Review: Back in the early-to-mid 2000s, Warren Harris AKA Hanna was responsible for making and releasing some of the most sumptuous and seductive blends of future jazz, broken beat, soul and deep house around. This 12" from Melodies International offers a neat reminder by serving up two tracks previously featured on a CD-only album from 2004. A-side "I Needed" is the clear standout: a glassy-eyed and loved-up slab of jaunty dancefloor deep house that combines the swing of future garage and the snappiness of jacking Chicago house with the smoothness of soul and the kaleidoscopic synthesizer lines of jazz-funk. Flipside "Intercession, On Behalf" is similarly minded with more of an emphasis on vibrant jazz-funk and the soul motifs and the soul-powered swing of U.S garage.
Review: Roy Of The Ravers returns to his Acid Waxa stomping ground with a much needed vinyl pressing of last year's insanely good "Who Are Ya??" album. Keeping tracks these potent trapped on cassette would have been a crime, but fear not as they've been cut in all their squelchy, 303-baiting glory. There's a particular snappy appeal to Roy's style that makes it some of the most refreshing acid we've heard in some time, whether it's the proper naughty "Roy Shat Over Ref" or the slow-creeping acid of "All Aboard !!!" The vibe is raw and nasty throughout, just like how proper acid should be.
Review: Cheeky upstart label Club Of Jacks follows up on a strong opening statement with this boisterous bout of house workouts geared towards the peak time. "Follow Me" is on a serious garage flex, with rude bass, hooky sax leads and some naughty breaks chops all feeding into the melting pot. "Bring It Back" is a more soulful jam with some great vocal licks and sweet piano leads, while "Need Your Loving" keeps the heartfelt heat up with another powerful diva vocal and a buttery smooth bassline. "Don't Know You" takes things deeper without losing that powerful vocal presence, providing a perfect balance to this solid, all-rounder house 12".
Review: It's been a while since we last heard from the Mellophonia label and its star attraction, A Vision Of Panorama, but now the producer known as Mikhail Khvasko is back with a new record that expands on the soft and silky Balearic house sound he established himself with across some wonderful EPs and 2016's "Aquafusion" album. The sun is still very much shining down on this new record, which leads in with the fittingly titled "Delicious Saw". Khvasko's whole sound is geared towards celebration of gorgeous synth tones, and so it goes here thanks to that seriously tasty sawtooth wave. "Lum" cools down the boogie bump of its predecessor for something more reflective, while "Euphoria" gets into an oh-so-sweet house funk that would sound at home on Strictly Jaz Unit. "Fourth" finishes the EP off with a seriously sticky bassline squelch and some effervescent piano lines - another melodic marvel on a record full of them.
True To Myself (Karizma Kaytronik Truth dub) (6:57)
Review: New label LDF clearly understands the need to make a big first impression, because this soul-flecked single from Angel-A and producer Rahaan - one of Chicago's true underground heroes - is a very impressive debut. Rahaan's A-side "Original Mix" is rhythmically tough and crunchy - think weighty drum machine kicks and snares - but also warm and woozy, with Angel-A's superb vocal rising above rich electric piano chords and jazzy synthesizer flourishes. Over on side B Karizma takes over, offering up a "Kaytronik Truth Dub" that wraps hypnotic, mangled electric piano notes, analogue bass and tech-tinged flourishes around a wonderfully locked-in but percussively lively rhythm track. It's very different to the original but exceptionally deep and floor-friendly.
Review: Given his length of service and the sheer volume of music he's put out, it would be fair to say that a Jeff Mills career retrospective is well overdue. Happily, as "best of" compilations go, "Sight, Sound & Space" is up there with the best. The three discs boast no less than 42 tracks plucked from Mills archives - and those of his Axis Records imprint - with the accompanying 50-page booklet containing detailed commentary on each by the man himself. It's a superb package for both fans and newcomers alike, with the decidedly intergalactic and alien-sounding tracks perfectly summarizing the breadth and depth of his far-sighted work (think Motor City techno anthems, heavy loop jams, sci-fi fuelled electronic soundscapes, neo-classical soundtrack comp, heady ambient works and early morning minimalist club jams).
