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FORTHCOMING
Mukatsuku Ring Record Weight/Disc Stabiliser 380 Gram Edition Mukatsuku Ring Record Weight/Disc Stabiliser 380 Gram Edition
 
Record weight/disc stabiliser
Notes: Latest engraved version of the Stainless Steel Ring Mukatsuku disc stabilizer/record turntable weight specially designed to be used for dinked 7 inch records with a 45 adapter in place.It is great for DJ use in a club , or when recording from vinyl to digital. It may even help dished or skipping records in a bumpy live environment

No springs, clips or screws required, just place the Mukatsuku disc stabilizer over the spindle and hey presto, you can obtain tighter bass and sweeter treble, as well as improved dynamics/less distortion, bringing the record into more intimate contact with the platter.

10mm height
83mm diameter
approx 380g weight

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coming soon $23.31
FORTHCOMING
Mukatsuku Stainless Steel Flat 45 Turntable Adapter
Cat: 790320 • View all 45 adapters
 
Stainless steel 7" record adapter
Notes: Mukatsuku Branded Stainless Steel branded chunky solid flat top adapter for playing dinked 7" records.

9mm height
38 diameter
approx 60g weight
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coming soon $9.53
FORTHCOMING
Untold: A Tellurian Memorandum
Untold: A Tellurian Memorandum (softcover book + MP3 download code)
Cat: 786628 • View all Books
 
Softcover book
Notes: 'Untold' is an experimental electronic LP from multi-disciplinary artist and author Sophia Loizou. Depicting a series of speculative sonic landscapes; animals, ocean waves and weather systems are abstracted into eco-centric cyber-dreams creating powerful ambient compositions that invite us to see the Earth through the eyes of others.
Untold is not about the natural or the technological but the relationships between the two; sonic textures, breaks and melodies are shaped by the dynamics of a lion's roar or the rhythm of a dolphin's echolocation emissions."I didn't want to make it human-centric," explains Sophia."I wanted to remove my compositional and structural domination, to find ways to make it about the symbiosis of systems I see in the world."

Untold is part of a much bigger multi-disciplinary project that also includes a collection of poems with accompanying audio, artworks, an AV show and a lecture performance.

Multidisciplinary artist and doctoral researcher Sophia Loizou's debut poetic collection 'Untold: A Tellurian Memorandum' imagines a series of speculative sentient landscapes. The six works envision different aspects of entangled Earthly relationships; from the aqueous roots of biotic life and non-human systems of perpetual growth, to biologically enhanced futures where multiple forms of life collide, connect and share their material qualities. "I wanted to portray an open and empathic multiform future,' explains Sophia. 'a world that celebrates the vibrant, messy and multifaceted beauty of non-human forces and forms."

The book is accompanied by a 30-minute speculative sonic landscape in which sounds from living systems, field recordings from human, animal and technological origins meet - producing wild and unpredictable results.

'A Tellurian Memorandum' is part of a much bigger multi-disciplinary project that also includes the LP 'Untold', artworks, an AV show and a lecture performance.
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coming soon $19.88
FORTHCOMING
Wire Magazine: October 2020 Issue #440
coming soon $6.35
FORTHCOMING
Keeley Vibe-O-Verb	Ambient Reverberation Machine Pedal
Notes: This three mode reverb lets you hear what some of the most classic effects sound like on just the reverb. Allowing you to create new sounds and textures like never before.

Fibonacci
All of the Delay Space in the reverb engine for the pedal are in the Fibonacci series. What does this mean for you? You'll probably make more money, look better (see golden ratio below) and find true happiness. But what this means for Keeley is a secret pleasure in defining a reverb that is unique and possibly more musical. Since great works of art like Debussy's La Mer have been crafted by using the Golden Ratio, why not create lengths of time defined by such ratios? 0, 1, 1, 2, 3, 5, 8, 13, 21, 34...

Harmonic Reverb
This mode is like a vintage Brownface Amp or our DynaTrem, Harmonic Tremolo on the reverb. Imagine choppy waves of tremolo on your verb! All with the a delicious hint of Vibe! Dynamic Dimension Canyons?!

Vibrato Reverb
Pitch Bending Reverberation Machine. From mild chorus to spacey bayou tones! Too grande to call our modulated chorus, this is one for modern psychedelics. For this one you have to imagine maybe both the source and the reflective wall moving! Maybe even accelerating with respect to each other.

Phaser
Phaser Modulated Reverb. Maybe the most mild but in a way that lets you appreciate some of the space around notes. This notch filter in your reverb space gives the illusion of the reflecting wall morphing from carpet to wood, then to steel and then glass. Round and round. Get the idea? Dynamic reflections in an all new space.
Enjoy these "Lost Reverbs" Vibe-O-Verb, reverbs that never were- until now.
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MRP:$189.50 SAVE 17%
coming soon $157.92
FORTHCOMING
Keeley Verb O Trem Workstation Powerful Reverb & Modulation Machine Pedal
Notes: The Keeley VoT reverb and tremolo combo gives players a simple and beautiful sounding way to end their pedal boards. Reverb and Tremolo often sound best at the end of your guitar rig, after effects like compression, fuzz or overdrive. The Keeley VoT Workstation gives you the famous Keeley spring and plate reverbs as well as modulated tube amp tremolos. This immaculate pairing provides you with everything you need for a small, compact pedal board.

When you go minimalist, you still consider Reverb and Tremolo.

So if you're doing a small gig with a compact board or you just want the captivating power of tremolo and reverb at the same time, the Keeley VoT Workstation is a simple and beautiful sounding solution.

The Keeley VoT Workstation is a high-end Dual DSP effect workstation. Each effect, reverb and tremolo are given their own effects engine. This allows us to create rich and ornate filtering. These are studio quality sounds we that have been crafted over the years, refined by working musicians and studio engineers.

Reverbs
Keeley knows and develops reverb spaces. Fat, juicy, sonically rich spaces. Keeley 2 Spring Reverb is the real deal. It's so good sounding, they install it in The Amp now. In fact Keeley reverb has been developed in many other brand's pedals.

There are 8 petals to this flower: 2 Spring, 3 Spring, Plate, Hall, Chamber, Room, Fugue, and Slapback!

Each Keeley VoT Workstation reverb allows you to control:

Level - Output Volume Level for the reverb channel

Decay - this is the length of the reverb trails, the size of the ambient space. External Expression Control port on rear of unit.

