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Cat: 718920 Rel: 23 Apr 19
 
Expansion module for Zadar - 3HP
Notes: An expander for Zadar, adding one more assignable input for each Zadar channel and manual triggers.
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 2 in stock $54.09
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quote 718920
Cat: 621359 Rel: 14 Feb 17
 
Utility synth module in Eurorack format - 6HP wide
Notes: Bytom is a simple - yet very useful - utility module that allows you to combine various trigger/gate signal sources to obtain interesting rhythmic events, useful for sequencing, modulation and patch automation purposes. It can also be used for summing control voltages of a positive polarity. The module consists of three independent sections. Each one can process up to four signals fed to its inputs. All three sections can be normalled into one 12-signal combination via the manual switches. Either the upper or lower section can be combined with the middle section to form an 8-signal combination. Summed signals of two or three sections will appear on the middle section's output socket. The individual outs on upper and lower units remain active even when combined with the middle section.
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 1 in stock $68.66
Cat: 665767 Rel: 30 Jan 18
 
Expander module for the WMD Performance Mixer - 6HP
Notes: This module gives you mute control over each channel of the Perfomance Mixer including the master Aux Sends and even the two extra stereo channels provided by the PM Channels Expander.

Also adds voltage control over the Aux Send level for the first 4 channels on the Performance Mixer.

All action happens on release.

Combo button: Hold down and select multiple channels to mute upon release.
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 1 in stock $87.38
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quote 665767
Cat: 580271 Rel: 03 Aug 15
 
Invert offset synth module for modifying control voltages for other modules
Notes: The 6 HP Invert Offset module creates an easy way to modify control voltages for other modules in your system.

The Invert Offset consists of two identical channels. Signal applied to the In jack is vertically offset by the knob, additionally a CV signal may be applied to offset the signal vertically.

The +Out jack puts out a non-inverted signal with the specified offset. The -Out jack puts out an inverted signal with the same offset as the +Out.

The Offset CV input allows you to mix two signals together, Offset will never be inverted, while the signal at the In jack will be inverted based on the selected output.

There is also a sum output (1+2) that takes the non-inverted outputs and adds them together. Also there is a comparator gate output that is on if the channel 1 output is more positive than channel 2.
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 1 in stock $86.34
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quote 580271
Cat: 580265 Rel: 03 Aug 15
 
3 channel buffered multiple module
Notes: WMD's next utility module is a three channel buffered multiple. Each channel has a dual color LED indicating Green for a positive voltage, and Red for a negative voltage.

Each channel is normaled to the next channel for a total of nine outputs from one input.
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 1 in stock $97.79
Cat: 601462 Rel: 05 Apr 16
 
Reverb cartridge for TipTop Audio Z-DSP with 8 original algorithms
Notes: The Z-DSP Shimmer cartridge has 8 original algorithms, designed to combine lush reverberation with multiple voices of pitch shifting, to create ethereal pads, rich chordal textures, dissonant clouds of sound, and a variety of other sounds that are perfect for electronic music. The algorithms are customized to work with the Tiptop Audio Z-DSP Eurorack module.

There are 6 reverb algorithms in the Z-DSP Shimmer cart, arranged in order of complexity:
- Fast Shimmer: A modulated reverb that quickly decays away into an endlessly pitch shifting tail. The shift interval can be set between +/- 12 semitones. Perfect for that classic "octave up" shimmer sound.
- Slow Shimmer: Similar to Fast Shimmer, but with a much slower attack.
- Dual Shimmer: Two pitch shifted voices, embedded within a larger modulated reverb network, shifting the reverb decay in both positive and negative directions. Try slowly sweeping the Shift control in this mode for ridiculously cinematic sounds.
- Triple Shimmer: Two pitch shifted voices embedded within the reverb decay network, plus a third voice external to the network. This allows the user to have a reverb with +12 and -12 semitones of feedback, plus a stable +7 semitones voice without feedback.
- Quad Shimmer: Four pitch shifted voices feeding into a lush modulated reverb. This allows for a variety of dissonant and consonant chordal textures, with the max Shift setting corresponding to a rich major chord.
- ClusterVerb: Four pitch shifted voices embedded within the feedback network of a modulated reverb. The result quickly becomes dissonant or metallic. Perfect for insta-Ligeti, or Penderecki In A Box.

In addition, the Z-DSP Shimmer cart features 2 special effects algorithms:
- Quad Detune: 4 short pitch shifted delays, feeding back on each other. A variety of chorus, detuned, and dissonant effects can be obtained through this mode. Turn up the Feedback for maximum fun.
- PitchEcho: A single pitch shifting voice, combined with a tape echo emulation = sound mangling joy. Turn up the feedback for barberpole self-oscillation, and sweep the decay time for all sorts of swoopy glitches.
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 1 in stock $69.97
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quote 601462
Cat: 595826 Rel: 19 Jan 16
 
4HP power supply module for Eurorack format systems
Notes: The microZEUS is a 4HP power supply module for Eurorack format synthesizers. It is the smallest and most powerful power supply available for its size.

uZEUS with flying bus boards: this version features two ribbon bus boards. All you have to do is plug in your modules and play.

