Review: Old school meets new school here, as French techno stalwart Laurent Garnier joins forces with rising star Chambray for a cheery, glassy-eyed workout on Rekids. In its original form, "Feelin' Good" is a rushing chunk of piano-driven techno positivity, where sparkling riffs, fuzzy analogue electronic motifs and nagging electronics burst through a tough but squeezable techno beat. It should be an essential listen for all those hankering after something that recalls the celebratory glee of the early '90s while sounding suitably contemporary. Label boss Radio Slave steps up to remix, first re-imagining it as a dreamy but powerful jack track, before embracing his inner hardcore hero on a breakbeat and piano-heavy flip that's as rush-inducing as triple dropping the strongest happy pills around.
Pimping People In High Places (Woodword Ave alternative mix) (6:50)
The Medusa Touch (6:52)
Review: Gary Martin is well known for his unique productions and his label Teknotika is surely a classic coming out of the famous motor city. This special 10" holds two sought after tracks that were found on a lost DAT tape by Yossi Amoyal and Gary Martin himself. On the A side we have a long time secret weapon, it's a hypnotic groove that was heard on many classic sets, Zip and Ben Klock to name a few. An extremely insane, hard to find Gigi Galaxy track that was changing hands for silly prices is on the B side, for those who know... massive release!
Review: Russian label Mosaique has thus far carried some serious heat from artists like JASSS, Caron and Savage Grounds, and now they're shifting their nightmarish electro tendencies back to the various artists format of their Universe series. Umwelt leads the charge on this second installment with the eerie machine snarl of "Fallen Empire", followed up by two versions of the devilish "Sleep When You Die" by Moralez & The Horrorist. Alessandro Adriani is first up on the B side with the driving, noirish techno pulse of "Cosmic Transmissions," and then Morah rounds things off with the squelchy, spiky workout "Track 5".
Review: Resurgent Welsh techno wizard DJ Guy launches his own label with a fresh batch of deep diving jams that put the soul back in the machine. From the twinkling, starry-eyed delights of "Music Is Life" to the horizontal meditation of "Interplanetary," this is immaculately executed electronica in the fine tradition of UK trailblazers like B12 that sounds as fresh as it did in the 90s. "Warmth In Rhythm" sports a nagging house groove to suck you in with ease, while "Propulsion State" fires off a dazzling arpeggio that heads skywards with a twitchy electro backbone for company. Top shelf tackle from a seriously talented cat.
Review: The long-serving Psychoskunk label comes back in full force with some unflinching underground techno gear from Error Etica, otherwise known as label boss Victor Martinez. "Inductors V2" sets a serious tone for this record with its reduced soundscape and needlepoint sound design attitude. Hironori Takahashi then makes an appearance remixing "Diatonic Scale" and turning it into a deadly, minimalist bruiser. 65D Mavericks jump on "Schematic Diagram" and laden it with blown out kicks and eerie atmospherics, and then Pelacha tackles "Inductors V1" and embellishes it with creeping, modulating textures that bring the track to life in a most unsettling of ways, as was surely the intention. This is techno for darkened souls if ever we heard it.
Review: Frankfurt record shop Gosu are back with the next instalment of their in-house label by OFFM regular Rob Amboule. The British producer has been making records for some years now, on labels like 20:20 Vision, Heidi's The Jackathon and more recently OSMAN and NorthSouth, initially starting out in London. A chance encounter led him to Frankfurt and after a short while he decided to relocate out to the Main area. A long-time friend of the label as well as Freebase (RIP), his skills developed with the encouragement of label bosses Manuel Schatz and Phil Evans. Amboule presents Gosu 9.5: on the A side we've got the funky and chunky all analogue electro futurism of "9.5 B", while on the flip things go in a more straight ahead direction on the classic techno excursion of "9.5 D" - taking the very best elements of Detroit and Yorkshire in its stride.