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Keeley Neutrino V2 Optocoupler Envelope Filter/Auto Wah Pedal
Cat: 782443 Rel: 04 Aug 20
 
Envelope filter/wah pedal
Notes: The Keeley Neutrino V2 is an amazingly toneful and compact form of the classic opto-coupler envelope filter. The Neutrino takes your guitar playing and creates an automatic wah sound based on your pick attack! Envelope filters or auto-wahs as they are often called, sound and react best when they are opto-coupler based. The opto-couplers used in the Neutrino are particularly smooth, giving you an amazing vowel-like tone. The Keeley Neutrino gives you 3 filter ranges, 2 directions, 2 ranges for the frequency center and a Peak control. Keeley has engineered a power supply voltage-doubler so you maintain the highest headroom for your tone. An incredibly tough build means it will last for many decades to come. Whether you're in a jam band or playing funk, the Keeley Neutrino V2 delivers incredible vocal-like tone.
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MRP:$233.99 SAVE 27%
 1 in stock $170.51
Keeley Nocturner Dark Reverb Pedal
Cat: 782447 Rel: 04 Aug 20
 
Reverb pedal
Notes: Nocturner Reverb - Dark, watery halls of reverberation. Shimmering highlights, eerie reverse verb that sings back at you.

The Nocturner is darker in voice than ther Aurora, with two of our new tones, Shimmer and Reverse, (as on the Sojourner) the Nocturner is a reverb fan's dream. It's simple to let the pedal do the work and start experimenting with deep and rich watery layers of reverb, or switch modes and let shimmering washes highlight your playing.

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MRP:$260.13 SAVE 18%
 1 in stock $212.42
Keeley Caverns Delay/Reverb V2 Delay Pedal
Cat: 782331 Rel: 04 Aug 20
 
Delay/reverb pedal
Notes: The Caverns Delay Reverb V2 dual-effect pedal combines delay and reverb for the perfect end to any pedal board. It features Keeley's analog-style tape delay with modulation options. The 650ms of warm delay combine with Spring, Shimmer or Modulated Reverb. Caverns now comes with a True-Bypass or Trails option. Because of its small and compact design, the New Caverns is a perfect fit for any fly-rig or small board where you have tight space requirements. The New V2 features Keeley's most popular time-based effects, blended perfectly via a design fine-tuned for over 2 years. Simply put, it will be an amazing addition to any board.

The Reverb side of the pedal features 3 cavernous sounds:

Spring Mode - Blackface Amp style spring reverb with F Style Tremolo
Modulation Mode - Choral modulation to the reverb for a huge, cavernous space
Shimmer Mode - Reverb with emphasis on octave-up voices in the reverb trails

The Delay side of the pedal incorporates Keeley's popular Magnetic Echo circuit, which is designed to emulate analog tape delay lines. Three way switchable modulation gives you options for adding Wow and Flutter to the repeats. Perfectly voiced echoes sit well in the mix, either clean or with distortion.

The New Caverns Delay Reverb V2 builds on the old Caverns pedal by giving players a more open and logical control layout with more space between the foot switches.

Top-Mounted Jacks allow for a compact pedalboard layout.

True-Bypass or Trails option gives you the freedom to create huge caverns of sounds and lets them ring out even after you turn the pedal off. Our buffers are engineered to retain your tone and to feed your amplifier a full-strength signal.

The New Caverns Delay Reverb V2 is entirely built in the US. Keeley's veteran crew builds the most reliable and road-worthy gear.

Use 2 TRS Breakout cables for effects patching or to use the Caverns with a pro switching system.
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MRP:$233.99 SAVE 27%
 2 in stock $171.02
Keeley DDR Custom Drive Pedal With Delay Or Reverb
Cat: 782386 Rel: 04 Aug 20
 
Delay/reverb pedal
Notes: The DDR combines the most common guitar effects- DRIVE and WET- into one pedal. Choose between two classic overdrive tones and then pour on some delay or reverb. One pedal, any gig.

The DRIVE section gives you two styles of overdrive to choose from: Crunch or Lead. The Crunch Style gives you a gritty British tube-amp combo sound. The Lead Style gives you a warm and dark, mid-pushed overdrive. The WET side of the pedal gives you Delays and Reverbs. A Vintage/Modern Switch allows you to toggle between Spring & Plate reverb or Analog & Digital delay. Use the built-in effects loop to insert effects between Drive and Wet, or run it by itself as the only pedal you'll need!

DRIVE Channel:
A pair of modified super-drives to choose from. Volume, Tone, and Drive for days!

STYLE Switch:
Tube-amp Crunch or Lead-channel Sustain

WET Channel:
three knob delay or reverb with Blend, Decay, and Time

Delay/Reverb Switch:
Center toggle, WET Mode Select

Top-mounted jacks for effect pedal insert or split

TRS Insert Switch:
side mounted selector

True-Bypass or Trails Switch:
side mounted selector

9VDC, 100 mA, no battery option
Designed and Made in the USA
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MRP:$233.99 SAVE 26%
 1 in stock $173.20
Keeley Compressor Plus Classic Compressor Pedal With Added Tone And Blend Control
Notes: The Keeley Compressor is the most popular boutique compressor in the world.

The Keeley Compressor Plus is the first true advancement in Keeley's 2 and 4 knob compressor line. The new features are simple and straight forward. Now, there is a simple Release Switch that is tuned for single coils or humbuckers. No more wondering if you have the attack or release set right. Your humbuckers will have all the attack and punch that they should. The Tone Control was also added, which emphasizes the most sensitive harmonics that can be lost in compression. The Compressor Plus now sports a Blend Control that retains the peaks in your playing and, more importantly, the proper phasing of your guitar signal. The Keeley Compressor Plus offers the same gorgeous push of frequencies and sweetening of tone that the old comps gave you, now with the flexibility to easily handle any instrument.

The Keeley Compressor Plus is a compressor with an expander/sustainer. Not only does it act as a regular compressor, limiting the peaks in your playing, it adds more and more gain as notes fade out. Now you have sustain. Nothing worse than a note or a bend that has died before its time. The Keeley Compressor Plus adds just the right amount of sustain and expressive bloom to your notes.

The new Release Switch on the Keeley Compressor Plus is designed to make it very easy to transition between single coil and humbucker guitars. Humbuckers have more average energy than single coils which can cause compressors to stay in "compression mode" for a lot longer. When this happens, any series of notes you play will sound dull. With the quick release of the new Compressor Plus, your humbuckers remain true sounding, and each note retains dynamic attack and definition.

The Tone Control is Keeley's own design taken from analog delays and other vintage effects. Those effects used an emphasis circuit to recover treble and highs after they went through the BBD or other analog delay lines. That circuit was then taken and made it into a full fledged tone controll- it is the perfect way to gently add back in those highs lost in the compression process.

The Blend Control is a way of getting the peaks to come through while having sustain at the same time. So if you want sustain more than peak-limiting, this style of Manhattan Compression is for you! Keep all the peaks and transients with the Blend and Tone Controls while adding sustain on the back end. Heaven!

This compressor isn't just for heavy funk or chicken pickin' anymore.The new Compressor Plus is for players wanting a smooth, subtle wash from their guitar. Remove just the right amount of peaks for an ambient layer and then blend in the right amount of treble for a nice shimmer to your guitar. Use with your favorite fuzz to create a wall of tone like you've only heard on records. Looping has never been easier than with this compressor. Consider it an essential tool when creating loops that sound well-balanced. Forget it all and use the Compressor Plus for the best amp boost you've heard. Nothing pushes an amp better than the Keeley Compressor Plus.
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MRP:$168.63 SAVE 17%
 1 in stock $139.44
Keeley Aria Compressor Overdrive Pedal
Cat: 782289 Rel: 04 Aug 20
 
Overdrive pedal
Notes: The Keeley Aria Compressor Drive, The Ultimate Compressor and Overdrive Experience.

Compression and Overdrive are the foundation of Keeley's engineering. These two Keeley tones have inspired countless musicians, now they sit in one extremely versatile, sonic tool.

The Aria Compressor Drive not only offers out most flexible overdrive to date, it has all the tone and blend features of the Compressor Plus. Players also have the ability to swap the order of the compressor and drive for two very useful drive experiences.

Two-Mode Overdrive: Soft clipping and a transparent boost to midrange frequencies, perfect for defining your own voice.
Dual Mode - Clean and Transparent or Heavy Saturation!
Clean and Bold in Low Mode - Focused and Sustaining in High Mode.

Compressor with Clean Blend and Tone Control - Blend in any amount of clean signal for punchy chord work and use the Tone Control to brighten the highs.
Plus Features: Tone and Blend - Perfect for Humbuckers and Single Coils!
Blend for Manhattan style compressor and Tone for treble boosting.

Design for Pro Boards, Effects Order Switching, and Effect Insert
Pedal Switcher Ready! Simply connect to and pedal switcher with TRS cables and control each side of the Aria independetly
Switch the Order of the Compressor and Drive for instant change to feel and response of your combo
Use TRS insert cables to place effects between the Compressor and Drive like phasers, wahs, or other dirt boxes!

Tone Foundation:
Compressors and Overdrive are a fundamental part of the guitar recording process. They are also essentials for live guitar performance. You have two ways you can combine the beautiful midrange of overdrive and the benefits of compression and sustain. Most people run compression before overdrive in order to reduce the potential for idle, static noise. There are times when you want added sustain and therefore might need the compressor after overdrives, because using compressors after overdrives offers players a very warm and rounded, smooth and even tone with tons of sustain. And then you may need to return to the conventional routing, because compression before drives gives you a consistent gain level. Problem solved! Each half of the flexibly routed Keeley Aria Compressor Drive provides tons of volume for boosting and pushing your amp, with each half offering essential tone shaping controls to perfectly sculpt the core of your guitar's sound.

The Aria Compressor Drive comes with TRS insert jacks to allow you to divide the pedal into two units. Insert effects between the two sides! Compressor into delay into overdrive, anyone? Maybe swap that for overdrive into delay into compression.
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MRP:$260.13 SAVE 18%
 1 in stock $212.41
Keeley Aurora Digital Reverb Lush Spatial Studio Quality Reverb Pedal
Cat: 782299 Rel: 04 Aug 20
 
Reverb pedal
Notes: Turn down the lights, turn up the spectrum.

Join Keeley Electronics' grand entrance into the hallowed halls of psycho-acoustic processing - the Aurora Reverb. Few effects complement a guitar better than reverb; from spring reverb coils in a tank to the distant echo of cathedrals to 600 pound sheet-metal plate vibrations. Reverb captures our imaginations and plunges us deeply into our musical psyches. Reverb IS the key to the highway.

