Search dance music

Notes: Small desktop enclosure for Eurorack modules with 42 HP space and a maximum depth of 32mm. A relatively strong power solution with an external power supply and an on/off switch located at the case is included.

The power supply provides:

- 850 mA at +12V
- 850mA at -12V
- 500mA at +5V

The power distribution has 14 connectors and the case can house exactly fourteen modules from Erica's Pico Series.

Notes: Erica Synths Drum Mixer Lite is compact version of Drum Mixer. It features extended headroom and a dedicated drum compressor of unique design keeps each drum sound clearly distinguishable and add power to the final mix. Bonus feature - effects send output allows to apply external effects to the signals on the first three inputs. LEDs next to each input give visual feedback on the signal level.

Features:
6 inputs
Built in vactrol based drum compressor with Amount and Decay control
Three inputs assignable to main or aux send outputs
Main and Aux Send outputs
Signal level indicator LEDs

Mixer gain: -+6dB
Power consumption: 59mA@+12V, 36mA@-12V
Module width: 10HP
Module depth: 35 mm

Notes: Module A-112 is the combination of a voltage controlled 8 Bit Sampler and a wavetable oscillator. On top of it the module is able to generate some special effects. A-112 was designed as an additional sound source with the typical sounds of the early 8 bit samplers and is not comparable with the modern polyphonic MIDI samplers available on the market.

Sampling mode: 8 bit audio resolution, 128kB memory in 2 banks 64kB each (equivalent to 2 seconds of sampling time for each bank with 32 kHz sampling rate), audio input with attenuator, overload display in record mode (gate LED), possibility of MIDI Dump to store sounds in a computer via MIDI, non-volatile memory for the 2 samples in the module, manual tune control for adjustment of sampling rate for record and play, CV input (~ 1V/Oct), both manual tune and CV determine the sampling rate respectively the pitch (pitch range is 5 octaves), gate input (not a trigger: the sample starts at the positive edge of the gate signal and is played as long as gate is high or until the end of the sample is reached), manual Gate button, non-filtered audio output (thus quantizing noise can be used as an element of the sound intentionally).

Wavetable mode: special appearance of the sampling mode when playing a sample, the audio input is now used as a second control voltage input for moving through the sample in 256 byte wide loops (wavetables). The control voltage required to move through all wavetables applied to the input "Wave CV In" is in the range -2.5V (wavetable 1) ... 0V (wavetable 127) ... +2.5V (wavetable 256) when control "Atten." is set fully clockwise. To achieve the typical wavetable oscillator sounds the sampling memory must contain corresponding wavetable data (e.g. loaded via MIDI dump). These data contain a set of wavetables with different harmonic content (e.g. a filter sweep) to get the typical wavetable sound while moving through the tables via CV. But you may also use a "normal" sample and go through the sample with CV to obtain partially amazing sounds never heard before. You may use for example sampled speech and go with CV through the syllables or speech shreds to get really very extreme sounds. An ideal addition for this feature is the Offset/Attenuator module A-183-2 which can be used to adjust the position of the wavetable (Offset) and the modulation depth (Att.). The corresponding jumper of the A-183-2 has to be set to bipolar offset (as the A-112 requires -2.5V...+2.5V to pass through all 256 wavetables). As modulation source an LFO (A-145, A-146, A-147, A-143-3), ADSR (A-140, A-141, A-142, A-143-1/2) or a random voltage (A-118, A-149-1) may be used. Even a ribbon controller (A-198 or R2M), the Theremin module A-178, the Joystick A-174 or the Wheels module A-174-2 are useful to drive through the wavetables.

Effects: Additionally, the module offers - in a way free of charge - some effects like delay, reverse delay, pitch shifting or freeze. But it has to be pointed out that due to the 8 bit audio resolution these effects are not comparable to high quality effect units and should be understand as an extra for nothing. The A-112 is not an effects unit!

The sampling time of the A-112 is about 1...30 seconds corresponding to a sampling frequency range of about 60kHz...2kHz (64kB@60kHz ~ 1 s, 64kB@2kHz ~ 30 s).

Technical note: the module uses a battery for the non-volatile storage of the sampling data. Batteries have a limited lifespan and have to be inspected at least every two years. For details please refer to the FAQ page of our website: Lifespan of rechargeable batteries (used for memory backup).

Notes: Sewastopol is a multifunction Eurorack module designed for easy interfacing of external gear to your modular environment. It can export line and professional level audio, import audio from instruments and electroacoustic transducers, and analyse the incoming audio to generate voltages and triggers to control your modular system.

This is a second, vastly improved revision to the original 2014 Sewastopol, featuring a completely redesigned preamplifier circuit, better ergonomics and various other improvements.

Notes: Clep Diaz is a handy and small step CV and LFO generator. In step and random modes, use the encoder to control the number of steps in the sequence; in LFO mode, the encoder controls the amplitude of the wave. Toggle the directionality of the sequence: up, down, or up/down to customize the CVs further. CD also gives CV control over the number of steps in the sequence and an end-of-cycle trigger output. Unipolar and bipolar outputs allow maximal control.

Notes: Listen Professional circum-aural closed back headphones are the essential work tool for music production. Their tonal balance and precision in terms of audio spectrum make them perfect to evaluate the sound work quality. In addition, their comfort and accessories will make them very attractive for people travelling on business trips. The sound quality and the dynamics of these headphones are very surprising considering that this quality is usually found on more expensive items. The attention to detail of these headphones can be also shown thanks to the various patents and technologies which belong to Focal. Hence, a brand-new driver membrane was developed. The main goal was to propose a solution which would keep all the dynamics from the original track while reproducing accurately every single detail on the whole audio spectrum. Even if Listen Professional headphones are closed, they produce a very lively sound, giving the feeling of semi-open headphones while still providing the isolation of closed headphones.

Focal's core expertise:

The speaker driver has been given a 100% Mylar suspension, whereas the central dome is composed of a Mylar-titanium alloy to provide more rigidity and extended frequency response in the upper end of the spectrum. Thus, the moving part is extremely light, enabling the transducer to exceed 40kHz on a flat baffle. The reproduction of the bass and sub-bass registers also received a great deal of attention. The team of engineers managed to combine two factors which are hardly compatible: a tuning frequency which is as low as possible and extremely low distortion (0.3% at 1kHz - 100dB).

Ear cushions - the ideal acoustics:

The size of the ear cushions (height, width and depth) gives them a volume which makes it possible to achieve a great tonal balance. Microfiber provides a more linear bass response providing a better acoustic output, whereas the acoustic tissue, which is closer to the speaker driver, offers great absorption and linearity in the 3-9kHz register. The bass and lower mid-range sections benefit from remarkable tonal balance and excellent articulation: where compression and frequency response generally suffer on closed-back headphones.

For a frequent and intensive use:

Listen Professional is also equipped with a headband boasting a unique design to ensure comfort and durability. Its curve remains consistent, regardless of the shape or size of the user's head. Combined with the layer of silicone underneath the headband, this ensures that the weight is spread out evenly over the head, preventing the user from feeling any pressure in certain areas, which can be very uncomfortable during long working sessions. The horizontal and vertical rotation of the ear cups operate thanks to one single part: a joint integrated into each one. The ear cups also feature a black structured covering, making them resistant to impacts and scratching.

Provided Accessories:

Rigid carrying case. Thermoformed shell in the shape of the headphones. Can store one cable and an iLok key (not provided), all within its compact dimensions. Two OFC copper 24AWG cables with a very low resistance.

- 5m spiral for domestic use
- 1.2m cable fitted with a 3.5mm stereo jack connector
- 3.5mm and 6.35mm jack adapter

Notes: Really great value monitors from PreSonus, packing a punch from 4.5-inch woofers despite their compact overall dimensions. Bluetooth connectivity for added versatility.

