Review: More from the mysterious Ron's Reworks series, which appears (though it has never been confirmed) to have been launched in tribute to late, great Chicago DJ Ron Hardy. The shadowy scalpel fiend (or fiends) behind the series begins volume three with "Revelation", a sparkling rearrangement of a life-affirming, piano-laden number that sits somewhere between jazz-funk, Latin jazz, spiritual jazz and disco. It is, beyond a shadow of doubt, one of the most positive tracks you'll hear all month. Elsewhere, "Games You Playing" is a synth-sporting slab of disco-funk heaviness, and "Bada Bongo" a percussive, break-driven, bongo-laden workout guaranteed to get limbs moving on the dancefloor.
Review: More from the mysterious Ron's Reworks series, which seems to specialise in good old-fashioned re-edits of tracks played by the late, great Ron Hardy (or at least that's how it appears to us - whoever is behind the project is keeping quiet). The real killer here is A-side "Your Brain On Music", a slightly beefed-up and tooled up version of an Italo-disco-era chugger rich in driving bass, spacey synthesizer lines, proto-acid sounds and almost symphonic electronic chords. Elsewhere "Be Bizarre" is a tight, mostly instrumental revision of an electrofunk era big studio rock number - all squelchy synth bass, glistening guitar riffs and stuttering drum machine beats - while "Call Me" is a fine scalpel edit of a sparkling boogie jam.
Review: Ron's Reworks is a mysterious new edit label that deals in tweaking disco gems. Whether Ron is the name of the edit artist, or a nod to the fact these tunes might have been played Ron Hardy, we don't know, but we do know they are worth having: Gilles Peterson played the lush soul grooves of "Flight Of The Eisenberg" on his 6 Music show which should be all the support you need to know about, while "Heads" is a more deep cut of late night funk with playful riffs and a gorgeous vocal sample next to jazzy Rhodes keys. "The Jubes" ends things with a heartwarming gospel vocal from beautiful outfit The Supreme Jubilees that will leave you feeling warm inside.
Review: For the latest missive on their fast-rising DET313 label, Gary Martin and Yossi Amoyal have dug deep into the archives of Martin's long-running Teknotika Records imprint. First up on the A-side is a re-mastered version of "A City At Night", a Martin cut from 1990 that mixes the futurist intent of Motor City techno with chunkier, UK style techno grooves and the kind of stabs and musical flourishes more associated with Robert Hood or Terrence Parker records. Side B boasts a freshly extended edit of another Martin gem - this time under the Gigi Galaxy alias - from 1994. "The Dream" more than lives up to its title, with Martin wrapping restless bass, starry lead lines, alien electronics and sumptuous chords around a hypnotic deep techno groove.
Les Dance (Jean Claude Gavri 2017 dub edit) (6:35)
Review: Over the last few years, Israeli producer Jean-Claude Gavri has reworked all manner of vintage dancefloor treats, often delivering brilliantly percussive or subtly tooled-up reinterpretations. This time round, he's working his magic on David Bowie's 1983 classic "Let's Dance". Interestingly, it sounds like Gavri had access to the master tapes during the remixing process, because the A-side remix is a wonderfully dubbed-out, synth-laden interpretation that sounds like a cross between the work of The Reflex and the Idjut Boys. The flipside Dub Edit is pretty tasty, too, and naturally concentrates more on both the rolling percussion and killer synth bassline.
Review: Philipp Maier aka Sante heads up the Berlin based Avotre imprint, which has brought us some solid grooves of late courtesy of heavy hitters Phuture, Mathias Kaden and Rich NxT. Back on the groove train here, Maier brings some serious heat on the inauguration of this new white label release. "How" is minimal tech house just the way you like it: boompty, rolling, swing-fuelled and groovy. Throw in that cheeky vocal hook from "Blue Monday" and you have a certified banger that's made to play well into 2020 - top!
Review: Sampled by everyone from J-Lo to Jay-Z, Manu Dibango's 1972 classic is perhaps one of the most influential and heavily referenced afrofunk tracks of all time. Echoing with shades of every genre we know and love today, it still sounds just as timeless, infectious and ultimately agenda-setting today as the first time you heard it. If your collection doesn't sport this original yet, now is most certainly the time.