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FORTHCOMING
Collision Devices Singularity Black Hole Symmetry Fuzz Effects Pedal (black)
Cat: 971914
 
The fuzz effects part of the Black Hole Symmetry pedal.
Notes: The Singularity is basically the fuzz section from the Black Hole Symmetry which is unique in sending the signal through a JFET transistor then 3 silicon transistors to end up being destroyed!

The Singularity keeps the look and fun of the Disintegrate setting to a single output volume control and adds a 3-position toggle switch to cut the output Low-Pass filter at 3 different frequencies.

Controls

Volume: Fuzz level.
3-position switch: Low-Pass filter frequency at 1.5 kHz (BHS style), 3.3 kHz, 16 kHz.
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Pre-orders at Juno

This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.

We'll keep you informed of your order at every stage, and let you know if the release date changes.

If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.

If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.
coming soon $177.91
(No payment required now - pay when released)
FORTHCOMING
Collision Devices Singularity Black Hole Symmetry Fuzz Effects Pedal (white)
Cat: 971917
 
The fuzz effects part of the Black Hole Symmetry pedal.
Notes: The Singularity is basically the fuzz section from the Black Hole Symmetry which is unique in sending the signal through a JFET transistor then 3 silicon transistors to end up being destroyed!

The Singularity keeps the look and fun of the Disintegrate setting to a single output volume control and adds a 3-position toggle switch to cut the output Low-Pass filter at 3 different frequencies.

Controls

Volume: Fuzz level.
3-position switch: Low-Pass filter frequency at 1.5 kHz (BHS style), 3.3 kHz, 16 kHz.
Read more
Pre-orders at Juno

This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.

We'll keep you informed of your order at every stage, and let you know if the release date changes.

If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.

If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.
coming soon $177.91
(No payment required now - pay when released)
FORTHCOMING
Mooer Audio Prime S1 Multi-Effects Pedal
Cat: 1010796 Rel: 30 Jun 24
 
Multi-effects pedal: 128 effect and tone presets, 80-second looping module, 40 synchronizable drum machines & 10 metronomes
Pre-orders at Juno

This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.

We'll keep you informed of your order at every stage, and let you know if the release date changes.

If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.

If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.
MRP:$189.50 SAVE 15%
est. release 30 Jun 24 $160.81
(No payment required now - pay when released)
FORTHCOMING
Zoom MS-70CDR+ Multi-Effects Pedal
Zoom MS-70CDR+ Multi-Effects Pedal (modulation/time/dynamics/filter effects pedal)
Cat: 1010032 Rel: 30 Jun 24
 
Chorus, delay, reverb, dyanmics & filter effects pedal
Pre-orders at Juno

This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.

We'll keep you informed of your order at every stage, and let you know if the release date changes.

If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.

If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.
est. release 30 Jun 24 $184.23
(No payment required now - pay when released)
Electro-Harmonix Pico Deep Freeze Digital Delay Effects Pedal Electro-Harmonix Pico Deep Freeze Digital Delay Effects Pedal Electro-Harmonix Pico Deep Freeze Digital Delay Effects Pedal Electro-Harmonix Pico Deep Freeze Digital Delay Effects Pedal
Cat: 972476 Rel: 12 Oct 23
 
Digital delay effects pedal.
Notes: Expanded Freeze in a lowball-sized package!

Meeting between the original Freeze and Superego pedals is the Pico Deep Freeze Sound Retainer. With the ability to freeze a moment in sound, the Deep Freeze can act as a sustain pedal for holding chords and notes as backing for your playing or as a platform to manipulate your tone into new sounds impossible with a normal guitar. In addition to the original Freeze's abilities, the Deep Freeze features layering, adjustable attack/decay speeds, glissando, dedicated volume controls, and 3 modes: Latch, Moment, and Auto, making it powerful pedal punching well above its weight.

The Deep Freeze allows for instant sound freezing in three modes of operation. Latch freezes sound each time the footswitch is pressed until the effect is bypassed, while Moment mode freezes sound only while the footswitch is held down. Auto mode captured sound automatically each time it senses signal above its threshold for virtually foot-free freezes. These three modes make it easy to operate the Deep Freeze in a way that fits any playing style.

Controls on the Deep Freeze let you further tailor the operation of the effect. Separate DRY and EFFECT volume controls let you blend signals from subtle backing to 100% effect experimentation. GLISS adjusts the morph time between freeze sounds creating otherworldly soundscapes. The SPEED/LAYER knob adjusts either the attack/decay time of the effect in Moment and Auto modes, or the amount of layering possible in Latch mode which makes playing impossible chords possible!

Specifications

Circuit: Digital
Bypass: Buffered Bypass
Audio: Mono
Power Supply: 9.6VDC-200mA power adapter included
Dimensions (in): 3.65 x 2.0 x 2.0
Current Draw: 100mA
Year Released: 2023
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MRP:$206.34 SAVE 17%
 1 in stock $170.53
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quote 972476
Crazy Tube Circuits Stardust v3 Blackface Overdrive Effects Pedal Crazy Tube Circuits Stardust v3 Blackface Overdrive Effects Pedal Crazy Tube Circuits Stardust v3 Blackface Overdrive Effects Pedal
Cat: 911534 Rel: 09 Dec 22
 
Stardust V3 was designed to capture the sound and response of 3 distinct maxed out and ready to sing blackface amplifier models.
Notes: Stardust V3 was designed to capture the sound and response of 3 distinct maxed out and ready to sing blackface amplifier models. An all-analogue signal path with discrete gain stages featuring MOSFET transistors, provides juicy overdrive tones with great note separation that clean up to that sparkly sound that we all love and heard in recordings of the past. Set gain and tone and control everything from your guitar. Sparkly clean to crunchy mean are all there.

You can select the blackface amplifier voicing via the onboard toggle switch.
BSM: Voiced after a blackface amp head that was primarily targeted for bass guitar players but got famous for electric guitar classic rock tones.
VLX: Voiced after a chimey 2x10" combo offering the perfect amount of controllable crunch
DLX: Voiced after one of the most popular low wattage 1×12" combo amps that have found their way in countless recording studios and clubs around the world.

Stardust V3 comes with top mounted jacks and soft click true bypass via a high-quality relay. The pedal has loads of output volume and enhanced headroom provided by 18V DC (boosted internally from external 9V DC power supply) so that it can also be used as a preamp / booster.
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out of stock $180.01
Digitech Whammy (5th Gen) 2-Mode Pitch-Shift Effects Pedal Digitech Whammy (5th Gen) 2-Mode Pitch-Shift Effects Pedal Digitech Whammy (5th Gen) 2-Mode Pitch-Shift Effects Pedal Digitech Whammy (5th Gen) 2-Mode Pitch-Shift Effects Pedal Digitech Whammy (5th Gen) 2-Mode Pitch-Shift Effects Pedal Digitech Whammy (5th Gen) 2-Mode Pitch-Shift Effects Pedal
Cat: 548182 Rel: 16 Sep 14
 
2-Mode Pitch-shift Effect with True Bypass
Notes: The legendary Whammy pedal is the premier pitch-shifting pedal for any guitarist's board, and it only gets better with time. In addition to the classic Whammy sound, we've added chordal Whammy pitch-shifting and true bypass.

Whammy artists have won over 60 Grammysr using its unique pitch-shifting sound to enhance their music. Its songs echo the hallways of the Rock & Roll Hall of Famer and generate acclaim on over 700 million albums around the world. There is no doubt why Whammy is one of the most common sights on guitarists' pedalboards.

The Whammy can bring new depth to your artistry. Turn your solo into raging, rebellious screams of tone or tame your crowd with highly expressive, ambient chordal bends. Energize your audience with a scratchy note frenzy, bring them in and out of the sound tunnel with musical bursts, or carry them through an existential exploration of full-fretboard pitch translation. The Whammy puts expression into the expression pedal.

Don't be the last guitarist without a Whammy! The iPB-10 unleashes the ability to create and control guitar effects like never before.

General Specifications
Sample Rate44.1 kHz
Frequency Response20 Hz to 20 kHz
Signal to Noise Ratio> -105 dB (A weighted); ref = max level, 22 kHz bandwidth
THD0.004% @ 1 kHz; ref = 1 dBu w/ unity gain
A/D Conversion24 bit
D/A Conversion24 bit
Power Consumption2.4 Watts (< 265 mA @ 9 VDC)
Power Adapter9 VDC External Adapter
Dimensions
Height2.5"
Width6.5"
Depth7.75"
Audio Output
Output Type1/4" Unbalanced TS
Max Output Level+10 dBu
Output Impedance1 kO
Audio Input
Instrument Input Type1/4" Unbalanced TS
Max Input Level+5 dBu
Input Impedance1 MO
MIDI Input5-Pin Din
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MRP:$220.02 SAVE 19%
 2 in stock $177.91
Electro Harmonix Turnip Greens Overdrive & Reverb Multi Effect Pedal
Cat: 560463 Rel: 03 Feb 15
 
Multi effects pedal with effects loop
Notes: The Turnip Greens is a compact multi-effect pedal combining the award-winning Soul Food Overdrive and Holy Grail Max Reverb. The Soul Food delivers transparent sounds starting with clean boost and progressing all the way to intense overdrive. It's equally adept at adding punch to a player's tone, pushing an amp into saturation or in front of other dirt pedals driving them into new worlds of distortion.

The Holy Grail Max provides four carefully crafted reverbs: Spring, Hall, Plate and Reverse. A newly designed analog wet/dry control yields a constant volume curve as the Blend knob is turned from fully dry to fully wet, while also keeping the dry signal analog through the pedal.

The pedal's left side features the Holy Grail Max's controls and independent footswitch while the right side is dedicated to the Soul Food's controls and footswitch.

A toggle effect-order switch, located in the middle of the Turnip Greens, selects whether the overdrive or reverb is first in the effects chain. Send and Return jacks let the player insert effects into the signal path between the two. With the switch to the right the signal chain is Soul Food ? Holy Grail Max which produces a traditional sound familiar to most players. In the left position the signal chain is Holy Grail Max ? Soul Food. Now the reverb is boosted by the overdrive which, when used in conjunction with pedals in the effects loop, can create very lush textures.

The Turnip Greens features an internal switch that lets the player select between true bypass or buffered bypass for the Soul Food section. In true bypass mode, when the Turnip Greens is set to bypass, the input jack is connected directly to the amp jack and nothing else. In buffered bypass mode, the bypass signal passes through a high-quality buffer circuit before it is output from the Amp jack.

*UK 230V power adapter included*
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MRP:$264.24 SAVE 25%
 1 in stock $197.78
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quote 560463
Crazy Tube Circuits Golden Ratio Phi V2 Multi-Mode Analogue Compressor Effects Pedal
Cat: 850761 Rel: 03 Dec 21
 
Three fully analogue compressor circuits in one unit.
Notes: The updated Golden Ratio now offers three separate analogue compression circuits in one. Choose from FET, OTA and optical modes at the flick of a switch. Fat tones with simple controls.

Supplier's Notes:
Phi has been updated to include 3 separate compressor circuits at a flip of a toggle switch.

An internal smart switching circuit lets you decide which type of compression works best for you featuring a wide range of compression ratio from 1:1 to 20:1

Each all-analog circuit is totally independent and has its own voice with different compression characteristics, range and response of controls to suit every style.

FET compressor: This is a feed-back detector / control compression circuit that relies on a FET transistor for gain reduction. It adds a distinctive color to the signal and can be set for super-fast response, but it may also introduce a bit of musical distortion.

OTA compressor: The majority of guitar compressors use this technology. Our interpretation uses a feed-forward detector circuit thus being able to "squeeze" things harder, ideal for catching fast transients and limiting. It is the most controllable circuit with punchy and direct sound.

OPTO (Optical) compressor: A hand selected photocell combined with a feed-back detector circuit offer smooth attack and release characteristics resulting in very musical and organic compression even on extreme settings. It can also be set very neutral so that you won't be able to tell when it's on but you sure going to miss it when it's gone.

Phi will fatten up your tone even with no compression added. With the parallel compression technique of blending the compressed signal with the original - uncompressed signal, you will experience clarity and precision only found in studio recordings.

