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We Still Can't Say Goodbye: A Musicians Tribute To Chet Atkins (limited orange vinyl 2xLP)
Cat: MGMS 14885.1.
50s/60s
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Cat: MGMS 14882.1.
50s/60s
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J Jazz: Free & Modern Jazz From Japan 1954-1988 by Tony Higgins & Mike Peden (hardback book + CD)
Cat: 1010008 Rel: 31 May 24 • View all Music books
A remarkable large-format book covering some of the deepest, rarest, and most innovative jazz music released anywhere in the post-war era
Notes: BBE Music is thrilled to present J Jazz: Free and Modern Jazz From Japan 1954-1988, a remarkable large-format book covering some of the deepest, rarest, and most innovative jazz music released anywhere in the post-war era. Compiled by Tony Higgins and Mike Peden, co-curators of BBE Music’s acclaimed J Jazz Masterclass Series, the book also features a foreword by Japanese jazz icon, Terumasa Hino.
This is the first time a book of this type has been has been published outside of Japan and the first anywhere of this size and scale. It is a unique collection of over 500 albums of free and modern jazz recorded and released in Japan during a period of radical transformation and constant reinvention. An era that saw Japan return from the ravages of World War Two to become a global economic power and emerge as both a technological leader and an international cultural force.
Through a unique gallery of albums, J Jazz charts the development of jazz in Japan from the first stirrings of the modern jazz scene in the mid to late 1950s and on through the hard bop and modal jazz of the 1960s. It steers the reader into the radical directions of the 1970s when free jazz, fusion, post-bop, and jazz-funk opened up a growing number of Japanese jazz artists to a new global audience before consolidating in the mid to late 1980s with a musical scene that laid the path for the contemporary jazz generation to follow.
Over 500 full-colour sleeves from many of the leading names in Japanese jazz sit alongside rare and private pressings that tell a story of constant change and musical exploration. J Jazz includes profiles of several leading record labels such as East Wind, Frasco, King Records, and Nippon Columbia as well as critical independents such as Three Blind Mice, ALM, and Aketa’s Disk. J Jazz includes interviews with celebrated jazz photographer Tadayuki Naito, and pianist Tohru Aizawa, bandleader on the totemic spiritual jazz album, Tachibana Vol 1, as well as free-jazz record collector and jazz musician Mats Gustafsson.
The book also features a chapter on albums by non-Japanese artists that only received a Japanese release, with collectible, rare, and obscure releases by figures such as Herbie Hancock, Miles Davis, Mal Waldron, Steve Lacy, and Art Blakey. J Jazz includes Japanese jazz charts from some of the world’s leading jazz DJs including Gilles Peterson, Toshio Matsuura, Paul Murphy, and Shuya and Yoshihiro Okino. Among the specialist content is a feature on obi strips by record dealer and Japanese jazz expert, Yusuke Ogawa, plus a special article on Japanese Blue Note albums.
Across its 300-plus pages, J Jazz includes a detailed introduction contextualising the music, tracing the story of Japan’s fascination with jazz back before the war. It also features biographical information on many of the key artists involved in shaping the post- war Japanese jazz scene including Sadao Watanabe, Toshiko Akiyoshi, Masabumi Kikuchi, Masahiko Togashi, Terumasa Hino, Yosuke Yamashita, Fumio Itabashi, Masayuki Takayanagi, Takeo Moriyama, Isao Suzuki, and many more.
… Read moreThis is the first time a book of this type has been has been published outside of Japan and the first anywhere of this size and scale. It is a unique collection of over 500 albums of free and modern jazz recorded and released in Japan during a period of radical transformation and constant reinvention. An era that saw Japan return from the ravages of World War Two to become a global economic power and emerge as both a technological leader and an international cultural force.
Through a unique gallery of albums, J Jazz charts the development of jazz in Japan from the first stirrings of the modern jazz scene in the mid to late 1950s and on through the hard bop and modal jazz of the 1960s. It steers the reader into the radical directions of the 1970s when free jazz, fusion, post-bop, and jazz-funk opened up a growing number of Japanese jazz artists to a new global audience before consolidating in the mid to late 1980s with a musical scene that laid the path for the contemporary jazz generation to follow.
Over 500 full-colour sleeves from many of the leading names in Japanese jazz sit alongside rare and private pressings that tell a story of constant change and musical exploration. J Jazz includes profiles of several leading record labels such as East Wind, Frasco, King Records, and Nippon Columbia as well as critical independents such as Three Blind Mice, ALM, and Aketa’s Disk. J Jazz includes interviews with celebrated jazz photographer Tadayuki Naito, and pianist Tohru Aizawa, bandleader on the totemic spiritual jazz album, Tachibana Vol 1, as well as free-jazz record collector and jazz musician Mats Gustafsson.
The book also features a chapter on albums by non-Japanese artists that only received a Japanese release, with collectible, rare, and obscure releases by figures such as Herbie Hancock, Miles Davis, Mal Waldron, Steve Lacy, and Art Blakey. J Jazz includes Japanese jazz charts from some of the world’s leading jazz DJs including Gilles Peterson, Toshio Matsuura, Paul Murphy, and Shuya and Yoshihiro Okino. Among the specialist content is a feature on obi strips by record dealer and Japanese jazz expert, Yusuke Ogawa, plus a special article on Japanese Blue Note albums.
Across its 300-plus pages, J Jazz includes a detailed introduction contextualising the music, tracing the story of Japan’s fascination with jazz back before the war. It also features biographical information on many of the key artists involved in shaping the post- war Japanese jazz scene including Sadao Watanabe, Toshiko Akiyoshi, Masabumi Kikuchi, Masahiko Togashi, Terumasa Hino, Yosuke Yamashita, Fumio Itabashi, Masayuki Takayanagi, Takeo Moriyama, Isao Suzuki, and many more.
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Decksaver Behringer Wing Dust Cover (mixing console dust cover)
Cat: 1009953 Rel: 30 Jun 24 • View all Recording Studio Accessories
Dust cover designed to fit the Behringer Wing
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Westworld Season 1 (Soundtrack) (limited trifold gold vinyl 3xLP in die-cut sleeve)
Cat: MDO 301.1.
Soundtracks
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Feedback LFO100 Complex Analogue Low Frequency Oscillator Module (CV modulation/LFO/utility module)
Cat: 1004979 Rel: 31 May 24 • View all Synth modules
Analogue low frequency oscillator module - 10HP
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Studio Ghibli 7" Box (remastered) (limited 4x7" + purple vinyl 7" box set)
Cat: TJKA 10021. Rel: 05 Jul 24
Soundtracks
Review: Studio Ghibli's beloved animated masterpieces, Kiki's Delivery Service and Porco Rosso, embark on a new sonic adventure with the long-awaited release of their soundtracks on vinyl. Composed by the legendary Joe Hisaishi, these vinyl releases offer a captivating auditory experience that transports listeners to the enchanting worlds of these cinematic treasures. Kiki's Delivery Service enchants with its playful melodies and heartwarming themes. Soaring orchestrations, ethereal vocals, and enchanting piano passages evoke the film's whimsical atmosphere. Hisaishi's score masterfully blends big band jazz, sweeping orchestral arrangements and atmospheric soundscapes. There has been new artwork made for this beautiful package, making this a must-have for fans of the iconic Japanese animation studio and music enthusiasts alike.
… Read morePre-orders at Juno
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Chicago II (reissue) (limited gatefold 180 gram audiophile translucent blue vinyl LP)
Cat: FRIM 24.1. Rel: 10 May 24
Progressive Rock
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Review: The legend of the late great David Bowie will always live on, particularly with spectral releases like this still appearing on the regular. Rock 'n' Roll Star! vharts Bowie's journey to Ziggy Stardust across no fewer than six CDs and a blue-ray disc that include early home demos, radio sessions and live performances, session recordings, outtakes and alternate versions of tunes from his The Rise and Fall of Ziggy Stardust record. Unreleased gems on the album include an alternate rendition of 'Lady Stardust,' an unheard version of the cherished 'Shadow Man,' and an upbeat interpretation of The Who's 'I Can't Explain.' Interestingly, Bowie later slowed down and covered this for the PIN-UPS album.
… Read morePre-orders at Juno
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Cat: LMLP 141. Rel: 30 Aug 24
Soundtracks
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Cat: RBJE 2090.
Soundtracks
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Tangible Waves AE Modular SAMPLYR Sample Player Module (sound generation module)
Cat: 1010438 Rel: 30 Jun 24 • View all Synth modules
Sample player module
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I/O (4xLP box + 2xCD + Blu-ray + 56-page book + MP3 download code with obi-strip)
Cat: PGBOX 21. Rel: 26 Apr 24
Rock
Review: This is the ultimate version of Peter Gabriel;'s long awaited new album I/O. It comes across all formats - four vinyl, two CDs, a Blue Ray and even includes a booklet. The album finds him reasserts his voice and compositional skill, delivering a profound and life-affirming new message. Embracing a Wattsian speck-of-dust existential theme, lead cuts like the title track turn the thought of "I'm just a part of everything" into a motif, while also touching on themes of injustice, surveillance and the roots of terrorism. Elsewhere it is packed with plenty of moments of vocal beauty and gravity, with Gabriel's iconic song writing abilities front and centre as he tackles a rich array of tough provoking subjects. A welcome return.
