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Arturia MicroFreak Paraphonic Hybrid Synthesiser & Sequencer Arturia MicroFreak Paraphonic Hybrid Synthesiser & Sequencer Arturia MicroFreak Paraphonic Hybrid Synthesiser & Sequencer Arturia MicroFreak Paraphonic Hybrid Synthesiser & Sequencer Arturia MicroFreak Paraphonic Hybrid Synthesiser & Sequencer Arturia MicroFreak Paraphonic Hybrid Synthesiser & Sequencer
Cat: 718636 Rel: 01 May 19 • View all Synthesisers
 
Experimental 25-key paraphonic analogue/digital hybrid synth
Notes: The lovable oddball of the Arturia range, this brilliant hybrid synth combines versatile wavetable and digital oscillators with analogue filters. Touch keyboard gives uniquely expressive control.

Supplier's Notes:

A synthesizer like no other, MicroFreak is a peculiar, exceptional instrument that rewards the curious musician. It blends wavetable and digital oscillators with analogue filters. It features a unique poly-aftertouch flat keyboard. It adds controlled randomness to sequences. This isn't a revolution, it's a mutiny.

This out-there little music machine features a versatile digital oscillator so you can create rare and interesting sounds with ease. Modes like Texturer, KarplusStrong, Harmonic OSC, and Superwave give adventurous musicians the chance to explore totally new, unheard possibilities. Like having dozens of synths in just one instrument, both wild-eyed newcomers and seasoned professionals will fall in love with MicroFreak's flexible, powerful synth engine.

Physical modelling, wavetable synthesis, virtual analogue, there is nothing as complete and exciting as the MicroFreak oscillator on the market. It's hard to believe from such a small synth, but here it is, ready for you to explore. Excite your creativity and reward your curiosity with a large, diverse sound palette. MicroFreak features 11 awesome oscillators, 4 bespoke Arturia engines, and 7 modes from our friends at Mutable Instruments.

Inspired by the trailblazing 12-dB Oberheim SEM filter, you can make MicroFreak's filter scream or whisper to taste. The filter is state-variable, and can even auto-oscillate! You can use this is any way you like, from taking the edge of the razor-sharp wavetable sounds, or automating the cut-off by modulating it with keyboard pressure or the in-built sequencer.

Record up to four automations, edit notes per step or use the innovative Spice and Dice sequencer functions to find happy accidents. Add randomization to create evolving, original patterns, and virtually rewire and reconfigure its signal chain and controls with the 5x7 modulation matrix.
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MRP:$360.86 SAVE 31%
 More than 10 in stock $248.97
Presonus Eris E3.5 Active Media Reference Monitor Speakers (pair) Presonus Eris E3.5 Active Media Reference Monitor Speakers (pair)
Cat: 666506 Rel: 14 Dec 17 • View all Studio monitors
 
3.5-inch powered studio monitors with Kevlar Woofer & 1-inch silk-dome tweeter
Notes: Tiny format but big sound from these entry-level Presonus monitors. Surprisingly punch bass response from a 3.5-inch bass driver. A good starting point for newcomers to production.

Supplier's notes:

PreSonus Eris-series studio monitors are used worldwide by audio engineers who need to hear every detail of their recordings. Ideal for gaming and home video production, the Eris E3.5 employs the same technology as the larger Eris models to deliver studio-quality sound, with a smooth and accurate frequency response. Yet they're compact enough to fit almost anywhere.

Kevlar woofers deliver a cleaner overall sound:
Every Eris-series studio monitor utilizes a custom-woven Kevlar low-frequency driver. The weave and nature of the Eris E3.5's 3.5-inch Kevlar woofer result in a more constant dispersion pattern throughout the frequency range, resulting in less time-smeared audio and cleaner overall sound.

Smooth high end and wide sweet spot:
The Eris E3.5 is equipped with a one-inch silk-dome tweeter that produces a smooth and refined sound, accurately reproducing transients and high frequencies. The tweeter is designed to radiate sound with a fairly wide dispersion pattern, creating a large optimal listening area or "sweet spot" so you can move around and still hear everything accurately.

Easy-to-use controls:
A speaker's response is affected by where you place it and the acoustics of your space. That's why Eris E3.5 active media reference monitors offer easy-to-adjust high- and low-frequency controls. A convenient front-panel volume knob sets both the speaker level and the integrated headphone amplifier level. Be careful with that volume knob, though: Eris E3.5s are driven by an onboard 25 watt/side power amplifier and can get a lot louder than you may expect, while still delivering clear, accurate audio.

Connect to virtually any line-level source:
With three different types of audio inputs, it's easy to feed audio to your Eris monitors from a mixer, an interface, a media player, or almost any other line-level source. The Eris E3.5 is equipped with rear-panel, 1/4-inch TRS and RCA inputs, as well as front-panel 1/8-inch stereo, unbalanced line inputs for use with mobile audio devices. With this selection, you'll have no problem hooking your Eris speakers up with virtually any line-level source, including your smartphone or tablet. The loud, clear, front-panel headphone amplifier lets you work and play in stealth mode, without disturbing your housemates.

Accuracy defined:
Like all PreSonus monitor speakers, the Eris E3.5 offers consistent, accurate listening, with the smooth and even frequency response that has made Eris monitors popular around the world. Their compact and powerful design makes them an ideal solution for any small space.
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FORTHCOMING
Happy Nerding FX AID Multiple Audio Effects Module (black faceplate)
Notes: 32 unique audio effects arranged in 4 banks of 8 effects. Three effect controls plus analog Dry/Wet control with dedicated CV input. High quality stereo signal pass. Assignable CV input to effect controls or to Sample Rate reducer (changes internal clock). Four user storable presets - stores selected program and all three controls. Spin FV-1 based.

The last used effect, assigns and presets are always remembered.

32 effects are simultaneously available, but FX AID can be reflashed with other user selected Happy Nerding effects in any order. Also the possibility to run freely available third party effects will be added too.

Reflashing procedure is quite easy: playing 40 sec long "wav" file of line level amplitude to CV input.

Reflashing mode: hold both buttons for 10 sec.

Please note the reverse CV operation of the Dry/Wet control: positive CV crossfades from Wet to Dry, and negative CV crossfades from Dry to Wet.

By default it runs on 32.77 kHz and, if sample rate reduction assign is used, this sample rate can be decreased down to 150 Hz or brought up to 48 kHz.

80 mA +12V
30 mA -12V
45 mm deep
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MRP:$237.99 SAVE 24%
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FORTHCOMING
Hungry Robot Output Module Desktop Module Hungry Robot Output Module Desktop Module Hungry Robot Output Module Desktop Module
Cat: 780994 • View all Synth modules
 
Output module
Notes: The Hungry Robot Output Module allows users to interface your modular system with headphones, speakers, and recording interfaces. It uses a high quality amplifier circuit to boost the signal to the level you need. It accepts both mono and stereo signals. Plug in you inputs and output however you need, internal switching will automatically route the signal to where it needs to be based on what you have plugged in. As with all Hungry Robot "Modular Boxes" the Output Module can be powered with a simple 9V DC, Negative Center power supply.

KNOB
-VOLUME: Controls the overall volume of the output. Adjust to taste.

PATCH POINTS
-IN(L/MONO): Left input. Use this if you are running mono and want it split into stereo.
-IN(R): Right Input
-OUT(L/STEREO): Left output. Use this for stereo situations (TRS/Headphones)
-OUT(R): Right Output

Dimensions: 4.7" x 2.6" x 1.5"
Power: 9V DC - Negative Center - 2.1mm Barrel
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FORTHCOMING
Erica Synths Fusion System II Synthesiser (UK plug) Erica Synths Fusion System II Synthesiser (UK plug) Erica Synths Fusion System II Synthesiser (UK plug)
Notes: Vacuum tube based eurorack modular synthesizer for sounds of unprecedented pressure.

Erica Synths is one of the few manufacturers that use vacuum tubes in eurorack modules, and those, who are familiar with tube-based modules, know that tubes can push the sound to extremes or turn it deep, saturated and complete.

Erica Synths have come up with three new Fusion series modules - Fusion VCF3, Fusion Modulator (already available) and Fusion VCA/Waveshaper/Ringmodulator - to create the Erica Synths Fusion System II - a modular synthesiser for sounds of unprecedented pressure, unconventional modulations and creativity-inspiring patching. A 104HP system has 63 patchpoints for extensive experiments in sound design, all analogue signal and CV path; it's a system for those, who take sound design seriously.