At Keeley Electronics, the Aurora Reverb had to meet certain specific criteria. It had to be affordable with no compromise to audio quality. It had to be easy for guitarists to use and be inspiring. And it had to offer the essentials for tailoring your tone without a dozen knobs to learn. Now achieved, we are proud to offer a true bypass, 100% dry analog path, low noise, 24 bit, high-fidelity reverb processor.

AND IT SOUNDS GREAT!

The following controls offer everything from pristine, fast reflections to ethereal spaces to deep, dark and endless caverns.

The Toggle Switch
The three most popular reverb styles that don't come built into your amplifier are Room, Plate and Hall. In the smallest footprint possible, we offer what used to take up a recording studio room or an entire city block. You can achieve cathedral resonance, enormous surface areas of sheet-metal plate sounds or convincing room decays. Room sizes range from something like a broom closet to that of a barn. (Also, careful adjustments to the Room settings yield a signal bordering on the verge of spring reverb, so if your amp doesn't already have a tank, the Aurora pedal has you covered.)

Decay
Decay controls the amount of time it takes for the reverberated sound to disappear. The Aurora pedal provides a range from a realistic, close-quarters reverberated dimension to a "walk-away-and-come- back in a while" signal of complex, still-ringing musical reflections.

Slapback
Otherwise known as "pre-delay". Pre-delay creates distance. How soon or late you hear the first reflection is crucial to crafting the reverberated space. Sometimes you do not want any delay between your note and the reverb. And sometimes, for clarity's sake, you want the reverb to wait a moment before joining the dry signal. Such a setting enables short, staccato, single-syllable type expressions to finish articulating before being suffused AND joined by the tail-end of previously reverberated sounds. The Slapback setting adjusts from zero to 100 milliseconds. When the illusion of infinite space is required, set your Slapback to zero and you'll streak vividly away like Dr. David Bowman breaking free of Jupiter's gravitational pull.

Warmth
Dial up the warmth. Unlike most tone controls, ours is a dampening control and increases the warmth, as it is rolled up. Its brightest setting is when completely dialed down.

Blend
Blend will take your 100% analog dry signal and blend in the reverb, from just the slightest mix of wet to much more. It is recommended that you place it at the end of your pedal chain and use the Blend Knob to tailor your sound.

The Keeley Aurora Reverb provides the essentials guitarists are looking for when they need reverb on their pedal boards. Like that ethereal glow to the mighty Earth herself, Aurora creates a natural halo of sound in the atmosphere of your magnificent core tone.
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MRP:$233.99 SAVE 27%
 1 in stock $170.51
Keeley Compressor Pro Full Featured Studio Quality Compressor Pedal
Cat: 782376 Rel: 04 Aug 20
 
Compressor pedal
Notes: Keeley Compressor Pro. The stomp-box sized compressor/limiter is made in Oklahoma, USA and engineered to be an indispensable tool for your musical endeavors. It is in no way limited to be used with only guitar. It has been designed to work as a studio compressor accepting any range of inputs and a frequency response and noise level matching the finest compressors made.

Compression LED Display:
Segment LED display for fast and accurate metering of compression and gain reduction. Gain Reduction Levels of -1dB to -20dB are indicated.

Threshold LED Indicator:
Bi-Color LED to indicate when compression is initiated and released.

Exact RMS Analysis (ERA):
Senses the true RMS value of the input program material such as your guitar, bass or drum machine.

Hard/Soft Knee Compression - Hard Compression for limiting or adding sustain, soft knee or Komfort Kompression for gentle compression, keeping performances lively and natural sounding without potential phase issues in parallel, or blending style compression.
Auto Mode - Program dependent Attack and Release times. Set to Auto ON for worry-free performance and automatic Attack and Release times.
True-Bypass - No tone or signal loss when OFF

The Keeley Compressor Pro is designed to be used at home or in the studio for creating full sounding recordings of any instrument. In live situations, the Compressor Pro can be used to achieve full sounding, polished performances as well as protect amplifiers and speakers from overload. The Comp Pro is designed to work with any instrument from voice and guitar to keyboard, bass, or drums. Use it when creating a podcast or YouTube videos to maintain professional performance levels. Use it around the home to create tons of sustain while at low volumes or low gain settings!
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MRP:$390.85 SAVE 17%
 1 in stock $325.72
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quote 782376
Keeley Eccos Neo Vintage Tape Delay & Looper Pedal
Cat: 782403 Rel: 04 Aug 20
 
Tape delay & looper pedal
Notes: ECCOS is Keeley Electronics' first venture into high-powered Digital Signal Processing and after spending almost 4 years customizing and meticulously refining their Dream DSP platform, they've managed to create nothing short of a delay and looper masterpiece.

Sporting up to 1.5 seconds of beautiful tape-flanged and vibrato-modulated stereo tape delays, ECCOS will create everything from classic vintage slapbacks to worlds of modulated ping-ponging dreamscapes.

But that's not all. ECCOS can also be used as a full-blown stereo looper with creative features such as Reverse, Half-Speed and One-Shot, making this compact pedal a true performance powerhouse.

And with expression control, remote bypass, 3 presets, analog-dry-through, kill-dry and a ridiculously low power-draw at only 115mA, this pedal is sure to add immense flexibility and gorgeous sounds to any rig.

Studio quality delay with tape flanged modulation

3 memory presets, subdivisions, trails, runaway feedback

Huge array of tone and time-based controls with the Alt Hold feature

Full-featured Looper with reverse and half-speed loop effects

2 minutes of looping in mono, 60 seconds in stereo, endless layers of recording!

True-Bypass and Tap Tempo on-board or remotely with any style pedal-switcher

Expression pedal assignment over any parameter and in any direction

Pro Rig designed, remote control thru 1/4? jacks for live use with pedal switcher systems

100% analog dry signal, audiophile designed input to output

Stereo True-Bypass/Trails, switchable on the fly

9 Volt DC, 115 mA low-current design

Made in Edmond, USA
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MRP:$312.42 SAVE 25%
 1 in stock $234.21
Keeley Bassist Limiting Amplifier Pedal (For Bass)
Cat: 782303 Rel: 04 Aug 20
 
Compresssion & limiting pedal
Notes: The Keeley Bassist Compressor provides true high-fidelity compression and limiting. Be heard and felt using performance compression by Keeley Engineering.

The Bassist Compressor is built around the exotic and extremely high fidelity THAT Corp. 4320. Think of it as very affordable studio-grade compressor in stomp box format! It uses high performance Voltage Controlled Amplifiers, on board true-RMS detector, and ultra high performance op-amps to bring you the very best quality. VCA compressors give you precise control. Therefore they are directly suited to bass guitars. The Keeley Bassist Compressor is both musical and very transparent. Where our older compressors were based on the CA3080 or the LM13700 and are perfect for single coil guitars, the new Keeley Bassist Compressor has no problems with active pre-amps and line level input signals! Not only can the Keeley Bassist handle astonishingly large signals, it has an incredible bandwidth of over 20 KHz and incredibly low noise. No detail in your bass guitar's tone will be lost. The Keeley Bassist will be a sound investment in your tone, you now have rack-mount quality at your feet.

Compression and Threshold

When bass players use the Keeley Bassist Compressor they will be greeted with a sound that is more easily amplified and heard. Using the effect as a limiting amplifier saves your speakers from clipping and distortion. Set the Threshold to look for peaks in your signal and limit distortion from your amplifier or damage to your speakers. Simply watch the Threshold Indicator light to see what type of playing you want to limit, it's that easy! Next set the Compression Ratio Control to determine how much squash you want when the signal is above Threshold. Set Compression all of the way down for no (1:1) compression and use the Gain control as a boost! Set Compression all of the way up for an above-Threshold hard-knee limiter.

A typical soft compressor setting would be 2:1 above threshold. A good starting ratio for the Compression control may be 4:1 as it generally sounds good with bass guitar. A ratio of 5:1 or 6:1 will sound great for slap or funk-style playing. For synth-bass try 10:1 Compression.

Attack and Release

There is a certain figure that just sounds good as far as compression goes; and that's 125 dB/second. With feed forward compressors that use this type of true-RMS detector you use a single time constant parameter. The timing capacitor gives you attack and release times that are adaptive to your playing level or the signal input to the compressor. Bottom line: Attack and Release times vary on program content. Attack times are generally speaking, about 100 times faster than release times.

Attack Time: typically 15ms for 10dB, 5ms for 20dB, 3ms for 30dB

Release Time: typically 8ms for 1dB, 40ms for 5dB, 80ms for 10dB, 160ms for 20dB, 240ms for 30dB

Specs:

Voltage Input: 9V

Current Draw: 50mA

Input Impedance 1 Meg ohm

Output Impedance: 100 ohm

Output Voltage Gain: +30dB Boost

Bandwidth > 20kHz

Total Harmonic Distortion: 0.1%

Noise: -95dBV

Threshold Indicator: Dual LED
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MRP:$260.13 SAVE 25%
 1 in stock $195.00
Keeley D&M Drive & Boost Pedal
Cat: 782395 Rel: 04 Aug 20
 
Drive & boost pedal
Notes: The D&M Drive is the perfect storm of Drive and Boost. The D&M offers a gorgeous sounding high-voltage Boost side which is designed to impart the perfect tone on any amp that needs to be pushed. No longer will you wonder what the perfect clean boost should be. As you roll things up, the drive morphs your tone into singing gold. A sexy and smoothly saturated midrange voice appears which breathes confidence. The Drive side offers everything you would want in a powerful gain stage. From flat honest overdrive that is perfect for any set of chords to searing hot lead work with tons of sustain. The Drive is the perfect counterpoint to the Boost. Not only does each side of the pedal provide rewarding guitar tones, they can be used to stack together for an out-of-this-world experience. The pro switching system developed for the D&M Drive allows you to select which side of the pedal comes first. What's more, you can configure the pedal to work in a pro switching system like the G2 for independent Boost/Drive use!

That Boost
Are you looking for something in between a clean boost, such as the high voltage Keeley Katana, and a germanium modded professional overdrive? If so, the D&M is the answer. To get things started, the D&M Drive delivers insane amounts of headroom. Then, a distinct midrange voice can be dialed in to give you the lead voicing you dream of. When dialed in, it can give you the punch and clarity of a horn yet be subtle and smooth in saturation in order to give you a warm overdrive filled with tons of sustain. Expect it to work well with any amp or rig.