… Read morePre-orders at Juno
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Blue Lantern Modules Hats Analogue High Hats Module (drum/oscillator module)
Cat: 980377 • View all Synth modules
Analogue hi-hats module - 8HP
Notes: This is a self contained analogue high hat module. This is a Transistor based VCA design. It is influenced by the DR110 drum machine. The original circuit used 4 oscillators to make the metallic audio sound. I added the original 4 oscillator, and an extra 6 oscillator circuit. The 6 oscillator version is doing a double XOR ringmod (internally). You select that by switch.
The 4 oscillator design sounds more crunchy, where as the 6 XOR circuit sounds more polished with sheen. You can blend in the amount of white noise in the mix labeled 'sizzle'.
Internally, the audio is passing through a few high pass filters, making the output sound very high in frequencies.
The module by itself is not exciting. But in the mix, with other percussion modules, this is your favorite-go-to module. It sits almost perfect in the mix.
There are two triggers. One is for 'Open' sound. The other is for 'close' sound. Both open and close have there own decay knob to adjust the length of the audio tail.
There is a tone control, labeled LPF. Use this to taper off some of the high frequencies.
Instead of adding an 'accent' control. Both triggers have been made to voltage variable. 5V triggering is the normal expected input. So a 3V trigger will sound softer in volume. 10V trigger signals will sound louder.
This module is as simple as it gets, just patch your Arturia Beat Step Pro and use the drum track.
Features
-Both trigger inputs are voltage variable. You can get softer audio, with softer trigger voltage.
-2 voice metallic noise generator
-2 decays (open and close)
-2 Flavors select by switch.
-Normal mode, and Sustain mode, selected by switch.
-frequency adjustment of the internal XOR ringmod.
-classic roland sounding transistor based VCA.
Why get this module over the Shimm module, or other high hats modules?
-Ease of use, ready to go. No sound exploring needed.
-Want the classic transistor based, crunchy sound.
-lower budget
-Sits very well in the drum mix.
Dimensions
8 HP
32 mm deep
Current Draw
21 mA +12V
13 mA -12V
… Read moreThe 4 oscillator design sounds more crunchy, where as the 6 XOR circuit sounds more polished with sheen. You can blend in the amount of white noise in the mix labeled 'sizzle'.
Internally, the audio is passing through a few high pass filters, making the output sound very high in frequencies.
The module by itself is not exciting. But in the mix, with other percussion modules, this is your favorite-go-to module. It sits almost perfect in the mix.
There are two triggers. One is for 'Open' sound. The other is for 'close' sound. Both open and close have there own decay knob to adjust the length of the audio tail.
There is a tone control, labeled LPF. Use this to taper off some of the high frequencies.
Instead of adding an 'accent' control. Both triggers have been made to voltage variable. 5V triggering is the normal expected input. So a 3V trigger will sound softer in volume. 10V trigger signals will sound louder.
This module is as simple as it gets, just patch your Arturia Beat Step Pro and use the drum track.
Features
-Both trigger inputs are voltage variable. You can get softer audio, with softer trigger voltage.
-2 voice metallic noise generator
-2 decays (open and close)
-2 Flavors select by switch.
-Normal mode, and Sustain mode, selected by switch.
-frequency adjustment of the internal XOR ringmod.
-classic roland sounding transistor based VCA.
Why get this module over the Shimm module, or other high hats modules?
-Ease of use, ready to go. No sound exploring needed.
-Want the classic transistor based, crunchy sound.
-lower budget
-Sits very well in the drum mix.
Dimensions
8 HP
32 mm deep
Current Draw
21 mA +12V
13 mA -12V
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If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $111.38
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Blue Lantern Modules Shimm Fully Voiced High Hat Module (drum module)
Cat: 980379 • View all Synth modules
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Beautiful Agony
Swallowed By The Earth
Purest Love
Gave It A Voice So That My Heart Could Speak
Flesh & Bone
Gloom
Paradise In My Mind
Snake
Death Can Wait
The Fullness Of My Being
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Grace
Don't Stop
Runner's High
I Just Can't Forget Her
Laika
San Francisco
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Wonder
Young
Bike
Blanc
Balloons
It Doesn't Even Matter
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Lemon
Porter
Pool
Someday
Domino
Swim
Ever
Ugly
Moondance
Away
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Related releases...
Simply
Antihero
Saint
Baby
NY
Up
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Decksaver Native Instruments Kontrol S61 MK3 Dust Cover (MIDI keyboard controller dust cover)
Cat: 1009648 Rel: 30 Jun 24 • View all Recording Studio Accessories
Dust cover designed to fit the Native Instruments Kontrol S61 MK3
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Related releases...
Symphony No 7 In E Major, WAB 107 - I Allegro Moderato
II Adagio (Sehr Feierlich Und Sehr Langsam)
III Scherzo (Sehr Schnell)
IV Finale (Bewegt, Doch Nicht Schnell)
Symphony No 8 In C Minor, WAB 108 - I Allegro Moderato
II Scherzo: Allegro Moderato - Trio: Langsam
III Adagio: Feierlich Langsam
IV Finale: Feierlich, Nicht Schnell
Symphony No. 9 In D Minor, WAB 109 - I Feierlich, Misterioso
II Scherzo Bewegt, Lebhaft - Trio Schnell
III Adagio Langsam, Feierlich
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Enemy Of God/Hordes Of Chaos (remastered) (coloured vinyl 3xLP + 4xCD box set + latex demon mask + issue #2 & #3 Graphic Violence comics)
Cat: 406562 9707859. Rel: 24 May 24
Metal
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This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 24 May 24 $148.25
(No payment required now - pay when released)
FORTHCOMING
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UDG Ultimate Pick Foam Pioneer DJ PLX-CRSS12 Flightcase (DJ turntable flightcase)
Cat: 992007 Rel: 30 Apr 24 • View all DJ Equipment Hard Cases
Flightcase designed to fit the Pioneer DJ PLX-CRSS12
Notes: UDG have further fine-tuned what was already a great design concept of a flight case into one especially for the most discerning creative performers. Constructed from aluminium thus providing an extremely stable structure with lighter weight compared to traditional flight cases. The inner sides are protected with pick & pluck foam, which allowing user to create individualized adapted compartments. The pick & pluck foam allow you to pluck out any desired shape you require for Pioneer PLX-CRSS12 and creating another slot beside for cable storage. This pick & pluck foam creating an easy, do-it-yourself customized system of case interiors.
The UDG Ultimate Pick Foam Flight Case Pioneer PLX-CRSS12 is designed to keep your Pioneer PLX-CRSS12 protected from accidental damage when you transport it to and from gigs. They're compact and lightweight yet tough enough to keep your gear safe.
Specifications
Colour: Black
Weight: 4,30 kg / 9.46 lbs
Outer Dimensions (W x H x D): 49.0 x 42.3 x 21.0 cm | 19.3 x 16.6 x 8.3 inch
Inner Dimensions (W x H x D): 47.0 x 40.5 x 18.8 cm | 18.5 x 15.9 x 7.4 inch
Material: Aluminium
Protection:
Corrosion resistant aluminium profiles with strong rounded corners
Fully-lined with high density foam protective padding
Pick & pluck foam
Two side strong butterfly lock
Rubber feet at the bottom for support in standing position
Extras
Lighter weight than traditional flight cases
Black Diamond finishing surface
Ergonomic & sturdy carry handle
Removable access panel
Fits
Pioneer PLX-CRSS12 turntable
… Read moreThe UDG Ultimate Pick Foam Flight Case Pioneer PLX-CRSS12 is designed to keep your Pioneer PLX-CRSS12 protected from accidental damage when you transport it to and from gigs. They're compact and lightweight yet tough enough to keep your gear safe.
Specifications
Colour: Black
Weight: 4,30 kg / 9.46 lbs
Outer Dimensions (W x H x D): 49.0 x 42.3 x 21.0 cm | 19.3 x 16.6 x 8.3 inch
Inner Dimensions (W x H x D): 47.0 x 40.5 x 18.8 cm | 18.5 x 15.9 x 7.4 inch
Material: Aluminium
Protection:
Corrosion resistant aluminium profiles with strong rounded corners
Fully-lined with high density foam protective padding
Pick & pluck foam
Two side strong butterfly lock
Rubber feet at the bottom for support in standing position
Extras
Lighter weight than traditional flight cases
Black Diamond finishing surface
Ergonomic & sturdy carry handle
Removable access panel
Fits
Pioneer PLX-CRSS12 turntable
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 30 Apr 24 $141.80
(No payment required now - pay when released)
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Sennheiser HD 25 DJ Headphones With 1.5m Straight Cable (DJ headphones)
Cat: 601625 Rel: 19 Feb 16 • View all DJ headphones
Professional closed, dynamic headphones with 1.5m steel cable
Notes: As close to an industry standard as you can get. The archetypal DJ headphones: punchy, comfortable and durable. Firm favourites of countless DJs, for good reason.
Supplier's notes:
The Sennheiser HD 25 Headphones have been redesigned, featuring the iconic split headband with a single-sided connection cable and a flip-away earcup for convenient single-sided listening.
With a frequency response of 16Hz to 22kHz, an impedance of 70 ohms and a maximum SPL of 120dB, the HD 25 headphones are ideal for any monitoring application; whether broadcasting, live recording, in the DJ booth or just travelling from venue to venue.
… Read moreSupplier's notes:
The Sennheiser HD 25 Headphones have been redesigned, featuring the iconic split headband with a single-sided connection cable and a flip-away earcup for convenient single-sided listening.
With a frequency response of 16Hz to 22kHz, an impedance of 70 ohms and a maximum SPL of 120dB, the HD 25 headphones are ideal for any monitoring application; whether broadcasting, live recording, in the DJ booth or just travelling from venue to venue.
