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Cat: 718919 Rel: 23 Apr 19
 
Expander for XAOC Devices Praga mixer
Notes: The XAOC HRAD is an expander for their Praga voltage-controlled mixing console, adding CV control for Aux levels, master level control, gate-controlled muting, and other powerful features.

- Additional set of controls for the PRAGA mixer
- Stereo sum level control
- Euro/line switchable output level
- Sum LED meters
- Stereo headphone amp
- Cue input
- Mix/solo cue auditioning
- Individual AUX inserts
- Voltage control over AUX send amount
- Two stereo controls for AUX return level
- Gate inputs for VC channel muting
- Power drawn from Praga
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 3 in stock $231.04
Cat: 718920 Rel: 23 Apr 19
 
Expansion module for Zadar - 3HP
Notes: An expander for Zadar, adding one more assignable input for each Zadar channel and manual triggers.
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 8 in stock $55.61
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quote 718920
Cat: 747621 Rel: 20 Sep 19
 
8HP drum/percussion synth module
Notes: Originally inspired by audience applause, hip-hop samples, and classic drum machines, Fracture is a multi-particle percussion synthesizer that applies concepts from classic analogue clap circuits to granular synthesis methods.

It all starts from proprietary micro-samples we recorded specifically for this purpose and ends with an engine built to suit these samples.
Unlike our other percussion module, the Chimera which uses impulse rich samples as it's tonal centre, Fracture uses single impulse samples like Claps, Snaps, Ping Pong Balls, Opening a beer can, and many more. It then plays a group of similar samples back in a psuedo random order for unique hits. Density, Decay, and Tail affect tone and how "tight" your virtual clappers are to playing together.

Our goal was to design a clap percussion module covering the range from classic drum machine claps all the way to full audience applause. We ended up with a module that covers a huge range of timbres beyond claps. We hope this engine provides you with the tools to intuitively create wild percussion sounds that bring your system to life in a new way.
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 5 in stock $238.53
Cat: 728569 Rel: 20 May 19
 
synth module with professional trigger input and audio input
Notes: Feel the sizzle as you harness the energy of liquid metal. Forge your sonic desires, and rain hot fire onto the eardrums of your listeners. Cymbals, gongs, bells, and sheet metal are the territory of Crucible.

Have you ever wanted to start with the smallest cowbell, and then CV it until it becomes a gong larger than the room you're standing in? Crucible makes this possible.

By utilizing classic digital synthesis blocks like delay and digital filters, Crucible can fully synthesize, in real time, sounds similar to thin struck pieces of metal.

We expose the engine to the user through parameters specifically chosen for their sonic resemblance to the "parameters" of a real drum kit cymbal.

Size, Pitch, Tone, and Deform give the user the tools to shape their cymbal. The Excite knob allow the user to shape their exciter, completely changing Crucible's response. Finally, select where the exciter contacts the engine by triggering the EDGE and MID inputs, or trigger both to strike the "bell."

All of this adds up to a module that is lively and energetic, completely mimicking the feeling of playing a real cymbal, while still incorporating WMD's "New Sounds, Maximum Experience" philosophy.

- Realistic sound!

- Positional trigger input. Hit the edge, middle, or bell.

- 3 Model Types: Cymbal, Cracked Cymbal, and Curved Plate

- Audio input for experimental effects.

- Separate Pitch and Size controls for maximum realism.

- Choke input for perfectly timed catches.

- Proprietary Synthesis model using digital filter and delay networks. No samples!
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 4 in stock $262.06
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quote 728569
Cat: 742231 Rel: 21 Aug 19
 
Versatile band-pass filter - 12HP
Notes: TRSHMSTR is a collaborative effort between WMD and electro-dance heavyweights MSTRKRFT. TRSHMSTR features an aggressive combination of band-pass filtering (FLTR) and distortion (DRV). The FLTR and DRV sections can be used independently or together to produce a wide variety of tone-shaping, from subtle distress to full-on acid destruction. The INs and OUTs of the FLTR and DRV sections are cross-normalled, so you can run your signal through FLTR and into DRV or vice-versa with no extra patching.
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 1 in stock $239.61
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quote 742231
Cat: 745106 Rel: 06 Sep 19
 
Three attenuator-amplifier combinations with individual & mix outputs - 10HP
Notes: Neat amp/mixer/attenuator utility module from Vermona. Not much more to say about this one. It makes things louder and quieter or blends them together. What more do you want?

Supplier notes:
Regardless of the size of your modular system, the number of modules it contains and its intended use, there is basically only one thing at stake: level adjustments. Often the full level of a signal is too high and needs to be attenuated. Also the reverse case, that it is too low, occurs more often than you think - an amplifier is needed.

Amplinuator 3 cleverly combines both functions. The LEVEL controls attenuate input signals to zero (left stop) or boost them by a factor of two (right stop). In the centre position, the levels remain unchanged. In order to ensure sensitive settings in the centre position range, we deliberately omitted the use of a potentiometer with centre detent. Instead, the knob has a dead zone. This guarantees a reliable finding of the zero position. Each of the three channels has outputs with positive and inverted polarity.

The sum section combines all signals. Amplinuator 3 also works as a 3-in-1 mixer. It likes audio signals and control voltages equally.