An internal switch selects between 9 or 18V DC of operation from a standard 9V DC power supply via an internal voltage multiplier. Use the 18V setting for increased headroom and enhanced compression characteristics.

Features superb low-noise floor performance and full frequency response making it ideal for guitar, bass and virtually every instrument either on studio or stage.

Dimensions: 125 (l) x 72 (w) x 55 (h) mm
Weight: 350 g
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MRP:$233.71 SAVE 17%
out of stock $194.50
Snazzy FX Wow & Flutter Delay Effects Pedal Snazzy FX Wow & Flutter Delay Effects Pedal
Cat: 704147 Rel: 28 Sep 18
 
Delay effects pedal
Notes: In the age of digital recording people often reminisce about the golden days of analog tape and the warmth of those spinning tape reels. Many people have spent a lot of money trying to re-create those classic tape like qualities in pieces of hardware.

Dan Snazelle of SNAZZY FX missed something else about tape - the sound that would come out of the stereo on those days when the tape got stuck in the machine, dying a slow and melodic death. He also missed the magic of playing a favorite recording through an old cassette boom-box that had so much warble it was hard to tell what song he was listening to. So Dan decided to design a device that, when pushed to its limits, would sound like the tape was spinning out of control. But he also wanted to make sure the box could take that sound and make it more musical, and, at times, more subtle too.

THE WOW AND FLUTTER can bring you into this warbly world and far, far, beyond.

You might be thinking, what am I going to do with a busted tape machine? Well, that's where things really get interesting - because this box can be used in many, many ways. Depending how hard you hit the Threshold and Warp controls, you can dial the malfunction back to where it creates subtle vibrato, or with shorter delays you can achieve pleasing chorus or pseudo flange-like effects. Turn the Warp up a bit more and you can get far-out pitch shifting, rubber band delays, and plastic portamentos. Turn the Warp up to max and what you'll hear is just plain insanity.

THE WOW AND FLUTTER is an incredibly versatile device. It is certain to add an extremely unique texture to your playing or your productions. Run stems or mixes through it to add an out-of-this-world quality. Thicken up synth parts in an instant or use it on vocals to add mystery. With your guitar you will be amazed at how many different colors can be achieved with just this one box.
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MRP:$215.81 SAVE 23%
 1 in stock $166.33
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quote 704147
EarthQuaker Devices Astral Destiny Octal Octave Reverb Effects Pedal EarthQuaker Devices Astral Destiny Octal Octave Reverb Effects Pedal EarthQuaker Devices Astral Destiny Octal Octave Reverb Effects Pedal EarthQuaker Devices Astral Destiny Octal Octave Reverb Effects Pedal EarthQuaker Devices Astral Destiny Octal Octave Reverb Effects Pedal EarthQuaker Devices Astral Destiny Octal Octave Reverb Effects Pedal EarthQuaker Devices Astral Destiny Octal Octave Reverb Effects Pedal
Cat: 807211 Rel: 21 Jan 21
 
Octave reverb effects pedal
Notes: Seriously potent effects power as usual from EarthQuaker. Octave reverb with clever modulation options and eight different modes, from sub-octave generation to pitch-bent harmonies.

Supplier's Notes:
Unrelenting, radicalized reverb for the modern world; an array of haunting, unearthly delights and ethereal sonic sorcery designed to take you on a deep journey through both time and space. This is your new destiny should you choose to accept it. Welcome to your new Astral Destiny.

The Astral Destiny is a compact and powerful modulated octave reverb pedal that features 8 reverb modes with 8 editable presets, assignable expression control, tails for natural reverb decay when the effect is bypassed and a super cool stretch feature that doubles the length of the reverb while adding an adjustable pitch bending effect.

Astral Destiny features a completely analog dry signal path, totally digital delay path, buffered bypass with and two different bypass states- Tails or Full Bypass. Tails Mode, which the is the pedal's stock setting, allows the reverb to naturally decay after the effect is bypassed, slowly letting you drift back from your ethereal dream state into the waking world. Full Bypass, on the other hand, will cut the reverb effect completely when the effect is bypassed and instantly throw you back into cold clutches of reality.

Let your fate spin out of control by pressing the Stretch footswitch doubles the length of the reverb effect while adding a temporary change in pitch. While a short tap will immediately change the pitch, holding the Stretch footswitch depressed gives you a temporary pitch bending effect with the speed of the of the pitch bending effect created by holding the Stretch footswitch easily adjusted by turning the Length knob.

While the Astral Destiny offers two different modes of operation, it ships in Live Mode, where each control will operate manually, laying out your fate for you, clearly visible. Preset Mode in contrast lets you chose from one of the 8 unearthly, ethereal factory preset reverb fates, 1 for each reverb mode, the Astral Destiny comes with. Each of these can be edited or completely overwritten just like when the ancient Fates plucked or cut the strings of ones destiny. Save settings for Length, Depth, Rate, Tone, Mix as well as EXP assignment and Stretch length and recall them instantly. Any of the Astral Destiny's 8 reverb modes can be used as the basis for each of the 8 presets.

But beware! - There is no undo for preset saving, so make sure you are not overwriting your favorite sound, especially when you are saving presets from Live Mode! - Once the string of your fate is cut, there is no turning back on your destiny. Freely express any aspect of your Astral Destiny - Shipping with the EXP jack mapped to the Depth control, the expression control can also be swiftly assigned to Length, Rate, Tone, or Mix, plus different EXP assignments can be saved in each preset and you can also use Control Voltage with the EXP Jack.

Each Astral Destiny is built one at a time by a team of Los Angeles-based robots and a handful of real life humans in the occupied Erie territory presently known as Akron, Ohio.
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out of stock $198.97
Empress Effects Buffer Plus Effects Pedal Empress Effects Buffer Plus Effects Pedal Empress Effects Buffer Plus Effects Pedal Empress Effects Buffer Plus Effects Pedal
Cat: 782953 Rel: 25 Sep 20
 
I/O interface
Notes: The Empress buffer+ was designed to be the complete I/O interface for the pedal board, while maintaining the highest fidelity to your guitar's signal.

Signal loss due to long, un-buffered cable runs is an issue that has plagued guitar players for decades. The primary goal of the buffer+ is to eliminate this signal loss, ensuring that your tone is unchanged by your cables.

Additionally, all the connectivity of your pedal board is consolidated to make set up quick and easy. The buffer+ also has a very handy set of features that make life just a little better. Noise filters, input pads, switchable clean boost and input loading are all powerful tools available on the buffer+.

Input Impedance: 10k - 1Meg
Output Impedance: 510 Ohms
Frequency Response (-3dB): 5Hz - 40kHz
Power Input Voltage: 9V DC (Negative tip)
Power Input Connector: 2.1mm barrel connector (Negative tip)
Power Consumption: 86mA
Total Harmonic Distortion: 0.02%
Signal to Noise Ratio: 105.3dB
Headroom: +9.4dBu
Enclosure Material: Die Cast Aluminum
Input connectors: 1/4" Jack
Output connectors: 1/4" Jack
Height (enclosure): 1.25"
Height with controls: 2"
Length: 4.5"
Width: 2.5"
Weight: 0.5 lbs
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MRP:$188.44 SAVE 13%
out of stock $163.17
Old Blood Noise Endeavors BL-44 Reverse Variable-Clock Reverser Effects Pedal Old Blood Noise Endeavors BL-44 Reverse Variable-Clock Reverser Effects Pedal Old Blood Noise Endeavors BL-44 Reverse Variable-Clock Reverser Effects Pedal Old Blood Noise Endeavors BL-44 Reverse Variable-Clock Reverser Effects Pedal
Cat: 912577 Rel: 05 Dec 22
 
Variable-Clock Reverser
Notes: From the creative brains of Old Blood Noise Endeavors, the BL-44 Reverse is a pedal that contends with the existential construct of "time", as it actively seeks to push you to live your sonic life in reverse.

Through a highly intuitive and fun control set, this compact real-time reverse effect allows the user to instantly change the clock speed of the entire sonic system on the fly, letting you achieve sounds ranging anywhere from classic reverse, vivid harmonies to faded lo-fi memories.

BL-44 is a true reverse effect, meaning it will write what you've played to memory, then read that memory from end to start and play it back for you, but with added depth and harmony from the interaction of the Clock slider and Speed knob. It aims for an immediate and tactile experience that encourages the player to keep their thumb on the slider and experiment.

The magic, the extra twist, the je-ne-sais-wow if you like, all comes from the Clock slider. This slider determines the thinking speed of the digital signal processor and sets everything related to time. It determines the sample rate and the overall length of the reverse playback and as you slide it, you feel the pitch slide and resettle. Just like you'd expect, as you play with the forces of time.

In addition, you have a Speed control, which will cause the system to read through its memory in unexpected ways, catching bits multiple times or missing pieces as it tries to read at speeds different from what was written. Plus, you have volume and mix controls and an on/off switch.
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MRP:$194.76 SAVE 12%
out of stock $171.88
Old Blood Noise Endeavors Dark Star Pad Reverb Effects Pedal
Cat: 782069 Rel: 21 Sep 20
 
Reverb pedal
Notes: There's a gentle hum, a soft light somewhere in the darkness. And it grows. A little hope that you're not the only one in a vast universe. Isolated, alone and dying. When there's truly nothing making noise, what do you hear? Is it nothing? Or is it the softness, the growing of a voice that resides below the normal hum and frequency of the universe. The voice of the Dark Star.

The Dark Star is what we would use to create long reverberated pads. The noises underneath the lead. The mood setter. That's the Dark Star. The way a song feels. That's because of the Dark Star.

At its heart, the Dark Star is a Reverb. Then the Reverb signal passes through three possible modes: Pitch, Delay and Crush. CTRL 1 and CTRL 2 correspond with the selected mode. In Pitch, you've got two independent pitch controls for + and - an octave. In Delay, you've got the Delay Time and Delay Feedback. In Crush, you've got a pitch control for +/- an octave and then a control for Bit Crush. The Mix and Reverb knobs control the mix of dry/wet signal and the decay of the reverb, respectively.

The Dark Star has two footswitches. The Bypass switch is your standard on/off True Bypass switch. The Hold switch is a momentary footswitch that when pressed, will lock in whatever note is being played through the reverb effect. This will sustain as long as the Hold switch is pressed. If the Mix control is set less than 100% wet, you can continue to play over the sustaining reverb signal.

The Dark Star now features an expression out jack and clickless switching. The output level can be tweaked via an internal trimpot for boost, slight drop, or unity gain.

9VDC - 2.1mm negative center pin adapter.
60 mA draw.
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MRP:$220.02 SAVE 12%
out of stock $194.60
Death By Audio Fuzz War Fuzz/Boost/Overdrive/Distortion Effects Pedal Death By Audio Fuzz War Fuzz/Boost/Overdrive/Distortion Effects Pedal Death By Audio Fuzz War Fuzz/Boost/Overdrive/Distortion Effects Pedal Death By Audio Fuzz War Fuzz/Boost/Overdrive/Distortion Effects Pedal
Cat: 989340 Rel: 03 Jan 24
 
Fuzz, boost, overdrive, & distortion effects pedal
Notes: Lo-fi looks, killer sound. Serious filth here from Death By Audio. Surprising versatility with simple controls, offering mild overdrive if you want but specialising in grimy fuzz.

Supplier's Notes:
Call in the Army, the Navy, Scotland Yard, your mom, and the Mario Brothers! You'll need all the help you can get to stop this endless wall of fuzz from raging! This kill-all circuit explodes the meanest, nastiest, most insane distortion to make you the ruler of the fuzz universe.

This Death By Audio pedal has hand spray-painted graphics covering up meaty components and sound, giving you a high-tech fuzz mutilator at a punk rock price. With three knobs it can create a multitude of ultimate fuzz, boost, overdrive, and distortion sounds. Listen for yourself and you will see, this is the thickest-sounding sustaining fuzz pedal we have ever heard.

Controls

Volume: Controls the overall output level.

