crew of Chicago outsiders flip the conventions of the rock band. By Peter Margasak

Lolina: One half of influential duo Hype Williams explores a comic book dystopia in new project Unrecognisable. By Claire Biddles

NikNak: The British musician turns the tables on sound art. By Tayyab Amin

Invisible Jukebox: Kristin Hersh: Will the songwriter and author find her muse in The Wire's mystery record selection? Tested by Emily Pothast

Unlimited Editions: Tripalium Corp

Unofficial Channels: Billdifferen

Ana Lua Caiano: Portuguese tradition made anew by the musician and audiovisual artist. By Shane Woolman

BBBBBBB: The Japanese trio present their scum manifesto. By James Hadfield

Fatboi Sharif: The Garden State Gargoyle raps a dance of the macabre. By Joseph Stannard

Angelica Sanchez: A set of monster jams from the East Coast pianist. By Stewart Smith

The Inner Sleeve: Lee Gamble on Various Artists' Decay Product

Epiphanies: Jlin maximises her creative potential with Philip Glass

Soundcheck: [Ahmed], Ancine, Andrea & Mud, Maria Bertel Et Nina Garcia, Alan Braufman, Anthony Braxton, Kyle Bruckman, Natalia Cappa, John Carpenter/Cody Carpenter/Daniel Davies, Cheer-Accident, Clarissa Connelly, Anastasia Coope, Viv Corringham, Alison Cotton, Couch Slut, Richie Culver, Elkhorn & Mike Gangloff, Phil Geraldi, Carlos Giffoni, Allen Ginsberg, Allen Ginsberg & Youth, Grackles, groundsound, Liz Helman, Julia Holter, Jack O'The Clock, Goran Kajfes Tropiques, Kowloon Spider Temples, Sean Ono Lennon, Magic Tuber String Band, DJ Marcelle, Melvins, Monopoly Child Nightlife, Monopoly Child, Star Searchers, NOUT, Bill Orcutt Guitar Quartet, Organum Electronics, OU, Pye Corner Audio, Quiet Husband, Mikel Rouse, Bianca Scout, sinono, Sleepytime Gorilla Museum, Ches Smith, Kavain Wayne Space & XT, Guido Spannochi, Malini Sridharan, Luke Stewart Silt Trio, Sunburned Hand Of The Man, Thollem, Thollem & Ka, Thollem/Terry Riley/Nels Cline, tilt, Toadliquor, Alan Tomlinson & Lawrence Casserley, Alan Tomlinson Trio, Kamasi Washington, Larry Wish, Cody Yantis, Zombi, Various Resist Colonial Power By Any Means Necessary

The Boomerang: Amon Duul, As One, Cranes, Curve, Brian Eno, Brian Eno/Holger Czukay/J Peter Schwalm, NRG Ensemble, Pharoah Sanders, Linda Smith, Twelve Cubic Feet, Vile Cherubs, Mars Williams & Hamid Drake, Mars Williams/Darin Gray/Chris Corsano, Bernie Worrell, Bernie Worrell/Cindy Blackman Santana/John King, Various Aceh Punx Compilation, Various Groucho Marxist Record Co.Operative, Various Noise Of Cologne 3, Various Punk KS, Various Trouble Brews: A Belfast Punk Compilation

Print Run: Basta Now: Women, Trans & Non-binary In Experimental Music by Fanny Chiarello; Dream Machines: Electronic Music In Britain From Doctor Who To Acid House by Matthew Collin; Ears To The Ground: Adventures In Field Recording And Electronic Music by Ben Murphy; Ain't It Fun: Peter Laughner & Proto-Punk In The Secret City by Aaron Lange; 20 000 Words: Interviews With Antoine Le Bousse by Sylvain Darrifourcq; Switched On: The Dawn Of Electronic Sound By Latin American Women edited by Luis Alvarado & Alejandra Cardenas; The Future Of Songwriting by Kristin Hersh; Elizabethan Tape Loops by Drew Mulholland; The Notebooks Of Sonny Rollins by Sonny Rollins with Sam VH Reese (Editor)

