Lenny Fontana, Tension - "A Place Called Heaven" (Joey Negro dub Groove) (6:58)
Jay Denes, Ada Dyer - "You Make Me Whole" (Joey Negro Rhodes dub) (5:17)
Julian Sanza - "To Love" (5:16)
Frankie Knuckles, Satoshi Tomiie, Andrea Mendez - "Bring Me Love" (Eventual dub) (6:56)
Review: Some serious no-nonsense house grooves for all true-school DJs to cop, dug out from the annals of club music history. Things kick off good and proper with Joey Negro's insanely powerful "Dub Groove" mix of Lenny Fontana's "A Place Called Heaven". Negro's on the buttons once again with the classic, pumping "Rhodes Dub" of "You Make Me Whole" by Jay Denes and Ada Dyer. On the flip, Julian Sanza drops the squelchy boogie inflected "To Love" before the record ends on a serious bang with the dream team of Frankie Knuckles, Satoshi Tomiie and Andrea Mendez's "Bring Me Love (Eventual Dub)". This is as actual house as actual house can get - the real deal, crystalised in four evergreen gems pressed on one handy record.
Review: A big driver behind Mood Hut's success over the last few years has been their willingness to encourage collaboration between their extended crew of producers. Their latest co-produced affair comes from long-serving crewmember C.Z Wang (best known for his People Plus release earlier this year) and Aquarian Foundation's Chad Thiessen AKA Neo Image. "Just Off Wave" is warm, woozy and bass-heavy, with drowsy chords, fizzing electro noises and trippy vocals (courtesy, we think, of guests Seperated At Birth) riding a hybrid analogue house/electro groove. That beat is cut-up, beefed-up and heavily enhanced on flipside "Open Mic Beat", which is a sweaty drum track - with, it should be said, occasional chords - that should appeal to aging B-boys and girls.
Lou Rawls - "You'll Never Find Another Love Like Mine" (Kenny Summit, Frankie Knuckles & Eric Kupper unreleased remix) (7:43)
Kenny Summit, Frankie Knuckles & Eric Kupper - "Loving You" (feat Yasmeen) (6:50)
Review: Apparently made in tribute to the legendary Paradise Garage club some years ago, these two previously unreleased workouts are the work of Kenny Summit, Eric Kupper and the late, great Frankie Knuckles. Side A boasts the trio's near legendary (and previously unavailable) remix of Lou Rawls classic "You'll Never Find Another Love Like Mine". It's a wonderfully positive and life-affirming affair, with the three legendary producers wrapping echoing guitars, warming disco orchestration and Rawls' sublime lead vocal around a deliciously percussive Afro-house groove. The flip features another unseen and unheard gem from the vaults: a loose, groovy and positive soulful house wiggler featuring the seductive vocals of Yasmeen. Terrific stuff.
Review: Originally prolific in the late 90s and back with a renewed sense of vigour in the past few years, Dan Piu's classic, widescreen vision of hardware techno captures the verve of the original Detroit blueprint while bringing a fresh, welcome energy to the genre. This drop on Common Dreams brims with the same head-swirling magic, especially on vividly rendered lead track "Halo City". "Falling Framework" has a more mellow veneer, but there's still so much playful detail bringing the track to life. "Akira 2171" has an old-skool sci fi quality balanced out by its linear sense of progression, and "Ilipsyon" takes things deeper into a wistful jack reminiscent of the spookiest Trax output.
Review: The Verdant label continues to plumb depths others fail to reach in the search for the most immersive techno emanating from the underground. On this split disc, the A side is under the control of Sirko Muller, who unfurls a masterful take on dub techno and minimal house as subtle as it is sublime. RV800 then remixes "Affinity" and makes it into a bouncy, acid-flecked groover that remains true to Verdant's deep dynamics. Jonno & Tommo take on the flip with the sultry mood piece "Efficacy," a spooked-out trip of a track that gets flipped into a slippery electro number by Havantepe.