Morph - Pre-Delay - The earliest reflections, sometimes heard as a slapback. This is great for setting up a reverb space that sounds huge, or you can dial it in so that it plays well with fast, percussive notes.

Effect Level - This is your Blend Control- how loud you want the reverb in your guitar mix.

Tremolos
A Lotus Flower of Tremolos- you have eight blooming tremolos in the Keeley VoT Workstation!

8 Vintage Tremolo modes: Sine Wave, Square Wave, Harmonic, Dynamic Harmonic, Pitch Vibrato, Ramp Trem, Les'Rotary Speaker, U-Vibe

Level - Output Volume Level for the tremolo-modulation channel

Rate - Speed of modulation, with on-board Tap Tempo, external tap input jack.

Depth - amount of volume change in effect. THROB.

Morph - Controls a variety of aspects including filter points, wave shape, duty cycle, tweeter/woofer control, etc. Instruction manual lists exact details.

VoT - Lotus
The VoT Workstation Tremolo allows you to have on-board Tap Tempo or you can use an external tap switch or generator. Expression pedal control gives you foot controlled access to the Reverb Decay control. This allows you blend the perfect amount of reverb into your guitar mix.
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MRP:$380.27 SAVE 17%
coming soon $316.89
FORTHCOMING
Keeley Super Mod Workstation Modulation Pedal
Notes: Sonically drench yourself in swirling modulated tones. Not many effects can be as provocative as a chopping tremolo, a swirling rotary, a dreamy chorus, or a crazed filter sound. Nothing compares 2 a thick flanger or deep harmonic tremolo. Nothing goes better with modulation than delay and reverb. With the Super Mod Workstation you can combine 2 effects together to create a nearly endless soundscape of tones. Add tap tempo and an expression pedal and you have all the tools at your disposal to create a mesmerizing array of sounds.

The Super Mod Workstation contains many of Keeley's finest effects. The Harmonic Tremolo in this unit is inspired by vintage brown face amps. The Keeley DynaTrem contained our first Harmonic Tremolo. Many consider this deeper and thicker sounding than the U Vibe type effect. The ADT in the Super Mod Workstation is from the 30ms Automatic Double Tracker. Last year that effect set the effect world on fire with the best complete ADT unit in a stomp box.

The Super Mod Workstation allows you to combine effects like Tremolo, Filter, Phaser, Chorus, Rotary Speaker, or Delay with other similar modulation effects, including delay or reverb! For example you can combine our famous 30ms Double Tracker sound in the ADT, with a Flanger, or an Echo, or Plate Reverb. Another example would be to use Bank 1 - Phaser sound, combined with Bank 2 - Delay. You can use the expression pedal to run delays into self oscillation feedback! You can Tap Tempo input a rate for the Harmonic Tremolo sound on Bank 1 and then use an expression pedal input for speed of the Rotary Cab sound on Bank 2. Decide it's #modulationFreeMonday? Well, you can use the Analog Delay on Bank 1 and a super wet Hall Reverb on Bank 2.

Two banks of eight legendary effects. Super Fidelity. Super Compact.

The Super Mod Workstation has Tap Tempo for Mod Bank One, and external expression control on Mod Bank Two.

Super Mod Workstation effects include:

Tremolo w/triangle to sine waveform control

Harmonic Tremolo w/presence tone control

Filter Trem w/oscillator and random control

Phaser w/feedback control

ADT w/blend control

Rotary Cabinet Sim w/treble horn control

Digital Delay

Analog Delay w/dynamic modulation

Chorus/Vibrato w/blend control

Flanger w/positive or negative feedback

Hall Reverb

Plate Reverb

Tap Tempo on Modulation Bank 1

Expression Control on Bank 2
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MRP:$380.27 SAVE 17%
coming soon $316.89
FORTHCOMING
Keeley Tone Workstation Drive, Boost & Compressor Pedal
Cat: 782481 • View all Effects pedals
 
Drive/boost/compressor pedal
Notes: Introducing the Tone Workstation. The front end of your signal chain- this is where your tone develops. The first stage of amplification is critical for a sound that has clarity and delivers expressive tone. Compression, Drive, Overdrive, Boost: you get it all here. The Tone Workstation is designed to be the first stage in your pedal board. It may even be the only pedal you bring to a gig. And we designed it that way.

Starting with the classic Keeley Compressor, you can build a nice, thick tone full of sustain. Adjust the Sustain control for increased compression or squeeze. As you add sustain, your notes will ring out longer. The Blend control allows for a Manhattan-style compression, keeping the sound lively and crisp as you blend in your natural guitar tone. The Blend control is perfect for adding a little bit of bite back in with high output pickups or humbuckers. In addition, the Treble Boost switch can be engaged to further increase the treble and sparkle into the signal when using lots of compression. When the Blend is set completely CCW, you get only compressed signal out. Then, as you turn up the Blend, you blend in more and more of your original signal, all the way to a 50/50 ratio. The attack and release times are pre-set in this compressor and are set for use with humbuckers or single coils.

Next up is the 1962/Katana Boost section, because the Keeley Workstation gives you plenty of options for your core tone. With the 62/Katana channel, you can select a sound with just the right amount of break up. Or use it in Boost mode, for that clean, pushed amp-style overdrive. First, the 1962 is Keeley's British amp-style overdrive, which is full and even sounding with a moderate amount of crunch. Based on the famous Blues Breaker, the 1962 stage has been amplified by our Katana Boost on either side, adding tube-like saturation with our JFET valve simulation. But, decide you just want the famous Katana Clean push? No worries. Just a flick of the switch and you have it: pure clean, tube tone. In the Katana Mode, only the volume works; the Tone and Drive are disabled. It's a clean sound people say you just can't turn off.

Last in the chain is Keeley's renowned Red Dirt overdrive. You get 15 years of modding tube screamers distilled into one toneful circuit. Also featuring our JFET front end, the Red Dirt has the perfect amount of crucial midrange coupled with the option to go all the way from clean and clear to super-saturated gain, times two! The Red Dirt circuit captures every nuance of your guitar's tone and delivers a classic, smoking hot, silky smooth lead tone.