Something For The Dancers (Kerri Chandler Dark mix) (8:33)
Review: On the one-to-watch list for those in the know, Lea Lisa has released on Mona Musique, Memories and Chez Damier's Inner Balance Recordings, alongside her role within the InnerDisc record store family. Presenting "The Legacy EP" for the ever-reliable Wolf Music here, she showcases her unquestionable talent across the two opening cuts. The soulful, emotive and near spiritual vibes of opener "Something For The Dancers" reaches near Ron Trent like moments with its weighty synth lines, dream-like pads and powerful bass tones, and the sensual late night deepness of "From Garage" which combines sultry vocals, analogue keys and thumping percussion doffs a cap to Chicago and Detroit deep house classics. Arguably best of all though, is the remix on the flip by the one and only Kerri Chandler - the Kaoz Theory chief serves up a heavenly slice of house with his "Dark Mix"; a shuffling garage house beat blending beneath sustained string synths and signature stabs. Classic Kerri style.
Review: The fifth release from Wilson Phoenix on his own self-titled label continues the impressive pace set by this breakout techno artist. "Analogical" opens up the A side with a heavy-hearted, emotionally charged strain of techno tough and tender in equal measure. Things get spicier on the flip as Phoenix plays around with rhythmic structures to make a deadly, bass-charged broken techno belter under the name "Gamma Meld". "Automatic Africa" finishes the EP off with a tightly wound percussive work out - just the kind of interesting DJ tool track you want to spice your sets up with.
Review: Tomoki Tamura and Tuccillo are back together once again as Doublet, with both seasoned electronic champs having fun in the studio jamming out the kind of stripped back, heads down grooves you'd expect to hear them play out. "Tee's 8" is a cheeky A side jam with the kind of acid line that goes down easy and then works you from the inside out. "Three Thousand Men" has a slight dubby thread to it which sits comfortably amongst the sturdy groove of the drums, and then "Tentation" switches gears for a bright and melodic creation that skips around in funky syncopation without even needing to worry about a kick drum.
Review: Midnight Shift continues its fine run of form via a mini-album of bleak intensity from renowned modular electro/analogue rave fusionist Umwelt, an artist whose distinctive releases are always worth a listen. The French producer sets his stall out via title track "Superior Life Forms", an undeniably heavy and distinctively dystopian chunk of broken electro fuzziness, before reaching for even grimier electronics and gut-punching bass on "Computer Controlled". "Latent Existence" is a moody, beat-free soundtrack for urban decay, "Fragment" and closer "The Windfall" are teak-tough industrial techno stompers, while "Shadow Entity" is a suitably psychedelic slab of trippy acid electro. Not for those of a fragile disposition, but impressively intense and forthright nonetheless.
Don't Want This To Be Over (feat Satchmode) (5:16)
Sommeron (feat Imugi) (4:39)
Twilight (feat Izo FitzRoy) (5:47)
Echo Park (2:33)
Same Blood (feat The Palms) (4:54)
Say The Word (feat Nic Hanson) (5:44)
24 Hr Fling (feat Wolfgang Valbrun) (3:48)
Sweet Time (feat Izo FitzRoy) (3:29)
Guilty Discomforts (feat Wolfgang Valbrun) (4:39)
Out In The Daylight (feat Gavin Turek) (3:14)
I Think (feat Berenice Van Leer) (3:01)
Naked (feat IVAR & Berenice Van Leer) (5:26)
Review: Since debuting in the early 2000s, Dutch trio Kraak & Smaak have established themselves as one of Europe's premier purveyors of eclectic, funk-fuelled dancefloor positivity. It's little surprise then to find that their new album "Pleasure Centre" - their sixth studio set in total - is another joyous romp. This time round, they've drawn more influence from West Coast style blue-eyed soul and yacht rock while continuing to offer nods towards boogie, P-funk, synth-pop, '80s soul, jazz-funk and Rotary Connection (see the superb "Twilght", with vocals by rising star Izo FitzRoy). It's a wonderfully warm and attractive blend, with the result being a superb collection of dancefloor cuts and heady downtempo numbers that all adds up to their best album to date.