Review: Emmy Award-winning composer Jordan Lieb has previously proved to be a masterful maker of crackly, atmospheric deep house. We shouldn't be that surprised, then, that his latest mini-album for Scissor And Thread - the rather depressingly titled "Nothing Makes Me Feel (Good Anymore)" - is full of the stuff. The undoubted highlight for us is the poignant and melancholic title track, though for club plays you seriously can't beat the sub-heavy, R&B-sampling shuffle of the cut that follows it, "Street Emotion". You'll find more chopped-and-screwed vocal samples on the deep and chunky "Get Something", while "The Right Way" is a near perfect fusion of loved-up deep house musicality and laid back electro grooves. The New Jersey garage influenced "Hustle" and Dream 2 Science-esque "Golden Chains" are also superb.
Mark De Clive Lowe - "Wondering Who" (Nautz L8 Nite edit) (6:56)
Motomitsu - "La Musique" (6:23)
Brandon Williams - "Twenty-One" (feat Jon Dixon & De'Sean Jones) (5:17)
Loftsoul X Soul-T - "Sol Origin" (feat Andy Compton) (7:02)
Review: Detroit's MotorCity Wine has established itself as the go0to space for all of the soulful, broken beat, and deep sounds on the house music spectrum. For their 4th 12" they tap in a cast of locals and friends from across the globe for this 4 track EP. Mark de Clive0Lowe kicks things off with "Wondering Who", a bassline0driven broken0beat inspired electronic funk workout, before Motomitsu goes Marianas Trench deep with "La Musique". On the flip Brandon Williams, Jon Dixon, & De'Sean Jones deliver "Twenty0One", a sublime piece of hi0tech jazz for the soulful heads. Loftsoul & Soul0T round out the EP with "Sol Origin", a sub0heavy Shelter0esque track featuring Andy Compton on electric guitar.
Review: These days we're accustomed to producers serving up deep, dreamy and life-affirming fusions of breakbeat, deep house and ambient techno. This wasn't so much the case when Ex-Terrestrial released his debut EP, "Paraworld" in 2016. As this surprise reissue proves, it remains one of the best EPs of its kind. There's much to admire throughout, from title track's bongo-laden, new age deep house warmth, to the seductive ambient bliss of "Dreams of Jupiter", which still reminds us of 2015's Slow Riffs 12" on Mood Hut. Arguably best of all, though, is "Blue Smoke", a brilliant fusion of pitched-down rave breakbeats and comforting, Pete Namlook style ambient chords.
Review: Hodini is back on the ever reliable Wolf Music for his second EP. The Cologne-based DJ also moonlights as one of Germany's leading underground hip hop producers under the alias HulkHodn, therefore he brings elements from this background into this unique five tracker. In "WOLFEP 053", he dusts off long forgotten cuts, all sampled with that MPC chopped graininess and blending lo-fi vocal sound bites with deft jazz loops to give a distinct, textured edge to his work. From the dusty late night deepness of "Velved Groove", to the slo-mo Moodymann vibes of "Special Shout Out" and the lo-slung, jazzy kinda somethin' that is "Where's The Wine", Hodini delivers smokey deep house music with an undeniably urban flavour.
Review: Trinidadian Deep is a master of long, winding, enchanting house grooves that are deep but also spiritual and laced with afro percussion. Shelter acquires his latest two efforts and the glorious "Native Culture" opens things in subtly uplifting fashion. Trilling organ chords rise through the mix to give life to the jumbled drums and sustained pads in the background which keep things deep and ensure maximum hypnosis. "Eggun" has a more bubbling sense of rhythm, with vocal coos and surging chords peppering the track and bringing motion. Powerful stuff.
Cult Hero (Do You Wanna Touch Me) (album edit) (6:45)
Cult Hero (Do You Wanna Touch Me) (club mix) (5:47)
Cult Hero (Do You Wanna Touch Me) (Slow) (7:29)
Review: House and techno badboys Paranoid London are proceeding the release of their second album with a bunch of singles from it. First up is "Cult Hero" featuring Simon Topping - one of many guest vocalists on the full length. It's a bristling acid house cut with tight, corrugated drums and relentless 303 mania ripping up the groove. Topping's deadpan vocals are layered over the top and bring to mind the more anthemic work of Depeche Mode. "Club Mix" is even more caustic and kinetic, while closer "Slow Mix" strips back everything but for the lunching drums and demonic vocals of Topping.
