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Cat: 716959 Rel: 29 Jan 19
 
Matrix mixer with 4 rows & 4 columns - 20HP
Notes: Module A-138m is a 4 x 4 matrix mixer with switches for unipolar/bipolar mode for each column. Unipolar means that the controls work as attenuators. Bipolar means that the controls work as polarizers. In this mode the amplification is zero in the middle position of the corresponding control. Turning the knob counter-clockwise from the centre position the signal is subtracted from the output sum with increasing amount (i.e. negative). Turning the knob clockwise from the centre position the signal is added to the output sum with increasing amount. The module is DC-coupled and can be used for both audio and control voltage mixing.
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 2 in stock $121.37
Cat: 714704 Rel: 22 Jan 19
 
Compact voltage-controlled four-channel audio mixer - 8HP
Notes: A-135-2 is a miniature version of the A-135-1. Behind a front panel with 8 HP only four linear VCAs (voltage controlled amplifiers) and a voltage controlled mixer based on the VCAs are available.

Controls, In/Outputs and Functions of each VCA:

- Level (manual control of the VCA amplification), small rubberized knob (L1...L4)
- Control voltage input with associated attenuator (CV1...CV4), for the full VCA control range about 0...+5V control voltage are required (attenuator fully clockwise), for higher control voltages the attenuator is used, the attenuators are without knobs, just plastic shafts with white marker
- Signal Input
- Signal Output
- All inputs and outputs are DC coupled. Consequently the VCAs can be used to process both audio and control voltages (e.g. to control the level of LFOs or envelopes)
- The signal input is not equipped with an attenuator. But the VCAs can process all signals up to 15Vpp / -7.5...+7.5V without clipping. In case of higher levels an external attenuator is required (e.g. A-183-1).
- The available amplification range is 0...1, the maximal amplification is 1 (i.e. it "clips" and remains at 1 even if the control voltage goes beyond the value that corresponds to amplification 1)

Functions of the voltage controlled mixers:

- Two outputs ("Selected" and "All")
- Selected output: the ouput if a VCA is removed from this sum signal when a plug is inserted into the corresponding VCA output.
- All output: sum of all VCA outputs, regardless of inserted plugs into the VCA outputs
- The maximal amplification is about 0.6 to avoid clipping at the mixer outputs (otherwise the outputs may distort with 15Vpp signals at each signal input and full amplifications)

Special functions of the voltage controlled mixers (selectable by internal jumpers):

- Dual Stereo VCA: In this case the control unit of VCA1 (L1 + CV1) affects also VCA3 and the control unit of VCA2 (L2 + CV2) affects also VCA4, the control units of VCA2 and VCA4 are out of operation
- Quad VCA: In this case the control unit of VCA1 (L1 + CV1) affects all four VCAs. The control units of VCA2, VCA3 and VCA4 are out of operation. In this mode the module has the same function as module A-132-2. That's why module A-132-2 will be discontinued.
- Normalling of the signal inputs: by means of internal jumpers signal input 1 can be normalled to signal input 2, signal input 2 to signal input 3 and signal input 3 to signal input In 4. That way the same input signal can be distributed to four different channels by means of control voltages (e.g. quadrophonic distribution of audio signals). Suitable control voltage sources are e.g. A-144 (Morphing Controller) or A-143-9 (Quadrature LFO).
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 5 in stock $121.37
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quote 714704
Cat: 717585 Rel: 06 Feb 19
 
Utility module to convert signals to Eurorack level - 6HP
Notes: The Listen IO is a simple module which gets signals in and out of a Eurorack system by converting to and from normal modular levels. The top section converts any external signal to modular levels by providing up to 30x gain (+30dB), allowing you to use table-top synthesizers, keyboards, phones/tablets, computers, toys, microphones, etc. in your patches. The bottom section does the opposite: modular signals are converted to normal line level signals. The bottom two jacks can be used as line outs or as headphone jacks, so you and a friend can listen in stereo at the same time.

Each section has two inputs and outputs for use with a stereo signal or two mono signals. An LED bar graph for each output shows the signal level and clipping.
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 3 in stock $118.23
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quote 717585
Cat: 689669 Rel: 14 Feb 19
 
Punchy kick drum module - 6HP
Notes: Kickall is a 6HP compact synth voice that features everything needed to make a big fat Kick sound: A stable VCO that tracks V/oct, a couple of VCAs, envelopes for volume and pitch and an aggressive wave shaper.

The module has been designed with a kick synthesis patch in mind: VCO to VCA with an envelope to open the VCA and another one to change VCO pitch. As addition a CV controlled waveshapper has been added to the VCO and an extra VCA at the end of the signal path to control the volume of the sound to act as kind of an accent.
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 4 in stock $220.79
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quote 689669
Cat: 690950 Rel: 25 Oct 18
 
Stereo effects processor - 16HP
Notes: Erica Synths Black Hole DSP 2, an updated version of Black Hole DSP features 24 custom effects, designed in close co-operation of Erica Synths team rider KODEK and creator of SpinCAD software Gary Worsham. Each effect has 3 manually and CV controllable parameters, manual and CV control over sampling frequency for spanning from 48kHz to really Lo-Fi crunchy sound and full analogue dry/wet control. All effect parameter settings can be saved to the memory and instantly recalled with the effect, which makes Black Hole DSP II ideal for live performances.
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 2 in stock $281.48
Cat: 736449 Rel: 15 Jul 19
 
Facilitates effects processing between eurorack, guitar pedals & electronic instruments
Notes: Want to connect outboard gear to your eurorack synthesizer without taking up valuable HP in your case? The INTRFX allows eurorack-level signals to be processed with pedals and/or outboard effects, and also allows line-level instruments to be processed with eurorack modules. Each of its three channels has an Interchange Switch to swap this mode, as well as an FX Blend parameter which can be controlled via CV. Because of its compact physical design, the INTRFX can be placed almost anywhere and connected to eurorack systems with 3.5mm patch cables rather than bulkier 1/4-in cables.

Feedback effects can be achieved by switching into the "wrong" mode, sending the FX return back into the FX send, while still allowing for dry signal blend and modulation. Channels can also be patched into one another and toggled between modes for experimental routing. Conveniently, each channel can operate as a reversed linear VCA for both audio and DC signals if no effects are used.

Whether you'd like to patch eurorack through some classic pedals or run a drum machine through your gnarliest modules, INTRFX makes these connections easy and flexible.
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 7 in stock $208.24
Cat: 719655 Rel: 03 Sep 19
 
High quality stereo digital FX for AE modular
Notes: Stereo effects processing for Tangible's affordable AE modular system. Offers a total of 15 digital effect programs with CV control over three parameters each. Can run in Eurorack via an optional adaptor frame.