Amplinuator 3 is a sophisticated helper in best Vermona quality.
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 2 in stock $140.12
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quote 745106
Cat: 745109 Rel: 06 Sep 19
 
Compact yet flexible mix module - 6HP
Notes: Even with small patches with only a few modules, you usually have to combine individual signals into a single sum: You need one mixer, maybe two, and preferably as small as possible.

With Sum 42, Vermona present a compact yet versatile Eurorack mixer. You can use it as two 4-in-1 or one 8-in-1 mixers. It can process both audio signals and control voltages.

Sum 42 is an indispensable tool with a perfect size/benefit ratio.
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 1 in stock $130.49
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quote 745109
Cat: 739085 Rel: 25 Mar 19
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


The Mini Horse from Verbos Electronics GmbH is a multi-dimensional touch activated voltage controller. At 42HP wide and ultra thin, it can be added to a synthesizer system either inside the Eurorack or out front in the forthcoming Black Box extra low profile powered enclosure. Twelve keys run across the front, each with its own Gate out, Pressure out and Position out. In addition to the individual keys' outputs the master section presents the parameters of which key was last pressed in addition to a tuneable from the knob behind the key and a "Fixed" voltage, spanning from 0-10v across the keys from left to right. Position outs have memory of their position when last touched, allowing the user to draw a mix across the keys when connected to voltage controlled mixers as in the Harmonic Oscillator or Bark Filter Processor.
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 1 in stock $601.66
Cat: 725954 Rel: 25 Mar 19
 
Touch-sensitive, multi-dimensional 12-channel CV controller with master section - 42HP
Notes: The Mini Horse from Verbos Electronics GmbH is a multi-dimensional touch activated voltage controller. At 42HP wide and ultra thin, it can be added to a synthesizer system either inside the Eurorack or out front in the forthcoming Black Box extra low profile powered enclosure. Twelve keys run across the front, each with its own Gate out, Pressure out and Position out. In addition to the individual keys' outputs the master section presents the parameters of which key was last pressed in addition to a tuneable from the knob behind the key and a "Fixed" voltage, spanning from 0-10v across the keys from left to right. Position outs have memory of their position when last touched, allowing the user to draw a mix across the keys when connected to voltage controlled mixers as in the Harmonic Oscillator or Bark Filter Processor.
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 1 in stock $631.09
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quote 725954
Cat: 725952 Rel: 25 Mar 19
 
Two flexible mixers & function generator in one module - 18HP
Notes: The Control Voltage Processor from Verbos Electronics GmbH is a suite of control voltage processing possibilities divided into 3 sections in a slim 18HP package. The lower 2 sections are DC coupled mixers that allow mixing, inverting, offsetting, scaling, multiplying, dividing, crossfading or a combination of these functions. The top section is a voltage controlled slewing processor with independent control of Positive and Negative slew rate, with some unique tricks. The Positive and Negative slew, or Rise and Fall rates if you like, have reversing attenuators. The slopes can be blended from linear to RC curves (starting all slides fast and ending slow, like a proper "East Coast" Portamento) without a change in speed. It can be triggered like an AD envelope and has a Gate out that goes high when the CV out is below 100mV. Of course it can loop by patching the Gate out to the Trigger in. The Bounce control adds a unique flare of overshoot to CV changes, a bit like the effect of stopping a tape reel from turning and then letting it go. The combination of multiple voltage processors offers the user the functions of analogue computer.
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 1 in stock $485.63
Cat: 744597 Rel: 27 Aug 19
 
6HP power supply for guitar pedals, plus two small signal splitters
Notes: Stoker Elektrek is equipped with a 2.1 mm hollow connector to supply power to effect pedals. A short adapter cable is included. The module itself draws power from the modular PSU. A look at the other technical data reveals that Stoker Elektrek is compatible with many effect pedals:

- 9V DC power supply
- Up to 750 mA
- Polarity: peak = negative / ring = positive

On top of that, Stoker Elektrek offers two mini multiples, each with one signal input and two outputs, which can also be used as a large splitter.
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 1 in stock $188.25
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quote 744597
Cat: 714698 Rel: 19 Dec 18
 
Self-powered white noise generator
Notes: This cable expands every synth without a noise generator but an external audio input and a 5V source at the tip of a socket (e.g. an expression pedal input) and gives you digital noise. Initially the cable has been developed as an expansion for the Moog products Little Phatty and Minitaur but it works also with other synths etc. The Hirlostek needs to be provided with a 5V voltage, for instance at the tip of a expression pedal socket. A circuit inside of the bigger plug generates a bright digital noise you can use as audio or modulation source. The narrower plug carries the noise signal and is to be connected either with an audio input or a CV input. Hand made, military quality due to good Neutrik jacks.
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 2 in stock $39.57
Cat: 714701 Rel: 19 Dec 18
 
Self-powered white noise generator
Notes: This cable expands every synth without a noise generator but an external audio input and a 5V source at the tip of a socket (e.g. an expression pedal input) and gives you digital noise. Initially the cable has been developed as an expansion for the Moog products Little Phatty and Minitaur but it works also with other synths etc. The Hirlostek needs to be provided with a 5V voltage, for instance at the tip of a expression pedal socket. A circuit inside of the bigger plug generates a bright digital noise you can use as audio or modulation source. The narrower plug carries the noise signal and is to be connected either with an audio input or a CV input. Hand made, military quality due to good Neutrik jacks.
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 1 in stock $48.12
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quote 714701
Cat: 708032 Rel: 29 Oct 18
 
Seven channel mixer with classic analogue sound - 3HP
Notes: MIX7 is a seven channel analogue summing mixer module for Eurorack. It is designed for summing any of the different types of signals you'll find in a modular system: Audio, CV, Triggers, or Gate.