Fuzz: Controls the gain of the fuzz circuit. At its lowest setting the pedal just acts as a tone shifter. As the fuzz knob is turned up it sweeps from a booster to an overdrive to a thick distortion to a full on blown out war of fuzz.

Tone: A specially designed multi-curve shaping filter which changes the timbre of the pedal from super deep bass sludge to screaming highs.

Specs

Dimensions: 5.87" x 4.72" x 2.5" (including hardware)
Weight: 18 oz.
Power: 9V (runs on standard 2.1mm negative center 9V adapter or included 9V battery)
Current Draw: 1 mA

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out of stock $182.12
Singular Sound BeatBuddy Mini 2 Drum Machine Pedal Singular Sound BeatBuddy Mini 2 Drum Machine Pedal Singular Sound BeatBuddy Mini 2 Drum Machine Pedal Singular Sound BeatBuddy Mini 2 Drum Machine Pedal Singular Sound BeatBuddy Mini 2 Drum Machine Pedal
Cat: 782709 Rel: 15 Jul 20
 
Drum machine pedal
Notes: With the BeatBuddy MINI 2 Drummer Pedal, use your foot to take full control over your drummer including transitions, fills, intros, and more.

The ergonomic button makes this drummer pedal perfect for playing or jamming out when wearing socks (or barefoot)!

Over 200 styles and samples of professional drummers result in a versatile and organic feeling drum machine.

The BeatBuddy MINI 2 drummer pedal is a more compact and affordable version of the award winning BeatBuddy drummer pedal. It's used by School of Rock, Taylor Robinson Guitar, Frost School of Music (University of Miami), and more as a tool for efficient and engaging practice.

The ability to play along with beats sampled from professional drummers and control them with nothing but your feet will help you improve your musical talent faster than ever before. Most importantly, the fun you'll be having along the way will keep you coming back for more.

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 3 in stock $157.65
Boss RE-2 Space Echo Effects Pedal Boss RE-2 Space Echo Effects Pedal Boss RE-2 Space Echo Effects Pedal
Cat: 996050 Rel: 19 Feb 24
 
Space echo effects pedal
Notes: Introduced in 1974 and produced for over 14 years, the Roland RE-201 Space Echo stands among the most legendary and sought-after effect units in music history. Known for its distinctive rhythmic echo sounds, warm character, and highly playable sonic quirks, this tape-based classic continues to inspire musicians, producers, and audio mixers over four decades on.

With the RE-2, the authentic sound and behaviour of the Space Echo is now available in the famous BOSS compact series for the first time. Backed by intensive R&D and our latest innovations, the RE-2 delivers the coveted magic of the RE-201 in a pedalboard-friendly footprint-realized in flawless detail by the company that designed the original.

When tape-based echoes were standard in the music world, the RE-201 was a leader in its class. Equipped with three evenly spaced tape heads and a spring reverb tank, it could produce everything from clean, single delays to dense, rhythmic echoes and ambient washes. The RE-201's appealing sound was influenced by many factors, from the warm compression of magnetic tape saturation to the evolving modulation produced by motor speed fluctuations, friction, and other elements. Last but not least, analogue preamp circuitry was a key ingredient in the Space Echo's rich sonic recipe.

In developing the RE-2 and its big brother, the RE-202, BOSS engineers have fully reproduced all the complex, non-linear behaviours that contribute to the RE-201's immortal character. We carefully analysed several vintage RE-201s, including a pristine original unit from the BOSS and Roland factory archive. Everything that influences the sound has been recreated with all-new algorithms, including the tape path, record/playback mechanism, motor variations, preamp coloration, spring reverb character, and more.

The RE-2 squeezes the complete sonic character of the RE-201 into the classic BOSS compact pedal format. The 11-position mode selector lets you dial in different virtual tape heads with or without spring reverb, and you can balance the echo/reverb blend with independent level knobs. Every behaviour is accurately replicated, such as the gradual pitch change that occurs with Repeat Rate tweaks and the runaway feedback that happens when maxing the Intensity knob. And with the expressive Wow & Flutter control, you can conjure all the natural modulation characteristics that are essential to the Space Echo sound.

The RE-2 takes the Space Echo experience further with versatile features for today's music. Delay time has been doubled and tap tempo control is supported, and there's a cool Twist function for creating evocative special effects as you perform. For the dry sound, you can choose between the warm and fat RE-201 preamp tone or a clean signal with zero processing. Full stereo I/O is available, and it's possible to mute the dry signal for parallel effect setups and studio use. The RE-2 also supports expanded control via external footswitches or an expression pedal, including continuous pedal control of multiple panel functions at once.

Specifications

Modes: 11 modes
Nominal Input Level: INPUT A(MONO), INPUT B: -20 dBu
Maximum Input Level: INPUT A(MONO), INPUT B: +7 dBu
Input Impedance: INPUT A(MONO), INPUT B: 1 M ohm
Nominal Output Level: OUTPUT A(MONO), OUTPUT B: -20 dBu
Maximum Output Level: OUTPUT A(MONO), OUTPUT B: +7 dBu
Output Impedance: OUTPUT A(MONO), OUTPUT B: 1 k ohm
Recommended Load Impedance: OUTPUT A(MONO), OUTPUT B: 10 k ohms or greater
Bypass: Buffered bypass

Controls: MODE knob, REPEAT RATE knob, WOW & FLUTTER knob, INTENSITY knob, TONE knob, ECHO knob, REVERB knob, CARRYOVER switch
Pedal switch
Indicator: CHECK indicator (Used for indication of check battery)

Connectors: INPUT A(MONO) jack, INTPUT B jack, OUTPUT A(MONO) jack, OUTPUT B jack: 1/4-inch phone type
CTL/EXP jack: 1/4-inch TRS phone type
DC IN jack
Power Supply: Alkaline battery (9 V, 6LR61)
AC adaptor (PSA series: sold separately)
Current Draw: 75 mA

Expected battery life under continuous use: Alkaline: Approx. 4.5 hours
*These figures will vary depending on the actual conditions of use.

Accessories: Leaflet ("USING THE UNIT SAFELY," "IMPORTANT NOTES," and "Information"), Dry battery (9 V, 6LR61)
Options (sold separately)AC adaptor: PSA series
Footswitch: FS-5U
Dual footswitch: FS-6, FS-7
Expression pedal: FV-500H, FV-500L, EV-30, Roland EV-5

Size & weight

Width: 73 mm / 2-7/8 inches
Depth: 129 mm / 5-1/8 inches
Height: 59 mm / 2-3/8 inches
Weight: (including battery)450 g / 1 lb
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MRP:$233.71 SAVE 22%
 1 in stock $182.62
Nu-X Amp Academy Amplifier Modelling Effects Pedal Nu-X Amp Academy Amplifier Modelling Effects Pedal Nu-X Amp Academy Amplifier Modelling Effects Pedal Nu-X Amp Academy Amplifier Modelling Effects Pedal Nu-X Amp Academy Amplifier Modelling Effects Pedal Nu-X Amp Academy Amplifier Modelling Effects Pedal
Nu-X Amp Academy Amplifier Modelling Effects Pedal (amplifier modelling effects pedal)
Cat: 871117 Rel: 14 Apr 22
 
The Amp Academy is a complete valve amp modelling rig in a compact stomp box format.
Notes: Amp Academy Pedal

The Amp Academy is a complete valve amp modelling rig in a compact stomp box format. 3 storable scenes with 2 channels, selectable from 6 separate classic amplifier models. Each patch has Gain, Master and Boost for overdriven tones and 3-band EQ + Presence control. As with a real professional tube amp, there is an effects loop and internal rever effect. The addition of a noise gate helps to keep everything silent when no notes are played. Balanced or unbalanced outputs give flexible options for live performances via FRFR speakers, mixing console, or even for direct recording. All settings are fully editable via USB using the proprietary Amp Academy software and even self-made or third party IRs can be loaded for custom amp modelling. Next time you are carrying your heavy valve amplifier around, consider this incredibly flexible and pocket-sized alternative.

Power supply: 9Vdc, 100mA (min) pin-negative (not included)
Controls: Gain, Master, Boost, NR, Bass, Middle, Treble, Presence
Connections: Guitar in/out (6.3mm), Loop (6.3mm TRS), Aux (3.5mm), DI (XLR)
Dimensions: 115 x 105 x 58mm
Weight: 440g
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MRP:$209.50 SAVE 22%
 2 in stock $162.65
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Rainger FX Air Traffic Controller Guitar Overdrive Pedal Rainger FX Air Traffic Controller Guitar Overdrive Pedal Rainger FX Air Traffic Controller Guitar Overdrive Pedal
Cat: 583511 Rel: 04 Aug 15
 
Guitar overdrive effects pedal with unique synthy edge & high resonance filtering
Notes: The Air Traffic Controller mixes a Rainger FX optimum distortion circuit with a white noise 'hiss' generator, and sends the sound through a low pass filter. The cut-off frequency of the filter is controlled in three possible ways; by the envelope of the note (the volume), the pitch of the note, or in a random mode.

SOUNDS:

This gives variations ranging from a biting edgy funk tone, to airy whisps of sound (hence the name), from fusiony solo-ing with 'synth tracking' to dense shoe-gazy walls of distortion, guitar/electronic-percussion morphing... It's a hugely flexible palette of sounds that's never been possible before.

The white noise hiss mimics the dynamics of the guitar sound - loud at the start of the note, then dying away to total silence when the guitar does too. For a pedal with such a lot going on it's incredibly quiet when it should be.

CONTROLS:

'Distort' adjusts the amount of distortion, 'Air - Signal' controls the blend of guitar to white noise (ranging from only guitar to only white noise, and everything in between). 'Resonance' adjusts how noticeable the cut-off frequency is, while 'Level' decides the output volume.

The top panel has a three-way rotary knob for filter-controlling options, a 'DC in' socket, and a 'Hi/Lo' button to allow for whether your guitar is active or passive.

The runway landing lights display pattern runs when a signal is present.

*For audio demo, please visit - http://www.raingerfx.com/air-traffic.html

*Power adapter NOT included
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out of stock $191.60
Electro-Harmonix Nano POG Digital Polyphonic Octave Generator Effects Pedal
Cat: 569657 Rel: 12 May 15
 
Digital polyphonic octave generator effects pedal
Notes: The smallest member of the polyphonic POG clan provides impeccable tracking and sound!

The EHX Nano POG can simultaneously generate multiple octaves from your input signal. Whether you play single notes, arpeggios, or full chords, the Nano POG will precisely track every note or chord that you play.

With the Nano POG, you can mix together your dry signal with two different octaves (one above and one below your original note) to create totally new, inspiring tones.

Separate level controls for dry, sub octave and octave up plus an extra Dry out and silent footswitching provide the perfect formula for this compact jewel.

Super, space saving design
Tracks chords, sweeps or single notes with no hitches or glitches
Great 12-string guitar sound or turn your guitar into a bass
Amazing organ-like sounds
Adjustable original pitch volume, one octave up volume and one octave down volume
Dry output jack in addition to the effect output jack
Silent footswitching and road worthy die-cast package
Power adapter included

Specifications

Circuit: Digital
Bypass: Buffered Bypass
Audio: Mono
Power Supply: 9.6VDC-200mA power adapter included (optional 9V battery not included)
Dimensions (in): 4.5 x 2.75 x 2.1
Current Draw: 25mA
Year Released: 2015
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MRP:$232.66 SAVE 19%
 1 in stock $188.45
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Electro Harmonix Pitch Fork Polyphonic Pitch Shifter Effects Pedal
Cat: 560349 Rel: 04 Feb 15
 
Polyphonic pitch shifter effects pedal, transposes over a +/- three octave range
Notes: The Pitch Fork transposes an instrument's pitch over a +/- three octave range and features three modes which allow the pitch to be transposed up, down or both, simultaneously. The pitch shift amount can be set to a fixed interval or continuously varied by an expression pedal or control voltage.