That Drive
Multiple Gain Stages is where it's at. This drive delivers. From its lowest settings, where you feel like you've discovered the perfect pro sounding overdrive, to the roar of a high-end amp, the multiple gain stage Drive delivers a heavily saturated punch. And the headroom here is no slouch. Use it to find that delicate balance between drive and amp saturation for the core of your tone. Turn up the Drive to give yourself a dynamic and searing tube-like gain that excels in sustain. The D&M is designed for quick attack with plenty of high and low end. Rich harmonic gain and sustain with dynamics is what this side offers.

That Switching
Daniel Steinhardt from TheGigRig insisted that this was a versatile dual-gain box that wasn't limited in any way with its two simple stomp switches. You select the order! A simple toggle allows you to configure the pedal so that when both the Drive and Boost are on, you decide which is first. If you want to have a smooth and round tone to go into a richly driven amp-like gain stage - or if you want a highly driven tone with edge and harmonics to be then boosted with clarity and refinement, it's your choice. Not only that, but Daniel had the engineers incorporate his idea for TRS insert cables so that this pedal would easily integrate into a professional switching system like the G2. Now pedalboard designers can configure the D&M Drive to act as two independent pedals, switching between either side of the pedal as it were its own stand alone effect.
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MRP:$307.19 SAVE 21%
 1 in stock $242.92
Keeley Filaments High Gain Distortion Pedal
Cat: 782417 Rel: 04 Aug 20
 
Distortion pedal
Notes: Keeley Electronics, the leading manufacturer of pedals built in the U.S., announces the release of their most potent and aggressive metal stompbox to date: the Filaments High Gain Distortion Pedal. The Filaments accurately replicates high-gain tube amps by layering 3 stages of gain while providing 7 ultra-flexible ways to EQ the tone.

The Filaments has more flexibility in tone-shaping than any other Keeley stompbox. Level and Gain set the stage for rich layers of high gain tube-amp saturation. Bass and Body give you the punch and authority of a gain monster no matter what size amp you are playing. Even if you're running a 10-inch speaker the bass and body controls will give you the low end bass response you need. Running through a 4×12 already? Just dial back the body control to keep the sound tight and focused. Have an amp that's hard to push? The Boost and Crunch switches give you two different levels of gain and compression to get your edge just right for your tone. The Presence control works with the Bright control to give any guitar or pickup combination the authority to stand up and shout. Lastly, the Treble control gives you that added range of highs to make your amp sing.

Metal is more nuanced and subdivided that nearly any other style of music outside the classical stuff. The Keeley Filaments High Gain Distortion pedal feels your pain, brother. So of course its amazing 7 layer toneshaping lets you chameleon into any of these types of metal: Christian or Death Metal, Black Metal or Folk Metal, both types of Core, Grind and Metal. Crust Punk or Glam Metal? Progressive Jazz Metal or just good old Stoner Metal? The Filaments pedal has got you covered. Get a Keeley Filaments High Gain Distortion pedal and pound it out !! Get creative! Create your own Metal.

Keeley is well-known for high-end tone and durability. His attention to detail in stompbox tone, tube amp building experience and "tough as nails" build quality ensures his new Filaments pedal will dominate the high-gain pedalboard. Isn't it time you had a high gain pedal that gives you everything you need for the road?

Tech Specs:

9-18 VDC - Louder and More Powerful at 18 Volts!

Ultra Low Current = 10mA

Center Negative Tip

Power Supply Required - No Battery Operation

True-Bypass
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MRP:$247.06 SAVE 21%
 1 in stock $195.00
Keeley GC-2 Limiting Amplifier Pedal (For Guitar & Other Instruments)
Cat: 782422 Rel: 04 Aug 20
 
Compressor/limiting amplifier
Notes: The Keeley Compressor GC-2 Limiting Amplifier. The same great professional compression/limiting technology available in our Bassist Limiting Amplifier, for musicians and compressor fans of all kinds!

The Keeley Compressor GC-2 Limiting Amplifier is built around the exotic and extremely high-fidelity THAT Corp. 4320. Think of it as very musical studio-grade compressor in stomp box format! It uses high performance Voltage Controlled Amplifiers, on board true-RMS detector, and ultra-high performance op-amps to bring you the very best quality. This type of compressor gives you precise control and very musical results. This along with a full frequency range means that the GC-2 Limiting Amplifier compressor is well suited for guitar, keyboards, drum machines and, really, anything you can throw at it. The Keeley GC-2 Limiting Amplifier is both musical and transparent. Where our older compressors were based on the CA3080 or the LM13700 and are perfect for that "Compressor Effect" and are still in use by tens of thousands of players, the new Keeley GC-2 is a different style compressor, aimed at being the ultimate in low noise and transparency. Not only can it handle astonishingly large signals, but it has an incredible bandwidth of over 20 KHz. No detail in your guitar's tone will be lost. The Keeley GC-2 will be a sound investment in your tone-you now have genuine rack-mount quality at your feet.

When musicians use the new Keeley Compressor GC-2, they will be greeted with a sound that is more easily amplified and heard. Using the effect as a limiting amplifier saves your speakers from clipping and distortion. Set the Threshold to look for peaks in your signal and limit distortion from your amplifier or damage to your speakers. Simply watch the Threshold Indicator light to see what type of playing you want to limit; it's that easy! Next, set the Compression Ratio Control to determine how much squash you want when the signal is above Threshold. Set Compression all of the way down (1:1) for no compression and use the Gain control as a boost. Set Compression all of the way up for an above-Threshold, hard-knee limiter.

There is a certain figure that just sounds good as far as compression goes, and that's 125 dB/second. With feed-forward compressors that use this type of true-RMS detector you use a single time-constant parameter. The timing capacitor gives you attack and release times that are adaptive to your playing level or the signal input to the compressor. Bottom line: Attack and Release times vary on program content. Attack times are, generally speaking, about 100 times faster than release times.

Attack Time: typically 15ms for 10dB, 5ms for 20dB, 3ms for 30dB

Release Time: typically 8ms for 1dB, 40ms for 5dB, 80ms for 10dB, 160ms for 20dB, 240ms for 30dB



Specs:

Voltage Input: 9V

Current Draw: 50mA

Input Impedance 1 Meg ohm

Output Impedance: 100 ohm

Output Voltage Gain: +30dB Boost

Bandwidth > 20kHz

Total Harmonic Distortion: 0.1%

Noise: -95dBV

Threshold Indicator: Dual LED
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MRP:$260.13 SAVE 17%
 1 in stock $215.69
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quote 782422
Keeley Oxblood Overdrive Pedal
Cat: 782448 Rel: 04 Aug 20
 
Overdrive pedal
Notes: When inspiration hits, you need the voice to proclaim it. When you need that voice, count on the Keeley Oxblood Overdrive to be your beast of burden.

The Keeley Oxblood Overdrive is Keeley's response to everyone cloning the "Mythical Beast" pedal, with the intent of building an original design, a circuit that lets players blend from perfectly clean to amp-crushing roar, and animpossibly huge and focused midrange that makes any guitar- Strat, Paul, Tele- sound incredible.

Clean, distortion, fuzz - it's all there.
With the Oxblood Overdrive you roll off the Drive Control and get a perfectly clean sound; you can dial in any amount of distortion and volume to stomp an amp into pure tonal Nirvana. The Keeley Oxblood Overdrive offers you two ways to clip and saturate your signal with overtones by selecting carefully chosen diodes. These are different than the standard Oxblood. These diodes were chosen to give you bigger, more open amp tones without a lot of compression.

The key to the ultimate overdrive, in our opinion, is the ability to control five different parameters.

Bass response
The Phat Switch cuts bass response to give you that classic Screamer or that mythic, K-like midrange shelving. The bass response, when cut, is saturated with a hint of 2nd order harmonics. Punchy and full yet not overbearing, it cuts like a buffalo.

Clipping
Sometimes there just ain't enough gain in the world. Well, not so with this beast. The Clipping Switch gives you the ability to sing with near infinite sustain or just stand on your amp like a chief.

Tone Control
You need to be able to dial in the highs perfectly or nothing else matters, right? The highs are what make it ear candy or ice picks, giving you the range to do whatever the heck you want to do. And that's a two-heck sentence.

Volume
You have to be able to put the pedal to the metal whenever you darn well chose. Voltage doubling in our circuit gives you just that. Headroom for days. Slay an amp, leave it a bloody mess. No, you won't blow tubes, but you will have them at the right temperature to make them glow with delight.
Drive. What? You want me to describe Drive? Shoot, from "Is it ON?" cleans to searing sustain and saturation. It pushes you. Compels you to play. Non-stop playing....

Midrange
The 6th sign of a wonderful overdrive pedal is what's under the hood. It's masterful creation of sultry mids. The kind of mids singers or cellos are known for. Throaty and powerful. Not just a woman tone, but a manly roar. Not congested and stuffed up. Focused and brilliant.

Trifecta
The Keeley Oxblood Overdrive was designed by Robert Keeley and Craighton Hale with a lot of help and insight from Jack Orman. Jack Orman has been a pioneer in the modern world of effects for 20 years. His thoughts and ideas are incorporated by nearly every boutique builder out there. Here is your chance to hear a brand new creation designed to outperform any of the clones.
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Keeley Super Phat Mod Full Range Transparent Overdrive Pedal
Cat: 782451 Rel: 04 Aug 20
 
Overdrive pedal
Notes: Many say the Phat Mod delivers their favorite tone from a pedal. It's that natural break-up that just feels good and lets you express yourself. The dynamics make it feel alive and part of your fingers. That's the reason the modified pedal has stayed on people's boards for nearly 15 years. The Keeley Super Phat Mod is the famous mod now perfected with amazing sounding JFETs that emulate old tube amps in a unique way.

The original pedal was a great design that features tube-like amp stages, tube amp tone stacks, and a variety of tone shaping circuits to bring out the best in any guitar's pickups. The problem with building one in the past has been the difficulty finding the perfect FET to capture the magic. If the harmonic content and grain of the distortion and overdrive weren't exactly right, it was put to one side- then Keeley found the magic device that pushed it over the top, and it was dressed in gold and royal purple. The name badge had to speak of its history and heritage. With Super Phat Mod in an old, Blackface-style logo and the metal-flake clear-sparkle on gold, it will look incredible in any rig.

The Super Phat Mod pedal now has incredible dynamics. It is full range and very responsive. The phrase "transparent overdrive" was born of this design! From country pickin', to blues and rock wailing, the Phat Mod is the choice for those not wanting the over-refined sound of a common Screamer. Set the gain high and let your guitar's volume control or your pick attack do the work. With the Super Phat Mod, you now have all of the refinements-the very best of tone-shaping electronics and modern features like true-bypass.

