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Items 1 to 12 of 12 on page 1 of 1
RME ADI2 DAC 2 Channel DA Converter & Audio Interface (DA converter/headphone amplifier)
RME
Cat: 673824 Rel: 05 Mar 18
 
High-quality USB DA converter & headphone amplifier
Notes: In 2016 RME released the ADI-2 Pro. With a lot of fresh ideas, innovative features and numerous useful functions it rolled up the AD/DA converter scene and quickly became a reference for both AD- and DA conversion. Equipped with two Extreme Power headphone outputs it also found its way into HiFi and home use, getting countless rave reviews for its sound, flexibility and technical prowess.

To address the home and HiFi users, RME exchanged some of the Pro's studio features with typical home and HiFi ones. With an adapted feature set and much simplified operation RME proudly presents the ADI-2 DAC. Built on the technology, concept and features of the ADI-2 Pro, the DAC concentrates on DA conversion in top high-end quality, along with two exceptional outputs for headphones and IEMs, and - a remote control.

Packed into the compact half 19" format factor, this little gem is filled with the finest high-end electronics, offering a reference class conversion from SPDIF coaxial, SPDIF optical (ADAT compatible) and USB to RCA, XLR, TRS and mini-TRS.

As the most versatile DAC available, the ADI-2 DAC offers balanced/unbalanced analog outputs, an Extreme Power headphone output, a super low noise IEM output, SteadyClock FS, 4-stage hardware output level control, DSP-based signal processing, external power supply operation, Class Compliant USB compatibility and sample rates up to 768 kHz as well as DSD and Direct DSD playback. The SPDIF input signal can even be recorded via USB - as one would expect from RME the DAC is a true 2 channel Full Duplex audio interface.

Improving DA:

With the DAC RME engineers took the opportunity to slightly enhance the DAC's analog output stage to be even more perfect as it already was. More relays, a different double symmetrical attenuator circuit and one additional buffer OP amp succeed in less noise and less THD. As the DAC-chip is the limiting factor here this is hard to measure, but nevertheless an important improvement, especially at lower hardware output levels typical for Cinch/RCA usage. The new hardware reference levels of +13 dBu, +7 dBu, +1 dBu and -5 dBu also add to this.

Super Low Noise for IEM lovers:

The headphone revolution not only brought headphones but also IEMs (in ear monitors) back into the attention of audiophiles and music lovers. Modern IEMs have a reference sound that easily competes with bulky over-ear headphones, making them not only a mobile alternative, but also an interesting solution in home.

Modern IEMs are extremely sensitive and operate on very low voltages. As a side effect they uncover the noise floor of the player, DAC or headphone amp. When RME developed its Extreme Power headphone stage the basic noise floor was taken care to be as low as possible. Which was then confirmed in many reviews (most black background...). Even when used with IEMs.

Lights Out:

A studio converter with all lights off? Defective. But on a DAC it was one of the most often requested features from our ADI-2 Pro HiFi customers. Here we go: display, function keys, volume knob, even the standby button - they all go off after 10 seconds of no user operation when AutoDark is activated in the unit's menu. Touching any button or control will turn on all lights for 10 seconds. Using the remote AutoDark can also be switched off/on, and using any button on the remote turns lights on for 3 seconds. Once again: we're sure you will love it!

SteadyClock FS:

The ADI-2 DAC is the first device in RME's range with SteadyClock FS. There is not much to improve with SteadyClock, it has earned its accolades over years of flawless operation in numerous RME devices, guaranteeing that using the internal clock will produce exactly the same sound as when using an external one. SteadyClock highly rejects jitter and handles all digital interface formats in an exemplary way. That's why SteadyClock's design and behaviour didn't change in the DAC.

Final Chord:

The ADI-2 DAC includes an improved SteadyClock, a fine-tuned to perfection analog circuitry, remote control, Extreme Power headphone output and a very special IEM output. It has all the bells and whistles that made the ADI-2 Pro famous, including its perfectly transparent sound signature and full DSP processing with Bass, Treble, Loudness, 5 Band Parametric EQ, Crossfeed and much more. With its simplified operation and stunning design it is the ideal centrepiece from home listening up to studio reference playback.
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 1 in stock $812.64
RME
Cat: 571284 Rel: 22 Aug 15
 
24 channel bus-powered USB interface, with ADAT I/O
Notes: The exciting new Babyface Pro once again demonstrates RME's absolute commitment to superior craftsmanship, not only in audio circuits and driver development, but also in mechanics.