Review: We were really impressed by "Invisibility Theory", the Sushitech released debut album from Christi Cons and Vlad Caia's Sideways Invisibility Theory project. This speedy follow-up for Half Baked Records (under the truncated SIT pseudonym) is rather good, too. Check first A-side "Spectral", a typically epic excursion where warm ambient chords, deep space electronics and glistening electric guitar motifs bob and weave around a chunky analogue bassline and locked-in tech-house drums. B-side opener "Owl Farm" is notably wonkier and weirder, with druggy drums, mind-altering electronics and the trademark glitch-laden shuffle we've come to expect from Romanian electronic music. That vibe is explored further on twisted closing cut "Animation", a particularly alien example of skewed tech-house funk.
Review: The peeps behind the People Of Earth label claim that Rick Wade is on top form on their latest release. While that's undoubtedly true, the Detroiter has incredibly high standards and rarely puts out anything mediocre. The four tracks here are all deliciously deep and fluid, with the Fender Rhodes solos, meandering organ lines, warm bass and chunky beats of "Never Give Up" delivering just the right blend of instrumental goodness and dancefloor-ready weightiness. "Seen At Night" is an even deeper and hazier treat, while "Forever Alone" sees Wade wrap bongo-laden beats and eyes-closed electric piano chords around a ludicrously warm and heavy bassline. Solo-laden closing cut "Rooftop" is also superb - a proper sundown selection of the highest calibre.
Review: Given that acid revivalists Paranoid London have yet to put a foot wrong, it's no surprise to find that "(Vi-Vi) Vicious Games" is another absolute belter. It's taken from the duo's forthcoming album and features sometime Posthuman collaborator Josh Caffe channeling his inner Robert Owens and Jamie Principle over a retro-futurist backing track. In its full length, the track brilliantly combines Paranoid London's jacking drums and thrusting acid bass with dreamy chords and just the right amount of glassy-eyed melodic flourishes. It sounds like a classic TRAX release given the Paranoid London treatment, which I'm sure we all agree is a very good thing indeed. If you're in the mood for something even sleazier and more driving, the Bam Bam-inspired Dub has it covered.
Review: The first vinyl offering on any label needs to be something pretty special, and evidently No Fuss Records haven't forgotten that golden rule of releasing. Who better to draft than Saison, a duo with an established reputation for soulful, groove-fulled deep house that's guaranteed to make an impression on the floor? Probably nobody, hence the decision. 'I Need Ya' is a classic vocal workout, brass stabs and looped, filtered lyrics clearly positioning the track as a good times anthem. There's more than a little chug underpinning the Werkshy remix of 'Something Made Me', which stomps its way into a male chorus that should thrust fists skywards. 'Senor Blues' is more of a journey in comparison to its siblings, gradually unveiling its pianos and opening the arrangement up as the track expands from understated beginnings to room-filling proportions.
Review: We can confirm that Adam "Admin" Wickens is not only a hugely talented DJ and producer, but also a thoroughly nice chap. Here he makes his bow on Better Listen with a three-tracker packed to the rafters with warmth, soul and groove. Check first A-side "Adjust Your Love", a sample-fired workout that effortlessly joins the dots between disco, deep house and star-kissed jazz-funk, before turning your attention to the chopped-and-screwed samples, toasty sub-bass, languid beats and echoing piano snippets of "Easy Love Dub". The Bristol-based producer rounds things off in fine style via "Horizons", a slightly bouncier house cut that makes great use of some bluesy piano samples and another stoned, glassy-eyed bassline.
Review: Let's get one thing straight: Ravanelli Disco Club is exquisitely named. The output has proven just as tasty, too, and with Eben Rees at the buttons of this latest EP, you'll want to tuck in once more. He serves up a brace of breezy disco house tunes: opener "Bongo Boulevard" is a funk licked and perfectly carefree sort of tune you'd drop at sundown to hint at the fun to come, while "Dyfal Donc" gets more upbeat with an eco system of cosmic leads and pads dancing above well swung drums. Freerange man Jimpster provides a remix laden with wet claps and funk riffs, and Tech Support's rugged disco arps will make any floor take flight.