On Screen: Neo Sora Ryuichi Sakamoto: Opus

On Location: Andre 3000, San Francisco, US; Fred Frith & Susana Santos Silva, London, UK; FLEA Presents Random Gear Festival + Rashad Becker + Joanne Robertson + Callahan & Witscher + Nick Malkin, London, UK; Cassie Kinoshi with seed. + NikNak + London Contemporary Orchestra, London, UK; Fortuna 2024, Tokyo, Japan; Charlemagne Palestine, Amsterdam, Netherlands; On An Endless Road: It? Noe And The Women Composers Of Her Time, London, UK; Ustad Noor Bakhsh, London, UK; Glamorous Pharmacy, Shenzhen, China; ML Buch + Astrid Sonne, London, UK; Life After Death, London, UK; Brighde Chaimbeul, London, UK

On Site: Pan Daijing Mute, Munich, Germany; Ginsberg In London, London, UK

Review: Is there a more fun and hard-to-pin-down label than Studio Barnhus? The plaything of Swedish artists Kornel Kovacs, Axel Boman and their mate Petter Nordkvist it has done it all from trancehall to bubblegum house via pop edits and plenty in between. Now they look to Stockholm boys Ari Bald & CJ Scott once more for a new EP that bangs hard and has a great sense of character, much like their label debut here last year. All four of these house cuts are full-flavoured slammers with heartfelt vocal samples and lovely naive melodies that really make their mark.

Review: A sprawling, typically irreverent effort from the ever-prolific DMX Krew. With each unfolding track, Edward Upton charts a new tributary in the Detroit-Berlin-Sheffield pipeline, from the grouchy technoid stomp of 'Bathtime Bobby', to the hazy chillout room introspection of 'Escape To 92', to the dazzled machine funk of aptly named elektro quest 'Desperate Measures'. Another thoroughly satisfying entry in the ever-growing DMX catalogue, Spiral Dance is a sizzling hotplate of timeless electro wizardry.

Review: ***B-STOCK: Sleeve damaged but otherwise in excellent condition***


Impex Records is shares a new, audiophile-quality LP release of Bud Shank's pivotal 1961 classic, Barefoot Adventure. With original compositions arranged by Shank for Bruce Brown's surf film of the same name, this is a swinging, hard-driving jazz session by six top-flight musicians at the height of their careers: Bud Shank (alto and baritone), Bob Cooper (tenor), Carmell Jones (trumpet), Dennis Budimir (guitar), Gary Peacock (bass), Shelly Manne (drums). The original Pacific Jazz recording features excellent sonics and showcases Shank at his most adventurous, toying with an advanced confidence and sophistication. Remastered and cut to lacquer by Kevin Gray from the original 1961 analogue master tape, this ultimate vinyl edition of Barefoot Adventure will satiate the most demanding audiophile and jazz enthusiast alike!

Review: ***B-STOCK: Sleeve damaged but otherwise in excellent condition***


Over the course of his long and successful career, Ennio Morricone composed many dance songs in step with the fashions of the late 60s and early 70s. These were themes not necessarily directly connected with his films' synopses, but which were nonetheless played in disco clubs, on jukeboxes, turntables and on the radio. This collection contains a selection of pieces such as the brilliant main theme from Grand Slam (1967); the shake rock (opening credits) from Dario Argento's classic Four Flies On Grey Velvet (1971) the danceable from the noir film Violent City (1970); the beat version of the opening credits of 'Pioggia Sul Tuo Viso' by the Sorrows, from How I Learned to Love Women (1966); 'Per Vittorio (Bossa)', an elegant bossa nova with flute and percussions from The Success (1963); the tribal shake from I Cantori Moderni, which winks at the dies irae from Garden of Delights (1967); 'Scuola di Ballo al sole', a wild surf piece from the Hawks and the Sparrows (1966); the supreme bossa nova from One Night at Dinner (1969) with the super iconic voice of Edda Dell'orso; the shake music of "'Ostinazione al Limone from What Have you Done to Solange? (1972); and 'Donnabossa' from Full Hearts and Empty Pockets (1964), a delicate bossa nova piece with a prominent harpsichord.