The Keeley BD-2 was the first mod that had a switch. It was done to give players two modes of bass response. With the slight boost, it was called the Phat mode. It was perfect for players of Strats and Teles who wanted just a small push without being muddy. That same design is also available via the micro toggle on the Super Phat Mod. Later on Keeley released the Luna Overdrive which won a Gear of the Year award in England, and that pedal had further refinements made to it and became the Katana Blue Drive. The Katana Blues Drive still retained the active bass and treble controls but smoothed out the highs and increased the gain range slightly. That was an original design designed to meet many of the tonal characteristics of the Blues Driver. The new Super Phat Mod takes off by duplicating the Keeley Phat Mod part-for-part with the exception of the new super JFETs.
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Keeley Verb O Trem Inspired Reverb & Tremolo Pedal
Cat: 782478 Rel: 04 Aug 20
 
Reverb/tremolo pedal
Notes: The Keeley VoT reverb and tremolo combo gives players a simple and beautiful sounding way to end their pedal boards. Reverb and Tremolo often sound best at the end of your guitar rig, after effects like compression, fuzz or overdrive. The Keeley VoT gives you famous Keeley spring and plate reverbs as well as modulated tube amp tremolos. This immaculate pairing provides you with everything you need for a small, compact pedal board.

When you go minimalist, you still consider Reverb and Tremolo. So if you're doing a small gig with a compact board or you just want the captivating power of tremolo and reverb at the same time, the Keeley VoT is a simple and beautiful sounding combo.

Reverbs
Keeley 2 Spring Reverb is the real deal, it's so good sounding, they install it in The Amp now. The Keeley Spring Reverb allows you to get that splashy spring sound that instantly fattens your guitar tone.

If you want something super smooth, however, you flip it over to switch in the Plate Reverb. Get that huge plate reverb sheen by simply flipping a switch!

Tremolos
A Lotus Flower of Tremolos- you have three tremolos in the Keeley VoT.

R+T is an organic tube bias type tremolo. This means you hear the tube amp bias change enough to modulate the volume. A very personal and haunting tremolo. Very moody.

Mack - This mode is a MagnaAmp style pitch vibrato. Done by carefully changing the phase to elicit a silky smooth pitch shift. Sounds like you have your finger on the pulse of life. Sometimes a walk on the wild side is the way to go.

HAR - Harmonically Amplified Resonator. I made that up too. Harmonic Tremolo -two filters that we vine around, back and forth, creating a notch filter that gives you that Tower of Flower sound.

VoT - Lotus
Here's where the flowering magic occurs: you can set the VoT to be either Reverb OR Tremolo OR Both if you want. Let's say you just need some 'verb for the night, simply reduce the Depth control! Reverb Purity.

What if you want to use the tremolo only? Simply roll off the Reverb control.

This pedal can simply and easily be reborn into any combination of tones you need.
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Keeley Memphis Sun Lo-Fi Reverb, Echo & Double-Tracker Pedal
Cat: 782474 Rel: 04 Aug 20
 
Reverb/echo/double tracker pedal
Notes: The new Memphis Sun - Lo-Fi Reverb, Echo and Double-Tracker is Keeley's second studio themed pedal. Like the Keeley 30ms ADT, this pedal gives you a wealth of tones for capturing that classic Rock-and-Roll sound as well as sounds you've not heard before. It's NeoVintage. It's an Echo and Reverb pedal.
Toggle through the different effects presets:

SLAPBACK 600 - Echo for long delays
SUN MODE - Auto Track-Doubling and slapback with short delays
ROOM - Studio simulation reverb

Both of the ECHO 600 and SUN MODE effects have a Room Reverb.

It's a one-knob, rock and roll type of room reverb.

SLAPBACK 600

Rock and Roll is the Devil's music, right? So of course, the delay time is up to 666ms to simulate some unearthly echo machine that never really existed. Filtering in the Slackback mode is done in stages. First, the response is heavily filtered at 1 kHz then compress the thing. Remember the concept: pack a bunch of sound in a small room and it compresses. Next, it's filtered again at 1 kHz ! Sounds like Rock and Roll, right? Aaron Tackett is the Rock and Roll Doctor of DSP at Keeley. Not only is he devilishly good looking, he has a way of making waves look good - adding curves, so to speak. He has added 2nd and 3rd order harmonics to this mix to simulate tape response and equipment distortions. Waves folded back on themselves. You're gonna love his curves.

Time 30-666ms m/ m/
Regen As Jack White says: "Three." Up to three repeats. Or sometimes six....
Reverb Old Rock-and-Roll Room Reverb.

Sun Mode

Let's Do it Twice Mama, It's Alright! Automatic Double Tracking (ADT) was not available in the 1950s, but it's sneaked in here because it makes a wonderful sound. And, if you lengthen the time, it goes right into slapback territory which is at the heart of Country and Rock and Roll guitar sounds. Like our Keeley 30ms, this pedal will do ADT. The Memphis Sun creates a vintage-voiced double-track in mono. Your guitar-playin' "Gemini-Twin" has a very warmed-up tone. Adjusting the Time Control lets you easily create anything from Double Tracking to Slapback with up to 180ms of delay time.

Time Delay Time is 0-180ms. For Automatic Double-Tracking set this control at the second mark or lower, 0-30ms. For slapback echo 30-180ms sounds great. The knob markers notate 0,30,60, 90, 120, 150, and 180ms
Regen Modulation for the ADT. Set to OFF for NO Rate or Depth. Increasing this control increases both the Rate and Depth of "Tape" modulation.
Reverb It's Still Rock-and-Roll Room Reverb to Me

Room

The Room Reverb simulates a small 33' by 18' asbestos-tiled room so filled with music the sounds actually get compressed- with the frequency response of the mics used back then taken into account. The RCA 77 is loosely simulated by a group of filters including a HPF = 300 Hz and LPF = 8 kHz. Many artifacts are incorporated in our room reverb. And second and third order harmonics are added to make sure it sounds just right.

Time is the Pre-Delay amount: 0-150ms of pre-delay. This allows for a slapback sound as the first reflections come into focus.
Regen is the Tone control: this is an active filter +/- 10 dB and is centered around 1.1 kHz.
Reverb is the Depth control for the reverberations.

That's What I Say Rockin' Robbin!
NeoVintage - Low Fidelity. That's right. That's what I say. This doesn't sounds like some merry band of pixie nymphs playing digital fiddles in your ear.
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Keeley Synth-1 Reverse Attack Fuzz Wave Generator Pedal
Cat: 782476 Rel: 04 Aug 20
 
Fuzz wave generator pedal
Notes: The Synth-1 allows you to create fuzzed-out synth waves! Use the Filter and Blend controls to mix your guitar with the fuzz from the synth. Go from churning slow-gear reverse swells to sounding like a light saber.

The Keeley Synth-1 is a guitar-triggered, single-note wave generator. You control the tone of the wave with the Filter Control. The lead-in time or swell of the note is controlled with the Attack knob. Then use the Blend control to remove the natural tone from your guitar as you slide through synth-sounding fuzz waves. Use an expression pedal to control the Filter, and now you have Wah-Wah-like control of the Synth-1.

Synth Wave Generator
Create fuzzed-out, single note synth sounds

Reverse Attack
Volume Swell Effect - put your guitar in slow gear!

Chaos Switch- change dimensional triggering and octaves and stuff

Filter - shape the EQ and tone of your fuzz wave

Wave Selector - change wave modes on the fly with your foot!

Control the Blend of your natural guitar and the wave generator

Side Mount Expression Jack for TRS control of the Filter

Top Mounted Jacks, True-Bypass

Designed and Made in the USA
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Keeley Red Dirt Germanium Special NOS Germanium Transistor Equipped Red Dirt Overdrive Pedal
Notes: Keeley's latest mod to the venerable platform has everyone grinning here at the shop. The Red Dirt Germanium is nothing short of a red hot saturation machine. Perfect classic amp tones.

The Red Dirt overdrive began from a quest to find the perfect classic drive sound while also offering new levels of sonic versatility to satisfy a wider range of musical styles. Founder and head engineer Robert Keeley took this idea and combined the great sounds found within his original "Mod Plus" and "Baked" modified pedals and added refinements found exclusively in his custom pedal line. A Keeley designed FET input stage makes this overdrive breakup in a whole new, genuinely "tube like" style that will have your leads singing and your rhythm playing sounding more dynamic and expressive than ever. It all culminates in an overdrive that is superbly dynamic, with crispness and clarity that let players cut through a dense mix, while retaining the plump midrange. By incorporating these tones along with the Keeley standard of U.S.A. hand-built quality using premium components, the Red Dirt overdrive aims to become an indispensable part of any pedal chain.
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Keeley Seafoam Plus Chorus Double Chorus & ADT Pedal
Cat: 782462 Rel: 04 Aug 20
 
Chorus pedal
Notes: Keeley are proud to announce the all new Seafoam Plus Chorus - True Chorus and ADT with Reverb. It will forever change the way you think about chorus, because Keeley have developed a new type of chorus that until now has only been available in expensive DAWs and in studios. Not only is it tuned for guitar, but there are voices and modes created specifically for bass players including flanging and tremolo. Lastly, this tri-mode chorus pedal offers internal switching for vintage and modern tones, further doubling the amount of sounds you can get.

ADT: the new definition of chorus.
In the Seafoam Plus Chorus you get the automatic doubler that was developed in the revolutionary 30ms Double Tracker. The ADT chorus is what is called True Chorus, because second and third voice-like singers in a choir are created. Not only do they sing at different times, they sing at different pitches. True Chorus.

Seafoam Mode: You guessed it- the all new Seafoam Plus Chorus- lush, wide, and with a very musical vibrato. It gives you the lush sounds and tone of a vintage BBD analog chorus unit. This is where you'll find a typical chorus feature. The Seafoam Mode of the pedal has an LFO, the regularly cycling part you hear in most every other chorus unit. It provides a classic tone that you expect and which has become part of many classic tunes. Set the rate for slow and the depth for wide, and enjoy a really spacious sounding chorus. Roll the Mix Control all of the way up for Vibrato. With the Space control acting as a Tone Control in this mode, you can go from bright to vintage warmth, dialing in the perfect chorus.

Dual Chorus Mode: a frequency crossover-based dual-chorus engine. Imagine a dividing line that is centered on your high E-string. Control the depth of chorus independently for highs and lows. Craft the ultimate Come As You Are (Nirvana) of chorus tones. Create a very deep, throbbing chorus on the low end, and a near perfect calm on the top end. Or make the high-end and shimmer and waver while keeping the low end fixed!

ChoralFlangelo
OK, it goes twice as deep. The Seafoam Plus Chorus is a Bass Chorus, Flanger, and Tremolo too! Pop off the back, flick a switch, and it's a bass guitar player's dream. The Space Controls gives you controls or Regeneration, High-pass filtering to keep things tight, and a haunting Tremolo you have to hear to believe! o let's get down and funky, Michelangelo!

