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Cat: DE 072. Rel: 16 Jul 14
Coldwave/Synth
  1. Going Around
  2. Moscovite Musquito
  3. Strange 9 To 9
  4. Call It Weird
  5. Abysmal Thoughts
Review: The original pressing of Subsequent Pleasures, the self-financed and ludicrously limited debut EP from Dutch darkwave pioneers Xymox (later to rename themselves Clan of Xymox), is notoriously hard to get hold of. Props, then, to reissue specialists Dark Entries for making it available again on vinyl for the first time since 1983. While this version doesn't include all of the tracks featured on the original, it does contain all the killers, including the electro-goth wooziness of "Going Around", the Joy Division-ish "Strange 9 To 9" and the superb synth workout "Call It Weird". It's one of those releases that should be an essential purchase for anyone with even the remotest interest in darkwave.
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 in stock $16.75
Cat: DE 181. Rel: 30 Oct 17
Deep House
  1. Blue Pyramid (5:19)
  2. Blue Pyramid (Khidja remix) (8:31)
  3. Blue Pyramid (Bezier remix) (7:53)
  4. Blue Pyramid (Mark Pistel remix) (5:41)
 in stock $16.57
Signals From Pier Thirteen (12" + lyric insert)
Cat: DE 059LP. Rel: 05 Mar 14
Electro
  1. Cardboard Lamb
  2. Crashing Song
  3. Flying Turns
  4. Factory Forehead
Review: After a fairly overwhelming 2013 of archival releases that was topped off with that excellent Patrick Cowley compilation, Dark Entries seemingly are maintaining that momentum this year with a clutch of new projects. The first is this reissue of the classic Signals From Pier Thirteen EP by Crash Course In Science, which is a name that should be instantly recognisable to fans of minimal wave thanks to "Flying Turns". The track featured on the Minimal Wave Tapes Vol. 1 compilation curated by Peanut Butter Wolf and Veronica Vasicka and has been reworked by Jamal Moss, J Rocc and Ricky Villalobos in recent years. "Flying Turns" of course features on this EP, and this Dark Entries issue is the first time Signals From Pier Thirteen has been reissued on vinyl since the early '80s and is a must for anyone who likes crude electronics and synthesised beats.
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 in stock $16.50
Telomeres (12")
Cat: DE 097. Rel: 20 Jul 15
Coldwave/Synth
  1. Telomeres (4:13)
  2. Centrifuge (4:48)
  3. Automation (4:25)
  4. Laboratory (6:03)
  5. Necropolis (4:22)
  6. Fukushima (4:49)
Review: Analogue synthesizer enthusiast Bezier first surfaced on Dark Entries in 2012, delivering the hard-wired retro-futurist fantasy Ensconced. Two years on, he's finally ready to release the follow-up, the similarly sharp and sci-fi themed Telemores. As with his previous output, the influences are obvious - think Radiophonic Workshop, electro, minimal, new wave and Italo-disco - but he smartly steers clear of pastiche and empty revivalism. Instead, we're treated to a range of dancefloor-friendly instrumental cuts, cyborg jams, and intoxicating robot rinse-outs. Closer "Fukushima", in which he doffs a cap to the synthesized horror-disco of John Carpenter, is particularly potent.
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 in stock $15.45
Cat: DE 098. Rel: 30 Jul 15
Electro
  1. Leather Forever (5:26)
  2. Nightlife (3:41)
  3. Miss Crazy Bullshit (4:47)
  4. Loving The Alien (4:19)
Review: It's been some six years since Caroline "Miss Kittin" Herve and Michel "The Hacker" Amato last delivered fresh material together. While we await further news of their long-mooted comeback, there's this tasty EP of previously unheard archive material to enjoy. Made up of tracks recorded between 1997 and '99 - when their production partnership was in its' infancy - The Lost Tracks Volume 1 contains a number of fuzzy, stylish, floor-friendly bangers, from the S&M-themed madness of opener "Leather Forever" and stripped-back electro gem "Nightlife" (a tribute to Berlin clubs of the period, apparently), to the high-tempo acid-loaded freakishness of "Loving The Alien". Top-notch sleaze.
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 in stock $14.66
Cat: DE 066. Rel: 28 May 19
Disco/Nu-Disco
  1. Witch (vocal version) (7:02)
  2. Witch (instrumental version) (7:06)
  3. Zanzibar (original version) (5:56)
  4. Zanzibar (Afro mix) (5:46)
Review: Dark Entries' series of leftfield Italo-disco reissues continues with a double-header from prolific Italo disco session vocalist Helen (AKA Elena Ferretti), whose early excursions on obscure Italian labels Out Records and Discomagic have previously been the sole preserve of dusty-fingered crate-diggers. This EP brings together two of her finest EPs; 1983's scarce "Witch" - an exercise in bubbling, synth-pop inclined Italo-disco - and 1985's arguably better-known "Zanzibar". It's arguably the sparse, cowbell-laden "Afro Mix" - think Cosmic Club era Daniele Baldelli - of this track that steals the show, though all four tracks are shot through with that European strangeness that often marks out the best early Italo cuts.
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 in stock $14.41
Cat: DE 95. Rel: 03 Jul 15
Disco/Nu-Disco
  1. Orient Express (vocal) (7:05)
  2. Orient Express (instrumental) (5:51)
  3. Last Summer (vocal version) (6:51)
  4. Last Summer (instrumental version) (4:28)
  5. Last Summer (Go Go version) (4:04)
Review: Unlike some of Dark Entries' Italo-disco reissues, Wish Key's "Orient Express" is fairly easy to come across on the second hand market. It is, though, no less alluring for that, and is most certainly worthy of the deluxe repress treatment. The Instrumental version, in particular - all relentless train noises, delay-laden drum machine solos and sparkling synthesizers - is absolutely killer. Wisely, Dark Entries has chosen to back it with three versions of Wish Key's 1986 single "Last Summer", an almost Balearic chunk of mid-tempo Italo-disco/synth-pop fusion. That, too, boasts a brilliant instrumental version - this time with a pleasingly glassy-eyed ambient build- up and a surprising Go Go Mix.