Supplier notes:
The MULTIFX module offers 15 different stereo audio FX programs, a wide variety from common FX like reverb and delay to unique effects like Ring Crusher or Glitch delay. Also a nice shimmer effect is onboard.

Each program has 3 parameters that can be adjusted and additionally be CV-controlled.

With a switch the sample rate can be reduced to half the normal rate, resulting in doubling the effect times (with reverb, delay...) and introducing a nice portion of aliasing.

It is based on the FV-1 DSP chip that is well-known from other FX-modules in the Eurorack world; the MULTIFX module offers the 7 factory programs of the chip plus 8 new and unique ones created by Tangible Waves.
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 2 in stock $110.91
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quote 719655
Cat: 719686 Rel: 02 Sep 19
 
Classic wavefolder for the AE system
Notes: This module is based on a design used also by Ken Stone for his CGS system; the original circuit dates back to a publication from 1973.

Basically, the WAVEFOLDER clips and folds the incoming waveform; usually, waveforms with little overtones (like triangle or sinewaves) are used as input. In general, by the clipping and folding, the signal enriches the input signal with more overtones.
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 2 in stock $34.01
Cat: 719650 Rel: 03 Sep 19
 
Analogue 16-step CV sequencer
Notes: The SEQ16 is a 16-step sequencer for controlling oscillator pitch and triggering envelopes.

Compared to "classic" analogue sequencers it works a bit different: Instead of setting the CV for each step independently (which means in fact "tuning" each step which can be a bit tedious), the SEQ16 has 5 knobs for pre-setting different CV's (= notes); each of the 16 step knobs selects one of these CVs, plus 0V (=base note) plus Pause (no trigger output). So some CVs have to be fine-tuned once; with the step knobs you can focus entirely on the sequence itself and you can even modify it on the fly, still remaining in tune.

An additional feature is "accent"; this can be set for each step by turning the knob fully clockwise. If a step is set to "accent", a separate trigger output is set and also a gate repeat for the regular gate output can be selected (from one to eight repeats).
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 1 in stock $86.84
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quote 719650
Cat: 742228 Rel: 05 Sep 19
 
Low pass filter, VCA & distortion with brass touchpoints - 14HP
Notes: The 100 Grit is a touch-controlled distortion unit inspired by the output section of a vintage synthesizer. Sonically it can range from subtle tone shaping to complete sonic obliteration depending on the positions of the knobs and output chosen
.
The 100 Grit consists of a low pass filter, VCA, and distortion section with 8 touch points, voltage control overdrive, resonance, and frequency, along with a plethora of feedback paths allowing it to operate as a hands-on performance instrument with or without any input.

The touchpoints enable touch-controlled resistive patching between the cv points (gain, frequency, and resonance), sensitive points in the distortion circuit, and different distortion outputs for a mix of touch-controlled audio rate modulation and crackle box-like noise freakouts.

The low pass filter is a 24dB self-oscillating transistor ladder type with a jumper selectable resonance compensation scheme allowing more bass and volume at higher resonance settings.

The VCA is an OTA based circuit, which when pushed past 75% will impart a soft distortion characteristic, turning a triangle wave into a sine before being finally driven into a square wave close to max. If the levels are kept lower it is a reasonably clean vintage-style output section.

The distortion circuit is driven by the VCA, allowing for a voltage controlled gain amount and goes from heavy to extreme, especially when the x100 gain switch is engaged or the various self-modulation/feedback paths are utilized. The circuit is loosely based on a headphone amplifier circuit cranked into instability and self-oscillation.

Each Audio and CV input is normalized to a different feedback path, allowing for wild, self-oscillating distortions and extensive tone control with no external CV applied, or full control from external sources.
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 1 in stock $266.84
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quote 742228
Cat: 731216 Rel: 18 Jun 19
 
4 variable waveshape operators for linear FM synthesis - 30HP
Notes: Implementing frequency modulation synthesis completely from scratch in firmware, the Quad Operator is able to provide a modern take on frequency modulation synthesis.

- One knob per function design for true ease of use
- Any FM algorithm is possible via modulation matrix
- The Algo expander provides algorithm save/recall and crossfading capabilities
- Independent output per operator
- Virtual VCA per operator for both animating modulation and output volume control
- Includes a dedicated "AR FM" input with its own modulation sends, designed to bring an audio rate signal in from your rack for use as a modulator. Try processing a phase locked operator, and feeding it back in!
- Each operator can also be unlocked then tuned and patched independently, making the module a great general purpose oscillator bank
- Convincing digital emulation of classic analogue waveshapes - sine, triangle, square, and saw
- An LFO mode, enabled the generation of phase locked, complex modulation signals
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 3 in stock $434.25
Cat: 731217 Rel: 18 Jun 19
 
Expander for Quad Operator's algorithm functionality - 4HP
Notes: Where the unexpanded Quad Operator maintains a one knob per function design discipline, we nevertheless recognized the value of some more advanced algorithm-oriented functionality.

The Algo expander for the Quad Operator provides:

- Saving and loading of modulation send knob positions for FM algorithm design reuse

- Crossfade between pairs of saved algorithms, or a saved algorithm and the live knob positions
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 2 in stock $91.03
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quote 731217
Cat: 739060 Rel: 29 Jul 19
 
Dedicated jack expansion module for use with the Stereo Out 1U module
Notes: 1/4" TRS jack panel in 1U for the Stereo Line Out 1U module.

If you don't own an Intellijel case with built-in compatible 1/4" jacks, then you need to purchase a Stereo Out Jacks 1U module, which connects via ribbon cable to the Stereo Line Out 1U module to provide 1/4" TRS output jacks for interfacing with other studio or stage gear.
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 1 in stock $23.81
Cat: 708032 Rel: 29 Oct 18
 
Seven channel mixer with classic analogue sound - 3HP
Notes: MIX7 is a seven channel analogue summing mixer module for Eurorack. It is designed for summing any of the different types of signals you'll find in a modular system: Audio, CV, Triggers, or Gate.

MIX7 gives ability to sweeten your mix with more headroom using the power of low noise analogue summing. A compact 3HP Eurorack utility module, MIX7 is an attractive mixing addition to any rig, especially with the ability to also combine rhythms, note patterns or CV automations from different control sources. The main output of one section can be connected to the input of another MIX7 to create larger mixing groups and complex signal routes inside your modular.