The controls are straightforward and intuitive. An 11-position Shift switch selects the maximum transposition interval ranging from D (Detune), a shift of 17 cents, through Minor 2nd, Major 2nd, Major 3rd, Perfect 4th, Perfect 5th, Major 6th, Minor 7th, 1 Octave, 2 Octaves and 3 Octaves. A three position toggle switch controls whether the pitch is transposed up, down or both. In Dual mode, two pitch-shifted signals are output. One follows the shift knob as if in the Up position while the other creates a harmony. Dual Mode settings include M3 up + P5 up, P5 up + 1 Oct down, 1 Oct up + 1 Oct down and many others. A Blend knob controls the mix of the dry signal and the effected signal, and an EXP jack enables the player to control pitch and glissando with an expression pedal.

The Latch button selects Latch or Momentary mode which affects how the footswitch and EXP input behave. In Latch mode, the footswitch toggles between effect on and buffered bypass each time it's pressed and the EXP input continuously varies pitch. In Momentary mode the effect is only on while the footswitch is depressed and when it is released the Pitch Fork goes into bypass.

In Latch mode the EXP input controls pitch shift amount, ranging from unity to the interval set by the Shift knob, and pitch varies continuously throughout the expression pedal's range. In Momentary mode the EXP input controls glissando rate for the Pitch Fork's footswitch. When the bypass footswitch is pressed, the Pitch Fork jumps from bypass to the interval set by the Shift knob. The amount of time it takes to reach that new note is the glissando rate. When the footswitch is released the pitch will return to unity at the same rate. That glissando time can vary between 4 milliseconds to two seconds depending on the heel/toe position of the expression pedal. The default glissando rate is 60 milliseconds when nothing is plugged into the EXP input.

The Pitch Fork comes equipped with an EHX 9.6DC-200mA power supply and also runs on a 9Volt battery.

*UK 230V power adapter included*
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MRP:$201.08 SAVE 21%
 1 in stock $158.96
Electro Harmonix EHX Tortion JFET Overdrive Pedal
Cat: 560413 Rel: 03 Feb 15
 
Overdrive effects pedal with JFET overdrive for tube-like response and tone
Notes: Our flagship overdrive/distortion covers vast tonal real estate and redefines versatility. Like a database of great tone, the EHX TORTION’s full complement of features and controls make dialing in inspired guitar sound intuitive. Whatever the era, from vintage to modern, your search for the ultimate tone has ended.
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out of stock $175.81
Electro Harmonix Graphic Fuzz EQ Distortion Sustainer Pedal
Cat: 560422 Rel: 03 Feb 15
 
Fuzz./EQ/distortion/sustainer effects pedal with true bypass for maximum signal path integrity
Notes: Fuzzy Math! For the true tonal alchemist, this unique distortion tool with 6-band EQ is sensitive to the dynamics of your playing. Sliders for Overdrive, Sustain, and Volume further its array of tones. Use the Graphic Fuzz solely as an EQ or switch on the distortion for total sound sculpting!
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out of stock $151.60
Electro Harmonix Holy Grail Max Reverb Pedal
Cat: 560423 Rel: 04 Feb 15
 
Reverb effects pedal with 4 different modes: spring, hall, plate and reverse reverb
Notes: The Holy Grail Max shares the Holy Grail's remarkable Spring and Hall reverbs. Then we added a Plate reverb, with its wonderfully lush tone, and Reverse reverb for the sonically adventurous. The Max's multi-function control lets you adjust decay or reverse time.

With the Holy Grail Max your quest for the perfect, portable reverb pedal is answered.

*UK 230V power adapter included*
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out of stock $155.80
Electro Harmonix Q Tron Plus Envelope Filter With Effects Loop Pedal
Cat: 560445 Rel: 03 Feb 15
 
Envelope filter pedal with effects loop and true bypass for maximum signal path integrity
Notes: Same design as the original Q-Tron but with extremely useful Effects Loop and an Attack Response Switch.

The Effects Loop gives the musician the ability to place an additional effect, or chain of effects between the Q-Tron Plus's preamp and filter section without changing the envelope drive. This is particularly important with most distortion devices, as most all do not have much of an amplitude envelope. The FX loop will also fire up your creative juices to try all sorts of combinations in the effects loop: try the Micro POG into a Deluxe Memory Man. You can invent all sorts of novel effects.

The added Response Switch selects between a slow, smooth, vowel-like attack and the fast, snaked response of the original Q-Tron.

*UK 230V power adapter included*
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out of stock $166.34
Electro Harmonix Superego Synth Engine Effects Pedal
Cat: 560459 Rel: 04 Feb 15
 
Synth engine effects pedal with latch mode with a layer feature to stacksounds
Notes: The polyphonic SUPEREGO Synth Engine reinvents sample and hold, performs fluid glissandos and creates oscillator like, synthesizer effects. It can stack sounds or create infinite sustain, it even lets you tweak attack and decay, or use its effects loop to invent novel synth patches. Indulge your guilty pleasures!

*UK 230V power adapter included*
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MRP:$245.29 SAVE 24%
 1 in stock $187.39
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Walrus Audio Iron Horse v3 High-Gain Distortion Effects Pedal (gold) Walrus Audio Iron Horse v3 High-Gain Distortion Effects Pedal (gold) Walrus Audio Iron Horse v3 High-Gain Distortion Effects Pedal (gold) Walrus Audio Iron Horse v3 High-Gain Distortion Effects Pedal (gold)
Cat: 852426 Rel: 11 Nov 21
 
A take on a classic distortion circuit that’s thick, punchy, riffy, and rowdy.
Notes: The Iron Horse is a new take on a classic distortion circuit that's thick, punchy, riffy, and rowdy. With the help of the Si/LED knob and wide range of the distortion knob, this true bypass, high-gain behemoth can be finely tuned for clear overdriven sounds or let the reigns loose for a full-on distorted onslaught. Top mount jacks with soft switch bypassing and art by David Huttner complete the package for a pedal board-ready distortion machine.

The Iron Horse V3 updates are as follows:
Top-mounted jacks
Soft relay true bypass on/off
Fixed volume drop-off when the distortion knob is at minimum
Re-imagined the hard clipping toggle as a blend style potentiometer, that allows you to blend between symmetrical silicon and diode clipping for a new variety of tones.

Owners of the previous versions of the Iron Horse will be familiar with the three distortion modes operated by a toggle switch to change between different clipping modes.

The switch has now been replaced with a blending knob opening up a wealth of ways to alter your tone.When the knob is set to the left, the distorted signal will be using Silicon clipping diodes adding in a high amount of compression.
Rotating the knob to the right will bring in LED clipping and a smaller amount of compression.
Putting the knob at noon will blend between the two using different ratios of the Silicone and LED clipping diodes for more complex clipping sounds.

Note: Since the Si/LED knob is changing the internal gain and clipping style, the other controls will behave slightly differently as well.

You will need to use the volume knob to adjust the overall output up or down depending on where you have the knob set.

Dimensions and power consumption:

6,6 x 12,2 x 5,6 cm (W x D x H)
100 mA

In the box:

Walrus Audio Iron Horse V3
Manual
Sticker
Guitar pick
Pouch
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MRP:$226.34 SAVE 17%
out of stock $187.39
Solid Gold FX Ether Reverb Effects Pedal Solid Gold FX Ether Reverb Effects Pedal Solid Gold FX Ether Reverb Effects Pedal Solid Gold FX Ether Reverb Effects Pedal
Solid Gold FX Ether Reverb Effects Pedal (modulated reverberator effects pedal)
Cat: 852246 Rel: 16 Nov 21
 
A compact modulated reverberator, delivering vast ambient and shimmering soundscapes.
Notes: A compact modulated reverberator, Ether delivers vast ambient and shimmering soundscapes.

With endless tails, the pedal is further manipulated by Tap Tempo Vibrato, Tremolo and HarmonicTremolo all designed to bring you to a realm of dark, cavernous voids and eerie, yet shimmering reflections. Ambient bliss is only a stomp away.

The journey with the Ether started with a simple question. What would happen if SolidGoldFX were to manipulate a sonic reflection exclusively? What textures could be created by heavily (or subtly) modulating a cavernous ambient reverb, while at the same time leaving the dry signal unmolested? The result with Ether is a powerful, yet versatile reverb that is designed to create hauntingly beautiful soundscapes.

At the core of the Ether is SGFX' new full-bodied ambient reverb featuring Decay, Color and Level controls, with an optional Shimmer mode. While most Shimmer reverbs aim for an angelic effect, the design team prefer things to have a little more of a twisted sonic signature, therefore SGFX created a shimmer algorithm that has a tendency to devolve as it decays, creating a sound drenched in an Ether induced dissonant haze. The Decay control takes you from a confined space to the infinite heavens, while the Color knob allows you to make the tone all as dark or as snappy as you please. With an extended range on the Level knob, the output of the reverb signal can overtake the dry signal, for those seeking extra colourful effects.

Now let's talk about what really sets this pedal apart from being just another reverb box - the modulation. SolidGoldFX have equipped this compact goliath of a stompbox with 3 different modulation types, each with 3 different LFO shapes and Tap Tempo operation. The Vibrato adds a melting fluidity and washed out chorus flavour to the verb while the Tremolo can divide things up into subtle waves or absolutely chop up your tails for a more percussive decay. Finally, the Harmonic-Tremolo adds a wonderful Push/Pull character that tilts the sonic spectrum between highs and lows, all while sweeping everything in between.

So, when you're ready for a new high take a hit on the Ether and let the sound take you away!
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MRP:$209.50 SAVE 14%
out of stock $181.07
KMA Machines Chief Disruptor Fundamental Fuzz/Distortion Effects Pedal KMA Machines Chief Disruptor Fundamental Fuzz/Distortion Effects Pedal KMA Machines Chief Disruptor Fundamental Fuzz/Distortion Effects Pedal KMA Machines Chief Disruptor Fundamental Fuzz/Distortion Effects Pedal KMA Machines Chief Disruptor Fundamental Fuzz/Distortion Effects Pedal
Cat: 860784 Rel: 27 Jan 22
 
Fuzz/distortion pedal with switchable mid EQ/boost
Notes: Welcome to a new era of the most iconic fuzz/distortion sound the world has ever known. You know, that epically huge and super saturated tone (some might call it big and muffy) that has defined the signature sound of so many artists and countless records in the past few decades. It's arguably one of the pedals with the biggest impact on the entire industry, which has seen it modified over and over and over again. So much that you think it's all been done, right? Well, KMA Machines have a surprise for you right here!

Holding three different Gain Modes, a pre- or post-EQ Clean Blend, active Bass and Treble controls, a foot-switchable and expression-controllable parametric Mid-EQ as well as a switchable top-boost for even more raspy, grinding bite, CHIEF DISRUPTOR is the most flexible, beautifully balanced and LOUDEST muff-style pedal you'll ever hear!

Over the years, different muff drives had different levels of gain, so KMA Machines derived three major distinctive gain structures all based on what was thought to be the best versions. The Vintage Mode (VTG) will give you every shade of discrete overdrive, while the Tight Mode will give a more focused and modern tone with less bass and super crisp harmonics. Heavy Mode is the essence of what we all love about muffs. Heavy, sustaining and crazy thick fuzzy distortion, with bone-shaking lows and chewy mids. Just crank the Disruption (Gain) Control and you'll see this in action.

Tonal shaping was one of the true weak points of classic muff pedals, and this has been remedied with the Chief Distruptor. KMA Machines opened the gates to more modern tonal flexibility through the active Bass and Treble controls, which let you boost or cut highs and lows with up to 15 dB, while the parametric Mid-EQ with adjustable centre-frequency and level boost/cut allows you to fine tune the mids with extreme precision, for everything from classic scooped fuzz tones, modern mid-focused dirt tones and all the way to cocked-wah saturation.

You can take complete hands-free control of the Mid-EQ frequency via an expression-pedal. This lets you make instant tone changes on the fly, as well as unleash fast and quacky wah-like sounds or slow and enveloping phaser-like sweeps. If you feel like the filter needs to be more resonant for screaming synth-like sweeps or needs to be subtler, then you can adjust the Q of the Mid-EQ via an internal trimpot. The mids can also be turned on and off via the relay-based soft-switch, allowing you to kick in the mids for soaring solos, cutting chords or when you want to get filter freaky. Having super saturated mids and lows can sometimes result in a perceived loss of highs. To fix this, just engage the Top-Boost to give your high-mids a big push for more crunchy harmonics and bite to cut through any band mix. The Top Boost has been tweaked, but if you feel like it's either too loud or not loud enough, you can also adjust the Top Boost Level via an internal trimpot.