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 in stock $14.14
Cat: DE 081. Rel: 23 Jan 15
Electro
  1. Nu Sound II Crew - "The Sped Of Light" (5:42)
  2. Nu Sound II Crew - "The Speed Of Dub" (5:43)
  3. Nu Sound II Crew - "1001 Beats" (5:28)
  4. Magnus II - "Space Age" (LP version) (5:08)
  5. Magnus II - "Soace Age" (dub) (5:07)
  6. Magnus II - "Space Age" (remix) (5:12)
Review: Though best known for their archival endeavours in the realm of early 80s synth pop and industrial music, Dark Entries never seen afraid to stray off compass if the mood takes them. Take this Split EP for example, which sees Josh Cheon's West Coast label travel back in time to unearth some nascent Detroit electro from Nu Sound II Crew and Magnus II. Linking both project is Sam 'DJ Maestro' Anderson, a Detroit native whose body of work has been issued on labels as diverse as Metroplex and Suge Knight's Death Row Records. This split EP gathers together tracks from both projects, with lyrical themes of outer galactic travel abounding on a set filled with primal Detroit electro energy and naivety.
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 in stock $14.14
Cat: DE 088. Rel: 01 May 15
Coldwave/Synth
  1. Private Plane (3:58)
  2. International (4:02)
  3. King Of Sham (3:56)
  4. Saving Grace (5:26)
Review: Damn! Dark Entries are on a roll! Their latest reissue is of Scotland's Thomas Leer, an early 80's independent artist who recorded "Private Plane" in his bedroom using an extremely limited set-up...the prototypical '80s experimental kid! The tune is dreary, funky and on the abstract side all at the same time, but our favourite is actually "International" thanks to its wonky groove, driving percussion stabs and bursts of distorted jazz flute. On the B-side there's also "Saving Grace", a more poppy affair in that inimitable 80's Karate Kid flair...highly recommended, a 12" worthy of a reissue.
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 in stock $14.14
Bryllyant (12")
Cat: DE 101. Rel: 17 Jan 19
Coldwave/Synth
  1. Bryllyant (33 1/3 Plus 8 remix) (5:28)
  2. Trigger Track (1984 12" edit) (5:59)
  3. Bryllyant (US remix) (5:06)
  4. You (extended version) (7:12)
Review: As per usual, those fiendish folks over at Dark Entries have amazed us once again with yet another barrel of 1980s gold from the depths of the underground. This time it's German new wave band Boytronic who see a reissue, and the EP in question is 1988's "Byllyant", which features the magnificent Plus 8 mix - a shot to the head made up of warm bass tones and hard-hitting drum machine patterns - and also the US mix, which literally sounds like it was made yesterday; for being an '80s EP, Boytronic steered well clear of cheesy and to be honest, they give New Order a proper run for their money. The 1984 mix of "Trigger Track" is a wonderful electro stormer, stamping its fast beats over eerie pads and growling basslines. This would be silly not to recommend! For the diggers.
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 in stock $14.14
Cat: DE 092. Rel: 05 Jun 15
Coldwave/Synth
  1. Nothing Is True; Everything Is Permitted (instrumental) (4:54)
  2. Breakin' Indistortion (instrumental) (4:16)
  3. A Dirty Song (instrumental) (5:05)
  4. Et (4:10)
Review: Dark Entries know their stuff when it comes to '80s synth pop reissues, and this latest reissue of Carlos Peron's Dirty Songs single is a sign of just how deep into the crates these guys get. Originally out over thirty years ago, these instrumentals are still total killers and will go down a storm in most DJ sets which venture out of the 4/4 formula. "Nothing Is True; Everything Is Permitted" and "Breakin' Indistortion" are particularly fresh and must have truly cut the edge back then: metallic drum machine beats and sparse melodies ring away into the cavernous ambience created by Peron. Wonderful and highly recommended.
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 in stock $13.88
Cat: DE 223. Rel: 13 Aug 18
Coldwave/Synth
  1. Jennifer (4:30)
  2. Love Is A Stranger (4:06)
  3. She's Invisible Now (3:54)
  4. Step On The Beast (2:30)
  5. Never Gonna Cry Again (2:52)
  6. Invisible Hands (4:43)
  7. Monkey Monkey (1:35)
Review: Cold Beat is a San Francisco-based quartet fronted by Hannah Lew (synths, vocals) with Kyle King (synths, guitar), Luciano Talpini Aita (synths) and Sean Monaghan (guitar). Formed in 2013 the band has released three albums and two EPs. 'A Simple Reflection' is a 7-song collection of Eurythmics covers, yet feels just as personal as any of their original material. While digging through a collection of 12?s for her record shop Contact Records, Lew stumbled across the earliest Eurythmics B-sides and was floored. This lead to the discovery of their debut album 'In The Garden'. Annie Lennox's abstract and poetic lyrics really struck a chord with Hannah. What had started out as a single cover quickly snowballed into a full blown obsession. The synth and drum programming resonated with her songwriting process, so reimagining them was very creatively fulfilling. The covers on this EP are simultaneously dynamic and atmospheric post-punk that plays to Lew's ethereal vocals and King's crystalline guitar. All songs have been mixed by Mikey Young (Total Control) and mastered by George Horn at Fantasy Studios. The record is housed in a jacket designed by Eloise Leigh, which features pink and purple clouds that evoke a dreamy softness and DIY playfulness and photos Lew in her best Lennox-inspired drag. Each copy includes a postcard with photos and notes. "Sometimes a song seems to sing just for you, as if someone knows your most inner thoughts and feelings and has found a way to describe them effortlessly" - Hannah Lew
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 in stock $13.88
Crepes EP (12" + insert)
Cat: DE 139. Rel: 06 Feb 17
Coldwave/Synth
  1. Seul Comme Sombre (3:44)
  2. Whole Body Irradiator (3:01)
  3. The Mud Man Is Coming (4:20)
  4. Francine (4:00)
  5. The Eyebrows Salesgirl (4:51)
  6. Demissionne En Tuant Ton Patron (4:03)
Review: Dark Entries has truly become a sensational imprint over the last few years, and they are showing no signs of stopping. In fact, they've just gotten better and better with each new release. We have a special one on our hands this time and, although the label have reissued a whole heap of glorious material, this is NEW music from the very best out there. Chicago industrial-tech-goth Beau Wanzer teams up with Unknown Precept's Maoupa Mazzocchetti, and the dup get on like a house on fire under their new De-Bons-En-Pierre moniker. Crepes is a gnarly little EP, blurring the lines between techno, EBM and industrial, but doing so in a way that makes the three genres sound like they should never ever be apart from one another. "Whole Body Irradiator", for instance, has all the beat elements of techno and yet the sounds are drenched in a punky, fuck-you kinda style that would make the Berghain faithful run for their lives, while we could easily imagine the torn, glitchy beats of "Francine" residing on some long-lost post-punk 7 inch from the likes of Pete Shelley. This is some mad gear - don't miss it.
