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Review: With Deetron, we were able to get one of the most successful producers of the past year to remix Legowelt's "Disco Rout". This remix is for sure one of the most housey releases on Cocoon Recordings so far.

Review: Marguerita manages to get some acid all-stars on one record! This is the second instalment of the Marguerita acid series, "030303". Legowelt, Kettel, Luke Vibert, Mr76ix and Ceephax are jamming with their 303s. Each artist brings their own typical and unique trademark.

Review: [Standard album edition sans 10"] It's rare that electronic music artists push themselves to the same degree as Danny Wolfers. The Dutch artist is one of the most prolific contemporary artists, working under an often bewildering array of guises, but this latest release sees him go deeper than before. In part, this is due to Wolfers taking more time on the production process because he wanted to make his tracks as DJ-friendly as possible, but it is also due to the fact that he has matured as a producer. The Paranormal Soul is his most refined work to date, and there is an absence of the raw edges that characterised classic Legowelt releases like Klaus Kinski or Tower of the Gypsies. Yet despite this, Wolfers' music has not lost any of the touches and flourishes that make him so distinctive. "Renegade of a New Age" and "Elements of Houz Music" have those melodic, part-mysterious, part-cheesy synth lines that Wolfers pretty much owns, and "Voice of Triumph" and "I Only Move for You" see him revert to classic acid, with visceral jacking offset by warm, 303-soaked basslines. But the most significant measure of Wolfers's development lies in the fact that he has created his own interpretation of the early 90s techno sound that originally inspired him. "Rave Till Dawn" starts with "Red 2"-style chord stabs, but instead of bombast the track gets progressively more subtle thanks to fragile break beats and mellow pads. "Sketches From Another Century", with its dreamy sweeps and building chords sounds like classic Carl Craig, but just when the listener thought Wolfer was intent on making Detroit techno tribute track, those unmistakable melody lines and warbling bass kick in, the very manifestation of the Dutchman's musical soul.

Review: DJ Traxx from the Dirty Criminals with a new slamming 12" done together with Legowelt. Dirty rocking smack Chicago house. Traxx and Legowelt keep you jacking all night long!

Review: Iconic Dutch producer Legowelt marks his debut on the West Coast series run by Clone with the infectiously warm vintage machine funk of "Bayville Cove". Classic Legowelt strings are entwined with gently undulating synth lines, with the vast procession of analogue drum patterns giving the track a jacking energy. The flock of seagulls no doubt sampled in upstate New York add a hazy hue which leaves your sense totally captivated. A sense of melancholia emanates from every pore of B Side jacker "Colorado Snow Music" with the pensive synth melodies dominating throughout.

Review: If you're yet to add a Creme or L.I.E.S. record to your collection this year let this Creme Organization Valley Of Shadows x LIES EP kills two bids with the one stone. Or you could just get it for Randomer's obliterating "Ugly Drummer". Legowelt throws down some spiralling Detroitisms in "Only In America" following the colourful club construction Innershades provides in "Acid Rehearsal", and to match the brutality of Randomer's A-side cut is Ron Morelli's "Signal Jam" retooled as a darkly bending slab of cathedral techno by Greg Beato. Simoncino provides more of his usual sequenced Chicago house prowess in "Earth & Nightfall" leaving Willie Burns to let loose on the keys in "He Is Crazy Enough" when closing out this radical compilation.

Review: If you were left a bit disconsolate at the lack of music released by Danny Wolfers in the aftermath of his Crystal Cult 2080 LP last year, fear not he was clearly spending the time in his studio weaving synthetic magic for all manner of 2015 releases. That and editing an e-zine, directing and starring in a bizarre online TV show with Willie Burns and slipping out free synth patches. Anyway Anaconda Flow is the third Legowelt 12" in as many months and is facilitated via Technicolour, Fotomachine's increasingly influential label. It's all very Legowelt in both sound and titles (our pick is "Evaporate With Me 2 Infinity") and we can always do with more music from the mind of Danny Wolfers in our lives!!

Review: Very, very strong dramatic italo/disco/soundtrack-like double 12". Reminds me of "Tenebre" by Claudio Simonetti and John Carpenters "Escape From New York". Must have for the "The Hague Sound" lovers. One of the best releases from Legowelt ever!