Yoshiko Okabe - "Tree 4" (Yamuraka club mix) (6:54)
Review: House Running are back with another of their signature compilation 12"s, calling on a host of talented producers keeping the house dream alive. Paris-based producer Colkin is bringing nothing but good vibes on piano chopping, lately bass-ing burner "Central 13". He also gets a second look in with "Gonna Be", which features none other than Detroit breakthrough star Javonntte on impossibly powerful vocals. On the flip, Meemo is on hand with the spaced out funk of "Untitled" while Yoshiko Okabe's "Tree 4" gets a 90s-style, club-ready re-rub from Yamuraka. If you're looking for high grade deep house music, look no further.
Review: Unstoppable electro machine Carl Finlow (aka Silicon Scally) lands on Orson with more of that impeccable robo-funk he's so revered for. "Elastic Collisions" leads the charge with a tough and teasing workout that works around a heavy low end and plenty of sparkling sound design up top. "Octodecillion" keeps things on a dystopian tip, where a bleak future sounds as funky as it does ominous. "Probabilities" heads into a less floor-focused space where thick layers of buffed and polished synth wriggles collide in high-definition. "Mechanomics" completes the set with another taut belter geared towards the heads down section of the party.
Praying For You (Louie Vega NYC Fender Rhodes Solo) (4:55)
Praying For You (Louie Vega Vonita dub) (5:43)
Praying For You (KDA remix) (6:10)
Praying For You (album version) (6:11)
Praying For You (Louie Vega Expansions NYC dub) (5:41)
Smile (David Morales remix) (7:01)
Review: Earlier this year, DJ Spen and Teddy Douglas's long-serving gospel-house group Jasper Street Co returned to action with their first album in 16 years. It's from that album that "Praying For You" is taken, though the selling point here is not the LP mix but rather a suite of reworks from Louie Vega. Our picks of the bunch are his jazzy and breezy "Main Mix", the brilliantly bass-heavy "Vonita Dub" (think righteous call-and-response gospel vocals and a killer groove) and the sleazy "KDA Remix". The latter is a basement-bothering stomper rich in fuzzy organ stabs and spacey electronics. The smooth, slick and pleasingly colourful David Morales remix is also rather good (it reminded us a little of vintage Frankie Knuckles rubs, which is no bad thing).
M&M Vs Andrei Swipe - "Analog Express" (Don Carlos remix) (7:29)
Review: There's an undeniable air of quality that lingers over the 12"s emerging on 14th Level Of Paradise, the mysterious label presenting originals, edits and repressed tracks for true house devotees. First up is a little known track from Sasha Makin and Suntetic, given a shimmering polish by Don Carlos and Steven Perri to become a heavy funking masterpiece, before Joe Claussell drops in a percussive dub delight on Monday Michiru's "Higher". On the flip, Vincent Inc and LA get things pumping with the slow but chunky, jazz-licked "Red Room", before Carlos returns for another deep house reverie as he remixes M&M and Andrei Swipe's "Analog Express".
Review: Detroit duo Aux88 always danced to a different drum than their Motor City peers, developing a ludicrously weighty trademark sound that put massive, mind-mangling analogue bass and gut-punching electro beats at the heart of the action. "Direct Drive", a 1995 release that has long been hard to find (hence this much-needed reissue), is one of the best examples of their distinctive sound. The title track (side A on this edition) is little more than a raw, thrusting bassline, snappy machine beats, spacey pads and occasional Kraftwerk samples, but it's brilliantly floor-friendly and brilliantly executed - Detroit body music for those who like their club cuts sub-heavy. Elsewhere, "Aux Express (DJ K1 Mix)" is a bouncy electro jam and the short "Bytes" tracks are wonky vocal samples for creative DJs.
