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Notes: The Wash is a dream come true for ambient player and ushers in a new chapter in the world of delays. It accomplishes the arduous task of creating an organic, below-the-mix wash. Normally this requires stacking 3-4 reverb and delay pedals at the end of your chain. The unique "Wash Circuit" creates the perfect wash with only one pedal.

For the new version (V2), Hungry Robots worked hard to squeeze the circuit into a smaller enclosure while keeping the build quality and tone quality identical. The circuit that hundreds of users have fell in love with is unchanged. The new versions are 2 inches smaller left and right. In addition to the smaller enclosure, the new option for top mounted jacks can save you a lot of board space.

At its most basic utility, The Wash is an outstanding analog-voiced, tap-tempo delay with just over 1000ms of delay time.

The Wash circuit is what makes the pedal stand out from other delays on the market. The Wash circuit adds reverb to the signal and through a complicated network of internal feedback loops, subtle multi-head Binson effect, and what is known as "ripple effect," It works to add a hauntingly beautiful wash to your signal in ways that can't be accomplished by stacking a reverb and a delay in series. It does all of this while keeping the clarity and presence of your original signal without getting lost in the soup of decay.

The Wash reacts to your playing unlike the common DSP reverb/delays with an infinate sustain function. There is a dynamic quality to it that is hard to replicate with any other single pedal.

The "Ripple" knob controls The Ripple Effect. The Ripple Effect is a feature in which each successive delay trail slowly scatters and transforms into reverb. The "Resonance" knob is to fine-tune the resonance and decay of the wash. The Middle "The Wash" knob controls the mix/level of the wash.

Current Draw: 92-93 mA

Switching: True-Bypass

Dimensions: 4.7" x 3.7" x 1.96"

Powering: 9V DC - Negative Center - 2.1mm Barrel

Notes: LYRA8-FX is a processor that can give you a significant part of the mysterious LYRA-8 sound thanks to the FX section from the LYRA-8, expanded with CV controls and packed into a Eurorack module.

It contains a double modulated lo-fi delay with cross-feedback and the unique possibility of self-modulation, where the delay output signal modulates its own sample rate. Also, it packs a parallel distortion with CV control of the drive. The distortion is after the delay. It's much more than a delay - you can get a simple reverb, comb filter, chorus and much more cool FXs which are hard to describe.

It has a famous LYRA-8 build quality - no SMD, no twisted plastic shafts.

Pots:
IN volume
Stage 1 delay time
Stage 2 delay time
Stage 1 delay time modulation depth
Stage 2 delay time modulation depth
Delay feedback
Delay feedback CV amount
Delay mix
Distortion drive
Distortion mix
Distortion drive CV amount

Switches:
- Stage 1 delay time modulation source
Stage 2 delay time modulation source

Ins:
Audio in
Delay time CV
Delay feedback CV
Distortion drive CV

Outs:
Main audio out
Delay only out

Dimensions:
Width: 20HP
Depth:40mm

Power consumption:
+12V - 90ma
-12V - 20ma

Notes: You hear that EVP? It's the all new, extra spook-tacular, Ghost Echo calling out from beyond the void! The Ghost Echo is Earth Quaker's spooky take on the haunted amp-top spring reverberation units of yesteryear. This creepy analog/digital spring reverb emulation machine boasts a terrifying 30ms - 150ms of pre-delay, controllable via the Attack knob, for everything from a quick rockabilly slapback to viscous pools of ectoplasmic reverberations. When playing staccato, you'll hear the tortured trails of the reverb, resulting in more of a slapback or echo sound. Legato playing will reveal a massive ambient "depth" that fattens up the sound - and look out, it's right behind you!

Phew, that was close. The Dwell control sets the length and thickness of the decay, which is to say that it controls how long the disembodied spirits of notes no longer with us float through the ether. At the maximum setting it will descend into an infinite loop of self-oscillation. The Depth sets the intensity of the reverb, which you probably know as the wet/dry mix.

Controls:
1. Attack: Adjusts the length of the pre-delay, from 30ms at minimum to about 150ms at maximum. When the Dwell is set to self-oscillate, this will change the pitch of the oscillations.

2. Dwell: Adjusts the length of the decay. This will start to self oscillate around 3 O'clock, the pitch of the oscillations can be changed by turning the Attack control.

3. Depth: Mixes in the wet signal with the dry, unity is around noon and everything after is boosted.

Tech Specs:
This device is true bypass and uses electronic relay-based switching. Audio will not pass without power.

This device takes a standard 9 volt DC power supply with a 2.1mm negative center barrel. Pedal-specific, transformer-isolated wall-wart power supplies, or multiple isolated-output supplies, are always recommended. Pedals will make extra noise if there is ripple or unclean power. Switching-type power supplies, daisy chains and non-pedal specific power supplies do not filter dirty power as well and let through unwanted noise. DO NOT RUN AT HIGHER VOLTAGES!

