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Cat: 660457 Rel: 29 Aug 17
 
10HP Eurorack module generating warm, lush chorus & vibrato effects
Notes: An instant classic just like the pedal with sparkly compression sweeping through lush dreamy chorus to the hypnotic vibrato of low-fidelity warped vinyl-like goodness.

Controls are:

- Knobs and CV ins for Compression/LoFi vibrato mix, Speed, Depth, and Dry-Wet
- Three selectable wave shapes and CV in for modulation control

This module was designed to emulate the sounds and textures of the Lo-Fi Loop Junky in real time, but it goes far beyond that. Click it on and mix your sparkly clear compressed signal with the smashed, lo-fidelity warbled signal and listen to it become a luscious emulsification that can be blended to the most perfect depth. Achieve new haunting chorus sounds and pulsating vibrato. Unusual and fun, you've never heard anything quite like it.
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 1 in stock $296.00
Cat: 660454 Rel: 29 Aug 17
 
14HP Eurorack fuzz & overdrive synth module
Notes: You've been waiting all your life for the ZVEX Fuzz Factory Eurorack module. Over the years there have been many requests from the synth community for a Fuzz Factory that would behave the same way for them as the Fuzz Factory does for guitarists. The self oscillation, the gating, the gooey, sticky fuzz, all of that strange wonderful interactive excitement has arrived in this incredibly controllable box of mayhem...

Basic controls include:

- Three position range switch settings of 0db, -20db, and -40db, critical for fixing the operating level
- Knobs and CV ins for the standard Fuzz Factory controls Gate, Comp, Drive, and Stab
- New knobs and CV ins for Input Level, Input Impedance, Fatness and Dry/Wet mix
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 1 in stock $343.61
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Cat: 689804 Rel: 03 Sep 18
 
Innovative quad envelope - 10HP
Notes: Zadar is a powerful, four-channel envelope, modulation, and transient generator, in a compact yet very complete, feature-rich package. It is capable of synthesising a vast palette of envelope shapes starting from hundreds of shapes stored in the memory. These starting shapes are not mere wavetables, but flexible vectors that can be stretched (from a fraction of a millisecond to half an hour), flipped, warped, distorted, delayed, shuffled, repeated, and amplitude modulated in real time. A set of freely assignable CV inputs allows for external control of most parameters. Each channel can work independently or combined with other channels within one of the chaining and looping algorithms.

Operating Zadar is quick and immediate, thanks to its accessible interface and crisp OLED display. The main screen displays all parameters together with the currently selected shape. Entering the simple 3-page menu is needed only for advanced settings.
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 6 in stock $268.05
Cat: 739163 Rel: 21 Jul 17
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


Tirana is a super-compact step sequencer and modulation source, serving as the utility module for supporting other sequencing devices, but due to a suite of smart features, the module shines on its own terms. Tirana sports unipolar and bipolar voltages, mutable step triggering, transposition, and direction change controlled externally via CV. The step repeat function and virtually infinite expandability make it even more powerful.
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 1 in stock $159.45
Cat: 657758 Rel: 21 Jul 17
 
Compact step sequencer & modulation source module - 6HP
Notes: Tirana is a super-compact step sequencer and modulation source, serving as the utility module for supporting other sequencing devices, but due to a suite of smart features, the module shines on its own terms. Tirana sports unipolar and bipolar voltages, mutable step triggering, transposition, and direction change controlled externally via CV. The step repeat function and virtually infinite expandability make it even more powerful.
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 2 in stock $163.52
Cat: 671740 Rel: 04 Dec 17
 
Dual voltage control amplifier & overdrive - 6HP
Notes: Tallin is a dual voltage controlled amplifier (VCA) with overdrive, offering some unusual control features and a range of attractive tonal characteristics. Each of the two identical channels offers two simultaneously available inputs for voltage control over signal attenuation or gain, with linear and exponential response to CV. Volume control knobs offer manual gain settings ranging from fully closed (-80dB) up to +18dB. A colour LED indicator displays output signal levels. A soft-clip circuit avoids harsh clipping distortion, while a switchable overdrive circuit offers two carefully crafted distortion responses, simulating the sound of classic tube amplifiers.

Since both CV inputs are simultaneously active, they can be jointly exploited within patches featuring more complex volume control that otherwise would require using two traditional VCAs in series. As the signal path is DC-coupled, Tallin can also be used for handling the control voltages.
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 4 in stock $138.68
Cat: 676518 Rel: 15 Feb 18
 
Multi-function Eurorack module - 10HP
Notes: Sewastopol is a multifunction Eurorack module designed for easy interfacing of external gear to your modular environment. It can export line and professional level audio, import audio from instruments and electroacoustic transducers, and analyse the incoming audio to generate voltages and triggers to control your modular system.

This is a second, vastly improved revision to the original 2014 Sewastopol, featuring a completely redesigned preamplifier circuit, better ergonomics and various other improvements.
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 2 in stock $213.20
Cat: 633371 Rel: 14 Feb 17
 
Multi-tool synth module for audio signals & control voltages
Notes: Samara is a "Swiss Army Knife" type of module, intended to serve the most common voltage and audio signal processing purposes such as attenuation, offsetting, mixing, inverting, and even basic waveshaping. Samara features four channels, each with two inputs and an attenuator, additional switchable offset generators, four voltage level and polarity indicators, two adders with switchable scale, and a precision four-channel processor that selects minimum and maximum voltage.
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 2 in stock $169.73
Cat: 655355 Rel: 29 Jun 17
 
Voltage controlled four channel stereo mixer module
Notes: The module is built around high quality VCA chips from THAT Corp, as well as low noise opamps. It offers clickless muting and equal loudness panning. The distinct feature is that voltage control is dynamically compressed should it yield clipping when pushed too hard. Also, in both modes the attenuators offer full closing of the corresponding channel, regardless of being controlled by the CV, or not. The VCAs fully open (0dB gain) at CV=8V in Env mode and CV=5V in LFO mode. All the input and output signal levels are Eurorack levels.