Fusion System II includes:

Two Fusion VCO2s - fully analogue sound source with three simultaneously available waveforms, transistor-based suboscillator and detune function - two BBD delay lines that make frequency shifter that is mixed back to the principal oscillator in order to emulate two detuned VCOs. Tube crunch - distinct tube overdrive - is added on the top of the mix.

Fusion VCF3 - resonant 24dB/oct lowpass filter of unique design that combines vacuum tubes and vactrols, providing distinct, soft filtering. For more versatility a CV recorder, that records motion of the potentiometer, is incorporated in the module, so you can design advanced modulation patterns.

Fusion Modulator - complex, all analogue CV source that consists of several blocks - two EMS Synthi functionality inspired looping envelope generators with simultaneous unipolar (0V-10V) and bipolar (-5V-+5V), VCA, Noise generator and Sample&Hold.

Fusion VCA/Waveshaper/Ringmodulator - a modulation source based on two miniature pentodes that operates as VCA, waveshaper and ringmodulator. With two CVs applied simultaneously to different stages of the VCA, audio rate modulations, using ringmodulator as a waveshaper it becomes surprisingly versatile sound shaping module.

Fusion Delay/Flanger/Vintage Ensemble - a distinct multifunctional analogue effects module that combines BBD chip based effects with an adjustable tube overdrive in the delay output and a feedback path for extra thickness of the sound.

104HP One Row Skiff case (with or without a lid)

20 patch cables
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MRP:$3,026.56 SAVE 19%
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Squarp Instruments Rample Wave System 4 Voice Sample Player & Audio Processor Module
Cat: 783294 Rel: 09 Sep 20 • View all Synth modules
 
Sample player & audio processor module
Notes: Nicely thought out four-voice sample playback module from Parisian innovators Squarp. Load up a microSD card with samples (up to 2600 kits), then trigger and process. Neat.

Supplier's Notes:

Rample waves system

Eurorack 4-voice sample player & audio processor

Versatile sample machine

From percussive drum-machine kits to synth samples, breakbeats to sound FX, backing tracks to hour-long audio music, Rample can play up to 4 .wav files on independent audio outputs :

These samples are stored inside the provided SD card, and organized as kits, from A00 to Z99... allowing up to 2600 banks of 4 voices, with on-the-fly loading! The SD card is preloaded with tons of samples, and we made it very easy to import your own kits.

Thanks to the DC coupled audio outputs, it's also possible to play CV waveforms.

Effects rack

Each voice has its own "rack" of effects, and all audio effects can be enabled at the same time, allowing you to manipulate your samples in real time, from a gentle lowpass to massive destruction!

pitch - a great sounding pitch engine, based on a 6-pole interpolator, which ranges from -1 octave to +1 octave.

bits - two different bitcrushing algorithms, based on sample rate and resolution reduction. It produces distortion and warms the audio signal.

filter - a low resonance filter, DJ-style, cutting off the high frequencies or the low frequencies.

freeze - sample and loop a fraction of the played waveform, creating a glitching effect.

levels - decrease the gain or drive the signal.

It's also possible to edit 'advanced parameters' like the start point, sample length, attack/decay and run mode, and create mute groups without breaking a sweat.

Finally, thanks to the 4 CV inputs, any of the effects (or advanced parameters) can be assigned to create amazing modulations!

Multi-layer sampling

One of the key feature is the ability to "multi-sample" your kits, multiplying Rample's potential. Each voice supports up to 12 samples, can be played randomly or in a controlled fashion. It's a great way to add complexity and variations, to create organic/acoustic sounding drums, or simply to increase the number of samples per kit (up to 48).

As an example, Squarp are providing a multi-layered drum kit, with 12 different recordings of a kick, 12 different recordings of a snare, etc. Sequencing them randomly leads to a more natural drum playing.

Another kind of multi-layered acoustic drum kit is also provided, where each drum is recorded with 12 levels of velocity. Controlling the layer to be played leads to intricate, convoluted drums programming.

Of course, it's very easy to create your own multi-layered kit, and you can use this method to perform multiple synth chords, sound glitches, voices, breakbeats, ...

CV/Gate and Midi interface

Rample is designed to be the perfect rhythmic companion of your eurorack system thanks to its Gate (trig samples) and CV (modulate samples) connectivity.

You can also use it as a standalone midi machine, without using the CV/Gate connectivity: the midi in port allows you to trig & control all samples parameters + effects values at the same time. Each Rample comes with a 'stereo jack to midi DIN' and 'stereo jack to jack' adapters, easing the chaining of multiple modules in order to create an 8-voice, 12-voice, 16-voice (or more) midi drum machine!

SD card preloaded with 200+ kits from artists and sound designers, covering a large range of audio samples
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MRP:$345.34 SAVE 17%
 4 in stock $287.77
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Audio Technica ATH M50X Headphones (black, includes interchangeable straight & coiled cables) Audio Technica ATH M50X Headphones (black, includes interchangeable straight & coiled cables) Audio Technica ATH M50X Headphones (black, includes interchangeable straight & coiled cables)
Cat: 519789 Rel: 10 Feb 14 • View all Studio headphones
 
Professional monitoring headphones with 45mm large aperture drivers and fully detachable cables
Notes: There are lots of good reasons why these are some of the most popular studio headphones on the market. Clear sound, comfortable and good isolation. Perennial favourites from Japanese headphone specialists Audio-Technica.

Supplier's notes:
This is the most critically acclaimed model in the M-Series line, praised by top audio engineers and pro audio reviewers year after year.

The ATH-M50x features the same coveted sonic signature, now with refined earpads and detachable cables.

From large-aperture drivers to sound isolating earcups and robust construction, the M50x provides an unmatched experience for the most critical audio professionals.

This product includes interchangeable coiled and straight cables, a carry pouch and a 1/4" jack adapter for universal compatibility.
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MRP:$168.14 SAVE 28%
 More than 10 in stock $120.33
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Nux Optima Air Acoustic Simulator & IR Loader Pedal Nux Optima Air Acoustic Simulator & IR Loader Pedal Nux Optima Air Acoustic Simulator & IR Loader Pedal Nux Optima Air Acoustic Simulator & IR Loader Pedal Nux Optima Air Acoustic Simulator & IR Loader Pedal Nux Optima Air Acoustic Simulator & IR Loader Pedal Nux Optima Air Acoustic Simulator & IR Loader Pedal Nux Optima Air Acoustic Simulator & IR Loader Pedal Nux Optima Air Acoustic Simulator & IR Loader Pedal
NUX
Cat: 778748 Rel: 10 Sep 20 • View all Effects pedals
 
Acoustic guitar simulator/IR loader pedal
Notes: Excellent value from this uniquely versatile pedal. Load or record acoustic guitar impulse responses and apply them to your electric guitar, transforming the tone and sound.

Supplier's Notes:

The Optima Air pedal is a programmable digital modelling acoustic guitar simulator for electric players. Plug in your electric guitar and morph it into any of 15 internal acoustic guitar models at will. An Impulse Response (IR) loader enables you to capture the tone profile of your favourite acoustic guitar and store it as a model that can be played from your electric guitar. To enhance the acoustic tone, the Optima Air is furnished with a foot-switchable studio quality preamp with 3-band EQ and a digital reverb section to generate ambience. The Optima Air also has an audio streaming USB interface providing, which can be used as a recording device and the USB can be used for remote editing via software which is downloadable for PC or Mac computer. Inputs and outputs include standard jack in and out, a D.I. XLR output, send/return effects loop, headphone output and aux line input for a myriad of connection possibilities. Optima Air is the acoustic guitar in a pedal for electric players either on stage or in the studio.

Power supply: 9Vdc, 500mA, negative centre (not supplied)
Sampling format: 24-bit, 48-kHz
Internal programmes: 15 models, 9 preset patches
DI output: XLR
USB computer interface: Micro USB port

The box for this item contains :

Optima Air pedal
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MRP:$205.65 SAVE 40%
 4 in stock $122.86
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Chord MIDI Cable (black, 3m)
Cat: 416486 Rel: 26 Jan 11 • View all MIDI cables & adapters
 
5 pin DIN to 5 pin DIN MIDI cable
Notes: A high quality MIDI cable for connecting music controllers and devices together. Strong and flexible cable comes with low loss conductors and global shielding ensure a clean data stream. It is terminated at each end with a 180- 5-pin DIN plug.