Lenny Fontana, Tension - "A Place Called Heaven" (Joey Negro dub Groove) (6:58)
Jay Denes, Ada Dyer - "You Make Me Whole" (Joey Negro Rhodes dub) (5:17)
Julian Sanza - "To Love" (5:16)
Frankie Knuckles, Satoshi Tomiie, Andrea Mendez - "Bring Me Love" (Eventual dub) (6:56)
Review: Some serious no-nonsense house grooves for all true-school DJs to cop, dug out from the annals of club music history. Things kick off good and proper with Joey Negro's insanely powerful "Dub Groove" mix of Lenny Fontana's "A Place Called Heaven". Negro's on the buttons once again with the classic, pumping "Rhodes Dub" of "You Make Me Whole" by Jay Denes and Ada Dyer. On the flip, Julian Sanza drops the squelchy boogie inflected "To Love" before the record ends on a serious bang with the dream team of Frankie Knuckles, Satoshi Tomiie and Andrea Mendez's "Bring Me Love (Eventual Dub)". This is as actual house as actual house can get - the real deal, crystalised in four evergreen gems pressed on one handy record.
Review: Helena Hauff returns to her own Return To Disorder label after last year's joyously received "Qualm" album on Ninja Tune. It's the first fully solo record Hauff has released herself, and it more than lives up to expectation. "Catso" is a wonderfully expressive slice of noirish electro draped in vintage synth arps and twinkling leads as enchanting as they are spooky. "Why Look At Animals" has a more low down funk, but once again sports the richly harmonic synth hooks to make this appeal right across the board. "The Brush" ups the tempo, but keeps things sparse and moody, while "Slim Filter" gets a touch more nasty and sounds utterly fantastic with it. Compared to her rabid DJ sets, these productions represent the more measured side of Hauff, but they're no less deadly.
Review: EYA Records presents a double 12" of plush techno and house spanning styles, giving four producers the chance to showcase the breadth of their sound with two tracks each. Innershades brings emotive 90s swoon and peppy acid to the A side, before Two Phase U slips in a little uptempo robo-disco sauce and a feisty jack track. Otis takes things in the direction of wiggy proto-trance and bleep techno, and then Zots finishes up with freaky synth work dripping with mischievous personality. This is a set of tracks that demands to be noticed - don't sleep.
Review: In 2009, two years after the original version appeared on Somi's debut album "Red Soil In My Eyes", Joaquin "Joe" Claussell and Brian Bacchus joined forces as Soul Feast to remix Fela Kuti cover "African Lady". A decade on, Claussell has decided to reissue the package's most potent and percussive moment, the layered "Drum Dub" on a tasty seven-inch single. While there are key elements of Somi's original version present - the killer bassline, some delay-laden horns and fleeting glimpses of guitar - the mix is dominated by layered Afro-house percussion. This time round, the mix comes backed with an "Acapella EFXS" version, which contains all of Somi's superb vocal and is closer in tone to the duo's 2009 club mix. Like the A-side, it's superb.
Review: Following his recent strong turn on Cocktail D'Amore, Jules Etienne makes a trip back to Apersonal Music with more of that island groove for the smoothest slack-wearers in town. "Free As A Man" is a beautifully laid back but funky offering that speaks to all kinds of good times. Jex Opolis turns in a remix of the track that has a little more bite to suit the later demands of the dancefloor. "Don't Wanna Talk About It" sees Etienne linking up with Disco D and winding all kinds of slick strutting business into his sound, and then "Rhythm For The Garden" heads off into wonderful tribal percussion that serves as a handy tool for DJs who want to get some rich drum sounds into their set.
Review: The Well Street family continue to bloom with this assured grip of adventurous steppers from Significant Other. You know you're onto something serious as soon as "Postdrome" fires up in a tangle of break slices, percussive rattles and poised kicks. The sparse drum-focused style continues in a quicker fashion with the tense and twitchy "Delos", while "Brain Fingers" amps up the bass flex to make for a dance-wrecking-ball of a track. "Memory Drum" completes the set with interlocking patterns balanced between organic and electronic and draped in tones of icy dread.