Created with the highest precision from a block of aluminum, this high-end yet portable interface incorporates newly designed analog and digital circuits. Its innovative energy saving technologies provide supreme fidelity with no compromises in level, noise or distortion.

For the main I/O RME have designed a completely new XLR socket, which integrates seamlessly into the housing and saves space. The two headphone outputs, offering TRS and mini-jack sockets in parallel, have completely separate driver stages to perfectly match low and high impedance headphones, guaranteeing pristine sonic results no matter what type of headphone is used.

Two digitally controlled preamps provide individually switchable 48V 'phantom power. These brand new circuits feature gain of up to 70 dB, adjustable in steps of 3 dB, plus a relay-driven PAD, resulting in exceptional EIN (Equivalent Input Noise) performance as well as line overload protection, and enough gain for even the lowest level microphones.

Babyface Pro's incredibly efficient design almost never requires an external power supply - it's perfectly stable on USB 3 bus power, and also most USB 2 ports, with no degradation in any technical specification. This makes it perfect for mobile recording, even with a pair of your favourite condenser microphones.

The comprehensive feature set continues with an optical TOSLINK I/O; use as either an ADAT port with SMUX support or SPDIF for sessions up to 192 kHz. In combination with an external ADAT converter, the Babyface Pro fully supports 12 analog inputs as well as 12 outputs, making it ideal for both live and studio multi-track applications. You can plug any instrument, line or high impedance, into Babyface Pro's jack inputs 3 & 4. Record your guitar on the go, with no additional hardware required. MIDI I/O via an included breakout cable completes the package.

Babyface Pro ships with RME's TotalMix FX, available for Windows and Mac OS X. An iOS version is available as well. This amazingly versatile software allows you to use Babyface Pro in every situation. You can do something as simple as mixing together your guitar and vocal to headphones.

The FPGA-based DSP mixer adds a flexible, 3-band parametric equalizer to all inputs and outputs. Reverb and delay FX are also onboard.

Latest generation low latency AD/DA converters, combined with RME's unique SteadyClock technology, result in exceptional specifications that will satisfy the most demanding of professionals.

This high-end interface incorporates newly designed analog and digital circuits. Its innovative energy saving technologies provide supreme fidelity with no compromises in level, noise or distortion.

Straight to the core without interference: the reference design of the Babyface Pro leaves nothing to be desired.

RME devices are designed to conserve music as it is. Audio signals are passed in their entirety, nothing added, nothing taken. For the new Babyface, the audio circuits have been improved to meet even highest gain levels with best dynamic range.

The clever user interface is informative and clearly laid out. It makes access to every feature and configuration mode of the Babyface Pro intuitive and easy to use.

Even in stand-alone mode, routing and mixing of inputs to outputs directly on the device opens a whole world of possible applications.
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 2 in stock $610.75
Cat: 627984 Rel: 12 Oct 16
 
18x22 USB audio interface with DSP, mixing & effects
Notes: The latest in MOTU's award-winning UltraLite series, the UltraLite-mk4 is a USB audio interface with 40 simultaneous I/O channels (18 in, 22 out). It also delivers exceptional sound quality, new ultra-low latency drivers and expanded DSP for studio-grade mobile audio recording.

Superb audio quality:
- Analog outputs deliver 117dB dynamic range at sample rates up to 192 kHz. Renowned drivers deliver rock-solid performance and industry-leading low latency.

Ultra-low latency:
- New, optimized drivers for both Mac and PC deliver ultra-low latency performance. With a high-performance DAW such as Digital Performer, the UltraLite-mk4 delivers an astonishing round trip latency (RTL) of 1.83 ms (milliseconds) on OS X and 1.84 ms on Windows over USB (at 96 kHz with a 32-sample host buffer).

Built for studio and stage:
- Housed in a compact, aluminium-alloy enclosure you can take anywhere, the UltraLite-mk4 is equally well-suited for studio and stage, with or without a computer. As an interface or mixer, the UltraLite-mk4 provides 18 ins and 22 outs, for a total of 40 simultaneous I/O channels.