Dimensions: 4.75 x 2.50 x 2.25 in. (121 x 64 x 57 mm) with knobs
Current Draw: 86 mA
Input Impedance: 10 MO
Output Impedance: 1 kO

Notes: Tweaking the platform of their Fault overdrive/distortion, Old Blood Noise have carved out room for greater gain range, voice control, and clipping options in the Fault Version 2. The Fault remains a great overdrive with footswitchable second gain stage and three band EQ, and now excels as a clean boost and tweakable high gain distortion as well.

Notes: The Archer Ikon is sort of a 2 in one guitar pedal. It can be used as just a clean boost by turning the gain all the way down. As you introduce gain it will attenuate the clean signal but there is a magical blend in between that you will find. Please experiment!!

Dimensions: 4.00" x 2.30"

9 volt Negative tip adaptor and a 5.5mm x 2.1mm jack.

9 volt Battery

Buffered Switching

Notes: Javelin is a module that is basically an ADSR envelope with integrated VCA. However, it has several features that make the module an expressive sound shaping tool.

Three level ranges determine the total amplitude of the envelope, additionally three different time ranges are integrated, which can be switched between.

The accent behaviour is also unique. If several gates are applied to the Accent input at the same time, the envelope rises slightly with each gate.

Features:

Attack-decay-sustain-release envelope
Integrated VCA
Unique accent behaviour for expressive sequences
Reset input
CV control over attack and release
Looping mode for LFO-like modulations
Mode switch for gate and trigger behaviour
Linear, moderate or steep exponential shape
Short hold in the peak of the attack for more punch
Power consumption: 93mA at +12V and 65mA at -12V

Depth: 38mm

HP : 6

Notes: Any signal can be expressed in terms of a few parameters: frequency, phase, amplitude and timbre. It is through modulation of these aspects that synthesists create electronic sound. With Generate 3, it is now possible to create a signal and control all its parameters by through-zero modulation within a single 12 HP wide module.

Everything starts with the exceptionally precise triangle-core voltage controlled oscillator (VCO) at the module’s heart. Through-zero linear frequency modulation (FM) enables rich yet pitch-stable FM sounds, by allowing the oscillator to run backwards into ‘negative frequencies’.

The resultant triangle wave is then processed by the through-zero phase modulator, providing a total phase shift range of 900°. Phase modulation offers an interesting alternative for FM, as it enables deep FM-type tones without actually changing the oscillation frequency.

The timbre of a signal is determined by its harmonic content. This full set of harmonics can be grouped into three main parts: the fundamental, even and odd harmonics. Generate 3’s harmonics generator separates out these three timbral ‘channels’. By adjusting their relative amplitudes, a vast array of different waveforms can be created, including but not limited to the classic sine, saw and square waves.

While the amplitudes can be adjusted manually, each timbral channel supports through-zero amplitude modulation, also known as balanced or ring modulation. When audio-frequency modulation signals are applied, the harmonics become ‘split’, enriching the spectrum.

In addition to all the usual analogue synthesis techniques, the extensive set of modulation options makes Generate 3 especially suited for exploring multiphonic synthesis: a monophonic source creating a complex timbre, much like throat singing, yet by electronic means.

Notes: The Triple Waveshaper (TWS) is a non-linear modifier which can transform a sawtooth wave into a sine wave. This classic module incorporates three independent waveshapers for modifying synthesizer waveforms or for processing signals from preamplified instruments. Although originally designed as a waveshaper for early Serge oscillators, this module has been found to be a excellent modifier of electronic and acoustic sounds, and is highly recommended for subtle timbral modifications beyond the range of simple oscillator/filter patches.

The R*S version extends the classic TWS concept:

+1: An additional (4th) waveshaper has been added (right after the first / bottom waveshaper) that can be dialed in smoothly using the +1 knob. Turned down (CCW) the bottom section acts as in the original (as if that additional waveshaper would not exist). Turned up (CW) the bottom section is actually 2 waveshapers in series.

Switches to link the 3 sections - bottom to top. Using these switches all sections can be set to act in series, starting at the bottom and ending at the top, providing the combined effect of 3 to 4 waveshapers (or anything in between) using the +1 knob.

Linking only the middle and top section and turning the +1 knob up (to have 2 sections in the bottom) allows you to use the module for isntance as two independent 2-stage waveshapers (using bottom in and out for one and middle in and top out for the other) - e.g. for stereo processing.

Notes: Updated version of a truly pioneering Eurorack module that introduced DSP effects to the format. Still sounds great, still versatile, still excellent value.

Supplier's notes:
Back in 2008, the original Z5000 was not only the world's first Eurorack DSP effects module but also the first Tiptop Audio module released. It brought voltage controlled digital effects to Eurorack for the first time and the Z5000 was eventually replaced by the Z-DSP open source platform. Now, years later with over a decade of experience developing audio effects for Eurorack signals we are introducing a totally new version of the Z5000: a compact stereo 8HP multi effect with voltage controlled parameters, VC analogue clock generator driving the DSP chip and 24 of our creme de la creme reverbs, delays, modulation, harmonization and pitch modulated effects. A number of programs in the Z5000 combine more than one effect, in series or parallel, that represent studio techniques from the early days till modern times often leaning toward the more experimental side.

