Review: It would be safe to say that Kayroy (real name Finian Langham) is on a roll. This is his third must-have EP of 2019 and his second outing on Whiskey Disco. It begins with "Rosella", a superb revision of Crown Heights Affair's "Say a Prayer" that strips out most of the vocals and layers up tasteful overdubs to give the track a more cosmic and dubbed-out feel. "You're The Reason Why" is a loopy but groovy rearrangement of a dewy-eyed laidback disco classic, while "Silk & Satin" is a riotous rework of a heavy disco-funk number rich in sharp, rising horn lines, screaming guitars, sweaty drums and toasty bass. Arguably best of all, though, is the fizzing, dubbed out Italo-disco-goes-poodle-perm-rock insanity of "One Night In Prague".
Review: Last year Paulo Mosca made his vinyl debut on Where We Met as one half of Venetian duo Micro.Solchi. Here he makes his solo bow via a four-tracker on Slow Life rich in vintage influences. "Interstellar Interruption", for example, sounds like the kind of far-sighted UK-US techno fusion that could have been featured on a Nexus 21 EP from 1990, while the organ-sporting techno-funk of "Cosmic Love" boasts bleeps that could have been taken wholesale from an early Warp 12". The producer's inherent funkiness is showcased further on brilliant opener "What's Their Name?" - all squelchy bass, Derrick May style drums and jaunty sci-fi lead lines - while "Star Wars" wraps decidedly spacey pads, warped lead lines and dubby bass around a shuffling breakbeat rhythm.
Turn Me Loose/My Design (extended version) (13:58)
Turn Me Loose (Sirs cut) (10:32)
Review: Best Records present another deep cover jam Balearic diggers will rejoice at being able to lay their hands on. Blue Night was the brainchild of Peter Miconi, who created "Turn Me Loose" in 1983. All the elements are present here, from the aching blue-eyed soul vocals to rich guitar solos and an irrepressible funk bedded down in the groove, here stretching out for a full 14 minutes of pure sunkissed bliss. On the flip, SIRS takes a careful run at the original that simply reframes the elements with a more pronounced rhythm section - this is someone who knows exactly what the track needs and declines to change anything for the sake of it. Classy stuff, as you would expect from a reissue on Best Records.
Review: Sad City's debut album was an absolute delight to behold when it landed late last year, and this remix package on Emotional Response does a great service to the quality of the original by offering up some truly outstanding new versions from impeccable talent. DJ Nature is one of the greats of heads down, dusty house, and his smoky handling of "Steady Jam" draws you in across two blissful versions that adorn the A side. On the flip, "Pace, Movements I-IV" gets a beautifully bubbly acid treatment from HOLOVR, and Herron plunges "Rain" into a murky bath of leftfield techno.
Politics Of Dancing X Chris Carrier - "Track 1" (6:45)
Politics Of Dancing X Nail - "Track 2" (7:35)
Review: Politics Of Dancing continue their adventures in the studio with friends and kindred spirits, this time teaming up with two tech house titans that paved the way for the sound they're immersed in today. Fellow Parisian Chris Carrier sounds right at home sparring with S.M.A.L.L and Paco on "Track 1", where an irresistible bassline groove underpins some acid licks that burrow deep into the night time frame of mind. On the flip Nail is the partner of choice, and the UK veteran helps whip up a crisp and chunky workout heavy on the drums - a serious DJ workout for those craving solid gear for their sets.
Review: New York-based Evan Michael has been spotted on some respectable labels in the past, from Drumpoet Community to AirDrop, most recently appearing alongside Marco Passarani on a split 12" for Cin Cin. He makes his first appearance on the ever-prolific Hudd Trax with this diverse grip of deep house jams, leading in with the emotive tones of "Duende". "PCH Passing" is a fluttering affair laden with sweet natured synths, but it also knows when to rain the cascading melodies in to let the groove take the lead. "Machine Pepper" builds up around an on-point bassline and powerful brass stabs, and then "Rainmaker" finishes the EP off with some tricksy delay use and a crooked beat.
Review: Madonna, Depeche Mode and Kelis - what do East End Edits have in store for us next? This seventh instalment harks back to the charming deep jazzy house of their inaugural release - think of the legendary St. Germain and that should give you a fairly good idea. The track's smoky, late night jazz bar vibe is complemented by a rolling bass and swinging rhythms that should appeal to the likes of Rhadoo or Petre Inspirescu - legends of the Romanian scene who themselves have lent their deft hand to the French producer's work as remixers in the past, too.