More than 10 in stock $116.53
Click for better price!
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quote 601625
quote 601625
People also bought...
Archive One & The Red Series (Deluxe Edition) (numbered vinyl LP + red vinyl 5x12" box set + autographed photo print + booklet limited to 300 copies)
Cat: 405053 8903638. Rel: 04 Apr 24
Techno
Review: Dave Clarke's Red Series remains a vital benchmark in the evolution of UK techno. Released between 1993 and 1996, the three-volume run even managed to brush the UK top 40 back in the good old days when anything felt possible. Tracks like 'Wisdom To The Wise' will forever be etched in the make up of techno, and for very good reason. Now the whole series is being given a lavish reissue treatment which takes in all the original releases along with additional discs of rare, archival tracks and remixes, all bundled up in a box with a booklet and autographed by the Baron himself.
… Read more in stock $124.28
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Technics EAH-DJ1200 DJ Headphones (DJ headphones)
Cat: 763186 Rel: 23 Jan 20 • View all DJ headphones
Latest version of the classic Technics DJ headphones
Notes: Latest version of the classic Technics DJ headphones, updating the classic RP-DJ1200 design, which sold more than half a million units in its lifetime. Solid stuff. Popular for a reason.
Supplier notes:
New-Standard EAH-DJ1200 DJ headphones with excellent functionality, furability, and DJ playing performance.
The EAH-DJ1200 is a successor model to the RP-DJ1200, which has sold more than 500,000 units since it was launched in 1996. While inheriting the basic concept of the previous model, the EAH-DJ1200 better meets the needs of today's DJ users, resulting in DJ headphones with more advanced functions, design and sound quality. In addition to ordinary listening, the EAH-DJ1200 provide precise monitoring of the beat even in large-volume sound environments such as those in clubs. The matte finish black colour design also makes it an excellent match for the SL-1200MK7 DJ Turntable.
The newly developed driver uses a 40mm-diameter CCAW voice coil. It achieves clear, detailed sound, and high-durability input (2,500 mW) with no distortion even at high volumes. Also, because the sound is well balanced from low to high ranges, DJ play in high-volume surroundings is not buried in noise and monitoring is comfortable.
The EAH-DJ1200 is a lightweight on-ear type design. The housing is equipped with lockable swiveling mechanisms so the headphones can be used for monitoring with one ear. It adapts to all styles of monitoring by DJs. The headphones can be folded compactly for easy portability and storage.
The detachable cord is easy to clean and maintain. A locking mechanism is provided to prevent accidental detachment of the cord during use. The stretchable coiled cord, coupled with the L-type plug which resists internal wire breakage, enables extra ease of use and high durability. It withstands harsh and intense usage by professional DJs.
Based on the RP-DJ1200, which remained as a long-selling model in the market for more than 20 years, the EAH-DJ1200 sports a contemporary black color scheme for an updated appearance. Armed with high durability and excellent functionality, the EAH-DJ1200 matches perfectly with the SL-1200MK7, which features a matte black finish.
… Read moreSupplier notes:
New-Standard EAH-DJ1200 DJ headphones with excellent functionality, furability, and DJ playing performance.
The EAH-DJ1200 is a successor model to the RP-DJ1200, which has sold more than 500,000 units since it was launched in 1996. While inheriting the basic concept of the previous model, the EAH-DJ1200 better meets the needs of today's DJ users, resulting in DJ headphones with more advanced functions, design and sound quality. In addition to ordinary listening, the EAH-DJ1200 provide precise monitoring of the beat even in large-volume sound environments such as those in clubs. The matte finish black colour design also makes it an excellent match for the SL-1200MK7 DJ Turntable.
The newly developed driver uses a 40mm-diameter CCAW voice coil. It achieves clear, detailed sound, and high-durability input (2,500 mW) with no distortion even at high volumes. Also, because the sound is well balanced from low to high ranges, DJ play in high-volume surroundings is not buried in noise and monitoring is comfortable.
The EAH-DJ1200 is a lightweight on-ear type design. The housing is equipped with lockable swiveling mechanisms so the headphones can be used for monitoring with one ear. It adapts to all styles of monitoring by DJs. The headphones can be folded compactly for easy portability and storage.
The detachable cord is easy to clean and maintain. A locking mechanism is provided to prevent accidental detachment of the cord during use. The stretchable coiled cord, coupled with the L-type plug which resists internal wire breakage, enables extra ease of use and high durability. It withstands harsh and intense usage by professional DJs.
Based on the RP-DJ1200, which remained as a long-selling model in the market for more than 20 years, the EAH-DJ1200 sports a contemporary black color scheme for an updated appearance. Armed with high durability and excellent functionality, the EAH-DJ1200 matches perfectly with the SL-1200MK7, which features a matte black finish.
More than 10 in stock $142.32
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Blue (B-STOCK) (limited numbered 180 gram audiophile SuperVinyl 2xLP + booklet)
Cat: MOFI 20501 (B-STOCK). Rel: 01 Jan 90
Folk/Americana
Review: ***B-STOCK: Box slightly damaged, slight surface marks, otherwise in perfect working order***
The 1971 classic album by Canadian singer-songwriter Joni Mitchell, Blue is widely thought by many music lovers to be one of the best albums of all time. Already well into her career by the time of its release - it's her fourth album - it was certainly Mitchell's best yet, reflecting a period in her life where she took a break from touring and live performing to focus on creation. Its confessional and poetic lyrics, not to mention the distinctively groggy yet idyllic guitar and piano playing on songs like 'All I Want', 'River', 'A Case Of You', heard Mitchell encapsulate the various milestones, Renaissances and turning points of the contemporary rock landscape of the 1970s, into a singular LP.
… Read moreThe 1971 classic album by Canadian singer-songwriter Joni Mitchell, Blue is widely thought by many music lovers to be one of the best albums of all time. Already well into her career by the time of its release - it's her fourth album - it was certainly Mitchell's best yet, reflecting a period in her life where she took a break from touring and live performing to focus on creation. Its confessional and poetic lyrics, not to mention the distinctively groggy yet idyllic guitar and piano playing on songs like 'All I Want', 'River', 'A Case Of You', heard Mitchell encapsulate the various milestones, Renaissances and turning points of the contemporary rock landscape of the 1970s, into a singular LP.
in stock $143.35
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ALM Mega Milton Compact Utilities Module (B-STOCK) (utility/attenuator/external/mixer/multiple/noise/sample & hold/slew limiter module)
Cat: 1013240 Rel: 01 Jan 90 • View all Synth modules
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, but product is in excellent condition and in perfect working order***
The 'Mega Milton' is a smorgasbord of handy all analogue utilities in just 8HP that will greatly extend the functionality of your Eurorack system.
It includes a stereo line input converter for incorporating line level external sources into a Eurorack system, a fixed 4 input mixer with breakout attenuator for combining signals, a gated slew limiter for adding slides to sequences, a sample and hold with analogue white noise with a myriad of uses such as generative melodies or producing percussive textures and finally a buffered mult for droop free signal distribution with handy LEDs to monitor.
All sections are normalised to help with typical use cases such as generating random CV from the sample & hold section, a smooth random source from the slew output and breaking out a standalone attenuator from the fourth mixer input.
The 'Mega Milton' provides essential classic synthesizer building blocks for patching in any Eurorack system.
Ideal For
Incorporating stereo external sources easily into your Eurorack system.
Signal attenuation and basic mixing in a small space.
Building percussion sounds from an analogue noise source.
Producing clocked random to add interest and variation to patterns and sounds.
Adding gated 303 style slides to patterns.
Creating and Manipulating patterns with Sample and Hold.
Buffering and monitoring voltage across multiple VCOs or other destinations with no drop.
Tech Specs
Supply: +12V 70mA / -12V 70mA
Size: 8HP
Depth: 32mm
… Read moreThe 'Mega Milton' is a smorgasbord of handy all analogue utilities in just 8HP that will greatly extend the functionality of your Eurorack system.
It includes a stereo line input converter for incorporating line level external sources into a Eurorack system, a fixed 4 input mixer with breakout attenuator for combining signals, a gated slew limiter for adding slides to sequences, a sample and hold with analogue white noise with a myriad of uses such as generative melodies or producing percussive textures and finally a buffered mult for droop free signal distribution with handy LEDs to monitor.
All sections are normalised to help with typical use cases such as generating random CV from the sample & hold section, a smooth random source from the slew output and breaking out a standalone attenuator from the fourth mixer input.
The 'Mega Milton' provides essential classic synthesizer building blocks for patching in any Eurorack system.
Ideal For
Incorporating stereo external sources easily into your Eurorack system.
Signal attenuation and basic mixing in a small space.
Building percussion sounds from an analogue noise source.
Producing clocked random to add interest and variation to patterns and sounds.
Adding gated 303 style slides to patterns.
Creating and Manipulating patterns with Sample and Hold.
Buffering and monitoring voltage across multiple VCOs or other destinations with no drop.
Tech Specs
Supply: +12V 70mA / -12V 70mA
Size: 8HP
Depth: 32mm
1 in stock $149.70
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Flame uMM MIDI-TRS-B Merge/Thru MIDI Module (MIDI/external utility module)
Cat: 990518 Rel: 10 Apr 24 • View all Synth modules
2x MIDI merge & MIDI thru plus TR A/B converter module - 4HP
Notes: The "uMM" combines a MIDI merger and two independent THRU distributors in a module that is only 4 HP wide. All sockets on the module are in MIDI TRS-B format.