Review: It's been a while since we heard from the Cobblestone Jazz boys and given their massive influence over contemporary house and techno, it's always a pleasure to listen to their truly singular take on dance music. The Matthew Jonson-led outfit return with an EP for the Itiswhatitis label, the original birthplace of Jonson's beats. "Northern Lights" is classic Cobblestone, where an ultra compressed kick meanders amidst calculated drips of sound pouring mathematically from every angle. "Drawn From The Side Of Crime" is a little more chirpy, its sounds bleeping away with greater intensity and freedom. It's a must have for fans of the group, recommended!
One More Round (86 House mix By Frankie Knuckles) (8:10)
Walkman (86 House mix By Brett Wilcots) (7:17)
Review: Best turn their attention to that sweet mid 80s spot when the petri dish of party music was shaken up between disco, boogie, Italo and the emergent house sound from Chicago. Claudio Simonetti was a titan of the Italian groove, but his monster jam as Kasso, "One More Round", reached the stratosphere when Windy City godfather Frankie Knuckles gave the track his Midas touch. No more justification is needed for this pressing, but don't overlook the flip which finds 80s remix supremo Brett Wilcots taking on "Walkman" and whipping up a boogie frenzy of the highest order.
Hardsoul - "Back Together" (feat Ron Carroll - Director's cut Classic club mix) (8:33)
Spencer Parker & Dan Beaumont - "The Look" (Director's cut Signature mix) (7:59)
Review: This second round-up of high quality tracks and remixes by Frankie Knuckles and Eric Kupper's Director's Cut project is as loved-up and action-packed as its predecessor. It begins with versions of the pair's re-recording of Knuckles' classics "Baby Wants To Ride" and "Let Yourself Go" (the latter a breezy and summery piano-house treat), before offering up a soulful singalong with Inaya Day and a stomping disco-house cover of Sylvester classic "You Make Me Feel (Mighty Real)". Record two offers up some of their hard-to-find remixes, with the pair's Lou Rawls revision and soaring version of Hardsoul and Ron Carroll's soulful house classic "Back Together" standing out.
Review: Joe has been behind some of the most inventive rhythms and hard hitting club tunes of the past decade. Always happy to veer off-piste while drawing on bass, dubstep, techno, 140bpm workouts and everything in between. Here the Londoner makes a break from home label Hessle Audio to land on the equally cutting edge Comeme. "Rio Lea" is the pick: it's a loose rhythm coloured with samba skip, soul drenched strings and Latin flair that transports you directly to South America. The others aren't bad either to be fair, with "Line To Earth" exploring a slower, dubbed out groove, and "Get Centred" working the dance floor into a frenzy with its mad xylophone melodies, tight, percolating drums and tense chord stabs.
Review: Joe Corti has had a breakthrough 12 months, with releases landing on Better Listen and his own China White. Bringing more of that sweet, disco tinged house music to the second volume on his label, Corti strikes a heady mood on "Move Your Seat" with a mixture of swirling Philly string samples and looped up elements that should set the dancefloor alight in that most tender of ways. "Think Twice" is on a similar tip, albeit with a choice run of dreamy trumpet coursing through the track. "Just You" has a slightly techier edge, but it's embellished with the kind of keys that will appeal to fans of Glenn Underground. Classy stuff from a rising talent.
Review: After a series of well received albums on 100% Silk and HNYTRX, Maya Bouldry-Morrison returns with her first album in two years, and the first on the T4T LUV NRG imprint she set up with life partner Eris Drew. It's a thrill-a-minute affair rooted in her love of turn-of-the-'90s rave culture, with the eight showcased tracks variously mixing elements of breakbeat hardcore, Belgian techno, dreamy deep house, ambient techno, ragging acid and the kind of psychedelic club fare that was once all the rage within California's LSD-fuelled free party scene. In fact, as a soundtrack to a full moon party on a remote "SoCal" beach, "Resonant Body" would sound phenomenal, with the inspired ambient number "My Body Is A Powerful" offering a fine accompaniment to the inevitable morning comedown.