The uZEUS mixes linear and switching power technology to produce 1000mA at +12V, 500mA at -12V, and 170mA at +5V and uses a standard +15VDC non-regulated wall adapter for power.
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 4 in stock $77.44
Cat: 693138 Rel: 02 Jul 18
 
FX expansion card bundle for ZDSP digital effects processor
Notes: The Time Domain Bundle is all about rich delay effects. The package consists of three Z-DSP cards with eight algorithms each. Modulated Delays specializes in animated echo programs, which can be used to create, for instance, diffusion, chorus or pan effects. Hydra provides multi-tap algorithms. These can be used to generate rhythmical delays. Spiral combines a pitch shifter and a multi-tap echo to create atmospheric to slightly psychedelic effects.

Mod Delay:

Modulated Delays brings various forms of animation to the delay lines. These types of algorithms further extend the signal path of delay effects with extra processing and routing of the audio signal. The sonic results put the Mod Delay effects in a category of their own.

Each program adds different processing like diffusion, chorus, panning and other modulation to the basic mono or dual delay line structure. The two Modulator programs are intended for use with external CV - opening up vast modulation possibilities of the modular synthesiser. Each card comes loaded with 8 presets.

Hydra:

Hydra is the multi-armed DSP creature tapping its tentacles into a buffered delay line and creating a range of multi-tap delay rhythmic and spatial effects. The Spread parameter sweeping through rhythmic variations allowing some of the programs bridge the gap between single delays and reverbs by using diffusion while others use taps to create rhythmic patterns.

The basic Hydra algorithm sums the inputs to mono and writes the signal to a single delay line. Multiple output taps are taken from the delay line and spread across the stereo outputs. Each program adds additional features like panning, filtering, pitch shifting and/or diffusion to create a unique Z-DSP Hydra experience. The last two programs add external Clock input for more precise sync to the beat.

Spirals:

Spirals is a pitch and multi-tap delay card for the Z-DSP. This card uses numerous multi-tap delay techniques in combination with dual pitch shifters to create a wide range of harmonizing choruses, echo and harmonic reverb sounds. Programs on this card derive from the complex algorithms found on high-end studio effects processors, which, while powerful, have a complex editing process. On the Z-DSP all of the power of the internal code is controlled by three simple adjustments for sculpting the sound - making the experience more about performance and live tweaking rather than navigating through dozens of menu pages.
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 4 in stock $72.83
Cat: 708032 Rel: 29 Oct 18
 
Seven channel mixer with classic analogue sound - 3HP
Notes: MIX7 is a seven channel analogue summing mixer module for Eurorack. It is designed for summing any of the different types of signals you'll find in a modular system: Audio, CV, Triggers, or Gate.

MIX7 gives ability to sweeten your mix with more headroom using the power of low noise analogue summing. A compact 3HP Eurorack utility module, MIX7 is an attractive mixing addition to any rig, especially with the ability to also combine rhythms, note patterns or CV automations from different control sources. The main output of one section can be connected to the input of another MIX7 to create larger mixing groups and complex signal routes inside your modular.

The MIX7 summing mixing circuit is built with low-noise operational amplifiers, giving it an excellent sound quality for mixing audio, the beautiful texture of classic analogue mixing with plenty of headroom to handle hot modular signals, and the versatility to sum non-audio signals in your system to open up new creative possibilities.

Each input is labelled with a number of dots, 1-7, yellow for input and green for output. The module matches Tiptop's system look with clean white faceplate styling.

At the back of the module is a user-configurable jumper allowing users to configure the MIX7 for either unity gain (OUT = IN) or give increased headroom (OUT = 0.4IN) for use with hot audio signals, which makes it a great pairing for Tiptop Audio percussive modules. A peak indicator light on the front panel warns the user of even the slightest audio clipping in the mix, helping to keep all the incoming sound sources at their full original quality.
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 2 in stock $87.38
Cat: 725794 Rel: 15 Apr 19
 
10HP Eurorack CV modulator module
Notes: MISO is a multipurpose utility module, a laboratory for synthesizing control voltage signals and audio. MISO combines multiple CV tools into one module for making complex CV shapes at the output stage. The name comes from the four main functions available: Mix, Invert, Scale, and Offset.

MISO's 2 sections (1/2 IN and A/B IN) are identical. Each section has two inputs that can be used to Mix signals, Invert polarity/shape, Scale magnitude and Offset voltage. Each function can be used independently or simultaneously with the total shape summed to the mix output.

At the centre of the module is another processor, an accurate smooth linear voltage-controlled crossfader that mixes equally between the outputs of the top and the bottom MISO sections. Feed the MISOs with envelopes, LFOs, Sequences to create new shapes and then crossfade them manually or with CV using the centre section for even further complexity of shapes and animation of control signals. Crossfade between the waveforms of a VCO or audio samples with CV for more motion.