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 in stock $13.88
Cockerill-Sombre EP (12" + insert)
Cat: DE 148. Rel: 06 Feb 17
Coldwave/Synth
  1. Please Release Me, Let Me Go-Go (4:34)
  2. Too Cold To Breathe (4:03)
  3. The Fashion Party (5:16)
  4. 1 Jump Ahead (3:11)
Review: Nitzer Ebb and Mute aside, if you're looking for some high-class EBM-style music then The Neon Judment should be your first port of call. Davo Da Davo and TB Frank made some utterly timeless music back in the 80s and early 90s, but what we really love about their style is that they effortlessly glided between synth-pop and odd, inimitably obscure strains of industrial tones. Cockerill-Sombre was originally released in 1983 and, of course, Dark Entries are here to reissue the gem in the finest of styles. The opener "Please Release Me, Let Me Go-Go" is the best post-punk nugget that's been reissued thus far in 2017; the tune is a bizarre blend of hip-hop vocalism rapped through a fuzzy, electro-like filter that has been playing on our turntable since Monday morning, while "Too Cold To Breathe" sprays a shuddery sequence of vocals over a nervy techno, 4/4 drum machine. "The Fashion Party" bubbles its wavy bassline over incessant analogue drums, and makes for a fine proto-techno joint, leaving "1 Jump Ahead" to provide us with a fast, tribal post-punk bullet that leaves us yearning for more TNJ material.
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 in stock $13.88
Cat: DE 109. Rel: 01 Mar 16
Techno
  1. Sudden Haircut (9:55)
  2. Synthfrilla (5:21)
  3. Synthgok (7:00)
  4. First Glimt I Ogat (6:41)
Review: Dark Entries are simply a good record label, enough said. However, we will give you a touch of context on this latest killer, a four-tracker by the mythical Frak trio, still wearing their aluminium hats after twenty years of head-banging. "Sudden Haircut" has been recorded exclusively for the label, and it's a delicious techno lick with a crescendo of XOXBOX acid, while both "Synthfrilla" and "Synthgok" were recorded in 2010, and have previously appeared on the much coveted Sex Tags Mania label out of Bergen, Norway - both essential bangers. The finale is in the shape of "First Glimt I Ogat", another of Frak's classic drum-led house weavers that works both on its own and mixed into just about anything. Recommended gear - be quick!
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 in stock $13.88
Like This For Ages (12" + insert + photographs)
Cat: DE 138. Rel: 16 Nov 16
Indie
  1. Like This For Ages (4:24)
  2. Anchors (5:14)
  3. Norde (4:13)
  4. Quicken Your Step (3:04)
  5. Kluba Cupol (20:27)
Played by: Terrence Pearce
 in stock $13.61
Tarzan Loves The Summer Nights (12" + lyric insert)
Cat: DE 057. Rel: 13 Jan 14
Disco/Nu-Disco
  1. Tarzan Loves The Summer Nights
  2. Tarzan
Review: Stupendously rare Italo gem from the criminally under-prolific Trieste-based Big Ben Tribe, this quirky poplet first came our way in 1984 on Gong. Last spotted changing hands for hundreds on auction sites, Dark Entries have done the disco world a favour and licensed a reissue. Untouched and naked in all its 80s glory, the synth patterns, abstract lyrics and arrangement were way ahead of their time and clearly influenced many electronic pop and Balearic bands who followed. Vocals just a bit too much for you? No worries, just flip for the instrumental. Tarzan loves summer nights, and we love Dark Entries for unearthing this utter classic.
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 in stock $12.83
Cat: DE 065. Rel: 02 Jul 14
Disco/Nu-Disco
  1. Dark Silence (long version)
  2. Dark Silence (Art Fine version)
Review: San Francisco's Dark Entries label does a good line in reissuing obscure, long forgotten, left-of-centre gems (their excellent collection of Patrick Cowley's little known soundtrack work for gay porn films, School Daze, was arguably one of the compilations of 2013). Here, they've unearthed another overlooked gem - Art Fine's previously rare-as-hen's-teeth dark Italo-disco gem "Dark Silence" (L200-plus for an original 1985 copy, should you be feeling flush). It's pretty much a straight copy of the New Wave-inclined original, with the sparser, looser "Long Version" (in which producer Fabrice Belli gives the synth melodies a little more room to express themselves) joining the dense "Art Fine Version".