Notes: ZVERB is a collection of all new reverb algorithms developed by Tiptop ranging from typical reverbs to more complex effects that combine delay and pitch shifting with reverb. The effects are grouped by decades based on either the era an algorithm was introduced or the time when the effect was most popular. This variety of reverbs covers small to epic size spaces with the addition of shimmering, feedback tunnelled pitch shifting, tape delay drivers, gated reverbs and a lot more. Analog clocking of the DSP chip and CV over the parameters enables even more experimentation. This is a collection inspired by the best from the past right at your fingertips.

Notes: With a smart tonearm design we were able to combine pure sound quality with an easy setup. Our Plug & Play design with pre-adjusted tracking force and anti-skating for the included Ortofon OM cartridge has saved us costs and is extremely efficient in handling for our customers.

No compromise in sound: On contraire, the lightweight and low friction aluminium tonearm is optimized for the Ortofon cartridge and will bring out its maximum potential. Also the vibration absorbing feet isolate the turntable from the surface it is place on to deliver the best sound possible. The Primary E Phono is equipped with a switchable phono/line output, so it can be run with a dedicated external phono preamp or with the integrated phono preamp connected to a line input (for example AUX, CD, Tuner, Tape, etc.). With intelligent construction and without needless features we were able to keep the price attractive, despite this product being handmade in Europe. This way we're able to offer our customers the sound quality they deserve!

Features
Built-in phono stage
Switchable phono and line output
Belt-drive with synchronous motor
Ortofon quality OM cartridge
Vibration absorbing feet
Machined special composit fibre chassis
Light-weight, high-precision aluminium tonearm
Sapphire tonearm bearing
Gold-plated contacts
Stainless steel bronze bushing
Elegant dust cover with adjustable hinges
Silicon belt with optimum damping
Handmade in Europe

In the box:

Primary E Phono with Ortofon OM cartridge
Gold-plated RCA Phono Cable
Felt mat
Dust cover
Adapter for 7" singles
Power supply
Allen key, stylus pressure gauge

Notes: Special edition of one of our favourite 303 clones. Fully analogue tribute to the Roland original with incredible sound. Authentic acid at a very nice price.

Supplier's notes:
A full analog synth clone of the famous TB303, coming with a lot of new features and improvements, from the sound point of view as well as the ergonomics of the machine and the sequencer.

A new design, new pots very smooth, new features for Live jam, 2 new sequencer modes for even more creativity, added CV / Gate (and even more) outputs to play your favorite synths !

The design of the analogue circuit (composed of 1 VCO) and the audio engine has been improved compared to the previous version, giving it a warm and groovy sound thanks to the addition of the Shuffle (not present on the original) .

The very intuitive sequencer takes on the original spirit while bringing new and unique features such as Mute and Hammer, which gives it a great flexibility for live jam and more sound variations, as well as 2 new sequencer modes to create New patterns.

Notes: Clever little valve-based headphone amp from Korg's NuTekt DIY range. Some basic assembly required but no soldering. Fully customisable for advanced users.

Supplier's notes:
The HA-S is a Nutube-equipped DIY Headphone amp kit that will let you enjoy the highest quality audio anywhere. No soldering is required, so even if you are new to the world of DIY, you will be able to assemble the HA-S to add a warm, analog tube-driven signal boost to any sound source in no time! Build your own Headphone amplifier This DIY HA-S kit allows you to build your very own Headphone amplifier in an easy and fun way, without any soldering needed. Not only that, it provides the authentic vacuum tube sound that audiophiles know and love. Built-in Nutube Nutube is a new and revolutionary fully analog vacuum tube developed by KORG INC. and Noritake Itron Corporation. The same as a conventional vacuum tube, Nutube is constructed with an anode, grid and filament, and operates as a complete triode tube, effectively generating the response and same rich harmonic characteristics of conventional vacuum tubes in a more compact, stable and energy-efficient way. The transparent case of the HA-S delivers a glimpse into this technology; allowing the glow of the tube to be visible at all times. Energy efficiency The filament of the Nutube is powered by a DC to DC converter, which consumes less electric current and thus allows for a longer battery life than other vacuum tube equipped amplifiers. The design is so efficient that the HA-S can drive the Nutube with a line voltage of 26 V using only two A4 batteries., for a rich and authentic vacuum tube sound. Sound possibilities The HA-S has a special NFB (Negative Feedback) switch, that allows you to choose from a high fidelity clean and pristine sound, or a warmer, more harmonically rich sound as expected from a vacuum tube. When the NFB switch is OFF, the harmonics present in the Nutube (triode tube) will be amplified to create a sound rich in harmonics, warmth and textures. When the NFB switch is ON, the distortion ratio and frequency characteristics will be modified, creating a really detailed and clean sound. For further sound modification, we have included two OP amp options for the output: the premium audio oriented "MUSES01" and the industry standard NJM4580, both from JRC. These can be easily replaced so even the most purist audiophiles will be able to customize and adapt the sound of their HA-S to heir heart's content. For advanced users who want to customize their amplifier even more, the circuit diagrams are readily available, making it really easy to change discrete components and make your own and unique headphone amp matching your desired tone and performance -, the possibilities are endless!