There are an endless number of ways to patch MISO with unexpected and inspiring results. MISO is the kind of module that gives modular synthesizers its incredible replay value, rewarding hours of creative explorations and its experimental and non-traditional mixing.

MISO offers a lot in a small comfortable module that matches Tiptop's system look with clean white faceplate styling. A red/yellow indicator light next to each section makes it easy to see signals and visualize polarity.
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 3 in stock $84.40
Cat: 719652 Rel: 02 Sep 19
 
4-track, 16-step trigger sequencer
Notes: TRIQ164 is a 4-track, 16-step trigger sequencer.

Four track buttons select the track to be edited; with 16 buttons each step of the track can be activated an is then displayed by an LED.

For each step in each track a "repeat" can be activated, resulting in repeated triggers within one step. The number of repeats can be selected from one to eight by the REPEAT knob. Additionally, the repeat count can be CV controlled by the REPEAT CV input.

The inputs MUTE 1/2 allow to mute the outputs 1 and 2 by an external signal (e.g. for muting a kick drum)

Each of the 16 steps has a separate trigger output for additional control for certain steps or limiting the sequence length by connecting one of the outputs to the RESET input.

Use it for any kind of rhythmical patterns, typically for triggering drum sounds or envelope generator!

No, it has no pattern load/save features; this will be part of a future, much more complex sequencer. TRIQ164 is designed as improved replacement for the STEP10.

Width: 2U
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 3 in stock $52.01
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quote 719652
Cat: 745618 Rel: 17 Sep 19
 
Topographic drum sequencer
Notes: TOPOGRAF is a drum sequencer with three tracks, that works with a "topographic" principle; it contains a number of drum patterns arranged in a "virtual map"; and with two knobs MAP X and MAP Y you can set a position in this map. With one knob per channel the density is defined; and a CHAOS knob brings some randomness into the whole process. All in all, a few knobs for a lot of drum patterns you probably wouldn't make this way by yourself - a nice source of inspiration and also great for playing live.

TOPOGRAF is the AE modular version of the Grids module by Mutable Instruments. It is 100% identical to Grids.
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 2 in stock $73.86
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quote 745618
Cat: 719650 Rel: 03 Sep 19
 
Analogue 16-step CV sequencer
Notes: The SEQ16 is a 16-step sequencer for controlling oscillator pitch and triggering envelopes.

Compared to "classic" analogue sequencers it works a bit different: Instead of setting the CV for each step independently (which means in fact "tuning" each step which can be a bit tedious), the SEQ16 has 5 knobs for pre-setting different CV's (= notes); each of the 16 step knobs selects one of these CVs, plus 0V (=base note) plus Pause (no trigger output). So some CVs have to be fine-tuned once; with the step knobs you can focus entirely on the sequence itself and you can even modify it on the fly, still remaining in tune.

An additional feature is "accent"; this can be set for each step by turning the knob fully clockwise. If a step is set to "accent", a separate trigger output is set and also a gate repeat for the regular gate output can be selected (from one to eight repeats).
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 1 in stock $86.34
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quote 719650
Cat: 745620 Rel: 17 Sep 19
 
Basic 8-bit drum sound generator
Notes: DRUMKIT 010 consists of 11 8-bit drum sound samples; 6 of them can be triggered in parallel in any combination by the trigger inputs. With a BANK selector knob, different combinations of the 11 samples can be selected. The PITCH knob affects the pitch of all instruments together, and with the REVERSE button the sounds are played backwards - quite a nice effect to be added here and there.

Don't expect high quality from this module - it's by design a nasty, lo-fi drum sound source, but definitely with its own character. Works great together with the analogue KICK module.
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 2 in stock $55.13
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quote 745620
Cat: 655869 Rel: 13 Sep 18
 
Compact, high quality, 4 in/1 out audio & CV mixer 6HP
Notes: Space conscious, 4 in/1 out, high quality audio and CV mixer. Originally set at unity gain (along with the VCA2), but tinkering provided useful intel and design changes. Upshot: With the pot set at 3:00 you are at unity, fully clockwise, expect a 2 Volt increase.

Four Pots:
LVL 1, LVL 2, LVL3, LVL 4.

Five Patch Points:
OUT, IN 1, IN 2, IN 3, IN 4.

All Controls and Patch Points:
LVL 1 - Adjusts the level of IN 1
LVL 2 - Adjusts the level of IN 2
LVL 3 - Adjusts the level of IN 3
LVL 4 - Adjusts the level of IN 4
OUT - Composite output
IN 1 - Audio/CV input 1
IN 2 - Audio/CV input 2
IN 3 - Audio/CV input 3
IN 4 - Audio/CV input 4

- Size: 6hp
- Depth: 25mm with ribbon cable attached
- Power Usage: 4mA (+12 / -12)
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 1 in stock $78.02
Cat: 698449 Rel: 07 Sep 18
 
Dual attenuator and lag generator module 10HP
Notes: Multi-purpose heavy lifter. The attenuators reduce level, audio or CV, when switch is set to off.