The MIX7 summing mixing circuit is built with low-noise operational amplifiers, giving it an excellent sound quality for mixing audio, the beautiful texture of classic analogue mixing with plenty of headroom to handle hot modular signals, and the versatility to sum non-audio signals in your system to open up new creative possibilities.

Each input is labelled with a number of dots, 1-7, yellow for input and green for output. The module matches Tiptop's system look with clean white faceplate styling.

At the back of the module is a user-configurable jumper allowing users to configure the MIX7 for either unity gain (OUT = IN) or give increased headroom (OUT = 0.4IN) for use with hot audio signals, which makes it a great pairing for Tiptop Audio percussive modules. A peak indicator light on the front panel warns the user of even the slightest audio clipping in the mix, helping to keep all the incoming sound sources at their full original quality.
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 2 in stock $87.89
2hp
Cat: 706868 Rel: 15 Oct 18
 
Voltage controlled multi mode filter
Notes: MMF is an analogue, multimode filter with a 12dB per octave slope. Its sonic character swings all the way from classic low pass to squelchy acid lines. Simultaneous outputs of low pass, high pass, and band pass filter types are provided allowing for many variations of the input signal. Whether you're looking for smooth and creamy, or resonant and wild, MMF can go there.
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 1 in stock $102.54
2hp
Cat: 709206 Rel: 05 Dec 18
 
Compact sampler featuring Micro SD slot for easy sample loading - silver faceplate
Notes: Play is a high-fidelity sample player with a full feature set.

Up to 32 samples can be loaded at a time and dynamically switched between using the file knob and associated CV input. Playback modes include one-shot, looping, or gated playback; all with extremely low latency. Transform your samples by pitching them up two octaves or down three octaves, all with a pitch knob that can be free running or quantized to semitones. The pitch CV input tracks volt per octave across its entire range and allows for musical sequencing of samples. Play ships with a pre-loaded SD card packed with loops, drum hits, and field recordings to get you up and running immediately.
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 2 in stock $134.98
2hp
Cat: 714254 Rel: 17 Dec 18
 
Compact physical modelling synth module featuring Karplus-Strong based algorithms - 2HP
Notes: Pluck is a physical modelling synth voice. It uses the Karplus-Strong algorithm to create plucked string sounds. The dampening control sets the size of the string and allows for dramatic timbral shifts.

The decay control changes note length from percussive transients to infinite harp sounds. In addition, four voice polyphony provides complex layered tones; all from a single sound source.

Strum a new chord with Pluck.
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 1 in stock $133.93
2hp
Cat: 725427 Rel: 03 Apr 19
 
Melodic percussion generator
Notes: Bell is a melodic percussion generator based on modal synthesis. By synthesizing the vibrations of complex geometric shapes, Bell provides a simple interface for creating metallic sounds that can both emulate acoustic instruments, and defy physics. Its sonic palette includes numerous physical models that span the range of vibraphone, marimba, glockenspiel and Tibetan bowls. In addition, damping allows for the articulation of all voices, and enables drastically changing the tone of your patch with a single knob turn.

It's time to ring your Bell!
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 4 in stock $144.40
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quote 725427
Cat: 688775 Rel: 31 Jan 19
 
Flexible five stage function generator - 19HP
Notes: The 'Quaid Megaslope' is a five stage function generator or modulator which operates in one of 3 modes; a multistage 'CZ' or 'Juno' style complex envelope, a super flexible LFO and a step sequencer with per step programmable slew or slides.

Each mode produces a varying output voltage moving from point to point across a set number of chained together stages. Each stage features a destination level, an overall rate or time to reach its destination level and a variable slope for the output path to take. As well as direct control, every stage feature voltage control of both level and rate. There are both unipolar and bipolar voltage outputs together with triggers emitted for the end of each stage and the end of a full cycle.

The Quaid Megaslope is designed to be fun, flexible and intuitive to use.
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 2 in stock $223.92
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quote 688775
Cat: 734878 Rel: 09 Jul 19
 
Quad precision VCO - 18HP
Notes: A-111-4 contains four precision VCOs and has individual controls, inputs and outputs for each VCO available as well as a common control and output unit. After all the A-111-4 is very similar to four A-111-3 without LFO mode but built in output mixers for the three waveforms, and a master unit for all four VCOs.

Controls, inputs and outputs for each of the four VCOs:

- 1V/Octave CV input
- Octave switch (+1 / 0 / -1 octave)
- Tune control (range internally adjustable by jumpers: ~ 2 semitones / ~ 1 octave / ~ 4 octaves)
- Modulation CV input
- Modulation destination: Upper position: exponential frequency modulation (XM) / Lower position: linear frequency modulation (LM) or pulsewidth modulation of the rectangle (PM), selectable via internal jumper
- Frequency Modulation (FM) or Pulsewidth Modulation of the rectangle (PWM)
- Modulation intensity
- Triangle output
- Sawtooth output
- Rectangle output (about 50% without external PWM)
- Sync input (hard or soft sync internally selectable via jumper, CEM3340 hard sync type)
- CEM3340 based VCO (triangle core)
- Each VCO has it's own separate internal +/- power supply for each for best stability and the prevention of unwanted synchronisation of the VCOs

Controls, inputs and outputs of the master section:

- 1V/Octave CV input
- Octave switch (+1 / 0 / -1 octave)
- Tune control (range internally adjustable by jumpers: 2 semitones / 1 octave / 4 octaves)
- Frequency Modulation CV input (FM)
- FM intensity
- Triangle sum output
- Sawtooth sum output
- Rectangle sum output
- As soon as the single waveform output of a VCO is patched this waveform of the VCO in question is removed from the sum (this function can be turned off for each single output socket by means of solder bridges on the pc board, i.e. the sum contains then all signals independent of the patching of the single output)
- CV output (outputs the sum CV that is used to control all four VCOs)
- Bus CV (via jumper, optional, please remove the bus jumper if this feature is not used to avoid unwanted frequency modulation as then the unused CV line of the bus works as a kind of antenna)

Typical applications:

- Fat sounding monophonic VCO with the possibility to adjust any intervals
- Paraphonic patches in combination with the polyphonic CV interface A-190-5 (all four VCOs processed by one VCF/VCA)
- Full polyphonic patches in combination with the polyphonic CV interface A-190-5 and four complete VCF/VCA sections
- Complex VCO patches with up to four VCOs by means of the frequency modulation features (exponential an linear) and the sync functions
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 2 in stock $417.39
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quote 734878
Cat: 716922 Rel: 29 Jan 19
 
Dual crossfader module for voltage controlled morphing between two audio or CV signals
Notes: Module A-134-2 contains two identical voltage controlled crossfader units.