MIX7 gives ability to sweeten your mix with more headroom using the power of low noise analogue summing. A compact 3HP Eurorack utility module, MIX7 is an attractive mixing addition to any rig, especially with the ability to also combine rhythms, note patterns or CV automations from different control sources. The main output of one section can be connected to the input of another MIX7 to create larger mixing groups and complex signal routes inside your modular.

The MIX7 summing mixing circuit is built with low-noise operational amplifiers, giving it an excellent sound quality for mixing audio, the beautiful texture of classic analogue mixing with plenty of headroom to handle hot modular signals, and the versatility to sum non-audio signals in your system to open up new creative possibilities.

Each input is labelled with a number of dots, 1-7, yellow for input and green for output. The module matches Tiptop's system look with clean white faceplate styling.

At the back of the module is a user-configurable jumper allowing users to configure the MIX7 for either unity gain (OUT = IN) or give increased headroom (OUT = 0.4IN) for use with hot audio signals, which makes it a great pairing for Tiptop Audio percussive modules. A peak indicator light on the front panel warns the user of even the slightest audio clipping in the mix, helping to keep all the incoming sound sources at their full original quality.
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 2 in stock $89.84
Cat: 725794 Rel: 15 Apr 19
 
10HP Eurorack CV modulator module
Notes: MISO is a multipurpose utility module, a laboratory for synthesizing control voltage signals and audio. MISO combines multiple CV tools into one module for making complex CV shapes at the output stage. The name comes from the four main functions available: Mix, Invert, Scale, and Offset.

MISO's 2 sections (1/2 IN and A/B IN) are identical. Each section has two inputs that can be used to Mix signals, Invert polarity/shape, Scale magnitude and Offset voltage. Each function can be used independently or simultaneously with the total shape summed to the mix output.

At the centre of the module is another processor, an accurate smooth linear voltage-controlled crossfader that mixes equally between the outputs of the top and the bottom MISO sections. Feed the MISOs with envelopes, LFOs, Sequences to create new shapes and then crossfade them manually or with CV using the centre section for even further complexity of shapes and animation of control signals. Crossfade between the waveforms of a VCO or audio samples with CV for more motion.

There are an endless number of ways to patch MISO with unexpected and inspiring results. MISO is the kind of module that gives modular synthesizers its incredible replay value, rewarding hours of creative explorations and its experimental and non-traditional mixing.

MISO offers a lot in a small comfortable module that matches Tiptop's system look with clean white faceplate styling. A red/yellow indicator light next to each section makes it easy to see signals and visualize polarity.
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 3 in stock $95.19
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quote 725794
Cat: 717728 Rel: 25 Jan 19
 
Precision calibrated analogue VCA - 4HP
Notes: The Tiptop Audio VCA is a full featured, precision calibrated, analogue Voltage Controlled Amplifier. At its heart is a novel design of a control circuitry - a function that lets you sweep continuously through three different response curves: Logarithmic, Linear, Exponential - giving you all three shapes in a single module. This special control circuitry design by Mr. Osamu Hoshuyama was adopted into the VCA module to make it a great sounding synthesizer VCA with flexibility to address all duties: level control for both audio and CV modulation, gating audio into silence, and amplitude modulation effects.

A VCA, Voltage Controlled Amplifier, sometimes referred to as an audio gate, is an essential module to any Eurorack and no system is complete without one. The concept is an input, an output and a control that sets how much of the input signal passes through to the output.

A great VCA means minimum feedthrough of the control signal bleeding into the passing signal and minimum distortion applied to the passing signal. An excellent audio gate means minimal leakage of signal from IN to OUT when the control tells the VCA to fully close. These are the most critical conditions for a good sounding, good responding VCA and are what the Tiptop Audio design carefully addresses. 2 LED peak indicator lights on the front panel light up with incoming CV or audio signals. While a clipping indicator for audio is expected, clipping of CV is often overlooked and it's included here to visually maintain the full dynamic range of an envelope driving the VCA.

The Tiptop Audio VCA lets you concentrate on creative uses rather than figuring out the module's anomalies. The result is an excellent sounding synthesizer VCA that's a joy to use and pleasing to hear.
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 2 in stock $106.96
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quote 717728
Cat: 751442 Rel: 17 Sep 19
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


TOPOGRAF is a drum sequencer with three tracks, that works with a "topographic" principle; it contains a number of drum patterns arranged in a "virtual map"; and with two knobs MAP X and MAP Y you can set a position in this map. With one knob per channel the density is defined; and a CHAOS knob brings some randomness into the whole process. All in all, a few knobs for a lot of drum patterns you probably wouldn't make this way by yourself - a nice source of inspiration and also great for playing live.

TOPOGRAF is the AE modular version of the Grids module by Mutable Instruments. It is 100% identical to Grids.
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 1 in stock $70.97
Cat: 751441 Rel: 17 Sep 19
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


KICK is a pure analogue Kick drum of raw bass power.

It has three knobs: PITCH for the overall pitch of the sound; with DECAY the length of the sound can be set and with DRIVE a nice distortion can be added to the sound.