With the switch up the audio/signal passes through at full level. The inputs are linked together: patching into channel 1 drives both attenuators; patching into channel 2 breaks the link.
Experimentation with key tracking to create alternative tunings, or interaction with audio inputs that don't afford attenuation does good things.

The two lag circuits provide a handy CV mult/hub for oscillator and filter tracking (perfect for CV-ing up our OSCILLATION module with its switchable one in/three out structure for both attenuation and slewing-x2) and are linked together: if you patch into channel 1 only, the outputs of both channels are driven (just like the attenuation circuit); patching into channel 2 breaks the link and they become two separate CV mult/lag circuits - envelopes look out.

Four Pots
ATTENUATE 1, ATTENUATE 2, LAG TIME 1, LAG TIME 2.

Four Switches
OFF: the top two handle attenuation duties; the bottom are wired to lag time.

Ten Patch Points
ATTENUATE 1: IN, OUT; LAG TIME 1: IN, OUT 1A, OUT 1B, OUT 1C; ATTENUATE 2: IN, OUT; LAG TIME 2: IN, OUT 2A, OUT 2B, OUT 2C

Common Controls and Patch Points
Attenuation
ATTENUATE - Level reduction.
IN - Attenuation input.
OUT - Attenuation output.
OFF - Bypass is in up position.
Lag
LAG TIME - Exponential slewing amount - still affectionately called glide in some quarters.
IN - Lag input.
OFF - Lag bypass.
OUT A - Lag output A.
OUT B - Lag output B.
OUT C - Lag output C.

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 1 in stock $65.75
Cat: 703641 Rel: 12 Oct 18
 
3HP high fidelity multiple featuring two 1x4 buffered multiples
Notes: CLONE is a 3hp, High fidelity Multiple featuring two 1x4 buffered multiples.

Multiple B is normalized from multiple A to provide 1x8 multiple capability.

CLONE allows for signal multiplication with extremely low degradation and each section is capable of driving an equivalent load impedance of 600 Ohms without distortion and extremely low signal loss.

We use audiophile grade active components to ensure signal integrity and fidelity across the audio and low frequency spectrum, ensuring practically zero loss of your multiplied signals.

In light of modular making its way into polyphonic territory, 1:4 multiples are necessary to accommodate 4 voice polyphonic modular systems.
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 2 in stock $69.71
Cat: 637403 Rel: 05 Jun 17
 
6HP Eurorack stereo headphone amp/line out module with stereo 1/4" headphone amplifier output & dual-mono 1/4" line-level outputs
Notes: The best way to get sound out of a modular. Outs is a dual independent output module featuring a stereo 1/4" headphone amplifier output and dual mono 1/4" line level outputs.

Left and Right inputs are available. If only the left input is used, it is sent to both the Left and Right outputs.
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 3 in stock $93.63
Cat: 641963 Rel: 27 Feb 17
 
Six switches module in 8 HP
Notes: Variatic Basicus is six momentary switches debounced for drivng gates. It is a simple, useful gate control surface for Eurorack.

Size: 8HP Eurorack
Depth: 1 Inch
Power: 2x8 Eurorack
Draw +12V: 20 mA
Draw -12: 0 mA
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 1 in stock $61.64
Cat: 641960 Rel: 27 Feb 17
 
Simple attack-release envelope with voltage controlled clamp
Notes: The Sinclastic Empulatrix was inspired by the simple - yet remarkably clever - envelopes used in the cymbals of the TR-808. These envelopes are simple exponential decays that are applied to the signal via clamping rather than the more typical scaling. For binary signals such as a square wave a clamping VCA will sound like a typical VCA. For analog signals it will add a clipping effect that gets stronger as the envelope decays.

The Sinclastic Empulatrix has knobs for control of attack and release.

The envelope is controlled by a gate input that determines the timing of the envelope. The envelope is also scaled by the voltage of the gate so it can be used to control the amplitude of the envelope.

The clamping VCA section of the Sinclastic Empulatrix has a simple input and output. It is DC-coupled so is suitable for control voltages and can be used without the envelope generator by turning the attack and release fully counter-clockwise and driving the gate with an analog CV.

This module can also be used as an asymetric slew: the envelope output will track the gate input but will be slewed by the attack and release times based on relative voltage.

Size: 4HP Eurorack
Depth: 1 Inch
Power: 2x5 Eurorack
Draw +12V: 15 mA
Draw -12: 25 mA
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 2 in stock $85.30
Cat: 711982 Rel: 13 Dec 18
 
Four channel CV mixer with bipolar attenuator - 4HP
Notes: Roti Pola is a four channel attenuverting CV mixer and offset with visual feedback in a small package. With nothing patched to channel 1, a 5v offset is applied to the mix, useful for controlling other parameters or modifying CV signals.
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 1 in stock $94.67
Cat: 676568 Rel: 19 Jun 18
 
4-channel mute for audio & CV signals
Notes: Muta Jovis is a 4HP switchable quad mute. The inputs are circularly normalled so a single input can be sent (and muted) to up to four outputs. Switches and LEDs that indicate channels that are outputting signal leave no doubt about the state of each channel. MJ was designed with gates/triggers in mind.