Each unit has two voltage controlled amplifiers (VCAs) with opposite control behaviour available. The outputs of the two VCAs are mixed together to obtain a common output. The behaviour of the control voltage inputs can be chosen with an internal jumper:

Symmetrical mode: If the corresponding jumper is not set both VCAs of the crossfader have the same 50% amplification with zero CV. If the applied CV becomes positive the amplification of VCA1 decreases and those of VCA2 increases in the same way. A negative CV has the opposite result. The CV voltage range to obtain the maximum/minimum positions of the crossfader is about -2.5....+2.5V. This mode is useful for bidirectional (i.e. positive and negative) control voltages, for example LFO or joy stick (adjusted to 0V CV in centre position).

Asymmetrical mode: If the corresponding jumper is set VCA2 is fully closed and VCA1 has full 100% amplification with zero CV. If the applied CV becomes positive the amplification of VCA1 decreases and those of VCA2 increases in the same way. The CV voltage range to obtain the maximum/minimum positions of the crossfader is about 0...+5V. A negative CV has no function in this mode. This mode is useful for unidirectional (i.e. only positive) control voltages, for example ADSR, ribbon controller or Theremin control voltage.

The CV input of the upper unit (CV1) is normalled to the CV input of the lower unit (CV2). I.e. if no plug is inserted to CV2 the CV input of the upper unit (CV1) also controls the lower unit.

The second signal input of the upper unit (In1B) is normalled to the first signal input of the lower unit (In2A). I.e. if no plug is inserted into In2A the signal In1B is used as the first signal input of the second unit.

As the inputs and outputs are DC coupled the module can be used for both audio and control voltage signal processing.
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 1 in stock $69.05
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quote 716922
Cat: 731940 Rel: 11 Jun 19
 
Compact two-channel VCA - 4HP
Notes: Module A-130-2 is the slim version of module A-132-3 and offers essentially the same features. But the distances between the controls are smaller and rubberized small-sized knobs are used. In return the front panel has 4 HP only which is half the width of the A-132-3. The module is primarily planned for applications where only limited space is available.

The module is composed of two identical voltage controlled amplifiers (VCA). Each VCA has a manual gain control (also named Initial Gain) and a control voltage input with attenuator. The character of the control scale can be switched to linear or exponential. All inputs and outputs are DC coupled. Consequently the VCAs can be used to process both audio and control voltages (e.g. for voltage control of the level of LFO or envelope signals). The signal input has no attenuator available but is capable to process up to 16Vpp signals (i.e. -8V...+8V) without distortion. For the processing of higher levels an external attenuator (e.g. A-183-1) is recommended.

The amplification range is 0...1. Even with a higher external control voltage the amplification remains at 1 (kind of "amplification clipping" at 1).

Controls (for each of both units):

- Gain: manual gain control (Initial Gain) in the range 0...1
- CV: attenuator for the CV input
- Lin/Exp: switches the VCA characteristic to linear or exponential, in center position the VCA is off (mute function)

Inputs and outputs (for each of both units):

- CV: control voltage input, min. +5V required for max. amplification (1) with CV control fully CW and Gain fully CCW
- In: signal input, max. 16Vpp (+8V...-8V) without distortion
- Out: signal output
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 2 in stock $75.33
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quote 731940
Cat: 577779 Rel: 14 Jun 19
 
Passive multi-port distributor - 2HP
Notes: 2HP narrow version of the A-180 multiples module. It is a passive signal splitter suitable for audio or CVs. Two sets of four jacks are interconnected, by placing a solder bridge you can connect all eight jacks.
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 1 in stock $36.61
Cat: 716933 Rel: 29 Jan 19
 
Generates four phase shifted copies of a VCO signal applied to the audio input
Notes: Module A-137-2 is another version of a wave multiplier. In contrast to the A-137-1 Wave Multiplier I, the A-137-2 generates four phase-shifted copies of a VCO signal applied to the audio input. The four shifted signals are added to the original signal to obtain a fat sound similar to five independent VCOs. The phase shifting is made by a simple circuit that works only for sloped signals like sawtooth, triangle or sine, but not for rectangles or pulses.

The audio input signal (typically a sawtooth, triangle or sine wave from a VCO) is compared with a slowly varying control voltage (CV Shift In). The output of the comparator is a rectangle wave with variable pulse width. When the output of the comparatur is added to the input signal (a sawtooth in the example) with the correct level relation between both signals one obtains a phase shifted sawtooth. The left picture shows the incoming sawtooth wave on top. The two horizontal dashed lines (blue and orange) indicate two different comparison levels. Below the incoming sawtooth the two resulting comparator outputs (rectangle waves) and the two resulting shifted sawtooth waves are shown. It is not a "real" phase shift but an algebraic function. But the result is virtually the same. One could obtain the same function even with several comparator modules A-167 and mixers A-138a/b or polarizing mixers A-138c. But this would require a lot of modules.

The module has available four manual shift controls and four control voltage inputs with attenuators for the four internal shifting circuits. Typical sources for these inputs are LFOs, VCLFOs, random voltages, envelope generators, sequencers or other control voltage sources. Internally eight single outputs are available at single pins: the four shifted signals and in addition four rectangle outputs. A corresponding breakout module with eight sockets is in the planning stage and will be released provided that there are sufficient inquiries. The original signal and the four shifted signals are equipped with internal jumpers. If external toggle switches are used instead of the jumpers each of the 5 signals can be turned on/off individually.

The audio input is equipped with an attenuator to adjust the level for the right summation of the original and the comparator signals (as described above).
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 2 in stock $76.38
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quote 716933
Cat: 690948 Rel: 19 Sep 18
 
Synth voice module for ultimate acid basslines - 14HP
Notes: Erica Synths Bassline is fully analogue synth voice module for ultimate basslines and leads.

It features AS3340 VCO with three waveforms, a filter inspired by Erica Synths Acidbox and unique features - transistor based suboscillator and two BBD lines that emulate VCO detune creating a sound of massive polysynth from one oscillator.