Multiple Praga units can be chained thanks to dedicated headers on the back. The mixed stereo sum of each unit in the chain is added to the mixing bus of all units downstream.

A dedicated Hrad expander will offer master volume control, gate inputs for channels muting/unmuting, headphone amplifier, and voltage control over aux sends.
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 2 in stock $415.02
Cat: 621355 Rel: 28 Nov 16
 
Breakout expander for the Batumi quadruple LFO module
Notes: Poti is a simple but very useful breakout expander for the Batumi quadruple LFO module by Xaoc Devices. Its panel provides an immediate access to the Batumi functions originally selected by the cluster of jumpers on the back of the module: Reset/Sync mode option and selection of the assignable waveform.
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 1 in stock $45.53
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Cat: 718920 Rel: 23 Apr 19
 
Expansion module for Zadar - 3HP
Notes: An expander for Zadar, adding one more assignable input for each Zadar channel and manual triggers.
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 2 in stock $53.81
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Cat: 633369 Rel: 05 Dec 16
 
Analog signal processing module with simultaneous four & six-stage outputs - Eurorack compatible
Notes: Kamieniec is an analog signal processing module directly inspired by a range of classic phaser effect units from 1970s that helped to define entire musical genres. Most of these classic devices contained a fairly small number of phase shifting stages, but made up for that lack with tons of character! However, what was initially intended for guitars is not necessarily sufficient for synthesizers. Therefore, the intention is to preserve the classic sound as it's transported it to a new tonal space while prioritizing flexible modular usability.

Just like many of the famous OTA-based phasers of the 1970s, Kamieniec sports four tuneable stages. However, there are two additional fixed stages included so as to increase the number of notches, and ultimately offer two versions of the mixed signal (that may be used as a stereo pair) at the two outputs of the unit. While the general topology is similar to a certain very classic phaser pedal, the circuitry has been redesigned with modern components and low noise op-amps to bring down the noise floor, improve the bandwidth, and offer a wider range of tuning. The feedback control can be set extremely deep, which results in a very high resonance that is capable of self-oscillation. This produces a unique sound otherwise unreachable for typical phasers, which can vary from subtle and creamy to utterly brutal and grinding. On top of that we've included switchable feedback paths, individual stage group outputs, CV inputs, built-in LFO, and daisy chaining ability to provide a comprehensive integration with a modular synthesizer system.

Expandability:
Unlike any other phaser module, multiple Kamieniec units can be chained together to achieve a more radical response with many notches. The general idea of chaining is to pass along the phase shifted signal to subsequent units before it is mixed with the original version in the last unit of the chain. This approach has a very different effect than plain cascading (connecting multiple phaser units in series), because a long chain of allpass sections yields a dense and uniform pattern of multiple notches, exactly like in a long phaser.

- Eurorack synth compatible
- 9hp, skiff friendly
- Current draw: +40mA / -40mA
- Reverse power protection
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 1 in stock $208.02
Cat: 718919 Rel: 23 Apr 19
 
Expander for XAOC Devices Praga mixer
Notes: The XAOC HRAD is an expander for their Praga voltage-controlled mixing console, adding CV control for Aux levels, master level control, gate-controlled muting, and other powerful features.

- Additional set of controls for the PRAGA mixer
- Stereo sum level control
- Euro/line switchable output level
- Sum LED meters
- Stereo headphone amp
- Cue input
- Mix/solo cue auditioning
- Individual AUX inserts
- Voltage control over AUX send amount
- Two stereo controls for AUX return level
- Gate inputs for VC channel muting
- Power drawn from Praga
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 3 in stock $223.55
Cat: 621359 Rel: 14 Feb 17
 
Utility synth module in Eurorack format - 6HP wide
Notes: Bytom is a simple - yet very useful - utility module that allows you to combine various trigger/gate signal sources to obtain interesting rhythmic events, useful for sequencing, modulation and patch automation purposes. It can also be used for summing control voltages of a positive polarity. The module consists of three independent sections. Each one can process up to four signals fed to its inputs. All three sections can be normalled into one 12-signal combination via the manual switches. Either the upper or lower section can be combined with the middle section to form an 8-signal combination. Summed signals of two or three sections will appear on the middle section's output socket. The individual outs on upper and lower units remain active even when combined with the middle section.
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 1 in stock $68.30
Cat: 633368 Rel: 28 Nov 16
 
All-analogue voltage controlled filter module - Eurorack compatible
Notes: Belgrad is an all-analogue voltage controlled filter module which - on par with our other modules - brings something new to the table. While it can be used as a traditional VCF for "academic" subtractive synthesis, we guarantee countless hours of exciting timbral explorations thanks to its unique character, flexibility, and features. The most prominent feature is that it offers a multitude of frequency responses with two resonant peaks.

- Eurorack synth compatible
- 14HP, skiff friendly
- Current draw: +45mA / -42mA
- Reverse power protection
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 3 in stock $273.23
Cat: 621354 Rel: 28 Nov 16
 
Quadruple Low Frequency Oscillator (LFO) synth module in Eurorack format - 10HP wide
Notes: Batumi is a fully voltage controlled, quadruple digital LFO module with a slew of interesting and user-customizable features. Each oscillator can be used independently or in one of 3 synchronized modes: quadrature, phase and divide. For each oscillator, there are sine, square and assignable (saw, ramp, triangle and trapezoid) waveform otputs available. Voltage control is possible for each oscillator's frequency, reset, and external sync ("tap tempo"). The total frequency range spans from 28 hours in voltage controlled divide mode, up to 500 Hz.
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 4 in stock $237.00
Cat: 588822 Rel: 02 Oct 15
 
Polarizing scaler and offset generator synthesiser modular - 4HP wide
Notes: S.P.O. is a polarizing scaler and offset generator.

Up to two inputs can be summed into a single scaler/offset generator.

The offset generator provides a DC voltage source for shifting signals into the positive or negative voltage region.

The scaler provides a means of attenuating and polarizing (inverting) the applied signal. S.P.O. works with audio and control voltages (CV).
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 1 in stock $103.49
Cat: 588826 Rel: 02 Oct 15
 
Delay synthesiser module - 4HP wide
Notes: DPLR is a delay module with two interactive delay lines, each with 750mS of delay time.