Size: 4HP Eurorack
Depth: 0.8 Inches
Power: 2x5 Eurorack
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 1 in stock $70.75
Cat: 641955 Rel: 27 Feb 17
 
CV/Gate expansion module for Mimetic Sequent
Notes: Mimetic Multium provides the three patterns out simultaneously as well as four randomized rhythm sources.
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 1 in stock $78.02
Cat: 569592 Rel: 10 Apr 15
 
Mixer, offset, attenuverter synth module with 3 channels of audio/CV processing, 6HP size
Notes: Shades provides 3 channels of audio/CV processing which can be configured either as active attenuators or as attenuverters.

A bicolor LED monitors the polarity and intensity of the audio or CV signal on each output.

Unconnected inputs are normalized to an internal precision voltage reference, which can produce either a +5V or +10V constant voltage.

Normalization on the outputs allows the module to be used as a mixer or offset generator: when no jack is inserted in an output, the signal from this output is summed into the next output. Combined with the internal voltage reference, this allows the module to be used as a CV offset control.

Patch examples:

Mixing:
When output 1 is left unconnected, the signal on output 2 is the sum of channels 1 and 2. Channel 3 can be used for another purpose (attenuation, attenuversion, or constant CV generation).

When output 1 and 2 are left unconnected, the signal on output 3 is the sum of channels 1, 2 and 3.

Offset generation:
Leave channel 1's input and output unconnected, and connect a CV source to channel 2's input. Channel 2's output will contain a scaled and offset copy of the input CV. Channel 1's level knob will control the offset and channel 2's level knob will control the signal scale and polarity.
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 1 in stock $86.34
Cat: 569591 Rel: 10 Apr 15
 
Multiples and mixing utilities synth module, 4HP size
Notes: Links provides 3 utility functions focused on signal distribution and mixing.

1:3 is a 3-output buffered multiple, with an offset error < 0.1%. It is useful for distributing the voltage from a CV output with a large protection resistor to several modules - particularly VCOs.

2:2 is a 2-input summer with unity gains. The sum of the two input channels is distributed to 2 outputs.

3:1 is a 3-input mixer with a gain of 1/3 for each channel (averager). It is particularly suitable for rapidly mixing audio sources such as oscillators, for which a unity gain mixer would have caused clipping.

A 2-color output monitoring LED is available for each of these functions.
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 9 in stock $56.17
Cat: 606495 Rel: 24 Mar 16
 
utility synth module with three analog functions for altering the shape of audio or control signals - 4HP wide
 2 in stock $81.15
Cat: 687873 Rel: 01 May 18
 
Unique contact microphone & amplifier, based on Tom Whitwell's open-source module - 4HP
Notes: Ears is Mutable Instruments' take on Tom Whitwell's open-source Mikrophonie module - a contact microphone and amplifier.

A large palette of organic, physical sounds can be generated by scratching, tapping, and more generally collecting any kind of acoustic waves surrounding your modular case - even speaker feedback.

With its built-in envelope follower and gate detector, it can also be the gateway between external audio sources and your modular system.

Ears for your modular:

- Built-in contact microphone soldered right under the front panel, turning the panel and your entire case into a microphone.

- Increasingly spaced ridges on the panel, generating sonically interesting pulses or impulse combs when rubbed. Strike, pick or scratch digital resonators like Rings, Elements or the 4ms SMR.

- High-quality amplification stage suitable for external contact microphones, electro-acoustic instruments like guitars, or plain line-level signals.
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 More than 10 in stock $87.38
Cat: 569587 Rel: 10 Apr 15
 
Dual Bernoulli gate synth module, 6HP size
Notes: A Bernoulli gate takes a logic signal (trigger or gate) as an input, and routes it to either of its two outputs according to a random coin toss. The knob controls how fair the coin toss is - with the knob in minimal position, the first output always win, with the knob in maximal position the second output always wins - with random fun in-between. And obviously, this bias is CV-controllable!

Branches packs two such gates in a small 6-HP panel. Get a sequencer to randomly skip steps, randomize drum patterns, dispatch events from a sequence to two subpatches, or patch a monster modular Pachinko machine...

Input specifications: 100k impedance, 0.6V threshold.
Output specifications: 5V HIGH level.
Response time: 15us.
6-HP.
Current consumption: +12V: 10mA, -12V: 1mA.
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 3 in stock $91.55
Cat: 676908 Rel: 28 Feb 18
 
Passive bus mult distribution system with cables
Notes: Bus Mult allows you to passively distribute signals throughout your system using a two pin jumper cable on the back of each module. Bus Mults can either be daisy chained to one another in an endless cascade or connected directly to the CV or gate bus on your busboard. This distribution method allows you to save a slot on your mult that normally would be reserved for linking two mults together. It is now also possible to have one signal be distributed long distances throughout your system without the need for long cables.