All the I/O you need:
- Connect all of your audio gear, including speakers, headphones, mics, guitars, synths, keyboards, drum machines, effects processors and even MIDI devices.

Large console-style mixing:
- Record, monitor, route and process all live inputs using the on-board 48-channel, console-style mixer, with no latency and no processor strain on your computer.

Modeled analog EQ and compression:
- Further sculpt your sound with 4-band parametric EQ featuring filter types carefully modelled after British analog console EQs. Choose between two forms of compression: a conventional compressor and the Leveller, an accurate model of the legendary LA-2A optical compressor that provides vintage, musical automatic gain control.

Advanced Extras:
- Analyse and scope your audio with advanced diagnostic tools, including a full-screen real-time FFT display, spectrogram "waterfall" display, full- featured oscilloscope, X-Y plot and phase analyser.

Web app control:
- The software that you use to control the UltraLite-mk4 doesn't reside on your hard drive. It's a web app served from the hardware itself. This means you can control the UltraLite-mk4's on-board DSP, mixing, and device settings from the web app software running in your favourite web browser on the computer, or even a tablet or smartphone on the same Wi-Fi network as your computer.

Solid Metal Chassis:
- The UltraLite-mk4 aluminium chassis is lightweight, yet incredibly sturdy and durable, and designed to withstand the rigors of the studio, stage, and tour bus. In a world awash with cheap plastic, the cool touch of the UltraLite-mk4's metal exterior in your hands is a reassuring reminder that you are holding quality engineering and construction built to last.

Rack mounting brackets:
- Use included brackets and hex bolts to mount the UltraLite-mk4 on rack rails, as shown here with a companion MOTU micro-lite MIDI interface.
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 1 in stock $505.55
RME
Cat: 420693 Rel: 29 Mar 11
 
36-channel 192 kHz USB2.0 high speed audio interface
Notes: The compact RME Fireface UC has been uncompromisingly optimized for highest performance under Windows and Mac OS. Based on a newly developed RME Hammerfall core, the Fireface UC audio interface provides revolutionary ultra-low latencies even with multiple channels. It uses two different firmware versions with different transfer methods to remove current restrictions of typical USB audio interfaces. The unit's operating mode Win or Mac can be changed directly at the unit at any time. Under Mac OS, the Fireface's MIDI ports are class compliant, the operating system therefore automatically uses the included MIDI driver.

Under both operating systems, the available latencies are simply sensational. The smallest buffer offered under Windows has 48 samples, under Mac OS X 14 samples. With this RME provides a performance comparable to PCI express interfaces under USB 2.0.



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 3 in stock $734.33
FORTHCOMING
Arturia AudioFuse 8Pre Audio Interface & ADAT Expander Arturia AudioFuse 8Pre Audio Interface & ADAT Expander Arturia AudioFuse 8Pre Audio Interface & ADAT Expander
Cat: 718641
 
High-spec 8 channel dual mode interface/ADAT expander in studio-friendly rack format
Notes: The Arturia AudioFuse 8Pre is a dual-mode interface and ADAT expander which boasts 8 channels of premium analogue audio, rock-solid sync, USB-C, and optical connectivity. With our award-winning lineage of pristine analogue quality, AudioFuse 8Pre is destined to become the expander of choice in studios and creative spaces around the world.

When you're putting your heart and soul into your music and productions, you need to know your audio is in safe hands.

AudioFuse 8Pre offers unrivalled quality at its price point. The 8 Discrete Pro- preamps and analogue signal path will let you truly "hear" your audio for the first time. The super-low Equivalent Input Noise (EIN) lets you capture every subtle detail, while the huge input gain will drive even the most demanding low-output mics. All this with a totally flat frequency response for total transparency. The superb quality doesn't stop there, AudioFuse 8Pre also features the best A/D converters available.

If you're a recording professional you know that no two days are the same. You need gear that gives you the versatility you need to be prepared for the unexpected.

AudioFuse 8Pre can fulfil any studio role. You already have a powerful interface, but need more inputs? AudioFuse 8Pre is the perfect ADAT preamp expander. Want to record multiple channels, but don't own an ADAT-expandable interface? AudioFuse 8Pre can connect directly with your computer so you can record multi-tracked instruments all at once. It's a high-performance audio interface with USB connectivity, speaker outputs and independent headphone output.