One input is split to two delays which share overall delay time (DELAY) and regeneration (REGEN). Side B has control over its delay offset (SPREAD) from side A.

Delay, Spread and Regen are all voltage controllable. Regen at max will echo indefinitely, and can create interesting noise swashes.

The pushbutton at the top taps through seven different crosstalk configurations (Regen isolated through ping-pong). Push and hold to change through four different Regen Filter settings from very bright to dark.
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 3 in stock $160.41
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WMD/SSF Blender Module (synth module)
Cat: 588818 Rel: 02 Oct 15
 
4 channel mixer and voltage controlled cross-fader synthesiser module - 6HP wide
Notes: BLENDER is a four channel mixer and voltage controlled cross-fader. BLENDER simplies mixing audio and control voltages (CV) by incorporating a single control to blend two signals at a time - also known as a cross-fader.

Two manual cross-faders and a single voltage controlled master cross-fader are provided.

Use BLENDER as a main mixer or as a dynamic control for creating complex control voltages and waveforms from your signal generators.

Power Draw: +20mA, -20mA. 6HP width. 25mm Depth.
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 1 in stock $138.68
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WMD/SSF ADSR VCA Module (synth module)
Cat: 588820 Rel: 02 Oct 15
 
Multi-mode envelope generator with an integrated Voltage Controlled Amplifier(VCA) synthesiser module - 6HP wide
Notes: ADSRVCA is a multi-mode envelope generator with an integrated Voltage Controlled Amplifier(VCA).

This envelope generator is capable of producing a classic, gate driven Attack/Decay/Sustain/Release (ADSR) envelope as well as a self sustaining, looping Attack Decay (AD) and Attack Decay Release (ADR) one shot envelopes.

The integrated VCA eliminates the need for an external VCA module and can be used independently when an external control voltage is utilized.

The envelope controls the shape of the VCA’s amplitude response by default.

Power Draw: +36mA, -16mA. 6HP width. 25mm Depth.
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 1 in stock $163.52
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Cat: 742231 Rel: 21 Aug 19
 
Versatile band-pass filter - 12HP
Notes: TRSHMSTR is a collaborative effort between WMD and electro-dance heavyweights MSTRKRFT. TRSHMSTR features an aggressive combination of band-pass filtering (FLTR) and distortion (DRV). The FLTR and DRV sections can be used independently or together to produce a wide variety of tone-shaping, from subtle distress to full-on acid destruction. The INs and OUTs of the FLTR and DRV sections are cross-normalled, so you can run your signal through FLTR and into DRV or vice-versa with no extra patching.
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 1 in stock $231.84
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quote 742231
Cat: 580286 Rel: 29 Jul 15
 
Synth module unit for extended functionality of the SSM module
Notes: The SSM Expand 8 HP module provides extended functionality of the SSM.

Gate/Trig: Gate (Green LED lit) provides 10V outputs for each routing button. It mirrors the routing shown by the SSM LEDs. Trig mode (Red LED lit) will output a trigger when a step (CV, Step/Gate or Reset) is taken. Pushing a routing button will not change the output thus providing synchronized triggers.

Trigger Length: CV and knob provide adjustable trigger length.

Retrig on Step: When on, gates and triggers will retrigger quickly when a step is taken.

Invert Behavior: When on, routings that are OFF will produce ON triggers or Gates.

DAC3/4: Two 4 bit DAC outputs that output a weighted 4 bit voltage between 0 and 5 volts. From routing columns 3 and 4.

Step: Outputs a trigger for each step, reset or CV change that is made to the SSM.

Installation: Connect the 20 pin ribbon cable to the GTExp header on the SSM, and the ToSSM connector on the Expand. Red Stripe Down.

Specs: 8 HP. 25mm Depth. 10V Gate Outputs. Current consumption is +40mA, -3mA. 12 month warranty.
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 1 in stock $142.82
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WMD Pro Output Module (synth module)
Cat: 580282 Rel: 30 Jul 15
 
Pro Output synth module with Low Distortion / Low Noise & High Headroom - 6HP wide
Notes: The WMD Pro Output is a simple and purpose built module to get your modular signal interfaced with professional and consumer audio gear. It also includes a very high quality headphone driver.

Rail to rail opamps at the input stage allow for headroom above the typical eurorack levels of 20Vpp. The Pro Output can handle 23Vpp before clipping. Signals are attenuated down to the proper levels allowing for simple adjustment free connection to any type of device, professional or consumer.

The Pro Output is DC coupled through the entire signal path, including the headphone driver. This design eliminates coupling capacitors and the distortion they can cause.

Controls and I/O:

Input - The inputs are designed to accept any normal modular level. 10Vpp is the nominal operation level. The left input is normaled to the right side for mono operation. Inputs will clip at 23Vpp, giving enough headroom for any eurorack signal.

Phones/Line - The headphone driver connects to a 3.5mm stereo jack, and a 1/4" jack for whatever type of headphones you use. It can drive both simultaneously.

The headphone output level is internally limited to protect against accidental knob turns. Connect a couple of jumpers to the rear of the module to disable this limiting. This will allow the headphone amp to drive headphones extremely loudly, but still without distortion. Output quality remains the same regardless of the jumper settings.

With the limiting enabled (jumpers off), the maximum output is around -10dBV. With limiting disabled (jumpers on), the maximum output increases to pro level, about +4dBu.

Stereo - The Stereo (-10dBV) output is designed to interface directly with consumer level gear. Hook directly to sound cards, portable recorders, and speakers. It can be used as a second headphone output but will be loud.

+4dBu Bal - These two outputs (left and right) are high quality low impedance balanced line drivers. They are designed to drive long cables and to drive balanced transformer or transformerless inputs. Use these to connect directly to mixing consoles, mic preamps, or any other piece of professional outboard gear.
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 1 in stock $193.53
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Cat: 665767 Rel: 30 Jan 18
 
Expander module for the WMD Performance Mixer - 6HP
Notes: This module gives you mute control over each channel of the Perfomance Mixer including the master Aux Sends and even the two extra stereo channels provided by the PM Channels Expander.