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 in stock $12.83
Lost Tracks Vol 2 (12" + insert)
Cat: DE 216. Rel: 25 Jun 18
Electro
  1. Upstart (4:57)
  2. Love On 26 (5:20)
  3. Snuff Movies (2:19)
  4. The Building (6:28)
Review: Matt Cheon & Co. unearth yet more rare gems from old school electro fiends Caroline Herve & Michael Amato here, on the second volume of Lost Trax. As story has it, after the French duo met at a rave in their native Grenoble in the early '90s, they made music heavily influenced by 80s synth, post-punk and Italo disco. Bored by the techno scene at the time, they set out out to lighten the serious tone and bring a campy sexiness to the dour musical landscape. From the sexy, four-to-the-floor EBM of "Upstart", the Drexciyan style "Love On" with its aquatic bass assault, or the classic Miss Kittin & The Hacker sound of old on the monochromatic" The Building" featuring the former's trademark deadpan vocal delivery.
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 in stock $12.83
Cat: DE 239. Rel: 21 Nov 18
Electro
  1. Viperidae (6:23)
  2. Dagger Ceremony (5:45)
  3. Hospital Acid (6:27)
  4. New Advent (6:53)
  5. Playing With Fire (6:33)
  6. Mysteric Teachings (4:25)
Review: Photonz is the alias of Marco Rodrigues a DJ, producer and driving force of Lisbon's underground scene. For little over a decade now, he's been crafting his own deeply personal style of Portuguese house and techno for labels such as Creme Organization, 20:20 Vision, Don't Be Afraid, Skylax, Unknown To The Unknown and his own One Eyed Jacks. As a DJ, Photonz grew a reputation for deep crates and intensely euphoric sets and in 2017, together with Violet (co-founder at his Radio Quantica) and Lisbon's own Rabbit Hole collective, he started the now infamous Mina parties - a monthly, sex-positive, queer and intersectional-feminist techno party aimed at using the dissociative potential of intense raving to create a temporary space of suspension away from patriarchal expectations.
Etheric Body Music is Photonz's debut 6-track EP for Dark Entries and a simultaneous reference to hermeticism and EBM (Electronic Body Music). Marco loves that "aesthetic when 80s industrial and EBM bands split up and start to make trance in the early 90s and all the ritual magick pushes them to zen stuff and they do ecstasy." There's this concept in theosophy and hermetic philosophy of the Etheric Body, which is an energy body superimposed and connected to the physical body, similar to the acupuncture idea of an energetic body. That idea manifests itself as six primal club cuts, which also channel early techno, Drexciyan rhythms, balearic & old school jack. Raw arpeggiated synth lines and bass blast jut against metallic stabs and highly percussive shakedowns to create mournful atmospheric warped house. All songs have been mastered by George Horn at Fantasy Studios in Berkeley. The vinyl comes housed in a psychedelic jacket with snakey green and purple velvet in an electric acid spewing weird biological alien energy form designed by Eloise Leigh.
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 in stock $12.56
Cat: DE 93. Rel: 29 Jun 15
Disco/Nu-Disco
  1. I Wanna Fly Away (vocal) (5:59)
  2. I Wanna Fly Away (instrumental) (5:46)
Review: San Francisco's Dark Entries has a rising reputation for the quality of their Italo-disco reissues. Certainly, many of the tracks they select for re-release are undeniably obscure and in-demand. Blue Russell's "I Wanna Fly Away", originally released in 1984 on leading Italo-disco imprint Discomagic Records, definitely falls into this category (an original copy will set you back well over L100, should you find one). It's a typically fruity concoction, with bold synthesizer lines and Europop-influenced melodies riding a chugging groove. Just like the hard-to-find original pressing, Dark Entries' reissue boasts both the delightfully camp vocal version, and a chunkier instrumental.
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 in stock $12.56
Love/Hate (12")
Cat: DE 189. Rel: 07 Dec 17
Deep House
  1. Love (4:01)
  2. Hate (7:09)
  3. Hate (version) (5:27)
 in stock $12.56
Action EP (12" + postcard)
Cat: DE 160. Rel: 08 May 17
Disco/Nu-Disco
  1. Joe Garrasco & M.M - "Action" (extended version) (5:35)
  2. Joe Garrasco & M.M - "Action" (instrumental version) (6:01)
  3. Garrasco's - "Love Sex For Sale" (6:37)
  4. Garrasco's - "Love Sex For Sale" (Other mix) (6:45)
Played by: Dj soFa, Tagwell Woods
 in stock $12.56
Flamingo Boots (reissue) (12" + insert)
Cat: DE 168. Rel: 28 Jun 17
Disco/Nu-Disco
  1. I'll Just Be A Minute (6:10)
  2. Nurse Coven Rides Again (6:35)
  3. Crotch Rocket (5:16)
  4. The Handoff (6:37)
Played by: Luv*Jam, ROTCIV
 in stock $12.56
Tonight (12" + postcard)
Cat: DE 162. Rel: 08 May 17
Disco/Nu-Disco
  1. Tonight (vocal version) (6:56)
  2. Tonight (dub version) (5:14)
Review: Classic Italo one-hit mystery, Tony More (or Tony Moore as he's often credited) gave the world this lavish futurist Marzio Benelli-written pop odyssey in 1985 before promptly disappearing. With original pressings fetching over L200, Dark Entries have democratised it for all to enjoy. And there's plenty to enjoy... A restrained by hooky riff, sparse but delicate and vulnerable vocals and a chugging synth groove that cuts with a heavy cinematic feel that's succinctly of its time. Complete with an instrumental for full mix creativity.