This monitor comes with free Studio One Prime and Studio Magic plug-ins.

Supplier's notes:
PreSonus Eris-series studio monitors are used worldwide by audio engineers who need to hear every detail of their recordings. Ideal for gaming and home video production, the Eris E4.5 BT employs the same technology as the larger Eris models to deliver studio-quality sound, with a smooth and accurate frequency response. Yet they're compact enough to fit almost anywhere.

Clean overall sound, smooth high end, and a wide sweet spot:

Every Eris-series studio monitor utilizes a woven composite low-frequency driver. The weave and nature of the Eris E4.5 BT's 4.5-inch woofer result in tight bass that you can feel, as well as cleaner overall sound. The one-inch silk-dome tweeter produces a smooth and refined sound, accurately reproducing transients and high frequencies. The tweeter is designed to radiate sound with a fairly wide pattern, creating a large optimal listening area or "sweet spot" so you can move around and still hear an accurate stereo image. With 25 watts per side of onboard power, the Eris BT-series monitor speakers pack a serious punch, while still delivering clear, accurate audio.

Easy-to-use controls:

A speaker's response is affected by where you place it and the acoustics of your space. That's why Eris E4.5 BT active media reference monitors offer controls to adjust the high- and low-frequency content, so your Bluetooth speakers always sound their best. A convenient front-panel volume knob sets both the speaker level and the integrated headphone amplifier's level.

Convenient wireless Bluetooth connectivity:

With four different types of audio inputs, it's easy to feed audio to your Eris E4.5 BT monitors from almost any source. Fast, reliable, stereo Bluetooth 5.0 connectivity lets you go wireless, streaming sound from a smartphone, tablet, laptop, or other Bluetooth source. Play games, listen to music, and even create content wirelessly. When you want a wired connection - say, from a computer, turntable, TV, or other line-level source - the Eris E4.5 BT has you covered with rear-panel, left and right 1/4-inch TRS and RCA inputs and front-panel 1/8" stereo inputs. A loud, clear, front-panel headphone amplifier lets you work and play in stealth mode, without disturbing your housemates.

Accuracy defined:

Like all PreSonus speakers, the Eris E4.5 BT offers consistent, accurate listening, with the smooth and even frequency response that has made Eris studio and media reference monitors popular around the world. Their compact and powerful design makes them an ideal solution for any small space. Want extra-deep low end? Pair compact Eris E4.5 BTs with PreSonus' powerful Temblor T8 active subwoofer for a truly full-range sound system that fits almost anywhere.

Notes: The window comparator is a very useful circuit building block that is common in general electronics, but rarely found in modular synths. While a regular comparator activates when the input signal voltage is higher than a threshold level, a window comparator checks if the voltage is between two levels (these form the 'window').

Compare 2 combines two such comparators and a logic section in 8 HP. The result is an advanced tool for extracting gates and pulses from analogue signals in Eurorack synths.

The detection windows are defined by the shift and size parameters, which can be varied using the knobs and CV inputs. Complementary gate outputs are available, with big three-colour LEDs showing each comparator's status.

All inputs are normalised from the left section to the right, but the two comparators can also be used completely independently. On the bottom, the outputs from both comparators are combined in various ways by the logic section, which also features LEDs.

You'll find a use for this truly multi-functional module in practically any patch, processing either CV or audio: complex rhythm generator, dual pulse width modulator, frequency multiplier/divider with PWM, digital ‘ring modulator’ with PWM, dynamic depth VCO synchronizer, voltage controlled swing, logic function array with adjustable thresholds... and many more applications waiting to be discovered!

Notes: While modular synthesisers are most often used as stand-alone instruments, they also present exciting opportunities for processing external signals. Anything from an electric guitar to an effects send on a studio mixing desk can benefit from the unique sonic capabilities of even a modest Eurorack system.

However, patching in an external source usually requires an adapter cable and plenty of clean gain to bring the signal to Eurorack level. If the signal source is balanced, a balanced input is required as well to provide the best possible interference rejection.

Receive 2 (or RX2 for short) provides a convenient all-in-one solution. It offers two universal external inputs, which accept both balanced or single-ended signals via XLR or 6.35 mm jack connectors.

The circuit incorporates low-impedance design practices, radio-frequency (RF) filtering and premium balanced receivers to provide transformer-like interconnect performance in a compact and affordable module. And thanks to the electrostatic discharge (ESD) protection, it’s rugged enough to survive the rigours of performing on the road.

The very clean integrated pre-amps feature variable gain, ranging from unity to +40 dB on each channel. As a result, Receive 2 can handle just about any signal source you may encounter, including electric instruments, piezoelectric pickups and many dynamic microphones.

Adjusting the gains is a breeze thanks to the dual peak-responding LED meters. A mix output is included as well, so external signals can be easily mixed directly in the module.

Notes: For decades, the voltage controlled slew limiter has been a staple of modular synthesisers. With its extreme versatility, it can be used to slew control voltages (CVs), create envelopes, as a low-frequency or audio oscillator and much more.

Today, Contour 1 brings a fresh approach to this classic circuit. It delivers much improved performance and control by incorporating modern design techniques.

At its most basic, a slew limiter slows down the rate of voltage change in a signal. On Contour 1, the rising and falling rates can be individually set using sliders and CV modulation.

The gate and trigger inputs allow the module to be used as a function generator: create snappy attack-release (AR) and attack-decay (AD) envelopes, with slope times ranging from 500 us to 30 seconds. The dedicated gate input makes it easy to generate +10 V envelopes from any signal source. Using the large tactile push button, AD envelopes can be manually triggered. A trigger will also reset the output voltage.

When set to loop mode, Contour 1 will continually re-trigger itself. In this mode, it fulfils the role of a variable-shape low-frequency oscillator (LFO) or temperature-stable voltage controlled oscillator (VCO) in the audio range.

Both the rising and falling slopes can be individually bent, from concave through linear to convex. While doing so, the deviation in slope time, and thus oscillation frequency, is kept to a minimum. Since the bend parameters are separately voltage controllable, boundless modulation possibilities present themselves.

Explore anything from shape-shifting envelopes to rich VCO timbres: Contour 1 will make you re-think what a slew limiter can do.

Dimensions
8 HP
30 mm deep

Current Draw
90 mA +12V
85 mA -12V

Notes: The "uMCLK Divider" module can either work as a MIDI clock divider or as an analog clock divider. The divider outputs are assigned differently in both operating modes.

After receiving a MIDI start command, the module works as a MIDI clock divider. There are fixed dividers on 11 outputs. Via the divider output KEYS, triggers can be triggered and mixed via MIDI notes. The keyboard zone extends over three octaves. With the help of the LEARN key, the receive MIDI channel and the lowest note of this 3-octave range can be defined.

When stopped (i.e. after receiving a MIDI stop command or after switching on), the module works as an analog clock divider and divides the analog clock present at the CLOCK input. The 12 analog divider outputs can be reprogrammed via SYSEX. Ready-made SYSEX files are already available (e.g. for even / odd dividers, Fibonacci series, offbeats, etc.). The RESET input resets the analog counters or serves to deactivate the analog divider.