Review: The Hague-based Creme Organization label steered by DJ TLR has a long running working relationship with Danny Wolfers, with all manner of material from the alias happy Dutchman appearing on Creme Organisation over the past decade. The Crystal Cult 2080 Album sampler heralds, surprisingly enough, a new album from the producer next year under his famed Legowelt moniker. On the basis of these tracks it should be as strong a set as we've come to expect from Wolfers; the extended 12" dub of title track glistens and squelches in equal measure, while "Majestic Alchemy" and "Mistral VHS" pulsate with a stately sense of purpose. "Do What You Gotta Do" meanwhile, is a full-bodied belter with the kind of crushingly clean kicks and shimmering analogue chords only Wolfers can create.

Review: If for some reason you didn't pick up the full 4xLP version of Legowelt's essential album The Teac Life earlier this year, you can now purchase them up us individual EPs. Featuring four tracks that the producer himself describes as "deep, tape saturated forest-techno", this first part moves from the audible tape hiss and raw drums on opener "The Night Wind", through the windswept landscape of "Half Moon 106", with the flip taking in the proto jack of "The Soul Of A City" and the sublime hypnotics of "Forest Conditioner".

Review: After self-releasing the quadruple vinyl version of The Teac Life last year in a move of bold self-reliance, Legowelt is returning to the lauded collection of analogue wonder to make choice cuts more widely available. In the second instalment, you can get lost in the euphoric string stabs of "Metro Airport", or thoroughly befuddled in the loping groove of "Moon Mist". However it's "Beyond Ur Self" that really stands out, finely balancing the elements so that the bright and bold melodies sit nicely with the more submerged elements, all the while creating that mysterious atmosphere that defines Legowelt's music like no-one elses.

Review: It's rare that electronic music artists push themselves to the same degree as Danny Wolfers. The Dutch artist is one of the most prolific contemporary artists, working under an often bewildering array of guises - Soul is his ninth album as Legowelt - but this latest release sees him go deeper than before. In part, this is due to Wolfers taking more time on the production process because he wanted to make his tracks as DJ-friendly as possible, but it is also due to the fact that he has matured as a producer. Soul is his most refined work to date, and there is an absence of the raw edges that characterised classic Legowelt releases like Klaus Kinski or Tower of the Gypsies. Yet despite this, Wolfers's music has not lost any of the touches and flourishes that make him so distinctive. "Renegade of a New Age" and "Elements of Houz Music" have those melodic, part-mysterious, part-cheesy synth lines that Wolfers pretty much owns, and "Voice of Triumph" and "I Only Move for You" see him revert to classic acid, with visceral jacking offset by warm, 303-soaked basslines. But the most significant measure of Wolfers's development lies in the fact that he has created his own interpretation of the early 90s techno sound that originally inspired him. "Rave Till Dawn" starts with "Red 2"-style chord stabs, but instead of bombast the track gets progressively more subtle thanks to fragile break beats and mellow pads. "Sketches From Another Century", with its dreamy sweeps and building chords sounds like classic Carl Craig, but just when the listener thought Wolfer was intent on making Detroit techno tribute track, those unmistakable melody lines and warbling bass kick in, the very manifestation of the Dutchman's musical soul.

Review: As if one bumper-pack of tools wasn't enough, the second instalment of Danny Wolfers' studies of drum machine minimalism under the Westside Box Savants alias bring another six weapons to the Bunker-affiliated label Panzerkreuz. There's no kind of colour or distraction on these jams; just pure and elegantly programmed drum machines doing their thing. That these tools can still have moments as exciting as "Track 3" when the musical tom comes in says a lot about Wolfers' abilities within the field of vintage equipment and music creation.

Review: ** REPRESS ALERT! Danny Wolfers engages in some cheating to maintain his 2013 weekly release schedule with a colour vinyl repress of 2011 album The TEAC Life ** On his website, he describes the 14-track opus as "deep, tape saturated forest-techno", as adroit a summation of his sound as any scribe has ever managed. The title is an obvious nod to the equipment made to construct the album, an admission which, rather than spoiling the mystique, only adds to it. The 14 tracks paint incredibly vivid images, from the audible tape hiss and raw drums on opener "The Night Wind", which leads to the windswept landscape of "Half Moon 106? and the slightly more polished Chicagoan jack of "The Soul of a City". The Virgo-esque string led romanticism of "Metro Airport" is one of many high points on what was one of 2011's best albums.