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 More than 10 in stock $1.94
Nux Mighty Air Headphone Amplifier With Bluetooth Nux Mighty Air Headphone Amplifier With Bluetooth Nux Mighty Air Headphone Amplifier With Bluetooth Nux Mighty Air Headphone Amplifier With Bluetooth Nux Mighty Air Headphone Amplifier With Bluetooth Nux Mighty Air Headphone Amplifier With Bluetooth Nux Mighty Air Headphone Amplifier With Bluetooth Nux Mighty Air Headphone Amplifier With Bluetooth
Nux Mighty Air Headphone Amplifier With Bluetooth (headphones amplifier with Bluetooth)
NUX
Cat: 778743 Rel: 10 Sep 20 • View all Headphone amplifiers & monitors
 
Bluetooth headphone amplifier
Notes: Mighty Plug is a complete guitar or bass practice room that can fit in your pocket. Simply plug into your guitar or bass and connect headphones and you can play fully amplified guitar sounds along to your favourite tracks in complete silence. Inside this tiny device is a huge arsenal of amp models for guitar or bass, effects and acoustic models. Bluetooth connectivity lets you pair with a smart phone or tablet (search for "Mighty Plug") for playback of audio to jam to or for in-depth editing of the Mighty Plug amp and effect settings using the Mighty Amp app (downloadable from App Store or Google Play). No need to keep replacing batteries, as the Mighty Plug is rechargeable via the USB, which also serves as a computer interface for firmware updates and as a recording/playback interface. The Mighty Plug contains all you need for hours of practice, recording and sound exploration.

Specification
Battery: Internal rechargeable LiPo 3.7V, 1000mAh
Input impedance: 1M Ohm
Rated power: 2 x 125mW
Wireless connection: Bluetooth editing or audio playback
USB computer interface: Micro USB audio stream & recharging
Effects: 13 amp models, 20 IR presets, 19 effect models

The box for this item contains :

Mighty Plug headphone amplifier
USB to micro lead
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MRP:$76.31 SAVE 27%
 4 in stock $56.04
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ADDAC System ADDAC603 VC Triple Bandpass Filter Module (black faceplate) ADDAC System ADDAC603 VC Triple Bandpass Filter Module (black faceplate)
Cat: 776351 Rel: 08 Sep 20 • View all Synth modules
 
Triple bandpass filter module
Notes: The ADDAC603 VC Triple Bandpass Filter provides three channels of bandpass filters, fantastic for sculpting complex sounds. Each of the channels feature a gain/distortion control with switch to select between x3 or x100 gain, which can cause the input signals to distort, adding another layer of harmonic interest.

The inputs are cascaded together to allow for one source to be filtered three different ways - or each filter can be used independently. The three filters also feature controls for frequency, which sets the cutoff point; width, which sets the width of the band that is being filtered; feedback, which at high settings causes the filter to self-oscillate, and level control, which sets the amplitude of the output. Frequency, bandwidth, and output level each have CV inputs with attenuverters.

A switch sets whether the filter is 24 dB or 12dB per octave. There are individual outputs with phase switch, plus a mix output and dry/wet output with adjustable control for mix balance. This module provides a wide variety of filtering options to add complex tonal shaping to your rack.

Tech Specs:

22HP
3.5 cm deep
250mA +12V
250mA -12V

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ADDAC System ADDAC215 Dual S&H+ Module (black faceplate) ADDAC System ADDAC215 Dual S&H+ Module (black faceplate)
Cat: 776254 Rel: 08 Sep 20 • View all Synth modules
 
Dual sample & holds module
Notes: This new module should not be judged by it's size, at 6hp it's packed with features.

At its core it features a noise source and two precision Sample & Holds with 0.01% of maximum deviation from the Input which allows for quantized signals to be sent through without any noticeable detuning or the typical voltage drops over time.

The Sample & Hold sections can also be used as a Track & Hold meaning it holds the incoming input while the Trigger input is ON and lets the input flow to the output when the Trigger input is OFF.
Each section also features it's own slew processor with a single control over attack and decay and an ON/OFF switch.

The noise signal is normalled to both sections inputs, meaning that without a jack plugged into the Input the sample and hold function will act upon the incoming noise signal generating random CV values.

The [Trigger A Alternate] switch allows to Link both sections so that any trigger input in Trigger A will alternate between triggering the A and B section.

Besides each section outputs there's also 4 extra outputs: Noise, Difference, Average and Sum. The Noise output is coming from the noise source, the Difference output is the subtraction of section A minus section B, the Average output is the sum of both A plus B and then divided by 2 and finally the Sum output is the sum of both A plus B sections.

MECHANICAL:
Format: Eurorack
Width: 6 HP
Depth: 4 cm

ELECTRICAL:
Max current: +50mA/-50mA
Bus Board Cable: 8 × 2 IDC (Doepfer style) connector
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 1 in stock $147.67
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Tiptop Audio Stackcable 20cm Patch Cable (green)
Cat: 595783 Rel: 19 Jan 16 • View all Audio cables
 
Stackable patch cable
Notes: The TipTop Audio Stackcables allow you to stack your cables to give you complex signal flows with greater visibility
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 More than 10 in stock $5.92
Mutable Instruments Plaits Macro Oscillator Module
Cat: 681306 Rel: 24 Jul 18 • View all Synth modules
 
Multi-algorithm macro oscillator - 12HP
Notes: Rightly considered a Eurorack classic, Plaits is the successor to the much-loved Braids oscillator. Huge range of modes offering everything from speech synthesis to analogue drums. Superb.

Supplier's notes:
Plaits is the spiritual successor of Mutable Instruments' best-selling voltage-controlled sound source, Braids. Not just an MKII version: its hardware and software have been redesigned from scratch.

Just like its predecessor, it offers direct access to a large palette of easily tweakable raw sonic material, covering the whole gamut of synthesis techniques.

Simplicity first:

Gone are the screen, menu system, hidden settings, and the long list of somewhat redundant synthesis models.

Thanks to additional CV inputs, and to the use of three timbre-shaping parameters per model, Plaits is straightforward to use, and much closer to the ideal of one synthesis technique = one model. What were fragmented islands of sound in Braids are now part of a continuum of sounds.

Ready for percussion:

Patch a trigger generator or sequencer into Plaits' trigger input and instantly use the module as a percussive source thanks to its built-in virtual low-pass gate (LPG).

An internal D (decay) envelope generator is normalled to all unpatched CV inputs. Just turn the corresponding attenuverter to add pitch, timbre or morphing modulation. And if plucks and snappy hits are not your thing, patch your own envelope or CV source into the LPG CV input.
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 More than 10 in stock $198.32
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Doepfer A-111-5 Mini Synthesiser Voice Module Doepfer A-111-5 Mini Synthesiser Voice Module
Cat: 785445 Rel: 10 Sep 20 • View all Synth modules
 
Synthesiser voice module
Notes: Module A-111-5 is a complete monophonic synthesizer module that includes these components (modular version of Dark Energy):

VCO
Manual tune control (with an internal jumper the range can be set to ~ +/-1 half an octave or ~ +/-2.5 octaves)
Range switch -1 / 0 / +1 octave
Frequency range about 10Hz ... 12kHz - FM (frequency modulation) control with modulation source switch (LFO1 / off / ADSR)
Manual pulsewidth control for rectangle waveform
PWM control with modulation source switch (LFO2 / off / ADSR)
Waveform switch (sawtooth / off / triangle)
The sum of the waveform chosen by this switch and the rectangle is fed into the VCF (to turn the rectangle off the PW control has to be set fully CCW)
External CV input for VCO frequency (1V/octave)
External CV input for external PWM of the rectangle - internal CV input for frequency (1V/octave) connected to the A-100 bus via jumper, the jumper can be used to interrupt this internal connection if not wanted

VCF
24 dB low pass
~ 12 octaves frequency range
Manual frequency control
Tracking switch half - off - full (internally connected to the external frequency CV input of the VCO, i.e. the VCF tracks to the VCO if the switch is set to "half" or "full" position)
XM: exponential FM (frequency modulation) control with modulation source switch (LFO2 / off / ADSR)
LM: linear FM (frequency modulation) control to modulate the VCF by the triangle of the VCO in a linear (!) manner
Manual resonance control (up to self oscillation)
External audio input (this signal is added to the VCO signal)
External CV input for filter frequency - 1V/octave tracking for usage of the VCF as a sine wave oscillator (not as precise as the VCO but much better than most of the other filters)
VCA
Manual amplitude control
AM (amplitude modulation) control with modulation source switch (LFO1 / off / ADSR)
External CV input for VCA amplitude - special control scale: exponential scale in the range from about -20dB to -80/90dB, linear scale from about -20dB to 0dB (Remark: this special control scale results in a loudness behaviour that is a bit different from pure linear or exponential VCA)
LFO1 and LFO2
Manual frequency control
Waveform switch (triangle / off / rectangle)
Range switch (low, audio, medium) - LED display (dual green/red color for positive/negative share of the signal)
The inverted LFO1 signal is available as an additional socket (to use the LFO1 signal for external modules)
An internal jumper can be used to select between the LFO1 signal or the inverted LFO1 signal

ADSR
Manual controls for Attack, Decay, Sustain, Release
Range switch (long, short, medium) - blue LED display
ADSR signal is available as an additional socket (to use the ADSR signal for external modules)
Gate input connected to the A-100 bus via jumper, the jumper can be used to interrupt this internal connection if not wanted

Remarks:
As the LFO frequencies can go up to moderate audio range (~ 5kHz) even audio FM effects of VCO (pitch and pulsewidth), VCF and ADSR are possible.

