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Review: Jenifa Mayanja is a favourite amongst true deep house heads. Her work is smoky, jazzy, and emotive, and has come on labels like Underground Quality before now. Here she arrives on the sixth EP from fledgling but already cultured label Sole Aspect and shows off her sophisticated sound once more. 'Rise To The Top' is full of elegant harmonies and jazz melodies that dance on pulsing rhythms, 'Like A Dream' brings spiritual vocals to bold chords and dusty drums while 'Our World' has piano lines floating high over the languid drums and bass. 'Rose Colored Glasses' has fresh melodies and challenging synths that defy usual genre norms and bring all new ideas to deep house. This is music that elevates mind, body and soul.

Review: Daniela La Luz is no stranger to Rawax's stable of labels - she's previously released on most of them at different points over the last decade- though Global Transformation marks the first time she's appeared on any of them as Vanilla. The Berlin-based artist sets her stall out with the raw, punchy and occasionally sparkling title track - all woozy keyboard riffs, weighty electro-meets-house beats, tipsy chords and heavy bass - before opting for a deep, druggy, acid-fired and percussively propulsive vibe on 'The Last Window of Time'. Elsewhere, 'Animal Queendom' sees her wrap echoing, dubbed-out and reverb-laden synth riffs around a tough and locked-in beat, while 'All Together' is built around the twin attractions of sturdy, slightly off-kilter machine drums and jazzy electric piano motifs.

Review: We were rather surprised to discover that Scheme marks Jenifa Mayanja's first 12" single since 2017, and her first release of any sort since her fine 2019 album 'Tales From Another Day'. Predictably, the long-serving deep house producer has once again hit the spot. Particularly potent is opener 'Averyday' [sic], a gloriously positive affair in which echo-laden organ sounds, elongated chords and her own quietly soulful vocalisations sit comfortably on dusty machine drums and a killer analogue bassline. Elsewhere, 'Under The Influence' is a chunkier slab of deep house full of cut-up vibraphone sounds and fuzzy synths, while 'Many Faces' is a pleasingly sub-heavy chunk of drowsy but energetic deep house goodness.