Review: Whilst it might seem initially surprising that Actress has contributed these remixes for the new Jack For Daze release, Danny 'Legowelt' Wolfers has spoken widely about his admiration for Actress; calling his work "futuristic and advanced", it makes perfect sense that Clone should now extend an invitation to the Werkdiscs boss to remix material from Legowelt's recent album The Paranormal Soul. Actress has offered up two versions of "Elementz Of Houz Music," a track that perfectly encapsulates Legowelt's mastery of melodic, part-mysterious, part-cheesy synth lines. The first remix has Cunningham shuttling Legowelt's arrangement through a cloudy car wash of hissy mist, chopping up the original into his trademark cubist techno; this dovetails nicely with his second 12 minute offering. Markedly more drastic, this offering slows down the synths, kicks and percussion to a drunken stupor, with the results not unlike playing a 45rpm record incorrectly at 33rpm.

Review: Danny 'Legowelt' Wolfers' and fellow Clone regular Brian Chinetti aka robot disco expert Orgue Electronique return to their lesser spotted Chicago Shags project with this fine EP of electronic sounds that unashamedly hark back to a bygone age, where music was made not on computers but keyboards and magical boxes made in Japan. It's not so much retro-futurism as just retro. First up is "Ponderosa", a shuffling deep house jam propelled by nagging electric piano lines, fluid pads and hustling 808 percussion with long, weary, drawn-out chords recall the spooky majesty of Orbital's 1990 single "Midnight." Following this, "Pancake Breakfast" fuses vintage Chicago bottom-end with the futurist sounds of Detroit and spirals towards a formidable climax, its energy only matched by the far-sighted melodies that seem to cascade from the speakers. "Firetruck Sunday" boasts the sort of booming analogue bottom-end that was once the preserve of Virgo Four or Phuture, while closer "To The Westfield" is another muted but impressive tribute to the early days of Chicago deep house which seemingly loses itself in layer upon layer of vintage synthesizers.

Review: Danny Wolfers returns to his brilliant Chicago Shags alias - this time gracing the excellent Creme JAK series with some sublime analogue manoeuvres. "Irrational Excess" commences proceedings in ridiculous form, with Wolfers using all his machine funk expertise to throw down wave after wave of cascading analogue showers over unforgiving 808 rhythms. Wipe yourself down from that sweat filled joy for the more delicately melodic "Disorderly Orchard", with the rough acid and percussive edges offset by the intricate synth work. Traverse to the B Side where breathless vocal edits and gut hugging analogue basslines run through "Lost In A Blue Night" though it's the big waves of Chicago emotion that grab you. Finally the TLR Edit of "Southside Will Rise" could be the soundtrack to Snake Plisken's Escape From Chicago.

Review: The woolly jumper wearing don known as Legowelt (real name Danny Wolfers) turns to his Nacho Patrol alias for the Africa Jet Band Experience on M Division. Here we are treated to six tracks of hazy analogue disco, with the dense gurgling chaos of "Fuzz Party" our pick of the A-Side offerings. It's a tougher call on the flip, with the frantic lo-fi antics of "No Angry People" and "Ghetto Compressor" both getting frequent play on the Juno office 1210. We shouldn't be surprised when Wolfers drops such an excellent array of tracks on us; he has one of the best collections of analogue kit on earth, and, importantly, knows how to use it - but once again he's left us gazing adoringly at his work. This serves as the perfect vinyl-shaped addendum to the full Africa Jet Band Experience album, which hit the CD shelves this week.