Notes: Feature-packed interface and control surface bundled into one box, allowing you to get audio in and out of your software while also taking control via a long channel fader, transport controls and more

Supplier notes:
When you're a solo artist, you have to be more than just creative to realize your visioniyou must also be a producer and an audio engineer. The ioStation 24c audio interface and production controller provides the tools needed for all of these diverse roles in a compact, ergonomic desktop design that will fit into any home studio. Record your audio through two pristine XMAX mic preamps and high-definition 24-bit, 192 kHz analog-to-digital converters. Navigate your recordings with easy-to-use transport controls. Edit your production and automate parameters in your favorite DAW with the powerful Session Navigator and mix it all with a 100 mm touch-sensitive motorized fader. Whether you're a musician producing your latest album or just getting started with your first podcast, the ioStation 24c gives you all the tools you need to record and mix with the ease of hands-on, tactile control- all in a single device that doesn't clutter your creative space.

Audiophile-grade digital converters and transparent preamps create a superior recording and listening experience. The ioStation 24c audio interface features two of PreSonusr' acclaimed XMAX Class A analog microphone preamps that deliver incredibly high headroom, deep lows, shared smooth highs, and a rich overall sound- you'll hear every breath, transient, and detail in your recordings. High-quality converters provide 115 dB of dynamic range to capture complex musical harmonics smoothly and naturally. The result is clear, consistent audio that makes mixing easier and creating a polished sound faster.

Rather than forcing you to reinvent your mixing method, the ioStation 24 augments the way you currently mix. You will still use your faithful keyboard and mouse for things they do well, while the ioStation 24c handles what you really want to get your fingers on: your mix. This is DAW control the way you always hoped it could be!

Streamlined workflow and support for the Mackie Control and HUI protocols make it fast and easy to control Pro Tools, Logic Pro X, Cubase, Ableton Live, and more. No driver installation is necessary; just plug in your ioStation 24c and take command of your mix. Deep integration with the included PreSonus Studio Oner Artist will let you mix at lightning speed.

Seamlessly integrated with the included PreSonus Studio One Artist music production software, the ioStation 24c audio interface works with virtually all macOSr and Windowsrx recording software. Easy to learn, Studio One enables you to compose, record, and produce without getting distracted by the tools or hemmed in by track limitations. Need a new loop or sample for your latest production? Studio One lets you shop, audition, and purchase new content and upgrades without even opening your browser- you'll build the version of Studio One that's right for you. By combining a flexible single-window user interface with a modern, beat-based production workflow, Studio One's drag-and-drop approach doesn't dictate how you work or what you work on; you do.

The ioStation 24c's unique Session Navigator is your caffeine-fueled assistant engineer, providing easy access to eight mission-critical functions for maximum flexibility. Use the large encoder button and companion buttons to edit and mix with greater efficiency and speed. Scroll through your timeline using the encoder or work measure-by-measure with the arrow buttons; zoom in and out on the timeline with the encoder and make your tracks larger or smaller with the arrow buttons; navigate and drop markers; and maintain constant control of your main level. Once you start using the Session Navigator, you'll wonder how you mixed without it.

Whether you're just getting into audio production or looking to streamline your recording rig, the ioStation 24c audio interface and production controller will give you clear, clean, ultra-high-def sound with professional mixing tools in a compact, space-saving design. While it's a perfect companion for any recording software, the ioStation 24c and included Studio One Artist provide you with a complete, affordable recording solution that will make you sound great.

This suite of plug-ins adds a wealth of fresh virtual instruments and effects to Studio One. Cherry-picked from the first names in virtual instruments and effects, each plug-in brings a different flavor of practical magic to your songs. These plug-ins aren't gimmicky one-trick ponies i these are real-deal workhorses that you'll rely on for countless mixes.

Notes: Part of Sonicware's Liven groovebox series, the 8bit Warps draws on retro 80s chiptune vibes to create a mini instrument with huge character and surprising range.

*** Update: New features of the version 3.0 firmware September 2023 ***

Added 6 effect types:
- Distortion
- Phaser
- Tremolo
- Ring Modulator
- Auto Wah
- Reverse Delay

Added the Sound Locking features

A sequence can be duplicated to double the length

Looping of chain playback is now possible

New preset 29 drum sounds that can be easily made drum patterns with the sound locking feature

And several bug fixes and improvements

Supplier's Notes:
The LIVEN 8bit warps combines an 8-bit waveform memory synthesizer with a step sequencer.

Carefully selected preset waveforms and editable user waveforms along with high-quality filters and effects can be used freely to create a wide spectrum of sounds. The LIVEN 8bit warps can generate classic retro game sounds of course, but its unique 8-bit sound can also be used in a range of music genres, including EDM, hip-hop, techno and rock.

Powerful functions for live electronic music performance include 16 physical control knobs, parameter locking for each sequencer step, a looper, and SYNC IN/OUT and MIDI IN/OUT connectors to make synchronized performance with other equipment easy.

All these powerful functions are in a device that weighs only 790 g. Play it anywhere at any time.