If the VCO is turned off (waveform switch = center position, pulsewidth control = fully CCW) and the VCF resonance is set to maximum the module can be used as a sine oscillator. The sine can be modulated in a linear manner from the triangle wave of the VCO and by LFO2 in an exponential manner at the same time !

From the factory the socket labelled "LFO1" outputs the inverted LFO1 signal. But as the module has several internal pin headers available even another signal may appear at this socket by changing the internal module patch. These six pin headers are available: LFO1 output, LFO2 output, ADSR output, inverter input, inverter output, output socket. The internal default patch is LFO1 -> inverter input, inverter output -> output socket (i.e. socket = inverted LFO1). But even another signal can be patched to this socket (e.g. inverted ADSR, non-inverted LFO1, inverted or non-inverted LFO2). It is also possible to add a blind panel next to the A-111-5 with a couple of sockets that are connected to the corresponding pins of the A-111-5 pc board. The in- and outputs of the VCO, VCF and VCA are not available as pin headers because the VCO, VCF and VCA are internally connected in the circuit which is used in this module.
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MRP:$345.34 SAVE 18%
 5 in stock $283.46
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AKG Podcaster Essentials (includes AKG Lyra, AKG K371, Ableton Live 10 Lite, Berkeley online introductory recording course & interconnecting cables) AKG Podcaster Essentials (includes AKG Lyra, AKG K371, Ableton Live 10 Lite, Berkeley online introductory recording course & interconnecting cables)
Notes: AKG Podcaster Essentials includes everything you need to get professional quality audio for your podcasts or videos, including an AKG Lyra Ultra-HD multimode USB microphone, AKG K371 professional closed-back headphones, Ableton Live 10 Lite audio production software, a free introductory recording course at Berklee Online and a full set of accessories including cables and dual headphone adapter. You'll be ready to record in minutes with tools optimized for capturing high-quality audio.

AKG Lyra USB microphone plugs into your computer to capture sound in 24-bit/192 kHz Ultra HD quality and offers pro features like intuitive capture modes and sonic enhancements that tailor your sound for any recording scenario.

AKG K371 professional closed-back headphones let you monitor your recordings live, in full fidelity, while preventing sound from bleeding into your microphone.

Ableton Live 10 Lite (Mac/PC) production software makes it easy to record, edit and arrange your podcast, from shaping the sound of your voice to building backing tracks with pre-recorded loops.

Berklee Online Recording Course This four-part course provides a broad introduction to audio production, from using microphones to recording digital audio.

For 70 years, the pros have relied on AKG products to craft music's biggest hits. Now you can bring that legendary sound quality to your podcasts with this versatile production kit that goes anywhere you go.
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MRP:$322.06 SAVE 22%
 1 in stock $250.05
Electrosmith Daisy Field Programable Monosynth, Drum Machine & MIDI Sequencer Electrosmith Daisy Field Programable Monosynth, Drum Machine & MIDI Sequencer Electrosmith Daisy Field Programable Monosynth, Drum Machine & MIDI Sequencer
Cat: 786205 Rel: 11 Sep 20 • View all Synthesisers
 
Monosynth/drum machine/MIDI sequencer
Notes: Create a mono-synth, drum machine, or MIDI sequencer with the Field! It works as a great development tool, or handy small-form synth to take with you on the go. Comes with Daisy installed and 9V power adapter.
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ADDAC System ADDAC203 CV Mapping Module (gold faceplate) ADDAC System ADDAC203 CV Mapping Module (gold faceplate)
Cat: 776164 Rel: 08 Sep 20 • View all Synth modules
 
CV mapping module
Notes: With the ADDAC203 CV mapping you'll be able to tame that voltage range and put it where it belongs. The attenuation knob compresses your voltage range and then you can also offset it.

Two channels for your mapping needs.

Mechanical:
- Format: Eurorack
- Width: 4 HP
- Depth: 3 cm

Control Voltage I/O:
- CV inputs: i 10v
- CV outputs: i 10v

Electrical:
- Compatible with +-12v and +-15v power supplies?
- Max current: 50mA
- Bus Board Cable: 8 × 2 IDC (Doepfer style) connector
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ADDAC System ADDAC810 Phono Pre-Amp Module (red faceplate) ADDAC System ADDAC810 Phono Pre-Amp Module (red faceplate)
Cat: 776437 Rel: 08 Sep 20 • View all Synth modules
 
Pre-amp module
Notes: The Phono Pre Amplifier module- connect your turntable to it and bring it's sound straight into any of your patches.

Specs:
- Width: 4 HP
- Depth: 4.5 cm
- Current: 40mA
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ADDAC System ADDAC807C VC Stereo Mixer Expansion Module (black faceplate) ADDAC System ADDAC807C VC Stereo Mixer Expansion Module (black faceplate)
Cat: 776436 Rel: 08 Sep 20 • View all Synth modules
 
Mixer expansion module
Notes: The ADDAC807 VC Stereo Summing Mixer can provide up to 9 stereo channels of supreme Eurorack audio.

The main modules ADDAC807A and ADDAC807B can be expanded via the ADDAC807C Expansion Console for 4 additional stereo channels.

MECHANICAL:
Format: Eurorack
Width: 38 HP
Depth: 4.5 cm
Weight: 0.6 kg (1.3 lb)

CONTROL VOLTAGE I/O:
CV inputs: i 5v

ELECTRICAL:
Max current: 250mA on each rail
Compatible with +-12v and +-15v power supplies
Bus Board Cable: 8 × 2 IDC (Doepfer style) connector
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ADDAC System ADDAC807A&B VC Stereo Summing Mixer Module (sold as pair) (black faceplate) ADDAC System ADDAC807A&B VC Stereo Summing Mixer Module (sold as pair) (black faceplate) ADDAC System ADDAC807A&B VC Stereo Summing Mixer Module (sold as pair) (black faceplate) ADDAC System ADDAC807A&B VC Stereo Summing Mixer Module (sold as pair) (black faceplate)
Notes: All you could ever dream of from an Eurorack console, and then some.

The ADDAC807A VC Stereo Summing Mixer offers you the power, the flexibility and the gorgeous layout of a high-end audio console, in the popular Eurorack format. Starting off at 5 stereo channels, with the option to add 4 additional stereo channels via the ADDAC807C Expansion Console, its send/return options and clever matrix will ensure you have that perfect mix down in seconds. Customary to ADDAC System designs, there is enough CV control and hands-on switch options to make the ADDAC807A into an instrument in and of itself.

The ADDAC807A is accompanied by its sibling, the ADDAC807B Inputs Console. We decided to allow the user to freely define the placement of the jacks by separating the area where all your cables are located. Less clutter means more hands-on control and higher playability. The ADDAC807B Inputs Console holds all the jack inputs for the ADDAC807A Main Console, along with CV inputs and additional channel settings cause you can never have enough switches.

MECHANICAL:
Format: Eurorack
ADDAC807A Width: 56 HP
ADDAC807B Width: 24 HP
Depth: 4.5 cm
Weight: 1.5 kg (3.3 lb)

CONTROL VOLTAGE I/O:
CV inputs: i 5v

ELECTRICAL:
Max current: 650mA on each rail
Bus Board Cable: 8 × 2 IDC (Doepfer style) connector
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ADDAC System ADDAC800X High-End Outputs Module (red faceplate) ADDAC System ADDAC800X High-End Outputs Module (red faceplate)
Cat: 776392 Rel: 08 Sep 20 • View all Synth modules
 
Outputs module
Notes: Inspired by the legacy designs of premium vintage gear, the ADDAC800X behaves like a high-quality DI box and is all about keeping the sound coming from your Modular free from any undesired noisy interferences, making sure that what you're getting from your outputs is what your Modular is actually producing. It provides galvanic electrical isolation between the Modular system and external sources preventing impedance mismatch and ground loop induced hum. ADDAC's 800X circuit is designed around a unity 1:1 type nickel core Hammond Audio Transformer from the 140UEX series (equivalent to Jensen audio transformers).