Vintage at Heart
Want a softer tone? Chorus that's silky smooth and warm? No problem. Internal switching puts it in Vintage Mode. The Keeley Seafoam Plus Chorus ships in Modern Mode for ultra wide, lush, and high-fidelity chorus. Either way, enjoy sounds that are downright frighteningly good.
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Keeley Dark Side Modern Fuzz Pedal With Rotary, Vibrato & Delay
Cat: 782380 Rel: 04 Aug 20
 
Fuzz pedal
Notes: We should all be so lucky as to be identified by the sound of a single note. Some players are so well defined that their entire musical journey can be heard in a single note they play. Tone is in the fingers. Tone is in the mind. Effects can be a great way of expressing emotions or creating textures. The Dark Side is about creating sounds and adding new tones to your symphony. It's the things you can't create with your fingers or mind. It's metasymphonic. The Dark Side provides all the textures that define an essence, in one pedal.

The individual pieces that make up the Dark Side workstation are Fuzz, Delay and Modulation. The Fuzz side of the Dark Side is a big fuzz style distortion based on a 1977 op-amp style, which was also used for Keeley's Psi Fuzz. This one is completely and radically different. Many changes have been made to extract the nuances of earlier transistor based fuzzes. This pedal lets your guitar sing with sustain, yet retains the essence of you guitar whether single coil or humbucker based.

The next core element in the Dark Side pedal is the Delay and Modulation side. You can select between a multi-head tape delay effect or between a combination of 4 different modulation sounds. The Dark Side delay has 12 different syncopated delays. They are rhythmic and have the tonal quality of the old spinning drum tape delays. The Dark Side has many subtle filters to get the tape delay setting to have the feel and warmth of the original machines, yet gives you range of control to have modern features like expression pedal control for the number of repeats. You can use it for creating a feedback oscillation delay. Extremely subtle modulations in the delay make it very musical.

The next atom in this workstation is the modulation effect. There are four parts to this effect. Flanger, Rotary Speaker Cabinet, U-Vibe, and Phaser. You can blend between the "Electric Lady" Flanger and a Les-Rotary cabinet, creating new sounds. You can find that perfect blend between a vintage sounding opto-coupler based U-Vibe and the little orange phaser.

There is also an Expression Pedal port on the pedal. It is highly recommended to have an expression pedal handy. You can make many adjustments on the fly that just increase the fun and functionality of the pedal while you're creating music. It has to be a TRS style expression pedal- it is recommended to use something like the M-Audio or Moog expression pedals.
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Keeley Fuzz Bender	 Fuzz Pedal With Active EQ And Gate Controls
Cat: 782420 Rel: 04 Aug 20
 
Fuzz pedal
Notes: The Keeley Fuzz Bender is a 5 knob-3 transistor modern fuzz using a combination of high-gain silicon and silky smooth germanium. What makes fuzz better? Active EQ. Using two gyrators as an active EQ gives you the ability to create massive fuzz tones not possible with typical square-wave boxes. Pummel your amp with over 20dB of boost/cut at 100Hz and 10K Hz. The Fuzz Bender is built around vintage Japanese germanium to create its monumental fuzz tones. With the all new Bias Control, you control the attack and decay of your notes. Anything from Fat Square Waves to Angular Fuzz to glitchy-Velcro attacks are possible with the Bias Control. The Fuzz Bender's five knobs confirm size matters when creating a new and epic world of fuzz.
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Keeley Hooke Reverb Spring/Octave Reverb Pedal With Tremolo
Cat: 782425 Rel: 04 Aug 20
 
Reverb/tremolo pedal
Notes: The new Hooke Spring Reverb from Keeley brings vintage tube-amp spring reverb and tremolo into one package. Bring your Blackface reverb and tremolo on the road with you without lugging around your prized possession! Choose from Classic Spring, Blackface Trem-n-Verb, or an organ-like Fugue-Verb.

The Hooke Spring Reverb begins with a Spring Reverb mode. The main features of this mode include the Tone and Spring controls. The Tone control allows you to work within the range of bright and spanky to dark and thick. The Spring control is the amount "looseness" or "Sproing!" in the reverb pan. Loose springs seem to generate a lot of reflections, and you can hear the reverb "bounce." With the Hooke, you can simulate a specific reverb pan of a vintage amp, two-springs, three-springs, short, medium, long decay ... it's all in there. What's more, combinations of these two controls allow you to fine-tune the tone and the character of the springs and tubes in order to dial in your favorite vintage reverb response. The depth and warmth of the Hooke reverb is simply remarkable. It's one of our finest creations.

Trem-n-verb is designed to give you the ultimate Fullerton, CA black panel Vibrato channel reverb. Everyone knows that it's not really (pitch) vibrato, it's tremolo. Keeley have EQ'd and filtered the sound to not only be tube-like, also crafted a tonal modification that makes for a deep, throbbing tremolo. By adjusting the bias of the output tubes for the volume tremolo, you also dip the volume of the reverb. A special recipe has been created in which the reverb washes over the tremolo texture just a little thickened in order to craft a tone that is truly magical.

The Hooke Reverb needed something crazy, something that just didn't exist. Ah, yes, all wet. All wet is where magic can happen. No original signal, all wet spring reverb with octave up and down. Church Organ, Organ Reverb, Fugue It! Get Hooked and Go Fugue!

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Keeley Monterey Fuzz Vibe Rotary Wah Pedal
Cat: 782431 Rel: 04 Aug 20
 
Fuzz/wah pedal
Notes: Hendrix-inspired pedal combines fuzz and modulation for psychedelic bliss. Dial in a blend of distortion with rotary simulation, auto wah, octaver and more. Huge tone and impressive range.

Supllier notes:
With the Keeley Monterey Workstation you take one step back in time and two steps forward. The Monterey is a surrealistic envelope of neo-vintage effects. It combines classic sounds with new interpretations to create a modern timbre and audio spectrum for guitarists.

The Keeley Monterey Rotary Fuzz Vibe has a vintage fuzz, rotary speaker, vibe, harmonic and auto wah, an octave up or octave down, as well an expression control to allow you to create a rich array of new and newer sounds.

There are two channels on the Monterey Rotary Fuzz Vibe, and these can be configured to give you five different sounds.

The right stomp switch activates the fuzz channel. The fuzz channel has been designed to give you a rich, full, classic two-transistor fuzz sound that is accurate yet has a touch of smoothness added. It is very responsive and dynamic. It plays well in any position on a Strat or Les Paul style guitar. At the heart of the fuzz are vintage Fairchild Semiconductor transistors. These moderate gain transistors offer the perfect fuzz tone and do not have the temperamental temperature related problems that germanium devices exhibit, while still giving you incredible tone.

The modulation channel is where the fun really starts. The Monterey Rotary Fuzz Vibe offers an Octave effect with both the Vibe and Wah sounds. With those two sounds you can either have Octave Up, Octave Down, or No Octave.

In the Center Position of the Octave Control you have NO octave up or down. If you turn the Octave Control up (or clockwise), you have an increasing octave up sound. As you turn the Octave Control down, you have an increasing amount of octave down sound added. Again, if you do not want an octave effect added, simply set the Octave Control to the center position.

The Monterey Rotary Fuzz Vibe features a very rich and deep vibe sound. The "Kool Vibe" setting is perfect for getting complex phaser-like sounds. It combines phasing and tremolo at key frequencies to give you incredible depth and rhythm. Not only does it match the frequency response of a vibe, it simulates the unique pulsing of a photo-cell based effect. You can add the Octave to the "Kool Vibe" for an amazing doubling effect or for an incredibly deep synth bass type sound.

The "Les Rotary" sound in the Monterey Fuzz Vibe is both very accurate and surprisingly new sounding. Like the original cabinet, this simulation joins both the lower drum and the upper horn into a rich, dimensional effect that generates an unmistakable chorus and tremolo soundscape. Not only is the cabinet itself simulated with very short reverberated reflections that offer a doubling effect, the Doppler Effect provides a soothing chorused sound that is clean and ethereal. The Octave Control in the Rotary cabinet simulation controls the volume of the horn or tweeter sounds. It does not produce an octave effect here. This allows you to get a very chorus-like effect with ample high-end detail when simulating a "Les Rotary" style cabinet. Set the Rate OFF for no rotation, turn the Fuzz on, and the Depth and Octave controls give you a wonderful speaker cabinet simulation. It's fuzz with tonal control like you've never had before! Perfect for matching any size of power amp with the pedal's fuzz to give you anything from dark overdrive to hard, edgy, squared fuzz!

The "Harmonic Wah" section combines several more new sounds from Keeley in the Monterey Rotary Fuzz Vibe. It is a fixed or cocked wah sound, an auto wah, a harmonic/tremolo wah, and even a regular foot-controlled wah when you add an expression pedal. With the Depth Control turned all of the way down/off you are in the Wah Mode. The Wah Mode gives you control over the frequency you boost by adjusting the Rate Control. If you have an expression pedal connected, it becomes a regular Wah Pedal. Turn the Depth control up a slight amount and the Monterey becomes an Auto Wah. In the Auto Wah mode, your pick attack and strength creates an envelope filter sound. After the noon/center position on the Depth Control, you have the new Harmonic Wah. It is like the harmonic tremolo on a brown face amp, but the frequencies are centered around a wah pedal instead. It's ideal for players who like the rhythmic back-and-forth rocking sound of a wah pedal.

Add any expression pedal controller to the EXP input on the back and you have control over the Rate of the "Les Rotary" and "Kool Vibe" settings. In the "Harmonic Wah" setting, it controls the frequencies.
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Keeley Katana Mini Clean Boost Pedal
Cat: 782428 Rel: 04 Aug 20
 
Clean boost pedal
Notes: Mini Katana Clean Boost- Keeley's oldest design made smaller and with tasteful updates including an additional feature. The Katana started back in 2002 within the Time Machine Boost. It was a dual class A JFET design that gave players and incredible boost and sounded so good they never turned off. In fact they often ran two or three on stages like John Mayer! The Mini Katana boost provides over 35dB of boost. Enough for the most demanding players and sound reinforcement.

The new Mini Katana is now a 4 Mode Booster! With the dual micro switches you have a total of four sounds possible. Need drive, just flip the micro Hi-Gain Switch inside and you've got overdriven tone! Flip the Hi-Cut Switch (NEW for the Katana Mini!) on the inside and you have a warmer tone to soften any Strat or Tele. Flip both switches and you have the ultimate sounding boost, thick, creamy, tube-amp sounding, and plenty of volume on tap!