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Played by: Tagwell Woods
 in stock $12.56
Cat: DE 102. Rel: 11 Jan 16
Electro
  1. Jump Over Barrels (3:32)
  2. Jump Over Barrels (1981 demo) (3:32)
  3. Jump Over Barrels (Charles Manier remix) (3:33)
  4. Jump Over Barrels (early rehearsal version) (3:07)
Review: Post-punk aficionados may already by familiar with Crash Course In Science, a Philadelphia-based band who released two acclaimed singles between 1979 and '81, before going their separate ways. Here, one of the band's previously unheard 1981 demos gets mixed and released for the first time. "Jump Over Barrels" is a song about overcoming adversity, and in newly mixed form sounds like a lost post-punk classic. It's accompanied by a couple of demos - their initial 1981 recording, and an earlier, deliciously skeletal and heavy rehearsal version - and a fresh remix from Tadd Mullinix under his now familiar Charles Manier alias. The Ann Arbor-based producer does a good job of toughening up the track for modern dancefloors, whilst retaining the free-spirited essence of Crash Course In Science's original.
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 in stock $12.56
Nous Savons Tout (12" + insert)
Cat: DE 124. Rel: 23 Jun 16
Coldwave/Synth
  1. Nous Savons Tout (5:36)
  2. Melodie Moderne (5:45)
Review: Those in the know regard Space Art as one of French electronic music's most under-appreciated acts. Active between 1978 and '81, Synthesizer obsessive Dominique Perrier and drummer Roger Rizzitelli were famed for releasing killer chunks of "cosmic pop", before performing them live wearing specially made silver space suits. "Nous Savons Tout", which was recorded and released in 1981, remains one of their most potent singles. Creepy, strange, hypnotic and undeniably cosmic, Perrier's trippy synth parts seemingly rise and fall over Rizzitelli's metronomic, proto-techno drums. Flipside "Melodie Moderne" has an altogether different feel, coming on like a pitched-down, cosmic disco take on the artier side of 1970s progressive rock.
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 in stock $12.56
Cat: DE 118. Rel: 14 Apr 16
Disco/Nu-Disco
  1. Are You Loving? (vocal) (6:04)
  2. Are You Loving? (instrumental) (5:47)
Review: If you've ever wanted some straight-up italo disco but then wondered where to find it, where to start, who to ask, then Dark Entries have sorted you right out. As usual, the label come through strong, and this time they reissue an italo disco classic by Brand Image (T.Scarfone and M.Scarabelli) originally released in 19983, and representing the genre with flying colours. "Are You Loving?" contains the 1980's in every sense of the word: quirky, melancholic vocals riding over a grainy drum machine beat, and accompanied by massive synth stabs and an inimitable sort of groove - simply lovely. There's an instrumental on the flip just in case you love the sounds but are slightly scared by the power of the vocals...
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 in stock $12.56
Evolution 5 Technology (12" + insert)
Cat: DE 126. Rel: 23 Jun 16
Electro
  1. Evolution 5 Technology (7" vocal) (4:37)
  2. Evolution 5 Technology (dub mix) (6:01)
  3. Evolution 5 Technology (JTC remix) (7:00)
Review: It would be fair to say that Series-A's Evolution Technology is something of a long-lost electro classic. Written and produced by Detroit friends DJ Maestro and Kid Fresh in 1987, 50 promo copies of the record were pressed before the label they'd signed to, California's Satellite Records, went bankrupt. This was always a shame, as "Evolution Technology" is something of a killer: a spellbinding chunk of futurist electro that updated the Cybotron blueprint for the emerging Motor City techno generation. As well as the original 7" and Dub versions, this first "proper" release also features a brand new rework from Tad Mullinix (under the JTC pseudonym), which appropriately re-casts the track as a spacey Detroit techno shuffler.
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 in stock $12.56
Maritime Tatami (12" + lyric insert)
Cat: DE 055. Rel: 13 Jan 14
Coldwave/Synth
  1. Maritime Tatami
  2. A Game Of Despair
Review: Having released over fifty records since their foundation back in 2009, Dark Entries use the widened exposure afforded by that excellent Patrick Cowley compilation released in the last quarter of 2013 as a springboard to launch a new dedicated 12" series. Retaining their archival approach, the first release focuses on the short-lived Italian act Victrola; formed as a four piece combo in Messina, Victrola slimmed down to the synthesizer and guitar-based duo Antonio "Eze" Cuscina and Carlo Smeriglio and moved to the fertile music scene growing in early 80s Florence. In 1983, the pair issued their one record-shaped contribution to the early 80s Italian synth scene in the shape of Maritime Tatami, a two-track 12? issued on the Electric Eye label. Recorded using the Roland TR303 and TR606 at a time when these models had only been made available, so this reissue of Maritime Tatami from Dark Entries offers a chance for people to assess a slice of analogue experimentation at its most nascent.
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 in stock $12.31
Courage (reissue) (12" + insert)
Cat: DE 229. Rel: 07 Sep 18
Coldwave/Synth
  1. Courage (7:53)
  2. Parasuicide (4:14)
  3. Descartes Lives (2:34)
  4. Lost In The 20th Century (3:16)
Review: We love Talking Drums. At the core, they are simply our type of band. An album, a few EPs, and then disappear before the scene kicks off and becomes commercialized. Boxes all well and truly ticked. The early 80s were a period of change what with punk music evolving into post-punk, and while the nu-romantic fashion that came to prominence in the mid 80s was a national movement, it was bands like Talking Drums which initiated it. Thanks to the ever-reliable Dark Entries, we now get to enjoy their best single, Courage, in all its glory - and it sounds like it's been pressed up properly, too! All you need to know at this point, if you haven't come across this already, is that it's one of the best disco-not-disco singles you'll ever cop...and we don't have a favourite tune...they're all equally raw, drum-heavy, house-envisioning, and utterly addictive. Hotly tipped!
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 in stock $12.31
Cat: DE 167. Rel: 27 Jul 17
Disco/Nu-Disco
  1. Qu'est-Ce Qu'il A (D'Plus Que Moi Ce Negro La?) (4:30)
  2. Whatazzy (5:16)
  3. Hot Voodoo Dub (7:45)
Review: Legendary musician, DJ and broadcaster Philippe Krootchey was a hugely influential creative whirlwind throughout the 70s and 80s in France. Founder of Love International, frequent Casablanca collaborator with the likes of Lizzy Mercier Descloux and Mathematiques Modernes and an active member of France's foremost gay rights groups, his political and creative messages were clear in every action he made. Originally released in 1984, "Qu'est Ce Qu'il" carries a strong anti-racial message with humour that worked so well he re-sang it English and it eventually became "Whatazzy". Flip for "Hot Voodoo Dub" to find his creative messages as a studiosmith were also very clear.