Operating in the 20 Hz to 20 KHz range and providing exceptional shielding from external sources, this impedance matching transformer provides the 800X with two fully balanced high-end outputs (via XLR connectors).

Applying a transformer balanced output isolation has lots of advantages over other less expensive ways for dealing with ground loop issues. This method provides the chance to set a very simple and clean circuit in which the signal transfer process develops smoothly and humming free. The transformer is a device that performs both signal balancing and high-to-low (or vice-versa) impedance conversion, while rejecting straggled DC voltage and Radio Frequency Interference from signal passing through a magnetic bridge. In a transformer, two (or more) coils (called windings) of insulated wire wound around a magnetic metal core allow for its input(s) and output(s) not to be physically connected together. When an AC signal passes through the input winding (the primary), a perfectly related AC signal appears on the output winding (the secondary). This way, by the fact that signal flows via inductive coupling between the two windings of the transformer, the ADDAC 800X presents a most accurate electrical isolation between its input and output. A same number of windings on each coil guarantees that there's no gain loss when audio signal passes from the primary to the secondary windings. Furthermore, since these two windings are insulated from each other, the transformer will electrically isolate the 800X from any other device, preventing hum problems coming from an outsider ground.

LEFT IN will output sound to both channels.
Through RIGHT IN, signal will only find its way on OUT 2 (if the LEFT/RIGHT toggle is lifted up, RIGHT IN will be ignored and LEFT IN will be present in both OUTs). With both INs connected you'll have two separate outputs (LEFT IN -> OUT 1 & RIGHT IN -> OUT2). However, lifting up the LEFT/RIGHT toggle you'll also find RIGHT IN ignored and LEFT IN will fed both OUTs.

Each TRANSFORMER ISOLATED OUTPUT section has its signal overload warning led and two dedicated toggle switches: one that works as a simple amplifier / attenuator pad to +6dB / -10dB respectively, and a LIFT/FLOAT/GND toggle. This last one is a 3-way selector that lets you choose between lift, ground or floating ground (toggle's middle position) to be taken as reference for the ground point. In the LIFT position the module circuit will be lifted to ground through a 100R resistor and a 10nF capacitor and pin 1 of the XLR connection will act as the ground point. Choosing GROUND will put ground to be shared between inputs and outputs. Floating ground will leave ins and outs grounds completely apart from each other. Any of these three positions may be the best form of avoiding ground loops or any other undesired interference occurring between your modular and the sound system you're plugging it into. Try out which one of this options will work the best in a given situation.

An HEADPHONES AMPLIFIER (with VOLUME knob) connection is available for quietly working with your modular or pre-listen your sounds before making them public matter in a live situation. This section features an OPA2134 High-Performance Audio Operational Amplifier. This device presents the ideal characteristics for use with an headphones set, like ultra-low distortion and low-noise fully specified for audio applications, in combination with high-output drive capability and excellent DC performance that altogether allow for high-dynamic headroom and really superior sound quality.

Mechanical:
. Format: Eurorack
. Width: 8 HP
. Depth: 6.7 cm

Electrical:
. Max current: 100mA? on each rail
. Bus Board Cable: 8 × 2 IDC (Doepfer style) connector
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 1 in stock $446.21
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ADDAC System ADDAC805 VC Xfade/Panner Module (red faceplate) ADDAC System ADDAC805 VC Xfade/Panner Module (red faceplate)
Cat: 776662 Rel: 08 Sep 20 • View all Synth modules
 
Crossfader & panner module
Notes: This is ADDAC System's new crossfader / panner. It can be used to crossfade between 2 signals or pan a signal from left to right.

Mechanical:
- Format: Eurorack
- Width: 4 HP
- Depth: 4.5 cm

Electrical:
- Max current: 60mA.
- Bus Board Cable: 8 × 2 IDC (Doepfer style) connector.

Included:
- black screws
- black fibre washers
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ADDAC System ADDAC200S Size Matter Module (red faceplate)
Cat: 776135 Rel: 08 Sep 20 • View all Synth modules
 
Adapter module
Notes: ADDAC System's 1/4 to 1/8 inch adapter allow you to connect one 1/4 inch jacks to an 1/8 inch one right in from your rack- now you can leave all those cable adapters behind.

Mechanical:
- Format: Eurorack
- Width: 4 HP
- Depth: 3.5 cm

Electrical:
- Passive
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ADDAC System ADDAC501 Complex Random Module (red faceplate) ADDAC System ADDAC501 Complex Random Module (red faceplate)
Cat: 776328 Rel: 08 Sep 20 • View all Synth modules
 
Random CV generator module
Notes: The ADDAC501 does random CV generation and outputs it through four independent channels. You can control the desired range of voltages and time frequency at which new values are generated.

It can also be triggered by an external CV source and the output voltages can be either free or quantized (if you prefer to have a standard C Major scale).

Finally you can choose between pure randomness or a brownian distribution, for both the voltage and time intervals.

Mechanical:
- Format: Eurorack
- Width: 8 HP
- Depth: 5 cm

Control Voltage I/O:
- CV inputs: 0 - 10v
- CV output: 0 - 5v (0 - 10v through jumper)
- Gate in threshold: 2.5v

Electrical:
- Compatible with +-12v and +-15v power supplies
- Max current: 150mA
- Bus Board Cable: 8 × 2 IDC (Doepfer style) connector
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ADDAC System ADDAC501B Complex Random Expansion Module (red faceplate) ADDAC System ADDAC501B Complex Random Expansion Module (red faceplate)
Notes: The ADDAC501B expansion is connected directly to the ADDAC501 Complex Random. It extends functionality by adding gate outputs to the random generators.

If ADDAC501 generates a new random above the average between Minimum and Maximum, then the respective gate on ADDAC501B is triggered.

There are three pairs of gates, corresponding to the respective outputs on ADDAC501. Each gate pair has both positive and inverted outputs.

This expansion module also offers a dedicated knob for gliding effects. With it you can have a voltage ramp between two consecutive random numbers- randomized "legato" expressiveness.

Mechanical:
- Format: Eurorack
- Width: 4 HP
- Depth: 5 cm

Control Voltage I/O:
- Gate outputs: 0 - 5v

Electrical:
- Connects directly to ADDAC501
- Max current: 20mA
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ADDAC System ADDAC703 Discrete Mixer Module (black faceplate) ADDAC System ADDAC703 Discrete Mixer Module (black faceplate) ADDAC System ADDAC703 Discrete Mixer Module (black faceplate)
Cat: 776360 Rel: 08 Sep 20 • View all Synth modules
 
Mixer module
Notes: Here's the second module of ADDAC System's 700's Heritage Series.

Inspired by Moog CP3 mixer, this is a totally discrete analog mixer and it's not, by any means, your standard breakfast mixer, although it can behave like one.

This is a wolf in sheep's clothing. Despite its harmless looks there's a dark snarly soul behind that panel that wants to take your sounds into a realm of gritty gnarly growls.

Mechanical:
- Format: Eurorack
- Width: 8 HP
- Depth: 3 cm

Electrical:
- Max current: 60mA.
- Bus Board Cable: 8 × 2 IDC (Doepfer style) connector.

Included:
- black screws
- black fibre washers
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ADDAC System ADDAC307 Heart Sensing Module (black faceplate) ADDAC System ADDAC307 Heart Sensing Module (black faceplate)
Cat: 776307 Rel: 08 Sep 20 • View all Synth modules
 
Heart sensing module
Notes: Another addition to the ADDAC300's Expressive Controls Series.

Preceded by the release of the ADDAC303 Muscle Sensing module, this is the second module made to take advantage of the physical body as a control source.

This module originated from a simple idea: using one's heart beat as a control source.

Using a clip-on sensor, that can be attached to a finger or an ear lobe, the user's heart rate will be aquired by sensing the blood flow passing under the sensor. This pulse will generate a trigger and an AD envelope.

Clip-on sensor will be provided with the module.