At the heart of the two-input MIDI merger is a small, powerful ARM processor with plenty of buffer memory. Two MIDI streams are mixed to one output and can also be tapped via an additional second output. Two LEDs signal the operation of the merger: one LED indicates MIDI activity at the inputs, and a second LED warns of too much data at the inputs.
The second group of functions consists of two independent, separate MIDI THRU distributors. The MIDI data at the respective MIDI input can be picked up and distributed at the three THRU outputs. If required, a 1-to-5 distributor can be created from the two units by connecting an output of the left group to the input of the right group.
Features:
4x MIDI IN (TRS-B)
2x MIDI-OUT (TRS-B)
6x MIDI-THRU (TRS-B)
Powered via Doepfer connector
… Read moreAt the heart of the two-input MIDI merger is a small, powerful ARM processor with plenty of buffer memory. Two MIDI streams are mixed to one output and can also be tapped via an additional second output. Two LEDs signal the operation of the merger: one LED indicates MIDI activity at the inputs, and a second LED warns of too much data at the inputs.
The second group of functions consists of two independent, separate MIDI THRU distributors. The MIDI data at the respective MIDI input can be picked up and distributed at the three THRU outputs. If required, a 1-to-5 distributor can be created from the two units by connecting an output of the left group to the input of the right group.
Features:
4x MIDI IN (TRS-B)
2x MIDI-OUT (TRS-B)
6x MIDI-THRU (TRS-B)
Powered via Doepfer connector
1 in stock $142.31
Click for better price!
or call +44 20 7424 1960
quote 990518
quote 990518
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Crows Electromusic OVUM Analogue Sound Explorer Desktop Synthesiser (analogue desktop synthesiser)
Cat: 938205 Rel: 12 Jun 23 • View all Synthesisers
A standalone all-analogue tool for exploratory sound synthesis.
Notes: A standalone instrument to get you into the world of analogue synthesis. Hand-built, simple to use and capable of some excellent drones and tones. Just add headphones.
Supplier's Notes:
OVUM is where you start: a standalone all-analogue tool for exploratory sound synthesis - all you need to start creating is headphones.
OVUM is designed for exploring pure tones, drones, and microtonal sound textures. Five independently controlled triangle-core oscillators give you five lush voices to layer and evolve. Each voice has a separate control for volume, pitch, and tone, and can be switched between a bright square wave and a crisp triangle wave.
OVUM is hand-built from 100% analogue circuitry, with no digital components, screens, quantization, or key-combinations to memorize - everything is immediate and at your fingertips.
OVUM is enclosed in a beautiful and sturdy wood and aluminum case that feels as good in your hands as it looks on your tabletop.
OVUM has a USB-C port for power, and a single 3.5mm audio output jack for headphones or line-out to connect to an amplifier, audio interface, or effects.
To reduce waste, by default OVUM comes with just the instrument and a USB to USB-C power cable. If you don't have a spare USB power supply, they can be added to your purchase at checkout. OVUM is portable, but does not contain a battery. It can be powered by any USB powerbank.
… Read moreSupplier's Notes:
OVUM is where you start: a standalone all-analogue tool for exploratory sound synthesis - all you need to start creating is headphones.
OVUM is designed for exploring pure tones, drones, and microtonal sound textures. Five independently controlled triangle-core oscillators give you five lush voices to layer and evolve. Each voice has a separate control for volume, pitch, and tone, and can be switched between a bright square wave and a crisp triangle wave.
OVUM is hand-built from 100% analogue circuitry, with no digital components, screens, quantization, or key-combinations to memorize - everything is immediate and at your fingertips.
OVUM is enclosed in a beautiful and sturdy wood and aluminum case that feels as good in your hands as it looks on your tabletop.
OVUM has a USB-C port for power, and a single 3.5mm audio output jack for headphones or line-out to connect to an amplifier, audio interface, or effects.
To reduce waste, by default OVUM comes with just the instrument and a USB to USB-C power cable. If you don't have a spare USB power supply, they can be added to your purchase at checkout. OVUM is portable, but does not contain a battery. It can be powered by any USB powerbank.
8 in stock $103.13
Click for better price!
or call +44 20 7424 1960
quote 938205
quote 938205
People also bought...
Rode NT1 Signature Series Studio Condenser Microphone (black) (studio condenser microphone)
Cat: 976059 Rel: 07 Nov 23 • View all Vocal Recording Microphones
Studio condenser microphone, SM6 shockmount & 6m XLR cable
Notes: A workhorse studio condenser microphone with a warm, silky character, exceptionally low noise and high SPL handling - ideal in a wide range of studio applications.
The World's Most Popular Studio Microphone
Since it launched over 30 years ago, the NT1 has become the world's most popular studio microphone and the go-to for countless creators across the globe - from bedroom musicians and studio professionals to streamers, podcasters and voice over artists. The NT1 Signature Series carries on this legacy, delivering classic studio sound for today's creators.
Iconic Signature Sound
Featuring our stunning HF6 1-inch true condenser capsule, the NT1 Signature Series boasts the same iconic sound signature that its forebears are revered for. Sparkling top end, highly detailed midrange, and rich, warm bass make it shine in almost any recording application you can imagine - from vocals, piano and acoustic guitar to drums, percussion and electric guitar.
Your Mic, Your Way
For the first time in the NT1's 30-year history, this iconic microphone is available in a range of iconic colours. This limited-edition collection features five vibrant colourways alongside the timeless black finish, including red, green, purple, pink and blue.
A True Workhorse
A true workhorse that excels in a wide range of studio applications. With an exceptionally low noise floor and incredibly high max SPL, it captures everything from whispers to drums with the utmost clarity. The perfect all-rounder studio microphone.
Legendary RODE Quality
The NT1 Signature Series is designed and made using the highest-grade components in RODE's precision manufacturing facilities in Sydney, Australia. It's built to last, with a rugged body machined from high-grade aluminium and comes with our industry-leading 10-year warranty, so you can rest assured it will remain your go-to for the long haul.
Premium Accessory Kit
Keep your recordings pristine with the studio-grade shock mount and pop filter included with the NT1 Signature Series, the perfect tools for minimising audio artifacts caused by knocks, rumbles and plosives. It also ships with a premium XLR cable so you can start creating right away - just plug straight into your audio interface or mixer and start recording exceptional audio.
Key Features
Large-diaphragm cardioid condenser microphone
HF6 1-inch true condenser capsule, precision engineered to sub-micron tolerances
Tight cardioid polar pattern for excellent background noise rejection
Classic NT1 sound signature - rich, warm bass, detailed midrange and sparkling highs for exceptional performance in a wide range of studio applications
Smooth frequency response and high sensitivity for incredible balance and clarity
Extremely low noise (4dBA) - the world's quietest studio condenser microphone
High SPL handling capabilities (142dB) for capturing very loud sound sources
Studio-grade shock mount and pop filter and premium XLR cable included
Available in classic black or a range of limited-edition colours, including red, green, purple, pink and blue
Rugged aluminium body with a high-grade finish - incredibly resistant to scuffs and scratches
Industry-leading 10-year warranty
Designed and made in RODE's precision manufacturing facilities in Sydney, Australia
Acoustic & Electrical Specifications
Acoustic Principle: Pressure gradient
Active Electronics: JFET impedance converter with bipolar output buffer
Capsule: 1.00"
Polar Pattern: Cardioid
Address Type: Side
Frequency Range: 20Hz - 20kHz
Output Impedance: 100O
Maximum SPL: 142 dB SPL
Equivalent Noise (A-Weighted): 4dBA
Sensitivity: -32 dB re 1 Volt/Pascal (25 mV @ 94 dB SPL) +/- 2 dB @ 1 kHz
Analogue Power Requirements: P48
Analogue Output Connection: 3-pin XLR
Mechanical
Weight (grams): 313
Dimensions (millimetres)
Length: 52
Width: 52
Height: 189
What's in the Box
1x NT1 Signature Series
1x SM6
1x XLR Cable
… Read moreThe World's Most Popular Studio Microphone
Since it launched over 30 years ago, the NT1 has become the world's most popular studio microphone and the go-to for countless creators across the globe - from bedroom musicians and studio professionals to streamers, podcasters and voice over artists. The NT1 Signature Series carries on this legacy, delivering classic studio sound for today's creators.
Iconic Signature Sound
Featuring our stunning HF6 1-inch true condenser capsule, the NT1 Signature Series boasts the same iconic sound signature that its forebears are revered for. Sparkling top end, highly detailed midrange, and rich, warm bass make it shine in almost any recording application you can imagine - from vocals, piano and acoustic guitar to drums, percussion and electric guitar.
Your Mic, Your Way
For the first time in the NT1's 30-year history, this iconic microphone is available in a range of iconic colours. This limited-edition collection features five vibrant colourways alongside the timeless black finish, including red, green, purple, pink and blue.
A True Workhorse
A true workhorse that excels in a wide range of studio applications. With an exceptionally low noise floor and incredibly high max SPL, it captures everything from whispers to drums with the utmost clarity. The perfect all-rounder studio microphone.
Legendary RODE Quality
The NT1 Signature Series is designed and made using the highest-grade components in RODE's precision manufacturing facilities in Sydney, Australia. It's built to last, with a rugged body machined from high-grade aluminium and comes with our industry-leading 10-year warranty, so you can rest assured it will remain your go-to for the long haul.