With the pitch decay switch the pitch follows the amplitude, giving a bit different character.

And a trigger button is available to check the sound without an external trigger signal.
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 1 in stock $32.93
Cat: 719682 Rel: 02 Sep 19
 
Dual NAND, AND, XOR inverter
Notes: The LOGIC module combines two inputs by different logical rules (AND, NAND, XOR). This can be used either for operations on trigger/gate signals (let gate signals pass depending on other signals, invert them depending on the other input etc), or for audio signals, where you get ringmodulator-like sounds when feeding two different oscillator frequencies.
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 1 in stock $25.40
Cat: 719678 Rel: 02 Sep 19
 
Audio mixer with 4 inputs
Notes: This module consists of an audio mixer with 4 inputs and their level knobs, plus an additional 4 separate inputs that are mixed at full level (especially for mixing CV signals), and a separate output.
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 1 in stock $28.08
Cat: 719701 Rel: 02 Sep 19
 
Dual hybrid oscillator
Notes: The 2OSC/d module contains two 1V/octave hybrid oscillators. Each of them features:

- One frequency knob plus a range switch +2 octaves
- CV input (1V / octave)
- PWM input
- SYNC input
- Sawtooth/Square/Sub-octave output

The pulsewith knob controls either the pulsewidth of the first oscillator (with the second one having a fixed pulsewidth), or via a switch the second oscillator is also controlled by the pulsewidth knob. Both oscillators can be pulsewidth-modulated independently by their PWM inputs.

The module is designed as a hybrid digital/analogue module; the oscillator frequencies are determined digitally and are therefore quite stable and have a good tracking; the output wavefom itself is created analogue. It's a new idea/concept that I have implemented here; the design causes the waveform to get a bit gritty at higher frequencies (but not "digital noise") - it's the character of this thing!
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 2 in stock $47.05
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quote 719701
Cat: 719685 Rel: 02 Sep 19
 
Lowpass gate module for AE modular
Notes: The LOPAG is the lowpass gate module for AE. It is based on a Vactrol (like all good lowpass gates) and has two inputs: IN (audio signal) and TRIG. A pulse on the TRIG input opens the signal path shortly and via the characteristics of the Vactrol the audio signal is filtered and attenuated in a plucked, percussive way. Additional GATE and CV inputs allow more control over the way the module works.
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 2 in stock $37.71
Cat: 719686 Rel: 02 Sep 19
 
Classic wavefolder for the AE system
Notes: This module is based on a design used also by Ken Stone for his CGS system; the original circuit dates back to a publication from 1973.

Basically, the WAVEFOLDER clips and folds the incoming waveform; usually, waveforms with little overtones (like triangle or sinewaves) are used as input. In general, by the clipping and folding, the signal enriches the input signal with more overtones.
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 1 in stock $34.76
Cat: 719689 Rel: 02 Sep 19
 
Versatile mixer/quadattenuator
Notes: 4ATTMIX offers four input channels which can be level controlled / attenuated by the corresponding knobs. The attenuated signals are sent to four outputs.

Additionally, each channel can be sent to an internal mixer by the switches beside the knobs. The mix signal is then sent to the mix output.

An additional switch selects the general operation mode for the mixer, for DC/CV signals or for audio signals.
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 2 in stock $36.36
Cat: 719687 Rel: 02 Sep 19
 
4 minijack inputs/outputs
Notes: 4I/O offers four minijack sockets that are connected to the AE sockets for connecting external audio sources, CV's and Eurorack modules. Sockets 1 and 3 are stereo sockets; if a stereo cable is inserted here the signal is available on sockets 1/2 and 3/4. With mono cables the four sockets can be used independently.

All sockets have an overvoltage protection (as AE modular is limited to 5V) and can be switched between audio and DC/CV signals.
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 2 in stock $39.04
Cat: 719693 Rel: 02 Sep 19
 
Classic VCO for AE modular
Notes: The VCO module is a "classic" VCO featuring:

- Two CV inputs 1V/octave
- MODulation input with Level-knob, switchable to frequency or pulsewidth
- PWM input
- Coarse/Fine knob for frequency
- Pulsewidth knob for squarewave
- Square/Triangle/Sawtooth output

The module works well if you need an oscillator for primary musical/melodic use.
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 1 in stock $39.57
Cat: 719694 Rel: 02 Sep 19
 
LFO module
Notes: The LFO module generates modulation voltages mostly below the audio range; this module offers:

- PWM modulation for the Pulse out
- RATE knob for controlling the frequency
- SLOW/FAST switch for two frequency ranges; with FAST the rate can go into the lower audio range
- Triangle/Sawtooth switch; changes the waveform of the output
- PULSEWIDTH knob, this sets the pulsewidth of the according output
- Control LED for sawtooth/triangle and for pulse
- Three separate output signals: Square (even duty cycle), TRIANGLE/Sawtooth, Pulse
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 3 in stock $31.01
Cat: 719650 Rel: 03 Sep 19
 
Analogue 16-step CV sequencer
Notes: The SEQ16 is a 16-step sequencer for controlling oscillator pitch and triggering envelopes.