Review: Groovy, beguiling and hypnotic- Tusk Wax is a label where anything can happen while still boasting coherency throughout its catalogue. If that sounds vague that's the point; elements of house, funk, jazz, acid and tech never far from the mixing desk. This, the imprint's 30th outing, is another limited press continuing in that fine form thanks to the always-solid Loz Goddard, formerly of Dirt Crew. One made for summertime sessions, intriguingly it could score late night hallucinatory forest raves or sun-drenched terrace parties. It just depends which cut you go for. 'Redrum' is a low-lying cosmic treat, repetitive female vocals ensuring dancefloor potential contrasting the lackadaisical melodies. 'BHD' takes us down an expanding disco wormhole, Ron Basejam's remix of 'Redrum' places the emphasis on live bass and sass, a perfect precursor to the contemporary funk of 'Drumble'.
Review: Berlin-based techno imprint Repitch returns with more austere and pitch-black techno, courtesy of Polish producer Martyna Maja aka VTSS. A proud alumni of Warsaw's Brutaz club night and Jasna 1 club, in addition to being one of Discwoman's most recent additions, she's in fine form on "Identity Process", following up some great releases on Intrepid Skin and Haven recently. From the brooding rave energy of "Bring The Noize", the barrelling peak time intensity of "Code Red" to the powerful adrenalin of "Devil May Care" which is perfect for those "heads down" moments under the strobe light - Maja lunges straight for the jugular from the get-go on this truly ferocious outing.
Review: Having sprung into action with the Sol Explorer EP on Girasole, William Caycedo is back with a new selection of jams on the ever-developing SlapFunk. As the label's remit for minimal house and techno broadens, we're treated to low slung leftfield beats on "Booty Call" before the peppier broken beat groove of "Ain't No Joke". "Creepin'" and "G Groove" head into more familiar territory for SlapFunk fans, but there's still space for the crisp, laid back funk of "Tales From The West" and the off-kilter jazzy vibes of "Yes We Do" thrown in for good measure.
Review: Gino and Dino ride again! As with the previous G&D edit releases, the vibe is silky smooth, soulful and disco to its very core. "Changes" kickstarts the EP with a thumping disco piece that hits with northern soul energy while "Give Me Hot" has some of the most honied harmonies and peppiest sax you'll hear on wax this summer. Finally "Cosmic Factory" closes with the deep, spacey outer-planetary salute its name suggests. Watch out for those drums!
Review: Just four releases into its life, London imprint Counterfeit Soul has managed to draft in some serious pedigree for this one, with bossman Frazer Campbell leading the charge via the gloriously heady heights of 'Cloud 909'. Shades of soulful Detroit more than a little audible, it's a warm and uplifting opening number. Logically, given its name, 'Doom Dub' from Jorge Zamacona is a stark contrast in terms of vibe. Less delicate, much more direct and relentless- barely letting up- it's an ever-growing and more than likely ever-green slice of what deep techiness should sound like from the legendary producer. Those looking for more of a Windy City tip can find plenty of Chicago influences on Jorge Caiado's 'Drifting With Aliens', while Ste Roberts goes raw, unpolished and compulsively danceable for 'Last Saturday Day!'
Review: "Dj Sounds presents Captured, a 3 track EP for the house heads. Lazy is a ready-to-go exercice, easy to spin and fresh house track in its most classical yet very personal form, Captured is an intense Detroit oriented synth jam and Dj Beats is a short drum track reminding of the beat of track 1. That 001 is for the Djs who care about a fresh record of House. And those who like to dance."
Review: Low-slung stuff from the Nabucco label bossman, with the original just as primed for afternoon party vibes as it is the earliest morning sets. Gradually building momentum from its pared back stepping opening, soaring synth lines and subtle vocal stabs invoke the glory days of West Coast house- as smooth as it is uplifting, warm and inviting. On the flip, Mandar's remix retains most of the same elements, placing a more emphasis on the keyboard stabs and, although running for less time, has a greater sense of journey. Its dubby mid section allowing plenty of room for jazz inflected pianos to usher in smoky, chilled-out vibes in direct contrast to the punchier moments. The result is arguably even more useful that the original, and certainly something capable of pulling dancers in and not letting go.
Review: Detroit mainstay Waajeed is back on the case with another heavyweight slab for his Dirt Tech Reck label. "Heavy" pulls no punches - this track is peak time soul music turned up to 11 not least thanks to Wu-Tang songstress Blue Raspberry under alias Candi Lindsey's staggering diva vocal. The track also comes in instrumental form, but trust us and reach for the vocal to send a crowd into rapture. Lindsey returns on "Deeper Into Blue", another sprightly house cut with melancholy and hope in equal measure. "Too Black" rounds the EP off with a twitching broken beat groove that speaks to Waajeed's accomplished history in the truly soulful end of contemporary club music.