Premium Accessory Kit
Keep your recordings pristine with the studio-grade shock mount and pop filter included with the NT1 Signature Series, the perfect tools for minimising audio artifacts caused by knocks, rumbles and plosives. It also ships with a premium XLR cable so you can start creating right away - just plug straight into your audio interface or mixer and start recording exceptional audio.
Key Features
Large-diaphragm cardioid condenser microphone
HF6 1-inch true condenser capsule, precision engineered to sub-micron tolerances
Tight cardioid polar pattern for excellent background noise rejection
Classic NT1 sound signature - rich, warm bass, detailed midrange and sparkling highs for exceptional performance in a wide range of studio applications
Smooth frequency response and high sensitivity for incredible balance and clarity
Extremely low noise (4dBA) - the world's quietest studio condenser microphone
High SPL handling capabilities (142dB) for capturing very loud sound sources
Studio-grade shock mount and pop filter and premium XLR cable included
Available in classic black or a range of limited-edition colours, including red, green, purple, pink and blue
Rugged aluminium body with a high-grade finish - incredibly resistant to scuffs and scratches
Industry-leading 10-year warranty
Designed and made in RODE's precision manufacturing facilities in Sydney, Australia
Acoustic & Electrical Specifications
Acoustic Principle: Pressure gradient
Active Electronics: JFET impedance converter with bipolar output buffer
Capsule: 1.00"
Polar Pattern: Cardioid
Address Type: Side
Frequency Range: 20Hz - 20kHz
Output Impedance: 100O
Maximum SPL: 142 dB SPL
Equivalent Noise (A-Weighted): 4dBA
Sensitivity: -32 dB re 1 Volt/Pascal (25 mV @ 94 dB SPL) +/- 2 dB @ 1 kHz
Analogue Power Requirements: P48
Analogue Output Connection: 3-pin XLR
Mechanical
Weight (grams): 313
Dimensions (millimetres)
Length: 52
Width: 52
Height: 189
What's in the Box
1x NT1 Signature Series
1x SM6
1x XLR Cable
2 in stock $137.16
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ALM mmMidi MIDI CV & Clock Interface Module (MIDI/dual/stereo/clock generator synth module)
Cat: 757946 Rel: 09 Dec 19 • View all Synth modules
Compact & straightforward MIDI interface - 4HP
Notes: The mmMidi is a simple & compact MIDI to CV interface for your Eurorack synthesiser. It translates both MIDI clock and 2 Channels of MIDI note, velocity and gate information to corresponding voltage control signals. The mmMidi is quick to set up and requires minimal configuration.
… Read more 7 in stock $111.37
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Finally Enough Love: Fifty Number Ones (Rainbow Edition) (180 gram coloured vinyl 6xLP box set + booklet)
Cat: 060349 7832644. Rel: 29 Jun 23
Pop
Review: Second time around for Madonna's Finally Enough Love box set, which celebrates the iconic artist's unique achievement of notching up no less than 50 number ones on the Billboard Dance chart - the first artist in history to do so. In effect, it's a celebration of her Madgesty's links with dance music culture, showcasing 40 years of popular reworks of her biggest hits, presented in a 'rainbow edition' box set where each of the six slabs of wax is pressed onto different coloured vinyl. So, alongside classic early hits and reworks from 1987 remix album You Can Dance, we get revisions by everyone from Junior Jasquez, Jellybean, Shep Pettinone and Pet Shop Boys, to William Orbit, Aviici, Felx De Housecat, Jacques Lu Cont and Tracey Young. Madonna-ologists assemble!
… Read more in stock $103.13
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Pulse (remastered) (180 gram vinyl 4xLP + 52 page hardback photo book in slip-case)
Cat: PFRLP 17. Rel: 18 May 18
Progressive Rock
in stock $109.07
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Kenton MIDI USB Host mk3 USB Host To MIDI Converter (USB host to MIDI converter)
Cat: 884863 Rel: 22 Jun 22 • View all MIDI converters & accessories
USB Host to MIDI converter for ‘Class Compliant’ USB MIDI Devices
Notes: Your USB device is plugged into the MIDI USB Host mk3 instead of into a computer. It provides MIDI In & Out sockets for USB MIDI keyboards and controllers which have only a USB B type socket. For example, used with a USB-Solo, it allows the USB-Solo to be used in a standard MIDI setup, just like a Pro-Solo. It has a USB Host port (USB A type socket), a MIDI In and a MIDI Out (both 5 pin DIN).
The MIDI USB Host mk3 now has additional features. In addition to the standard operating mode, there are now two further modes.
Standard mode (LED Green):
MIDI data received at the MIDI In socket is sent to the USB device and MID data from the USB device is sent to the MIDI Out socket.
Merge 1 mode (LED Amber):
MIDI IN does not go to USB device but instead is merged with MIDI data coming from the USB device which is then sent to the MIDI Out socket.
Merge 2 mode (LED Red):
MIDI IN data is sent to the USB device & is also merged with MIDI data from the USB device which is then sent to the MIDI Out socket.
The modes are selected sequentially by pressing the recessed push button - the LED colour indicating which mode is current.
The attached USB MIDI device MUST be 'Class Compliant'.
The MIDI USB HOST is powered by a regulated 5V mains adaptor (supplied), and can supply up to 1 Amp of buss power to the attached USB device. This product is supplied with a multi-region power supply suitable for use in most countries.
Attractively finished in brushed aluminium with black screen print
Dimensions: 110mm x 55mm x 32mm
Connecting
You can connect one "Class Compliant" USB device directly into the MIDI USB Host. If your host has the latest firmware already installed then you can plug in a powered USB hub and up to four USB devices can then be connected. Earlier MIDI USB Host mkIIs can be updated with a free download which is available from the support section of our website. Serial numbers N6-2421 already have the hub compatible firmware. Serial numbers N3-0541and upward can be updated.
It is recommended that you attach your USB device to the MIDI USB Host before applying power. Then plug-in and power the power adaptor. The active LED should be lit up. If you apply power with nothing plugged into the MIDI USB Host, the Active LED will flash steadily; this is to indicate that it is waiting for a suitable device to be attached. If it is still flashing when you have attached your device, then it is possible that your device is not class compliant, however you could try turning off the power and start again.
Some USB MIDI devices have two modes of operation and can be set to operate in Class Compliant mode even if this is not the default. The Class Compliant mode might be called "generic driver", the other mode may be called something like "advanced driver". Consult the device manual to see if the mode can be set for Class Compliant.
If you unplug then re-plug the USB cable while it is powered the device might reconnect, but it is not certain.
Power
It is essential to use only the supplied 5V regulated power adaptor. Applying a voltage higher than 5V to the MIDI USB Host will probably not damage the MIDI USB Host itself, but it could damage any attached USB device as the 5V is passed on to the attached USB device for buss power. There is protection circuitry inside the MIDI USB Host to protect against reverse polarity and over-voltage, but these should be treated as a last resort and are not guaranteed to prevent damage to an attached USB device in the event of over-voltage as the USB buss voltage could rise to 6.5V before being clamped.
Care should be taken to ensure that power adaptors for other pieces of equipment are not accidentally plugged into the MIDI USB Host.
If the input voltage rises above 6.5 volts then power will be shut off. The LED will go out and the unit will not operate again until power has been removed for at least 60 seconds. This allows time for the thermal fuse to reset.
The following Yamaha keyboards ar known to be class compliant and therefore should work OK:
PSR-E353, PSR-E443
PSR-S670, PSR-S770, PSR-S970, PSR-A3000, TYROS-5
NP-12, NP-32
DGX-650, DGX-660
P-105, P-115, P-255
The following keyboards are known to incorporate a USB hub and therefore will only work with firmware v2005 or later (s/n N6-2421 and above) for the MIDI USB Host:
Korg Microkey 61
Korg Microkey 49
Korg Microkey 37
Power: 90mA, USB mini-B socket - leaving 910 mA available for the attached USB device
Dimensions: 110 x 55 x 32 mm
Weight: 100g (excluding power supply)
MIDI: 1x IN, 1x OUT - both 5 pin DIN
Power Supply: 5V DC / 1 Amp regulated - (never use an unregulated supply as unregulated supplies typically give a higher output voltage than shown).
This product is supplied with a multi-region power supply which is suitable for use in the UK, EU, US/Canada and AUS/NZ.
… Read moreThe MIDI USB Host mk3 now has additional features. In addition to the standard operating mode, there are now two further modes.
Standard mode (LED Green):
MIDI data received at the MIDI In socket is sent to the USB device and MID data from the USB device is sent to the MIDI Out socket.
Merge 1 mode (LED Amber):
MIDI IN does not go to USB device but instead is merged with MIDI data coming from the USB device which is then sent to the MIDI Out socket.
Merge 2 mode (LED Red):
MIDI IN data is sent to the USB device & is also merged with MIDI data from the USB device which is then sent to the MIDI Out socket.
The modes are selected sequentially by pressing the recessed push button - the LED colour indicating which mode is current.
The attached USB MIDI device MUST be 'Class Compliant'.
The MIDI USB HOST is powered by a regulated 5V mains adaptor (supplied), and can supply up to 1 Amp of buss power to the attached USB device. This product is supplied with a multi-region power supply suitable for use in most countries.
Attractively finished in brushed aluminium with black screen print
Dimensions: 110mm x 55mm x 32mm
Connecting
You can connect one "Class Compliant" USB device directly into the MIDI USB Host. If your host has the latest firmware already installed then you can plug in a powered USB hub and up to four USB devices can then be connected. Earlier MIDI USB Host mkIIs can be updated with a free download which is available from the support section of our website. Serial numbers N6-2421 already have the hub compatible firmware. Serial numbers N3-0541and upward can be updated.
