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Items 1 to 7 of 7 on page 1 of 1
Lost Tracks Vol 1
Cat: DE 098. Rel: 30 Jul 15
 
Electro
Leather Forever (5:26)
Nightlife (3:41)
Miss Crazy Bullshit (4:47)
Loving The Alien (4:19)
Review: It's been some six years since Caroline "Miss Kittin" Herve and Michel "The Hacker" Amato last delivered fresh material together. While we await further news of their long-mooted comeback, there's this tasty EP of previously unheard archive material to enjoy. Made up of tracks recorded between 1997 and '99 - when their production partnership was in its' infancy - The Lost Tracks Volume 1 contains a number of fuzzy, stylish, floor-friendly bangers, from the S&M-themed madness of opener "Leather Forever" and stripped-back electro gem "Nightlife" (a tribute to Berlin clubs of the period, apparently), to the high-tempo acid-loaded freakishness of "Loving The Alien". Top-notch sleaze.
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 in stock $14.72
Lost Tracks Vol 2
Lost Tracks Vol 2 (12" + insert)
Cat: DE 216. Rel: 25 Jun 18
 
Electro
Upstart (4:57)
Love On 26 (5:20)
Snuff Movies (2:19)
The Building (6:28)
Review: Matt Cheon & Co. unearth yet more rare gems from old school electro fiends Caroline Herve & Michael Amato here, on the second volume of Lost Trax. As story has it, after the French duo met at a rave in their native Grenoble in the early '90s, they made music heavily influenced by 80s synth, post-punk and Italo disco. Bored by the techno scene at the time, they set out out to lighten the serious tone and bring a campy sexiness to the dour musical landscape. From the sexy, four-to-the-floor EBM of "Upstart", the Drexciyan style "Love On" with its aquatic bass assault, or the classic Miss Kittin & The Hacker sound of old on the monochromatic" The Building" featuring the former's trademark deadpan vocal delivery.
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 in stock $14.99
Closer (reissue)
Cat: DE 165. Rel: 27 Feb 18
 
Coldwave/Synth
Closer (4:57)
Tam Tam (3:55)
Review: Codek is the brainchild of Jean-Marie Salaun who grew up in Paris influenced by the folklore of the inner city. In 1978 he joined art rock group SpionS alongside Gregory Davidow and recorded two singles. Diving into the Paris post punk scene he met Claude Arto and designed the artwork for Claude's single on Celluloid "Kwai Systeme / Betty Boop." Robin Scott (M "Pop Music") had produced the SpionS first single and wanted to collaborate further. With Claude, Jean-Marie wrote "Me Me Me", intended for a choir, for M. Then SpionS split and Robin was off to Switzerland to record an album to follow-up his hit single. That left Jean-Marie alone in London, where he began working as Codek, a play on the brand name Kodak The "Me Me Me" single was released by MCA Records in 1980. Back in Paris, now with some studio experience, Celluloid Records hired Jean-Marie to produce records for Artefact and Les Orphelins. Over the next 2 years he began working on ideas for the next Codek single "Closer / "Tam Tam".
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 in stock $13.15
Love/Hate
Love/Hate (12")
Cat: DE 189. Rel: 07 Dec 17
 
Deep House
Love (4:01)
Hate (7:09)
Hate (version) (5:27)
 in stock $13.15
Primes
Primes (12" + insert)
Cat: DE 171. Rel: 27 Jul 17
 
Coldwave/Synth
Primes (7:17)
Stranger (feat Nicole Ginelli vocals & Doc Sleep) (4:37)
Imperial Tranz-Am (13:25)
Played by: Honey Soundsystem
 in stock $14.72
Jump Over Barrels
Cat: DE 102. Rel: 11 Jan 16
 
Electro
Jump Over Barrels (3:32)
Jump Over Barrels (1981 demo) (3:32)
Jump Over Barrels (Charles Manier remix) (3:33)
Jump Over Barrels (early rehearsal version) (3:07)
Review: Post-punk aficionados may already by familiar with Crash Course In Science, a Philadelphia-based band who released two acclaimed singles between 1979 and '81, before going their separate ways. Here, one of the band's previously unheard 1981 demos gets mixed and released for the first time. "Jump Over Barrels" is a song about overcoming adversity, and in newly mixed form sounds like a lost post-punk classic. It's accompanied by a couple of demos - their initial 1981 recording, and an earlier, deliciously skeletal and heavy rehearsal version - and a fresh remix from Tadd Mullinix under his now familiar Charles Manier alias. The Ann Arbor-based producer does a good job of toughening up the track for modern dancefloors, whilst retaining the free-spirited essence of Crash Course In Science's original.
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 in stock $13.15
Stand Scatter
Cat: DE 309. Rel: 15 Dec 23
 
Electro
Forming Lines (6:31)
Choreography (9:06)
It's Right There In Front Of You (7:03)
No Floor (2:54)
Review: The ever-popular and always innovative Dark Entries welcomes Lust Pattern for more deviant electro explorations here and i isn't the first time the artists has graced the label in such fashion: Ryan Armbridge has previously done so as Linea Aspera many times before, exploring coldwave revivalist sounds alongside Zoe Zanias. With this alias, though, he looks to post-punk and electro-funk for inspiration. Opener 'Forming Lines' is redolent of Drexciyan squelch with plenty of live drumming powering it on. 'Choreography' has a similarly aquatic feel but with faster drums and more urgent funk and 'It's Right There In Front Of You' then slows to a predatory and menacing crawl. 'No Floor' is a motorik workout with the squelchiest of mutant synth sounds and rickety rhythms.
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 in stock $14.99
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