Size : 11.7 inch (W) x 6.92 inch (D) x 1.89 inch (H), 297mm (W) x 176mm (D) x 48mm (H)

Weight : 1.74lb., 790g

Accessories: Warranty

Power supply: AA batteries x 6, or 9V DC output AC adapter (1A or higher, EIAJ3 standard inner diameter 1.7mm outer diameter 4.75mm, center +)

Notes: Really clever noise-based oscillator from AJH. Drones, sweeps and bleeps aplenty, ranging from tamed to out-of-control filth. Also doubles up as a more conventional ring mod and distortion module.

Supplier's notes:
This 14HP wide module is a voltage controlled noise based oscillator, or noisillator for short. It generates 1/f noise and this is then sent through a feedback loop which allows the noise to be "tuned" to varying degrees depending on the settings of the frequency and resonance controls, or incoming frequency or resonance CV's. The tuned circuit can be FM modulated too, for some thunderous sweeping sounds. We have bright and dark outputs, which are pre and post filter respectively. The Bright output will always have a degree of noise present in the signal, whereas the Dark output can be tuned noise only when 4 pole resonance is selected. We also have an external Sync input, which will reset the resonant waveform, and we also have an Audio input, so that an external signal can be mixed into the resonant loop. Combinations of external waveforms to these two inputs can create some massive drone sounds, or sweeping sync sounds.

There is also an XOR ring modulator, which can be used as a module in its own right too. Lastly, we have an XOR amplifier, which is another independant circuit that can be used to add noise and distortion to any audio signal.

Notes: deton8 is a hybrid sampler/drum synthesizer using a mix of crunchy 8BIT samples and wavetable synthesis. and a plethora of real time fx and tricks.

Handle-assembled to order in France.

deton8 includes the following kits (but you will be able to upload your own samples):

DETON8 default (big beats, break)
AMY SISTER (jungle break)
HIP08 (for all your 808 hiphop needs)
TEK09 (Rave on)
MINTY POPS (Classic beats)
INDUSTRIAL (exclusive kit by our dear friend NKDM)
14 additional kits, thanks to Electronisounds!

Notes: The babies of the Yamaha HS range pack a bigger punch than their size might suggest. A good entry-level option for smaller studios. Clear, revealing monitors at a friendly price.

Supplier's notes:
The Yamaha HS5 is a new addition to Yamaha's HS series of active monitors, influenced by the critically acclaimed and highly sought after NS-10 studio monitor speakers.

The Yamaha HS5 Active Studio Monitor features biamped full range 2 way speakers rated at 45W and 25W and has been developed by Yamaha to offer an exceptionally flat and accurate frequency response for use in music production and composition as well as home project studios. The HS5 monitors' design has been informed by the tradition of the legendary NS10M monitors.

Yamaha HS5 speakers feature a low resonance bass reflex enclosure which improves the rigidity of the overall speaker, and less cabinet resonance means that the signal remains clear and uncoloured. This is very important in getting an accurate mix which translates across all systems.

Port noise has also been audibly reduced by up to 6dB using the new Yamaha proprietary technology in the HS5 studio monitors, which also helps to deliver a clean and precise signal. The HS5 is equipped with XLR and TRS jack connectors as well as room control and hi trim response controls.

Notes: Better known for analogue modules, it turns out Erica Synths are pretty damn good at digital too. Draw your own waveforms, build wavetables, tweak in real time and get freaky. Killer VCO.

Supplier's notes:
Erica Synths Graphic VCO allows you to draw your own waveforms, arrange them in wavetables and wavetable banks, morph between two selected waves and alter the resulting wave in advanced ways (FXes) - apply FM, phase distortion, ring modulation, wavefold/wavewrap, bitcrush.

Waves, wavetables, FXes and other settings can be saved and recalled from the memory instantly. The module has two outputs - the main output and the output with configurable suboscillator.

NB! To have the module functionality up to date, we recommend you to check the Erica Synths home pageor our social media from time to timefor announcements about firmware updates for the Graphic VCO. You can update the firmware of the module via miniUSB cable. More detailed instructions of the firmware update can be found in the User Manual.

The sound is clean, modern, punchy and detailed thanks to the unit running at 96kHz - quite different to some low bit-rate wavetable oscillators on the market. Wavetable interpolation is smooth as butter and with the built-in effects you can dirty things up in many different ways. The module scores highly on the sound front. The Graphic VCO is a very capable oscillator module with excellent sound quality and a lot of features that could make it the right choice, especially if live performance is your thing. - Sound On Sound
The bottom line is that the Graphic VCO is a joy to use. It's a module that's unashamedly digital, yet unmistakably eurorack. I think Erica showed a great deal of careful judgement and restraint in the design of this module. It would have been easy to have made it bloated and cumbersome trying to cram as many features as possible into it, but they kept it fairly simple which keeps the module fun and immediate in use. It's capable of a huge tonal palette ranging from beautiful to brutal that is bound to fit in with a lot of different styles and systems. - Ask Audio
The ability to draw and then effortlessly jump between different custom digital waveforms in this way feels unique on the Eurorack stage, and allows for a wide range of tones and transitions between them. - Orb Mag

Technical specifications:

Audio output amplitude
10Vptp
Octave range
C0-C8
Sample rate
96kHz
Unipolar CV input range
0 -+10V
Bipolar CV input range
-10V -+10V
Panel Width
16 HP
Module depth
30mm
Power consumption
152mA@+12V,
20mA@-12V

Notes: For a more precise control and enhancement of your sound, XU models of the MG Series come equipped with a suite of Yamaha's renowned SPX effects. Featuring high-resolution Chorus, Flanger, Distortions, Reverb and Delay, all with editable parameters, these are the same multieffects processors used on Yamaha's high-end mixing consoles, giving you the tools you need to elevate your mixes to a higher plane.