Review: ***B-STOCK: Sleeve damaged but otherwise in excellent condition***


Pleasure of Love reissue imprint, New Islands, launches with a quiet stormy, soulful Balearic stunner. Kim Yaffa's 'Once Bitten' was recorded in LA and released on a 1989 private press 7", only to be buried in American record bins for decades after. A re-emergence of Yaffa's music on the internet in the last couple years has reached a fever pitch, with collectors thirsting after copies of the record. Now, New Islands has worked directly with the artist to deliver an official reissue, professionally transferred from the mixdown reels, carefully restored, and remastered. The track is an effortless class-act pop tune, with 80s blue eyed soul / Sade inspired sounds, and unknowingly Balearic production that renders it timeless (it's reminiscent of Linda Di Franco, Edie Brickell or 80s Fleetwood Mac). The 12" is rounded out by new mixes from Michael David (Classixx) and Nick the Record & Dan Tyler (Record Mission).

Notes: The new MULTI-FORMAT CASE PLAYER/MIXER (V10/A9) SET is specifically designed for transporting two CDJ/Multimedia Players and a 6 or 4-channel club mixer, such as the Pioneer DJM-V10, DJM-A9, or Ecler Warm 4. The case is universally compatible with all current models from Pioneer DJ, Denon, Allen & Heath, Ecler, Rane and Reloop, and can be adjusted to different device sizes using the included foam strips. Crafted from 9 mm vinyl laminated plywood, sturdy aluminum profiles, heavy duty butterfly latches and smooth rolling wheels, this case provides ultimate protection for mobile use on the road.

Fits

Pioneer DJM-V10
Pioneer DJM-A9
Pioneer DJM-900 NXS2
Pioneer DJM-900 NXS / SRT
Pioneer DJM-800 / 700 / 600
Pioneer CDJ-3000
Pioneer CDJ-2000 NXS2
Pioneer CDJ-2000 NXS
Pioneer CDJ-900 / 850 / 800
Pioneer XDJ-1000
Allen & Heath PX5
Allen & Heath DB4
Allen & Heath DB2
Allen & Heath Xone 92 / 62 / 43C
Denon LC 6000 Prime
Denon SC-6000 / SC-6000M
Denon SC-5000 / SC-5000M
Denon X1850 / X1800
Denon X1600
Denon SC3900
Denon SC2900
Reloop RMX-90 DVS
Reloop RMX-80 Digital
Ecler Warm 4
Ecler NUO4
Rane MP2015
Rane Sixty-Eight / Sixty-Four

Specs

Outer measures: 125,4 x 59 x 25 cm
Inner measures: 33,1 x 42,5 x 8,4 cm / (CDJ compartment) 43,7 x 45,4 x 8,4 cm (Mixer compartment)
Weight: 21,5 kg

Review: Analogue is the Greek label which takes no prisoners in its pursuit of pure techno perfection and that's abundantly clear on this latest Various Artists drop, as Dax J kicks into gear with the searing, pummelling intensity of 'Ares'. It's a proper fist-shaker which sets you up for the hi-octane rumble of Kaiser's 'Kal' and ANFS' industrial jackhammer 'Amete'. That leaves Jerm to clean up with another weapons grade sheller driving ever-downwards in the ultimate ticket to peak time submission. This is techno in the toughest sense of the word - a very specific sound executed perfectly.

Review: Much contemporary and so-called cosmic American music lacks true cosmic essence, appearing more as imitation than innovation. Trummors' fifth album, 5, defies this norm with refreshing originality and exquisite execution. With lyrics akin to Robert Creeley's poetry and melodies that feel timeless, songs like 'Hey Babe' captivate with fatalistic beauty. Lerner and Cunningham's harmonies, complemented by skilled musicianship, create a captivating atmosphere and subtly blend genre conventions. Despite its rapid creation amidst uncertainty, 5 exudes both weight and airiness, ancient resonance and contemporary charm. Trummors' achievement in transcending tradition with confidence and immediacy is truly remarkable.