Review: The man himself would probably say "it's Ed - Jus Ed that is!". To directly quote the Underground Quality chief himself, the man says he is back as Bridgeport Connecticut's all time champion of house and techno, undefeated since 2001 - and still! The guy sure ain't modest, but we couldn't have said it better. From the smooth and meditative vibe of "Favignana Sunset", to the fierce acid banger "I AM" as well as the brooding and doom-laden dancefloor drama of closer "Impulsive Curves", this is unlike anything we have ever heard from the UQ boss before.
Review: Alex "Kiwi" Warren has barely put a foot wrong in recent times, with a superb DJ Rocca collaboration and some fine EPs on Disco Halal, Cin Cin and Paradise Palms. Here he adds another record label to the CV via a second outing on Needwant. In its original form, "Kiya" is a baggy, sunrise-ready house cut drive forwards by low-slung bass, chiming melodies, layered percussion, twinkling pianos and choice snatches of vocal apparently borrowed from an old African record. The "Rave Mix" is a more driving excursion smothered in intergalactic motifs and trance-like synth sounds, while the Brian Ring revision is looser, sparser and altogether more glassy-eyed. Warren rounds things off via the "Dreamscape Mix", a stunning ambient interpretation for those who like their sounds swirling and beat free.
Review: Sam Shepherd may have spent the last few years offering up off-kilter, jazz-fired grooves and heady ambient soundscapes, but he still knows how to rock a dancefloor. That much is proved by his first Floating Points single for almost two years. "LesAlpx (Extended)" is his most forthright, club-focused cut in ages - a thrusting chunk of rumbling, peak-time techno built around heavy bass, sweaty drums, twinkling electro piano motifs and raging, foreboding electronics. Shepherd teases in the most melodic, rush-inducing elements, introducing spacey synthesizers and dreamy chords midway through. It's breathtakingly good. Flipside "Coorabell" is similarly potent, with acid style electronics, warm chords and sun-kissed electronics wrapped around swinging, two-step influenced house beats and a weighty, sub-heavy bassline. In a word: essential.
Review: Butter Sessions latest must-check release comes courtesy of Melbourne-based rising star Furious Frank, whose recent EP on Paper-Cuts was particularly impressive. "Ahora Si" is similarly inspired, with the young Australian producer placing Ivy Barkakati's "Sueno Latino" style whispered vocal over a bold, alluring blend of jangling dream house pianos, rugged acid lines, sunrise-ready chords and loose-limbed analogue beats. He provides his own dream house style interpretation (the brilliant "Frank's Sunrise Mix") before inviting Ivan to give his take on the track. He adds some tribal percussion whilst retaining the cut's inherent dreaminess before Canadian producer D. Tiffany re-imagines "Ahora Si" as a bass-heavy chunk of UKG/breakbeat house fusion.
Review: Cartulis bounce from the essential release from Eliaz to this intriguing slab by Reade Truth, a New York techno original who was last spotted on Warm Fiction, Blkmarket Music and Path Records. His "Wires, Everywhere" album was a big release for Cartulis last year, and now he's back with further ruff n' tuff cuts that drip with Big Apple attitude. From the deep diving "Starflight" to the epic, ranging "Space Out (Expression)", you can sense Truth's hard earned swagger but it's also balanced out by subtlety, a sense of space and groove that makes each track a pleasure to sink into.
Essential Paradise (feat Slikk Tim - Fred P Reshape) (6:57)
Mystery Of Fantasy (reprise) (2:34)
Mystery Of Fantasy (G Fantasy mix) (8:06)
120 Black Key Experiment (Continuation interlude) (2:48)
Review: Having decided to retire his long-serving Soul People Music label, Fred P has immediately replaced it with Perpetual Sound, an imprint he says will serve up a far more eclectic range of records. To mark the label's debut, the acclaimed deep house and techno producer has decided to reignite his Black Jazz Consortium project after a five-year hiatus. Up first is "Essential Paradise", delicious fusion of jazzy deep house and tech-soul whose spacey pads, bustling beats and Herbie Hancock synths come accompanied by some wild, unchained solos from keys player Slikk Tim. Elsewhere, attention will naturally fall on Mr G's sleazy, heavy and low-slung techno take on "Mystery of Fantasy", which is also available as a tasty, ambient style "Reprise" (all synthesized orchestral sweeps, warm bass and glassy-eyed electronics).