Also adds voltage control over the Aux Send level for the first 4 channels on the Performance Mixer.

All action happens on release.

Combo button: Hold down and select multiple channels to mute upon release.
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 1 in stock $86.93
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quote 665767
Cat: 665768 Rel: 15 Feb 18
 
Expander module for the WMD Performance mixer
Notes: PM Db25 is a proprietary expand module for the WMD Performance Mixer that allows for direct access to each output, balanced, including channels expand and the main outs. Connect a Db25 snake to your choice of connector on the other end and record each individual out without destruction from the faders or mutes. Reference the stereo recording while making final edits in your DAW or tape machine.
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 1 in stock $216.30
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Cat: 665766 Rel: 30 Jan 18
 
WMD Performance Mixer expander module - 10 HP
Notes: This module adds two more stereo channels with two sets of inputs each to your WMD Performance Mixer - 8 more inputs in just 10 HP!

Can be muted with Mutes expander, and includes CV over Gain, Pan, and Aux Level.

More than 30dB of gain over each channel lets you use external sources such as consumer audio equipment, not just modular signals.
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 1 in stock $227.69
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Cat: 640972 Rel: 27 Feb 17
 
Stereo compressor in 4 HP
Notes: MSCL is a stereo compressor in 4 HP designed for your master bus to help "glue" your mix together. Inspired by the DBX "Over Easy" style compressor, it features independent attack and release knobs, output gain, and an all-in-one knob function for compression which decreases threshold, increases gain and ratio all with one turn. Limit Switch allows the MSCL to act more like a peak limiter. The threshold switch lets you compress signals of different amplitudes. It also features a side chain input for classic ducking sounds on stereo tracks.

Controls:

- Comp knob: Adjusts makeup gain, threshold, ratio simultaneously
- Attack Knob: Controls how fast the compressor will react to incoming transients
- Release Knob: Controls the speed in which the compressor will release
- Gain Knob: Adds up to +-35dB on the output
- Threshold Switch: Changes the threshold range
- Limit Switch: Limits the comp knob's makeup gain. Makes the MSCL operate more as a peak limiter

Other:

- Size: 4HP
- Input Impedance: 20k
- Side Chain Impedance 100k
- Output Impedance: 220 ohms
- RMS and Adaptive Detector Response
- Green/Red indicator for Gain/Reduction
- AC Coupled signal pass
- DC coupled bypass
- AC coupled Sidechain
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 2 in stock $231.84
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Cat: 580271 Rel: 03 Aug 15
 
Invert offset synth module for modifying control voltages for other modules
Notes: The 6 HP Invert Offset module creates an easy way to modify control voltages for other modules in your system.

The Invert Offset consists of two identical channels. Signal applied to the In jack is vertically offset by the knob, additionally a CV signal may be applied to offset the signal vertically.

The +Out jack puts out a non-inverted signal with the specified offset. The -Out jack puts out an inverted signal with the same offset as the +Out.

The Offset CV input allows you to mix two signals together, Offset will never be inverted, while the signal at the In jack will be inverted based on the selected output.

There is also a sum output (1+2) that takes the non-inverted outputs and adds them together. Also there is a comparator gate output that is on if the channel 1 output is more positive than channel 2.
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 1 in stock $85.89
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Cat: 580269 Rel: 30 Jul 15
 
Geiger Counter synth module - 10HP wide
Notes: The WMD Geiger Counter is now available in the popular Eurorack Modular format and has voltage control of many features.

The Controls - The Geiger Counter may seem overwhelming, but once broken down, the controls are quite logical.

Gain - Low settings provide clean tones with no distortion at all, while high settings will brickwall your signal for great sustain. Use the Gain control as a coarse setting for getting the desired tone from the selected wave table.

Tone - The Geiger Counter's tone control blends muffled low-mids with chimey and clear upper mids and highs providing a very large range of sounds in junction with the Gain. All the way down and the sound is muffled and grungy with little upper harmonic content. The middle range is smooth and full bodied. The top range cuts the lows completely for only upper harmonic content. Use the Tone to fine tune the sound of the wave table.

Tone Enable/Disable - This switch removes the tone control from the preamp circuit. The tone control sucks some volume from the gain, and this allows the pure ultra hot signal to go directly into the Wave Table. If a very clean tone is desired, set to Disable and adjust the gain to get the right amount of breakup. For most wave tables, disabling the Tone will produce completely different sounds by brickwalling to the extremes of the tables faster.

Direct In/Level - The direct input allows a signal to be injected directly to the Geiger Counter's digital heart and bypassing the preamps coloration.

Sample Rate - Controls the length of the samples your signal is converted into. Full up and the Geiger Counter samples faster than a CD. Dial it down a little and you'll lower the fidelity and frequency response, adding overtones and difference frequencies. Down a little produces some very nice chimey clean tones. Down more and higher notes disappear into difference frequencies, all the way down to 280Hz. The sample rate is sort of like a flange whammy.

When the LED is Red, the Sample Rate is in fine mode where the range is limited to the upper end.

The CV input and attenuator are only active when a cable is plugged into the CV jack. When CV controlled, the Sample Rate knob selects the center frequency about which the CV signal moves. When the LED is Green, the Sample Rate knob is logically ANDed with the CV signal, producing some interesting sounds as the CV changes.

Bit Depth - This controls the finer details of the signal. All up and your signal is represented by the full 8 bits. Each step down cuts the resolution in half, adding quantization error distortion, all the way down to 1 bit making a nasty square wave from a once clean tone. This produces a lo-fi gated distortion sound.

The LED when Green engages Mask mode where your signal is logically ANDed to the 8 bit number produced by the Bit Depth knob. This produces uneven gaps in your signal for some interesting distortion sounds.

The Bit Depth CV and level control is only active when a cable is plugged into the Bit Depth CV input. The Bit Depth knob then controls the center frequency. However, unlike the Sample Rate control, the bit depth can wrap around the edges of the control if the CV signal is larger than the range allows for.