Review: After the strength of the Runaway 12", Armstrong is back with another pair of smokin' hot edits to get your disco sizzling in all the right ways. "Hangover" stretches out over 13 heavenly minutes of groove that sounds like the kind of source material Moodymann would be more than happy sampling. "Melting Pot" is a more Motown-esque vibe with jangly guitar chops and sweet organs bringing the emotional punch. Clearly dug by someone who knows their onions, and edited for maximum extended pleasure, this is how edits should be done.
Review: Vinyl Speed Adjust have conquered a lot of labels in their time, ranging from BodyParts to Pressure Traxx, Visionquest to Pleasure Zone. Representing a different twist on the Romanian minimal sound, the pairing of Andrei Predoi & Claudiu-Eduard Balan now find themselves on Constant Sound dropping the subtly psychedelic tech house trip out, "Semantic Expressions". As if the trance-inducing original wasn't enough, we're also treated to gold-standard remixes from Mike Shannon and DoubtingThomas, both of whom bring their glittering score cards in the minimal fraternity to two distinct but complementary versions of Vinyl Speed Adjust's track.
Review: Nebraska's Friends & Relations series continues to serve up the finest disco-sprinkled house delights, following on from the previous installment of Disco Dubs with another on point reduction of dusty grooves through the mixing desk. These jams are stripped back and oh so heavy, with FX flaring in all the right places to give an eerie, trippy tint to the jams. It's like walking into the deep end of the session where Walter Gibbons jams with King Tubby uptown, and you'd be right in thinking that's a match made in far-out disco heaven.
Review: Silas & Snare continue the heat on Madam X's Kaizen with their second single on the label this year. As always there's no letting up in terms of aesthetic, melting pot and energy. All sitting somewhere in the techno/hardcore/dub axis, "Pressure" lives up to its name with a rolling break, and warped grime basses, "Dreamscape" creates intensity with a loopy vocal hook and densely coded sense of tension while "Whistle Blower" brings us home on a deeper, more broken tip where noises aren't all what they seem. Feeling the pressure yet?
Review: For the sixth missive on his admirable Touch From A Distance label, Panorama Bar/Berghain resident Nick Hoppner has turned to debutant Cameo Blush. The little-known artist hits the ground running with title track "Murky Waters", a superb fusion of two-step influenced electro drums, bleeping electronic melodies and drowsy female vocal snippets. "Hypervisibility" is a deep but weighty chunk of melodic electro bliss, while "Prophet Paradise" is dreamy, languid and sun-kissed, with bright and breezy lead lines and warming chords. Equally as impressive is killer closing cut "Year 2000 Problem", a rumbling breakbeat workout smothered in the kind of blissful electronic flourishes that were such a feature of Isolee classic "Beau Mot Plage".
Review: Having appeared on the likes of Nous Disques, Dream Eater and Collection Artaud, it was only a matter of time before London beat splicer J-Shadow's glacial, unnerving textures and sounds would find a home on Bun The Grid. With strong senses of techno and electro deep in the low-end mix, highlights include the nutty, almost breakcore style flippery of "No Gravity" the powerful technoid dirge of the title track "Embers". Loaded with remixes from none other than Etch and Danny Scrilla, once again BTG have spoilt us rotten.
Review: Proud and in charge, Exzact returns with more unfaltering electro aimed at the purists in the room while still exploring avenues that will appeal to ears of a wider sonic disposition. Three tracks of broken futurism all equally accomplished and irresistible. 'Feeling' is perhaps the most upfront here, its arpeggiated introduction building atmosphere before beats drop that can only really be described as fresh, picking up tracking high-hats as things progress before introducing an echoed synth arrangement plucked straight from Bladrunner's deleted party scene. The BFX remix throws in four-to-the-floor sections, using these to build tension, breaks acting as explosive moments to unleash the true vibe. Kenethetic joins on the high pitched 'Above', while man of the moment- in this genre at least- Brice Kelly turns said track into a moody, evil work of genius.
Review: Courtesy Of Balance is back right in time for kick your summer off in style by welcoming fellow French producer Gunnter, owner of Normandy Records. All three tracks have got that classic quality to them that'll please those deep and tech house afficionados. Naturally influenced by the golden age of the late 90's uk sound, Gunnter has digested it down to three to-the-point weapons, all endowed with the 3 sacred elements of proper tech house : jacking beats, wonky basslines and deep chords. The proof's in the pudding... drop the needle on the rekkid !