The gain control has been carefully balanced to achieve total control of even the slightest harmonic nuances. So, whether you're looking for low gain drive, crunchy medium gain rhythm tones, singing or saturated lead sounds or skull-crushing doom tones, the Disruption control can and will cover all of them! A lot of gain rules! But gain also means compression, and the more you compress your sound, the more your instrument will lose definition. To preserve your precious core tone the CHIEF DISRUPTOR sports a clean blend control and a toggle switch to define the insert position. Insert your dry signal before the EQ section for a more cohesive sound or place it post-EQ to keep your dry signal completely unaffected.

Last but not least, KMA Machines have implemented stacked headroom topology to keep the EQs from getting saggy when cranked, all which results in the tightest, most punchy and LOUDEST muff-style tone on the market. Go forth and empower your creative side, with tone that has true vision to inspire. If you are ready for a change in distortion history, then it's time to follow the CHIEF DISRUPTOR!
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Tags: Fuzz pedal
MRP:$188.44 SAVE 12%
 1 in stock $166.31
Old Blood Noise Endeavors Excess V2 Distortion Modulator Effects Pedal (pink) Old Blood Noise Endeavors Excess V2 Distortion Modulator Effects Pedal (pink) Old Blood Noise Endeavors Excess V2 Distortion Modulator Effects Pedal (pink)
Cat: 860651 Rel: 14 Feb 22
 
A marriage of distortion and delay-based effects
Notes: Way back in 2017, Old Blood Noise Endeavors released their first venture into Distortion aligned with Delay-based effects. Aptly named Excess, we all thought it was fantastically excessive enough back then, but along comes 2022 and Old Blood Noise are adding more switches. Despite this, the controls are actually dead simple, but the sonic potential is immense!

Expanding on the original model, Old Blood Noise Endeavors continues their journey to revive and expand sought-out sounds of the 80s. With delay, chorus and harmonized fifths available, along with distortion in series or parallel configurations, Excess V2 unveils more unique tones and even more control, yet all in a smaller more pedalboard friendly package.

Simply put, Excess V2 is two effects in one: a distortion and a modulation. The modulation takes the form of chorus, delay or pitch shifted delay and the way you route and engage them makes all the difference. Each mode has its own footswitch to engage or disengage the sound. Think circuits from the 80s, 90s, today and a little bit earlier - and they all help to create tones you've never thought of before!

Excess V2 features three modes of modulation. Fifth is a harmonized delay and harmonizes the delay repeat up to a perfect fifth. When depth is turned up (adding delay repeats), those repeats continue to harmonize upward, creating rising fifths and octaves from your original note. Chorus offers a classic chorus, modulating the delay line to create swirling sounds. Delay is a short delay (up to 125ms) focused on comb filter, doubling, and slapback sounds. This section features three knobs, Mod Vol which controls the volume of the modulation, from zero to loud, Rate controls the rate or time of modulation (either the speed of the chorus LFO or the delay time of the delay) and Depth adjusts the depth or feedback of modulation (either the width of the chorus LFO or the number of repeats of the delay).

The Distortion section also has three knobs. While Dist Vol controls the volume of the distortion, from zero to loud, Tone controls the high end of the distortion, from dark to bright. Gain adjusts the gain of the distortion, from bright and almost clean to heavily distorted.
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out of stock $194.17
KMA Machines Pylon Advanced Transformer Boost Noise Gate Effects Pedal KMA Machines Pylon Advanced Transformer Boost Noise Gate Effects Pedal KMA Machines Pylon Advanced Transformer Boost Noise Gate Effects Pedal KMA Machines Pylon Advanced Transformer Boost Noise Gate Effects Pedal KMA Machines Pylon Advanced Transformer Boost Noise Gate Effects Pedal
Cat: 864652 Rel: 24 Feb 22
 
Perfect your Rig with Silence and Control.
Notes: When you add drive, dirt or other sound manipulation devices to your signal, the trade-off is always noise. So, many players turn to noise gates to help tame these unwanted nasties. Unlike many noise gates on the market, the PYLON ATB Noise Gate seeks to not only drive back the hordes of fizz and hum, but also arms and reinforces your tonal attack, shutting down the noise and yet helping you enjoy your rig's true potential.

This advanced, multi-functional and super-versatile pedal not only features an ultra-fast Gate with a smooth trigger, an integrated Boost section, an External Trigger Input for external bypass switching or Gate-triggering, a relay-based Channel Switcher for your amp but also sports a built-in Audio Transformer to help enhance and balance your rig. Hear and feel the quiet in the eye of the storm!

"Deep within the solitude of the temple, the Sau's of the Per-Ankh assembled in silence. Their conclusion was self-evident. Only those pure of tone could be received in the temple and find sonic peace. From the centre of their silent circle, the Orb swelled and raised above the Pylons. Erupting in a rain of light and spewing forth daggers of lightning, their new God subdued and separated the chaotic ocean of noise from the perfect breeze of stillness. Peace reigned once more, the hordes of cacophony overcome."

When talking about signal gain, we all know drive circuits at full tilt can be noisy malice monsters. To help get a grip on your noise floor, PYLON's NOISE GATE is based on a high-performance Blackmerr VCA and provides lightning-fast and precise performance. To find the right spot, simply choose between one of the two detection-range settings and dial in the THRESHOLD to taste. With either softly decaying notes using HIGH mode or a fast-closing response in LOW mode, you're sure to be able to dial in super tight tones when you need it, but without interfering with your sonic signature. Fast palm-mutes? No problem. Decaying notes? Dead simple to accomplish and just so you know when it is operating, the white status LED will also turn blue as soon as the gate starts to act.

Providing up to 30 dB of gain, the integrated BOOST circuit can really help to fine tune your tone, but it can also serve as an attenuator too. Its CUT control will tighten up your low end and is selectable between 65-730 Hz to ensure a mid-focussed and cutting lead sound when pushing your amp's preamp into saturation. Choosing between three different modes for the boost's on/off state, gives you plenty of options on how you want to use it. Either leave it ON to always help shape your tone, OFF if you don't need it, or use SYNC mode so it is activated with the GATE. Both CUT & BOOST knobs are backlit, in order to show you the on/off status of the BOOST section at a glance.

Using transformers in pro-audio gear is nothing new, but while they help to easily match the impedance of low-level and unbalanced signals such as from guitar or bass instruments, PYLON's audio-grade-transformer also gives additional warmth with associated nice low-frequency harmonics. Your guitars, synths or in fact anything you put through the pedal will never have sounded so solid. The pedal gives more 'heft' and enhances the core tone, in a much finer way and without any of the phase issues that can happen when using EQ alone!

However, when the output transformer is boosted even further in level, it can overload many amplifier or pre-amp inputs and make things appear muddy, especially with high levels of additional gain. So, to help tame superfluous low end (especially for rhythm chugging and soloing), KMA Machines added a fixed built-in roll off that affects everything below 65 Hz when the internal BOOST section is activated.

Powered by an optional standard 9V DC (max.) PSU (negative center, 2.1mm, >160mA current draw)
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 3 in stock $166.33
Old Blood Noise Endeavors Whitecap Tremolo Effects Pedal (B-STOCK)
Cat: 867771 Rel: 21 Sep 20
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


Combining a three-control analog tremolo and a multi-shape digital tap tremolo, the Old Blood Noise Endeavors Whitecap tremolo lets the user find new tremolo textures by combining the two sounds in series or parallel. Quick chops, slow ramps, asynchronous modulations, smooth sines, phase flipped undulations, textural rhythmic drifts - it's all there in the Whitecap.
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out of stock $157.19
Dreadbox Lethargy 8-Stage Phase Shifter Effects Pedal Dreadbox Lethargy 8-Stage Phase Shifter Effects Pedal Dreadbox Lethargy 8-Stage Phase Shifter Effects Pedal
Cat: 823149 Rel: 12 May 21
 
8-stage phase shifter effects pedal
Notes: Designed to play nicely with guitars and synths alike, this OTA-based mono phase shifter excels at warm, characterful modulation. Three Eurorack-compatible patch points add creative options.

Supplier's Notes:
Lethargy derives from the greek word for forgetfulness, "Lethe". It is a state of being drowsy and dull. The feeling of having little energy or of being unable or unwilling to do anything.

Dreadbox LETHARGY is an OTA based Phase Shifter effect pedal suitable for fretted instruments and synthesizers, with eurorack patch compatibility.

100 mm wide
140 mm high
90 mA / 9 V DC / Negative Center

SPECIFICATIONS:

Circuit: Analog

Bypass: CMOS

Audio: Mono

Inputs / Outputs:
IN/OUT : TS Unbalanced 6.4mm jack
Manual / Rate / LFO Out : 3.5mm mini jack

Power Supply: 9VDC BOSS style center pin negative 2.1mm (NOT INCLUDED)

Dimensions (cm): 14 x 10 x 5.6

Current Draw: 90mA
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MRP:$177.91 SAVE 12%
 1 in stock $157.02
Dreadbox Kinematic Compressor Filter Effects Pedal
Cat: 823155 Rel: 12 May 21
 
VCA-based compressor/envelope filter effects pedal
Notes: Quirky stuff from Dreadbox's small but innovative effects pedal range. VCA compression meets envelope filtering with Eurorack-compatible CV patch points making it suitable for synths and other instruments, as well as guitars.

Supplier's Notes:
Kinematic is a Greek based word, which describes motion - of points, bodies or systems of bodies, without the consideration of the forces that cause them to move.

Dreadbox Kinematic is a VCA based Compressor and an Envelope Filter effect pedal suitable for fretted instruments and synthesizers, with eurorack compatibility.

10 mm wide
140 mm high
85 mA / 9 V DC / Negative Center

SPECIFICATIONS:

Circuit: Analog

Bypass: CMOS

Audio: Mono

Inputs / Outputs
IN/OUT : TS Unbalanced 6.4mm jack
Filter / Level / EG Out : 3.5mm mini jack

Power Supply: 9VDC BOSS style center pin negative 2.1mm (NOT INCLUDED)

Dimensions (cm): 14 x 10 x 5.6

Current Draw: 85mA
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MRP:$177.91 SAVE 11%
out of stock $158.96
Electro Harmonix Oceans 12 Dual Stereo Reverb Pedal (B-STOCK)
Cat: 869144 Rel: 22 Jul 20
 
B-STOCK: Item refurbished, repaired and in perfect working order.
Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


The Oceans 11's big brother with even more reverbs and functionality. It features two simultaneous, independent, stereo reverb engines, series and parallel control for the dual reverbs, 24 presets and advanced I/O allowing for stereo in/out or mono send/return with pre and post reverb options. The pedal also includes a new Tide Control for stereo image alteration, a Lo-fi Control, an infinite attenuation control and an input jack for external expression and 3-button footswitch control.

A Tails switch provides a choice of whether the reverb effect fades out naturally or stops immediately when the pedal is switched to bypass. In most settings the pedal is also capable of producing infinite reverb which can be played over with a different reverb effect. Comes equipped with a standard EHX 9.6DC200mA power supply.

The Oceans 12's reverbs are: ROOM, SPRING, PLATE, REVERSE, ECHO, TREM, MOD, DYNA, AUTO-INF, SHIMMER, POLYPHONIC, RESONANT
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out of stock $179.07
EarthQuaker Devices Afterneath V3 - Retrospective Special Custom Edition - Otherworldly Reverberation Machine Pedal EarthQuaker Devices Afterneath V3 - Retrospective Special Custom Edition - Otherworldly Reverberation Machine Pedal EarthQuaker Devices Afterneath V3 - Retrospective Special Custom Edition - Otherworldly Reverberation Machine Pedal
Cat: 864130 Rel: 06 Apr 22
 
Enhanced Otherworldly Reverberation Machine.
Notes: To celebrate the release of EarthQuaker Devices upcoming Afterneath Retrospective, they have created an extra special custom colour Afterneath v3 pedal and Afterneath Eurorack Module available for a limited time only. The Afterneath Retrospective marks the fourth chapter in EQD's pedal documentary series, taking a deep and often hilarious dive into how some of their top-selling pedals came into existence.