Compared to "classic" analogue sequencers it works a bit different: Instead of setting the CV for each step independently (which means in fact "tuning" each step which can be a bit tedious), the SEQ16 has 5 knobs for pre-setting different CV's (= notes); each of the 16 step knobs selects one of these CVs, plus 0V (=base note) plus Pause (no trigger output). So some CVs have to be fine-tuned once; with the step knobs you can focus entirely on the sequence itself and you can even modify it on the fly, still remaining in tune.

An additional feature is "accent"; this can be set for each step by turning the knob fully clockwise. If a step is set to "accent", a separate trigger output is set and also a gate repeat for the regular gate output can be selected (from one to eight repeats).
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 2 in stock $88.77
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quote 719650
Cat: 719648 Rel: 02 Sep 19
 
Master I/O module
Notes: The MASTER module is the base of every AE modular system - it contains;

- The voltage regulation (5V) for the power supply of the modules
- MIDI input (minijack; Breakout cable to DIN-5 socket is available separately)
- In/out-sockets (3.5mm minijack) for audio out and/or interfacing with a Eurorack system
- All bus signals (CV, GATE, CTRL, MIDI clock/start/stop) as patch sockets

The power supply is a 9V DC adapter; it can be connected either at the side or on the top of the module.
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 2 in stock $58.82
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quote 719648
Cat: 719668 Rel: 03 Sep 19
 
Dual voltage controlled amplifier module
Notes: 2VCA contains two separate VCA (voltage controlled amplifiers); the classic module to shape the volume of a sound that is fed to IN by a control voltage, e.g. from an ENV to the CV input.

A switch determines the operation mode (DC/CV or audio), choosing the right position can reduce/avoid pop's with short attack envelopes.

An additional knob for each VCA attenuates the level, if necessary.
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 2 in stock $31.01
Cat: 719665 Rel: 02 Sep 19
 
Sample & Hold module
Notes: The purpose of the SAMPLE&HOLD module is to "freeze" the input voltage with a trigger input.

Typically used for random CV patterns if a noise signal is fed to the input and triggered e.g. by an LFO.
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 2 in stock $29.42
Cat: 719670 Rel: 02 Sep 19
 
Dual attack/decay envelope
Notes: 2ENV is a dual attack - decay envelope; it can be switched between full sustain (the output remains at full level as long as the GATE input is on) and zero sustain (for percussive envelopes). Another switch (SLOW/FAST) allows selecting the time range.

For manual triggering there is a button for each envelope.

CV control: Both attack and decay time can be CV controlled; the CV "multiplies" the time by 1...approx. 8 times.
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 2 in stock $44.92
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quote 719670
Cat: 719673 Rel: 02 Sep 19
 
Clock divider module
Notes: The BEAT DIVIDER takes a clock signal (the BUS CLK which presents the MIDI clock from the MASTER module) and divides it to musical clock dividers, selectable from 1/2... 1/32.

Additionally, a second output provides the dotted or triplet clock of the selected divider value.
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 1 in stock $28.08
Cat: 719652 Rel: 02 Sep 19
 
4-track, 16-step trigger sequencer
Notes: TRIQ164 is a 4-track, 16-step trigger sequencer.

Four track buttons select the track to be edited; with 16 buttons each step of the track can be activated an is then displayed by an LED.

For each step in each track a "repeat" can be activated, resulting in repeated triggers within one step. The number of repeats can be selected from one to eight by the REPEAT knob. Additionally, the repeat count can be CV controlled by the REPEAT CV input.

The inputs MUTE 1/2 allow to mute the outputs 1 and 2 by an external signal (e.g. for muting a kick drum)

Each of the 16 steps has a separate trigger output for additional control for certain steps or limiting the sequence length by connecting one of the outputs to the RESET input.

Use it for any kind of rhythmical patterns, typically for triggering drum sounds or envelope generator!

No, it has no pattern load/save features; this will be part of a future, much more complex sequencer. TRIQ164 is designed as improved replacement for the STEP10.

Width: 2U
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 3 in stock $53.47
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quote 719652
Cat: 719656 Rel: 03 Sep 19
 
State variable filter
Notes: This module is a classic state variable filter.

It offers the control knobs cut-off frequency, resonance and CV attenuator; two signal inputs for different signal levels control the "drive" of the module. Compared to the wasp filter, this module has a significant self-resonance, and also a very quick response to cut-off frequency changes.

Three different outputs provide lowpass, bandpass and high-pass output.
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 1 in stock $37.43
Cat: 719657 Rel: 02 Sep 19
 
Filter module
Notes: This filter module is a variant of the Wasp filter, a quite strange circuit used first in the EDP Wasp synth end of the seventies, which abuses digital chips in an analogue way leading to the characteristic sound of this filter type. In this module, vactrols are used for controlling the filter frequency.
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 2 in stock $38.50
Cat: 719661 Rel: 02 Sep 19
 
Binary divider for incoming signals
Notes: A binary divider for incoming signals. It can be used either for dividing clock signals (e.g. from an LFO, BEATDIVIDER) by 2 / 4 / 8... 128 for rhythmical purposes but also for audio signals - in this case you get subharmonics/lower octaves squarewaves at the outputs, which can be mixed or used separately.

The reset input resets all output signals; in case of audio signals this can get quite unique, ringmodulator-like sounds.
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 2 in stock $37.43
Cat: 719658 Rel: 02 Sep 19
 
Stereo headphone amplifier
Notes: A stereo headphone amplifier for AE modular.