Dimensions are 4.7 Inches wide x 3.72 Inches tall. Standard 9V Neg-Tip Power Supply and under 50mA.
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MRP:$380.27 SAVE 17%
coming soon $316.89
FORTHCOMING
KMA Audio Machines Cirrus Delay & Reverb Pedal With Tap Tempo & Modulation
Notes: Floating above your head, delicate and elusive yet dreamy and sweeping. Always in motion until it dissolves and merges with the all immersive atmosphere around it. Just close your eyes and let the KMA Audio Machines' Cirrus Delay and Reverb carry you across the open sky, onto its sonic cloudscapes.

Cirrus is KMA Audio Machines' first step into the fully digital realm. But KMA have come up with a special and versatile, dynamically modulated combined Delay and Reverb pedal that will forever change your perception of time and space.

Made up of a Delay side and a Reverb side, both sides of Cirrus sport the most important basic controls such as Time (up to 1.5 sec). Repeats for the Delay and Decay and Damp for the Reverb. Plus, each side has its own mix control as well. So far so good, but now it's time to jump down the sonic wormhole!

This little Spatial-Temporal Modifier gives you three different Delay AND Reverb modes, which all sport a special dynamic feature that is controlled by your picking attack. This enables you to create sounds that are certifiably out of this world! To set the sensitivity of how the sound reacts, every section has its own sensitivity control.

The different Delay and Reverb modes cover vastly different modulated areas.

Modulated Delay Mode (MOD) fluctuates the Delay signal for a dynamic dancing tape echo-inspired modulation that'll deliver everything from subtle sways, to crazy pitch-bends. The Sample & Hold Mode (S/H) adds a sequencer-like filter in front of the Delay line, perfect for synthy textures. Play softly for subtle filter action or hit it hard for more pronounced electro-vibes. The third Delay Mode (OCT) blends in a high octave as your notes decay for unique shimmery dimensions, shining through like tiny stars in the cloudy night sky.

Over to the Reverb section, Modulated Reverb Mode (MOD) will decorate your trails with silky smooth movement, whereas the two other Modes deliver either an opening Low-pass Filter (LP) or a closing High-pass Filter (HP). The harder you pick the more the Low-pass will open up and bring in those shimmering highs, as if you're opening and closing portals to far away galaxies simply through your playing. Contrary to that, the closing High-pass will cut your lower frequencies when picking harder which will create cool lo-f textures. However, the ambient party doesn't stop here!

A big part of creating a signature sound comes from your pedal order and we know that a lot of you like to get creative there. Well, the Cirrus obliges! Set the Order Toggle to "Reverb" to run the Delay into the Reverb or flip it to "Delay" to switch it the other way - either direction will give you worlds of inspired soundscapes. You even get another Toggle Switch to set the Delay Tap subdivision, so you can get the right rhythms rolling fast. Toggles are awesome!

Now, on to the footswitches - Tap-Tempo on the left (neat!) and the much-needed Bypass Switch on the right (classic!). But wait, we actually made these stompers cool - the humble Bypass and Tap-Tempo Switches are suddenly full of additional creative secrets!

Besides the standard latching mode, the Bypass Switch offers some cool, yet creative and simple to use options. When the pedal is off, you can engage the pedal momentarily by holding the Switch down for sudden bursts of ambience. When the pedal is on though, holding down the Switch maxes out the Decay, jumping you straight into infinite reverb wonderland. You can also hold down the Tap-Tempo Switch to max out the repeats for infinite echoes. Plus, you can even hold down BOTH at the same time to enter an endless cascading dream state!

The Cirrus has been equipped with an Expression Pedal input (standard TRS connection) and a Selector Switch, giving you complete hands-free control over whatever key parameter of Cirrus you want. In addition, an internal switch can turn the Reverb and Delay trails on or off to taste, plus the individual Reverb and Delay mix controls help to tailor your sound exactly as you see ft.

As the final piece of the tonal puzzle, a Serial FX-Loop was added, letting you put any pedal in front of the Delay/Reverb line, to further flavour your own signature sound.

Powered by an optional standard 9V DC (max.) PSU (negative center, 2.1mm, approx. 220mA current draw)

Every pedal is designed, assembled, silkscreened, tested and numbered by hand in our small workshop. We use external manufactured PCBs to guarantee our high quality standard and keep the price of our pedals reasonable. The use of an indestructible powdercoated die-cast enclosure ensures a maximum durability.
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MRP:$222.57 SAVE 17%
coming soon $185.47
FORTHCOMING
Old Blood Noise Signal Blender Parallel Effect Blender/Mixer/Router Pedal
Notes: The Signal Blender provides a number of parallel routing solutions through its use of a pair of send/returns, primary input and output, switching, and volume control.

Signal Blender can be used as a:
Parallel effect blender
3-to-1 mixer
1-to-3 splitter
Active ABY in either direction
Volume level setter

and more.

A courtesy 9V power outlet and phase correction switches for both Sends add further versatility to this box. Clever switching allows for latching or momentary on/off action.

The Signal Blender uses standard 9V center negative power, and has a current draw of 31 mA.
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MRP:$151.34 SAVE 17%
coming soon $126.12
Arturia MicroFreak Paraphonic Hybrid Synthesiser & Sequencer Arturia MicroFreak Paraphonic Hybrid Synthesiser & Sequencer Arturia MicroFreak Paraphonic Hybrid Synthesiser & Sequencer Arturia MicroFreak Paraphonic Hybrid Synthesiser & Sequencer Arturia MicroFreak Paraphonic Hybrid Synthesiser & Sequencer Arturia MicroFreak Paraphonic Hybrid Synthesiser & Sequencer
Cat: 718636 Rel: 01 May 19 • View all Synthesisers
 
Experimental 25-key paraphonic analogue/digital hybrid synth
Notes: The lovable oddball of the Arturia range, this brilliant hybrid synth combines versatile wavetable and digital oscillators with analogue filters. Touch keyboard gives uniquely expressive control.

Supplier's Notes:

A synthesizer like no other, MicroFreak is a peculiar, exceptional instrument that rewards the curious musician. It blends wavetable and digital oscillators with analogue filters. It features a unique poly-aftertouch flat keyboard. It adds controlled randomness to sequences. This isn't a revolution, it's a mutiny.