EarthQuaker Devices has taken everything that was great about the original Afterneath and made it even better: 9 new Modes, CV/expression pedal control over the Drag parameter, Trails/No Trails Switching, helping to push the already unflappable Afterneath into a whole new realm.

The Afterneath V3 sounds a lot like it looks - a wizard bursting forth from ethereal cave and ready for the ambient battle. You are the wizard (or sorceress, if you prefer) and the cave is your instrument's signal, vast, expansive and magical. Do you go inside? Roll a D20 to proceed!

Once inside, a reflection of light from an unknown source catches your eye, and you notice a bizarre sheen on the walls of the cave. You timidly inch closer to the walls of the cave. Placing your hand gently on the cavern wall, you feel the rock move. The cave is alive! Alarmed, you emit a loud gasp, which reverberates throughout the subterranean landscape. Upon further listening, it appears as though the reverberations of your voice are in fact a swarm of short digital delays which may be used to create wild and cavernous reverbs, or scattered, short, rhythmic delays with bizarre characteristics.

Take a moment to consider your Intelligence and Wisdom scores, as well as your spell inventory before proceeding further. You have seven spells at your disposal... Will you cast "Length," which controls the decay length of the reverb? What about "Diffuse," which adjusts the spread of the reverb? With your wand (or just the knob) turned counter-clockwise, the reverb is sharper with more attack, resulting in a stuttering sputter of individual early reflections. Clockwise casts a washy, more ambient-sounding hex.

Overwhelmed by fear, you hastily cast "Dampen!" As you shout the incantation, you notice that a counter-clockwise variation of this spell results in brighter tones, while as you rotate your wand clockwise; you hear darker tones with a mellower top-end. It's almost as if your magic changes the hardness of the cavern walls, and thus the tonal characteristics of the reverb!

Elsewhere in your book of magic is "Drag," which separates the individual digital delay lines, literally dragging them through the very fabric of time and space towards an unknown event horizon from which they may never return. Clockwise "Drag" positions will gather the delay lines close together for a more reverb-like effect. Turn the "Drag" counter-clockwise and the delay lines will begin to pull apart for a scattered ping-pong delay effect.

The Drag can be put under voltage or expression control using the "EXP" jack located on the side and operates in 9 different modes which are selected by the small "Mode" control. These modes are: Unquantized, Unquantized with slew, Unquantized volt/octave, Chromatic scale, Major scale, Minor scale, Pentatonic scale, Octaves & fifths and Octaves. These modes drastically change the way the Drag control functions, especially while using an expression control or CV.

The "Reflect" alters the depth of the cave, and with it the regeneration of the reverb. This acts as a feedback control and will self-oscillate if cast by a high-level user. Turn clockwise for more wash and echoes, counter-clockwise for less. Finally, the "Mix" alters the alchemical balance between the input signal and the effect.

The Afterneath V3 does not go fully wet but does lower the level of the input signal as you raise this control to create the appearance of a fully wet reverb.

The Afterneath V3 features a completely analog dry signal path, totally digital delay path, buffered bypass with Flexi Switch Technology and a tails/no tails option on bypass. Each and every Afterneath V3 is built by a mix of robots and human beans in the torch-lit cave community of Akron, Ohio.

Tech Specs

Dimensions: 4.75 x 2.50 x 2.25 in. (121 x 64 x 57 mm) with knobs
Current Draw: 100 mA
Input Impedance: 1 MO
Output Impedance: 500O
Power: 9 volt DC power supply with a 2.1mm negative centre barrel
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MRP:$209.50 SAVE 12%
out of stock $184.23
Solid Gold FX Commodore Overdrive Effects Pedal Solid Gold FX Commodore Overdrive Effects Pedal Solid Gold FX Commodore Overdrive Effects Pedal
Cat: 871583 Rel: 06 Apr 22
 
Breaker-style low to mid-gain overdrive effects pedal
Notes: SolidGoldFX Commodore

BluesBreaker-Style Low to Mid-Gain Overdrive Drive

SolidGoldFX are back with the second instalment of retro themed slider laden stomp boxes - the Commodore Overdrive! Inspired by, the classic Marshall BluesBreaker and crossbred with Solid Gold FX's beloved Imperial MKII, Solid Gold FX's are excited to present you with this wonderfully versatile and natural sounding drive.
So, what is the Marshall BluesBreaker and what makes it so awesome? The Marshall BluesBreaker was released in the early 90's alongside the ShredMaster and DriveMaster pedals. Offered in the large black box format, it was aimed at capturing the crunch and breakup of the earlier model 1962 JTM45 based combo amp famously dubbed the Bluesbreaker after be-ing used by Eric Clapton during his time with John Mayall and the Blues Breakers. The pedal offered a beautiful and natural sounding overdrive and has since become a favourite amongst builders and players alike, with original units now fetching close to 4 figures.

The Commodore offers a fresh spin on an old-school heavyweight by mating a specially tuned, low to mid-gain BB style drive circuit with the super sculpting output section of the Imperial MkII. Carefully selected component values and asymmetric clipping offer an organic and natural sounding drive ranging from sweet and mellow to hot and spicy, while the Tone and Con-tour sliders allow you to dial in anything from black panel spank to Vox-ey chime and British growl.

Set the Drive down low for tone sculpting or boost applications or crank it up for some extra sizzle. Use the Tone and Contour sliders to accentuate or scoop your highs, mids or lows and stack it with other fuzzes or drives for extra flavor and variety. You can power it from any standard negative center 9 V DC power supply or up the voltage to 18 V DC for extra headroom.

Finally, the Commodore package is complete with dual LED indicators, top jacks, true-bypass switching and of course, the retro sliders with vintage inspired artwork.

Power

The Commodore requires a centre-negative 9VDC power adapter with at least 10mA of current (not included). Almost all power supplies meet this requirement, but check yours beforehand.

Dimensions

4.77" x 2.6" x 1.39" (121.1 x 66 x 35.3mm)
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MRP:$209.50 SAVE 12%
out of stock $185.10
Nu-X MG-400 Guitar Multi-FX Effects Pedal Nu-X MG-400 Guitar Multi-FX Effects Pedal Nu-X MG-400 Guitar Multi-FX Effects Pedal Nu-X MG-400 Guitar Multi-FX Effects Pedal Nu-X MG-400 Guitar Multi-FX Effects Pedal Nu-X MG-400 Guitar Multi-FX Effects Pedal Nu-X MG-400 Guitar Multi-FX Effects Pedal Nu-X MG-400 Guitar Multi-FX Effects Pedal
Nu-X MG-400 Guitar Multi-FX Effects Pedal (overdrive/amp simulation/IR cabinet simulation/modulation/delay/reverb effects pedal)
Cat: 899580 Rel: 20 Dec 22
 
MG-400 Guitar Multi-FX Pedal
Notes: The NU-X MG-400 builds on the success of the ground-breaking MG-300 compact multi-FX pedal, adding dual processors and delivering high-definition models and increased flexibility. Integrated effects sections include Drive, Amp Simulation, I.R cabinet simulation, Modulation, Delays & Reverbs with a host of options within each category. Audio modelling is based on the NU-X TSAC-HD algorithm, which delivers high-definition analogue circuit simulation for pro quality guitar tones. An expression pedal covers wah and swell effects amongst other possibilities. All settings can be edited onboard or via USB using the downloadable PC/Mac Quicktone software and then stored into one of 36 internal memory locations. For live or rehearsal backing, the built-in Jam function has a fully featured drum machine and phrase looper. To integrate with a DAW studio suite, the USB also functions as a high-quality audio interface, completing the studio-ready guitar rig. The main output can be stereo or mono for guitar amplifiers or D.I to studio equipment. There is an additional 3.5mm output for stereo headphones. Expanding the control surface has provided space for additional control footswitches for a smoother and more accessible live playing experience.

Specifications

Power supply: 9Vdc, 280mA pin-negative (adaptor included)
Inputs: 6.3mm jack (guitar), 3.5mm jack (aux input)
USB port: USB type-C for audio interface and PC/Mac editing
Sampling format: 48kHz, 32-bit
Frequency response: 20Hz - 20kHz (+/-1dB)
Outputs: L/Mono + R 6.3mm jack, stereo 3.5mm headphones
Latency: 1.1ms
Dynamic range: 108dB
THD: +N<0.03%
Input impedance: 470k ohms (Aux 10k ohms)
Output impedance: 1k ohm (Headphones 47 ohms)
Dimensions: 289 x 160 x 71mm
Weight: 920g

In the box

The box for this item contains:
MG-400 multi-FX pedal
9Vdc UK power adapter
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MRP:$251.61 SAVE 24%
 1 in stock $191.59
Old Blood Noise Endeavors Sunlight Dynamic Freeze Reverb Effects Pedal (B-STOCK) Old Blood Noise Endeavors Sunlight Dynamic Freeze Reverb Effects Pedal (B-STOCK) Old Blood Noise Endeavors Sunlight Dynamic Freeze Reverb Effects Pedal (B-STOCK)
Cat: 900601 Rel: 27 Oct 21
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


Dynamic hold effects are the aim with this creative reverb pedal. Three reverb modes (tape, comb filtering and resonant bandpass filtering) can be frozen and triggered to create infinite sustaining textures.

Supplier's Notes:
Dynamics. It's the shifting ebb and flow of the tide. It's the ups and downs of life. It's witnessing night turn into day, as the sun attacks and sustains through the nightly veil, making the darkness release its gloomy grasp and decay. It's where you'll find the Old Blood Noise Endeavors Sunlight Dynamic Freeze Reverb. An envelope triggered multi-mode reverb with the ability to dynamically freeze and sustain your notes forever, seeing you create truly mesmerising sunlit soundscapes.

Building on what made OBNE's top-selling Dark Star such a stellar early-chain pad reverb, Sunlight twists it into the other dimension as a reverb pedal centred around the idea of a dynamic hold. When you play, your new notes are let through and old notes are allowed to fade away, but when you stop playing, old notes have the chance to repeat forever.

A dead simple to use interface of just two knobs controls the nature of this relationship. In addition, there are three sonic modes that highlight modulation, comb filtering and resonant bandpass filtering, each of which takes their own spin on the reverb signal. The Mix, Input and Decay controls work exactly the same across each mode, as they help control the dynamics.

Mix sets the loudness of the reverb, which goes from all dry to all wet and anywhere in between, allowing you to create everything from subtle reverberations to deep ambient textures. Now, the interplay between Input and Decay is where the real Sunlight magic starts to happen. Decay determines how long the reverb trails will sustain, which will go from quick ephemeral evaporations to infinite reverb pads. On the other hand, Input controls how much of your signal is allowed into and fed back within the reverb. At zero, no new input will be added to your reverb, but as you increase it, more signal is let through, letting you create gently evolving ambient textures or drastically changing synth-like pads.

Rate and Depth are mode-dependent controls. TAPE Mode is a modulated reverb inspired by the unexpected shifts of a tape machine wobbling. Here, Rate and Depth set the speed and intensity of the lopsided vibrato applied to the reverb signal. COMB Mode is a combination of reverb and delay. Four delay lines are placed after the reverb, and the emphasis on stacked short delays creates comb filters like a fixed flanger. Rate sets the time of all four delays, and Depth sets the feedback (or resonance) of the delay section. PASS Mode is a bandpass filter applied between two reverb paths, where a random sample-hold function sets the cutoff frequency of the bandpass. Rate sets the timing of the sample-hold and Depth sets the range of possible cutoff frequencies. If Rate is set to 0, Depth sets a fixed cutoff frequency.

But the sound shaping adventure doesn't end here. Sunlight also contains a bunch of expressive capabilities performed through the on-board ALT switch, which can be set to change control settings either momentarily or latching. It can be assigned to the Rate, Depth, Decay or Input controls or any combination of the four. You can also control them externally via an external expression pedal, the OBNE Expression Slider or even the OBNE Expression Ramper, which will open up even more creative possibilities.