It has separate left/right inputs; via a switch it can be set to mono operation (only left input is used). One common volume control for both outputs.

Two headphones can be attached via 3.5mm stereo minijack sockets.
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 2 in stock $37.43
Cat: 719659 Rel: 02 Sep 19
 
Mono delay module
Notes: This module is a standard mono delay with the usual parameters:

- Delay time
- Feedback
- Dry/wet mix

It sounds not as clean and polished as a usual digital delay but has quite a character on its own. High feedback settings allow endless and distorting loops.

(For the techies: It is based on the well-known PT2399 chip.)
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 1 in stock $39.04
Cat: 719663 Rel: 02 Sep 19
 
Dual audio & CV level attenuator
Notes: 2ATT/CV contains two units of a simple level attenuator for any kind of signal. You can also switch to voltage mode and get manually controllable CV on the outputs.
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 1 in stock $29.42
Cat: 731219 Rel: 15 Jul 19
 
16 voice oscillator - 12HP
Notes: The Demon Core Oscillator is a 16-voice DCO based on classic keyboard synthesizers.

This module offers also a static detune spread and a CV controllable core stability feature similar to Sequential Synthesizers. It introduces VCO-like pitch drift and jitter, allowing the module to sound like 80's polysynths.

With the help of the separately available expander, the module can be played polyphonically via MIDI.
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 1 in stock $447.11
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quote 731219
Cat: 731220 Rel: 15 Jul 19
 
Expander for the Demon Core Oscillator - 8HP
Notes: This module brings polyphonic control to the Demon Core oscillator.

The stacks can be divided between up to 16 polyphonic voices via MIDI or four 1V/oct inputs with attenuator. The oscillator can be set in continuous streaming mode or in MIDI gating mode with an ADSR envelope for each polyphonic voice.

The time sync can be also triggered via MIDI for each voice.
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 1 in stock $254.57
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quote 731220
Cat: 743610 Rel: 23 Sep 19
 
Complex quad multimode filter - 20HP
Notes: Mad dual-channel filter with two peaks per channel. Chain the sides together for complex filter curves, process stereo sounds or even turn up the resonance for four self-resonating peaks.

Supplier notes:
The Stereo Dipole is a Quad Multi-Mode VCF featuring single, dual and quad peak filter outputs.

Designed to be clean or characterful, the Stereo Dipole is not intended on achieving any one type of sound. From clean frequency-based panning to complex phasing and formant synthesis and over-driven squelchy bass lines, Stereo Dipole offers an environment which is simple enough to use, while providing the versatility to push your sounds into unknown territory...

Comprised of two identical filter sections that can be used independently via the dedicated Resonance (RES), Primary Cutoff (FREQ) and Secondary Cutoff (SPREAD) controls as well as in tandem via the STEREO FREQ and STEREO RES controls in the centre of the module.

Both the Left and Right Channels feature Single Peak POLE and Dual Peak DIPOLE outputs.

High Pass, Low Pass and Band Pass outputs are individually selected via the switches, situated above POLE and DIPOLE.

The Dual Peak DIPOLE output can be routed either in Series or Parallel with the main POLE VCF while maintaining all possible configurations of the Selected Filter Types.

Series and Parallel combinations will provide capabilities such as 24dB/OCT HP/BP/LP, Variable Width Band Pass and Notch as well as other obscure filter combinations.

FREQ controls the Cutoff of both the Primary and Secondary VCF while SPREAD is used to Match (centre position) or Offset the Secondary Cutoff Frequency by +/-5 octaves..

DIPOLE AB is a Quad Peak Monophonic Output, sharing the same Routing and Topology combinations of the four VCF cores.

The A input (LEFT) provides Normalization into the B input (RIGHT), allowing for a stereo image to be created from any monophonic signal source. All four A/B outputs can be utilized in stereo for more complex stereo filtering applications.

Pre-Filter Input DRIVE Control on each channel will push the input signal into heavy soft-clipping and saturation; adding Harmonic Content and increased low end for the VCFs to bite into. A Sine Wave can be over-driven enough to be useful with pleasing results.

RESONANCE may be nuanced or pushed all the way into Self-Oscillation across the entire bandwidth of 20+ Octaves.

All VCF cores Track 1V/OCT and Temperature Compensated.

The Stereo Dipole can fully function as a Single, Dual and Quad Sine Wave VCO/LFO.

The Series Routing configuration allows for additional tonal oscillation capabilities via the DIPOLE and DIPOLE AB outputs.

In addition to the A, B and Stereo 1V/OCT Inputs, the SPREAD CV Inputs may also be used as direct and accurate 1V/OCT control of the Secondary Peak on each channel.

Individual and Stereo Control Voltage inputs including Attenuators for STEREO RES, RES A/B and STEREO FREQ as well as Polarizing Attenuators for each Channel's FM CV input.
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 4 in stock $394.71
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quote 743610
Cat: 743613 Rel: 23 Sep 19
 
Clean/character auto compressor & distortion - 4HP
Notes: Autodyne is a 4hp auto-compressor/distortion featuring a multi-mode side chain filter and NY style parallel compression blend control.

Ratio, Threshold and Gain are all built into a single, simple to use COMP control. Compression gets more extreme as this control is swept past centre position. Setting below centre offers more subtle/typical compression.

Autodyne Automatically Responds to Transients, will glue a mix with ease and dial in the perfect feeling of the program material you feed into it.