Use on its own; expand your existing interface; cascade 2 AudioFuse 8Pre together via ADAT for 16 superb preamps. AudioFuse 8Pre does it all.

Sometimes it's the little things that matter most. You need your gear to complement and enhance the way you work, and that's the driving force behind AudioFuse 8Pre.

AudioFuse 8Pre is easy to use, with one-button, one-function design, and features backward-compatible USB-C connectivity for super compatibility. It's housed in a robust metal chassis, and the included rack ears can be mounted to either face forward or down, letting it stand freely or be integrated into your 19" racks depending on your setup. It also features ADAT in, so you could send your musicians cue mixes using its headphone output.

We've spent years working together with studios, producers, and musicians at all levels to minimize the "pain points" other interfaces give you on a daily basis. AudioFuse 8Pre is the result.

AudioFuse Creative Suite:

AudioFuse 8Pre comes complete with the AudioFuse Creative Suite, an ever-evolving collection of software effects and instruments that will let you add your own unique signature to your music. Combining favourites from our award-winning "You'll Actually Use" series with Analog Lab Lite, AudioFuse 8Pre lets you also enjoy legendary signal processing effects and iconic synth sounds. Colour the pristine inputs of AudioFuse 8Pre with stunning vintage effects!

Box contents:

- AudioFuse 8Pre unit
- Power supply
- USB cable
- DiscretePro Certificate
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coming soon $642.42
FORTHCOMING
Arturia AudioFuse Studio Desktop Audio & MIDI Interface Arturia AudioFuse Studio Desktop Audio & MIDI Interface Arturia AudioFuse Studio Desktop Audio & MIDI Interface Arturia AudioFuse Studio Desktop Audio & MIDI Interface Arturia AudioFuse Studio Desktop Audio & MIDI Interface Arturia AudioFuse Studio Desktop Audio & MIDI Interface
Cat: 718642
 
Next generation audio interface featuring 2 DiscretePRO microphone preamps
Notes: You're making tomorrow's music... so why settle for yesterday's interface? AudioFuse is the revolutionary pro audio interface that sets a new standard in sonic quality, creative production and value. It fuses the superior sound of high-end analogue studio consoles with the flexibility of a solid mobile interface - with all the connectivity you need for any recording or performance.

Whatever sound you need to capture, from the most delicate ambience to the heaviest cacophony, AudioFuse will reveal the beauty in everything.

Pro studio quality was our mantra right from the start with AudioFuse. Now you can transform your desktop, hotel room, concert - whatever, wherever - into a studio with world-class sound.

No compromises, each element of the AudioFuse has been selected to perfectly serve your sound, such as the two proprietary DiscretePRO microphone preamplifiers and the set of top-notch AD/DA converters.

Saving the purity of your sound and the passion it conveys is what AudioFuse is all about.

When creating and recording, you need an interface that lets you focus on the task at hand and keep distractions to a minimum.

With AudioFuse, we didn't want to settle for merely bringing you the sound quality of a pro studio, we wanted to bring you its workflow too. That's why you have detailed metering, talkback for instant communication with talent in the next room, inserts to add professional effects processing to your recording chain, A/B monitor switching, and direct access to the essential features so you can spend more time creating and less time setting up.

Wherever it comes from, whatever it has to travel through, and wherever it needs to go, AudioFuse will guide your sound.

AudioFuse connects with virtually everything: mics, instruments, turntables, studio equipment, Mac, PC, Linux, tablets, even iOS and Android phones. It all happens with a round-trip latency as low as 3 milliseconds so you'll feel right in the groove every time.

When you know your equipment is the best of the best, creativity can take care of itself.

When it is all about giving the best of yourself being able to rely on the best technologies becomes crucial. The lowest harmonic distortion, the most linear frequency response, the highest signal-to-noise ratio and the shortest latency, these technical terms may seem far removed from your creative process, but they are essential to delivering your music in the highest quality possible.

Capture the moment - at home, in the studio, on the road, or wherever creativity strikes.