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 in stock $12.31
Cat: DE 233. Rel: 21 Nov 18
Techno
  1. Regress To Nowhere (5:09)
  2. Into The Motion (5:15)
  3. Sewer Escape (6:03)
  4. Muscle Memory (5:30)
  5. Leaving (feat Ivy Barkakati) (5:37)
  6. Nambu Line Dub (5:14)
Review: Luis Garban aka Cardopusher's raw, electro-infused take on techno has earned him releases on labels like Boysnoize and Super Rhythm Trax whilst running his successful Classicworks imprint alongside co-founder Nehuen. His Muscle Memory EP for Bay Area retroverts Dark Entries sees him ride on the winning formula of raw and jacking house and techno grooves from yesteryear with a touch of modern flair. It's all aboard the acid express on high octane thrillers like "Regress To Nowhere" or "Into The Motion" which feature the signature glide and resonance of the Roland 303, to EBM-infused electro bangers (title track "Muscle Memory") and the deep down and dirty bump of "Nambu Line Dub".
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Played by: Snuffo, Ali Renault
 in stock $12.31
Lepidoptera Remixes (12" + insert)
Cat: DE 244. Rel: 11 Mar 19
Coldwave/Synth
  1. Cyaniris (Anatolian Weapons 6 AM Eternal) (6:39)
  2. Araschnia Levana (Pasiphae remix) (6:08)
  3. Cyaniris (June remix) (5:33)
  4. Aporia Maturna (Morah remix) (7:42)
Review: Last year, Dark Entries reissued Lena Platonos' 1986 album "Lepidoptera", a beautiful, minimalistic set forged out of picturesque piano motifs and the composer's own surrealist Greek poetry. Now the lauded San Francisco label presents a quartet of new reworks of tracks from that album. There's a more dancefloor-centric feel throughout, with the standout revisions - in our eyes at least - coming from Anatolian Weapons, whose take on "Cyaniris" is a throbbing, dark synth-pop treat, and Pasiphae. Her version of "Araschnia Levana" brilliantly re-casts the track as a heavy, all-action dark electro workout tailor made for dark basements in The Hague.
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 in stock $12.31
Third Skin (12")
Cat: DE 123 . Rel: 23 Jun 16
Techno
  1. Third Skin (7:12)
  2. Lipstick Information (6:20)
  3. Third Skin (Steffi remix) (6:33)
  4. Third Skin (The Hacker remix) (6:11)
Review: Having spent much of the last 12 months furiously re-issuing classic Italo-disco bombs, Dark Entries has finally got round to releasing some more contemporary cuts. The man behind this EP is Victor Lenis AKA Cute Heels, a Barcelona-based Colombian who last appeared on the imprint in 2014. As usual, the two new productions showcased here see him explore a range of vintage electronic music influences, presenting them in a typically stylish and authentic way. "Third Skin" melds the muscular sweatiness of EBM to the jackin' energy of Chicago acid, while "Lipstick Information" offers a master-class in dark Italo-disco and early Detroit techno fusion. Steffi and The Hacker both give the title track a thorough going over, with the former's deliciously hypnotic, psychedelic take being particularly potent.
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 in stock $12.31
Cat: DE 217. Rel: 13 Aug 18
Coldwave/Synth
  1. Just My Love (The Boiled Sweet mix) (5:57)
  2. Just My Love (demo) (6:54)
  3. Time Of Your Life (extended mix) (5:17)
  4. Make It Real (3:35)
  5. Erotica (3:48)
Review: Umo Vogue formed in Bristol by Stig Manley, Russ Crook and Neil Deamer who were in Bath based ska rock outfit 'The AT's', along with Bristol based singer Debbie Marlow. Neil's Brother Clive joined the band bringing a fantastic new dynamic to the band on drums, percussion and heavy artillery. The band name is a deliberate misspelling of the ultra-chic Italian fashion magazine 'L'Uomo Vogue'. After winning the Bristol 'Battle of the Bands' in 1982 they were signed to Phonogram and dropped a few months later. They then signed to EMI in '83 and released their first single 'Just My Love' released in early 1984. The second single was 'Make It Real' and was never released as the band were culled from the EMI roster in late '84. For this reissue of their debut single we've added 3 bonus tracks, a demo of "Just My Love", the unreleased follow single "Make It Real" and a bedroom demo "Erotica." Each song displays ridiculously catchy melodies and innovative electronic rhythms. The drum tracks, a combination of rhythm machines and hand percussion, were mixed down from the 4-track tape used as backing on stage, with the rich slap bass and Roland SH09 synths weaves fluid lead lines in between the harmony vocals. All songs have been remastered by George Horn at Fantasy Studios. The record is housed in an exact replica of the original jacket and includes an 8-page booklet with photos, notes and press clippings from the band's archive. "We're synthetic but not antiseptic. We are interested in the naivety and spontaneity of music." - Umo Vogue
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 in stock $12.31
Cat: DE 074. Rel: 08 Sep 14
Coldwave/Synth
  1. Holland Tunnel Dive
  2. On B'Way
Review: Ah, a real gem of the NYC No Wave era is the focus of Dark Entries attentions here as the stunning Holland Tunnel Dive by ImpLOG is given a more than timely reissue. For the uninitiated out there, ImpLOG were formed by The Contortions band members Don Christensen and Jody Harris under the name ImpLOG, after the former left the iconic No Wave act in 1979, and released just the two records together. The story goes that Christensen's recorded experiments with found sounds, and an array of instruments such as a Univox drum machine and Casio keyboards impressed Lust/Unlust Records founder Charles Ball sufficiently enough to issue two tracks from the submitted demo tape as the Holland Tunnel Dive 12? in 1980. It's remained a highly prized record ever since and this lovingly recreated edition from Dark Entries is a must!