Wave Table - This knob and display select the wave table to run your signal through. The wave table stage takes your signal and destroys it with math. This produces some incredible sounds. The wave tables are organized so that a more extreme version is typically found one up from the current one. There are 252 wave tables in all, each with different harmonic content.

The display is in HEX, displaying the numbers 0-9 and the letters A-F. Don't be alarmed, it actually makes remembering your desired wave table easier! The wave table is remembered when the pedal is turned off.

The Wave Table CV input is similar to the Bit Depth's. The CV signal is only active when a cable is plugged in. The Wave Table will wrap around the end points 00 and FB. The center is set by the WaveTable knob.
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 1 in stock $246.33
Cat: 677518 Rel: 13 Apr 18
 
8HP drum/percussion synth module
Notes: Originally inspired by audience applause, hip-hop samples, and classic drum machines, Fracture is a multi-particle percussion synthesizer that applies concepts from classic analogue clap circuits to granular synthesis methods.

It all starts from proprietary micro-samples we recorded specifically for this purpose and ends with an engine built to suit these samples.
Unlike our other percussion module, the Chimera which uses impulse rich samples as it's tonal centre, Fracture uses single impulse samples like Claps, Snaps, Ping Pong Balls, Opening a beer can, and many more. It then plays a group of similar samples back in a psuedo random order for unique hits. Density, Decay, and Tail affect tone and how "tight" your virtual clappers are to playing together.

Our goal was to design a clap percussion module covering the range from classic drum machine claps all the way to full audience applause. We ended up with a module that covers a huge range of timbres beyond claps. We hope this engine provides you with the tools to intuitively create wild percussion sounds that bring your system to life in a new way.
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 2 in stock $248.39
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Cat: 728569 Rel: 20 May 19
 
synth module with professional trigger input and audio input
Notes: Feel the sizzle as you harness the energy of liquid metal. Forge your sonic desires, and rain hot fire onto the eardrums of your listeners. Cymbals, gongs, bells, and sheet metal are the territory of Crucible.

Have you ever wanted to start with the smallest cowbell, and then CV it until it becomes a gong larger than the room you're standing in? Crucible makes this possible.

By utilizing classic digital synthesis blocks like delay and digital filters, Crucible can fully synthesize, in real time, sounds similar to thin struck pieces of metal.

We expose the engine to the user through parameters specifically chosen for their sonic resemblance to the "parameters" of a real drum kit cymbal.

Size, Pitch, Tone, and Deform give the user the tools to shape their cymbal. The Excite knob allow the user to shape their exciter, completely changing Crucible's response. Finally, select where the exciter contacts the engine by triggering the EDGE and MID inputs, or trigger both to strike the "bell."

All of this adds up to a module that is lively and energetic, completely mimicking the feeling of playing a real cymbal, while still incorporating WMD's "New Sounds, Maximum Experience" philosophy.

- Realistic sound!

- Positional trigger input. Hit the edge, middle, or bell.

- 3 Model Types: Cymbal, Cracked Cymbal, and Curved Plate

- Audio input for experimental effects.

- Separate Pitch and Size controls for maximum realism.

- Choke input for perfectly timed catches.

- Proprietary Synthesis model using digital filter and delay networks. No samples!
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 5 in stock $253.56
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quote 728569
Cat: 664480 Rel: 11 Oct 17
 
Percussion module using granular synthesis - 8HP
Notes: The Chimera, pronounced "kai-meer-ah", is WMD's first percussion synthesizer module for Eurorack.

First, they recorded samples of different metallic hits to create the sonic signatures that they call Surfaces. The sources include tambourines, sleigh bells, drill bits, wrenches, shell casings, coins, chains and stomp box enclosures.

Second, they built a proprietary granular synthesis engine around the sonic signatures with the goal of making a module that could sound like a human hitting and shaking a tambourine. With the fundamentals finished, they tweaked the control ranges, built the post-engine effects, and bomb-proofed the hardware.

From there they pushed and polished the engine and user experience, squeezing every juicy drop out of 8HP.

Humanistic shakers, drum machine tambourines, laser guns, minimal techno offbeats, giant-robot movie sound design, etc. It's all yours with the Chimera.
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 2 in stock $225.62
Cat: 580265 Rel: 03 Aug 15
 
3 channel buffered multiple module
Notes: WMD's next utility module is a three channel buffered multiple. Each channel has a dual color LED indicating Green for a positive voltage, and Red for a negative voltage.

Each channel is normaled to the next channel for a total of nine outputs from one input.
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 1 in stock $97.28
Cat: 737960 Rel: 21 Aug 19
 
All-analogue dual stereo crossfader - 6HP
Notes: Stereo patching is becoming more common each day in the Eurorack Modular Synth System and we here at the shop are performing out a ton. Over the past couple years we consistently felt the need for a simple crossfader module that would allow users to switch between two stereo sources, add a stereo effect path, or easily mix a mono source with a stereo one. AXYS was born from this need.

Each crossfader features stereo inputs with normalling for mono to stereo uses as well as independent CV control. Control both crossfaders with one CV easily and decide how the Y will react to X's CV.

Easily transition between two performers similar to a DJ transitioning between decks with one channel and add some master buss effects with the other. Use one channel for adding stereo effects and the other to dial up some nice parallel compression. Perfect for live performance and momentary effect blasts. A simple easy to use module with tons of uses.

All analogue signal path keeps your tone intact and sounding the way you intended it to.
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 3 in stock $231.84
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quote 737960
Cat: 606407 Rel: 30 Mar 16
 
Variable-width bandpass filter synth module with 8-pole filter core
Notes: The Aperture is a variable-width bandpass filter with fast and tactile controls. It is capable of simple filtering, self oscillation FM timbres, nasty acidic squelches, and capturing images of UFOs descending from the heavens on a cold winter's night. The concept is a bandpass that ranges from transparent to gnarly, with precision controls that behave under stress, all while being joyful to wreak havoc with.
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 1 in stock $255.63
Cat: 695384 Rel: 06 Jul 18
 
Analog 12db/octave multimode filter with distortion - 18HP
Notes: VCF1 brings sound and functions of our popular Rocket and 2-Pole to your Eurorack. Besides being a filter, VCF1 boosts an experimental distortion stage to add harmonic distortion to the signal. Watch out - it can get brutal!