For more than a century, Yamaha has been building a legacy of superior craftsmanship and innovation exemplified in all of our products, from an unrivalled catalog of world-class musical instruments to touring-grade professional audio. Now in its third incarnation, the MG Series embodies this pursuit of design excellence, and incorporates some of the same technologies developed for use in high-end professional consoles, including studio-quality preamps, powerful digital processing, and a rugged, reliable construction. With an intuitive, easy-to-use interface, the MG Series boasts an extensive lineup of compact mixing consoles with models ranging from six to twenty channels, suitable for a diverse range of users and applications. For installed, recording, or live music settings, the solid construction and flexible design of these consoles lets you shape your sound with confidence, continually delivering peak performance and a level of sound quality and reliability unrivalled in its class.

Yamaha has always strived to provide sound engineers with the purest possible signal instead of added processing or color to give it a "signature" sound, and the MG Series is no exception. Embracing this philosophy of transparent sound, these mixing consoles deliver a level of sonic purity and sound quality that is unmatched in their class.

Everything you do as a sound engineer is dependent on the quality of your preamps, which determines the direction your mix will take, and ultimately how good it is going to sound. MG Series mixing consoles feature Yamaha's studio-grade discrete class-A D-PRE preamps, which utilize an inverted Darlington circuit comprising two cascading transistors in a configuration that provides more power with lower impedance. Delivering fat, natural sounding bass and smooth, soaring highs, with very low distortion, D-PRE preamps possess an impressively wide frequency range that allow them to handle signal from any audio source without overly amplifying any specific elements of the sound.

The head amp determines sound quality, and op-amp integrated circuits are one of the most important parts in the head amp circuit. MG Series mixers feature new, high-quality, custommade MG01 op-amps that we developed in cooperation with the semiconductor manufacturer. Although many other Op-amps prioritize electrical design and efficiency, we worked directly with the semiconductor manufacturer to focus on sound quality first.

With phantom power, MG Series consoles allow you to take full advantage of the greater frequency response and high sound quality of condenser microphones. The input channel with PAD switch accepts MIC to line level of inputs, PAD Switch attenuates high input signals that often accompany mic'ed instruments during performance, avoiding the clippingthat can seriously affect your mix.

Notes: From trickling hi-hats to thunderous kicks. The Befaco Percall 4-Channel VCA/Delay Envelope Module is designed to take care of all percussive aspects of your Eurorack rig. You'll be able to create a whole host of percussion thanks to the 4 VCAs, volume control and decay options. By using the trigger you'll be free to open the VCA whilst the volume knob helps determine the level of the percussive sound you've sculpted. Take your tones to the next level thanks to the inclusion of an output on the envelope. You can apply this to the pitch of the oscillator to achieve a fat kick drum which offers excellent low frequency energy. The Percall 4-channel module is the ultimate addition to your Eurorack.

Notes: The DJ200i is the premium DJ cartridge from hi-fi specialists grado. Hand engineered for a premium quality, rich, warm and unique sound, the DJ200i is built and designed to meet the demanding needs of the professional DJ. A step above anything else in this price bracket, and many cartridges priced significantly higher.

The grado specially engineered transmission line cantilever allows for the ideal transfer of music signal and for safe and effective stylus back-cueing. The prestige model DJ200i uses a modified 4 piece otl cantilever technology, oxygen free wire in the coils and a specially designed, high polished, diamond mounted in a brass bushing for possibly, the most advanced DJ cartridges ever offered to the professional DJ market.

Notes: Voltera is an expander for the Metron trigger and gate sequencer, adding 4 bipolar voltage tracks. Up to 16 Volteras can be connected to a Metron, providing up to 64 CV outputs.

With independent voltage ranges and quantisation settings per track, Voltera allows simultaneous real-time control of 4 different parameters, so you can set the track to the parameter you are sequencing.

When used in conjunction with Voltera, it is possible to easily sequence melodies and parameters with the Metron.

Features

4 bipolar voltage outputs in 4HP
Integrated user interface with Metron
Quantised and unquantised voltages
Up to 16 Voltera modules can be connected simultaneously to a Metron
Independent voltage ranges for each output
Analogue programming
Digital accuracy
Fast haptic operation
Power consumption: 60mA at +12V and 15mA at -12V

Depth: 43mm

HP : 4

Notes: The polyphonic BASS9 Bass Machine transforms a guitar into nine different basses and requires no special pickups, MIDI or instrument modifications. It relies on the same technology powering all EHX 9 Series pedals, like the award winning MEL9r Tape Replay Machine, but features a new algorithm maximized for transposing one to two octaves down with superior dynamics and tracking.