Review: Berlin-based Korean Peggy Gou has been surprisingly quiet since first bursting onto the scene back in 2016. Here, she returns to action having graduated from Technicolour to parent label Ninja Tune. Many may already have heard EP standout "It Makes You Forget (Itgehane)", a percussively ambidextrous beast based around a bouncy, off-skilter, snare-heavy rhythm track. It has been much discussed online after Gou included it her recent Resident Advisor podcast. On the B-side you'll find tracks representative of her developing style, which draws together elements of European deep house, electro, early '90s U.S house, the rubbery disco eccentricity of Maurice Fulton and the instinctive polyrhythms more often found in traditional African music.
Flying Fantasy (exclusive instrumental version) (4:35)
Rhodes E Serenidade (3:37)
Review: Small repress of the Modern Sun Records founder and experienced jazz-wise producer Marc Friedli AKA Skymark. A-side "Flying Fantasy" originally appeared on the Spanish producer's 2016 album "Resistance Sonore", but is here featured in instrumental form for the first time. If anything, it's better than the original version, largely because we get to revel in Friedli's mazy Fender Rhodes solos, rubbery jazz-funk synth bass and loose-limbed, West London style broken beats. You'll find plenty more jaunty jazz-funk vibes and liquid electric piano solos on B-side cut "Rhodes E Serenidade", which first slipped out way back in 2015. DJ Support so far from Dom Servini, Emanative,Red Greg,Kevin Beadle, Mike Chadwick,Dynamite Cuts & Rocafort Records so far
Review: Originally active around the turn of the century, Difusion are back in action with a mission to champion real songwriting in the deep house scene. "Playin' With Fire" rides a funky disco groove and works around some seriously catchy vocals, while Daniel Maunick dubs the track out and rides the filter to deadly effect. "Shining" rounds the EP off with a sweet, sensitive jam that strikes the kind of melancholic tone that wistful dancefloor memories are made of. Once again the vocals lift to the track to another stratosphere of heartfelt expression - this is sure to go down a storm with the late summer crowd.
Review: Madonna, Depeche Mode and Kelis - what do East End Edits have in store for us next? This seventh instalment harks back to the charming deep jazzy house of their inaugural release - think of the legendary St. Germain and that should give you a fairly good idea. The track's smoky, late night jazz bar vibe is complemented by a rolling bass and swinging rhythms that should appeal to the likes of Rhadoo or Petre Inspirescu - legends of the Romanian scene who themselves have lent their deft hand to the French producer's work as remixers in the past, too.
Review: It's always a treat to spot Edward donning his Desert Sky guise for another trip into the hinterland of minimal techno, where expression reigns free and all kinds of sound sources tumble into a truly exotic mix. On this album for PAL SL, all bets are off as we get whisked down a mysterious and meandering path where organic and electronic matter merge in the shadows, all strapped to subliminal but pronounced grooves that make this some of the most potent, intriguing club material in circulation right now. Buy the ticket, take the ride and dance out under that Desert Sky.
Review: According to the hype sheet we have to hand, the "Home Turf EP" is House of Disco's first multi-artist extravaganza for two years. There's plenty to get the juices flowing throughout, from the bounding bounciness of LPM's rap-sampling disco-house cut "Get With It", to the impeccably warm and sun-kissed jazz-house vibes of Purple Ice's "Adeus". In between you'll find the rolling, synth-heavy warmth of Mix & Fairbanks' deliciously loved-up "Shergar's Revenge" and "Me, You, Us" by Shee, a chunky sample-house number full of swirling strings, looped guitar riffs, hazy chords and righteous spoken word samples.
Review: 1990s sitcom loving beat maker Felix Weatherall returns to Brainfeeder for the first time since the release of his widely acclaimed debut album as Ross From Friends, 2018's "Family Portrait". He's in fine form from the off, with title track "Epiphany" offering a wonderfully intoxicated, off-kilter blend of bustling drum machine breakbeats, hallucinatory electronics, Middle Eastern style instrumentation and razor-sharp bass. He continues on an inventive fusion trip in the form of "The Revolution", where cut-up vocal samples and bluesy guitar lines rise and fall above a densely percussive deep house groove. Also impressive is "Phantom Ratio", a slightly more driving dancefloor cut rich in skittish drums and undulating electronic melodies.