Obsessed with cleanest, most enjoyable tone boosted? Well, Before other people started using Blue LED's and non-diode clipping stages, there was the TMB and Katana.... Cascading FET stages do the tube-amp-thing like nothing else!

Now made smaller, it will fit any board - any budget. Enjoy a tasteful update to the pedal that redefined clean boost in the boutique era!
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NUX Stageman Floor Analogue Acoustic Preamp DI Pedal NUX Stageman Floor Analogue Acoustic Preamp DI Pedal NUX Stageman Floor Analogue Acoustic Preamp DI Pedal NUX Stageman Floor Analogue Acoustic Preamp DI Pedal
NUX
Cat: 735364 Rel: 04 Jun 19
 
Analogue acoustic preamp with digital effects & looper function
Notes: NUX Stageman Floor is an analogue acoustic preamp with digital effects and looper function. The preamp features a highly sensitive 3-band EQ with MID scoop toggle switch, adjustable notch filter and input gain control. It is equipped with multi-functional chorus & reverb effects. High headroom gain stage with 3-band EQ, mid-scoop and switchable response for piezo or magnetic pickups. A built-in looper can make use of both pedals for freeze and overdub effects. A complete stage or studio tool for acoustic players.
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Singular Sound Aeros Loop Studio Looper Pedal Singular Sound Aeros Loop Studio Looper Pedal Singular Sound Aeros Loop Studio Looper Pedal Singular Sound Aeros Loop Studio Looper Pedal Singular Sound Aeros Loop Studio Looper Pedal
Cat: 782690 Rel: 15 Jul 20
 
Studio looper pedal
Notes: Easily one of the best looper pedals on the market. Huge power from this six-track effect, allowing you to perform in new and creative ways. Great clear sound and user-friendly design.

Supplier notes:
6 Track, Stereo Looper Pedal with Touch Enabled Screen, Hands Free Mixing, and Simultaneous Parallel and Sequential Looping

The Aeros Loop Studio includes 3 hours of mono recording time (1.5 stereo), upgradeable to 48 hours when using SD card

This pedal includes 2 x 1/4" (6.35mm) inputs, 2 x 1/4" (6.35mm) outputs, expression pedal support, MIDI in/out, 1/4" (6.35mm) stereo aux input, and 1/4" (6.35mm) stereo aux output.

Built in wifi and bluetooth for over the air updates, the Aeros Loop Studio offers a revolutionary looping experience

Featuring the ability to create 36 unique loops per song, the Aeros Loop Studio goes beyond what's expected of a looper pedal. Add unlimited overdubs for each loop, and record up to 48 hours (when using an SD card).

Blurring the lines between traditional loopers and audio workstations, the Aeros Loop Studio allows you to mix your tracks live during a performance using the built-in scroll wheel, and gives the ability to save and export songs. This will let you share your best loops with your fans.

With its 4.3" touch-enabled screen and color coded cues and waveforms, the Aeros looper will never leave you wondering where you are in the loop.

Additionally, the Aeros Loop Studio packs tons of power into a small form factor. Coming in at just 7.8"? x 5.6" (198 x 142 mm), the Aeros lets you add a 6 track, stereo looper to any pedalboard.

Of course, the Aeros had to be fully compatible with Singiular Sound's drummer pedal: The BeatBuddy. Using the two together is a plug and play experience.

This new looper also features bluetooth and wifi, enabling us to add exciting new features with over the air updates. Simply put, there's no other pedal that can match the Aeros Loop Studio.

SPECIFICATIONS
Quantize your tracks in any time signature or play in freeform mode.

6 parallel tracks and 6 song parts for a total of 36 distinct loops per song and in an industry first, but also, simultaneous parallel and sequential looping.

Unlimited overdubs enable you to create layers and depth in your loops without worrying about restrictions.

Save your loops with the USB port or an SD card.

3 hours mono, 1.5 hours stereo recording time (20 minutes per song) using internal storage and up to 48 hours storage when using an SD card.

32-bit floating point processing, 24-bit recording, professional DACs, <1ms latency, and 20hz - 20kHz range for studio quality recordings.

Digital dry through bypass.

In addition, wifi compatibility for over the air updates and exciting, yet to be announced features.

Bluetooth for reasons.

Four built-in footswitches with our comfort+ switch tops (perfect for playing barefoot or in socks).

There is a built-in scroll wheel for hands-free mixing during a performance.

MIDI in/out ports for syncing seamlessly with the BeatBuddy, other drum machines, effects, and more.

Additionally, it is compatible with any external expression pedal.

I/O: two 1/4" (6.35 mm) inputs, two 1/4" (6.35 mm) outputs, one 1/4" (6.35 mm) stereo aux input, one 1/4" (6.35 mm) stereo aux output.

9v (center negative), 360mA power supply included.

4.3" (109 mm) touch-enabled display.

Small form factor: 7.8" x 5.6" x 2.2" (198 x 142 x 56 mm).

Lightweight: 2lbs 4oz (936 g).

Aluminum construction with chip resistant black coating.

Requires Male to Male MIDI Cable for connecting to the MIDI Maestro and Male to Male MIDI Cable as well as MIDI Breakout Cable for connecting to the BeatBuddy
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Electro Harmonix Oceans 11 Reverb Pedal
Cat: 691705 Rel: 25 Jun 18
 
Compact, affordable pedal packed with advanced functionality & eleven reverb styles
Notes: With 11 reverb types and a ton of "hidden" functionality, the Electro-Harmonix Oceans 11 reverb pedal could be your new go-to reverb pedal. You can tap into classic tones like hall, plate, and spring reverbs, including a brand-new spring reverb algorithm that sounds gloriously complex and rich - you can even double-tap the footswitch to "crash" the spring reverb. And you'll be able to cover a huge range of modern tones with a variety of modulated reverbs, shimmer reverb, reverse reverb, and more. A mode switch offers access to variations on many of the 11 reverb types. Complete with an infinite reverb mode for freeze-style effects, there is vast creative potential in the Electro-Harmonix Oceans 11 reverb pedal.

Reverb types:

Hall - rich and full sound of a grand concert hall
Spring - brand-new tube spring reverb emulation
Plate - lush and warm plate reverb
Reverse - each note fades in backwards
Echo - recirculates echoes through the plate reverb algorithm
Trem - hall reverb plus tremolo
Mod - modulated reverb
Dyna - swells, gates, and ducks in response to your playing dynamics
Auto-Inf - auto-infinite reverb, triggers a wash of reverb with each new note or strum
Shim - shimmer reverb with an octave-shifted wash that blooms behind your core tone
Poly - polyphonic reverb with two pitch shifts operating on your pre-reverb guitar tone
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Mooer Ocean Machine Delay Reverb & Looper Pedal Mooer Ocean Machine Delay Reverb & Looper Pedal Mooer Ocean Machine Delay Reverb & Looper Pedal Mooer Ocean Machine Delay Reverb & Looper Pedal
Cat: 666629 Rel: 18 Oct 17
 
High-fidelity delay, reverb & looper unit
Notes: Designed and developed over two years, in collaboration with Devin Townsend, the Ocean Machine is a high fidelity professional Delay, Reverb and Looper unit which brings together the best available hardware on the market and very complex algorithms to create lush, heavenly effects. MOOER has worked very closely with Devin Townsend to meet all of his own personal requirements while also ensuring that the "Ocean Machine" is versatile and enjoyable for musicians from all walks of life.

A multitude of programmability and control options makes the ocean machine ideal for all different kinds of guitarists from bedroom beginners to industry professionals and is easy to integrate into all different kind of setups. MOOER has brought all of this together into a small, stylish and highly competitive, cost efficient package.
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 6 in stock $188.45
Electro Harmonix Pitch Fork Polyphonic Pitch Shifter Pedal
Cat: 560349 Rel: 04 Feb 15
 
Polyphonic pitch shifter effects pedal, transposes over a +/- three octave range
Notes: The Pitch Fork transposes an instrument's pitch over a +/- three octave range and features three modes which allow the pitch to be transposed up, down or both, simultaneously. The pitch shift amount can be set to a fixed interval or continuously varied by an expression pedal or control voltage.

The controls are straightforward and intuitive. An 11-position Shift switch selects the maximum transposition interval ranging from D (Detune), a shift of 17 cents, through Minor 2nd, Major 2nd, Major 3rd, Perfect 4th, Perfect 5th, Major 6th, Minor 7th, 1 Octave, 2 Octaves and 3 Octaves. A three position toggle switch controls whether the pitch is transposed up, down or both. In Dual mode, two pitch-shifted signals are output. One follows the shift knob as if in the Up position while the other creates a harmony. Dual Mode settings include M3 up + P5 up, P5 up + 1 Oct down, 1 Oct up + 1 Oct down and many others. A Blend knob controls the mix of the dry signal and the effected signal, and an EXP jack enables the player to control pitch and glissando with an expression pedal.

The Latch button selects Latch or Momentary mode which affects how the footswitch and EXP input behave. In Latch mode, the footswitch toggles between effect on and buffered bypass each time it's pressed and the EXP input continuously varies pitch. In Momentary mode the effect is only on while the footswitch is depressed and when it is released the Pitch Fork goes into bypass.

In Latch mode the EXP input controls pitch shift amount, ranging from unity to the interval set by the Shift knob, and pitch varies continuously throughout the expression pedal's range. In Momentary mode the EXP input controls glissando rate for the Pitch Fork's footswitch. When the bypass footswitch is pressed, the Pitch Fork jumps from bypass to the interval set by the Shift knob. The amount of time it takes to reach that new note is the glissando rate. When the footswitch is released the pitch will return to unity at the same rate. That glissando time can vary between 4 milliseconds to two seconds depending on the heel/toe position of the expression pedal. The default glissando rate is 60 milliseconds when nothing is plugged into the EXP input.

The Pitch Fork comes equipped with an EHX 9.6DC-200mA power supply and also runs on a 9Volt battery.

*UK 230V power adapter included*
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Electro Harmonix Silencer Noise Gate Effects Loop Pedal
Cat: 581756 Rel: 14 Sep 15
 
Noise gate/effects loop pedal with 3 controls for precise fine-tuning & buffered bypass
Notes: A sophisticated noise gate that can tame a single pedal or an entire effects loop! The Silencer's three-control layout provides precise fine-tuning to fit your system, axe and playing style. Threshold adjusts how much level is required to open the noise gate and allow a signal to pass thru. Reduction regulated the degree to which the gated signal is reduced and is variable between -70dB and +4dB. Release controls how long the gate remains open after the signal drops below the Threshold. Release time is variable between 8ms and 4 seconds.