The efficiently designed user interface allows direct access to all important sound parameters. Equipped with real metal knobs the parameter range of the pots are made for perfect musical results.

VCF1 allows you to side-chain an additional audio signal, and the organic filter resonance can be used for extreme self-oscillating effects.
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 3 in stock $173.87
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quote 695384
Cat: 667536 Rel: 15 Sep 15
 
B-STOCK: Box slightly damaged, missing jumper cable, product in perfect working order
Notes: ***B-STOCK: Box slightly damaged, missing jumper cable, product in perfect working order***


nw1 is our debut product for the popular Eurorack format. It includes an advanced wavetable engine with independent control of spectral envelope and noisiness - just like Nave.

Wavetable scanning is cyclic with optional modulation of travel speed, position, spectrum, and more besides. By providing the worshipped Waldorf wavetable set from the classic Microwave and Wave synthesizers, nw1 will enrich your Eurorack modular system as a potently powerful sound source. The nw1 sound engine also allows for onboard creation of user wavetables via time domain multiple foldover analysis. All you need to do is connect any sound source to the nw1 to transfer audio into a wavetable. Or use the integrated speech synthesizer to translate typed text into wavetables.

Wavetable synthesis is an extremely powerful sound source suited to producing all kinds of vivid metallic hues and digital clangorous tones. It can create organic, bell-like timbres, as well as spectacular-sounding scans through various waveforms with truly ear-opening results. It was almost impossible to create these kinds of sharp-edged, digital sounds back before the invention of wavetable synthesis in the late-Seventies.

Starting with the wavetable synthesizers of those days, a whole new sound palette left its imprint on so many hit records. Today, with Waldorf's neatly-sized nw1 Wavetable Module, this sound is readily available for the popular Eurorack standard - sounding just as pure, sharp, and massively destructive as it did back in the golden days of digital!
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 1 in stock $160.43
Cat: 561577 Rel: 15 Sep 15
 
Wavetable module with 21st century advanced wavetable engine with classic Waldorf wavetables included - 32HP
Notes: nw1 is our debut product for the popular Eurorack format. It includes an advanced wavetable engine with independent control of spectral envelope and noisiness - just like Nave.

Wavetable scanning is cyclic with optional modulation of travel speed, position, spectrum, and more besides. By providing the worshipped Waldorf wavetable set from the classic Microwave and Wave synthesizers, nw1 will enrich your Eurorack modular system as a potently powerful sound source. The nw1 sound engine also allows for onboard creation of user wavetables via time domain multiple foldover analysis. All you need to do is connect any sound source to the nw1 to transfer audio into a wavetable. Or use the integrated speech synthesizer to translate typed text into wavetables.

Wavetable synthesis is an extremely powerful sound source suited to producing all kinds of vivid metallic hues and digital clangorous tones. It can create organic, bell-like timbres, as well as spectacular-sounding scans through various waveforms with truly ear-opening results. It was almost impossible to create these kinds of sharp-edged, digital sounds back before the invention of wavetable synthesis in the late-Seventies.

Starting with the wavetable synthesizers of those days, a whole new sound palette left its imprint on so many hit records. Today, with Waldorf's neatly-sized nw1 Wavetable Module, this sound is readily available for the popular Eurorack standard - sounding just as pure, sharp, and massively destructive as it did back in the golden days of digital!
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 2 in stock $161.45
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quote 561577
Cat: 599600 Rel: 16 Aug 17
 
3-section modulation module with flexible, all-analog ADSR & LFO circuitry
Notes: Three different modulation sources in one module make the mod1 the control centre of your modular patch.

From simple envelopes and LFOs to complex looped multi-stage curves, the mod1 delivers rich and endless modulation options - all based on pure analogue circuitry for everything from super- smooth curves to razor-sharp edges that never sound "digital".

From gently undulating LFOs to ultra-precise hard cuts, you get it all based on innovative analogue circuits for a truly musical touch.
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 2 in stock $161.45
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quote 599600
VSL
Cat: 662800 Rel: 31 Oct 17
 
14HP analog voltage controlled filter in Eurorack format
Notes: The VCF-74 is a 14HP voltage controlled filter in Eurorack format. VCF-74 features a dual analogue high-pass and low-pass filter, cascaded (series, from HP > LP). The discrete diode filter circuit is inspired by the 1970s Univox Mini-Korg synthesizer's "Traveller" filter section which provides warm, organic sound to your modular system. However, this design was not only adapted for Eurorack, but is feature enhanced for a wide array of possible filter characteristics.

A stage boost switch allows you to drive the 2nd filter section (Low-Pass) with a +5.3dB signal boost from the High-Pass output signal creating a warm saturation and varied resonance to signal ratio/dynamics. Independent manual resonance controls per filter section allows you to fine-tune a wide variety of focused sound. Input and Output level controls allow you to optimize dynamic range, including how hard you drive the filter--which drastically changes the dynamic interplay between signal and harmonic resonance. Both High-Pass and Low-Pass circuits have independent cutoff controls. Independent CV inputs for cutoff and resonance of each filter section, and attenuation/gain for CV to cutoff provide superior control over filter behaviour. The VCF-74 can be set up as a Low-Pass, High-Pass, or Band-Pass filter. Width of the Band-Pass can be adjusted by simply dialling in the offset controls appropriately.

What are the changes for the new MK2 version of VCF-74?