Accent provides more expression to the bassline, by adding volume and opening the VCF slightly.
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 1 in stock $313.91
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quote 690948
Cat: 732833 Rel: 25 Jun 19
 
stereo delay module
Notes: Erica Synths Black Stereo Delay is a hi-fi stereo delay with lot of unique features, based on our custom DSP engine. Developed in collaboration with Tim Pechersky aka TeemKaa of Useful Circuits. Tape, digital and ping-pong modes of delay, hold with overdub and delicate delay time and feedback control in combination with CV and trigger control over various parameters make this module not only great effects unit in your modular system, but also - an instrument on it's own.
Features:
" Stereo delay with adjustable delay time
" Tape, digital and ping-pong delay modes
" Tap and clock synchronization of delay time
" Reverse delay mode
" Hold mode (samples up to 20" of audio) with Add (overdub) feature
" Trigger control over Hold, Add and Reverse
" CV control over delay time, dry/wet mix and feedback
" Feedback path soft limiting compression
" Add to hold soft limiting compression
" Adjustable stereo delay spread
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 1 in stock $312.88
Cat: 741570 Rel: 29 Jul 19
 
Dynamic rhythm generator module
Notes: Integra Funkitus takes up to four input rhythms and combines and modifies them into rhythm outputs. There are three modes: two based on probability and one on generalized logic combinations.

Feed up to four rhythms from a rhythm module (such as Numeric Repetitor) into the inputs.

Connect the gate outputs to percussion modules, then turn the knobs to control how the rhythms are combined and modified.

Size: 8HP Eurorack
Depth: 1 Inch
Power: 2x5 Eurorack
Draw +12V: 50 mA
Draw -12: 5 mA
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 3 in stock $230.20
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quote 741570
Cat: 702204 Rel: 19 Oct 18
 
Dedicated drum mixer with a compressor - 14HP
Notes: Erica Synths Drum Mixer with extended headroom and a dedicated drum compressor of unique design keeps each drum sound clearly distinguishable and adds power to the final mix. Bonus feature - effects send output allows to apply external effects to the signals on the first three inputs. LEDs next to each input give visual feedback on the signal level.
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 1 in stock $196.72
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quote 702204
Cat: 732846 Rel: 22 Jul 19
 
White noise generator - 3HP
Notes: Erica Pico Noise is a versatile noise and percussion sounds source. It consists of white a noise generator, a resonant VCF to generate various colours of the noise - from extremely dark ones to high pitched resonant sweeps and a VCA/decay envelope generator combination to create range of percussion sounds to emulate hi-hats, cymbals and even sine tone-based percussion, when the resonance is full up.
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 2 in stock $132.88
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quote 732846
Cat: 712709 Rel: 10 Dec 18
 
Distinct topology digital/analogue cymbals module - 10HP
Notes: Erica Synths Cymbals is a distinct topology digital/analogue module, where cymbal samples are passed through AS3330 based VCA and controlled via envelope generators of unique design. The module features 10 sets of custom Crash and Ride cymbal samples with Tune control and individual Decay control. Accent and CV control over Tone and Decay allow you to create lot of variations in the Cymbals track. An extra feature is sample looping - when it's on, a certain part of the sample is looped while the envelope decay is on, thus creating a distinct, delay-like effect. Cymbal samples are developed by producer and musician Nero Bellum.
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 1 in stock $199.86
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quote 712709
Cat: 731930 Rel: 21 May 19
 
analogue synth module with simultaneously waveform outputs
Notes: Fusion VCO2 is a full analogue sound source with lots of distinct features.

The core of the module is highly stable AS3340-based VCO with three simultaneously available waveforms, transistor-based suboscillator and detune function - two BBD delay lines that make frequency shifter that is mixed back to the principal oscillator in order to emulate two detuned VCOs. Tube crunch - distinct tube overdrive - is added on the top of the mix. Furthermore, Audio input mixes an external audio signal with the principal oscillator which results in crazy sonic experience. Fusion VCO2 is exactly what you need, if you wish to get really low frequencies and have a sound that sets your modular system apart from mass!

Features:
" Full analogue design
" Great tracking over 8 octave range
" Detune function for thickening the sound
" -1 oct transistor based suboscillator
" Tube overdrive circuit
" External audio input
" VCO synchronization
" Simultaneous waveform outputs
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 2 in stock $326.47
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quote 731930
Cat: 705246 Rel: 08 Nov 18
 
Lo-fi oscillator featuring low-frequency basses, metallic drones & scratchy digital timbres
Notes: Ataraxic Iteritas is a 10HP voice based on the original Ataraxic Translatron but beefed up with loads more features and tonal controls. AI starts with one of three bit tables shaped via variable interpolation that is then scrolled through, amplitude modulated, folded, and distorted by the CV-controllable front panel controls. Subby basses, metallic drones, unrelentingly digital timbres and more are all to be had from the AI.
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 1 in stock $312.87
Cat: 737960 Rel: 21 Aug 19
 
All-analogue dual stereo crossfader - 6HP
Notes: Stereo patching is becoming more common each day in the Eurorack Modular Synth System and we here at the shop are performing out a ton. Over the past couple years we consistently felt the need for a simple crossfader module that would allow users to switch between two stereo sources, add a stereo effect path, or easily mix a mono source with a stereo one. AXYS was born from this need.

Each crossfader features stereo inputs with normalling for mono to stereo uses as well as independent CV control. Control both crossfaders with one CV easily and decide how the Y will react to X's CV.

Easily transition between two performers similar to a DJ transitioning between decks with one channel and add some master buss effects with the other. Use one channel for adding stereo effects and the other to dial up some nice parallel compression. Perfect for live performance and momentary effect blasts. A simple easy to use module with tons of uses.

All analogue signal path keeps your tone intact and sounding the way you intended it to.
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 3 in stock $234.40
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quote 737960
Cat: 708115 Rel: 22 Jan 19
 
MiniMod Glide + Noise, combining two Minimoog circuits in one module - 6HP
Notes: The original MiniMod Glide +Noise module was based exactly on the original Minimoog Model D circuitry, which was designed to be used with the built in Model D keyboard, and because of its vintage design its range was severely limited to 5 or 6 octaves, and it also responded to positive voltages only. Another limitation was that it would not return fully to zero when selecting long glide times, which restricted the range even more.

So we made the decision to re-design the MiniMod Glide + Noise using modern precision parts, and we have come up with an all new circuit which has exactly the same function, but with a hugely extended range. It has the same Glide slope characteristic (a slightly curved Linear Glide) as the Model D on which the MiniMod is based, however in response to many requests from customers we have adjusted the glide up and down speeds so that they are now very similar , which is much more useful in real world applications that the earlier MK1 version which (like the Model D) would glide up considerably faster than it would glide down.

The new Mk2 MiniMod Glide Noise module now has an impressive 14 octave range, and can respond to negative voltages down to -5V. This is a very useful feature, as our MiniMod VCO's will respond to negative control voltages and produce correspondingly low frequencies; so it is now possible to glide down quickly or slowly to crazy sub bass levels! The hold feature has been improved too, it covers the full audio range as well as DC control voltages, and works as a track and hold module with Eurorack signal levels.