Connections:
- Ribbon cable adapter for Doepfer bus +/-12Volt
- Inputs: 2x Clock/Gate,Reset (0/+5..10V), 1/8th inch mono jacks
- 1x MIDI (TRS-B standard) 1/8th inch stereo jack Outputs: 1x MIDI (TRS-B standard) 1/8th inch stereo jack
- 14x Clock/Gate Divider, 1/8th inch mono jacks

Control elements:
- 1 push button with LED (LEARN key) 16 LED's
- Current consumption: max. +70..80mA / - 0 mA
- Size: Euro rack format 3U / 6HP 30x128,5x40 mm

Dimensions
5 HP
40 mm deep

Current Draw
80 mA +12V

Notes: Viol Ruina is an all-analogue distortion and lowpass filter with an internal envelope follower and self-modulating cutoff. The four-pole design is reminiscent of the classic filters we all know but with a completely new and slightly ridiculous twist. The independently addressable distortion circuit takes VR into overdriven paradise with a shocking amount of drive. Built-in envelope following makes an easy way to create dynamic patches with the flick of a switch, and feedback FM takes VR to a whole new realm of filthiness. Run a sound through VR, you'll get something cool out of it.

Notes: Row Power is a clean, regulated, and protected power solution for eurorack systems. Row Power 35 provides 35W of power, suited for any typical eurorack row (84HP to 168HP):

+12V @ 1.4A
-12V @ 1.25A
+5V @ 1.0A

Simply plug a universal power supply (laptop style) into either of the barrel plugs on the 4HP panel. Connect your modules via flying-bus cables or the Bus Stick.

Daisy-chain multiple Row Powers to use a single power brick for multiple rows (typically 3-5 rows per power brick). Each row will be independently regulated and protected for ultra-low cross-talk between rows. Rows can also be hot-swapped (plugged/unplugged without powering the whole system down).

Notes: Ultra-simple 16-step Eurorack CV sequencer with randomisation option and storage for up to 16 patterns. Straight to the point business, all in just 4HP of rack space.

Supplier notes:
Small, easy-to-program sequencers are a bit of a rarity. Vox Digitalis is our answer to this issue. With intuitive displays and simple controls, VD is perfect for all your pitch CV needs. Set your sequence length, dial in each note, randomize, save and load 16 sequences -- VD does all the stuff the big sequencers do, just in 4HP.

Notes: The PRO-SOLO Mk3 converts MIDI data into CV- gate and clock signals. The operation is easy and clear, settings can be saved in non-volatile memory. High-resolution 16-Bit converters provide accurate tracking and fast response. 1V/oct and Hz/V characteristics are possible as well as normal gate and Switched Trigger (S-Trig).

The unit features two CV- and one gate output, additionally there's an analogue clock output. MIDI thru socket can also be used as DIN-Sync output or it can output two additional voltages with a special cable. MIDI synched LFO.

Notes: Erica Synths Cymbals is a distinct topology digital/analogue module, where cymbal samples are passed thru AS3330 based VCA and controlled via envelope generators of unique design. The module features 10 sets of custom Crash and Ride cymbal samples with Tune control and individual Decay control. Accent and CV control over Tone and Decay allow you to create lot of variations in the Cymbals track. An extra feature is sample looping - when it's on, a certain part of the sample is looped while the envelope decay is on, thus creating a distinct, delay-like effect. Cymbal samples are developed by producer and musician Nero Bellum.

Features
10 sets of custom cymbal samples
Analogue VCA and EG
Tune and Decay controls
CV control with an attenuators over Tune and Decay
Sample loop for Crash and Ride
Manual triggers
Accent for better expression

Audio output level: -5...+5V
CV level (full span): -5V - +5V
Accent CV level: 10V
Tigger level: 5V
Trigger time: 1ms
Power consumption: 95mA @ +12V, 36mA @ -12V
Module width: 10HP
Module depth: 45mm

Notes: The Listen Four Quarters is a four channel stereo mixer with 1/4" (6.35mm) TRS balanced outputs and 1/8" (3.5mm) headphones output. Two mono channels with Pan knobs and two stereo channels with dual inputs provide optimal compatibility with both stereo and mono signals. The Listen Four Quarters can be daisy-chained to other Listen modules to create a larger mixer with sub-mix outputs.

Notes: The SL MIXFACE is a complete controller device which combines style and simplicity with a powerful engine. Designed for mobility, you can bring it everywhere and use it in total freedom thanks to its hosting capability and auto-mapping of the main DAW apps.

Through its connectivity and the integrated batteries, it's a perfect portable device, which with a simple gesture becomes the best desk companion.

Press a button and switch the control from the DAW environment to your favourite instrument and vice versa. All the Transport functions are always ready to go, while you can edit any sound parameter of the instrument or mix the tracks of your song.

Connectivity:

The SL MIXFACE is able to host any keyboard turning it into a full 4 layers MIDI controller. Thanks to its connectivity ports it communicates with the computer as device by using Bluetooth and USB at the same time.

Extended capability:

The SL MIXFACE perfectly matches the SL controller line expanding its control capability. Thanks to the magnetic system it sticks on it becoming a natural physical controls extension. Simply plug MIXFACE to an SL keyboard and it gets the control of the 4 layers on the fly.

Notes: VCO:

- Tune: manual tune control (with an internal jumper the range can be set to ~ +/-1 half an octave or ~ +/-2.5 octaves)
- Oct: range switch -1 / 0 / +1 octave
- Mod: modulation depth (attenuator wired to the Mod. socket)
- Dest: switch that is used to address the modulation to frequency modulation (position FM) or pulsewidth modulation (positon PM), in centre positon no modulation
- PW: manual pulsewidth control for rectangle waveform, PW can be also modulated by the Mod. input as mentioned above
- Wave: waveform switch (sawtooth / off / triangle), the sum of the waveform chosen by this switch and the rectangle is fed into the VCF (to turn the rectangle off the PW control has to be set fully CCW or fully CW)
- 1V/Oct. (socket): external CV input for VCO frequency (1V/octave)
- Access to internal bus CV (via jumper, optional, please remove the bus jumper if this feature is not used to avoid unwanted frequency modulation as then the unused CV line of the bus works as a kind of antenna)
- Triangle core VCO, frequency range about 32Hz ... 8kHz

Balance unit:

- The balance unit is made of two VCAs which are controlled by the sum of manual Balance control and the balance CV input in the opposite direction.
- The audio input of VCA1 is hard-wired to the VCO output, audio input 2 is connected to the socket Ext.In.
- The output of the balance unit is used as audio input for the VCF
- Bal.: manual balance control, fully CCW the internal VCO is used, fully CW the external signal (Ext.In) is used, at centre position both signals have about the same level
- CV Bal.: CV input for balance (range about 0...+5V)
- Ext. In: external audio input for VCA2, about 5 Vpp level required for similar loudness as the internal VCO
- This socket is normalled to the internal VCO suboctave f/2 signal (rectangle with half the frequency), if no external signal is applied the suboctave signal is used as the second signal for the balance unit

VCF:

- 24 dB low pass
- Frq: manual frequency control
- FM1: frequency modulation depth (attenuator wired to the VCF FM1 socket, the socket is normalled to the internal Envelope signal and then FM1 controls the modulation depth of the internal envelope applied to the filter)
- FM2 (socket) : second CV input for VCF without attenuator (about 1V/octave), can be used e.g. for VCF tracking by connecting the same CV which is used also for the VCO frequency
- Res: manual resonance control (up to self oscillation)
- If the VCO is turned off (waveform switch = centre position, pulsewidth control = fully CCW or CW) and the VCF resonance is set to maximum the module can be used as a sine oscillator, the tracking at socket VCF FM2 is about 1V/octave (not as precise as the VCO but much better than most other filters)
- ~ 11 octaves frequency range (~ 10 Hz ... 20kHz)

VCA:

- Gain: manual amplitude control (initial gain), can be used to open the VCA without envelope signal
- VCA (switch): used to switch between gate and envelope as control signal for the VCA, in centre position the VCA is not controlled by envelope or gate
- Note: when gate is used the VCA is controlled directly by the gate signal (i.e. hard on/off), this may lead to clicking noise under certain conditions (especially with low VCO/VCF frequencies)
- Special control scale: exponential scale in the range from about -20dB to -80/90dB, linear scale from about -20dB to 0dB
- Remark: this special control scale results in a loudness behaviour that is a bit different from pure linear or exponential VCAs
- Out: audio output of the module (= VCA output)

Envelope:

- Gate (socket): Gate input (min. +5V), can be normalled to the bus gate signal by means of a jumper
- Att: manual control for Attack
- D/R: manual control for Decay/Release
- Env. (switch): used to switch between A/D, ADSR and A/R mode of the envelope generator, in centre position (ADSR) the sustain level is fixed to about 50%
- Envelope (socket): envelope output (about +10V)
- CVT (socket): CV input for time control, by means of two internal jumpers one can select which time parameters are controlled by the CVT input (e.g. A only or D/R only or A/D/R) and in which direction (i.e. if an increasing CVT shortens or stretches the time parameter in question)
- Envelope LED display
- Attack time range: ~ 1ms ... 5 sec (can be extended by using the CVT input)
- Decay/Release time range: ~ 1ms ... 15 sec (can be extended by using the CVT input)

Notes: The module can record the joystick movement up to a length of over a minute. The sequence remains stored in the battery-backed RAM after switching off. When playing the sequence, it can be manipulated in speed and playback direction.

There is a FREEZE function to hold the current joystick position plus an external reset input. In addition, a GATE is set during movement and a CV voltage is output as a function of the joystick movement. The ranges of the X / Y output voltages are bipolar +/- 5v or unipolar from 0 to + 10v. Both channels X and Y have a passive attenuator potentiometer, so that the voltage range can also be set lower.

Notes: Versatile stereo digital filter based on Endorphin's Grand Terminal module. CV-controlled cutoff, resonance and separate high-pass filter. Simple but effective.

Supplier notes:
The Squawk Dirty To Me is a stereo filter with voltage controlled resonance. It features eight filter modes and zero-delay feedback.

- Simple and effective 6hp stereo VCF
- 8 filter modes available with meta CV scanning, famous zero-delay feedback Grand Terminal filters
- Additional hi-pass filter in series quickly cuts the boomy low end

Notes: The legendary Whammy pedal is the premier pitch-shifting pedal for any guitarist's board, and it only gets better with time. In addition to the classic Whammy sound, we've added chordal Whammy pitch-shifting and true bypass.

Whammy artists have won over 60 Grammysr using its unique pitch-shifting sound to enhance their music. Its songs echo the hallways of the Rock & Roll Hall of Famer and generate acclaim on over 700 million albums around the world. There is no doubt why Whammy is one of the most common sights on guitarists' pedalboards.

The Whammy can bring new depth to your artistry. Turn your solo into raging, rebellious screams of tone or tame your crowd with highly expressive, ambient chordal bends. Energize your audience with a scratchy note frenzy, bring them in and out of the sound tunnel with musical bursts, or carry them through an existential exploration of full-fretboard pitch translation. The Whammy puts expression into the expression pedal.

Don't be the last guitarist without a Whammy! The iPB-10 unleashes the ability to create and control guitar effects like never before.

General Specifications
Sample Rate44.1 kHz
Frequency Response20 Hz to 20 kHz
Signal to Noise Ratio> -105 dB (A weighted); ref = max level, 22 kHz bandwidth
THD0.004% @ 1 kHz; ref = 1 dBu w/ unity gain
A/D Conversion24 bit
D/A Conversion24 bit
Power Consumption2.4 Watts (< 265 mA @ 9 VDC)
Power Adapter9 VDC External Adapter
Dimensions
Height2.5"
Width6.5"
Depth7.75"
Audio Output
Output Type1/4" Unbalanced TS
Max Output Level+10 dBu
Output Impedance1 kO
Audio Input
Instrument Input Type1/4" Unbalanced TS
Max Input Level+5 dBu
Input Impedance1 MO
MIDI Input5-Pin Din

Notes: The 3rd generation of the Yamaha MG Mixer brings with it some neat updated features, great build quality and the same great sound and flexibility that we have come to expect from a Yamaha mixing console. Built with a sturdy metal chassis, the MG III series mixers are designed to last.

The MG-06X is a 6 channel mixer with 2 D-Pre Mic inputs for super-quiet operation. The MG-06X has +48v phantom power for condenser mics and XLR balanced outputs to ensure that no matter how big or small your operation is, the MG06X will act as the lynch-pin mixing desk that you can depend upon.

Also on the MG06X are a bank of Yamaha SPX effects to further enhance your sound with no need to add in additional processors.

Notes: The NT-USB is a highly versatile side-address microphone that is ideal for recording singing and musical performances in addition to spoken applications such as podcasting and voice-over.

It is fully compatible with all mainstream recording applications on both Windows and Mac OS based computers, as well as the Apple iPad using RODE Rec, GarageBand, or any other recording app that accepts an external microphone. Use on the Apple iPad requires a suitable USB connection adaptor, such as the Apple Camera Connection Kit.

The body of the NT-USB features a zero-latency stereo headphone monitoring (3.5mm) jack, which allows you to monitor the microphone input in realtime, along with dials to adjust the monitoring level and mix between the computer/iPad audio and the microphone input.

A premium pop-filter is included, which fits onto the base of the mic, positioning the filter the ideal distance from the capsule to minimise plosives (hard 'B', 'T' or 'P' sounds that produce a harsh sound) during singing or speech. Also provided is a high-quality stand mount with industry standard 3/8" thread, desktop tripod stand that allows the NT-USB to sit at a comfortable height on a tabletop, and a pouch for storage of the microphone when not in use.

Perfect for streamers and gamers, not just podcasters and voiceovers.

This product is compatible with the Rode PSA1 and the PSA1+.

Notes: Inspired by the legendary UDG ProducerBag, the UDG Ultimate ProducerBag Large has been created to cater for those electronic musicians who crave more space for their performance equipment.

Fits: Pioneer DJM-S5, Toraiz SP-16, Denon DJ Prime Go, Novation AFX, Akai MPC Live II, Reloop Elite, Rane Seventy, Seventy-Two, NI Maschine Jam, and various pedalboards

The UDG ProducerBag Large offers increased space for performers using laptops up to 18.4" and larger MIDI Controllers. Constructed from high quality fabrics, the backpack style UDG ProducerBag Large features padded walls with an adjustable divider to create an internal partition to suit your own requirements. Available in black, the bag offers both comfortable transportation and padded protection for your valuable items.

Specifications

Colour: Black, Orange inside
Weight: 3,25 kg / 7.15 lbs
Outer Dimensions (W x H x D): 56.0 x 45.0 x 18.0 cm | 22.0 x 17.0 x 7.1 inch
Inner Dimensions (W x H x D): 46.5 x 32.0 x 15.0 cm | 18.3 x 12.6 x 5.9 inch
Material: Water Resistant Nylon 420D
Protection: Padded MIDI Controller compartment
Bottom guards fabrics protect from scuffing and abration.

Extras

6 pockets for Accessories and smaller gears
Top carry handles
Ergonomic detachable shoulder strap
Integrated combination lock.