- The faceplate will look exactly the same, except the addition of "MK2" nomenclature screen printed
- The audio signal path will have slightly lower frequency response as a result of component value changes
- The audio signal path will now use fewer coupling capacitors (more direct-coupled circuits mean better performance, less slewing).
- Added buffer circuits at the input and final filter-to-output stage (which will improve performance)
- Added calibration trim-pots for resonance control.
- Revised "local" power supply filtering scheme to improve PSR for the discrete (Class-A) filter stages.
- Added ESD protection (ESD suppressor diodes) to each front panel jack.
- Changed power inlet header from 16P to 10P.
- Widened range for LOW PASS cutoff control

Note: Depth is now 29mm (current draw is the same as 41mA for +12V, and 48mA for -12V
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 1 in stock $217.34
Cat: 662842 Rel: 18 Sep 17
 
Dual filter module with flexible routing & excellent audio properties - 24HP
Notes: There is almost no modular system without at least one filter-module. You can look at them as the stars within the giant Eurorack-jungle. twinVCFilter is such a star as well. A dual filter module with flexible routing and excellent audio properties. It covers a huge range of different applications without the slightest effort.

Features and Routing:

Each filter section of twinVCFilter works as low- or highpass-filter with a slope of 12 dB/octave or as bandpass-filter with 6 db/octave. Signals can be directed in three ways through the module:

- Serial: The incoming signal passes both filter sections in a row.
- Dual: The filter sections act completely separated of each other. As if they were two individual filter modules.
- Parallel: The incoming signal passes both filters at the same time.

With these routings you can i.e. generate bandpasses or notches with variable slopes and different resonance settings or doubling the filter's slope. These are the more obvious combinations but there is a lot more to discover.

The convenient link-feature allows to couple cutoff- and resonance of both filter sections for straightforward stereo use in dual mode.

Mix section:

The flexible signal-routing is supplemented by the mix-section. Here you can crossfade both filter sections manually or by control voltages. Seamless movements from low- to highpass-filter, is as easy as crossfading from half to doubled slope. Of course you can mix two completely individual signals or toggle between them by using a rectangle-LFO-modulation.

Resonance:

Resonance is a key factor in the context of sound-shaping and sound-generation using a filter. Therefore we carefully trimmed twinVCFilter's resonance to be as musically and stable as possible. You can apply subtle frequency-dependent emphasis to signals and tear them up to self-oscillation. The latter generates a solid sine-wave which is an excellent base for percussive sounds. Possible cross-modulations significantly enhance the sound-generator features. By the way: If you are missing a vibrato-LFO in a patch, twinVCFilter can do the job.

twinVCFilter offers a huge set of features to form impressive soundscapes. It can take subtle influence to signals or massively truncate frequencies. It leaves nothing to be desired. Despite, for those who need additional possibilities we especially designed the tVCF-Extension module.
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 2 in stock $321.87
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quote 662842
Cat: 553428 Rel: 30 Jun 16
 
Transformer isolatoed audio interface synth module
Notes: The TAI-4 not only makes it easy to get balanced signals out of or into a modular system, it also does that job with superior audio quality. Above, it galvanically separates the inputs from the outputs by using a total of four high-end audio transformers and thus prevents unwanted noise interferences.

We decided to uses switches instead of potentiometers for adjusting the gain levels. This ensures accurate and equal leveling of stereo signals.

The TAI-4 is an extremely useful module when it comes to integrate external studio processors, or the opposite, connecting the modular system to outboard equipment or DAWs.
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 1 in stock $248.39
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quote 553428
Cat: 745109 Rel: 06 Sep 19
 
Compact yet flexible mix module - 6HP
Notes: Even with small patches with only a few modules, you usually have to combine individual signals into a single sum: You need one mixer, maybe two, and preferably as small as possible.

With Sum 42, Vermona present a compact yet versatile Eurorack mixer. You can use it as two 4-in-1 or one 8-in-1 mixers. It can process both audio signals and control voltages.

Sum 42 is an indispensable tool with a perfect size/benefit ratio.
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 1 in stock $126.26
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Cat: 662852 Rel: 18 Sep 17
 
Four-channel voltage controlled polarizer featuring four identical attenuators - 10HP
Notes: You never can have enough modules that influence levels - be it for audio signals or control voltages.

quadroPOL is a four-channel polarizer module. It can attenuate any incoming signal, in-phase or out of phase. One of its most special features is the way each channel's level control works. Instead of having one dedicated zero-point, it has a "dead zone" where the input signal will be completely suppressed. Thus, you will easily find the off-position, even without a centre-click, while, at the same time you'll be able to create extremely sensitive level increases.

Further outstanding features are:

- A channel's output signal will optionally be forwarded to the next one, which allows the use of quadroPOL as a mixer-module. This way you can sum up to four signals.
- The module can be controlled via control voltages. Beside manually setting the level you can use each channel as VCA. You never can have enough VCAs in a modular system, can you?
- quadroPOL's circuits work with a four-quadrant-multiplier. This means the module is a ringmodulator without compromises - sorry - four ringmodulators.

Do you have 10 HP unused rack-space left in your Eurorack-system? You should consider getting a quadroPOL module. It is so versatile that it's hard to live without one, once you've gotten your hands on one of it.
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 2 in stock $212.16
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quote 662852
Cat: 471425 Rel: 30 Oct 12
 
Eurorack module extension for the Mono Lancet
Notes: The Vermona Mono Lancet Modular Dock is a eurorack module extension for the Mono Lancet.

The Mono Lancet Modular Dock from Vermona connects to the Vermona Mono Lancet via D-sub to extend its possibilities by adding pulse-width modulation, and frequency modulation, and interaction with other synth modules for the creation of incredible new soundscapes.
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 2 in stock $129.38
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quote 471425
Cat: 700724 Rel: 07 Sep 18
 
Scan & Pan Module with 4 channel mixer 14 HP
Notes: Each channel has a mono input and a gain control. The level can be set manually with a fader and modulated by a CV. Furthermore there's a panning function with a manual potentiometer for determinig the channel's panorama position and a CV input for modulating it.