This out-there little music machine features a versatile digital oscillator so you can create rare and interesting sounds with ease. Modes like Texturer, KarplusStrong, Harmonic OSC, and Superwave give adventurous musicians the chance to explore totally new, unheard possibilities. Like having dozens of synths in just one instrument, both wild-eyed newcomers and seasoned professionals will fall in love with MicroFreak's flexible, powerful synth engine.

Physical modelling, wavetable synthesis, virtual analogue, there is nothing as complete and exciting as the MicroFreak oscillator on the market. It's hard to believe from such a small synth, but here it is, ready for you to explore. Excite your creativity and reward your curiosity with a large, diverse sound palette. MicroFreak features 11 awesome oscillators, 4 bespoke Arturia engines, and 7 modes from our friends at Mutable Instruments.

Inspired by the trailblazing 12-dB Oberheim SEM filter, you can make MicroFreak's filter scream or whisper to taste. The filter is state-variable, and can even auto-oscillate! You can use this is any way you like, from taking the edge of the razor-sharp wavetable sounds, or automating the cut-off by modulating it with keyboard pressure or the in-built sequencer.

Record up to four automations, edit notes per step or use the innovative Spice and Dice sequencer functions to find happy accidents. Add randomization to create evolving, original patterns, and virtually rewire and reconfigure its signal chain and controls with the 5x7 modulation matrix.
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MRP:$354.83 SAVE 31%
 More than 10 in stock $244.22
Presonus Eris E3.5 Active Media Reference Monitor Speakers (pair) Presonus Eris E3.5 Active Media Reference Monitor Speakers (pair)
Cat: 666506 Rel: 14 Dec 17 • View all Studio monitors
 
3.5-inch powered studio monitors with Kevlar Woofer & 1-inch silk-dome tweeter
Notes: Tiny format but big sound from these entry-level Presonus monitors. Surprisingly punch bass response from a 3.5-inch bass driver. A good starting point for newcomers to production.

Supplier's notes:

PreSonus Eris-series studio monitors are used worldwide by audio engineers who need to hear every detail of their recordings. Ideal for gaming and home video production, the Eris E3.5 employs the same technology as the larger Eris models to deliver studio-quality sound, with a smooth and accurate frequency response. Yet they're compact enough to fit almost anywhere.

Kevlar woofers deliver a cleaner overall sound:
Every Eris-series studio monitor utilizes a custom-woven Kevlar low-frequency driver. The weave and nature of the Eris E3.5's 3.5-inch Kevlar woofer result in a more constant dispersion pattern throughout the frequency range, resulting in less time-smeared audio and cleaner overall sound.

Smooth high end and wide sweet spot:
The Eris E3.5 is equipped with a one-inch silk-dome tweeter that produces a smooth and refined sound, accurately reproducing transients and high frequencies. The tweeter is designed to radiate sound with a fairly wide dispersion pattern, creating a large optimal listening area or "sweet spot" so you can move around and still hear everything accurately.

Easy-to-use controls:
A speaker's response is affected by where you place it and the acoustics of your space. That's why Eris E3.5 active media reference monitors offer easy-to-adjust high- and low-frequency controls. A convenient front-panel volume knob sets both the speaker level and the integrated headphone amplifier level. Be careful with that volume knob, though: Eris E3.5s are driven by an onboard 25 watt/side power amplifier and can get a lot louder than you may expect, while still delivering clear, accurate audio.

Connect to virtually any line-level source:
With three different types of audio inputs, it's easy to feed audio to your Eris monitors from a mixer, an interface, a media player, or almost any other line-level source. The Eris E3.5 is equipped with rear-panel, 1/4-inch TRS and RCA inputs, as well as front-panel 1/8-inch stereo, unbalanced line inputs for use with mobile audio devices. With this selection, you'll have no problem hooking your Eris speakers up with virtually any line-level source, including your smartphone or tablet. The loud, clear, front-panel headphone amplifier lets you work and play in stealth mode, without disturbing your housemates.

Accuracy defined:
Like all PreSonus monitor speakers, the Eris E3.5 offers consistent, accurate listening, with the smooth and even frequency response that has made Eris monitors popular around the world. Their compact and powerful design makes them an ideal solution for any small space.
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 More than 10 in stock $81.95
Click for better price!
or call +44 20 7424 1960
quote 666506
Tonar N447 Replacement Diamond Stylus For Shure M447 Cartridge (white)
Cat: 699418 Rel: 14 Aug 18 • View all DJ styluses
 
Replacement stylus
Notes: Tonar replacement needle/stylus for Shure M-44-7. Diamond tip.
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 More than 10 in stock $19.50
Kyowa Stanton 500AL Replacement Stylus For 500, 505 & 520 Cartridges
Cat: 188336 Rel: 01 Jan 90 • View all DJ styluses
 
Stylus comes in either red or white, cannot specify which colour you will receive
Notes: The Kyowa Stanton 500AL is suitable for replacement for Stanton D5100AL, D5100AL Mk2, D5107AL, D5107AA styluses. Fits Stanton cartridges 500A, 500AA, 500AL, 500AL Mk2, 500E, 505SK, 505SK2, 520SK.
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 More than 10 in stock $7.41
FORTHCOMING
Joue Fire Drum Pad For Board Play Modular MIDI Controller (yellow, orange)
Notes: Drum pads- Fire colour scheme
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MRP:$44.51 SAVE 17%
coming soon $37.09
Mukatsuku  Bespoke Stainless Steel Ring 380 Gram Record Disc Stabilizer Turntable Weight Record Clamp For Playing 45s/7" Records + 7" Stainless Steel Vinyl Record Adapter (ring record weight + 45 adapter)(Juno exclusive) Mukatsuku  Bespoke Stainless Steel Ring 380 Gram Record Disc Stabilizer Turntable Weight Record Clamp For Playing 45s/7" Records + 7" Stainless Steel Vinyl Record Adapter (ring record weight + 45 adapter)(Juno exclusive) Mukatsuku  Bespoke Stainless Steel Ring 380 Gram Record Disc Stabilizer Turntable Weight Record Clamp For Playing 45s/7" Records + 7" Stainless Steel Vinyl Record Adapter (ring record weight + 45 adapter)(Juno exclusive)
Notes: Exclusive to Juno.Latest engraved version of the Stainless Steel Ring Mukatsuku disc stabilizer/record turntable weight specially designed to be used for dinked 7 inch records with a 45 adapter in place.It is great for DJ use in a club , or when recording from vinyl to digital. It may even help dished or skipping records in a bumpy live environment.