It is recommended that you attach your USB device to the MIDI USB Host before applying power. Then plug-in and power the power adaptor. The active LED should be lit up. If you apply power with nothing plugged into the MIDI USB Host, the Active LED will flash steadily; this is to indicate that it is waiting for a suitable device to be attached. If it is still flashing when you have attached your device, then it is possible that your device is not class compliant, however you could try turning off the power and start again.
Some USB MIDI devices have two modes of operation and can be set to operate in Class Compliant mode even if this is not the default. The Class Compliant mode might be called "generic driver", the other mode may be called something like "advanced driver". Consult the device manual to see if the mode can be set for Class Compliant.
If you unplug then re-plug the USB cable while it is powered the device might reconnect, but it is not certain.
Power
It is essential to use only the supplied 5V regulated power adaptor. Applying a voltage higher than 5V to the MIDI USB Host will probably not damage the MIDI USB Host itself, but it could damage any attached USB device as the 5V is passed on to the attached USB device for buss power. There is protection circuitry inside the MIDI USB Host to protect against reverse polarity and over-voltage, but these should be treated as a last resort and are not guaranteed to prevent damage to an attached USB device in the event of over-voltage as the USB buss voltage could rise to 6.5V before being clamped.
Care should be taken to ensure that power adaptors for other pieces of equipment are not accidentally plugged into the MIDI USB Host.
If the input voltage rises above 6.5 volts then power will be shut off. The LED will go out and the unit will not operate again until power has been removed for at least 60 seconds. This allows time for the thermal fuse to reset.
The following Yamaha keyboards ar known to be class compliant and therefore should work OK:
PSR-E353, PSR-E443
PSR-S670, PSR-S770, PSR-S970, PSR-A3000, TYROS-5
NP-12, NP-32
DGX-650, DGX-660
P-105, P-115, P-255
The following keyboards are known to incorporate a USB hub and therefore will only work with firmware v2005 or later (s/n N6-2421 and above) for the MIDI USB Host:
Korg Microkey 61
Korg Microkey 49
Korg Microkey 37
Power: 90mA, USB mini-B socket - leaving 910 mA available for the attached USB device
Dimensions: 110 x 55 x 32 mm
Weight: 100g (excluding power supply)
MIDI: 1x IN, 1x OUT - both 5 pin DIN
Power Supply: 5V DC / 1 Amp regulated - (never use an unregulated supply as unregulated supplies typically give a higher output voltage than shown).
This product is supplied with a multi-region power supply which is suitable for use in the UK, EU, US/Canada and AUS/NZ.
2 in stock $103.13
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quote 884863
quote 884863
People also bought...
Audio Innovate InnoFader Mini Hercules DJControl Inpulse T7 Crossfader (DJ controller crossfader)
Cat: 971628 Rel: 06 Nov 23 • View all DJ Accessories
3 mini Innofader Plus faders, already soldered to a board which drops straight into the Hercules T7
Notes: Upgrade your Hercules T7 so it becomes a true scratching machine! With this you get 3 mini Innofader Plus faders already soldered to a board which drops straight into the Hercules T7. No soldering or adjustments needed for installation...faders are already pre-adjusted for tight cut-in < 1.0mm. User accessible calibration buttons on all 3 faders allow for further precision adjustments. Also includes a sleek see-through acrylic mounting plate.
… Read more 2 in stock $144.38
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quote 971628
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Still Spinnin': The Singles Collection 1983-2021 (limited 27xCD box)
Cat: EDSL 0169. Rel: 16 Feb 24
Pop
Misty Circles
What I Want
I'd Do Anything
That's The Way (I Like It)
You Spin Me Round (Like A Record)
Lover Come Back To Me
In Too Deep
My Heart Goes Bang (Get Me To The Doctor)
Brand New Lover
Something In My House
Hooked On Love (remix)
I'll Save You All My Kisses
Turn Around & Count 2 Ten
Come Home With Me Baby
Baby Don't Say Goodbye
Your Sweetness Is Your Weakness
Been Gone 2 Long
Unhappy Birthday
Rebel Rebel
You Spin Me Round (Like A Record) ('96 remix)
Sex Drive (The Remixes)
You Spin Me Round (Like A Record) (remix '97)
Hit & Run Lover
You Spin Me Round 2003
Even Better Than The Real Thing
Tonight
Hurt Me (Did You Have 2 Hurt Me)
Review: While they might be best known for one mega-hit, Pete Burns' Dead Or Alive were much more than 'You Spin Me Round'. Emerging just ahead of the new romantics era, their embrace of synth-pop collided with an antagonistic spirit rooted in punk. Capped off with the flamboyant theatrics of Burns' voice and appearance, and you have one of the all-time greats of the era, amply celebrated on this singles collection which features some of the killer extended mixes and alternative versions that make their 12"s as essential as their LPs. At 180 tracks spread over 27 discs, there's a lot to chew on - much more than just a one-hit wonder.
… Read more in stock $122.21
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Tiptop Audio Happy Ending Kit (black) (modular synth starter kit)
Cat: 590437 Rel: 10 Nov 15 • View all Synth Module Accessories
Modular starter kit containing rails, rack ears and power supply
Notes: The Happy Ending Kit is an easy way to get everything needed to start a Eurorack modular system.
The Happy Ending Kit includes:
1 x Z-Rails set plus screws to attach to Z-Ears
1 x uZeus 4HP PSU with 2 x flying bus boards
1 x UK 3-pin mains adapter
… Read moreThe Happy Ending Kit includes:
1 x Z-Rails set plus screws to attach to Z-Ears
1 x uZeus 4HP PSU with 2 x flying bus boards
1 x UK 3-pin mains adapter
1 in stock $120.65
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quote 590437
quote 590437
People also bought...
ALM Pip Slope MK2 Compact Envelope Generator Module (envelope generator/function generator/LFO synth module)
Cat: 792489 Rel: 21 Sep 20 • View all Synth modules
envelope generator module
Notes: The ‘Pip Slope’ (rev II) is a compact envelope and function generator. It supports both Attack/Decay and Attack/Sustain/Decay type envelopes with both direct and voltage control of Attack and Decay times. Envelope shapes can be morphed between exponential, linear and logarithmic type slopes. Envelopes can be made to loop, repeating infinitely or decreasing with time or amplitude for echo and bouncing ball type effects. An ‘End of Cycle’ trigger output further extends the envelopes functionality for both clocking and burst or fill type effects.
The improved Pip Slope adds a number of new features and updates over the original Pip whilst keeping the same size. Improvements include increased output resolution, finer control of fast envelopes, a new morphing shape control, switchable 5v or 8v maximum envelope level, additional loop modes and an additional trigger output.
Features:
Compact envelope and function generator in 4HP.
Trigger and gate inputs.
Voltage and direct control of attack and release times.
Snappy or super long envelope times – ranging approx 1ms to 7 minutes per stage.
Optional self looping ability with 3 different loop modes: Decreasing amplitude, decreasing time, and regular loop.
Shape control that morphs the envelope shape from logarithmic to linear to exponential curves.
End of Slope trigger output that fires a trigger at the end the envelope or loop cycle.
Selectable 5v or 8v max envelope level output.
Reverse polarity protection.
Skiff friendly.
Designed and Made in the UK.
Technical Specifications
Supply: +12V 30mA / -12V 10mA
Size: 4HP
Depth: 38mm
… Read moreThe improved Pip Slope adds a number of new features and updates over the original Pip whilst keeping the same size. Improvements include increased output resolution, finer control of fast envelopes, a new morphing shape control, switchable 5v or 8v maximum envelope level, additional loop modes and an additional trigger output.
Features:
Compact envelope and function generator in 4HP.
Trigger and gate inputs.
Voltage and direct control of attack and release times.
Snappy or super long envelope times – ranging approx 1ms to 7 minutes per stage.
Optional self looping ability with 3 different loop modes: Decreasing amplitude, decreasing time, and regular loop.
Shape control that morphs the envelope shape from logarithmic to linear to exponential curves.
End of Slope trigger output that fires a trigger at the end the envelope or loop cycle.
Selectable 5v or 8v max envelope level output.
Reverse polarity protection.
Skiff friendly.
Designed and Made in the UK.
Technical Specifications
Supply: +12V 30mA / -12V 10mA
Size: 4HP
Depth: 38mm
7 in stock $106.22
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Kenton THRU12 MIDI Thru Box (MIDI interface)
Cat: 698450 Rel: 09 Aug 18 • View all MIDI converters & accessories
1 MIDI in to 12 MIDI thru
Notes: Receives MIDI data from a single MIDI OUT (e.g. sequencer or master keyboard) and produces identical copies at the 12 MIDI THRU sockets. These can then be connected to the MIDI IN of sound modules or other devices which require MIDI signals sent to them.
High quality Kenton MIDI Thru box with opto-isolated MIDI In and separate drive for each MIDI Out. Powered from a mains adapter so you can fit and forget.
… Read moreHigh quality Kenton MIDI Thru box with opto-isolated MIDI In and separate drive for each MIDI Out. Powered from a mains adapter so you can fit and forget.
1 in stock $119.63
Click for better price!
or call +44 20 7424 1960
quote 698450
quote 698450
People also bought...
Reloop RMX-10BT 2-Channel DJ Mixer With Bluetooth Connectivity (2-channel DJ mixer)
Cat: 755491 Rel: 28 Jan 20 • View all DJ mixers
DJ mixer with Bluetooth connectivity
Notes: Entry-level DJ mixer from the ever-trustworthy Reloop. Very simple two-channel design with three-band EQ and a Bluetooth option for convenience.