Fits:

Up to 18.4" laptop
Pioneer DJM-S5, Toraiz SP-16, DJS-1000, DJM-750MK2
NI Traktor Kontrol S2 MK2, Maschine Jam/ MK3/ MK2, Traktor Z2
Denon DJ Prime Go, MC6000 MK2, MC3000
Numark iDJ Live II, Mixtrack II / Pro II
Rane Seventy, Seventy-Two
Akai MPC Live II, APC 40 MK2, MPD232, MPD26, MPD32
Reloop Elite, Beatpad/2, Beatmix, Digital Jockey-3, Jockey 3 Remix, Terminal Mix 2
Novation AFX, 25SL MK2, Launchkey 25, Nocturn 25
Hercules DJConsole RMX2, DJControl Jogvision, DJ Control Air+ S
M-Audio Oxygen 25, Trigger Finger Pro, Xponent
Stanton SCS.4DJ, DJC.4
Livid OHM 64
Vestax VCI-380/400/400DJ,
Arturia Drumbrute, Keylab 25
Various pedalboards

Notes: The Native Instruments Traktor Kontrol F1 is the definitive hardware for controlling the powerful Remix Decks in Traktor Pro 2.5. You can launch clips in a perfectly intuitive, DJ-centric way - control Remix Decks just like regular track decks, switching between up to 64 x tracks, loops and one-shot samples on each deck. With your signature sound at your fingertips, it's time to blur the line between DJing and live performance.

The Kontrol F1 includes around 4 GB of premium grade sound, pre-loaded as Remix Sets. Or you can import your own samples, and even capture loops and sounds live, using the controller's stylish multi-color pads and ergonomic faders. Expand the creative potential of any Traktor set-up, with or without timecode vinyl, and transform your DJ set into a dynamic live performance.

The Traktor Kontrol F1 workflow is rooted in DJ culture. Remix Sets, made up of your individual loops and sounds, load just like regular tracks in the super-powerful Traktor Pro 2.5 software. And your drum loops, bass lines, percussion, vocals and lead sounds are ready for dropping into your performance.

4 x volume faders and four dedicated filter knobs provide full sonic access to the Remix Deck slots, and to add more flavor, you can route individual slots through Traktor's FX units. Scratch your live production via Native Scratch timecode control and then mix and fade into a traditional track on another deck, fuse classic DJ workflow with the future of DJing.

Just load up the included sound collection and dive into a new level of interaction with your music. The hardware and Traktor Pro 2.5 software respond as one. Ultra-tight integration is complemented by advanced visual feedback, assign a sample a particular color on the hardware, and see the software instantly follow suit.

The Traktor Kontrol F1's slim profile fits anywhere. Slot it between your mixer and decks or expand your controller set-up with multiple F1s, its intuitive feel and striking visual presence is matched only by its addictively fun playability.

Ready to remix also means you get around 4 GB of premium-grade loops and one-shot samples in the F1 package. This sound collection provides more than 10 x complete remix sets, packed with inspiring, studio-quality material for enhancing your sets, jamming and live remixing.

http://www.youtube.com/watch?v=aINKALs3Vso

The sonic spectrum includes beats, basses, leads, and more, spanning ten musical genres, including house, techno, dubstep, hip hop, tech house and drum'n'bass.

*** INCLUDES 44 POUNDS E-VOUCHER UPON REGISTRATION OF TRAKTOR KONTROL F1 WITH NATIVE INSTRUMENTS. TERMS AND CONDITIONS CAN BE FOUND HERE; https://www.native-instruments.com/en/support/e-voucher-terms-and-conditions-2017/ ***

Notes: ZEDi-8 gives musicians, recording artists and venues the ruggedness and hands-on control of an analog mixer, paired with the versatility and convenience of a 2×2 USB interface. Whether it's bouncing ideas around at home, performing live or recording tracks to share on YouTube and Soundcloud, ZEDi-8 is a versatile companion for every step of the creative journey. Featuring the new GSPre boutique preamp design, developed from the revered GS-R24 studio recording console, the ZED boasts exceptionally low noise and massive headroom, with a signature analog warmth and depth. Guitarists will be pleased to know that ZEDi-8 comes with a pair of Guitar DI high impedance inputs, allowing guitars to be plugged straight into the mixer without the hassle and expense of carrying separate DI boxes.

ZEDi-8 offers the best of both worlds, incorporating a studio quality 2 in / 2 out, 24-bit/96kHz USB audio interface for hassle-free recording and playback to/from a Mac or PC, or to an iOS device using the iOS camera kit. The USB output source can be set up in several different ways to match your workflow. ZEDi-8 is class compliant with Mac and iOS.

ZEDi-8 comes with the acclaimed Cubase LE software. Cubase LE offers powerful yet easy-to-use software tools for audio recording, editing, MIDI sequencing and mixing. Its vast range of proven editing and sequencing tools can be used for a large range of music styles and areas of application. From singers and songwriters recording vocal lines to rock bands jamming in their rehearsal room, Cubase LE is as easy as it gets - with outstanding audio quality as well as time-saving recording and editing functionality.

The mixer also comes bundled with the Cubasis LE app. Cubasis LE is the compact version of Steinberg's streamlined, multitouch sequencer for the iPad, providing the same look and feel of its bigger brother Cubasis. Specially designed for quick and easy operation, Cubasis LE makes recording, editing and mixing a breeze.

ZEDi-8 features an exceptional new preamp design, created by analog guru, Mike Griffin and developed from his highly acclaimed GS-R24 studio recording console. Known as GSPre, the preamps deliver exceptionally low noise and massive headroom, and the warmth and depth that Allen & Heath's analog range is famous for. For tonal shaping, the precise MusiQ EQ controls have been carefully calibrated for responsiveness and precision, making it easy to shape and enhance each musical source.

All ZED mixers are designed and built to Allen & Heath's legendary touring grade standards to ensure a long life in the toughest environments. All channels are on individual, vertical circuit boards and all rotary controls are secured to the front panel with a steel nut to guard against impact damage.

ZEDi-8 comes with two Guitar DI high impedance jack inputs, allowing guitars to be plugged straight into the mixer without the need for DI boxes. That's one less piece of gear to buy, carry and set up.

Allen & Heath has been a trusted name in professional audio since 1969. The ZED technology advances, but the commitment to audio excellence and build quality endures.

Notes: The polyphonic SUPEREGO Synth Engine reinvents sample and hold, performs fluid glissandos and creates oscillator like, synthesizer effects. It can stack sounds or create infinite sustain, it even lets you tweak attack and decay, or use its effects loop to invent novel synth patches. Indulge your guilty pleasures!

*UK 230V power adapter included*

Notes: Compact multi-effect pedal combining the award-winning Soul Food Overdrive and Holy Grail Max Reverb!

The EHX Turnip Greens is a multi-effect pedal that combines the Soul Food Overdrive and Holy Grail Max Reverb.

The Soul Food delivers transparent sounds starting with clean boost and progressing all the way to intense overdrive. It's equally adept at adding punch to a player's tone, pushing an amp into saturation or in front of other dirt pedals driving them into new worlds of distortion.

The Holy Grail Max provides four carefully crafted reverbs: Spring, Hall, Plate and Reverse. A newly designed analog wet/dry control yields a constant volume curve as the Blend knob is turned from fully dry to fully wet, while also keeping the dry signal analog through the pedal.

A toggle effect-order switch, located in the middle of the Turnip Greens, selects whether the overdrive or reverb is first in the effects chain. Send and Return jacks let the player insert effects into the signal path between the two.

The Turnip Greens features an internal switch that lets the player select between true bypass or buffered bypass for the Soul Food section.