Dimensions:

Product Height (cm): 5.800
Product Width (cm): 6.600
Product Depth (cm): 12.000
Product Weight (kg): 0.300

Box Height (cm): 7.800
Box Width (cm): 8.200
Box Depth (cm): 14.400
Boxed Weight (kg): 0.453
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out of stock $194.98
Electro Harmonix Pitch Fork Polyphonic Pitch Shifter Effects Pedal (B-STOCK)
Cat: 902133 Rel: 04 Feb 15
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


The Pitch Fork transposes an instrument's pitch over a +/- three octave range and features three modes which allow the pitch to be transposed up, down or both, simultaneously. The pitch shift amount can be set to a fixed interval or continuously varied by an expression pedal or control voltage.

The controls are straightforward and intuitive. An 11-position Shift switch selects the maximum transposition interval ranging from D (Detune), a shift of 17 cents, through Minor 2nd, Major 2nd, Major 3rd, Perfect 4th, Perfect 5th, Major 6th, Minor 7th, 1 Octave, 2 Octaves and 3 Octaves. A three position toggle switch controls whether the pitch is transposed up, down or both. In Dual mode, two pitch-shifted signals are output. One follows the shift knob as if in the Up position while the other creates a harmony. Dual Mode settings include M3 up + P5 up, P5 up + 1 Oct down, 1 Oct up + 1 Oct down and many others. A Blend knob controls the mix of the dry signal and the effected signal, and an EXP jack enables the player to control pitch and glissando with an expression pedal.

The Latch button selects Latch or Momentary mode which affects how the footswitch and EXP input behave. In Latch mode, the footswitch toggles between effect on and buffered bypass each time it's pressed and the EXP input continuously varies pitch. In Momentary mode the effect is only on while the footswitch is depressed and when it is released the Pitch Fork goes into bypass.

In Latch mode the EXP input controls pitch shift amount, ranging from unity to the interval set by the Shift knob, and pitch varies continuously throughout the expression pedal's range. In Momentary mode the EXP input controls glissando rate for the Pitch Fork's footswitch. When the bypass footswitch is pressed, the Pitch Fork jumps from bypass to the interval set by the Shift knob. The amount of time it takes to reach that new note is the glissando rate. When the footswitch is released the pitch will return to unity at the same rate. That glissando time can vary between 4 milliseconds to two seconds depending on the heel/toe position of the expression pedal. The default glissando rate is 60 milliseconds when nothing is plugged into the EXP input.

The Pitch Fork comes equipped with an EHX 9.6DC-200mA power supply and also runs on a 9Volt battery.

*UK 230V power adapter included*
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out of stock $150.74
EarthQuaker Devices Spatial Delivery V2  Envelope Filter With Sample & Hold Pedal (B-STOCK) EarthQuaker Devices Spatial Delivery V2  Envelope Filter With Sample & Hold Pedal (B-STOCK) EarthQuaker Devices Spatial Delivery V2  Envelope Filter With Sample & Hold Pedal (B-STOCK)
Cat: 904367 Rel: 28 Jul 20
 
B-STOCK: Box damaged, product in perfect working order
Notes: ***B-STOCK: Box damaged, product in perfect working order***


The Spatial Delivery is an oddball, a voltage controlled envelope filter that allows you to step outside the universe of funk while reinforcing your secret love affair with auto-wah. It has 3 modes: Up Sweep, Down Sweep and Sample and Hold.

With Range, Resonance and Filter controls you can get super emphasized filter sweeps in the Up and Down modes. The Range, in combination with pick attack, controls the sensitivity and reaction time of the envelope and thus the width of the frequency sweep. The higher the Range and harder the attack equals a faster reaction time and higher frequency sweep and vice versa. Reign in the controls a bit, add your favorite overdrive/fuzz after the Spatial Delivery and you've got a real nice resonant, cut-through-the-mix lead tone. Crank the controls back up and you're a neo-bedroom rock god. In the Sample and Hold mode the filter is controlled by random voltage and the Range controls the speed. Add a sub octave into the mix (before or after) and you've just created a deep fried space droid computer freak-out. The filter can be cross faded between high pass (counterclockwise), band pass (center) and low pass (clockwise) for a wide variety of voices. The Resonance control goes from zero to the brink of oscillation and adds more body and ring to the filter voice.

Controls:
1. Range: Adjusts the sensitivity of the envelope in Up and Down mode. In Sample and Hold mode, this controls the speed.

2. Mode Toggle: This toggles between Upward Sweep, Downward Sweep or Sample and Hold.

3. Resonance: This is the filter feedback control, it adds more body and ring to the filter voice.

4. Filter: This crossfades between high pass and low pass filters and allows you to get everything in between. High pass is fully counterclockwise, low pass is full clockwise and center is band pass. This is much more useful than a simple switch because it allows you to blend the filters for different sounds!

Suggested Placement
We recommend placing the Spatial Delivery first in your signal chain. However, due to its envelope control, experimenting with pairing and signal chain placement can take the potential of the Spatial Delivery even further.

Tech Specs:
Flexi-Switchr Technology
This device features Flexi-Switchr Technology! This relay-based, true bypass switching style allows you to simultaneously use momentary and latching style switching.

For standard latching operation, tap the footswitch once to activate the effect and then tap again to bypass.

For momentary operation, hold the footswitch down for as long as you'd like to use the effect. Once you release the switch the effect will be bypassed.

Since the switching is relay based, it requires power to pass signal.

Power
This device takes a standard 9 volt DC power supply with a 2.1mm negative center barrel. Pedal-specific, transformer-isolated wall-wart power supplies, or multiple isolated-output supplies, are always recommended. Pedals will make extra noise if there is ripple or unclean power. Switching-type power supplies, daisy chains and non-pedal specific power supplies do not filter dirty power as well and let through unwanted noise. DO NOT RUN AT HIGHER VOLTAGES!

Dimensions: 4.75 x 2.50 x 2.25 in. (121 x 64 x 57 mm) with knobs
Current Draw: 68 mA
Input Impedance: 500 kO
Output Impedance: <1 kO
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out of stock $169.26
Walrus Audio Eras Five-State Distortion Effects Pedal (black, retro limited edition) Walrus Audio Eras Five-State Distortion Effects Pedal (black, retro limited edition) Walrus Audio Eras Five-State Distortion Effects Pedal (black, retro limited edition) Walrus Audio Eras Five-State Distortion Effects Pedal (black, retro limited edition)
Cat: 904776 Rel: 13 Oct 22
 
A five-state distortion effects pedal.
Notes: Eras is a no apologies, high-gain distortion that's ready to chug, shred, and palm mute with tight response and multiple clipping options. Use the Blend knob at max for a full distortion onslaught or roll back the Blend knob to creatively stack and mix other dirt pedals placed in front of Eras. Great for bassists that want to blend in their dry signal as well. Anywhere you set it, the Eras is ready to deliver a diverse world of speaker ripping sounds.

The Eras features a five-position rotary knob that offers the following gain states:

Tight mode with a slight mid-cut, LED hard clipping, and internal volume compensation. Fastest response, great for palm muting.

Tight mode with a slight mid-cut and silicon hard clipping. Smooth with added compression.

Dual clipping mode with a slight mid-cut and both silicon and LED hard clipping. Rich & full with added sustain.

Rhythm mode with a deeper mid-cut, LED hard clipping, and internal volume compensation. Scooped mids, tight response.

Rhythm mode with a deeper mid-cut and silicon hard clipping. Rhythmic, warm and full.

Think of each position as a different "flavour" of the pedal. Blend in dry signal or other pedals in combination with the gain states for a near-infinite amount of distortion sounds.

The Eras comes in a translucent red enclosure with yellow, cream, and black ink. Artwork by Adam Forster features a mythical four-horned, winged Bull ready to stampede into any mosh pit.

Dimensions and power consumption:

0.25kg
6,6 x 12,2 x 5,6 cm (W x D x H)
100 mA
In the box:

Walrus Audio Eras
Manual
Sticker
Guitar pick
Pouch
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MRP:$226.34 SAVE 20%
out of stock $181.86
Walrus Audio Eras High-Gain Distortion Effects Pedal (black, obsidian limited edition) Walrus Audio Eras High-Gain Distortion Effects Pedal (black, obsidian limited edition) Walrus Audio Eras High-Gain Distortion Effects Pedal (black, obsidian limited edition) Walrus Audio Eras High-Gain Distortion Effects Pedal (black, obsidian limited edition)
Cat: 904783 Rel: 13 Oct 22
 
A high-gain distortion effects pedal.
Notes: Eras is a no apologies, high-gain distortion that's ready to chug, shred, and palm mute with tight response and multiple clipping options. Use the Blend knob at max for a full distortion onslaught or roll back the Blend knob to creatively stack and mix other dirt pedals placed in front of Eras. Great for bassists that want to blend in their dry signal as well. Anywhere you set it, the Eras is ready to deliver a diverse world of speaker ripping sounds.

The Eras features a five-position rotary knob that offers the following gain states:

Tight mode with a slight mid-cut, LED hard clipping, and internal volume compensation. Fastest response, great for palm muting.

Tight mode with a slight mid-cut and silicon hard clipping. Smooth with added compression.

Dual clipping mode with a slight mid-cut and both silicon and LED hard clipping. Rich & full with added sustain.

Rhythm mode with a deeper mid-cut, LED hard clipping, and internal volume compensation. Scooped mids, tight response.

Rhythm mode with a deeper mid-cut and silicon hard clipping. Rhythmic, warm and full.

Think of each position as a different "flavour" of the pedal. Blend in dry signal or other pedals in combination with the gain states for a near-infinite amount of distortion sounds.

The Eras comes in a translucent red enclosure with yellow, cream, and black ink. Artwork by Adam Forster features a mythical four-horned, winged Bull ready to stampede into any mosh pit.

Dimensions and power consumption:

6,6 x 12,2 x 5,6 cm (W x D x H)
100 mA

In the box:

Walrus Audio Eras
Manual
Sticker
Guitar pick
Pouch
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MRP:$226.34 SAVE 24%
out of stock $171.59
Dreadbox Komorebi Flanger & Chorus Pedal (B-STOCK) Dreadbox Komorebi Flanger & Chorus Pedal (B-STOCK)
Cat: 859693 Rel: 26 Feb 21
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


Huge chorus-flanger. Take your music to infinity. The fully analogue Dreadbox Komorebi Chorus-Flanger Pedal gives you a huge array of sound design possibilities. This powerful pedal can add some serious impact to your sound.

It doesn't matter if you're playing bass, guitar, synths, or even if you want to hook it up to your modular Eurorack system. The Komorebi is ready to go. Sprinkling its beautiful effects over anything it touches.

From a slight pinch of flange to add some movement to your bass lines, or a lengthy chorus effect to treat your pads and chords to a final touch of space-age wideness. It's a guitar pedal but not as you know. Komorebi works with everything.

Current draw: 100mA
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out of stock $153.49
Solid Gold FX 76 MKII Multi-Voiced Silicon Octave-Up Fuzz Effects Pedal (yellow) Solid Gold FX 76 MKII Multi-Voiced Silicon Octave-Up Fuzz Effects Pedal (yellow) Solid Gold FX 76 MKII Multi-Voiced Silicon Octave-Up Fuzz Effects Pedal (yellow)
Cat: 902656 Rel: 17 Oct 22
 
Multi-Voiced Silicon Octave-Up Fuzz.
Notes: While the Western world was preoccupied with smooth and soulful Fuzz Faces and Muffs, the Orient was bubbling up with gnarly mystical fuzzes, heavily imparted with earthshaking Godzilla DNA. This very distinct era in fuzz history gave us many treasures that have been rightfully crowned fuzz legends: the Univox Super Fuzz, Ibanez Standard Fuzz, Ace Tone Fuzz Master, Shin-Ei Companion and several others.