Review: Le Couleur consistently sidesteps complacency with each new album presenting a fresh musical experiment without ever losing its familiar foundation. With Comme dans un penthouse, the band takes its biggest leap into musical exploration yet as they revisit elements of 'Voyage Love' while delving deeper into disco infused with new wave nuances. The result is a cooler, more distant vibe compared to their previous work. The album crafts a narrative universe around Barbara, introduced in 'POP,' as she seeks excess, pleasure, and happiness amidst frenetic rhythms. From the Krautrock-inspired 'Autobahn' to futuristic tracks reminiscent of Das Mortal, Le Couleur deftly balances innovation with familiarity here on another sublime-sounding album.

Review: Meril Wubslin's fourth album, Faire ca, is a daring musical odyssey that ventures into uncharted territories with fearless creativity. Recorded in Kwake Bass' South London studio, this nine-track masterpiece defies genre boundaries, seamlessly blending blues, folk, post-rock, and dub to create a unique sonic landscape. Collaborating with Kwake Bass, known for his groundbreaking work with Sampha and Kae Tempest, Meril Wubslin fearlessly explores unfamiliar soundscapes. From the intimate blues and folk-inspired 'Grands Espaces' to the experimental fusion of 'La Main' and the electro-blues percussion of 'Famille Phare,' each track showcases the band's innovative spirit and exceptional musicianship. With its bold experimentation and captivating melodies, 'Faire ca' promises enduring musical rewards for listeners and solidifies Meril Wubslin's position as pioneers in the realm of avant-garde music. This album is a must-listen for anyone seeking a fresh and exhilarating musical experience.

Review: ***B-STOCK: Sleeve damaged but otherwise in excellent condition***


Sons of Kemet had already made themselves into stars before they released their debut album. They did so with electrifying live shows all around the UK with each member of the supergroup which is led by clarinetist, saxophonist and composer Shabaka Hutchings with Oren Marshall on tuba and Tom Skinner and Seb Rochford on drums, all coming together to create fresh jazz fusions. When Burn landed a decade ago it took things up a notch. It has addictive melodies that work for both heart and mind and now gets a special anniversary reissue.

Review: ***B-STOCK: Sleeve damaged but otherwise in excellent condition***


2022's stunning album Once Twice Melody was a fine example of Beach House doing what they do best - living bang up to that name, with intimate-but epic instrumentation falling somewhere between surf-y jangle and grand shoegaze. 'Become' is definitely on a similar tip, and as such feels much like an extension of the long form.
Dig a little deeper, though, and scratches begin to show. While the full-length record represented Beach House reaching for the stars, or at least the moon, and stepping into the role of festival headliners, here the sense of pure confidence and occasion is less pronounced. That may not be a bad thing, mind, because while Once came across like a finished article, refined and prepared, things here seem somehow rawer, as though we're sitting in on a session as oppose to getting the signed off product.

Review: ***B-STOCK: Without original outer box, product has light surface marks but otherwise in perfect working condition.***


Twenty years ago it sounded like an oddly poignant evocation of pre-millennial tension. Two decades later it stands as an eerily prescient glimpe into the technological alienation and dislocation of of a new era. Yet more importantly, OK Computer is no more or less than a sparkling, dramatic and moving collection of songs that haven't lost any of their impact in the interim. The sound of a band stubbornly refusing to follow up the stadium-strafing stylings of its predecessor The Bends - and instead bursting headlong into experimentation and wild creativity -is portrayed in still more vivid colours by the alarmingly strong collection of out-takes and B-sides collected herein, Yet there's no getting away from the chill and spark that marked out OK Computer from everything surrounding it in the post-Britpop malaise, and continues to do so in the pre-Brexit counterpart.