Each module comes in a pack of three, with a one foot two pin Dupont jumper cable. Longer cables can be built or purchased from common electronics suppliers. This module does not need power, so you can grab a bunch and scatter them throughout your case without worrying about current draw.
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 1 in stock $50.98
Cat: 739466
 
B-STOCK: Product has light surface marks/scratches, but otherwise in perfect working condition
Notes: ***B-STOCK: Product has light surface marks/scratches, but otherwise in perfect working condition***


Ring Modulator Module

- Trigger X
- Trigger Y
- In X
- In Y
- Out
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 1 in stock $78.83
MFB
Cat: 695618 Rel: 16 Sep 19
 
Analogue VCA with built-in oscilloscope
Notes: The Visual VCA is a voltage controlled, analogue amplifier module with additional waveform display. The signal amplification can be regulated via the two CV inputs. CV1 is usually controlled by the envelope. A special feature is CV2, because this input can only be used in conjunction with CV1 and is normally used for modulation effects. The integrated oscilloscope represents the waveform of the input signal and has a resolution of 128 x 64 pixels. With the interval controller you can set the sampling frequency.

The power consumption is +/- 30 mA. The module has a width of 8 HP (40 mm).
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 1 in stock $86.35
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MFB
Cat: 695617 Rel: 16 Sep 19
 
Analogue VCO, switchable to DCO
Notes: The VCO/DCO is a voltage controlled analogue oscillator module. This can also be used as a DCO, eliminating the need for heating and temperature sensitivity. All functions except for the FM input are also available with the DCO. Sawtooth, triangle, rectangle and pulse are available as waveforms, with soft switching between the individual waveforms. This can also be done with a control voltage, so you have additional PWM modulation.

The power consumption is +/- 30 mA. The module has a width of 8 HP (40 mm).
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 2 in stock $94.68
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quote 695617
MFB VC LFO Module (synth module)
MFB
Cat: 695621 Rel: 16 Sep 19
 
Voltage controlled LFO, switchable to oneshot mode
Notes: The module VC LFO accommodates a slowly oscillating oscillator, which is primarily used for modulations. It has five waveforms, CV input with attenuator and a control range from 10 seconds to 100 Hz. In addition, the LFO has its own reset input, over which the waveform is restarted. If you set the speed accordingly and have a separate reset pulse, you can synchronize the LFO with a sequencer. The following waveforms are available: rising sawtooth, triangle, falling sawtooth, rectangle and sample & hold.

The output voltages are maximum +/- 5 volts. The module has a width of 8 HP (40mm).
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 4 in stock $76.99
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MFB
Cat: 695615 Rel: 16 Sep 19
 
Classic envelope generator - 8HP
Notes: The ADSR module is a voltage-controlled envelope generator. Normally, the characteristic is logarithmic, but a linear part can be added. With the help of the loop button, the envelope can also be used as an LFO, then Attack and Decay determine the frequency that goes far beyond 100 Hz. Another special feature is the CV inputs for Attack, Decay and Release. This can be used e.g. control or modulate the times externally. In addition to the normal output, there is an inverted output in parallel.

The power consumption is +/- 30 mA. The module has a width of 8 HP (40 mm).
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 1 in stock $78.03
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MFB
Cat: 695610 Rel: 16 Sep 19
 
Stereo drum mixer - 12HP
Notes: The DRUM-99 module is an audio-mixer that has been designed for the modules of the MFB-DRUM series but also for usage with other manufacturer's modules. When using multiple drum-modules in a modular system, the following processing stages like filters or VCAs often lack enough audio inputs. To route a complete drum-set through a filter, a separate mixer like the DRUM-99 comes handy.

DRUM-99 offers five monaural inputs with individual level control. Tiny trim-controls are used to set the channel panorama position for the internal stereo-bus.

A fixed level stereo-input can accommodate the signal of one or more additional DRUM-99 modules. These inputs can also be used with the DRUM-06 module (Tom Tom) that also offers a stereo-output.

All five mono signals and the stereo-input are routed to the stereo-output that can be connected to two VCAs, filters or other sound manipulating devices. The output may also be used to connect the DRUM-99 to a mixing-console or audio-interface.

The stereo-output is designed for a possible summing with additional stereo-outputs.

The module has a width of 12 HP (60mm).
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 2 in stock $71.79
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quote 695610
MFB
Cat: 695607 Rel: 16 Sep 19
 
Clap module based on circuit designs of the MFB-522 & Tanzbar Lite
Notes: The Clap-522 Modul contains an enhanced circuit of the MFB-522 and Tanzbar Lite. You can edit and modulate the sound in a wide range.

As modular concept you have the possibility to control the parameter PUSE, SNAP, ATTACK, DECAY and FILTER via CV-signals from Envelopes, LFOs and Step Sequencers.