No springs, clips or screws required, just place the Mukatsuku disc stabilizer over the spindle and hey presto, you can obtain tighter bass and sweeter treble, as well as improved dynamics/less distortion, bringing the record into more intimate contact with the platter.

10mm height
83mm diameter
approx 380g weight

This version comes with an additional Stainless Steel engraved 45 adapter approx 80 grams
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 3 in stock $30.73
Mukatsuku Record Weight/Disc Stabiliser 420 Gram Edition (Juno exclusive) Mukatsuku Record Weight/Disc Stabiliser 420 Gram Edition (Juno exclusive)
Cat: 790317 Rel: 15 Sep 20 • View all Record stabilisers
 
Record weight/disc stabiliser
Notes: Exclusive To Juno.Mukatsuku engraved Stainless Steel record weight/disc stabilizer

Latest engraved version of the Mukatsuku disc stabilizer/record turntable weight is great for DJ use in a club environment, or when recording from vinyl to digital. It may even help dished or skipping records in a bumpy club environment

No springs, clips or screws required, just place the Mukatsuku disc stabilizer over the spindle and hey presto, you can obtain tighter bass and sweeter treble, as well as improved dynamics/less distortion, bringing the record into more intimate contact with the platter.

10mm height
83mm diameter
approx 420g weight
Read more
 2 in stock $23.31
FORTHCOMING
Flame uMGT MIDI To Gates Or Velocity Outs Module Flame uMGT MIDI To Gates Or Velocity Outs Module Flame uMGT MIDI To Gates Or Velocity Outs Module
Cat: 781487 • View all Synth modules
 
MIDI to gates/velocity outputs module
Notes: The FLAME uMGT converts 12 Midi notes (one octave) to gates or velocity outputs.
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MRP:$216.21 SAVE 17%
coming soon $180.16
Nagaoka Discfile 102 Anti Static 12" Vinyl Inner Record Sleeves (pack of 50)
Cat: 567502 Rel: 27 Mar 15 • View all Record sleeves
 
Pack of 50 anti-static record sleeves, for complete anti-static protection
Notes: Paper sleeves leave dust on the record and poly ethylene sleeves cling to the record. When removing the record from the sleeve, the poly ethylene generates a static charge which attracts the sleeve to the record and causes the dust caught between the sleeve and the record to scratch the record. The world famous Nagaoka Discfile no: 102 is anti-static and super slippery thus leaving the record completely unharmed.

Sold in packs of 50 sleeves
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 9 in stock $23.31
Teenage Engineering OP-1 Accessory Kit Teenage Engineering OP-1 Accessory Kit
Teenage Engineering OP-1 Accessory Kit (synthesiser & sequencer accessory kit)
Cat: 784900 Rel: 16 Sep 20 • View all Synth accessories
 
Accessory kit for OP-1
Notes: The OP-1 world is continuously evolving with new accessories and new OS updates adding more effects and functions with every release. With OP-1's modular architecture, all this new functionality comes without adding any complexity to the user interface or resulting in over-clustered screens. Your OP-1 will always be intuitive and simple to use.

Accessories included in the OP-1 Accessory Kit:

Antenna:
3.5 mm plug-in radio antenna for better signal reception when indoor or in remote areas.

Crank:
Mount the crank accessory on OP-1's blue knob and press shift + rec. Your OP-1 is now in "hand-crank-recording mode". Use the crank to create some real vintage old skool recordings. It's also possible to crank counter clockwise, to record backwards. All in realtime. The crank also lets you use the endless sequencer as a hand cranked music box! Just enter the notes and crank the crank! The crank LFO lets you crank any parameter.

Bender:
Bender mounts on the orange knob and comes with a rubberband that is attached around the blue knob for elasticity. By selecting the bender in the LFO browser, you may bend any parameter you like. Everything from pitch to filter or synthesizer parameters.

Brick Shaft:
Brick shafts are LEGOr compatible shafts that you put on any of the knobs. Now you may mount any lego part. Why not put on a big lego rubber wheel for that extra grip? Or build your own motor driven programmable LFO together with LEGOr MINDSTORMS? The brick shaft comes in four colors and lets you experiment with any parameter. It supports any idea you may have that involves LEGOr bricks.
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 4 in stock $62.52
Click for better price!
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quote 784900
Decksaver Technics SL1200 & SL1210 Turntable Cover Decksaver Technics SL1200 & SL1210 Turntable Cover Decksaver Technics SL1200 & SL1210 Turntable Cover
Cat: 398291 Rel: 22 Jul 10 • View all Decksavers + DJ equipment covers
 
Protective cover designed to fit the Technics SL-1200/1210 turntables, sold singly
Notes: The club environment can be harsh, with smoke, dust and sticky liquids being daily hazards for DJs and club owners to keep in check.

Decksavers are specifically designed to keep your technology investment safe and sound. Decksavers are tailor-made to exacting standards to fit the Technics turntable like a glove. Rather than using cheaper inferior acrylic, each one is made from polycarbonate, a very hardwearing plastic used in bullet proof glass, and made to fit your gear as closely as possible. The use of polycarbonate means that thinner material can be used, making for discrete, strong yet attractive protection for your Technics turntable. Indeed, great care is taken to trim each Decksaver to achieve the best fit and still leave cables in place.

The cover has a very strong contruction with sufficient flat areas allowing support for CDJs, laptops, midi controllers, etc.
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ADDAC System ADDAC305 Manual Latches Module (black faceplate)
Cat: 776301 Rel: 15 Sep 20 • View all Synth modules
 
Manual latches module
Notes: The ADDAC305 Manual Latches is a combination of 8 manual latching switches in a small and elegant module: each button toggles between Gate high / Gate low when pressed, outputting a 5V gate signal. Additionally 4 of the 8 available latches, sport inputs and can act as manual latching switches, allowing the incoming signal to pass to the output when the button is toggled.

MECHANICAL:
Format: Eurorack
Width: 8 HP
Depth: 2.5 cm

CONTROL VOLTAGE I/O:
CV inputs: i 10v
Gate outputs: 0 +5v

ELECTRICAL:
Max current: 10mA
Bus Board Cable: 8 × 2 IDC (Doepfer style) connector
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ADDAC System ADDAC304 Manual Gates Module (black faceplate)
Cat: 776300 Rel: 15 Sep 20 • View all Synth modules
 
Manual gates module
Notes: With the ADDAC304 Manual Gates, you'll be getting 8 manual gates (0 +5v) in a nifty package - a perfect way to perform on and control your modular system.