Review: The Long Island Electrical Systems imprint has really stepped up its game this year with crucial twelves from Steve Moore and Willie Burns in recent months. Their endeavours go up several notches in our affections with their latest release positing the ever excellent Legowelt at the helm for a triplet of his distinct cross city house pollinations. The title track "Sark Island Acid" sets the tone in glorious form with rapidly oscillating streams of acid twirling around expert layers of drum machine energy. It's indelibly marked with the sonic identity of Legowelt and is both a beautiful slice of electronic music and a potent dancefloor shaker. On the flip Wolfers digs deeper into the machine with "Backwood Fantasies" an expert example of mind altering jack heavy on the twisting synth scapes, whilst "Sea Of Nuhuhu" contrasts heavy bass turns with glistening key refrains over basic constructed drums. A pleasure from start to end!

Review: The Hague's legendary synth wizard Legowelt is back on BAKK, one of his local imprints. "Micronesia" has a sublime groove with dreamy pads and lush melodies that beg your attention. "Pannenkoekenfeest" (try saying that three times fast) is the real highlight here; a tough Detroit techno stomper with all the soul you'd expect and reminiscent of old Juan Atkins or Carl Craig. On the flip "Esoteric Party Buffet" is a dreamy, cyclical and minimal number that loops just nicely. Finally "Laundromat Of Your Mind" continues with the loveably absurd titles and gets back on the tougher tip. A peak time number that references classic Robert Hood. As much as these all seem like tributes, they're all done in the trademark Danny Wolfers way.

Review: Continuing the feeling that a new Legowelt record is seemingly announced or released on a weekly basis, the Dutch producer adds another label to his faintly daunting discography by inaugurating the Spanish label Riverette. Aside from a sparse website and hollow Soundcloud account, little is known about this low-key Madrid label, but it's easy to focus on the music here as the Blue Tearz 12" offers a snapshot of Legowelt's production diversity. The title track grips all available space on the A Side and offers a perfect display of Wolfers' talent for wrenching melodic beauty out of his equipment, whilst "I Shadow Wolf III" - which must be a reference to his recently unveiled Shadow wulf CyBeRpUnK E-ZiNe - is reminiscent of Psyche-era Carl Craig. "Source Of Menace" meanwhile is vintage Legowelt!

Review: Those familiar with the Strange Life label operated by Danny Wolfers will know it's rife with CDr material worthy of the vinyl format. Whilst our personal favourite (the bizarre Portopia by Wolfers alias Satomi Taniyama) remains looked over by labels, Berceuse Heroique were responsible for a quite sumptuous double LP edition of Smackos album The Age Of Candy Candy earlier this year. Now local Den Haag crew BAKK have got their hands on 2004 Strange Life album Dark Days for an equally classy triple LP edition. Wolfers fans not familiar with this album will immediately fall in love with Dark Days, thanks to the signature blend of goofy track titles ("Lego Resistance", "An Obnoxious Affair On Tape") and music that veers from soaring, synth vistas to grotty techno via cold, primitive electronics and more.

Review: Legowelt returns to Unknown To The Unknown for another bunch of wonderful excursions through obsolete musical technology under the banner Sampling Winter. Leading with the title track, this finds Danny Wolfers on a soulful and deep house vibe with a wandering and mesmerising melody, warm pads and super shuffling garage style rhythm. On the flip is "Beach Oceano" which is equally rich in soulfulness but more on the deeper techno vibe, with its sharp and hypnotising arpeggio backed by galactic melodies and glistening pads. All accentuated by analogue tape hiss in the background. This is raw!

Review: Madrid's Riverette have been naughty since their debut back in 2014, their consistently high levels of house quality have impressed us...and Holland's maestro Legowelt, apparently! This is the Lowlands legend's third appearance on the label, and he's joined by DOS Attack for this one; the master lays down a truly 'classic' sort of Legowelt tune on the A-side, plenty of mystique and synth harmony going off left, right and centre, while DOS Attack's "Flue" is slower, spacier, and chugs along to a mid-tempo pace with the help of some powerful low-tones, and a great percussion flex. Yes, go on.

Review: Dekmantel has wheeled out the big guns for this third volume in their 10th anniversary vinyl series. Mr Consistency himself, Leon Vincent, kicks things off with "UK Spring Vibes", a pleasingly deep and softly spoken shuffler piled high with attention-grabbing analogue bass, stretched-out chords and twinkling piano flourishes. Legowelt excels himself (as usual) on the darting, synth-heavy intergalactic fun of "Blue Astral Techno", while Joey Anderson is an ultra-positive mood on the melodious, slightly melancholy, synth-heavy deep house of "Opened Gate". Central's "Six Five Two", a wavy and Balearic-minded trip though gentle, sun-kissed sounds and bubbling electronic rhythms, draws a fine EP to a close with an intoxicating flourish.