The parameters are in detail:

PULSE is the amount of claps between 1 and 7.
ATTACK sets the noise level between the clap repetitions.
DECAY controls the release of the noisy reverb.
FILTER defines the colour of the noise floor.
WIDE edits the gap between the single claps.

Beside sequencer generated analogue and digital trigger-signals, drum pads, piezo pickups and dynamic mics may also be used. Here the SENS controls allow individual adjustment of the input sensitivity. Dynamic trigger also changes the volume of the clap.

The module provides the new developed M-Bus connection. MIDI signals can control following destinations:

Trigger MIDI Note #39 or #82, switchable, with Velocity. Controller values for Wide, Attack, Decay and Filter.

The module has a width of 8 HP (40mm).
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 1 in stock $90.52
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quote 695607
MFB
Cat: 695604 Rel: 16 Sep 19
 
MFB-522/Tanzbar style analogue bass drum module
Notes: The Bass-522 module is based on the 522 circuit and offers a punchy attack, long decay and wider pitch range. Adjustable noise and pitch envelope have also been added.

The sound can be triggered by Gate, M-Bus and signals like piezo pickups, dynamic mics and drum pads. The Sense parameter decides the sensibility and dynamic of attack, amplitude. decay and pitch.

The following parameters are available and can be controlled by CV:

TONE dampens the attack transient.
DECAY sets the release time of the amplitude.
TUNE defines the basic pitch from around 35 to 70 Hz.
PITCH controls the amount of pitch envelope.
NOISE mixes the noise floor (no CV control).

The module offers the new developed M-Bus connector which means you can you control everything via MIDI/CV interface or the new MFB SEQ-01 Pro Drum Sequencer without additional patching. The following addresses are supported:

Trigger with Velocity - MIDI Note #35 or #36 (switchable) and controller values for Tone, Decay, Tube, Pitch and Noise Decay.

The module has a width of 8HP (40mm).
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 5 in stock $88.44
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quote 695604
MFB
Cat: 695619 Rel: 16 Sep 19
 
Analogue 24db lowpass filter - 8HP
Notes: The 24dB VCF SSI is a voltage controlled analogue low pass filter module with the new SSI2144 chip. In addition, it has a 12dB output that works either as a low pass or bandpass (+/- 12dB). There are two inputs, one with attenuator. Another CV input with attenuator is available for the cut-off frequency. The resonance is controlled either via a controller or via another CV input with attenuator.

The power consumption is +/- 30 mA. The module has a width of 8 HP (40 mm).
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 2 in stock $76.99
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quote 695619
Cat: 680752 Rel: 07 Jun 18
 
Collection of real time functions integrated with hand gestures & trigger input - 8HP
Notes: Hand is a gestural controller based on a piezo mic build in the elevated front panel.

When you tap the front panel, the audio is converted into CV and allows you to control a collection of real time functions including an LFO or envelope, a clock source and a trigger delay. It's possible to switch between LFO and envelope mode when holding the Rec button for 4 seconds.

Slew smoothes the slopes and the Rec button allows you to record the gestures for 2.22 seconds max.
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 2 in stock $74.08
Cat: 680755 Rel: 22 May 18
 
Dual vactrol based LPG/VCA module - 2HP
Notes: The Meng Qi DPLPG is a Dual Passive 1-pole vactrol based Low Pass Gate/VCA in modest 2 HP. No power is required as the design is completely passive.

Handpicked components ensure that the modules will be musical.

Feed it a trigger and enjoy the natural smooth decay of a vactrol.
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 2 in stock $66.58
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quote 680755
Cat: 690758 Rel: 27 Feb 19
 
VCA module with dedicated controls for Volume, Drive & CV input attenuation
Notes: The DTA is a low-cost, yet high quality VCA made by Manhattan Analog. The circuit was designed as a back end for monophonic synthesiser voices. If clean sound doesn't feel right in a particular moment, you can add a decent amount of dirt using the module's drive stage.

The DTA features a signal input, followed by a VCA. The circuit's volume can be adjusted manually and via CV inputs. One of the control voltage channels comes equipped with an attenuator. Thanks to an adjustable drive stage, the sound character can be varied from clean to crisp and dirty.
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 2 in stock $88.43
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quote 690758
Cat: 616113 Rel: 07 Jul 16
 
Buffered mult synth module with 2 sets of 3 outputs - 2HP wide
Notes: The 2HP Performance Buffered Mult features 2 sets of 3 outputs as well as a SWITCH for disconnecting the 2nd input to make a total of 6 outputs. It's the perfect mult solution for live performance!
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 2 in stock $66.58
Cat: 616112 Rel: 07 Jul 16
 
4 channel mixer eurorack synth module - 3HP wide
Notes: The Mix 4 Eurorack module is one of our most popular utility modules, this 3hp 4-channel mixer is the first to literally fill the odd hp gap - Harvestman users rejoice! Mix 4 also features DC coupling for mixing low frequency as well as CV.
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 1 in stock $98.83
Cat: 638093 Rel: 06 Feb 17
 
DIN/SYNC expander module in Eurorack format - 4HP wide
Notes: DIN SYNC is a 4 output expander module with selectable divide (1,2,4) for use with Malekko SYNC. Connects to SYNC via 6-pin cable (included).
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 1 in stock $53.84
Cat: 707862 Rel: 02 Jan 19
 
Drum & Filter Module with two trigger inputs 4HP
Notes: Piattino features two trigger inputs. Each of them controls an envelope with release parameter.
The system is meant to create closed and open hi-hats, except that the module doesn't really sound like a hi-hat. Often the results are more reminiscent of snares or rim-shots.