I/O includes 1/4" Input, Output, Send and Return jacks. The footswitch selects whether The Silencer is engaged or in bypass mode; buffered bypass allows the effects loop to remain in your signal path when the gate is bypassed. A built-in AC jack accepts a standard power supply like the EHX 9.6DC unit (optional) and the pedal comes with a 9V battery.

Conquer noise with The Silencer!
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Electro Harmonix Oceans 12 Dual Stereo Reverb Pedal
Cat: 767921 Rel: 22 Jul 20
 
Reverb pedal
Notes: The Oceans 11's big brother with even more reverbs and functionality. It features two simultaneous, independent, stereo reverb engines, series and parallel control for the dual reverbs, 24 presets and advanced I/O allowing for stereo in/out or mono send/return with pre and post reverb options. The pedal also includes a new Tide Control for stereo image alteration, a Lo-fi Control, an infinite attenuation control and an input jack for external expression and 3-button footswitch control.

A Tails switch provides a choice of whether the reverb effect fades out naturally or stops immediately when the pedal is switched to bypass. In most settings the pedal is also capable of producing infinite reverb which can be played over with a different reverb effect. Comes equipped with a standard EHX 9.6DC200mA power supply.

The Oceans 12's reverbs are: ROOM, SPRING, PLATE, REVERSE, ECHO, TREM, MOD, DYNA, AUTO-INF, SHIMMER, POLYPHONIC, RESONANT
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Electro Harmonix Bass Mono Synth Effects Pedal
Cat: 718362 Rel: 18 Feb 19
 
Bass synthesizer effects pedal with 11 monophonic synth sounds
Notes: The EHX Bass Mono Synth transforms your bass into eleven great sounding synthesizers... from vintage synth emulations to thick, stacked voices to deep pulsing sounds and more.

Its intuitive layout makes it easy to use and easy to dial in good sounds quickly. DRY controls the volume of your dry bass signal at the Synth Output. SYNTH controls the volume of the Synthesizer sound at the Synth Output. Used together they let you create just the right mix. The SENS control, short for sensitivity, adjusts how your playing dynamics trigger the synthesizer and allows you to fine tune the way the pedal responds to your bass rig and playing style.

With the CTRL knob you can adjust a key parameter for each of the eleven synth types. It varies depending on the preset and provides more tweakability for customizing your sound. There’s also an EXP input which lets you control an entirely different parameter in real-time with an expression pedal!

Using the built-in Preset footswitch, a user customizable preset for each of the eleven synth sounds can be created, saved and recalled. The factory presets are also easy to restore should you wish to.

From lush, warm sounds to sharp, percussive stabs, the Bass Mono Synth puts a collection of cool bass synths at your fingertips.
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Electro Harmonix Attack Decay Tape Reverse Simulator Pedal Electro Harmonix Attack Decay Tape Reverse Simulator Pedal Electro Harmonix Attack Decay Tape Reverse Simulator Pedal Electro Harmonix Attack Decay Tape Reverse Simulator Pedal
Cat: 719369 Rel: 06 Jun 19
 
Volume envelope manipulation with adjustable Decay & Attack times
Notes: The circa-1980 Electro-Harmonix Attack Decay is a sought after prize among vintage pedal aficionados. Originally called a Tape Reverse Simulator, it’s known for producing volume and reverse swells, backward tape sounds, artificially short staccato notes and bowed instrument effects. The new Attack Decay reinterprets the classic and keeps its cool factor, but adds some modern features for convenience and enhanced functionality.

It can produce a single volume envelope like the original, or, with Poly engaged, put separate volume envelopes on each note you play. The built-in Harmonix fuzz is now a fully controllable distortion with gain, tone and volume controls. The effects loop allows the musician or sound designer to place the volume envelope onto whatever signal is present at the Return jack. Expression pedal/CV input and three user presets give the user total control over their Attack Decay!
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Mooer Groove Loop Micro Looper & Drum Machine Pedal Mooer Groove Loop Micro Looper & Drum Machine Pedal Mooer Groove Loop Micro Looper & Drum Machine Pedal
Mooer Groove Loop Micro Looper & Drum Machine Pedal (loop effects pedal/drum machine)
Cat: 693152 Rel: 21 Jun 18
 
Digital drum machine/looper
Notes: The MOOER GROOVE LOOP brings together both the MICRO LOOPER and MICRO DRUMMER into one micro pedal, for the ultimate in a portable jamming companion. Both elements can be used independently from one and other or simultaneously.

When used simultaneously the looper will be automatically synchronised to keep in time with the selected drum groove, and an intro click will be played when recording the first loop to ensure you're in time with the groove.

The tap tempo button makes adjusting the groove speed very easy and independent playback level controls for both the Drums and the Looper ensure GROOVE LOOP is a breeze to dial in and adjust on the fly.
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 2 in stock $75.15
Mooer GE150 Amp Modelling & Multi Effects Pedal Mooer GE150 Amp Modelling & Multi Effects Pedal Mooer GE150 Amp Modelling & Multi Effects Pedal Mooer GE150 Amp Modelling & Multi Effects Pedal
Cat: 748617 Rel: 01 Nov 19
 
Multi-effects processor featuring 55 high quality amp models
Notes: The MOOER GE150 is the newest entry in the GE line of multi-effects pedals from MOOER. The GE150 comes packed with 55 high-quality amp models and 151 different effects, a straight forward and intuitive UI, topped off with a fully-functioning expression pedal. With OTG capabilities, users can record directly into a compatible device from anywhere!

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NUX NSS3 Mini Studio Pedal NUX NSS3 Mini Studio Pedal NUX NSS3 Mini Studio Pedal NUX NSS3 Mini Studio Pedal NUX NSS3 Mini Studio Pedal NUX NSS3 Mini Studio Pedal
NUX
Cat: 747756 Rel: 21 Oct 19
 
Mini studio speaker cabinet simulator & Impulse Response loader
Notes: NuX Mini Studio brings 8 speaker cabinets into pocket size portability. Each impulse response (IR) file is captured from its own original source, processed with the state-in-art audio technology. At the end of the signal chain, Mini Studio processes preamps and drive effects through accurate cabinet simulation to produce a rich, natural and musical tone for recording or feeding direct into a PA. The Space control adjusts the amount of room early reflections for added dimension. Load and edit cabinet IR models via USB using the downloadable Mini Studio Software. Carry the sound of your favourite guitar cabs in your pocket.
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MRP:$116.34 SAVE 50%
 2 in stock $58.08
NUX NCH1 Monterey Vibe Pedal NUX NCH1 Monterey Vibe Pedal NUX NCH1 Monterey Vibe Pedal
NUX
Cat: 712769 Rel: 29 Nov 18
 
Features all of the classic Uni-vibe style selections
Notes: NUX Monterey Vibe, born to recreate the grand, yet complex, psychedelic rock guitar sound of the 1960's and 70's. NUX Monterey Vibe, born to recreate the grand, yet complex, psychedelic rock guitar sound of the 1960's and 70's. It features all of the classic Uni-vibe style selections: Chorus, Rotary-Speaker, and Phaser pedal.

We modernized the original 4 stage phaser circuit ( a pulsating bulb surrounded by 4 photo-resistors ) by replacing it with a powerful 32Bit floating DSP to process our custom algorithm. What was the outcome?
A perfect mimic of the complex physical-phenomena of its original analog circuitry. NUX Monterey Vibe generates a truly unique effect tone; a mix of chorus, tremolo, rotary, and phaser.
This unique tone can be found in Pink Floyd's 'Breathe', Robin Trower's 'Bridge of Sighs', and the haunting audio mood created for 'Machine Gun' by Jimi Hendrix.
The earliest Uni-Vibe effect pedal came out in the 1960's. Cutting-edge guitarists were seeking a replacement for the heavy rotary speaker amplifier--configured from a standard amplifier for the electronic pipe organ.

The original Leslie speakers did have a charm of their own, but it was more than compensated for by gaining the phaser effect, and the ease-of-use of a simple pedal configuration. Just like the traditional Uni-Vibe pedal, you can switch between Chorus ( the Uni-vibe effect ) or Vibrato, by simply holding the foot-switch. In Chorus mode, the mix of Phaser and dry guitar signals produces a classic Rotary sound. In Vibrato mode, your pitch modulates between high and low. Both modes yield a rich, vintage vibe at any speed, intensity, or volume.
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NUX Time Core Deluxe Delay Pedal NUX Time Core Deluxe Delay Pedal NUX Time Core Deluxe Delay Pedal NUX Time Core Deluxe Delay Pedal NUX Time Core Deluxe Delay Pedal
NUX
Cat: 712824 Rel: 29 Nov 18
 
Stereo multi-delay effects
Notes: Time Core Deluxe, awesome, user-friendly delay sounds all wrapped up in one little box. You get a total of 7 different delay types offering a wide variety of delay effects from: 40ms Doubled Rock'n Roll delay, then all the way to 1500ms, with an absolutely mesmerizing wash for ambient echo! Each delay mode has its own characteristic sound, tweak-able to personalize your preset. Fill your lead tone for solos or experience new and interesting ways to enhance rhythm guitar performance.
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MRP:$103.27 SAVE 43%
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Nux NBP-5 Melvin Lee Davis Bass Preamp & DI Pedal Nux NBP-5 Melvin Lee Davis Bass Preamp & DI Pedal
NUX
Cat: 778736 Rel: 16 Jul 20
 
Preamp + DI pedal
Notes: Signature preamp pedal of acclaimed U.S. bass guitar virtuoso Melvin Lee Davis. Features include 3-band EQ with swept mid-band, separate Drive footswitch for extra gain on demand, Impulse Response loader for custom cabinet simulation and balanced D.I. output for feed direct to a live or studio mixing console. Additional jack output, through connection to an amplifier, auxiliary line input and headphone outputs give even further options. USB connection to a P.C. for recording and control via the proprietary NuX software provides deeper editing possibilities. For ultimate bass tone, the MLD preamp can be the main control unit for any live or studio rig.

Specification
Power supply: 9Vdc, >150mA adaptor (not supplied)
DC input connection: 5.5 x 2.1mm DC jack
InputsInstrument: 6.3mm jack, Aux 3.5mm jack
Outputs: 6.3mm jack Out + Thru, XLR D.I. and 3.5mm headphones jack
Frequency response: 20Hz - 20kHz (-1dB)
Dynamic range: 100dB
Sampling format: 48kHz 32-bit
PC Com port: Micro USB (audio/firmware/editing)
Dimensions: 115 x 105 x 58mm
Weight: 460g

The box for this item contains :

MLD bass preamp + D.I.
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MRP:$207.84 SAVE 33%
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Meris Ottobit Jr. Bitcrusher Pedal
Cat: 781884 Rel: 15 Jul 20
 
Bitcrusher pedal
Notes: Really nice digital effect pedal based around bitcrushing but capable of so much more: gritty filtering, stutter effects and tap tempo for synced modulation sequences. Super vibey.