AudioFuse has a super-solid aluminium chassis you can trust, complete with a hard cover to protect it from damage in your bag - or even just dust on your desktop. The build quality goes far beyond a great-looking exterior, as well. Your unit has to pass rigorous testing before it can be packed and shipped. It even comes with a test specification printout of your exact unit. Meet your new best friend for the studio and stage.
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coming soon $816.05
MOTU 8A Audio Interface (audio interface)
Cat: 634818 Rel: 08 Dec 16
 
Thunderbolt/USB audio interface with renowned ESS Sabre32 DAC technology
Notes: Equipped with renowned ESS Sabre32 DAC technology, the 8A has the same award-winning analog audio quality and proven performance as MOTU's flagship 16A interface - packed into a mobile half-rack enclosure.

34 simultaneous audio channels:
You get 8 x 8 balanced analog, 8-channel ADAT optical and independent headphone out for 16 inputs and 18 outputs. The optical ports also support stereo TOSLink (optical S/PDIF).

Superb analog audio quality and high-end converters:
Performance suitable for the most demanding situations - renowned ESS Sabre32 DAC technology delivers 123 dB dynamic range and the same proven, award-winning audio quality as MOTU's flagship 16A.

Ultra-low latency and proven, high-performance MOTU drivers:
The best possible latency performance. The 8A delivers round-trip latency (RTL) performance as low as 1.6 ms at 96kHz over Thunderbolt - and an astonishing 1.9 ms over USB - with high-performance DAW hosts.

Mobile operation and universal connectivity:
Ultimate portability and flexibility Connects to your computer with Thunderbolt, super-speed USB 3.0 or AVB/TSN Ethernet - with support for up to 256 audio channels (128 in and 128 out). USB audio class-compliant firmware and high-performance, industry-standard drivers work with any audio apps. Connects to your iPad with a standard camera connection kit (adapter).

DSP mixing and effects processing:
Console-style mixing with 48 channels and 12 busses. The 8A's full-fledged 48-input digital mixer delivers 7 stereo aux busses, 3 groups, access to 64 network inputs, and DSP effects, including reverb, 4-band EQ, gate and compression. If you know your way around a large-format mixing console, you'll feel right at home. If you've ever wished to mix on a large console, the driver's seat is now yours.

Modelled vintage effects processing:
Vintage processing with 32-bit float precision. Classic reverb. Compression modelled after the legendary LA-2A compressor. EQ modelled after British analog console EQs. The 8A's mixing and effects DSP engine delivers virtually unlimited headroom and the utmost in sound quality.

Flexible matrix routing and splitting:
Route your audio anywhere with one-click ease. Send any input to any output, or multiple outputs. Includes routing to and from the computer, plus any devices on the audio network.

Web app control from any device:
Control everything from your laptop, tablet and smartphone. The software that you use to control the 8A doesn't reside on your hard drive. It's a web app served from the hardware itself. This means you can control the 8A's on-board DSP, mixing, device settings, and network audio routing from your favourite web browser on a laptop, tablet or smartphone connected by wire or Wi-Fi to your local area network. Use any web client on any platform - Mac, Windows, Linux, iOS, Android - as long as it shares the same network.

Stand-alone operation with wireless control:
No computer or laptop needed. Connect an Apple Airport or other Wi-Fi router with a standard Ethernet cable for wireless control of device settings, powerful 48-channel mixing and DSP effects.

Comprehensive metering:
View all I/O activity at a glance - in full colour. The full-colour LCD lets you view all signal activity at a glance with detailed metering for all analog and digital I/O. Access hardware settings from a simple and convenient menu.

Powerful audio workstation technology for Mac and Windows:
Includes AudioDesk workstation software for Mac and Windows with 24-bit recording, sample-accurate editing and 32-bit mixing and mastering.
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 1 in stock $667.94
RME
Cat: 445883 Rel: 26 Jan 12
 
Hybrid 36-channel USB & FireWire audio interface
Notes: The RME Fireface UCX is a compact 36-channel, 192kHz USB and Firewire hybrid audio interface, incorporating Hammerfall X-Core technology, high-end converters and TotalMix FX effects engine.

Continuing the line of pristine quality X-Series interfaces, the Fireface UCX packs an incredible amount of technology into a half-rack unit. Featuring 18 ins and outs in total, 8 analogue i/o, 2 digitally controlled mic preamps, 2 instrument inputs, SPDIF, ADAT, Wordclock, 2 MIDI i/o all piped through FireWire 400 or USB 2.0 (USB 3 compatible) computer connections.