Tech Specs:
4HP
3.5cm deep
60mA +12V
10mA -12V
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ADDAC System ADDAC401 Gated Envelope Follower VS2 Module (red faceplate) ADDAC System ADDAC401 Gated Envelope Follower VS2 Module (red faceplate)
Cat: 776309 Rel: 08 Sep 20 • View all Synth modules
 
Envelope follower module
Notes: With the ADDAC401 Envelope Follower you'll be able to use the volume of any sound source to control your synthesis.

This envelope follower has an interesting twist: besides outputting the volume information through a regular CV output, it also sports 8 independent gate outputs, triggered by the corresponding levels of the VU meter.

You can also control the offset on the gated outputs, either by CV or by steps through a special dedicated gate input.

Input Level and Decay controls allow you to achieve good envelope follower amplitude reaction.

Envelope Gain and Offset allows to set the envelope CV output to any desired CV range.

Monitor Leds for both the CV output and for the digital detection circuit.

Mechanical:
- Format: Eurorack
- Width: 8 HP
- Depth: 4.5 cm

Control Voltage I/O:
. CV output: i10v
. Gate input: 0 - 5v (threshold: 2.5v)
. Gate outputs: 0 - 5v

Electrical:
. Max current: 110mA +12v & 20mA on -12V
. Bus Board Cable: 8 × 2 IDC (Doepfer style) connector
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ADDAC System ADDAC102 VC FM Radio Module (red faceplate)
Cat: 773955 Rel: 08 Sep 20 • View all Synth modules
 
FM radio module
Notes: This is Version 2 of this module, updated in order to be skiff friendly.

With the ADDAC102 FM Radio you'll be able to tune-in FM radio. Besides the ability of station broadcasts as sound generators for your synthesis, you can also have a lot of fun with the fact that its a great noise generator- the static picks up all kinds of great electromagnetic interference.

It provides controls like tune, volume and seek (all of them controllable through CV input) and there's two outputs for stereo sound.
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ADDAC System ADDAC209 VC Time Compensated Glide Module (red faceplate)
Cat: 776185 Rel: 08 Sep 20 • View all Synth modules
 
Glide/slew circuit module
Notes: This is our take on a glide/slew circuit. It introduces a time compensation for the glide/slew rate so that any interval have the same glide time.

Normal glides have a fixed speed, they take X time to go up a semitone and X*12 to go up an octave. A compensation circuit was added to detect and dynamically change the speed according to the distance needed to be made, so that in the end it'll take the same time to reach the final destination no matter if the interval is 1 semitone or 3 octaves. This compensation feature (dry/wet) can controlled by the front panel knob or by CV.

Mechanical:
. Format: Eurorack
. Width: 4 HP
. Depth: 55 mm

Electrical:
. Max current: 60mA.
. Bus Board Cable: 8 × 2 IDC (Doepfer style) connector.

Included:
.black screws
.black fibre washers
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ADDAC System ADDAC212 EG Map Pack Module (red faceplate)
Cat: 776195 Rel: 08 Sep 20 • View all Synth modules
 
VC attentuator/offset module
Notes: A 4 Channel VC Attenuator and Offset.

The ADDAC212 is a 4-channel VC attenuator and off-setter. It lets you deal with up to four parallel inputs as a single pack, modulating their amplitude and offset (± 10V) with the same control knobs, both with cv inputs and dedicated attenuators.

Features 4 parallel VCAs with the same amplitude and offset control knobs and cv inputs with dedicated attenuators.

Idealized to be the perfect companion for Envelope Generators, you can send 4 EGs through it and control the overall amplitude and offset of all 4 envelopes at once. This allows more control over the Envelopes when patching typical synth voices.
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ADDAC System ADDAC214 VC Rotator Module (red faceplate) ADDAC System ADDAC214 VC Rotator Module (red faceplate)
Cat: 776199 Rel: 08 Sep 20 • View all Synth modules
 
VC rotator module
Notes: This is the VC Rotator, a stepped routing module for any type of signal (audio, cv, gate, trigger...)

Similar to a VC switcher but in this case there's the same number of inputs than outputs so, instead of 4 to 1 or 1 to 4, this module is always 4 to 4 but it can be patched for 2 to 2 and 3 to 3 step actions.

All four inputs get routed to the four outputs depending on the CV and Clock controls and are divided into 4 routing steps:
1. routes all inputs to the same number output: 1:1, 2:2, 3:3, 4:4
2. routes all inputs to an offset of 1: 2:1, 3:2, 4:3, 1:4
3. routes all inputs to an offset of 2: 3:1, 4:2, 1:3, 2:4
4. routes all inputs to an offset of 3: 4:1, 1:2, 2:3, 3:4

Direction determines if the clock input goes forward or backwards.
Going forward it can be set to 2-3 or 4 steps using the Rotate knob offset, going backwards always sync to 4 steps even if offseted by the Rotate knob.
For 2 & 3 step action input 1 is normalled to input 3 and input 2 is normalled to input 4.

Reset resets the internal clock to the first step.

Pendulum, external sequencing or any complex CV actions can be achieved using the CV input and dedicated attenuverter.

4 leds monitor which input is routed to output 1.
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ADDAC System ADDAC103 T-Networks Module (black faceplate) ADDAC System ADDAC103 T-Networks Module (black faceplate)
Cat: 776114 Rel: 08 Sep 20 • View all Synth modules
 
4-voice percussion module
Notes: Inspired by Twin T-Networks circuits used in many lengendary drum machines, ADDAC system have developed a simple and straight forward 4 voice percussion module with frequency controls for each of its voices.

At each voice input there's a gate to trigger converter so any input source is possible.
Audio inputs can also be used as an input, in this case and due to the nature of the gate to trigger converter, each voice can be used as very destructive filters.

The top 2 channels feature a higher frequency range, the bottom 2 channels feature a lower frequency range.

Tech Specs:
6HP
2.5 cm deep
40mA +12V
40mA -12V
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ADDAC System ADDAC802R VCA Quintet Reversed Panel Module (red faceplate) ADDAC System ADDAC802R VCA Quintet Reversed Panel Module (red faceplate)
Cat: 776658 Rel: 08 Sep 20 • View all Synth modules
 
Reversed panel module
Notes: Our Reversed panel version of the ADDAC802 VCA Quintet.

Each of the 5 channels has:
- VCA with initial Knob
- Monitor LED
- Independent output
- Linear or logarithmic control
- Solo/Off/Mix switch that routes their audio to the Solo Channel or the Mix channel. In Off position the VCA does not go to the outputs.

All 5 VCA's can be used separately for different sources (audio or cv) or mix in 2 different chains.

Outputs:
- 1 Pre Master VCA output
- 1 Post Master VCA output
- 1 Solo output

The Solo line is also intended for Pre Listening purposes, using this output to connect your headphones through some headphone amplifier module.

Mechanical:
. Format: Eurorack
. Width: 12 HP
. Depth: 5 cm

Control Voltage I/O:
. CV inputs: i 10v

Electrical:
. Compatible with +-12v and +-15v power supplies?
. Max current: +190mA/-150mA
. Bus Board Cable: 8 × 2 IDC (Doepfer style) connector
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ADDAC System ADDAC503 Marble Physics Module (red faceplate) ADDAC System ADDAC503 Marble Physics Module (red faceplate)
Cat: 776332 Rel: 08 Sep 20 • View all Synth modules
 
Marble physics module
Notes: Newtonian physics on a modular synth! The ADDAC503 Marble Physics is a CV generator based on the mechanics behavior of a marble on a tray.

Through this realtime physics simulator you'll be able to control several parameters that will affect the behavior of a model of a spherical object against a plane. You can tilt the plane or bump the marble with a certain strength, which will cause it to roll and bounce on elastic walls.

The model will output the object's XY position or velocity and you can control other physical parameters, like the walls' elasticity or the strength of a bump. When the marble hits walls the bounce output triggers and you can additionally lock the X axis for a one dimension simulation. Finally you can also set the overall speed of the simulation.

By controlling all of these properties you be able simulate several scenarios where the marble falls, gets gently pulled by gravity, orbits indefinitely or bounces on walls like a pinball. Truly engaging physics simulations!

Mechanical:
. Format: Eurorack
. Width: 10 HP
. Depth: 5.2 cm

Control Voltage I/O:
. CV inputs: i 10v
. CV outputs: i 5v

Electrical:
. Max current: 150mA
. Bus Board Cable: 8 × 2 IDC (Doepfer style) connector
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ADDAC System ADDAC604 Dual Filter Module (black faceplate) ADDAC System ADDAC604 Dual Filter Module (black faceplate)
Cat: 776353 Rel: 08 Sep 20 • View all Synth modules
 
Dual filter module
Notes: Really nice stuff here. The filter circuit from ADDAC's 4 Voice Cluster module gets reimagined as a multi-mode stereo or dual mono filter module. A lot of filter action in just 6hp.