Soul Food goes from clean boost to classic distortion and can easily drive a guitar amp into saturation
Holy Grail Max delivers four studio quality reverbs: Spring, Hall, Plate and Reverse
An Effects Loop lets you put a single pedal or your entire pedalboard in between the Soul Food and Holy Grail Max
An Effect Order toggle switch lets you put either the Soul Food or Holy Grail Max first in the chain
Power supply included

SPECIFICATIONS
Circuit
Analog / Digital
Bypass
Selectable True Bypass
Audio
Mono
Effects Loop
Yes
Power Supply
9.6VDC-200mA power adapter included
Dimensions (in)
5.75 x 4.75 x 2.5
Current Draw
125mA
Year Released
2014

Notes: UDG presents the Urbanite Series, cutting edge bags for today's on-the-go DJ's / Producer's. Each design not only makes you feel good, they make you look great. The Controller Backpack lets you take a wide variety of your essential gear for your digital set up from one gig to the next. It lets you safely store your digital controller (Pioneer DDJ-SX3, Native Instruments S8) in the main compartment while in the side entry laptop compartment you can store up to 19" laptop. It has enough space in the two front pockets to store all your other necessities; hard drives, headphone, cables & accessories and is fully padded in all the right places for the ultimate in protection. The backpack has a 4-method carrying system. The UDG Controller Backpack is available in 2 sizes: Medium & Large skillfully designed to fit many different models of equipment safely during transport.

Specifications

Colour: Black
Weight: 3,95 kg / 8.69 lbs
Outer Dimensions (W x H x D): 73.0 x 43.0 x 22.5 cm | 28.7 x 16.9 x 8.9 inch
Inner Dimensions (W x H x D): 70.0 x 40.0 x 10.0 cm | 27.6 x 15.7 x 3.9 inch
Material: Water repellent laminated 600D Polyester exterior
Protection: Adjustable foam inserts to customize main compartment to your gear

Extras
4 compartments: main: for controller, side: for laptop up to 19", front: 2x for headphone, hard drives, cables & accessories
4-method carrying system
Easy grip zipper pulls
Convenient carry handle & padded shoulder strap

Fits:
Up to 19" laptop
Pioneer DJ DDJ-FLX6, DDJ-1000SRT, DDJ-800, DDJ-1000, DDJ-RX, DDJ-SX3, DDJ-SX2, DDJ-SX, DDJ-RR, DDJ-SR, DDJ-S1, DDJ-T1
Pioneer DJ XDJ-RR, XDJ-R1, XDJ-Aero
NI Traktor S8
Denon DJ Prime 2, MC7000
Numark NS4FX, NS6II, NS6, 4Trak, N4, Mixdeck Quad
Rane One,
Reloop Mixon 8 Pro, Mixon 4, Touch
Roland DJ 505
or similar size controllers

Notes: The smallest member of the polyphonic POG clan provides impeccable tracking and sound!

The EHX Nano POG can simultaneously generate multiple octaves from your input signal. Whether you play single notes, arpeggios, or full chords, the Nano POG will precisely track every note or chord that you play.

With the Nano POG, you can mix together your dry signal with two different octaves (one above and one below your original note) to create totally new, inspiring tones.

Separate level controls for dry, sub octave and octave up plus an extra Dry out and silent footswitching provide the perfect formula for this compact jewel.

Super, space saving design
Tracks chords, sweeps or single notes with no hitches or glitches
Great 12-string guitar sound or turn your guitar into a bass
Amazing organ-like sounds
Adjustable original pitch volume, one octave up volume and one octave down volume
Dry output jack in addition to the effect output jack
Silent footswitching and road worthy die-cast package
Power adapter included

Specifications

Circuit: Digital
Bypass: Buffered Bypass
Audio: Mono
Power Supply: 9.6VDC-200mA power adapter included (optional 9V battery not included)
Dimensions (in): 4.5 x 2.75 x 2.1
Current Draw: 25mA
Year Released: 2015

Notes: Goldring D22GX stylus is designed to fit the current Goldring 1022GX phono cartridge or old model 1020 or 1022, a direct replacement when your stylus is worn - saving the cost of buying a whole new cartridge. Goldring cartridges generally last many hours until the stylus needs replacing. An indication of wear is a "duller" sound.

Simply remove your current stylus by carefully pulling it away from the cartridge and replace it with the replacement.

The 1022GX record cartridge is recommended for the discerning listener. The diamond stylus is a Vital PH type, which provides increased resolution and ensures the maximum accuracy of musical reproduction.

Replacement stylus: 1022GX - D22GX

Notes: The EVEN VCO is a voltage-controlled oscillator that offers stability and high precision tuning over 10 octaves. A redesigned temperature compensation circuit maintains the oscillator stable against voltage and temperature drops.

Specifications:

Current needs: +12V: 36mA, -12V: 26mA
Width: 8 HP
Depth: 22mm, (28mm DIY) including power connector
Aluminium, heat-treated front panel.
Designed, kits prepared and completed modules assembled in Barcelona.

Notes: The Sampling Modulator is a multi-function module that lies somewhere between a VCO, a Sample & Hold, and an 8 step trigger sequencer.

Sequencer Clocked Sample & Hold

In this mode it acts like a regular Sample and Hold (S&H) but since it is "sequencer clocked", it is capable of much more interesting patterns than the usual S&H melodies.

The CLOCK input can work in two ways: 1. As a typical clock 2. In "positive going hard sync" mode allowing you to create shuffling and polyrythmic effects.

The HOLD input can be used to keep certain notes playing.

Analog Down-Sampling Effect

In this mode (with the clock running at audio rates) you can go from nasty and harsh sampling rate reduction to an almost clean signal. (The clock run up to 25Khz without external CV and up to 200Khz with CV on the input).

Sampling Modulator/Shaper

Thanks to the V/Oct clock, by feeding a simple waveshape such as a sine wave to IN, and pitch CV to the VCO as well as to the Sampling Modulator CV input, their related frequencies and aliasing caused by the sampling rate reduction are capable of creating clangorous metallic sounds, 8 bit textures and much more.

The game becomes much more interesting when you try to destroy the wave by flipping on and off the switches of the sequencer (which at times can make it sound like three VCOs running in unison).

To understand how the Sampling Modulator works, keep in mind that we are working with a temperature compensated ramp core VCO with more than 4 octaves of tracking. This allows the timbre to stay the same while you move through the scale as the internal and external VCOs are synced in a fashion similar to "frequency related sampling rate modulation"

Unusual V/oct VCO You can use the trigger outputs as a pulse VCO. Flipping the switches on and off the switches can offer a lot of interesting timbral changes.

Notes: Quality belt-driven DJ turntable with built-in USB port and phono preamplifier, for a high-quality and convenient digitization of analog vinyl records. Plug & play: no driver installation required, unit is identified automatically.

- Sampling rates of 44.1 kHz and 48 kHz in stereo, resolution: 16 bits
- Includes software for recording and editing
- 2 speeds, pitch control +/- 10%
- Large start/stop button
- Strobe lamp for exact speed adjustment
- Adjustable anti-skating
- Shock-absorbing feet
- Switchable phono/line output
- Delivery includes removable dust cover, pick-up system, RCA and USB cable
- USB 1.1 support
- Suitable for Windows XP, Vista,7, 8, 10 and Mac OS X

Notes: - CV & Gate inputs on 3.5mm mono jack sockets
- A to D conversion for main CV input is 16 bit high quality ADC
- V/octave, Hz/V or 1.2V/oct modes selectable
- Gate type can be selected as Gate or S-trig
- Aux1 & 2 inputs on 3.5mm mono jack (continuously variable or switch selectable)
- Auxes can select controller number
- Auto tune feature makes setup easy
- MIDI Out on 5 pin DIN socket
- Non-volatile memory EEPROM (no back-up battery required)
- 32 bit ARM processor

Comes with multi-regional power supply

Notes: Xkey Air

The Bluetooth Mobile Music Keyboard

Ultra Slim. Great Design.

Lighter than an iPad!

Xkey Air is made from rugged, brushed aluminium. The same material that is used in Macs.

It only weighs 610g (1.34 lbs) so you won't even know it's there. Pop it in your backpack, or use the optional Xkey carry case.