Review: What more can be said about the output of Alex 'Omar' Smith? The Detroiter's releases have perhaps been a little more varied of late than we've come to expect, but the quality nevertheless remains dizzyingly high. This white label excursion is full of floor-friendly gems, with Smith's use of classic house samples and familiar vocal samples also making it one of his most party-hearted releases for a while. Check, for example, "Catch Ya", where a much-loved turn-of-the-'90s acapella rises above bouncy New Jersey organs and snappy machine drums. "Better Believe It Baby" brilliantly wraps a chiming synth loop and R&B style vocal snippets around a chunky, disco-fired deep house beat, while "Cheat" and "Pull Ovaa" are deliciously dusty, bass-heavy deep house workouts with just the right amount of hypnotic late night charm.
Review: You should know by now that Plastik People is the go-to spot for the most upfront garage house done in a classic style, and they're spelling it out good and proper with The Sound Of Garage House. Marc Cotterell leads the way with the jazzy vibes and deliciously liquid chords of "Those Days" before Ed The Spread brings a nagging shuffle and sharp string stabs to hard-stepping bumper "The Bauhaus Movement". Grant Nelson keeps things tuff with the natty piano hooks and diva slices of "Move Close" while Rocket Dubz ups the funk to 11 for hands in the air party starter "Dirty Bath".
Review: AntiDEEPressant is here to bring some positivity to your life by way of subliminal house music from the outer reaches. Vincent Inc is just the ticket to help deliver the good news, and his Abstract Life EP is loaded with soul-enriching vibes to get you through times of hardship. "Panic In Cosmos" is a fluttering, meditative melter that will coat your ears in honey on the way down, while "Rayskoye Mesto" takes an equally submerged approach that drifts further away from conventional beats into a beautifully executed, heavy-lidded excursion. "Mechta" sports a few more conventional house tropes, but keeps things varied and interesting just the same, and then "Jazz Night" rounds the EP off with some cracked piano lilt and soul infusions to cradle you on the way to the run out groove.
Review: "Dj Sounds presents Captured, a 3 track EP for the house heads. Lazy is a ready-to-go exercice, easy to spin and fresh house track in its most classical yet very personal form, Captured is an intense Detroit oriented synth jam and Dj Beats is a short drum track reminding of the beat of track 1. That 001 is for the Djs who care about a fresh record of House. And those who like to dance."
Review: Earlier in the year Lone launched the Ancient Astronauts imprint via a single-track digital single that wrapped his usual sun-soaked electronics and kaleidoscopic synthesizer melodies around a ridiculously rubbery bassline and crunchy, club-ready breakbeats. Here he offers up the label's first vinyl EP, a three-track missive that's as loved-up as you'd expect. Check first "How Can You Tell", an ultra-deep, dreamy and rushing chunk of deep jungle revivalism full of psychedelic acid lines, slack-tuned breakbeats, yearning chords and bowel-bothering sub-bass. Equally as impressive is A-side opener "Abraxas", a delightful cut that fits between rush-inducing moments of loved-up bliss and the kind of intensely bustling breakbeats that were once all the rage on British dancefloors. "Young Star Cluster", a killer combination of hip-house style breaks and funk-fuelled acid lines, is also superb.
Review: Having sprung into action with the Sol Explorer EP on Girasole, William Caycedo is back with a new selection of jams on the ever-developing SlapFunk. As the label's remit for minimal house and techno broadens, we're treated to low slung leftfield beats on "Booty Call" before the peppier broken beat groove of "Ain't No Joke". "Creepin'" and "G Groove" head into more familiar territory for SlapFunk fans, but there's still space for the crisp, laid back funk of "Tales From The West" and the off-kilter jazzy vibes of "Yes We Do" thrown in for good measure.