A further enhancement is that the Mk2 module can now (using selectable jumpers) transmit or receive pitch CV to the Eurorack power bus; for example, the Glide CV Output can now be directed to the Bus in order to send CV's to (for example) three VCO's via the bus without the need for a passive multi and four patch cords!

The Noise section of the module is unchanged, except that we have slightly boosted the level of the Red Noise output to bring it more in line with Eurorack control voltage levels.

Lastly, it is much shallower - Mk1 Glide Noise had a depth of 54mm, and it was the only MiniMod module that was too deep to fit a skiff style case - and this prevented a full MiniMod system being installed into a shallow Eurorack case. The new MK2 version is only 28mm deep, so this allows both it and a full MiniMod system to be mounted into shallow skiff style Eurorack cases.

Dimensions: 6HP wide, 26mm Deep
Current draw: 36mA Positive, 38mA Negative
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 1 in stock $177.88
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quote 708115
Cat: 708087 Rel: 23 Jan 19
 
Sample & Hold, Track & Hold, Gated Slew, Clock & Noise generator - black, 12HP
Notes: A real powerhouse module that takes up only 12 HP of rack space. It can generate random and pseudo random control voltages, staircase waveforms, deliberate aliasing of audio signals, portamento type effects, adjustable audio range noise and has many other uses too.

It can be switched between Sample & Hold or Track & Hold modes, and the unique "Restrict" control affects the way the hold output changes with respect to the current input level and previously held output level. With the control fully off the unit behaves just like any other S/H, but at fully clockwise the output is restricted to move by only a small amount after each new sample. The output will still have the same range as the input, but will need more hold commands to get there. This versatile Sample and Hold circuit was designed by Tony Allgood, and is built under licence from Oakley Sound.

The Sample Hold & Slew module also includes a very well featured Slew generator, which includes a Gated Slew function. It can be used independently or chained with the S&H module. Slew mode can be switched between Linear or Exponential Slew types. There is a Gate input, so that the Slew on/off can be switched using an External CV (Gated Slew), and also the Slew control logic can be reversed by a toggle switch that doubles as a manual Slew on/off switch. In addition, it has slew up only, slew down only or slew up and down modes, which are selected with a three-way toggle switch. An indicator LED lights when Slew is active

There is also an inbuilt analogue Noise generator, which is normalised to the input of the Sample and Hold section, and there are both regular and clipped Noise outputs - the Clipped Noise is particularly useful with the sample and hold section, as it is weighted to produce higher random voltages. Both Noise outputs are fed through an internal "Noise Colour" control - at centre position it allows the noise through unfiltered, turning the control anti-clockwise introduces low pass filtering of the Noise, and rotating it clockwise introduces high pass filtering. The Noise source itself is based on an analogue band gap shunt regulator configured in avalanche mode, and it generates white noise with a gradual roll off above 8kHz. It is a little "grainier" in character than the noise from our MiniMod Glide & Noise module (which uses a reverse biased transistor as a noise source), so is a useful compliment to this module as it does not generate exactly the same sounding Noise

Lastly, it includes a wide range clock generator with a rate LED. The range is from one cycle every thirty seconds to around 2 kHz and the clock output is normalised to the Clock Input of the S&H section. It also has a Clock Out jack so that it can be externally patched to other Eurorack modules.
Dimensions: 12HP wide, 26mm Deep
Current draw: 55mA Positive, 40mA Negative
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 1 in stock $194.62
Cat: 725423 Rel: 19 Mar 19
 
Multi-dimensional signal processor with stereo inputs & outputs
Notes: Prism is a multidimensional signal processor that creates a framework for the spectral metamorphosis of any input signal. This stereo audio buffer can be navigated through on 3 axes, each of which provides a different sonic journey through its array of time based controls.

The X and Z planes are home to a flexible delay line capable of long clocked delays, slapback echo, or comb filtered vocoder-esque timbres. On the Y axis is the decimate control. This sets the audio fidelity of the buffer by manipulating the sample rate and bit depth of the output. A state variable filter with configurable low pass, high pass, and band pass outputs can be enabled at the beginning or end of the signal chain providing yet another dimension of spectral transformation. And thanks to its digital architecture, the current buffer contents can be locked in place with the Freeze control, creating glitch and beat repeat effects which can be synced to an external clock source.

The Prism blurs the lines between DSP effect, filter, and looper and transcends into a new realm of uncharted audio processing.
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 2 in stock $230.20
Cat: 719694 Rel: 02 Sep 19
 
LFO module
Notes: The LFO module generates modulation voltages mostly below the audio range; this module offers:

- PWM modulation for the Pulse out
- RATE knob for controlling the frequency
- SLOW/FAST switch for two frequency ranges; with FAST the rate can go into the lower audio range
- Triangle/Sawtooth switch; changes the waveform of the output
- PULSEWIDTH knob, this sets the pulsewidth of the according output
- Control LED for sawtooth/triangle and for pulse
- Three separate output signals: Square (even duty cycle), TRIANGLE/Sawtooth, Pulse
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 1 in stock $30.34
Cat: 719701 Rel: 02 Sep 19
 
Dual hybrid oscillator
Notes: The 2OSC/d module contains two 1V/octave hybrid oscillators. Each of them features:

- One frequency knob plus a range switch +2 octaves
- CV input (1V / octave)
- PWM input
- SYNC input
- Sawtooth/Square/Sub-octave output

The pulsewith knob controls either the pulsewidth of the first oscillator (with the second one having a fixed pulsewidth), or via a switch the second oscillator is also controlled by the pulsewidth knob. Both oscillators can be pulsewidth-modulated independently by their PWM inputs.

The module is designed as a hybrid digital/analogue module; the oscillator frequencies are determined digitally and are therefore quite stable and have a good tracking; the output wavefom itself is created analogue. It's a new idea/concept that I have implemented here; the design causes the waveform to get a bit gritty at higher frequencies (but not "digital noise") - it's the character of this thing!
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 1 in stock $46.03
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quote 719701
Cat: 739134 Rel: 16 Jul 19
 
Random looping sequencer - silver faceplate, 12HP
Notes: Permutation is a set of random sequencers that use a digital shift register to generate unpredictable CV and gate patterns that can be locked into repeating loops. The concept is based on the Turing Machine, an open source module designed by Tom Whitwell.