GAIN CONTROL to trim the final output gain or offer up some extremely brutal distortion, whichever you prefer.

Switchable Side Chain Filter is provided along with a triple slope high pass filter, in order to retain lower frequency content and unwanted over-compression by removing them from the Side Chain. Input signal is normalized into the Side Chain or an external signal may be utilized via the Side Chain Input.

Parallel Compression BLEND Control mixes the unaffected input signal with the compressed output for even further control of your sound. Compression may be bypassed simply by sweeping this control to minimum position.

Controls are simple enough to match in tandem for dual unit, stereo operation, if desired.

Audiophile grade discrete components and Burr-Brown op amps used throughout.
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 1 in stock $190.40
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quote 743613
Cat: 732823 Rel: 05 Sep 19
 
Nutube-based distortion module - 18HP
Notes: Gloriously grimy valve distortion for Sonocurrent's Eurorack debut. Subtle saturation through to filthy self-oscillation via Korg's low-power Nutube triodes. Nasty but nice.

Supplier notes:
The M T2D dual triode distortion is a Nutube-based distortion module for the Eurorack format, offering two independent channels which can be patched separately for parallel processing, stereo, or multiple sources, or used in series for more complex distortion of a single source (or simply extreme distortion settings).

Spectral tilt filters before each triode stage alternately boost or cut high and low frequencies for different harmonic emphasis. These filters also affect the feedback loops, and can interact in very interesting ways with high feedback settings. The individual tube bias controls can also have a strong influence in combination with high feedback levels, in addition to more subtle shaping of the distortion when feedback levels are low.

Independent control of input level, tube bias, feedback level, and dry/wet mix is available for each channel, with CV inputs for the bias and mix controls. The CV inputs for the mix controls also have dedicated attenuators. A global plate voltage switch offers two different character options, for either smoother distortion or more severe clipping.
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 3 in stock $351.92
Cat: 706888 Rel: 10 Dec 18
 
Quadrature sine wave VCO/state variable filter - 18HP
Notes: The SPIN section is a quadrature sine wave oscillator. The GRIND section compares each phase against the input signal, then subtracts the resulting square waves from the input signal. If the spin section is either damped enough or enough signal is fed into it from the GRIND section then it will stop oscillating and become a state variable filter.

The Angle Grinder tracks volts per octave and can be used as a sine wave oscillator with voltage control over harmonic content available at the GRIND OUT. With no input it's four phase related sine outputs (0, 90, 180, and 27 degrees) remain clean from 0.1Hz to over 20kHz and are suitable for quad panning or XY applications.

With an input signal applied the GRIND out ranges from quadrature pulse width modulation (at LFO rate) to sync-like metallic tones (at audio rate). When GRIND is fed into the SPIN then it becomes a nonlinear feedback network with the faders and corresponding CV inputs providing instinctive control over phase cancellation, oscillation, and distortion. The four phase related outputs will become low pass, band pass, high pass, and inverted band pass filter outputs.

The function of the Angle Grinder depends on both the position of the knobs and the presence of an input signal.
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 1 in stock $278.11
Cat: 742229 Rel: 05 Sep 19
 
Low pass filter, VCA & distortion with brass touchpoints - 14HP
Notes: The 100 Grit is a touch-controlled distortion unit inspired by the output section of a vintage synthesizer. Sonically it can range from subtle tone shaping to complete sonic obliteration depending on the positions of the knobs and output chosen
.
The 100 Grit consists of a low pass filter, VCA, and distortion section with 8 touch points, voltage control overdrive, resonance, and frequency, along with a plethora of feedback paths allowing it to operate as a hands-on performance instrument with or without any input.

The touchpoints enable touch-controlled resistive patching between the cv points (gain, frequency, and resonance), sensitive points in the distortion circuit, and different distortion outputs for a mix of touch-controlled audio rate modulation and crackle box-like noise freakouts.

The low pass filter is a 24dB self-oscillating transistor ladder type with a jumper selectable resonance compensation scheme allowing more bass and volume at higher resonance settings.

The VCA is an OTA based circuit, which when pushed past 75% will impart a soft distortion characteristic, turning a triangle wave into a sine before being finally driven into a square wave close to max. If the levels are kept lower it is a reasonably clean vintage-style output section.

The distortion circuit is driven by the VCA, allowing for a voltage controlled gain amount and goes from heavy to extreme, especially when the x100 gain switch is engaged or the various self-modulation/feedback paths are utilized. The circuit is loosely based on a headphone amplifier circuit cranked into instability and self-oscillation.

Each Audio and CV input is normalized to a different feedback path, allowing for wild, self-oscillating distortions and extensive tone control with no external CV applied, or full control from external sources.
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 2 in stock $279.17
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quote 742229
Cat: 742228 Rel: 05 Sep 19
 
Low pass filter, VCA & distortion with brass touchpoints - 14HP
Notes: More aggro filth from the troubled minds at Schlappi Engineering. This time it's a distortion/filter module with touch-sensitive metal conductors for hands-on control. Screaming saturation and self-resonance ideal for angry techno. Nasty.