Supplier's Notes:

While developing the ADDAC105 4 Voice Cluster module, a new multimode filter to place after the summing mix stage- and the results were so postitive that it was released as a dedicated filter.

To make it more interesting, the circuitry was duplicated, to be able to use it in a stereo signal path.

To make it more versatile, a switch was added to set the working mode from Stereo to Dual Mono where both filters can be used independently.

In Stereo Mode the Left Cutoff is used to control the Right Cutoff.
In this case the Right Cutoff Knob and CV Input are simply bypassed and will have no impact on the Right Channel operation.
This allows immediate sync of both filter frequencies when the Stereo position is engaged.
Optionally there's a jumper in it's back that, when placed, connects the Right Controls back to the Right CV control allowing the possibility to control the offset of the Right Channel Cutoff.

Resonance is independent on both Modes and still has to be set manually to match both channels.

Both the Audio and CV inputs are normalled from the Left into the Right channels.
As standard plugging any input to the Right channels removes this connection.

Tech Specs:
6HP
4 cm deep
70mA +12V
70mA -12V
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ADDAC System ADDAC702 Dual VC Filter Module (black faceplate)
Cat: 776359 Rel: 08 Sep 20 • View all Synth modules
 
VC filter module
Notes: Here's our first Voltage-Controlled Variable Filter, inspired by the original MS-20 filter.

This module features:

Two independent filters, a High-Pass and a Low-Pass with dedicated audio inputs and outputs.

Besides individual outputs the HP and LP are also sent to a voltage-controlled Mix between the HP and LP filters.

Both Cutoff and Resonance are voltage-controlled with dedicated cv attenuator pots.

Switch for selecting between normal cutoff behaviour and an adjustable Smooth circuit to simulate a vactrol behaviour for cutoff control.

Switch for setting filters Filters in Parallel (independent) or Series (HP > LP).

Inspired by the Oscar synthesizer we added a Coupling switch to tie the HP Cutoff control to the LP Cutoff control, in this case the LP cutoff controls act as an offset from HP setting.

Three position switch selects different resonance clipping paths: diodes / no clipping / leds.

Both filters features a post Distortion/Fuzz circuit that adds extra harmonics adds an even deeper growl or extra gritiness to it.

All audio outputs (HP, Mix, LP) feature a switch for choosing phase output, allowing additive or subtractive mixes.

Three Leds monitor the amplitude of the three outputs (HP, Mix, LP).
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ADDAC System ADDAC611 Gotharman's VC Tube Filter Module (black faceplate) ADDAC System ADDAC611 Gotharman's VC Tube Filter Module (black faceplate)
Notes: This module was developed upon the Tubaz Filter which was released in 2014 by Gotharman but is currently no longer in production. We loved the original module so much that we officially licensed it's circuit and expanded it to feature several new functionalities.

Here's a paragraph from Gotharman regarding the original design:
"I designed it with the purpose of adding crunch, edge and distortion to my eurorack system. It is not an ideal bandpass filter, that cuts off all frequencies above and below the center frequency.
Because of its high drive, there are, in most cases, some bleedthrough of the harmonics, that should have been cut off. You might consider calling it a "Band Add" filter. The main purpose of it, was to add edge, not to be a perfect bandpass filter."

While everything he mentions is still true we believe he was being modest, It's a dirty, gritty, growling and whining monster which promises you some of the most peculiar filter sounds you'll ever hear.
However do not classify it as a "weird" distortion unit just yet because besides this hairy character it can be easily tamed (using lower volume levels) and then, with some care and intention from the user, it will transforrm itself showing it's feline purrrrr and cuddle sweet and caring, or like any good mut, showing up at night all happy, wet and dirty from a full dog's day and will lay down at your feet while wiggling it's tail howling as yawning just happy to be back home.

As such, standard volume principles do not quite apply to these units, the Audio Levels will go up to x2 amplification, Drive will go up to x11 and master outs go up to x2. The combination of these will cover all diferent qualities it can present. Overall sound can be distorted pre-Tube (raising input levels), in Tube (raising drive) or post-Tube (raising Out levels).
Higher Inputs and Drive will always be gritty, lower Inputs and Drive volumes together with higher Output levels will make the overall behaviour more mellow and closer to what a typical filter would behave like.

No standard expectations should be considered when acquiring these units, all of the tubes were built in the 70's and were bought from various sources, we always kept the premise that no tube was a bad tube (unless not really workinng) so due to each specific characteristics no module will sound exactly the same, making each unit particularly unique. This uniqueness will be particularly evident on their resonance/self-oscilating timbre as well as in their own microphonic qualities.

Regarding power and current draw, the module is designed using a low power tube, so it won't starve your eurorack power supply.

Tech Specs:
12HP
3.5cm deep
90mA +12V
60mA -12V
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MRP:$355.69
 1 in stock $353.53
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quote 776355
ADDAC System ADDAC301 Floor Control Module (red faceplate)
Cat: 776281 Rel: 08 Sep 20 • View all Synth modules
 
Floor control module
Notes: While ADDAC were working on the new VC Stompboxes several expression pedals were tested and it became clear that most often, while playing a modular system, your hands are busy.
It's also normal to have an expression pedal lying around somewhere, so ADDAC have brought these back, cleaned up the dust and put them to good use.
This module allows the connection of any standard expression and sustain pedal.

The expression pedal action can be fine-tuned with Range and Offset knobs.
Range defines the voltage range (-10v, +10v).
Offset transposes the range by (-5v, +5v).
Two leds, plus and minus, monitor the CV Output
Positive and inverted output jacks.
The sustain pedal action will generate a gate signal on the gate output.
One led monitors this output.
The module also features a bus board +5v Adaptor, this will be able to provide +5v to any bus board.
This feature can be removed through a jumper on the back of the module.

Specs:
- Width: 4 HP
- Depth: 4 cm
- Max current: 20mA
. Bus Board Cable: 8 × 2 IDC (Doepfer style) connector
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 1 in stock $78.68
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ADDAC System ADDAC302 Nchunk Control Module (red faceplate)
Cat: 776295 Rel: 08 Sep 20 • View all Synth modules
 
Control module
Notes: The ADDAC302 Nchunk Control module allows you to connect a Nintendo Nunchuck controller to your modular synth, featuring a two-axis thumb joystick, a three-axis accelerometer and two trigger buttons.

The module provides CV outputs for all of the Nunchuck's parameters and special functions to remap the CV outputs. The remapping can be both continuous or step-by-step and can be accessed through either the dedicated CV inputs or the manual controls.

A specially dedicated Mix output averages between the first two CV outputs, a very useful feature for continuous control parameters.

Mechanical:
- Format: Eurorack
- Width: 8 HP
- Depth: 4 cm

Control Voltage I/O:
- CV inputs: 0 - 10v
- CV outputs: 0 - 5v
- Gate in threshold: 2.5v

Electrical:
- Compatible with +-12v and +-15v power supplies
. Max current: 100mA?
. Bus Board Cable: 8 × 2 IDC (Doepfer style) connector
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 1 in stock $279.15
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quote 776295
ADDAC System ADDAC222 4x6 Voices 1V/Octave to MIDI Notes Module (red faceplate)
Notes: Most recent from the ADDAC MIDI Series, the 222 converts 4 CV inputs to four distinct polyphonic MIDI NOTES streams, with up to 6 note voices per input. This allows the user to send midi notes to external midi devices straight from your modular: just plug it into your classic synth or your favourite virtual instruments. Combined with the ADDAC221 you can fully control any external midi device.

Ships with 2 stereo jack to din5 midi cables.
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 1 in stock $402.03
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quote 776268
ADDAC System ADDAC402B Heuristic I/O Expansion Module (red faceplate) ADDAC System ADDAC402B Heuristic I/O Expansion Module (red faceplate)
Cat: 776312 Rel: 08 Sep 20 • View all Synth modules
 
MIDI expansion module
Notes: ADDAC402B MIDI Expansion allows full I/O Midi control of ADDAC402 plus access to a powerfull midi interface, with:

Midi Sync:
Allows the module to synchronize with any external MIDI device’s Clock, including transport messages like play, stop and continue.

CV to MIDI:
5 CV inputs (Fills 1 to 4 and Assign) to MIDI Notes and/or CC messages, the Note and CC number can be independently configured via the Configuration Menu.
These CV inputs can be sent on independent MIDI Channels, for ex: Fills 1 to 4 on MIDI Channel 1 and Assign on MIDI Channel 2.