The Fireface UCX has impressive technical specifications, with 115dBA dynamic range on the analogue inputs and outputs; an excellent signal-to-noise ratio with very low distortion and jitter. Latency is negligable (0.4ms at 48 kHz), surpassing that of many, more expensive interfaces, making the UCX a serious recording tool for studio or stage. The mic preamps use technology from the RME Micstacy, ensuring flat response and supreme dynamic range, and can also provide automatic and intelligent level control to ensure distortion-free recording.

TotalMix allows for flexible DSP mixing and routing of all i/o's plus effects even at the highest sample rates. Every channel can have 3-band parametric EQ, adjustable HPF, dynamics, MS processing and phase reversal. A stereo auxiliary send gives access from any channel to the reverb and delay effects engine, allowing DSP-based mininal-latency monitoring effects. There are limitations to the total number of simultaneous effects depending on sample rate, but when the DSP load is too high, the Fireface UCX will use the FX-DSP automatic overload surveillance to inform you, or deactivate some DSP, ensuring the DSP engine is never overloaded.

As well as using RME's proprietry USB and Firewire drivers, the Fireface UCX can also be used standalone, or in Class Compliant Mode. This allows the unit to be used without a driver on several operating systems including (via the Camera Connection Kit) the iPad or iPad2, making these mobile platforms capable of studio quality audio recording.

http://www.youtube.com/watch?v=NbeuGVzippc
http://www.youtube.com/watch?v=YTNQAJu6Vlg&feature=player_embedded
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 1 in stock $974.04
RME
Cat: 741943 Rel: 29 Mar 11
 
B-STOCK: Box damaged, product still sealed & in perfect condition
Notes: ***B-STOCK: Box damaged, product still sealed & in perfect condition***


The compact RME Fireface UC has been uncompromisingly optimized for highest performance under Windows and Mac OS. Based on a newly developed RME Hammerfall core, the Fireface UC audio interface provides revolutionary ultra-low latencies even with multiple channels. It uses two different firmware versions with different transfer methods to remove current restrictions of typical USB audio interfaces. The unit's operating mode Win or Mac can be changed directly at the unit at any time. Under Mac OS, the Fireface's MIDI ports are class compliant, the operating system therefore automatically uses the included MIDI driver.

Under both operating systems, the available latencies are simply sensational. The smallest buffer offered under Windows has 48 samples, under Mac OS X 14 samples. With this RME provides a performance comparable to PCI express interfaces under USB 2.0.



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 1 in stock $720.04
Cat: 571031 Rel: 09 Sep 16
 
Professional quality USB audio interface & fully programmable mixer
Notes: K-Mix is Keith McMillen's newest innovation: an unbreakable, 8-in/10-out audio interface and programmable mixer. K-Mix features 2 ultra-accurate, high-efficiency low noise uPre preamps, and a precision opto-tactile control surface that was designed from the ground up for an unprecedented level of control. Keith McMillen have made super clean audio more accessible, so you can focus on the music. K-Mix is a go-anywhere, fully-programmable, audio multi-tool that can meet all your needs as an artist, whether you're in the studio or on the road. With no moving parts, K-Mix can be transported in a backpack without the fear of snapping off a fader or knob, while still giving you unrivaled audio quality, mixer functionality, and control. K-Mix is a pro-quality USB audio interface with transparent uPre preamps for superb quality audio recording in the studio or on the stage. K-Mix is a fully programmable mixer that features flexible routing, per-channel DSP, and can function without a computer. K-Mix features an unbreakable precision opto-tactile control surface designed from the ground up to command any DAW.

Audio Interface:

- USB Bus Powered
- Ultra-Low Noise uPre Preamps
- High-End AKM Converters
- 32-bit Floating Point Signal Path
- 8-in/10-out Audio

Programmable Mixer:

- Per Channel DSP
- Flexible Routing
- Standalone Quad 5.1, 7.1 and Octo Surround Mixer
- Onboard Preset Storage
- No Computer Required

Control Surface:

- Ultra-Sensitive Precision Rotaries and Faders
- User Assignable MIDI Controls
- Light Weight and Portable
- Rugged Construction, No Moving Parts
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 1 in stock $508.61
Click for better price!
quote 571031
Cat: 481437 Rel: 03 Apr 13
 
Audio interface designed for the iPod Touch, iPhone, iPad or Mac
Notes: The Apogee Duet is an award-winning audio interface, headphone amp and MIDI interface making it easy to create professional recordings anywhere on your Mac, iPad, iPod touch or iPhone. With Apogee's legendary digital audio conversion and world-class mic preamps, the Duet is the best way to capture your music with incredible dimension and detail.