Supplier notes:
RMX-10 BT - a compact 2-channel DJ mixer, which facilitates wireless music streaming directly to the mixer via the integrated Bluetooth interface.
This way it is possible to use a smartphone or tablet as playback source and route the signal through the mixer. The Bluetooth signal can be routed to both channels. Moreover, the 45-mm crossfader is user-replaceable and the smooth linefaders make mixing more comfortable.
The RMX-10 BT has a 6.3-mm microphone input with separate volume adjustment, as well as a 6.3-mm headphones output with volume adjustment and cue-mix function. Master output volume can be monitored via an integrated LED display. The space-saving and sturdy construction is made of metal.
… Read moreSupplier notes:
RMX-10 BT - a compact 2-channel DJ mixer, which facilitates wireless music streaming directly to the mixer via the integrated Bluetooth interface.
This way it is possible to use a smartphone or tablet as playback source and route the signal through the mixer. The Bluetooth signal can be routed to both channels. Moreover, the 45-mm crossfader is user-replaceable and the smooth linefaders make mixing more comfortable.
The RMX-10 BT has a 6.3-mm microphone input with separate volume adjustment, as well as a 6.3-mm headphones output with volume adjustment and cue-mix function. Master output volume can be monitored via an integrated LED display. The space-saving and sturdy construction is made of metal.
2 in stock $103.13
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Tascam DR-07X Stereo Handheld Digital Audio Recorder & USB Audio Interface (recorder/audio interface)
Cat: 718772 Rel: 01 Feb 19 • View all Portable audio recorders | Handheld recorders
Handheld digital audio recorder with switchable microphone configuration
Notes: DR-07X bring high-quality recording to an easy-to-use portable powerhouse with a size and price that anyone can handle. A pair of condenser microphones handles small to loud sound up to 125dB SPL with the sensitivity to capture every detail.
The layout of the DR-07X has been revamped to be quick and easy to work with one thumb. Operations like recording, adjusting levels, deleting bad takes and adding markers are just a button press away.
DR-07X is equipped with adjustable unidirectional microphones that can be used for recording in both the A-B position and X-Y position. Advanced microphone placing allows for a wide stereo sound recording or a clear stereo sound recording with less phase difference, making it possible to achieve professional quality recordings.
For example, even if you want to record acoustic guitar duo one day and large choir or band concert on the other day, you can change microphone configuration and set it for more suitable stereo capturing. A-B configuration is for more far image that capture wider horizon. On the other hand X-Y can prevent missing sweet center spot, so it is more suitable for tight image.
Menu display of dr-07x supports 10 languages:
English/ Spanish/ French/ Italian/ German/ Russian/ Chinese/ Korean/ Japanese/ Portuguese
DR-07x uses only two AA batteries and has ultra-long battery capability. When using built-in microphones, recording lasts 17.5 hours when recording with standard 2ch WAV, 44.1kHz/ 16bit format using alkaline batteries.
Also dr-07x can be powered by a USB mobile battery as well for super long extended use.
Connecting to a PC with USB Audio interface mode, DR-07X becomes a strong yet easy gear for voiceover work, live streaming and songwriting with studio-quality audio. Built-in microphones work as just as USB microphones without complicated settings.
Writing down what you hear easier said than done, but it is actually easy with DR-07X. In addition to its capability to capture crisp voice recording, DR-07X can help you with its Jump back function, variable Speed function and equalizer preset for human voice.
In addition to its excellent recording capability, DR-07X is an excellent musical instrument practice tool. An internal Reverb effect works both on playback and recording, allowing you to rehearse your performance with spacious concert hall reverb. A chromatic tuner is also available.
Auto recording function can detect the sound input signal level and automatically start recording. Also, Pre-recording function with up to 2 seconds pre-record provides fail-safe protection even when you are a bit late to hit the record button.
Peak Reduction works in rehearsal mode or in record. Even if the sound or performance is louder than the sound check you're safe. Combined with Auto level and Limiter for preventing distortion, you never have to worry.
If you don't like the last part of a phrase you just recorded with your guitar, or if you change your mind and want to rephrase narration, the Overwrite mode is exactly what you need. Overwrite mode allows punch-in recording from a desired point. It is destructive editing with one level of undo.
… Read moreThe layout of the DR-07X has been revamped to be quick and easy to work with one thumb. Operations like recording, adjusting levels, deleting bad takes and adding markers are just a button press away.
DR-07X is equipped with adjustable unidirectional microphones that can be used for recording in both the A-B position and X-Y position. Advanced microphone placing allows for a wide stereo sound recording or a clear stereo sound recording with less phase difference, making it possible to achieve professional quality recordings.
For example, even if you want to record acoustic guitar duo one day and large choir or band concert on the other day, you can change microphone configuration and set it for more suitable stereo capturing. A-B configuration is for more far image that capture wider horizon. On the other hand X-Y can prevent missing sweet center spot, so it is more suitable for tight image.
Menu display of dr-07x supports 10 languages:
English/ Spanish/ French/ Italian/ German/ Russian/ Chinese/ Korean/ Japanese/ Portuguese
DR-07x uses only two AA batteries and has ultra-long battery capability. When using built-in microphones, recording lasts 17.5 hours when recording with standard 2ch WAV, 44.1kHz/ 16bit format using alkaline batteries.
Also dr-07x can be powered by a USB mobile battery as well for super long extended use.
Connecting to a PC with USB Audio interface mode, DR-07X becomes a strong yet easy gear for voiceover work, live streaming and songwriting with studio-quality audio. Built-in microphones work as just as USB microphones without complicated settings.
Writing down what you hear easier said than done, but it is actually easy with DR-07X. In addition to its capability to capture crisp voice recording, DR-07X can help you with its Jump back function, variable Speed function and equalizer preset for human voice.
In addition to its excellent recording capability, DR-07X is an excellent musical instrument practice tool. An internal Reverb effect works both on playback and recording, allowing you to rehearse your performance with spacious concert hall reverb. A chromatic tuner is also available.
Auto recording function can detect the sound input signal level and automatically start recording. Also, Pre-recording function with up to 2 seconds pre-record provides fail-safe protection even when you are a bit late to hit the record button.
Peak Reduction works in rehearsal mode or in record. Even if the sound or performance is louder than the sound check you're safe. Combined with Auto level and Limiter for preventing distortion, you never have to worry.
If you don't like the last part of a phrase you just recorded with your guitar, or if you change your mind and want to rephrase narration, the Overwrite mode is exactly what you need. Overwrite mode allows punch-in recording from a desired point. It is destructive editing with one level of undo.
1 in stock $107.44
People also bought...
Soma Laboratory Rumble Of Ancient Times 8-Bit Noise Synthesiser & Sequencer (synthesiser/sequencer)
Cat: 858228 Rel: 07 Jul 22 • View all Synthesisers
8-bit noise synthesiser and sequencer
Notes: Another intriguing experimental offering from Soma Labs. ROaT is a digital synth inspired by 80s video games. Four oscillators combine with a sequencer to create drones, soundscapes and glitchy loops.
Supplier's Notes:
Rumble of Ancient Times (RoAT) is an 8-bit noise synthesizer and sequencer inspired by the clever programming of the early PC era when an entire video game would fit on a floppy disk. RoAT is capable of a wide variety of sounds ranging from dense noise scapes to diverse glitching rhythmic patterns. The compact and portable instrument contains many elements that can be combined into surprising musical results.
The "heart" of the synthesizer contains 4 sound oscillators, each with a tunable waveform and an individual LFO, which can modulate the tone or volume of the oscillator. The modulated signal of each oscillator is mixed with other signals using 1,536 variations of complex summing algorithms that contain FM, ring modulation, bitwise logical operations and more.
The synth contains an 8-bit resonant lowpass filter with a distinct Lo-Fi character.
The built-in sequencer can be synced to an external device and also send clock out.
RoAT is battery powered and can work up to 130 hours on one set of AAA batteries.
Rumble of Ancient Times is built on a very simple 8-bit microcontroller similar to the ones used in the "brains" of old refrigerators and other simple electronic devices. Thanks to some very clever programming, it's also able to drive a very capable synth with many features!
In stark contrast to modern consumer electronics, this synth celebrates and emphasizes what can be achieved with efficiency of code and using chips considered obsolete by industry leaders. We live in an age where text editors can be 1GB or more and simple things like checking email require the latest OS and powerful processing, despite the core tasks being no different than 15 years ago with a fraction of the computational power.
So RoAT proposes a new kind of ecological thinking with the innovative use of chips that were developed and produced decades ago, instead of turning them into millions of tons of trash. We can still use technology that the industry forced us to consider obsolete, with the added benefit here of extremely low power consumption. It's an environmentally friendlier approach than galloping in the rush of planned obsolescence that damages our planet and wastes precious resources.
Rumble of Ancient Times was designed and programmed by Kakos Nonos, a new creative mind who joined the SOMA development team. His very unique style of building electronic musical instruments combines quality craftsmanship, advanced programming and a love for medieval acoustic instruments such as gusli, wheeled lyre and bagpipes.