Just like its predecessor, the SolidGoldFX 76 MKII offers up a comprehensive guided tour to the best that the Standard Fuzz and its ilk has to offer without any of the drawbacks. On face value, the improved 76 MKII gives you a multi-voiced fuzz unit that offers loads of octave-up snarl and clang, at the same time as ruthlessly pummelling your amp with hair and fangs, while the top mounted jacks and new JFET Preamp stage all helps to make the pedal easily fit into any modern setup.

Armed with a JFET input and built around a specific set of Toshiba transistors, the 76 MKII's dual Texture and Colour tone controls allow you to precisely sculpt your fuzz while the octave switch allows you to dial back the octaves and overtones for a smoother finish.

All of this translates to a surprisingly varied and delicious fuzz feast, with everything from stabby robotic clangs, synthetic soaring leads, absolutely crushing doom chords as well as more warm and enveloping drives just a single stomp away.

Topped off with silent, soft touch true bypass switching and top jacks, the 76 MKII is everything you need if you're looking for a musical yet powerful fuzz capable of levelling Tokyo! Here's to the new Standard Fuzz.
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Tags: Fuzz pedal
MRP:$209.50 SAVE 11%
 1 in stock $186.32
Electro Harmonix Micro POG Polyphonic Octave Generator Effects Pedal (silver) (B-STOCK)
Cat: 931683 Rel: 03 Feb 15
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


The Legenday and classic original POG won top awards from every major magazine on every continent for its flawless polyphonic tracking and musical flexibility.

The Micro POG delivers the same perfect tracking and smooth polyphony in a simplified design. Now in a small pedalboard-friendly diecast chassis, the Micro POG delivers and will blow you away the first time you use it.

*UK 230V power adapter included*
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out of stock $179.21
Electro Harmonix Bass9 Bass Machine Effects Pedal (white) (B-STOCK) Electro Harmonix Bass9 Bass Machine Effects Pedal (white) (B-STOCK) Electro Harmonix Bass9 Bass Machine Effects Pedal (white) (B-STOCK) Electro Harmonix Bass9 Bass Machine Effects Pedal (white) (B-STOCK) Electro Harmonix Bass9 Bass Machine Effects Pedal (white) (B-STOCK)
Cat: 932130 Rel: 10 Oct 19
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


The polyphonic BASS9 Bass Machine transforms a guitar into nine different basses and requires no special pickups, MIDI or instrument modifications. It relies on the same technology powering all EHX 9 Series pedals, like the award winning MEL9 Tape Replay Machine, but features a new algorithm maximized for transposing one to two octaves down with superior dynamics and tracking.

A rotary switch allows the user to select the sound of their choice, as follows:

- PRECISION: Pays homage to the iconic Fender P Bass
- LONGHORN: Emulates the Danelectro 6-string bass, ideal for baritone type tones
- FRETLESS: Features both electric and standup fretless basses.
- SYNTH: A tribute to the classic Taurusr Synthesizer
- VIRTUAL: Lets the user adjust the bass's body density and neck length for a variety of bass sounds
- BOWED: Classic bowed bass
- SPLIT BASS: Makes it possible for the guitarist to play bass on the lower strings (all notes below F#3) and chords or melody with the higher strings.
- 3:03: A polyphonic salute to the sought-after Roland TB-303 vintage bass synth
- FLIP-FLOP: Inspired by EHX's Octave Multiplexer, it provides a '70s style logic driven sub-octave generator that tracks without glitches.

The pedal is equipped with independent Effect and Dry volume controls so guitarists can precisely tune their mix at the Effects output jack, plus an always-active Dry output jack that outputs the input signal at unity gain.

Controls 1 and 2 have been designed to adjust specific parameters for each of the nine programs. For example, in PRECISION, CTRL 1 controls the sub-octaves while CTRL 2 imitates the original instrument's tone control.

The BASS9 comes equipped with a standard EHX 9.6DC200mA power supply.
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out of stock $197.72
Electro-Harmonix Intelligent Harmony Machine Pitch Shifter Effects Pedal (silver) (B-STOCK) Electro-Harmonix Intelligent Harmony Machine Pitch Shifter Effects Pedal (silver) (B-STOCK) Electro-Harmonix Intelligent Harmony Machine Pitch Shifter Effects Pedal (silver) (B-STOCK) Electro-Harmonix Intelligent Harmony Machine Pitch Shifter Effects Pedal (silver) (B-STOCK)
Cat: 933755 Rel: 19 Nov 21
 
B-STOCK: Item refurbished, repaired and in perfect working order.
Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


Automatic multi-part harmonies are on tap with this compact but powerful pedal. Dial in your chosen interval and generate two- and three-part harmonies from your input signal, with a smart Polyphonic Override Mode allowing you to play chords.

Supplier's Notes:
The EHX Intelligent Harmony Machine instantly creates matching harmonies to what you play. It's like having one - or even two - guitarists jamming with you at the same time and always in perfect sync. The Intelligent Harmony Machine opens a door to the music of great multi-lead guitar bands and multi-part harmonized solos. Plus, its ability to apply harmonies ranging from simple to sophisticated will totally transform what you play. Of course, it also boasts EHX's renowned impeccable tracking and genuine musical tone.

Select your key and the Intelligent Harmony Machines will generate single note, diatonic harmonies* with a huge range of choices that includes both two- and three-part harmonies. Here are your choices:

1- 6th Down
2- Perfect 4th Down
3- 3rd Down
4- 3rd Up
5- Perfect 4th Up
6- Perfect 5th Up
7- 6th Up
8- 7th Up
9- 3rd Up + 7th Up
10- 3rd Up + 7th Up
11- Perfect 5th Up + Octave Up

These sound so cool that they're included them as extra options for the multi-harmony parts (selections 9, 10 and 11) to give you even more choices:

9 optional- 4th Down + 3rd Up
10 optional- 3rd Up + 6th Up
11 optional- Octave Down + 5th Up
9 optional- 6th Down + 4th Down
10 optional- 3rd Down + 3rd Up
11 optional- Octave Down + 4th Down

The Intelligent Harmony Machine also performs perfect polyphonic pitch shifts so the pitch shifts you dial up are applied to chords as well as single notes. A Major/Minor switch has also been included so you can select whether 2nds and 3rds will be major or minor. Here are the interval selections that are available:

1- Doubler
2- Perfect 4th Down
3- 3rd Down (minor on major)
4- 3rd Up (minor or major)
5- Perfect 4th Up
6- Perfect 5th Up
7- 2nd Down (minor or major)
8- 2nd Up (minor or major)
9- Octave Down
10- Octave Up
11- Perfect 5th Up + Octave Up

The Intelligent Harmony Machine's Moment Mode lets you instantly change pitch by simply depressing the pedal's footswitch. The pitch shift is engaged, as long as you hold down the F/S. There's also an option so you can apply a user-set sweep time between dry and effect. Choose instant pitch changes or control the time it takes for the Intelligent Harmony Machine to sweep up and down between the set interval and the dry signal!

EHX Founder, Mike Matthews said: "We designed the Intelligent Harmony Machine for the player who craves maximum power, but in a minimal footprint. You'll dig its sweet, musical tone and spotless tracking!"

*Diatonic harmony means notes within a specific key that relate to each other.

SPECIFICATIONS:

Circuit: Digital
Bypass: Buffered Bypass
Audio: Mono
Power Supply: 9.6VDC-200mA power adapter included (optional 9V battery not included)
Dimensions (in): 4.5 x 2.75 x 2.1
Current Draw: 26mA
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out of stock $187.20
EarthQuaker Devices White Light Overdrive Effects Pedal (limited edition) EarthQuaker Devices White Light Overdrive Effects Pedal (limited edition) EarthQuaker Devices White Light Overdrive Effects Pedal (limited edition) EarthQuaker Devices White Light Overdrive Effects Pedal (limited edition) EarthQuaker Devices White Light Overdrive Effects Pedal (limited edition) EarthQuaker Devices White Light Overdrive Effects Pedal (limited edition) EarthQuaker Devices White Light Overdrive Effects Pedal (limited edition)
Cat: 928656 Rel: 13 Mar 23
 
An overdrive effects pedal, limited to 2000 units worldwide.
Notes: EarthQuaker Devices White Light

Limited Edition Reissue Overdrive - limited to 2,000 units worldwide.

The White Light is a hard clipping, vintage-voiced overdrive that takes its cues from the vintage dirt pedals that defined the sounds of heavy rock. Think OD250 or Distortion+ without being overly derivative, a new voice to an olde sound if you will. The White Light gives you total control over the feel and voice of the dirt along with a modern presence that is highly responsive to your playing. You'll find that it is much more dynamic, open and harmonically rich than these classic overdrives it shares its lineage with. This classic EQD overdrive has been updated with a new enclosure, top-mounted jacks and Flexi-Switchr Technology.

Gain: Controls the amount of distortion.

Weight: A multi-functional control, allows the level of saturation, low end response and the overall feel of the device to be altered.

Level: Controls the output.

Compression Switch:

Minus (-): open with more high-mids and bite.
Plus (+): crunchy and compressed with a bit less bite and a flatter mid response.
Flexi-Switchr Technology
This device features Flexi-Switchr Technology! This relay-based, true bypass switching style allows you to simultaneously use momentary and latching style switching.
For standard latching operation, tap the footswitch once to activate the effect and then tap again to bypass.
For momentary operation, hold the footswitch down for as long as you'd like to use the effect. Once you release the switch the effect will be bypassed.
Since the switching is relay based, it requires power to pass signal.

Power

This device takes a standard 9 volt DC power supply with a 2.1mm negative center barrel. Earthquaker Devices always recommend pedal-specific, transformer-isolated wall-wart power supplies or multiple isolated-output supplies. Pedals will make extra noise if there is ripple or unclean power. Switching-type power supplies, daisy chains and non-pedal specific power supplies do not filter dirty power as well and let through unwanted noise.

Do not run at higher voltages!

Tech Specs

Dimensions: 4.75 x 2.50 x 2.25 in. (121 x 64 x 57 mm) with knobs
Current Draw: 10 mA
Input Impedance: 500 kO
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MRP:$177.91 SAVE 12%
 1 in stock $157.19
Death By Audio Germanium Filter True Vintage Germanium Distortion Effects Pedal (black) (B-STOCK) Death By Audio Germanium Filter True Vintage Germanium Distortion Effects Pedal (black) (B-STOCK) Death By Audio Germanium Filter True Vintage Germanium Distortion Effects Pedal (black) (B-STOCK) Death By Audio Germanium Filter True Vintage Germanium Distortion Effects Pedal (black) (B-STOCK) Death By Audio Germanium Filter True Vintage Germanium Distortion Effects Pedal (black) (B-STOCK)
Cat: 933914 Rel: 21 Feb 22
 
B-STOCK: Item refurbished, repaired and in perfect working order.
Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


The Germanium Filter is Death By Audio's love letter to sticking a pencil in your speaker.

Start with a console-style drive circuit, add in a dash of obsolete germanium transistors and finish it off with a super intense DBA-style filter - BLAMO! You've got a sound heavy enough to crush on and sharp enough to slice a tomato.

The Filter control is extremely unconventional - it'll take you from bottomless, sub-woofered out lows to super searing and brittle highs, with a universe of tone in between. The Germanium Filter will help you find the sweet spot for your instrument in any situation - at a show, in the studio, or even stranded on the side of the highway after your tour van catches fire - hey, it happens!

The Gain knob starts with a dirty boost that then spans through saturated drive, spitting distortion, and a blistering fuzz tone. Get ready for your sound to be cranked up to infinity-and-a-half and captured on tape by the most incredible recording engineer you've ever heard - only there's no engineer and no studio. Just you, your guitar, your amp and the Germanium Filter.

Controls

Filter: Controls the frequency response of the pedal, featuring huge low end, scooped mids, and sharp, piercing highs.

Gain: Sweeps from mild overdrive to blasted-out fuzz. Very interactive with your guitar's volume control.

Volume (internal): Controls the overall output level of the pedal.

Specifications

Dimensions: 5" x 2.5" x 2.25" (including hardware).

Weight: 10.6 oz

Power: 9V (runs on standard 2.1mm negative center 9V adapter or included 9V battery).

Current Draw: 5 mA.
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 1 in stock $178.97
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