Review: Enduring underground stalwart Lee Burridge has carved out a cosy little space for himself with his dreamy, melancholic house label and party All Day I Dream. It is grown up music that deals in slow-release pleasures, and as the late summer sun throws out its final rays, he treats us to a sampler of recent highlights. Our picks: Squire's "Inimagina", which is an archetypal ADID cut with soft melodies and pillowy drums, YokoO & Retza's "Drifting" for those late, romantic nights thanks to the gooey chords, and Kevin Di Serna x Max & Nim's "Presence" which has the sort of yawning pads that have you craning your neck to the heavens. Along with plenty of other escapist grooves, it all adds up to a comprehensive overview of this cultured little crew.
Review: Earlier in the year DJ Seinfeld returned to action with the "Galazy EP", a wonderfully spacey, breakbeat-driven affair that arguably contained some of his most mature and developed productions yet. There's more of the same on the "Lilium EP". The title track boasts serious percussive weight - a result of the producer's layering of bongos and congas above a sturdy kick drum pattern - with a trance-inducing synth bassline, fluid electric piano lines and flowery chords providing the loved-up musical accompaniment. He doffs a cap towards both mid 1980s NYC freestyle and Italo-disco on the Bobby Orlando-influenced brilliance of "Lovejoy", whose drums and synth sounds are impressively authentic in their style and execution, while "Exterrestial" is a pleasingly fluid fusion of breakbeat-driven deep house and late '90s style NYC "dark garage".
Review: Fresh from dropping some heat on Leftroom, Alex Arnout continues his productive streak with this sterling return to Jack's House after he last graced the label with its first release back in 2016. "Sync Jam" packs a serious shuffle that hits squarely in the pleasure plexus for any discerning tech house head, while "Calling U" adopts a playfully spooky tone as it wriggles through a plethora of freaky synth squiggles. "Resergen" completes the set with a spirited dash through hooky techno drum programming and a mean chord line that captures a little old-skool optimism in the process.
Review: Just 4 The Beat's first release of the year was well worth waiting for. It comes from Eastern Europe's Urban Haven, who is now based in London but clearly takes great inspiration from deep and soulful Chicago house masters like Glenn Underground and Ron Trent. His first ever EP is an impossibly classy one, and "Roots (Reprise)" is a glorious highlight that starts with luxurious synth puddles and a romantic, conversational sax line. After a three minute build, you sink into a Latin flecked deep house groove of the highest order. This is as musical as house gets and is, unsurprisingly, already big with Mike Huckaby and Kai Alce.
Review: Groovy, beguiling and hypnotic- Tusk Wax is a label where anything can happen while still boasting coherency throughout its catalogue. If that sounds vague that's the point; elements of house, funk, jazz, acid and tech never far from the mixing desk. This, the imprint's 30th outing, is another limited press continuing in that fine form thanks to the always-solid Loz Goddard, formerly of Dirt Crew. One made for summertime sessions, intriguingly it could score late night hallucinatory forest raves or sun-drenched terrace parties. It just depends which cut you go for. 'Redrum' is a low-lying cosmic treat, repetitive female vocals ensuring dancefloor potential contrasting the lackadaisical melodies. 'BHD' takes us down an expanding disco wormhole, Ron Basejam's remix of 'Redrum' places the emphasis on live bass and sass, a perfect precursor to the contemporary funk of 'Drumble'.
Review: Glasgow's Ooft! continues the FOTO-X series on his label with a sure shot 12" that presents two tracks sure to nestle their way into all manner of on-point record bags for many moons to come. First up is iLO who plays the long game with a yearning and burning slice of deep house that starts out stripped and subtle before blossoming into a fully-fledged vocal delight. Ooft! takes care of the B-side with a boogie-tasting get down entitled "Howard's Way" which will get heads nodding and bodies popping to a bassline that calls to mind Evelyn King's much loved "I'm In Love" low end destroyer.
Review: Since stepping out from the shadow of his mentor Ron Trent, Trinidadian Deep has delivered a string of musically rich and life-affirming EPs that effortlessly join the dots between bespoke deep house and a variety of global sounds, styles and rhythms. He tips a hat towards his Trinidadian roots on "Natty Dread", a calypso-influenced chunk of deep house warm rich in smooth but weighty bass, spacey synths and densely layered Caribbean percussion. "Electric Boogie" delivers on its title by wrapping echoing, delay-laden synth riffs around jaunty deep house beats, bubbly but sweet electronics and tactile, eyes-closed chords.