Permutation retains the core functionality of the Turing Machine while adding new features such as dedicated outputs for each bit of the shift register, CV inputs for all parameters, and an internal bipolar VCA. Locked sequences are also saved across power cycles.
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 1 in stock $223.92
Cat: 739138 Rel: 16 Jul 19
 
Voltages expander for Permutation - silver faceplate, 6HP
Notes: Variant is an expander module based on the original Voltages expander for the Turing Machine. Variant adds two additional bipolar CV outputs (with modulation inputs) that are derived from Permutation's gate sequence.
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 1 in stock $87.89
Cat: 742229 Rel: 05 Sep 19
 
Low pass filter, VCA & distortion with brass touchpoints - 14HP
Notes: The 100 Grit is a touch-controlled distortion unit inspired by the output section of a vintage synthesizer. Sonically it can range from subtle tone shaping to complete sonic obliteration depending on the positions of the knobs and output chosen
.
The 100 Grit consists of a low pass filter, VCA, and distortion section with 8 touch points, voltage control overdrive, resonance, and frequency, along with a plethora of feedback paths allowing it to operate as a hands-on performance instrument with or without any input.

The touchpoints enable touch-controlled resistive patching between the cv points (gain, frequency, and resonance), sensitive points in the distortion circuit, and different distortion outputs for a mix of touch-controlled audio rate modulation and crackle box-like noise freakouts.

The low pass filter is a 24dB self-oscillating transistor ladder type with a jumper selectable resonance compensation scheme allowing more bass and volume at higher resonance settings.

The VCA is an OTA based circuit, which when pushed past 75% will impart a soft distortion characteristic, turning a triangle wave into a sine before being finally driven into a square wave close to max. If the levels are kept lower it is a reasonably clean vintage-style output section.

The distortion circuit is driven by the VCA, allowing for a voltage controlled gain amount and goes from heavy to extreme, especially when the x100 gain switch is engaged or the various self-modulation/feedback paths are utilized. The circuit is loosely based on a headphone amplifier circuit cranked into instability and self-oscillation.

Each Audio and CV input is normalized to a different feedback path, allowing for wild, self-oscillating distortions and extensive tone control with no external CV applied, or full control from external sources.
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 1 in stock $273.10
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quote 742229
Cat: 717728 Rel: 25 Jan 19
 
Precision calibrated analogue VCA - 4HP
Notes: The Tiptop Audio VCA is a full featured, precision calibrated, analogue Voltage Controlled Amplifier. At its heart is a novel design of a control circuitry - a function that lets you sweep continuously through three different response curves: Logarithmic, Linear, Exponential - giving you all three shapes in a single module. This special control circuitry design by Mr. Osamu Hoshuyama was adopted into the VCA module to make it a great sounding synthesizer VCA with flexibility to address all duties: level control for both audio and CV modulation, gating audio into silence, and amplitude modulation effects.

A VCA, Voltage Controlled Amplifier, sometimes referred to as an audio gate, is an essential module to any Eurorack and no system is complete without one. The concept is an input, an output and a control that sets how much of the input signal passes through to the output.

A great VCA means minimum feedthrough of the control signal bleeding into the passing signal and minimum distortion applied to the passing signal. An excellent audio gate means minimal leakage of signal from IN to OUT when the control tells the VCA to fully close. These are the most critical conditions for a good sounding, good responding VCA and are what the Tiptop Audio design carefully addresses. 2 LED peak indicator lights on the front panel light up with incoming CV or audio signals. While a clipping indicator for audio is expected, clipping of CV is often overlooked and it's included here to visually maintain the full dynamic range of an envelope driving the VCA.

The Tiptop Audio VCA lets you concentrate on creative uses rather than figuring out the module's anomalies. The result is an excellent sounding synthesizer VCA that's a joy to use and pleasing to hear.
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 2 in stock $104.63
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quote 717728
Cat: 725794 Rel: 15 Apr 19
 
10HP Eurorack CV modulator module
Notes: MISO is a multipurpose utility module, a laboratory for synthesizing control voltage signals and audio. MISO combines multiple CV tools into one module for making complex CV shapes at the output stage. The name comes from the four main functions available: Mix, Invert, Scale, and Offset.

MISO's 2 sections (1/2 IN and A/B IN) are identical. Each section has two inputs that can be used to Mix signals, Invert polarity/shape, Scale magnitude and Offset voltage. Each function can be used independently or simultaneously with the total shape summed to the mix output.

At the centre of the module is another processor, an accurate smooth linear voltage-controlled crossfader that mixes equally between the outputs of the top and the bottom MISO sections. Feed the MISOs with envelopes, LFOs, Sequences to create new shapes and then crossfade them manually or with CV using the centre section for even further complexity of shapes and animation of control signals. Crossfade between the waveforms of a VCO or audio samples with CV for more motion.

There are an endless number of ways to patch MISO with unexpected and inspiring results. MISO is the kind of module that gives modular synthesizers its incredible replay value, rewarding hours of creative explorations and its experimental and non-traditional mixing.

MISO offers a lot in a small comfortable module that matches Tiptop's system look with clean white faceplate styling. A red/yellow indicator light next to each section makes it easy to see signals and visualize polarity.
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 3 in stock $84.89
Cat: 704130 Rel: 01 Oct 18
 
Multimode filter based on the Steiner-Parker design - 8HP
Notes: Welcome to the Forbidden Planet, an all analogue multi-mode filter design influenced by the 1975 Steiner-Parker Synthacon model. Control the Forbidden Planet manually or through CV and take the sound of your Eurorack into new orbits.

Forbidden Planet has three filter input jacks: High Pass, Low Pass and Band Pass. The High Pass section is this module's signature sound - a crisp sharp-cut with no residue, designed to add High Pass filtering capability to Tiptop Audio's wide range of Eurorack modules. Send a throbbing kick drum through the High Pass section and filter out the rumbling lows while maintaining the pulse of the beat. The Bandpass is clear and useful in isolating a pie-slice-range-of-frequencies while cutting off the low and highs, great for accurate sound design or sculpting audio into that sweet spot. The Low Pass is an airy classic 12db two-pole analogue slope ideal for monophonic synth patches and filtering down to the essential low-end bass we all love.

The Forbidden Planet Resonance utilizes an internal feedback path which can sound smooth or aggressive depending on the knob setting. At a low setting, it emphasizes the cut-off harmonics, at middle settings it begins to self-oscillate, and towards maximum setting it forms interesting tones and all sorts of chopped grainy bits of self-oscillation perfect for entering into a sci-fi world.