Supplier notes:
The 100 Grit is a touch-controlled distortion unit inspired by the output section of a vintage synthesizer. Sonically it can range from subtle tone shaping to complete sonic obliteration depending on the positions of the knobs and output chosen
.
The 100 Grit consists of a low pass filter, VCA, and distortion section with 8 touch points, voltage control overdrive, resonance, and frequency, along with a plethora of feedback paths allowing it to operate as a hands-on performance instrument with or without any input.

The touchpoints enable touch-controlled resistive patching between the cv points (gain, frequency, and resonance), sensitive points in the distortion circuit, and different distortion outputs for a mix of touch-controlled audio rate modulation and crackle box-like noise freakouts.

The low pass filter is a 24dB self-oscillating transistor ladder type with a jumper selectable resonance compensation scheme allowing more bass and volume at higher resonance settings.

The VCA is an OTA based circuit, which when pushed past 75% will impart a soft distortion characteristic, turning a triangle wave into a sine before being finally driven into a square wave close to max. If the levels are kept lower it is a reasonably clean vintage-style output section.

The distortion circuit is driven by the VCA, allowing for a voltage controlled gain amount and goes from heavy to extreme, especially when the x100 gain switch is engaged or the various self-modulation/feedback paths are utilized. The circuit is loosely based on a headphone amplifier circuit cranked into instability and self-oscillation.

Each Audio and CV input is normalized to a different feedback path, allowing for wild, self-oscillating distortions and extensive tone control with no external CV applied, or full control from external sources.
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 2 in stock $272.77
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quote 742228
Cat: 718648 Rel: 20 May 19
 
Triple oscillator module with various modulation possibilities - 30HP
Notes: The latest brainchild of synth pioneer Dave Rossum, TRIDENT is a 100% analogue, triple oscillator module that opens up a universe of dynamic timbral textures.

At its most basic level, TRIDENT is three precision audio VCOs, each sporting a unique variety of control voltage inputs.

The main or "Carrier" oscillator provides its three waveforms simultaneously. The two Modulation Oscillators each have a single output and a waveform selector. The Modulation Oscillators also have a voltage controlled Symmetry parameter which varies the duty cycle of the triangle wave output from sawtooth to triangle back to time reversed sawtooth, and also varies the sawtooth output to have an upward or downward kink in the middle, as well as controlling pulse width when the pulse waveform is selected.

And while each oscillator can be used independently if desired, it's when they're combined into a synchronous ensemble that the real sonic magic happens.

That magic is what we call "Zing" modulation. Each of the Modulation Oscillators can modulate each of the Carrier outputs in an amount controlled by the Zing parameter. Zing modulation is mathematically akin to ring modulation, but due to the synchronization of the oscillators (when an oscillator's Sync button on), the harmonic sum and difference sidetones of ring modulation transform into complex but purely harmonic overtone spectra, which vary dynamically and dramatically with the frequency and waveshape modulations of the modulation oscillators. Each change in the Modulation Oscillator parameters - Frequency, Symmetry, Waveshape, Zing, and (in the case of Modulation Oscillator 2) Phase - will have a different effect on the timbre of each of the three Carrier waveshape outputs.

When the modulation oscillators are set to track the carrier oscillator, the waveshape will remain constant as the carrier frequency changes. In this case the overtone structure is determined by the settings and CV modulations of the modulation oscillators. If instead the modulation oscillators do not track the carrier, some of the overtone structure will vary relative to the carrier frequency.

What all this means is that whether musicians take advantage of TRIDENT's unique synchronous modulation capabilities (which they, of course, should), or just treat it as three superb, wide-range analogue oscillators, TRIDENT offers a vast variety of dramatic sonic textures.
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 1 in stock $523.07
Cat: 732306 Rel: 09 Sep 19
 
Stereo thru-zero state-variable VCF - 16HP
Notes: The only module named after a Swedish botanist? Possibly. Relentless synth innovator Dave Rossum pushes the boundaries again with a state-variable stereo filter offering through-zero frequency modulation. Sounds complicated. Sounds good.

Supplier notes:
Following in the tradition of Evolution and Morpheus, LINNAEUS represents yet another Dave Rossum innovation in filter technology.

LINNAEUS is a stereo state-variable filter that provides the unique ability to linearly modulate its resonant frequency through zero into negative frequency, while maintaining stability. With extensive voltage control of nearly every parameter, Linnaeus lets you manipulate the filter's natural response curve in new ways, to create both subtle and dramatic timbral effects. And with a "one-knob-per-parameter" interface, LINNAEUS inspires sonic creativity that invites (and rewards) real-time interaction.

LINNAEUS's cutoff/resonant frequency is exponentially voltage controllable from sub-audio to ultrasonic frequencies, while its resonant gain (Q) is exponentially voltage controllable from 0dB to greater than 60dB.

LINNAEUS's channel output response characteristics are independently and continuously variable from Lowpass, through Bandpass, Highpass and Notch, to Low and High Shelving characteristics. Voltage control of the response characteristics are independently selectable for each of the two channels.

The linear thru-zero modulation is provided by an integrated modulation oscillator and/or an External Linear FM modulation input.

The voltage-controllable modulation oscillator can track the filter's exponential frequency or operate independently. The modulation oscillator's output waveform is continuously variable from Off through Sine, Triangle, and Sawtooth, to Square. The modulation oscillator output is summed with the external linear FM input and applied to the modulation index VCA, which controls the linear thru-zero modulation index from zero to 8X. The modulation index is, of course, also voltage controllable.
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 4 in stock $405.40
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