Review: For those who missed the memo, Occult Oriented Crime is one of several hundred alter egos occasionally used by Legowelt man Danny Wolfers. He first donned the pseudonym in 2014 for "The Occult Orientated Crime Album", a stunning but previously digital-only outing that has finally made it to vinyl for the very first time. From start to finish, the set prioritizes mood and atmosphere over club-focused rhythms, with Wolfers offering up a range of evocative, heavily electronic ambient soundscapes. While some cuts sound like Radiophonic Workshop doodles or Pete Namlook style immersive synth-scapes, others wrap delay-laden pianos around a whisper of electronic texture; throughout, Wolfers proves a masterful maker of meditative ambient bliss.

Review: Danny 'Legowelt' Wolfers may be the only man in the world capable of carrying off an album cover that features him sat in a forest, eating pancakes, alongside one of the many vintage synthesizers he owns. The eccentric Dutch producer has a near faultless discography, too, with each new album - and there have been rather a lot over the years - being as quietly impressive as the last. There's much to enjoy on his latest full-length, which sees Wolfers giddily flit between rap-sporting electro-punk quirkiness ('Under a Golden Dome'), sci-fi-seeped Italo-disco revivalism ('Edelweiss Reingold', the tongue-in-cheek title track), sparkling deep electro (the starburst sweetness of 'You Are Just a Sad Hologram Projected From The Edge of the Universe') and acid-flecked techno ('Side By Side We Ride Against The Hordes of EDM').

Review: Danny Wolfers is undeniably one of the most prolific and endlessly creative artist sin electronic music. Keeping up with his numerous different aliases alone is a challenge. For this one on Unknown to the Unknown he becomes Dickie Smabers and heads off into a dramatic world of lo-fi, low slung and dusty house beats . Plenty of pixelated melodies light up the airwaves while more electro tinged rhythms and robotic jackbeats also help move things along in typically dynamic fashion. As always, this is another vital dispatch from The Hague.

Review: There's no stopping Danny Wolfers, who has still managed to release two albums as Legowelt this year despite a raging pandemic and a crippling economic downturn. He's predictably on form again on his first outing for Lapsus offshoot C.E.E, giddily moving between a range of sparkling, synth-heavy outings that encapsulate all that is good about his analogue-rich productions. We're really enjoying opener 'Santiago Chile Arp Track', where sparkling electronic melodies and mind-warping TB-303 lines rise and fall above a jacking techno drum track, while title track 'System Shapeshift' is amongst the most psychedelic, punchy and potent electro tracks he's ever released. Also worth a look is the early Orbital-ish trip that is 'Live in Transnistria', not to mention the stuttering heaviness of strobe-lit acid onslaught 'My Dad Was a Lifeguard'.

Review: Danny Wolfers' restless productivity knows no bounds. Not content with dropping stone cold 12" singles at a furious rate, he's delivered yet another Legowelt album to Creme Organization. Pleasingly, Crystal Cult 2080 (so called because he used a homemade crystal compressor and dusty second hand Roland JV2080- synthesizer throughout the recording process) is up to his usual high standards. There are few surprises - we should all know what we're getting by now - but plenty of reasons to be cheerful, from the fuzzy new age electronica of "The Future of Myself" and muddy Detroit futurism of "Fundamental Superstition", to the tropical pagan mysticism of "Ancient Rites Demoni Mundi" and warped acid of the feverish title track.

Review: Crazy stories by Legowelt on his own label about the land of Lonzo! Crazy & dirty The Hague meets Chicago meets Rimini sounding tracks.

Review: The Diskokaine Marflow returns again this time with Princess Superstar on mic and this time he has got Legowelt on synth. Between shit kickin' disco and Chicago house. Comes with a crazy Autorepeat remix as well. This would be wax for Ron Hardy if he was still alive!