Specifications:
Sync out voltage: 5 V
Minimum syn in voltage: 0.2 V
Current input: 20 mA
Maximum output voltage: 5 V
Audio output:3.5 mm jack
Sync out: 3.5 mm jack
Power Supply: 4*AAA battaries
Size: 122 x 136 x 40 mm
Weight (without batteries): 145 g
… Read moreSupplier's Notes:
Rumble of Ancient Times (RoAT) is an 8-bit noise synthesizer and sequencer inspired by the clever programming of the early PC era when an entire video game would fit on a floppy disk. RoAT is capable of a wide variety of sounds ranging from dense noise scapes to diverse glitching rhythmic patterns. The compact and portable instrument contains many elements that can be combined into surprising musical results.
The "heart" of the synthesizer contains 4 sound oscillators, each with a tunable waveform and an individual LFO, which can modulate the tone or volume of the oscillator. The modulated signal of each oscillator is mixed with other signals using 1,536 variations of complex summing algorithms that contain FM, ring modulation, bitwise logical operations and more.
The synth contains an 8-bit resonant lowpass filter with a distinct Lo-Fi character.
The built-in sequencer can be synced to an external device and also send clock out.
RoAT is battery powered and can work up to 130 hours on one set of AAA batteries.
Rumble of Ancient Times is built on a very simple 8-bit microcontroller similar to the ones used in the "brains" of old refrigerators and other simple electronic devices. Thanks to some very clever programming, it's also able to drive a very capable synth with many features!
In stark contrast to modern consumer electronics, this synth celebrates and emphasizes what can be achieved with efficiency of code and using chips considered obsolete by industry leaders. We live in an age where text editors can be 1GB or more and simple things like checking email require the latest OS and powerful processing, despite the core tasks being no different than 15 years ago with a fraction of the computational power.
So RoAT proposes a new kind of ecological thinking with the innovative use of chips that were developed and produced decades ago, instead of turning them into millions of tons of trash. We can still use technology that the industry forced us to consider obsolete, with the added benefit here of extremely low power consumption. It's an environmentally friendlier approach than galloping in the rush of planned obsolescence that damages our planet and wastes precious resources.
Rumble of Ancient Times was designed and programmed by Kakos Nonos, a new creative mind who joined the SOMA development team. His very unique style of building electronic musical instruments combines quality craftsmanship, advanced programming and a love for medieval acoustic instruments such as gusli, wheeled lyre and bagpipes.
Specifications:
Sync out voltage: 5 V
Minimum syn in voltage: 0.2 V
Current input: 20 mA
Maximum output voltage: 5 V
Audio output:3.5 mm jack
Sync out: 3.5 mm jack
Power Supply: 4*AAA battaries
Size: 122 x 136 x 40 mm
Weight (without batteries): 145 g
2 in stock $148.50
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quote 858228
quote 858228
People also bought...
ALM PPEXP-1 Pamela's Pro Workout Expander Module (expander synth module)
Cat: 922391 Rel: 20 Jan 23 • View all Synth modules
An expander module for Pamela's Pro Workout module in 4HP.
Notes: PRO Expanders:
Extra Pam Outputs.
ALM034-EX
PPEXP1 & PPEXP2 are two expander modules for Pamela's PRO Workout that both offer additional dedicated fixed clock, Din Sync & MIDI clock outputs.
Extend Pam as a master to clock external gear with super solid dedicated MIDI & Din Sync clock outputs. The Din Sync clock (x24) and Run outputs can also be patched into a 2nd Pam to easily sync it.
Use the extra fixed clocked gate outputs to free up Pam's main outputs for unique sequencing or complex modulation duties.
Connects directly to and is powered by the 'MIDI-EX' expander header on rear of Pamela's PRO Workout.
Only a single output expander is supported at any time but either can be used alongside an AXON-1 CV input expander.
A MIDI adapter cable and a Din Sync adapter cable are both available for connecting to 5 pin 'Din' type connectors. The PPEXP 1 includes a MIDI Din adapter cable.
Technical Specifications
Power: Additional approx +12V 40mA (PPEXP1) / 20mA (PPEXP2)
Size: 4HP & 2HP
Depth: 32mm
… Read moreExtra Pam Outputs.
ALM034-EX
PPEXP1 & PPEXP2 are two expander modules for Pamela's PRO Workout that both offer additional dedicated fixed clock, Din Sync & MIDI clock outputs.
Extend Pam as a master to clock external gear with super solid dedicated MIDI & Din Sync clock outputs. The Din Sync clock (x24) and Run outputs can also be patched into a 2nd Pam to easily sync it.
Use the extra fixed clocked gate outputs to free up Pam's main outputs for unique sequencing or complex modulation duties.
Connects directly to and is powered by the 'MIDI-EX' expander header on rear of Pamela's PRO Workout.
Only a single output expander is supported at any time but either can be used alongside an AXON-1 CV input expander.
A MIDI adapter cable and a Din Sync adapter cable are both available for connecting to 5 pin 'Din' type connectors. The PPEXP 1 includes a MIDI Din adapter cable.
Technical Specifications
Power: Additional approx +12V 40mA (PPEXP1) / 20mA (PPEXP2)
Size: 4HP & 2HP
Depth: 32mm
7 in stock $122.72
Click for better price!
or call +44 20 7424 1960
quote 922391
quote 922391
People also bought...
Revolver (Super Deluxe Edition) (180 gram vinyl 4xLP + 7" box set + book)
Cat: 4559 952. Rel: 27 Oct 22
Rock
Taxman
Eleanor Rigby
I'm Only Sleeping
Love You To
Here, There & Everywhere
Yellow Submarine
She Said She Said
Good Day Sunshine
& You Bird Can Sing
For No One
Doctor Robert
I Want To Tell You
Got To Get You Into My Life
Tomorrow Never Knows
Tomorrow Never Knows (take 1)
Tomorrow Never Knows (mono mix RM 11)
Got To Get You Into My Life (First Version) (take 5)
Got To Get You Into My Life (Second Version) (Unnumbered mix)
Got To Get You Into My Life (Second Version) (take 8)
Love You To (take 1)
Love You To (Unnumbered Rehearsal)
Love You To (take 7)
Paperback Writer (Takes 1 & 2 - Backing track)
Rain (take 5 - Actual Speed)
Rain (take 5 - Slowed Down For Master Tape)
Doctor Robert (take 7)
& Your Bird Can Sing (First Version) (take 2)
& Your Bird Can Sing (First Version) (take 2)
& Your Bird Can Sing (Second Version) (take 5)
Taxman (take 11)
I'm Only Sleeping (Rehearsal Fragment)
I'm Only Sleeping (take 2)
I'm Only Sleeping (take 5)
I'm Only Sleeping (mono mix RM1)
Eleanor Rigby (Speech Before take 2)
Eleanor Rigby (take 2)
For No One (take 10 - Backing track)
Yellow Submarine (part 1 - songwriting Work Tape)
Yellow Submarine (part 2 - songwriting Work Tape)
Yellow Submarine (take 4 Before Sound Effects)
Yellow Submarine (Highlighted Sound Effects)
I Want To Tell You (Speech & take 4)
Here, There And Everywhere (take 6)
She Said She Said (John's demo)
She Said She Said (take 15 - Backing track Rehearsal)
Taxman
Eleanor Rigby
I'm Only Sleeping
Love You To
Here, There & Everywhere
Yellow Submarine
She Said She Said
Good Day Sunshine
& Your Bird Can Sing
For No One
Doctor Robert
I Want To Tell You
Got To Get You Into My Life
Tomorrow Never Knows
Paperback Writer
Rain
Paperback Writer (mono)
Rain (mono)
Review: A new special edition of The Beatles' Revolver comes courtesy of Apple, the original label on which the fab four released some of their most seminal works. Featuring a new mix and master by Giles Martin and Sam Okell, this version contains yet another 100-page book with a foreword by Paul McCartney and an unlikely essay by Questlove of The Roots.
… Read more in stock $124.79
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Nagaoka MP-110 Phonograph Cartridge & Stylus (cartridge & stylus)
Cat: 567645 Rel: 27 Mar 15 • View all Hi-Fi Cartridges | Phono Cartridges
High quality cartridge & stylus set, with elliptical tip and aluminium alloy cantilever
Notes: Nagaoka MP-110 the successor to the highly acclaimed and classic Nagaoka MP11 phono cartridge, the new Nagaoka MP-110 phono cartridge extends and strengthens its predecessor's prowess and talents to a new level of radiance. You'll hear more music, more detailed refinement to enjoy and savor. The Nagaoka MP-110 is the cartridge to start with and to keep for a long time.
Features:
-Superfine polished eliptical diamond bonded stylus
-Powerfull samarium cobalt magnet
-Lightweight aluminum alloy cantilever for high fidelity
-Carbon fibre reinforced plastic shoe
-Anti ferro magnetic permalloy shield casing
Stylus replacement: Nagaoka JN-P110
The stylus replacement interval varies depending on the using conditions. But for general use at home, the reference time is between 150-200 hours in which the stylus begin to wear and the tone quality deteriorates. Recommend replacing the stylus as aerly as possible to enjoy clear tone for a long time and not to damge the disc grooves.
… Read moreFeatures:
-Superfine polished eliptical diamond bonded stylus
-Powerfull samarium cobalt magnet
-Lightweight aluminum alloy cantilever for high fidelity
-Carbon fibre reinforced plastic shoe
-Anti ferro magnetic permalloy shield casing
Stylus replacement: Nagaoka JN-P110
The stylus replacement interval varies depending on the using conditions. But for general use at home, the reference time is between 150-200 hours in which the stylus begin to wear and the tone quality deteriorates. Recommend replacing the stylus as aerly as possible to enjoy clear tone for a long time and not to damge the disc grooves.
6 in stock $135.10
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