Supplier notes:
From an era when visiting the arcade meant silicon-defined-sonics were burned into so many kids' memories (big and small alike), the Meris Ottobit Jr. is inspired by the world of vintage gaming consoles, bringing those sounds directly to your pedalboard.

So what exactly is Ottobit Jr.? Well, it's a bitcrusher, but it would be an insult to just call it that. It's also an ultra-musical sequencer, stutter and filter effect, but it's not JUST that either. It's the sum of all of these parts that make the Ottobit Jr. what it is: a maniacal side-scrolling, coin-collecting, power-glove-punching-machine with a host of earth-shattering sounds that'll melt your face right off! Heck, the pedal is so unique and innovative that it deserves to have a verb all of its own. So plug in, press play and Ottobit away!

Ottobit Jr. takes everything that made the original Meris Ottobit 500-series unit such an innovative studio tool and crams it down into a rugged and roadworthy pedal suited for any rig, be it guitar, bass or synth. Basically, if you have a creative bone in your body and you love designing crazy and unique sounds unlike anything else, then the Ottobit Jr is for you!

Ottobit Jr. sports a fuzzy bitcrusher with variable sample rate, triggered stutter effects, a multi-mode sequencer module and a mind-blowing low-pass filter that sounds just as good as any analog synth filter out there. All of this is syncable and controllable via tap-tempo, expression and/or midi. But most important of all, Ottobit Jr. always stays super reactive to your playing, seeing you jump from fiery fuzz tones to classic arcade bleeps and bloops, only to end up in a barrage of 6-step sequencing and glitchy stutter effects without breaking a sweat and without ever sounding unmusical.

The Meris Ottobit Jr. is built to Meris' boutique standards in Los Angeles, California, USA. It features an analogue signal path and 24-bit AD/DA with 32-bit floating point DSP to ensure crystal clear sounds with loads of headroom.

Premium quality 24 bit A/D and D/A

32 Bit floating point DSP hardware

Premium low noise Analog signal path throughout

Analog Devices JFET input circuitry

Selectable True Bypass (Relay) or Analog Buffered Bypass

Durable black powder coat with fine metal flake

Current draw: < 150 mA

Dimensions: 4.25" wide, 4.5" long, 2" tall
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MRP:$390.85 SAVE 22%
 2 in stock $303.92
Korg Nu:Tekt ODS Nutube Overdrive Pedal DIY Kit (no soldering required) Korg Nu:Tekt ODS Nutube Overdrive Pedal DIY Kit (no soldering required) Korg Nu:Tekt ODS Nutube Overdrive Pedal DIY Kit (no soldering required)
Cat: 761633 Rel: 08 Jun 20
 
overdrive pedal DIY kit
Notes: Building your own custom effects pedal from scratch is now possible with the OD-S Overdrive kit. Experience the fun of DIY by easily building and customizing your own overdrive pedal; no soldering required! Furthermore, the OD-S is equipped with a powerful Nu:tube fully analog triode vacuum tube for a warm sound and rich harmonic response that will delight all guitarists. Build your own FX pedal Creating your own pedal can seem like a daunting task and the results aren't guaranteed. The OD-S offers a solderless, easy-to-build kit that is also customizable to help you shape the overdrive tone that's as individual as you. Authentic tube sound Nutube is a new and revolutionary fully analog triode vacuum tube developed by KORG INC. and Noritake Itron Corporation. The same as a conventional vacuum tube, Nutube is constructed with an anode, grid and filament, and operates as a complete triode tube, effectively generates the same performance response and rich harmonic characteristics of conventional vacuum tubes in a more compact, stable and energy-efficient way. Plenty of sonic possibilities The OD-S has 2 GAIN knobs. In addition to adjusting the input level to the vacuum tube (GAIN), the anode load of the vacuum tube amplification circuit can be changed using the TUBE GAIN. This allows you to accurately adjust the sound from the vacuum tube to your liking. The OD-S also incorporates a switch that lets you choose between 2 different overdrive types (with different Low - High ranges) along with True Bypass; making it an ideal pedal for live performances. For advanced users who want to customize their tone further, the modification-friendly layout allows you to change out discrete components to create your own unique pedal to match your desired tone and performance. The possibilities are endless.

Specifications:
Vacuum Tube: Nutube 6P1
Connections: INPUT/OUTPUT (monaural stereo jack), DC 9V stereo minijack
Power: Single 9V alkaline battery(6LF22/6LR61) (sold separately) or a DC9V AV adapter (sold separately) KA181(DC9V)
Battery life: Approx. 10 hours
Power Consumption: 46mADimension
(W x D x H):122.×.96.×.55mm.
Weight: 340g (without batteries)
Options: KORG AC adapter KA181 (DV9V)
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Electro Harmonix Freeze Sound Retainer Pedal
Cat: 560329 Rel: 04 Feb 15
 
Sound retainer effects pedal with real time sample capture & perfect looping
Notes: Capture a frozen moment and turn it into a tonally unique sonic foundation. The Freeze Sound Retainer delivers infinite sustain of any note or chord at the press of a momentary footswitch. Release the footswitch and you are again sample ready.

Three selectable decay rates, including a latch mode, guarantee liquid, smooth tonal transitions.

Hook the Freeze up with your favorite pedals for a sonic collage that will be unlike anything you have ever heard.

It's like adding an extra musician to the band.

*UK230V power adapter included*
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MRP:$158.17 SAVE 17%
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Electro Harmonix Nano Bass Big Muff Pi Distortion Sustainer Pedal
Cat: 560339 Rel: 04 Feb 15
 
Distortion/sustainer effects pedal with true bypass for maximum signal path integrity
Notes: The new Nano Bass Big Muff is the latest EHX bass guitar, effect pedal. It delivers that huge Bass Big Muff sound in a nano-sized package.

With voicing inspired by the battle-tank green, Russian Big Muff and a classic Big Muff Pi layout of Sustain, Tone and Volume controls, it provides sounds ranging from a slight but satisfying grit to an over-the-top wall of bass fuzz.
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MRP:$99.35 SAVE 17%
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Electro Harmonix Small Stone Analogue Phase Shifter Pedal
Cat: 560358 Rel: 02 Feb 15
 
Analogue phase shifter effects pedal with true bypass for maximum signal path integrity
Notes: Get the sound that made the Classic 1970 Small Stone famous. Generates thick sweeping phase shifting with liquid transparency. Feedback colour control adds a tingling swirl. Blues players dig the Stone's rapid rotating speaker effect. Country players add tasty seasoning to their chicken pickin'. Metal-heads dig its jet plane swoosh.

- Nano chassis
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Electro Harmonix Switchblade Plus Advanced Channel Selector Pedal
Cat: 560376 Rel: 31 Jan 15
 
Advanced channel selector pedal for switching between 2 different output paths
Notes: The Switchblade+ offers a convenient solution to a player’s switching needs. Route your signal to either output A or B, or send it to both at once. Connect a tuner or effects pedal to its dedicated Tuner output. With a fully passive audio path and active LED indication, the new Switchblade+ is your utilitarian sidekick.
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MRP:$60.13 SAVE 17%
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Electro Harmonix Big Muff Pi With Tone Wicker Distortion Sustainer Pedal
Cat: 560380 Rel: 04 Feb 15
 
Distortion/sustainer effects pedal with true bypass for maximum signal path integrity
Notes: The Big Muff Pi with Tone Wicker taps into the sonic power of the legendary Big Muff Pi, but creates new tonal possibilities at the flick of a switch -- or two. Use the Wicker switch to open up three high-frequency filters for raspy, sustaining distortion with top-end bite, or flick on the Tone switch to bypass the tone control for unabated tonal slam.

Want the original Big Muff sound? Just switch off the Wicker and turn on the Tone. The ability to create your own personal Big Muff sound is what truly makes this the Wicked Wicker.
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MRP:$112.42 SAVE 17%
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Electro Harmonix Micro Q Tron Envelope Filter Pedal
Cat: 560438 Rel: 04 Feb 15
 
Envelope filter effect pedal with true bypass for maximum signal path integrity
Notes: The Micro Q-Tron is a smooth envelope filter with a funky wah-wah tone. The filter is controlled by its internal envelope follower, analyzing the volume of your notes and the dynamics of your playing to directly sweep the filter's center or cutoff frequency.

A stronger attack or louder note will produce a wider frequency sweep while softer playing produces more subtle effects. Use the Q control to make the effect more dramatic.
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Electro Harmonix Big Muff Pi Distortion Sustainer Pedal Electro Harmonix Big Muff Pi Distortion Sustainer Pedal
Cat: 560473 Rel: 04 Feb 15
 
Distortion/sustainer effects pedal with true bypass for maximum signal path integrity
Notes: The NYC original. Hendrix and Santana were among the first to get a piece of the Pi, and for over 40 years the Big Muff Pi has been defining the sound of rock guitar.

Revered by contemporary guitarists and rock legends for its rich, creamy, violin-like sustain, from Pink Floyd to The White Stripes, everyone still wants a piece of the Pi!
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MRP:$109.80 SAVE 17%
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Electro Harmonix Bass Clone Chorus Pedal
Cat: 626323 Rel: 07 Oct 16
 
Compact chorus pedal with variable parameters for a range of modulation effects
Notes: The Bass Clone chorus pedal's core circuitry is nearly identical to the legendary Small Clone chorus, but with added features especially for bass. Chorus is a combination of modulated and dry signals. The Bass Clone's Crossover switch cuts low end from the modulated signal so the pedal delivers a more accurately articulated bottom end with excellent note definition. The Treble control affects the whole signal while the Bass control only affects the dry half. Together with the Crossover switch they provide precise sound shaping that lets you achieve a tight, focused bass guitar sound with a well-defined low end and shimmering chorus on top.

Chorus is a combination of modulated and dry signals. The Bass Clone's Crossover switch cuts low end from the modulated signal so the pedal delivers a more accurately articulated bottom end with excellent note definition. The Bass Clone's Treble control affects the whole signal while the Bass control only affects the dry half. Together with the Crossover switch, they provide precise sound shaping that lets the player achieve a tight, focused bass guitar sound with a well-defined low end and shimmering chorus on top.

The Bass Clone features a compact footprint plus true bypass switching for maximum signal path integrity when in bypass mode. It runs on a 9V battery or an optional EHX 9.6DC/200mA AC adapter.
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