Frequency and resonance are available as sound shaping parameters. This shows that Piattino is actually a filter with a noise generator at the input.
By sending audio material to the trigger connectors, you can use the module as a VCF with extremely trashy, weirdly resonating sound.
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 1 in stock $82.19
Cat: 707858 Rel: 03 Jan 19
 
Drum & filter module with very high pitch range for rim shot 4HP
Notes: Legno is percussive instrument based around cassa design with very high pitch range for rim shot, fingers snap, high tom like sound.

Basically Cassa, Bongo and Legno are the 3 multicassa channel in eurorack format.
All the 3 module share the same design with different pitch range, cassa low range, bongo one octave higher range and legno super high range.
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 1 in stock $82.19
Cat: 707849 Rel: 02 Jan 19
 
Bass Drum & Filter Module with two trigger inputs 4HP
Notes: Cassa has two trigger inputs between which you can crossfade unsing the MIX potentiometer. So simple and so brilliant ... mix two different trigger sequences, blend between them, create fill-ins or connect a manual gate and fire some extra drums with your finger!
FREQ sets the drum frequency, RES controls decay time; at long decays the Cassa starts oscillating in an obscure way and starts screaming (no, it's no self- oscillation, that's schreaming!). DIST is a pretty wild distortion. Gabba musicians will love it!

Attention: module abuse!:
As the module is based on a filter which resonates when being "pinged" by a trigger signal at the audio input and then creates a percussive sound it's not far-fetched to inject audio signals instead triggers int othe Cassa. FREQ is cutoff frequency and RES the filter resonance, just as expected. But both act pretty unusual in this case for a filter. It phases more than it filters, the resonance roars and the distortion does the rest...
Instead of using two audio signals you might use one trigger and one audio signal - and the Cassa will indeed generate a drum and process the audio signal at the same time. Weird but possible. Instantly it was possible to generate a wobbly Skrillex simulation, read: saw mill dubstep aka "Filth".

Designed by Tonylight & Peppo Lasagna
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 1 in stock $82.19
Cat: 707854 Rel: 02 Jan 19
 
Drum & Filter Module with powerful and quite dirty sound character
Notes: Bongo comes equipped with two trigger inputs. A potentiometer allows you to crossfade between them. The sound varies depending on the level of incoming trigger signals. With just one input patched, the knob can be used as a tone control for treble attenuation. This behavior is not surprising, as the Bongo is basically a pinged filter. Accordingly, the sound shaping parameters are called frequency and resonance. The cutoff potentiometer is slightly erratic. Small changes sometimes have a huge impact on the module's sound. The resonance leads the Bongo rather early into violent self-oscillation.

The filter is followed by a distortion circuit. It not only adds dirt to sounds, but also removes a lot of bass. Very important for creating "real" bongos. Without any distortion, the results are more reminiscent of bass drums or low toms.

The inputs can not only be fed with triggers, but audio signals as well. Patched like this, the Bongo acts as a filter. The sound qualities remain the same. Depending on the knobs' positions, the sound is rough to brutal and more or less dirty.
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 1 in stock $82.19
Cat: 602205 Rel: 04 Apr 16
 
Quad attenuator, attenuverter, mixer and DC voltage source - 28HP wide
Notes: The shorter and wider brother to the popular Triatt module!

The four handy knobs can act as active attenuators (unipolar) or attenuverters (bipolar) depending on the setting of the two-position switches above each one.

Each input is normalled to a precision +5V DC voltage source. With nothing plugged into the jacks, each knob controls a voltage range of 0 to +5 v or -5 to +5 v depending on the position of the mode switch.

- 2 modes for each channel
- 5v normalled to each input
- With external signals it acts as active/buffered attenuator/attenuverter/mixer
- Each output normalled to mix into the adjacent channel on the right making it possible to do sub mixes in groups of 2, 3 or all four channels.
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 3 in stock $70.75
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quote 602205
Cat: 643383 Rel: 27 Mar 17
 
Utility module featuring Clock, Random Pulse, Analog Noise, Sample/Hold & Slew
Notes: Noise Random Tools comprises a collection of useful utility blocks that you could use in many of your patches - Clock, Random Pulse, Analog Noise, Sample and Hold, and Slew.

Features:

- Clock and Random pulse source with adjustable rate
- Analog pink and white noise source with very accurate spectrum
- Analog sample / track and hold with very low droop
- Analog slew with adjustable slew rate
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 5 in stock $97.79
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