Mac. iPhone / iPad.

(PC and Android can be connected with the WIDI BUD accessory)

Slip Xkey Air into your backpack or carry case and you're good to go.
Connect it to your favourite device, launch your favorite app ... and your recording studio is open for business. Xkey Air is pro standard. But even if you're still learning to play the keyboard, you'll love the quality and features.

Wireless & Low Latency

Bluetooth 4 MIDI controller. Low latency!

Long Battery Life

Powered by a lithium battery for hours of music creation

Aluminium Body

Robust, high quality construction. Looks great. Same finish as a MacBook.
Customizable

Download the free Xkey Plus application. Configure your keyboard how you like it.

100% MIDI

Use Xkey with your favorite music apps on your favorite devices. Works out of the box.

Mobile Native

For iPhone or iPad. Compatible with hundreds of free and pro apps.

Polyphonic Aftertouch

Your pressure on the keys controls the effect individually. Professional studio standard feature.

Portable

Made for travellers and mobile users. Fit in any bag & case!


Regular Updates

Benefit from upcoming new features. Upgrade your Xkey online!


Smart Buttons

Octave Change, Pitch Bend, Modulation, and Sustain function buttons

Velocity Sensitive

Play loud with one hand, soft with the other. There's 128 levels of sensitivity.

Controls
25 full-size keys (2 octaves).
100% MIDI compliant.
Velocity sensitive.
Polyphonic aftertouch.
Pressure sensitive Pitch bend and Modulation buttons, with continuous MIDI control data.
Octave +/- push buttons.
Sustain button.
Rechargeable Lithium Battery.
Firmware upgradable via USB.
Configurable via Xkey Plus free app for iOS, Mac OSX, and Windows.

Connectors
MIDI: USB and Bluetooth.
Indicator LEDs: Activity, Connection state, Battery

Dimensions
Width: 388 mm (15.27 in)
Height: 135 mm (5.31 in)
Depth: 16 mm (0.62 in)
Weight: only 610 g (1.34 lb): less than an iPad!

Power consumption
~ 125mW / 25mA
Included in package
Xkey Air (25 keys)
CME Xkey Air 25 (Bluetooth) Quickstart Guide.
Micro USB cable.

Notes: Erica Synths Black LPG is our take on Lowpass Gate idea - it's designed from scratch
module featuring 2nd order lowpass VCF (the original Buchla lowpass gate was 1st order
VCF) and VCA combo with distinct resonance circuit on top. Voltage control over VCF cuto
frequency/VCA oset and mode (VCF/VCF+VCA/VCA), as well as built in decay envelope
generator makes it a versatile module for sound shaping in any modular setup.

FEATURES:
Three vactors for 2nd order VCF
VCF/VCF+VCA/VCA modes
Manual and voltage controlled cuto/oset
Manually and voltage controlled mode selection
Manually resonance depth control
Resonance overdrive switch
Built in decay envelope generator
Manually and voltage controlled decay time
Envelope CV output
Ski-friendly design

SPECS:
Audio output amplitude 10Vptp
CV range (full span) -5V - +5V
Max Decay time 4''
Panel width 10HP
Module depth 35mm
Power consumption 44mA@+12V, 45mA@-12V

Notes: Introducing the MAGMA SOLID BLAZE packs, the new benchmark standard in utility backpacks. Designed for modern creators with eco-sustainability in mind.

The new SOLID BLAZE packs are constructed from recycled plastic bottles as the foundation, while maintaining the perfect balance between high-grade material processing, advanced features, and a clean and ergonomic look. When it comes to comfort, performance and functionality, the new SOLID BLAZE packs are unrivalled in the market. Developed to fit a wide range of applications, they make the ultimate travel packs for pro DJs, music producers, photographers, filmmakers, and content creators.

A true packing backpack designed to carry what you need.

The SOLID BLAZE PACK 120 is an all-purpose travel backpack with modular interior layout crafted for versatility. Whether you are hauling DJ or production gear, photo or video equipment, or other electronics, the SOLID BLAZE PACK 120 enables you to easily and conveniently organize your gear. The spacious and expandable main compartment features removable EVA padding and multiple dividers for ultimate packing experience. The customizable padded interior ensures your gear travels with you safely. Loads of additional compartments, pouches and zippered pockets offer intuitive accessory management and quick access to your belongings. The SOLID BLAZE PACK 120 is crafted from only the highest quality materials, such as its water-repellent RPET 900D shell and YKKr AquaGuardr zippers to protect your laptop, tablet, timecode records and other expensive gear from the elements. Travel comfortably knowing your gear is safe inside the MAGMA SOLID BLAZE PACK 120.

FITS:

Pioneer DJM-S11
Pioneer DJM-S9
Pioneer S-1000
Pioneer Toraiz SP-16
Rane Seventy-Two
Rane Seventy
Rane Sixty-Two
Reloop Elite
Akai MPC Live
Akai MPC Live 2
Ableton Push 2
Roland SP404
NI Maschine MK2
NI Maschine+
Denon Prime Go
12" vinyl
Rodecaster Pro
Laptops up to 17"
Camera gear etc.

Outer dimensions: (H/B/T): 52 x 35 x 23-26*cm / 20.5" x 13.75"x 9"-10.25"* (*extended)

Inner dimensions: 45 x 32 x 14 -17* / 17.75" x 12.5" x 5.5"-6.75"* (*extended)

Weight: 2,3 kg / 5lb

Notes: Huge chorus-flanger. Take your music to infinity. The fully analogue Dreadbox Komorebi Chorus-Flanger Pedal gives you a huge array of sound design possibilities. This powerful pedal can add some serious impact to your sound.

It doesn't matter if you're playing bass, guitar, synths, or even if you want to hook it up to your modular Eurorack system. The Komorebi is ready to go. Sprinkling its beautiful effects over anything it touches.

From a slight pinch of flange to add some movement to your bass lines, or a lengthy chorus effect to treat your pads and chords to a final touch of space-age wideness. It's a guitar pedal but not as you know. Komorebi works with everything.

Current draw: 100mA

Notes: The Oyster Series' premium Moving Magnet cartridge range features four models with a matching aesthetic, all named after a different type of Oyster.

The Rainier is a venerable cartridge which expands on the company's legacy for smooth, natural sound reproduction in its affordable cartridge models. After years of development, the Rainier features an integrated body and generator system that significantly reduces internal resonances. Finished with an expertly shaped elliptical stylus, the Rainier is capable of extracting even the more nuanced musical details.

The Rainier utilises the same cartridge body as the Olympia and Moonstone, allowing for easy stylus upgrades as your listening system progresses.

Frequency Response:: 15Hz - 25kHz
Output Voltage:: 5.0mV
Internal Impedance: 1.130O
Load Impedance: 47kO
Channel Seperation: 25dB @ 1kHz
Channel Balance: 1.5dB@ 1kHz
Stylus Type: Elliptical
Compliance: 10x10-6 cm/dyn
Tracking Force Range: 1.8g - 2.2g
Recommended Force: 2.0g
Cartridge Weight: 6.5g

Notes: Updated version of the hugely popular MSP3, now with Yamaha's Twisted Flare Port technology for improved low-end response. Small design with big sound thanks to 4-inch woofer and precise dome tweeter.

Supplier's Notes:
MSP3A powered monitor speaker provides faithful sound reproduction in a compact form

The MSP3, a compact reference monitor speaker loved for many years, has been renewed as the MSP3A. This new reference monitor is the first in this series to include our Twisted Flare Port technology and provides an even clearer and tighter low-end while also realizing faithful sound reproduction.