MIDI Controller:
All panel controls (9 knobs, 4 toggle switches and 11 push buttons) can be sent to MIDI Out as CC controls as any standard MIDI controller. The individual CC numbers can be configured through the Configuration Menu.

MIDI to Gate:
All 4 Gate outputs can be controlled/sequenced from an external MIDI device.
For ex: we can configure Gate 1 to be responsive to CC 1, Gate 2 to CC 2 and so on. Everytime CC 1 gets a value of 127 Gate 1 will be turned ON, if it gets a 0 value Gate 1 will be turned OFF.

MIDI Control:
All panel controls (9 knobs, 4 toggle switches and 11 push buttons) can be controlled/sequenced from MIDI CC controls. This allow full automation of the module via MIDI
The individual CC numbers can be configured through the Configuration Menu and includes a midi learn feature for easier configuration.
Also controllable via MIDI is the change of Presets and Modes.
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MRP:$111.23
 1 in stock $107.78
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ADDAC System ADDAC216 Sum & Difference Module (black faceplate) ADDAC System ADDAC216 Sum & Difference Module (black faceplate)
Cat: 776260 Rel: 08 Sep 20 • View all Synth modules
 
Sum & difference module
Notes: There are two equal sections in this module labeled A and B.

This module is a peculiar type of mixer that instead of just summing two input signals (X & Y) it also allows the possibility to subtract the two signals.
It works both for audio and CV signals and hence the possibility to get the diference of two CVs or cancel the phase of two audio signals. The resulting signal, of sum or subtraction, is then routed through a switchable (on/off) full rectification circuit labeled: Absolute. After this the gain of the mixed signal goes through another attenuverter labeled: Amplitude to control the resulting signal gain which, being an attenuverter, also allows the possibility to invert the incoming signal. After the Amplitude comes an AC/DC coupling switch followed by an bipolar Offset knob.

Besides the normal output, there's also an inverted output for each of the A & B sections.

The outputs of section A & B are also summed and sent to the Average Output.

Using a single input, just the X or Y input, the module can also be used as a simple dual Attenuverter & Offset CV processor with full rectification and AC coupling options.

Average mix output of both sections.
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MRP:$139.69
 1 in stock $137.97
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quote 776260
ADDAC System ADDAC221 10x9 Channel CV to CC MIDI System Module (red faceplate)
Notes: The ADDAC221 is a standard midi controller that allows CV inputs, converting CV variations to MIDI Control Change Messages. This allows interaction with your favourite standalone synthesisers and softwares through simple plug-and-play midi control.

A dedicated software permits the user to store up to 9 different presets, where the CC values of each channel can be configured as wished.

This way the user can preset his favourite synths to control filters, envelopes and whatnot from CC messages coming from the module CV inputs.

Ships with 2 stereo jack to din5 midi cables.
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 1 in stock $357.83
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ADDAC System ADDAC204 VC CV Mapping Module (red faceplate) ADDAC System ADDAC204 VC CV Mapping Module (red faceplate)
Cat: 776178 Rel: 08 Sep 20 • View all Synth modules
 
CV mapping module
Notes: With the VC mapping module you'll be able to scale your voltage and also control its offset via CV.

This module provides two outputs for normal and inverted output voltages. A third output morphs between the normal and inverted outputs.

Mechanical:
. Format: Eurorack
. Width: 6 HP
. Depth: 2 cm

Control Voltage I/O:
. CV inputs: i 10v
. CV outputs: i 10v

Electrical:
. Compatible with +-12v and +-15v power supplies?
. Max current: 40mA
. Bus Board Cable: 8 × 2 IDC (Doepfer style) connector
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 1 in stock $201.55
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ADDAC System ADDAC111B Ultra .WAV Player Expansion Module (red faceplate) ADDAC System ADDAC111B Ultra .WAV Player Expansion Module (red faceplate)
Notes: The ADDAC111B EXPANSION allows the user to access the first 8 files (a to h) through a trigger.

Files do not play simultaneously, if several triggers happen at the same time top priority goes from top to bottom- meaning that if B E and F triggers are received at once the file that will be played is file B.

The expansion module should be plugged to the back of the Ultra .Wav Player module. There's no connection to the bus boards.

Specificaitons:
Mechanical:
Format: Eurorack
Width: 16 hp
Depth: 3 cm

Control voltage i/o:
CV inputs: i 5v
CV outputs: 0 +10v

Electrical:
Max current: 150ma
Compatible with +-12v and +-15v power supplies
Bus board cable: 8x2 idc (doepfer style) connect
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 1 in stock $133.65
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ADDAC System ADDAC602 Passive Ring Modulator Module (red faceplate)
Cat: 776350 Rel: 08 Sep 20 • View all Synth modules
 
Ring modulator module
Notes: A dual channel classic Passive Ring Modulator, with transformers and germanium diodes.

Mechanical:
- Format: Eurorack
- Width: 4 HP
- Depth: 3.5 cm

Electrical:
- Passive
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MRP:$133.22
 1 in stock $127.18
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ADDAC System ADDAC402 Heuristic Rhythm Generator Module (red faceplate) ADDAC System ADDAC402 Heuristic Rhythm Generator Module (red faceplate) ADDAC System ADDAC402 Heuristic Rhythm Generator Module (red faceplate)
Cat: 776311 Rel: 08 Sep 20 • View all Synth modules
 
Rhythm generator module
Notes: This module is a powerful rhythm generation machine- it features 4 voices of gate outputs (including inverted outputs for logic NOT sequences) where each voice can have independent lengths, all configurable with direct knobs anc cv inputs.

Perfect for precise polyrhythmic patterns and all sorts of non-linear sequencing.

The module works by 6 different rhythm generation "algorithms / principles":
Euclidean (equal distribution)
Golomb Rulers (inequal distribution)
Probabilistic (predictable distribution)
Game Of Life (organic progression)
Footwork'n (inducted error progression)
Pong (voltage controlled Pong game)

Plus a 4 channel Gate Sequencer Mode with up to 32 steps and 16 storable presets.

Add ADDAC402B Expansion for full I/O Midi control plus access to a powerful midi interface, with:
Midi Sync
5 cv to midi channels (notes and/or cc)
4 midi to gate channels
All panel controls (knobs, switches and push buttons) as cc controls.

All fully configurable with a midi learn feature for easier configuration.

MECHANICAL:
Format: Eurorack
Width: 20 HP
Depth: 5.5 cm

CONTROL VOLTAGE I/O:
CV inputs: 0 to +10v

ELECTRICAL:
Max current: 150mA
Bus Board Cable: 8 × 2 IDC (Doepfer style) connector
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 2 in stock $491.48
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ADDAC System ADDAC803 Quadraphonic Spatializer Module (red faceplate)
Cat: 776406 Rel: 08 Sep 20 • View all Synth modules
 
Quadophonic spatializer module
Notes: This is ADDAC System's Quadraphonic output module.

Using the VBAP (Vector-Base Amplitude Panning) principle, it allows to position a mono signal over a quadraphonic speaker array for sound spatialization. The VBAP algorithm can be controlled by Cartesian or Polar methods

Sound path is fully analogue featuring 4 high quality VCA's.

Featuring both 1/4 inch and 3.5mm jacks for adapter free connections.

Four 16 bit CV outputs mirror the signal sent to the VCA's control, when connected to 4 external VCA's these can be used for Polar Mixing of 4 diferent sound sources.

The 2 Filter CV outputs react according to the distance from the center point. The + output increases as the sound gets further away from the center of the room allowing to sync a Low Pass Filter to the input sound so that as it moves away from the center the High Frequencies get attenuated further increasing the spatialization experience. Another good practice would be to sync a reverb dry/wet signal as well so that the sounds gets more difused as it moves away from the center into the horizon.

Both the filter and the reverb should be plugged between the sound source and the 803, in order for the incoming sound to be processed before being routed to the 4 outputs.

The X and Y CV outputs mirror the cartesian sound position between 0 and +5v.

Mechanical:
. Format: Eurorack
. Width: 14 HP
. Depth: 6 cm

Control Voltage I/O:
. CV inputs: i 10v
. CV outputs: + 5v

Electrical:
. Compatible with +-12v and +-15v power supplies?.
. Max current: 150mA on positive rail, 100mA on negative rail
. Bus Board Cable: 8 × 2 IDC (Doepfer style) connector
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 1 in stock $446.21
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quote 776406
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