The ADDAC304 comes with an interesting twist: 4 out of the 8 available gates can act as momentary switches, outputting the signals in their respective inputs when each gate's button is pressed.

MECHANICAL:
Format: Eurorack
Width: 8 HP
Depth: 2.5 cm

CONTROL VOLTAGE I/O:
CV inputs: i 10v
Gate outputs: 0 +5v

ELECTRICAL:
Max current: 10mA
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ADDAC System ADDAC504 Probabilistic Generator Module (black faceplate)
Notes: This is a complex Gate / CV generator based on probabilities.

Functions:

Knob 1:
%1 = Gate 1 Probability
5TG = Fifth Output Type: Trigger/Gate
N1 = Note 1 Tuning

Knob 2:
%2 = Gate 2 Probability
T.SIZE = Trigger Size
N2 = Note 2 Tuning

Knob 3:
%3 = Gate 3 Probability
DIR = LOCK Mode Direction: Backwards/pendulum/forward
N3 = Note 3 Tuning

Knob 4:
%4 = Gate 4 Probability
S.SIZE = LOCK Mode Sequence Size: up to 16 steps
N4 = Note 4 Tuning

Knob 5:
SWING X = Clock Swing X: 1 to 16
Y = Clock Swing Y: 1 to 16
N5 = Note 5 Tuning

Gate Outputs Behaviour:

At every clock input, based on the four knobs probability settings, the module will select one active gate out, only one of the five gates will be active at all times. All Gate outputs can also behave as a Trigger instead, Trigger size can also be adjusted.

The knobs set the probabilities of each gate to be chosen, here's an example of how this operates

With all first four knobs at 12 o'clock the first Gate has 50% of being the chosen one, the remaining 50% of the times will be passed through the next knobs. So Gate 2 at 12 o'clock has 50% of the remaining 50% left by setting one, which leaves it with 25% chance of being the chosen one, the remaining 25% will be passed through Knob 3 which will have 12.5% chance of being the chosen one, the remaining 12.5% will be sent to Setting 4 which will have a probability of 6.25%. The remaining percentage left by the 4 Settings will always be the probability of Gate 5, in this case the remaining 6.25%.

Here's a couple more examples.

All knobs at 12 0'clock
Setting 1 = 50% chance, 50% left for remaining settings.
Setting 2 = 25% chance, 25% left for remaining settings.
Setting 3 = 12.5% chance, 12.5% left for remaining setting.
Setting 4 = 6.25% chance, 6.25% left for Gate 5.

All knobs at 9 0'clock (aproximate values)
Setting 1 = 20% chance, 80% left for remaining settings.
Setting 2 = 16% chance, 64% left for remaining settings.
Setting 3 = 12.8% chance, 51.2% left for remaining setting.
Setting 4 = 10.24% chance, 40.96% left for Gate 5.

Tuning and CV outputs:

While in the Tuning page you can use all knobs to set the 5 pitches
When in tuning page knobs should be rotated one at a time!
While rotating the knobs the CV out 4 will be used as a monitor, the other 3 CV outs will be behaving normally.
The module detects which pot is being rotated and outputs the relative pitch CV on CV out 4 for all knobs.
While on this page the tuning will be quantized or not relative to the panel Quantize on/off switch. Even if this process is done in quantized mode the module always store the free value in order to allow quantisation to be turned off later.
Once you're happy with the tuning you can exit the page, new values are stores to memory while exiting the page.
When tuning the module detects both the note selected and the relative octave.

CV Outs behaviour
This will be easier to explain with examples

Let's say we tuned these notes:

C0 or 0v
D1 or 1.166v
F2 or 2.466v
G3 or 3.583v
A4 or 4.75v

1. Next Logic out calculated is gate 3.
CV outs 1-2-3 will output a note in octave 2, the note itself is randomised from the 5 tuned notes (C,D,F,G,A).
CV out 4 will output the exact note tuned with knob 3 (F2)

2. Next Logic out calculated is gate 5.
CV outs 1-2-3 will output a note in octave 4, the note itself is randomised from the 5 tuned notes (C,D,F,G,A).
CV out 4 will output the exact note tuned with knob 5 (A4)

Out 1-2-3 is octave related
Out 4 always output the original tuned note

Knobs Pages access:

MENU/TRIGGER button is used to access pages
After power up it gets to first page by default.

Page 1:
MENU/TRIGGER button is off and blinks with clock inputs

Page 2:
Pressing the MENU/TRIGGER button for 3 seconds the Button Led lights up meaning you're in Page 2, changing knobs will affect the secondary function.
Releasing the button jumps to Page 1

Page 3:
Pressing the MENU/TRIGGER button for 3 seconds the Button Led lights up, keeping it pressed without moving any knob for 3 more seconds makes the Button led go off. At this time you can release the button. After that the button will light up meaning you're in page 3, or the tuning page.
Pressing the button one time jumps to Page 1

Soft-Recall and Memory:

Knob positions are stored in memory while in operation to be able to have a soft recall of the settings, so when jumping from page to page you'll need to rotate the knob until you find the last setting and only then they start to operate. Whenever the pot crosses the last setting point the MENU/TRIGGER button will blink indicating that the knob is now active.

Page 2 & 3 have permanent memory so it will always load the last settings after power up.
Page one is volatile and powers up with the initial knobs settings.
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Keeley Delay Workstation Delay & Reverb Combi Pedal
Cat: 782388 Rel: 16 Sep 20 • View all Effects pedals
 
Delay & reverb pedal
Notes: Ultra-tweakable delay and reverb designer based on powerful DSP chips. Dial in everything from vintage tape delays to plate reverbs, modulated stereo echo effects and more.

Supplier's Notes:

The Keeley Delay Workstation is a powerful, dual DSP processor delay and reverb machine. Combining Keeley's unique delay and reverb patches in an incredibly small package, the Delay Workstation is an extremely creative tool.