The built-in 22W power amplifier is optimized for the speaker unit, which comprises a 10 cm (4") woofer and a 2.2 cm (.87") tweeter, to achieve a clear and natural reference sound.

The cabinet features a refined, simple design and weighs a mere 3.6 kilograms (7.9 pounds), making it easy to reposition and carry to different locations. Just like its predecessor, this monitor has multiple input connectors and controls, and is compatible with a variety of optional brackets, making it useful for a wide range of uses. These include serious audio and music monitoring in settings from small-scale studios to broadcast and post-production suites, as well as monitoring audio from digital musical instruments and ICT devices, and surround sound playback.

Twisted Flare Port technology, which is included in the MSP3A for the first time in this series, is an aerodynamic sound control technology that we at Yamaha have created by leveraging our extensive subwoofer development experience. Using it, we apply aerodynamic sound analysis and flow visualization measurement technologies to pinpoint and control noise generation mechanisms. Noise-generating air flow turbulence at both ends of the port is suppressed by changing how the port widens from input to output and adding a twist to it. Suppressing turbulence reduces bothersome muddiness in the sound and lowers the amount of noise generated at the port ends. This strengthens the connection between the sound and main speaker and delivers clear, tight low frequencies along with pitch and rhythm.

Compared to the air turbulence generated by the "ordinary port" shown in pink on the left, turbulence is reduced and air flows smoothly through the Twisted Flare Port shown in blue on the right.

Featuring a 22-watt built-in amplifier and Twisted Flare Port for clearer bass, the MSP3A reference monitor produces sound that is faithful to the original. With a variety of inputs, controls and optional support brackets, the MSP3A is ideal for small studios, post-production, monitoring electronic instruments and surround reproduction.

General specifications:

Speaker type: 2-way powered speaker, Bass-reflex type (Twisted Flare Port)
Frequency response: (-10dB) 67Hz - 22kHz
Components- LF: 4" (10 cm) Cone, HF: 0.8" (2.2 cm) Dome
Crossover: 4kHz
Output power: 22W
Maximum Output Level (Measured peak, IEC noise@1m): 99dB SPL
Input sensitivity- LINE 1 : -10 dBu, 10kO (RCA), LINE 2 : +4.0 dBu, 10kO (Combo)
I/O connectors- LINE 1 : RCA, LINE 2 : Combo (XLR/TRS phone)
Indicators: Power ON (Green LED)
Power requirements (May vary depending on region): 120V 50/60Hz, 110 - 120V 50/60Hz, 230V 50/60Hz, 220 - 230V 50/60Hz, 220V 50Hz, 240V 50Hz
Power consumption: 30W
Others: Level control (LINE1, LINE2); Tone control (LOW = Center, REF = 100Hz : MIN -3.0 i 2.0 dB, MAX +3.0 i 2.0 dB; HIGH = Center, REF = 10kHz : MIN -3.0 i 2.0 dB, MAX +3.0 i 2.0 dB)
Dimensions: W- 144mm (5-5/8"), H- 236mm (9-1/4"), D- 166mm (6-5/8")
Net weight: 3.6kg (7.9 lbs.)
Accessories: Power cord, Owner's manual
Packaging: Single
Flying and mounting hardware: 2 x M5 (Depth 15)
Options: Mic stand adaptor BMS-10A, Free-angle clamp BAS-10, Wall mounting bracket BWS20-120 / BWS20-190, Ceiling bracket BCS20-150 / BCS20-210

Notes: Based on a famous circuit from a classic "Rodent-based" 1980's high gain distortion pedal

Notes: Erica Synths Black VC Clock is the beating heart of your modular system.

The beating heart of your modular system in 10HP.

This module generates several clock signals simultaneously and has some more advanced features like tap tempo, shuffle and divide, both for controlled rhythmic music production and for experiments with high level of uncertainty. You may also find the adjustable and even random duty circle of shuffling and random clock outputs interesting. Bonus feature - the module can be used as a performance time stopwatch.

Erica Black series are high-end modules with unique functionality. Only the highest quality components are used and all inputs and outputs are protected against undesired overvoltage. When designing the Black Series, design and usability was prioritised over module width. Big knobs are assigned to functions that make difference in sound. Together the Erica Black series are a range of modules that make an entire synthesizer.

Technical specifications:

Max input level: -10V - +10V
Clock signal level: 0 - +5V
Clock rate: 30 - 400BPM
CV input level (full sweep): -5V - +5V
Power consumption: 40mA@+12V, 5mA@-12V
Module width: 10HP
Module depth: 25mm

Notes: Unusual output and mastering module, inspired by studio and radio mastering tools but fitting into just 6hp. Includes multi-band compression, mid/side stereo processing and brickwall limiting.

Supplier's Notes:
Golden Master is a multiband processor module in Eurorack format. Inspired from the studio mastering and radio loudness units from the 90's, this tool is a game changer for everyone who performs live with a Eurorack synthesizer.

The whole magic of Eurorack lies in its raw sound and simple analog mixes - processing through the Golden Master brings instant punch and sound pressure, as well as controlling the overall volume.

Power consumption: 135mA at +12V and 25mA at -12V
Depth: 30 mm (with ribbon cable connected)
HP : 6

Notes: Premium analogue delay from Erica's flagship Black Series range. Two bucket brigade device delay lines work simultaneously with smooth crossfading and tons of voltage control. Lovely.

Supplier's Notes:
Erica Black Series include high-end, unique functionality and superior quality modules. Only the best, highest quality components are used, all inputs and outputs are protected against undesired overvoltage. When designing Black Series, put design and usability superior. Big knobs are assigned to functions that make difference in sound. Erica Black series consist of range of modules that are needed to put together entire synth. Enjoy!

The Erica Synths Black BBD is one of kind analogue delay module. It features two BBD lines: short, 1024 stage and long, 4096 stage, that work simultaneously and you can smoothly fade between those two, thus creating distinct multitap effect.

Furthermore, an advanced BBD clock noise cancellation circuit is implemented that reduces unwanted BBD noise without filtering higher frequencies of audio signal. Most of parameters are voltage controlled, which allows to integrate the module in complex modular setups.

Time

This is delay time manual control.

Because of BBD clock suspension circuit, delay time can be pushed in extremely long regions, however in that case BBD clock noise may appear. The Time CV is added to the knob setting.

In level

This is the input attenuator switch. Select among full amplitude, half amplitude and audio off.

BBD mode

This control smoothly fades between short and long delays. Any setting in-between will result in distinct multitap delay effect.

LFO rate

Adjust the internal modulation LFO rate. The internal LFO controls delay time, and it's automatically disengaged, when an external modulation signal is connected. The LED gives visual feedback on the LFO rate.

LFO shape

Select the LFO shape. Three shapes are available - triangle, square and in-between shape - mix of triangle and square.

Input

This is the audio input of the module. This is manual Dry/Wet mix. The MIX CV is added to the knob setting.

Colour

Even though the module has BBD clock suspension circuit, the colour switch provides extra lowpass filtering of the signal. At top setting no filtering is applied, at lower settings increasing filtering is present.

Feedback

This is the delay feedback manual control. In extreme clockwise settings the module goes into self-oscillation, and by adjusting delay time and BBD mode settings, the module becomes a drone machine. The FBK CV is added to the knob setting.

CV level

This is the Time CV level attenuator. If nothing is patched into TIME CV socket, it controls the internal LFO amplitude.

WET out

This is the WET signal output of the module - use it for advanced patches.

Out

This is the main output of the module.

Time CV; FBK CV; Mix CV;
These are CV inputs for Time, Feedback and Dry/Wet mix.

SPECS:
Audio level 10Vptp
CV level (full span) -5V - +5V
Power consumption +95mA, -81mA
Module width 12HP
Module depth 35mm