The new Duet for Mac & iPad features special circuitry designed to deliver professional performance for iPad use along with low latency USB 2.0 performance for Mac. And with the addition of MIDI I/O you can connect and power a Core MID compatible keyboard/controller while using Duet with your iPad or iOS device.

The Duet's AD/DA converters are designed to deliver the purest recordings and best listening experience possible. The Duet's efficient circuitry and state-of-the-art components provide a simplified signal path resulting in incredibly transparent recordings.

Much like the AD/DA converters, the Duet's mic preamps feature the latest components and offer seamless click-free transitions as the gain increases and decreases throughout the incredible range of 0-75dB. This unprecedented feature allows you to dial in the perfect level, either with the controller knob or from within software, while delivering ultra-low noise and smooth, crisp detail. Duet's mic pres are suitable for all dynamic, condenser or ribbon microphones, allowing you to capture any sound without compromise.

An Apogee technology first introduced in 1992 on Apogee's AD-500 converter, Soft Limit can be heard on countless platinum selling records around the world. Once a technology exclusively reserved for Apogee's most advanced audio converters, Soft Limit is included in Duet and can be enabled in Apogee Maestro software.

This superior analog design prevents the digital clipping that causes distortion by instantaneously rounding off transient peaks before they hit the analog-to-digital converter. Soft Limit allows several more decibels of apparent level to be recorded while subtly providing an analog-like warmth to the sound.

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 1 in stock $551.45
Cat: 560990 Rel: 29 Jun 15
 
18 input, 20 output Thunderbolt audio/MIDI interface with extra-low round-trip latency
Notes: Valve Filter VF-1:
A multimode resonant filter with vintage valve emulation. Use this plug-in to enhance anything from subtle warbles to full-track filtering effects.

Valve Exciter:
A harmonic enhancer with vintage valve emulation, tube-based drive and bias adjustments tools, all within a single charming package.

SR-88:
A sample-based plug-in emulation of the 'Sound Master Memory Rhythm SR-88', a rare analogue drum machine from the 80s***

Designed for the project studio that needs plenty of I/O, Focusrite's 18-in, 20-out Clarett 8Pre combines eight mic preamps, class-leading digital conversion and extra-low round-trip latency - enabling DAW plugins to be used while monitoring recordings. Clarett's mic pre offers superbly low noise and distortion, plus the "Air" effect that models the sound of Focusrite's renowned ISA transformer-based preamps. Complete with Focusrite's precision 24/192 conversion offering up to 119dB real-world dynamic range, there's never been a better, faster or easier way of getting audio into or out of a DAW.

The mic pres have been designed especially for the Clarett range, with plenty of gain, yet low noise and distortion. In addition, they include a special "Air" feature that switches in an analogue model of the classic transformer-based Focusrite ISA mic pre. Instrument inputs feature extra headroom to handle the loudest pickup.

Latency is the delay to a signal as it passes through your DAW system from interface input to interface output. Clarett Thunderbolt offers the world's shortest. Signals go round so fast that you can record and monitor through your DAW with your favourite plugins such as EQ, reverb or compression, giving artists a fuller sound to perform with.

Clarett features Focusrite's class-leading 24/192 conversion quality: with up to 119dB dynamic range, Clarett offers the cleanest way yet to get music in and out of your DAW

18 audio inputs and 20 outputs within a 1U rack space, including eight analogue inputs, 10 analogue outputs, stereo S/PDIF I/O and eight channels of ADAT I/O. The ADAT ports are ideal for sending audio to an external D/A for line output expansion, or adding eight channels of digital mic pre..

Two mic/line/instrument inputs on the front panel give you instant, easy access to a pair of analogue inputs, even when rack mounted.

The monitor panel provides analogue and digital input levels, and main monitor outputs, via a 6-segment, multichannel hardware meter. Monitor features include a level control, plus dim and mute buttons, alongside dual high-power headphone outputs.
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 1 in stock $697.01
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