Review: Mick Harris is a master of bludgeoning sound, whether wringing out apocalyptic steppers in his Scorn guise or wrestling D&B into contorted shapes as Quoit. Monrella is one of his aliases that reaches back to the mid 90s and Regis' ZET label. These four new tracks capture the same mood of granite heavy Brummie techno as the original run, wholly compatible with the tougher end of the Downwards oeuvre, sculpted with the masterful ear for sound design that Harris has displayed throughout his accomplished career. Following on from the retrospective compilation on Berceuse Heroique last year, it's a real treat to have some fresh Monrella to chew on for the hardest of techno sessions.
Pieces To Share (Kyle Hall & Steve Lehane mix) (3:14)
Nothing To Fear (4:00)
Review: Some ultra-limited business here from Kyle Hall, which remarkably marks his first release of 2019. The Detroiter is in fine form from the off, first peppering a hip-hop tempo "beatdown" groove with 8-bit sounds, jazz-funk synth doodles and rich Fender Rhodes motifs on "Rising" before breaking up the beats and channeling Kaidi Tatham/Dego on the warm and luscious "Full Play". Turn to the flip for the similarly inclined, loose and languid, analogue-heavy melodiousness of "Pieces To Share" and the delay-laden sunrise shimmer of "Nothing To Fear", a glistening and smile-inducing number that's almost overwhelmingly positive.
Review: Amato brings the kind of nasty electro business that fits right in on Helena Hauff's mighty Return To Disorder stable, and you know it's serious from the opening strains of the VHS noir monster "Escape From Grenoble 2018". "Hydraulic Funk" takes things slower, coming on like a freaky Frak flipside and sounding excellent for it. "Machine Outil" takes things in a more muscular direction that sounds built for bench presses and body jerks - the consummate peak time sledgehammer. Umwelt takes this sturdy starting point and demolishes it into a hailstorm of acid malevolence that'll melt your face clean off.
Review: Building on the momentum of the strong reissue programme undertaken at Thule Records HQ, Thor returns to the fray with some new productions that add a new chapter to the story of Icelandic techno. This limited run of Decay appropriately comes on marbled grey vinyl. Of course, the unique atmosphere the label carved out in the 90s has been left intact - the dubby processing and icy melodies abound throughout, creating utterly immersive techno and house variations in the process. "Insanity Dub" has a live feel to its drum set which injects a curious disco energy into the mix, while "Rusty Flashback" takes things in a subtle tech house direction. "Garden Of Corrosion" stands apart with its slender sound palette, placing the emphasis on groove and swing, while "Pepper Jones" ramps the dub techno exploration up to 11. If you love the sound of Thule, you're going to love this.
Catch Me If You Can (Jorge Savoretti Ethereal dub) (7:08)
Review: Michael James' "Winds Of Change" EP was a big look for Constant Black, and now the eminent minimal house label draws on a hit list of sharp shooters to deliver some deadly remixes. Huerta is up first with an angular but rolling dub twist on "Catch Me If You Can", before Nick Beringer pings things in a wonderfully hazy direction with his "7am Dub" of "Stormy Skies". Pascal Benjamin gets into a tight, focused funk on his version of "Reservoir", and then Jorge Savoretti flies in an "Ethereal Dub" of "Catch Me If You Can".
Review: Hot on the heels of a re-work of Bobby Caldwell, edit stylist Caserta is back with another golden nugget. This time he turns his attention to the one and only Luther Vandross and serves up two equally essential but very different tunes that pay homage to his unique voice. The King Street Mix is all hip swinging claps and nodding bass riffs that are organic and heartfelt, whereas the Henry Street Mix nods to the '90s heyday of New York. With warm neon organ stabs that will get any floor pumping, both interpretations have Luther's soulful voice front and centre.
Review: Alphonse has already dropped a pair of 12"s on Especial in the past, but he's on especially excellent form this time around. A veteran of the halcyon rave days of the 90s, he's got a lot to draw on to conjure his particular kind of machine jams. "Moan Up" is a truly dazzling track, all twinkling synth lines interweaving around a crisp old school groove. As well as the loved up peaks of the original, there's also a beatless mix of the track that lets the melodies shine on their own. "White Pepper" takes things moodier and lets some sultry sax wail over the top, while retaining some of that boxy drum machine energy. There's even space for some tasteful guitar wailing - excellent.