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 in stock $12.05
Reality Check (reissue) (12" + insert)
Cat: DE 227. Rel: 07 Sep 18
Techno
  1. I've Seen The World (5:32)
  2. Is This The Life For Me (6:16)
  3. Dance, Shake, Swing (7:03)
  4. Dance, Shake, Swing (version 2) (6:12)
Review: Digging deep into the Chicago Rave vaults to re-issue the debut EP from Billy Nightmare aka "Mystic Bill" Torres. Growing up in Miami, Bill was involved in various parts of the music industry, from working at Flamingo Record Pool, to playing guitar for the band Life In Sodom (80's Synth/Goth band). His interest in both House & Industrial music inspired him to make his move to the Windy City. Bill quickly became involved in the night scene with residencies at clubs like Shelter, Crobar, & Smart Bar. His studio work began with a remix of Kay Ladrae's "Lack Of Love" with Vince Lawrence, followed by a string of releases, including an LP on Trax Records. He has recently relaunched two record labels and several releases and remixes out each year.

'Reality Check' was released in 1996 on Woody McBride's label Sounds. Originally the project was to be titled " Billy's Nightmare", but to avoid being jinxed for life, Torres decided to switch it to Billy Nightmare. He put the Mystic Bill alias aside, got a hair cut, changed his sound and became this new persona. 'Reality Check' consists of 4 tracks, recorded at Mirage Studios in Chicago in 1996. Two tracks on the A-side are dark thumpers and will haunt your head for days. Side B has 2 versions of the same song, lighter and funkier in mood both show the diversity Mystic Bill is capable of producing. All songs have been remastered by George Horn at Fantasy Studios. Each EP is housed in a custom designed jacket by Eloise Leigh featuring a 90s photo of Billy Nightmare staring into TV static and includes a postcard with notes.
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 in stock $12.05
Perfect High (12" + insert)
Cat: DE 183. Rel: 30 Oct 17
Coldwave/Synth
  1. Perfect High (radio version) (5:13)
  2. Perfect High (instrumental) (4:23)
Review: Chris Garner, Jorg Burckhardt, Matthias Elvers, and Regina Petersen didn't release more than handful of EPs under the Peppermint guise, but what they did put out was as foundational and inspirational as more known electronic bands of the 80s like Liaisons Dangereuses. Dark Entries is responsible for this reissue, of course, a repress of an original going for near 100 bucks on the second-hand market, and this 1983 bomb has that rare characteristic of sounding retro and utterly fresh all at the same time. There's two mixes to the wonderfully wavy "Perfect High", and they both serve their own purpose; the radio edit, as you'd expect, is the one that gets the heads turning, its ominous bass charging menacingly amid the sweeter melodies and classic, new-romantic vocals, while the instrumental makes for the perfect beat companion to any serious cold wave DJ set.
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Played by: Ali Renault
 in stock $12.05
Sideways (12" + insert)
Cat: DE 187. Rel: 30 Oct 17
Techno
  1. Sideways (18:12)
  2. Sideways (JTC remix) (5:58)
  3. Sideways (Charles Manier remix) (5:39)
Review: Smersh was the New Jersey duo Mike Mangino and Chris Shepard, who started out in the late 1970s. By 1981, their improvised live jams had already produced countless recordings and the duo began releasing cassettes via their own Atlas King label. Smersh developed a devoted following in places far beyond their native Piscataway, N.J. as their tapes made their way across the world and led to releases on dozens of other labels internationally. Josh Cheon & Co. describe the pair's sound as 'a lush hybrid of techno, industrial, dance, and experimental' although "Sideways" is an 18 minute long epic that dwells on the border between acid techno and breakneck electro in our opinion. There's a couple of modern reshapes too that are worth mentioning: James T Cotton's rave rendition injects some Amen breakbeats into it and comes off sounding like early U.R. circa '92. After all, he is from Detroit himself and would have lived through the period. He then dons the Charles Manier alias once again for an early EBM styled remix which was the winner for us.
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Played by: Mark Forshaw, Leri Ahel
 in stock $12.05
Commerce (12" + insert)
Cat: DE 213. Rel: 25 Jun 18
Coldwave/Synth
  1. Alles (4:32)
  2. Language (4:45)
  3. Schwarz (4:00)
  4. Commerce (4:59)
Review: San Francisco trio INHALT burst onto the scene back at the turn of the decade, going on to release a trio of well-regarded EPs on [Emotional] Especial and Dark Entries. Here they return to the latter label with their first 12" for almost four years. As usual, their music is stylish, dark and clandestine, with wild-eyed German vocals riding brooding, John Carpenter-influenced arpeggio lines, creepy chords and bustling drum machine grooves. Our pick of the bunch is probably the up-tempo, triple time hustle of "Commerce", though the more polished and atmospheric opener "Alles" and EBM-minded bubbler "Schwarz" are also mighty fine.
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Played by: Snuffo
 in stock $12.05
Cat: DE 247. Rel: 05 Apr 19
Coldwave/Synth
  1. Acetabularia (5:21)
  2. Acetatechno (4:39)
  3. Into The Desert (5:05)
  4. Gather Like Dust (4:34)
  5. Premonition (4:59)
  6. The Call (6:19)
Review: Lhasa is the brainchild of Alain Raes from Siegen, Germany. As a teenager he was inspired by Tubeway Army's "Are Friends Electric" and Art Of Noise's "Beatbox". In 1985 he began collecting analog equipment (Prophet-5; Oberheim OB-X; Linn LM-1) as digital synthesizers had started to become more popular. In 1986, New Beat was born in Belgium. Dancers tapped into the darker side of synth pop, and DJs would play 45 rpm records at 33 with the pitch control set to +8. Alain was playing in New Wave bands and had started production work and synth programming for other acts.