With the Delay Workstation you can combine vintage slapback and multi-head tape echoes with Spring or plate reverbs to create some instantly classic sound spaces. You can set the Delay Workstation for warm sounding analog delays and then use the chamber or hall reverbs to create a huge warm and endless space. Need rhythmic delays with some shimmer? It's here. Always wanted to have the perfect ducking delay? One that backs out of the way until your done with your notes, then the echoes fill in. "Ducking" is a very intelligent way for clearing the clutter in a sound that would normally be overrun with delays and echoes. Wanna get twisted? Try the Pitch delay into the Flanged Reverb.

The Reverb side of the Delay Workstation contains all of the most common reverbs and some delays. The Morph control allows users to put creative twists on the reverb patches like spring tension, shimmer, and random flanging. There are two delays included in the reverb bank. You can use these to setup very cool ping-pong delays and many other creative rhythmic patterns.

Two banks of eight legendary effects. Super Fidelity. Super Compact.

The Delay Workstation has on-board tap tempo on the Delay side and external expression control on the Reverb side.

Effects Include:

Slapback w/reverb

Tape Delay w/tone control

Multi-Head Echo w/3 head control

Analog Delay w/dynamic modulation

Digital Delay w/inverse dynamic modulation

Subdivided Delay w/dotted eighth, eighth, triplet, sixteenth

Ducking w/compression ratio

Pitch Shifting delay with w/octave up/down control

Spring Reverb w/tension control

Chamber Reverb w/filter control

Hall Reverb w/tone control

Plate Reverb w/tone control

Shimmer w/octave up control

Flanged Reverb w/vibrato or random modulation
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EMW 10V Level Converter Module (black faceplate)
Cat: 775767 Rel: 17 Sep 20 • View all Synth modules
 
Converter module
Notes: 8-cannel voltage converter

Eurorack (3U) form factor
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EMW Master Mixer 4X Module (black faceplate)
Cat: 775120 Rel: 17 Sep 20 • View all Synth modules
 
Mixer module
Notes: 4-input VCA stereo mixer w/ pan, stereo out, metering

50mm deep
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EMW Voltage Controlled Filter OB12 Module (black faceplate)
Cat: 774627 Rel: 17 Sep 20 • View all Synth modules
 
Voltage controlled filter module
Notes: The EMW VCF OB12 is a12db/oct State Variable VCF carefully designed to produce a very 'fat' and deep sound. It features a 2-input audio mixer, 2 odulation inputs, and separate LPF and HPF outputs.
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EMW Voltage Controlled Filter Synt12 Module (black faceplate)
Cat: 774629 Rel: 17 Sep 20 • View all Synth modules
 
Voltage controlled module
Notes: The EMW VCF SYNT12 is a Synthacon style 12db/oct low-pass resonant filter. The sound and response were designed to be as close to the Steiner-Parker Synthacon filter as possible. This module has two individual audio inputs, one for the band-pass section and one for the low-pass section. It also features two modulation inputs with individual level control. Try patching the same audio signal into both inputs (BPF and LPF) for very interesting effects.
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quote 774629
EMW MIDI Note to Trigger Module (black faceplate)
Notes: MIDI to trigger + MIDI clock translator

50 mm deep
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quote 775638
EMW MIDI Oscillator Module (black faceplate)
Cat: 774615 Rel: 17 Sep 20 • View all Synth modules
 
MIDI oscillator module
Notes: The EMW MIDI Oscillator is a digital oscillator based on the EMW WCS-1 synthesizer. It responds directly to MIDI signals (C1 to C6) and generates 3 waveforms: Sawtooth, Square, and Sub-oscillator.The sub-oscillator waveform is not a simple square wave. it has it's own unique shape and sound characteristic, ideally designed to be mixed with the another waveforms.

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quote 774615
EMW Phaser 12 Analogue Phase Shifter Module (black faceplate)
Notes: The EMW Phaser 12 is one of the most powerful analog phaser modules available in the eurorack platform. It sounds warm and very reminiscent of the phaser effects found in classic synthesizers. The phaser can be set in either 6 or 12 stages and the module features 2 CV inputs (with individual attenuators) as well as 2 built-in LFOs that can be used for modulation.
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EMW Phaser 4 Four Stage Analogue Phaser Shifter Module (black faceplate)
Notes: The EMW analog 4-stage Phaser produces one of the deepest and most powerful effects used in electronic music. The analog phase-shifter effect differs a lot from the one created by digital processors mainly because it features a warm and penetrating sound characteristic that is very hard to emulate, This is a must have module for any modular synthesizer setup.
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quote 775236
EMW VCO204 Analog Voltage Controlled Oscillator Module (black faceplate)
Notes: The EMW VCO 204 is an all analog voltage controlled oscillator with four waveforms (SQUARE, SAW, TRIANGLE and SINE). Its transistor core circuit guarantees a powerful sound, precise waveforms and excellent stability. The hard-sync implementation is superb and has the same sound characteristics found on the famous CEM3340 chip. It also has fine tuning control and independent inputs with level control for linear and logarithmic frequency modulation.

Eurorack (3U) form factor - 14 HP width
Power consumption: +12V [50mA] / -12V [27mA]
Connectors: 3.5mm
Weight: 179g
Depth: 50mm
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quote 774496
EMW Stereo VCA Voltage Controlled Amplifier Module (black faceplate)
Notes: The EMW 'VCA' module is a high quality Voltage Controlled Amplifier. It features a three channel audio mixer (with individual level controls), two CV inputs (Env and Mod) with independent inputs and level controls, as well as a Initial Level (Bias) control.
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quote 774893
EMW Voltage Controlled Amplifier Module (black faceplate)
Notes: The EMW VCA is a high quality Voltage Controlled Amplifier. It features a three channels audio mixer (with individual level controls), two CV inputs (Env and Mod) with independent inputs and level controls, as well as a Initial Level (Bias) control.








