Review: 'New Day' is the second deep house anthem produced by Basic Channel. Included is an main vocal mix and an instrumental mix on the B-side. The sound aesthetic presented here is undeniable Basic Channel alike. The instrumental version is not just the original tune without the vocals but a stripped-down-to-the-bones groove monster which lasts.
Review: Oh yes, we love it when Theo represses some of his most sought after tracks and this one is particularly well-timed. Leron Carson is still an unknown figure, a kid who used to make viciously raw and futuristic techno tracks in the late 1980's! "China Trax", alongside the rest of his tracks on a different Sound Signature double 12", is totally ahead of its time and if it was truly made in 1987 then it is nothing short of amazing. Of course, it's not just the year it was made in that's interesting but also the fact that it's music without an age, able to be appreciated by any generation of techno freaks. Theo's own "Insane Asylum" on the flipside is also pretty monumental; rigged beats, off-kilter grooves and that familiar spontaneity so heavily associated to the label. RECOMMENDED.
Review: Omar S adopts a new style for his new Side Trakx project. Detroit house meets sample based hip hop... and it really works. Possibly inspired by the passing of the late Jay Dilla, this music is perfect for relaxing and kicking back, or even warming up the early hours of the club. While Detroit hip-hop producers already proved that there's a mutual creative interaction between the cities house, techno and hip-hop scenes, it's now one of the cities hottest house producers laying down some smoked out, next level instrumentals in the vein of the late genius Jay Dilla, Madlib or Underground Resistance's Hipnotech sublabel.
Walk A Mile In My Shoes (Timo Garcia & The Chesire Catz remix)
Walk A Mile In My Shoes (Tom Belton S Ssl Re-rub)
Review: Coldcut return with the stand-out single from their critically-acclaimed album, "Sound Mirrors". The pioneering duo take Joe South's classic 70s hit "Walk A Mile In My Shoes" and re-work it in the tradition which started with their own "Autumn Leaves" and incorporates Massive Attack's "Unfinished Sympathy" amongst others. And, as usual, Coldcut know how to pick a collaborator. Robert Owens should need no introduction. One of the true legends of house music, his career as a musical innovator (as well as the possessor of an all-time great voice) runs from pioneer days as one half of Fingers Inc in Chicago in the 80s right up to collaborations with Photek and London Elektricity, via any number of classic tunes including "Tears", "I'll Be Your Friend" and "Ordinary Son". The version of the tune included on the single ties the epic nature of Coldcut's production to a skipping, swinging house rhythm and the kind of anthemic build that leaves you exhausted. It's a truly beautiful piece of music, the contrast between the delicacy of Owens' voice and the weight of the orchestration perfectly realised. And that's before you've even reached the mixes. Tiga takes the original, strips out the music and replaces it with technoid pulses and a harder dancefloor rhythm, with the sweetness of Owens' voice cutting through the intensity. Henrik Schwarz (of Berlin-based Sonar Kollektiv) builds the original into a melancholy, jazzy number which still sets the foot tapping. Tom Belton goes straight for the disco-funk hands-in-the-air jugular, before Timo Garcia hardens up the kick for a full-on club odyssey.
Review: Six brand new shakers from Omar S...This is the sh*t! Never confined to one particular genre, Omar is again blending house, techno and even minimal styles into one big pot of deep Detroit underground funk. There's even some Basic Channel / Deep Chord vibes going on there somewhere. Simply killer.
Review: The main track here shows a slightly different facette of Omar S. Thirteen/Two/Eight, released on FXHE, has a handclapping, twitching beat with a quirky lively synth melody, classic italo disco and early 80 boogie sounds from a Detroit point of view. A vivid techno track and a darker ambient outing keep the quality high.
Review: Manmade Science is producer Michel Baumann (aka Jackmate/SoulPhiction), engineer Nik Reiff and percussionist Benjamin Lieten (aka Phlegmatic). With the feeling of a raw live session, this masterpiece comes along in a variety between jazz and techno, soul and house. It also contains a live track from a Manmade Sciences Concert at the Jazz Open in Stuttgart. There are also collaborations with guest musicians like conductor, musical-director and multi-instrumentalist John Thrower playing the sax on the starter "Chicago Sidewalks" and the last song "Brown Sugar". There are some lovely vocals from Isaiah Femi Awonaike on "Turn down the Lights" and the garage feel comes with the stunning voice of Haldor Laegreid on "Just tell me when...". If you're looking for something with more flesh than just bones check this out!
Jerrald James feat Genevieve Marantette - "I Only Have Eyes For You"
Jerrald James - "Vanished"
Review: New from Sound Signature is "I Only Have Eyes For You", from the multi talented percussionist Jerrald James (aka Jerry The Cat). Jerry aptly demonstrates his own production prowess in covering the Flamingos' "I only Have Eyes For You". He smartly chose Genevieve Marantette to provide vocals on this piece, and she gives her best recorded performance to date.
Review: Nick Sole is back on Mojuba! If you ever asked yourself how deep-house should sound like, now you have the chance to experience. The a-side of "World Dubbing" is an epic ocean of the deepest house sounds that will blow you away with its hypnotic organic feel and harmony. The b-side is a dancefloor shaking drum track with a catchy dubby atmosphere. Get it while you can!
Programming/Unauthorized Procedure/Criminal Drug Evasion
Soul Control/Quarter Run (feat Alena Waters)
Flotation Device/Fear Or Laziness?
Laziness (feat Amp Fiddler)
Usually Suspected/The Quest (feat Amp Fiddler)
Second Chances (feat Monica Blaire)
Space Cowboys & The Interplanetary Gangster Edit
Review: Theo Parrish's masterful Sound Sculptures Vol 1 on triple LP format gets a timely repressing!! In total here there are 9 of the 27 tracks from the full double CD version but these still run the gamut of Theo's inimitable talents, from rough and tumble disco edits to saccharine soul, raw beatdown and leftfield esoterica. Be sure to check the Omar S- featuring "Synthetic Flemm" and long time Juno favourite "Flotation Device". If ever there was a selection of tracks that fully showcased the incredible breadth of production talent this man has, this is it. Not to be missed!