A rotary switch allows the user to select the sound of their choice, as follows:
PRECISION: Pays homage to the iconic Fender P Bassr
LONGHORN: Emulates the Danelectror 6-string bass, ideal for baritone type tones
FRETLESS: Features both electric and standup fretless basses.
SYNTH: A tribute to the classic Taurusr Synthesizer
VIRTUAL: Lets the user adjust the bass's body density and neck length for a variety of bass sounds
BOWED: Classic bowed bass
SPLIT BASS: Makes it possible for the guitarist to play bass on the lower strings (all notes below F#3) and chords or melody with the higher strings.
3:03: A polyphonic salute to the sought after Roland TB-303r vintage bass synth
FLIP-FLOP: Inspired by EHX's Octave Multiplexer, it provides a '70s style logic driven sub-octave generator that tracks without glitches.

The pedal is equipped with independent Effect and Dry volume controls so guitarists can precisely tune their mix at the Effects output jack, plus an always-active Dry output jack that outputs the input signal at unity gain.

Controls 1 and 2 have been designed to adjust specific parameters for each of the nine programs. For example, in PRECISION, CTRL 1 controls the sub-octaves while CTRL 2 imitates the original instrument's tone control.

Note: All third party trademarks referenced by EHX remain the property of their respective owners. Unless specifically identified as such, EHX's use of third party trademarks does not indicate any relationship, sponsorship, or endorsement between it and the owners of these trademarks. Any references by EHX to third party trademarks is to identify the corresponding third party goods and/or services and shall be considered nominative fair use under the trademark law.

Pays homage to nine of the best bass sounds ever
Tracks impeccably and works on guitar without mods, special pickups or MIDI implementation
Independent Effect and Dry volume knobs let you precisely control your mix at the Effects output
Controls 1 and 2 have been designed to adjust specific parameters for each of the nine programs
Dry output jack outputs the input signal at unity gain
Compact, rugged, easy to use
Power adapter included

SPECIFICATIONS
Circuit
Digital
Bypass
Selectable Buffered Bypass
Audio
Mono
Power Supply
9.6VDC-200mA power adapter included
Dimensions (in)
4.75 x 4 x 2.25
Current Draw
100mA
Year Released
2019

Notes: Expander module for the Tetrapad, Intellijel's multi-dimensional performance touch controller. Adds huge functionality, allowing you to sequence parameters and create complex modulation.

Supllier notes:
Tete is the long awaited and highly anticipated expander for the Tetrapad.

Some of the key features:

Three primary modes: VOLTAGES, NOTES and COMBO.

VOLTAGES mode:

Up to 16 voltage storage locations (grid) with 8 voltages stored at each location.

You have the choice to record and playback your recall of these locations in a looper style (just play freely and spend arbitrary amount of time at any location) or as a clocked sequence (SH-101 style). Additionally you can traverse the matrix using the X and Y CV inputs to get Cartesian style sequencing.

There is also variable slew that allows you to morph/glide between the values.

NOTES mode:

You can create sequences or loops in chord, scales or keyboard mode. The isomorphic keyboard grid can vary from 4 notes to 12 notes max. There are real-time performance looping, transposition and inversion capabilities via the CV inputs and dedicated loop button. In sequencer mode each step can be a tie, rest, or gate with size 25/50/75%. Basically we have created a way to very quickly and intuitively make chord sequences that are very musical and easy to manipulate. It is difficult to summarize in words but we will be sure to create some videos to demonstrate how easy and fun this is to play with. It definitely represents something unique in the landscape of Eurorack sequencers.

COMBO mode:

In this mode you can loop record your performance on any combination of the following functions:

fader, bipolar fader, drum hit, switch or LFO. Kind of like Elektron style parameter locking but all of the motions is recorded continuously instead of just in slices. Instantly turn a simple patch into a highly animated and complex beast.

With all of the above mentioned loop recording modes you can very easily overdub since the Tetrapad detects pressure/pressing. In combo mode you can erase individual channels.

All modes allow for internal or external clocking and configurable syncing.

All of the modes have special XYZ CV modulation assignments and make use of the dedicated CV outputs.

For example, in Looper mode one of the CV outputs generates a continuous ramp that represents the position in the loop. This can be used with devices like the Planar 2 in Interpolation mode to sync the recorded patterns together no matter what tempo.

Notes: Ten-channel version of Mackie's new compact ProFX mixer, ideal for home studio use or small live setups. Built-in USB interface and digital effects section. Great value.

Supplier's notes:
The Mackie ProFX10 v3 10-Channel Professional Effects Mixer with USB is the ultimate affordable solution for live sound, home recording, and content creators. Now with our renowned Onyx mic preamps that offer 60db of headroom, everything from gain hungry mics to guitars will sound better than ever, and you can keep it all in check with simple single-knob compression. The new GigFX effects engine offers 24 built-in FX for even more options for adding the finishing touch. Record your tracks in 24-Bit/192kHz quality with 2x4 USB I/O plus zero-latency hardware monitoring for easy overdubs. Both ProTools First and Waveform OEM recording software/plugin packages are included.