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quote 774889
EMW Triple Voltage Controlled Amplifier Module (black faceplate)
Cat: 774896 Rel: 17 Sep 20 • View all Synth modules
 
Voltage controlled amplifier module
Notes: VCA 3X is a simple yet great solution for synth users looking to add more VCAs to their setup in a single and compact module. This module features 3 VCAs with individual Signal and CV inputs and outputs.
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EMW VCO102 Analog Voltage Controlled Oscillator Module (black faceplate)
Notes: The EMW VCO 102 is a Voltage controlled oscillator with two waveforms (SQUARE and SAWTOOTH) that incorporates all analog technology. Its transistor core circuit design guarantees a vintage and powerful sound. This oscillator was designed to produce very precise waveforms and have a good stability and 1V/octave frequency tracking over five octaves.
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quote 774501
EMW VCO104 Analog Voltage Controlled Oscillator Module (black faceplate)
Notes: The EMW VCO 104 is a 100% analog voltage controlled oscillator with four waveforms: SQUARE, SAWTOOTH, TRIANGLE and SINE. Its transistorized core circuit produces very sharp and powerful analog waveforms. It has precise waveform generation, excellent stability with 1V/octave frequency tracking over five octaves. The VCO-104 from EMW is the ideal tool for a truly 'fat' analog sound generation.
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EMW Pot Action Recorder Module (black faceplate)
Cat: 774862 Rel: 17 Sep 20 • View all Synth modules
 
Recorder module
Notes: The EMW POT ACTION RECORDER is a very useful module that allows the user to create personalized modulation waveforms. It records the user's action on a potentiometer and generates 5V (-2.5 to +2.5V) control voltages that mimics the action applied to the potentiometer. The action recording can occur at any point and it is incorporated to the voltage output instantaneously. The playback speed can also be slowed down or increased.
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EMW Dual Low Frequency Oscillator Module (black faceplate)
Notes: The EMW LFO 2X has two totally independent LFOs in only 6HP rack space. Both LFOs feature triangle and square wave outputs, a switch to control the frequency range (Fast/Slow), frequency adjust knobs and LED indication. LFOs are essential tools when working with modular systems since they are the kind of modules that can be used in every patch to modulate parameters of other modules.
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quote 774782
EMW Analog Sample & Hold Module (black faceplate)
Cat: 774885 Rel: 17 Sep 20 • View all Synth modules
 
Sample & hold module
Notes: Fully featured analogue sample and hold with tons of options. Built-in LFO/clock, analogue noise and glide/portamento on the output. Nicely versatile and good value.

Supplier's Notes:

The EMW S&H is a very complete module that features an exclusive EMW design which incorporates a wide range oscillator (that controls a Sample & Hold circuitry) and an internal LFO oscillator with 2 waveforms. It also has an analog noise generator and Gate and Trigger outputs. It can be controlled by either the internal clock or any external oscillator / LFO.
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EMW Pulse Counter Module (black faceplate)
Cat: 775646 Rel: 17 Sep 20 • View all Synth modules
 
Pulse counter module
Notes: The EMW Pulse Counter module is a binary counter that activates each output with a high voltage level (+5V) corresponding to the number of incoming pulses. It also have a RESET input that resets the counter each time a pulse is applyied.These module can be used to create triggers or gates to trigger other modules in diferent time ocasions and is very usefull for creating rythmic modulations and/or drum triggers.

Eurorack (3U) form factor - 6 HP width
Power consumption: +12V [15mA] / -12V [0mA]
Weight: 61g
Depth: 50mm
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EMW Logic 101 Logic Functions Module (black faceplate)
Notes: The EMW Logic 101 module has 4 different logic functions that are useful when you need to control pulses in order to create alternative activation logic. The «&" or "AND" function output only goes high when both A and B inputs are on a high level. The "OR" function output goes high when either A or B inputs are on high level. The verters,as expected, inverts the signal in its outputs, going high when the input is low and vice-versa.

Eurorack (3U) form factor - 6 HP width
4 logic functions In only 6HP rack space
2 x AND function, 1 x OR and 2 x Inverter
External pulse input: 2.5 to 15 Volts.
Power consumption. +12V [34mA] / -12V [0mA]
Connectors: 3.5mm
Weight: 72g
Depth: 50m
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EMW Voltage Controlled Filter MG24 Module (black faceplate)
Cat: 774633 Rel: 17 Sep 20 • View all Synth modules
 
Voltage controlled filter module
Notes: The EMW VCF MG24 is a Moog style 24db/oct low-pass resonant filter. Its sound and response were designed to be as close to the Minimoog filter as possible. This module has a 2-CH input audio mixer with individual input level control and two modulation inputs with individual input level control. Self-oscillation is very linear and ranges from 10Hz to beyond 20KHz.
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quote 774633
EMW Random Pulse 4X Module (black faceplate)
Cat: 775652 Rel: 17 Sep 20 • View all Synth modules
 
Pulse module
Notes: EMW has released a new module, great for creating random rhythms and triggering events. The Random Pulse 4X outputs random gates based on the Pulse Input. It also has a dedicated Noise output for utilitarian use. The four random pulse outputs are vaguely related to the pulse input, and changing the speed of the pulse input can drastically change the character of the outputs.
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EMW Sequencer 101 Analogue Sequencer (black faceplate)
Cat: 775623 Rel: 17 Sep 20 • View all Synth modules
 
Analogue sequencer
Notes: The EMW Sequencer 101 module is a complete analog step sequencer in just 16HP Eurorack format. Its 8 channels have 0-10 Volts adjustment range, LED indication and Skip function. Other important CV inputs such as Reset. Hold and Transpose (pitch deviation) are also available. The Trigger output produces one trigger per step, which can be very useful for synchronizing the Sequencer 101 with other modules.
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EMW Sequential Voltage 16 Module (black faceplate)
Cat: 775622 Rel: 17 Sep 20 • View all Synth modules
 
Voltage module
Notes: Eurorack (3U) form factor 18 HP width

Connectors: 3.5mm

Depth: 55mm
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EMW 8 Step Level Sequencer Module (black faceplate)
Cat: 775241 Rel: 17 Sep 20 • View all Synth modules
 
Sequencer module
Notes: Sequential VCA

50mm deep
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EMW T-Drum Module (black faceplate)
Cat: 775421 Rel: 17 Sep 20 • View all Synth modules
 
Drum module
Notes: The EMW T-DRUM module is a 12-bit/high sample rate sample player with 6 internal drum Kits derived from famous drum machines. The sample selection was carefully made and includes the best of the 70's and 80's, from the glorious Roland TR and DR series to E-mu, Oberheim and SCI units. The trigger input responds with very low latency to trigger signals from 3 to 15V. and you can control the pitch and the internal sound selection by external CV, which allows the creation of random rhythm patterns.

Eurorack (3U) form factor - 6 HP width
Power consumption +12V [17mA] / -12V [7mA]
Connectors: 3.5mm
Weight 100g
Depth: 50mm
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