The Forbidden Planet is an impressive multi-mode analogue filter which adds a broader filter spectrum to the Tiptop Audio modular family and unlocks forbidden creative possibilities in a small package.
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 5 in stock $104.63
Cat: 718062 Rel: 18 Feb 19
 
2-channel quantizer & step sequencer - 8HP
Notes: Scales is an 8hp dual-channel note quantizer and step sequencer. Fundamentally, it takes an input voltage, quantizes it to notes in a user-defined scale, and sends that quantized voltage to an output, where you can use it as a melodic pitch source for oscillators or any other module that expects to see discreet note values at its input.

Scales goes far beyond the fundamental, allowing you unprecedented control of the pitches and intervals hiding inside your control voltages; turn LFO's into arpeggiators; random voltages into harmonic counterpoint; and unquantized external CV sequencers into chromatically tuned note sequencers.

Quantization can be locked to an incoming trigger. There are a number of trigger output options as well, ranging from no triggering (good for pitch shifting drones); through triggers that sync with either of the two outputs (or both); to a trigger or gate transmitted in sync with one sent to the module's TRIG input.

Shift:

Scales features two independent outputs, enabling you to create shifted harmonic intervals within your chosen scale using only a single pitch input. Using the SHIFT input you can modulate changes on OUT A and/or OUT B.

You can also use the shift input to switch between scales or to change the root of any existing scale pattern or split Scales into two quantizers - each conforming to a common scale, but fed entirely different voltage sources.

Sequence:

Scales also features a 128-step SH-101 style step sequencer (complete with storage for up to 35 fully programmable patterns) - allowing you to feed OUT B with sequenced notes and rhythm patterns, while OUT A continues to function as a standard pitch quantizer for external voltages. You can even sync the sequencer to quantizer events on OUT A.
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 2 in stock $269.97
Cat: 718065 Rel: 18 Feb 19
 
4 track gate & trigger sequencer - 8HP
Notes: Steppy is a 4-track programmable gate sequencer with eight internal memory slots, external clocking, numerous tweakable parameters, and a performance-first design aesthetic.

Each track features numerous independent parameters that govern its playback independently of the other tracks. Specifically:

- Each track has its own length, which can range from 1-step to 64-steps, allowing for polyrhythms, fills, or constantly evolving gate interactions between tracks.
- Each track has its own gate length, which ranges from very short to very long, with tied gates possible at the extreme setting.
- Each track has its own clock divider, allowing patterns to play out over completely different periods of time.
- Each track has its own swing setting, which offsets the timing of every other step.
- Each track has its own delay setting, which offsets the timing of every step.
- Each track has its own probability control, which sets the likelihood that each programmed gate will fire when called upon by the pattern.
- Each track can be shifted (or 'rotated') forward or backward by a number of steps. So if you've created a pattern that 'feels' like it has its downbeat on step 3, you can shift that pattern two steps to the left, so that the downbeat sits on step 1.

Tracks can be programmed by entering active steps on the grid or tapped in live as the sequence is moving. Tracks can be selected and modified in real time as the sequence plays. A select button allows you to directly access each track (and each page of 16 steps within that track) directly through Steppy's intuitive multifunction buttons array.

Tracks can be individually muted and unmuted, and a special performance mode (called "Loopy") enables you to touch any two gate steps and instantly create a performance that loops between those steps.

Track patterns can be cleared without clearing its playback parameters, and all track patterns (along with their individual playback and performance parameters) can be saved as a preset to one of eight internal memory slots.
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 2 in stock $223.93
Cat: 746879 Rel: 15 Oct 18
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


The Rene music synthesizer module is a powerful three-dimensional prism of composition. It is the world's only 3D Cartesian Music Sequencer. Named for the French philosopher & mathematician Rene Descartes, it uses the Cartesian coordinate system to unlock the analogue step sequencer from the shackles of linearity. The original Rene was a one-channel, two-dimensional Cartesian sequencer with limited memory, this new Rene is a three-channel, three-dimensional Cartesian sequencer with memory for up to 64 complete States. Considering the multiple channels and FUN programming options per multiple axis, Rene has become an n-dimensional matrix or tesseract of synthesizer sequencing.
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 1 in stock $464.81
Cat: 743521 Rel: 01 Jan 90
 
***B-STOCK: Box opened, product unused***
Notes: Dual VCO:
Based on the classic SYSTEM-100M modular synthesizer, the SYSTEM-500 is a fully analog recreation of one of the most revered electronic instruments of all time. Newly designed in Eurorack format, the SYSTEM-500 delivers the classic character and functionality of the original with the advantages of a modern instrument. Built in the USA and assembled in Japan, the SYSTEM-500 is made to exacting standards with top-quality components and solid controls. And it's surprisingly affordable, turning the fantasy of finally owning this legendary instrument into reality.

Classic System. New Format:
The SYSTEM-500 consists of Eurorack format modules that you can mix and match in any combination to create the ultimate Roland modular synthesizer. Each module is completely analog and has been designed for maximum compatibility with the world of contemporary synthesizer and effects modules. The SYSTEM-500 is a compact, powerful system that opens up vast possibilities for sound design and musical exploration.

512 Dual VCO:
The 512 Dual VCO (voltage controlled oscillator) is a single module consisting of two voltage controlled oscillators. Each independent VCO produces frequencies across a wide range with 1V/octave tracking and dedicated pulse, triangle, and saw wave outputs. Variable pulse width is available via panel control or CV modulation. Each oscillator's frequency can also be synchronized to the other in weak or strong modes to achieve a unique "sync" sound.
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 1 in stock $312.88
2hp
Cat: 706870 Rel: 15 Oct 18
 
Voltage controlled multi mode filter
Notes: MMF is an analogue, multimode filter with a 12dB per octave slope. Its sonic character swings all the way from classic low pass to squelchy acid lines. Simultaneous outputs of low pass, high pass, and band pass filter types are provided allowing for many variations of the input signal. Whether you're looking for smooth and creamy, or resonant and wild, MMF can go there.
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 2 in stock $102.54
2hp
Cat: 709207 Rel: 05 Dec 18
 
Compact sampler featuring Micro SD slot for easy sample loading - black faceplate
Notes: Play is a high-fidelity sample player with a full feature set.

Up to 32 samples can be loaded at a time and dynamically switched between using the file knob and associated CV input. Playback modes include one-shot, looping, or gated playback; all with extremely low latency. Transform your samples by pitching them up two octaves or down three octaves, all with a pitch knob that can be free running or quantized to semitones. The pitch CV input tracks volt per octave across its entire range and allows for musical sequencing of samples. Play ships with a pre-loaded SD card packed with loops, drum hits, and field recordings to get you up and running immediately.
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 2 in stock $134.98
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