Review: After kicking things off with the killer "Mariachi Guadalajara" by Lewski, Or:la's Cead label returns with another emergent talent, Blu Terra. The Warsaw based producer comes on strong for this breakthrough release with the heavy slapping, sound design-enhanced electro of "Person Sans". Even if the opening track felt detailed, it's superseded by the barrage of information spilling out of crafty, distinctive acid monster "20,000". "Western/Eastern" spreads across the B-side in a nervous twitch of rave energy geared towards big dark spaces, perfect for that spine-tingling part of the night when the real world feels very far away indeed.
Review: UK dub techno maestro Steve O'Sullivan is back with another payload of deep immersion heaters under his Bluetrain guise, this time on the Future Primitive label. There's a deadly restraint at work on "Congo Shuffle", where the elements get reduced to needlepoint precision and the low end rhythm section stalks with purpose. "Invisible Guest" takes things in an explicitly dubwise direction, channelling serious Rhythm & Sound vibes for an immaculate head-nodder, before "Paralyzed Dub" slows down further into an end of the line skank for the weary to find solace in - masterful movements in the echo chamber from start to finish.
Review: Stephen Laubner never fails to deliver the goods, whether on his own label Something or elsewhere. Having recently popped up on The Untold Stories, this time around he's dropping his uniquely crusty compositions on Synthetic Gold. After a quietly disconcerting ambient opening, the leftfield grind of "The Taphead" pushes an uncompromising agenda of ragged bass and an unrelenting groove. "October Sunrise" by way of contrast is a more intimate, sweet natured affair. "Syntax Error" too taps into the softer side of Laubner's craft in a most mesmerizing of ways, but for the die hard fans fear not, there's also plenty of locked groove loops included to keep you tripping into infinity.
Review: The Aesthetic label is steadily growing as yet another strong side to the Constant Sound empire, and they're sounding fit as a fiddle with this latest drop from Niko Maxen. "Aesthetic 04" leads in with "Calibans Dance", a swirling, dubbed out affair with intriguing percussive tones to add an intriguing edge to the stripped back house groove. "Lessons" has a heads down, twitchy demeanour it's impossible to resist, and then "Twelvty" summons up some elegant synth strokes that hover in between the shuffling beats. The latter provides more than enough inspiration for Kepler to deliver an astounding remix that plays around with bouncy arps and pointed house rhythms in his inimitable style.
Review: Three years on from his last outing on the label, Pessimist (real name Kristian Jabs) returns to UVB-76 with more heady fusions of techno and UK bass. He opens with a bang via the clandestine, claustrophobic and paranoid tribal techno-meets-experimental D&B insanity of "Burundanga", before creeping us out via the foreboding sub bass, horror soundtrack chords and analogue pulses of "Lithosphere". There's more end-of-days fodder on side B, where Simon Shreeve offers a dystopian, dub techno-meets-deep dubstep revision of "Paian" and Jabs unfurls the gritty analogue scariness of post-apocalyptic dancefloor number "Thug".
Review: There is lots to love about this one, from the tongue-in-cheek BBC moniker assumed by Bovell Brown and Cobby, to the unapologetic title, and of course on to the music. "Quality Weed" is a deep cut, heavy rolling rhythm with pitched down vocals that perfectly match the stoner mood. A noodling top line invites you to follow it to a higher state of consciousness and the warmth of the bass is truly irresistible. The remix on the flip is more upbeat and funkier thanks to the tight bass riff that rumbles away under the more house leaning drums.
Review: Sushitech's sub label Pariter has already released timeless records from the likes of Delano Smith, Steve O'Sullivan, Baby Ford and Norm Talley to name a few and this new release of the Romanian group Lisiere Collectif is no exception!
Unknown Credentials is a project of 5 tracks released on 2 single records. A sides on both parts are absolutely massive, acid lines and hypnotic chords peak time tracks that will shake any proper sound system with some serious bass extension! B sides are deeper and have more modern, fresh electroish vibe that we love!