In the dark highlighted, right part of the module we find the L and R outputs as well as the scanning function:
The "Center" parameter is used for selecting a channel, while "width" also selects the adjacent channels. For instance if channel 2 was selected with center control and remain static if is possible to fade in and out chennels 1 and 3 (or even 4).
It can be interesting to use this function with different wave forms of an oscillator but also with totally different signals. It can be even more exciting if the channels have different panorama positions which means the channels which are faded in appear in different stereo field positions.
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 2 in stock $396.41
Cat: 700726 Rel: 28 Aug 18
 
Random sampler featuring two channels of variously shifting random control voltage - 18HP
Notes: Rooted in the California modular tradition, the Random Sampling is a selection of random voltage sources to add an element of uncertainty to both audio and control paths. Some of them classics and some new twists. Included are 2 fluctuating randoms capable of slowly varying voltage or sweepable audio noise, each with an uncorrelated random gate output. A two output, up to 6 bit digital stored random voltage source. White, pink and metallic (TR- 808 cymbal type) audio noise. A 4 stage analog shift register where each sample & hold can be broken out of the chain to be used separately.
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 1 in stock $504.05
Cat: 739081 Rel: 25 Jun 18
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


The Multi-Delay Processor is a creatively usable echo effect with eight taps. The module's sound may remind you of classic bucket-brigade devices. - It even generates distinctive pitch effects when altering the delay time. An input mixer gives audio material a crisp, analogue character. Thanks to feedback channels with pitch shifter and reverb processor, shimmering echoes and other atmospheric effects can be achieved. A total of nine envelope followers and 14 audio outputs invite you to do extensive feedback patches and other edgy experiments.

The Multi-Delay Processor isn't just a high-quality echo effect but was designed to be a fundamental ingredient of patches. Its core is a bank of eight digital delays, which are wired in series. Together, the circuits form a multi-tap echo. The volume of each signal repetition as well as the raw material can be adjusted via faders. Furthermore, there are individual audio and envelope follower CV outputs for the dry signal and all taps. An analogue clock is used to control the echo circuits. The delay time can be set manually via a potentiometer plus there are two CV inputs with bipolar attenuators. Altering the delay time parameter during operation leads to pitch effects. At this point at latest, you'll realize the superiority of the serial memory design used by Mark Verbos over average effect chips. Despite its digital core, the Multi-Delay Processor offers charming sound reminiscent of a classic bucket-brigade device. - Only cleaner and more transparent.

A three-channel mixer with dedicated level potentiometers adds analogue character to signals before they are fed to the delay circuits. Without patch cables plucked into the second and / or third input, you can use these channels as feedback paths with additional effects. In detail, a pitch shifter calibrated to +1 octave (channel 2) and a reverb (channel 3) are available. - A perfect setup for creating shimmering echoes and other atmospheric effects. High feedback values make the module self-oscillate. In contrast to the multi-tap delay, which consists of individual components, an FV-1 chip is used for pitch shifting and reverberation. This processor is well-known, as it is the main component of multi-effects modules like the Erica Black Hole DSP and numerous guitar pedals. Here, the FV-1 is "just" a creative addition to the main effect.

In addition to the manual mix output, which emits the mixture of raw and effect material dialled in via the faders, there are four other audio outs. Two of these connectors provide signals derived from summing up all even respectively odd taps. The other sockets emit preset mixes with increasing or decreasing level. - Very cool for quickly creating special effects.
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 1 in stock $575.95
Cat: 690806 Rel: 25 Jun 18
 
Voltage controlled 8 tap digital delay - 28HP
Notes: The Multi-Delay Processor is a creatively usable echo effect with eight taps. The module's sound may remind you of classic bucket-brigade devices. - It even generates distinctive pitch effects when altering the delay time. An input mixer gives audio material a crisp, analogue character. Thanks to feedback channels with pitch shifter and reverb processor, shimmering echoes and other atmospheric effects can be achieved. A total of nine envelope followers and 14 audio outputs invite you to do extensive feedback patches and other edgy experiments.

The Multi-Delay Processor isn't just a high-quality echo effect but was designed to be a fundamental ingredient of patches. Its core is a bank of eight digital delays, which are wired in series. Together, the circuits form a multi-tap echo. The volume of each signal repetition as well as the raw material can be adjusted via faders. Furthermore, there are individual audio and envelope follower CV outputs for the dry signal and all taps. An analogue clock is used to control the echo circuits. The delay time can be set manually via a potentiometer plus there are two CV inputs with bipolar attenuators. Altering the delay time parameter during operation leads to pitch effects. At this point at latest, you'll realize the superiority of the serial memory design used by Mark Verbos over average effect chips. Despite its digital core, the Multi-Delay Processor offers charming sound reminiscent of a classic bucket-brigade device. - Only cleaner and more transparent.

A three-channel mixer with dedicated level potentiometers adds analogue character to signals before they are fed to the delay circuits. Without patch cables plucked into the second and / or third input, you can use these channels as feedback paths with additional effects. In detail, a pitch shifter calibrated to +1 octave (channel 2) and a reverb (channel 3) are available. - A perfect setup for creating shimmering echoes and other atmospheric effects. High feedback values make the module self-oscillate. In contrast to the multi-tap delay, which consists of individual components, an FV-1 chip is used for pitch shifting and reverberation. This processor is well-known, as it is the main component of multi-effects modules like the Erica Black Hole DSP and numerous guitar pedals. Here, the FV-1 is "just" a creative addition to the main effect.

In addition to the manual mix output, which emits the mixture of raw and effect material dialled in via the faders, there are four other audio outs. Two of these connectors provide signals derived from summing up all even respectively odd taps. The other sockets emit preset mixes with increasing or decreasing level. - Very cool for quickly creating special effects.
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 2 in stock $601.32
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quote 690806
Cat: 739085 Rel: 25 Mar 19
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


The Mini Horse from Verbos Electronics GmbH is a multi-dimensional touch activated voltage controller. At 42HP wide and ultra thin, it can be added to a synthesizer system either inside the Eurorack or out front in the forthcoming Black Box extra low profile powered enclosure. Twelve keys run across the front, each with its own Gate out, Pressure out and Position out. In addition to the individual keys' outputs the master section presents the parameters of which key was last pressed in addition to a tuneable from the knob behind the key and a "Fixed" voltage, spanning from 0-10v across the keys from left to right. Position outs have memory of their position when last touched, allowing the user to draw a mix across the keys when connected to voltage controlled mixers as in the Harmonic Oscillator or Bark Filter Processor.
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 1 in stock $582.16
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