In 1988 he self-released the debut Lhasa single 'Acetabularia' / 'Acetatechno', with help from Kris Tremmery on vocals and concept. The record combined the icy melodies of Gary Numan and John Foxx with with the mechanical rhythms of Detroit techno and EBM. Thematically, both tracks revolve around the end of life on Earth, and include samples from 'Dr. Strangelove'. For this first time reissue, we've added 4 bonus tracks rescued from a 1990 recording session DAT tape. These demos show further development of the Lhasa sound with updated instruments (Roland D-20, Yamaha TX16W, Korg 707), faster tempos, and menacing proto-rave energy. All songs have been mastered by George Horn at Fantasy Studios in Berkeley. Each copy includes an 11x11 poster with photos and liner notes by Alain.
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 in stock $12.05
State Of Mind (12" + insert)
Cat: DE 196. Rel: 02 Feb 18
Techno
  1. State Of Mind (6:49)
  2. Golden Tears (5:42)
  3. State Of Mind (LA-4A remix) (5:50)
  4. State Of Mind (Noncompliant remix) (5:44)
Played by: Tripeo, Ali Renault
 in stock $12.05
Cat: DE 226. Rel: 21 Nov 18
Techno
  1. Body Mechanics (5:58)
  2. Befallen (5:44)
  3. Velvet Dream (7:36)
  4. Roses & Thorns (6:07)
  5. Frantik (6:40)
  6. 303 Diaries (6:47)
Played by: Derek Carr
 in stock $12.05
A Blind Sign (reissue) (12" + insert)
Cat: DE 164. Rel: 10 Jul 17
Coldwave/Synth
  1. A Blind Sign (6:19)
  2. Sargasso Sea (7:24)
  3. On Reflexion (6:10)
  4. Sargasso Sea (1981 demo) (7:58)
Review: Amongst minimal wave and alternative synth-pop enthusiasts, short-lived London band Shoc Corridor has an excellent reputation. Although they released a pair of albums and a gaggle of singles in 1983 and '84, it is '82 debut single A Blind Sign that gets collectors drooling. On this Dark Entries reissue, it's easy to see why. Flipside cut "Sargasso Sea", a fantastically spaced-out combination of heavily dub influenced post-punk bass, minimalist drum machine hits and liquid electronics, is particularly special, while "On Reflection" is a fine slab of swooning, near Balearic electronica. The title track, a Gary Numan-esque chunk of mutant synth-pop that bizarrely includes some jangly acoustic guitars amongst the arpeggio bass and twittering synthesizer melodies, is also inspired.
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 in stock $12.05
Cat: DE 166. Rel: 27 Feb 18
Techno
  1. New Beats The House (5:14)
  2. New Beats The House (remix) (5:07)
  3. New Beats The House (Jared Wilson remix) (5:10)
  4. Move You're Assit (Acid version) (7:15)
 in stock $12.05
Primes (12" + insert)
Cat: DE 171. Rel: 27 Jul 17
Coldwave/Synth
  1. Primes (7:17)
  2. Stranger (feat Nicole Ginelli vocals & Doc Sleep) (4:37)
  3. Imperial Tranz-Am (13:25)
Played by: Honey Soundsystem
 in stock $12.05
Eyes Of Glass (reissue) (12" + insert)
Cat: DE 144. Rel: 23 Jan 17
Coldwave/Synth
  1. Eyes Of Glass (vocal) (6:55)
  2. Eyes Of Glass (instrumental) (7:13)
Review: To accompany their re-release of East Wall's superb 1991 debut album, Silence, Dark Entries has decided to put out the Italian band's forgotten debut release, 1985 single "Eye of Glass". Tending towards the darker end of the Italo-disco spectrum, but blessed with typically cheery synthesizer melodies and skewed female vocals, it's a record that seems far more inspired by the earlier British new wave synth-pop movement than pleasing the clubs of Rome or Rimini. The vocal version is accompanied by a subtly different instrumental, which includes waves of warm synths and offers more prominence to the band's bubbly electronics, throbbing arpeggio bassline, and delay-laden drum machine hits.
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 in stock $12.05
Cat: DE 119. Rel: 14 Apr 16
Coldwave/Synth
  1. Eagles In The Night (8:21)
  2. Eagles In The Night (instrumental) (6:23)
Review: Dario Dell'aere cut his teeth in obscure Italian synth-pop outfits Ice Eyes and Fockewulf 90, before attempting to launch a solo career in 1985. While that didn't go all that swimmingly, his lone solo single, Eagles In The Night, has long been considered a hard-to-find Italo-disco classic. Here, it gets the re-issue treatment from Dark Entries, who as usual replicate the original track listing and artwork. Slower and more atmospheric than many Italo-disco tracks of the time, Eagles In The Night draws influence from eyeliner-clad new wave pop of the period, with Dell'aere's unusual English vocals stretching out over chiming melodies, bubbling synth lines and dreamy chords. The potency of the original production is confirmed by the superior Instrumental version lurking on the flip.
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 in stock $12.05
Cat: DE 116. Rel: 14 Apr 16
Coldwave/Synth
  1. I'm Looking For You (6:30)
  2. I'm Looking For You (instrumental) (5:29)
Review: Dark Entries has always been rather canny when it comes to their Italo-disco reissues, often unearthing obscurities from one-shot artists who disappeared just as quickly as they arrived. Ghibli was one such artist. He only ever released one single, I'm Looking For You, back in 1985. That it still sounds fresh, despite its' obvious period features - bubbling, Bobby Orlando style synthesizer sequences, bold chords and a heavily accented Italian vocals - is testament to the skill of the record's original producer, Alfredo Baraldi. As with the original pressing, this Dark Entries edition comes back with the superior Instrumental version.
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 in stock $12.05
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