Fans of Ricardo Villalobos & Craig Richards b2b sets are going to find it gold! Don't sleep!!
Review: There are no prizes for guessing the sort of music that defines Rave Or Die. Next up with some dynamite club tracks are Stranger and Umwelt, who take one side each of this new marbled 10". Stranger's "Motief" is a techno crescendo that builds on hard hitting techno drums. The urgent synths and increasingly brash hi hats work you into a manic state that is all consuming. Umwelt then gets even more abrasive with caustic synths and retro rave stabs, slapping metallic hits and pounding broken kick drums all forcing you to move on "Shut Up & Dance". This is truly arresting stuff once again from Rave Or Die.
Review: Two years after they offered up the first part in the "Retrofitted Future" series, Primary Perception partners Mahy and Nichel Cruz return to Slow Life with volume three. They hit the ground running with "Valis", a crunchy romp through bold analogue bass, twisted acid lines and spacey electronics, before bouncing their way through more melodious, warm and ear-catching territory on the aptly named "Sci-Fi Jazz". Side B boasts two versions of "Funky Emotions" - the low-slung, bass-heavy and decidedly futuristic original mix and the altogether deeper and dreamier "Break mix" - as well as utterly gorgeous ambient track "Space Is An Ocean".
Review: Shahr Farang continues to blossom as a label, primarily as a vessel for the work of Sohrab Karimi and Rasul Gafarov, better known as Ahu and Lenta respectively. On this occasion, Ahu and Lenta have teamed up to present some intriguing clippings from two separate improvised studio jams. As is customary with the label, the primary mode of expression is minimal techno shrouded in hazy textures and atmospheric matter, but it veers more towards the kind of clicks and cuts you'd expect from a classic Scape record than anything geared towards the dancefloor. The steady tick of a 4/4 kick means this music isn't necessarily consigned to the headphones though - the right kind of warm up slot or backroom could be just the place to melt into these delicate productions.
Review: Having sprung into action with the Sol Explorer EP on Girasole, William Caycedo is back with a new selection of jams on the ever-developing SlapFunk. As the label's remit for minimal house and techno broadens, we're treated to low slung leftfield beats on "Booty Call" before the peppier broken beat groove of "Ain't No Joke". "Creepin'" and "G Groove" head into more familiar territory for SlapFunk fans, but there's still space for the crisp, laid back funk of "Tales From The West" and the off-kilter jazzy vibes of "Yes We Do" thrown in for good measure.
Review: "Der Say Ah" has long been a banger on dance floors tuned into international sounds. It's the sort of bouncy afrobeat and sax-laced classic that has been fetching huge amounts online. DJs like Gilles Peterson and Nightmare on Wax have been playing it for yonks and now, after many years of it being out of print, it is back courtesy of Push The Fader. The Akoya Re-Rub mix here was mixed by Ben Kane who worked on D'Angelo's Black Messiah, so this sounds beyond good. The 7" version comes from DJ Spinna with extra keys from Ticklah, psyched out bass and extra dub feelings.
Review: Tribe Recordings' second missive is another standout techno affair, this time from Dawl who has been making big moves this year on Better Sound Italy, Tone Dropout and Hypnohouse. His futuristic sound hits that perfect sweet spot between techno and electro, all with a deeply cosmic edge. "Want Some Candy" manages to be super slick and sleek with a pumping bassline that will wiggle your backside. The intergalactic journey continues on the more textured and brain frying "Voyage" and completes with the acid laced jack track "Just Hausin" which is a real fist pumper.
Review: Roberto Surace's "Joys" was undoubtedly one of the unofficial summer anthems out in Ibiza this year. It's the tune you could hear bleeding from bars, car windows and clubs from May until September and was a firm favourite in the sets of White Isle kingpin Marco Carola as well as the likes of wAFF and Andrea Oliva. Its earworm vocal is what wins you over from the off - a soulful voice that melts into crisp boom bap drums with a rattling conga adding a sense of summer craziness. After much demand, Defected has finally put it out for all to enjoy.