Notes: Instrument Interface is a Eurorack pre-amp capable of bringing any type of audio signal to modular levels, thanks to its amplification circuit.

The module can drive regular and condenser microphones (+48V Phantom Powered), as well as Instrument and Line signals with a very low distortion ratio.

Going further from the regular re-amp operation, Instrument Interface offers some additional extra functions like a Trig/Gate extractor and Envelope Follower circuits, allowing you to use the character of your audio signal in more creative ways.

Notes: The Ar Merc'het Brao module is comprised of two filters and two overdrives.

As usual at Touellskouarn it has a Breton name: Ar Merc'het Brao means "The pretty girls".

It can be used with a stereo signal or with two mono signals. The module is modular as well as guitar friendly.

The filters are resonant with a slope of -12dB. A switch allows to switch each filter from LowPass to HighPass. The filter cut-offs are voltage controlled thanks to dedicated CV inputs. Additionally, the Ar Merc'het Brao features global controls for cut-off and resonance.

Both overdrive sections offer the classic and well known TouellSkouarn distortion sound.

Notes: The BF-22 VCF is a dual Hi/Low-pass filter inspired by the Sallen-Key filter from the early MS-20.

DISCLAIMER: This filter brings to your modular system the character of early MS-20 sound: Kick-ass-rocking-dirty screams! It inherited not only it's amazing sound, also MS-20 noise floor. If noise floor is an issue for you, this might not be your filter.

Features:

Dual-channel Sallen-Key Filter. Inspired by the early MS-20
High and Lowpass operation.
Two CV inputs per channel with a dedicated atenuverter for the first one.
CV controlled resonance.
The first channel can be linked to the second one with the "Link" switch.

Specifications:

Current needs: +12V: 40mA, -12V: 20mA
Width: 17 HP
Depth: 30mm (including power connector)
Aluminiun, heat-treated front panel
Designed, kits prepared and completed modules assembled in Barcelona.

Notes: Crush Delay v3 is a special Echo-Delay unit based on the PT2399 IC, which is able to offer 400ms of clean delay and up to 2 seconds of dirty repetitions, having a special talent to generate noisy-glitch textures. The module bases its operation on controlling the PT2399 chip with circuit bending techniques, converting the unit in an advanced VC digital trash generator. This third version comes with some interesting new features like redesigned VCAs circuits, wider range for clean delay and reduced depth to make it skiff friendly.

The module features a few VCAs to provide a flexible signal route to maximize module's possibilities. First two VCAs at the inputs to control the amount of signal sent to the delay. The first is routed to both the dry/wet mix and the delay, and the second directly to the delay. Combining the second VCA and the FX Send output allows external feedback routings.

Compared with v2, this third version offers a bigger range of clean delay time as well as a revision of some of the Crush modifiers. Combining those modifiers you will have a access to a vast palette of noises and textures that can be used in many different ways. From ambient/drone patches to even percussion sounds.

The VC Feedback features an automatic gain control to keep levels stable at any feedback level.

- Current needs: +12V: 135mA, -12V: 35mA
- Width: 11 HP
- Depth: 30 mm (inc power connector)
- Aluminium, heat-treated front panel
- Designed, kits prepared and modules assembled in Barcelona

Notes: The S-Com 4 is a compact and versatile single-rack space device that provides four channels of high-quality dynamic processing with an Expander/Gate and Compressor/Limiter on each channel.

The four channels operate independently or in stereo pairs. Its multi-segment LED metering displays input/output level as well as gain reduction. The Expander/Gate section features a continuously variable Threshold control, as well as a switch for fast or slow release times. The Compressor/Limiter section includes variable Threshold, Ratio and Output levels. S-Com 4's Enhancer switch restores high frequencies that are sometimes diminished by heavy compression.

This wide-ranging combination of features makes the S-Com 4 an efficient and versatile audio tool for a wide variety of applications. Its clean and quiet audio characteristics make it ideal where high sonic integrity is imperative.

Notes: Goldring D22GX stylus is designed to fit the current Goldring 1022GX phono cartridge or old model 1020 or 1022, a direct replacement when your stylus is worn - saving the cost of buying a whole new cartridge. Goldring cartridges generally last many hours until the stylus needs replacing. An indication of wear is a "duller" sound.

Simply remove your current stylus by carefully pulling it away from the cartridge and replace it with the replacement.

The 1022GX record cartridge is recommended for the discerning listener. The diamond stylus is a Vital PH type, which provides increased resolution and ensures the maximum accuracy of musical reproduction.

Replacement stylus: 1022GX - D22GX

Notes: The Allen & Heath ZED-10 mixer is an amazing little desk for small band mixing. It is ultra portable for carrying to the gig, and can be used for recording live or in the studio. It comes with configurable USB audio input/output making it easy to capture stereo recordings.

Guitars can be plugged in directly to the mixer using the specially designed high-impedance inputs, while the mixer has two stereo inputs for MP3/CD players or keyboards.

Equipped with professional XLR stereo outputs and a flexible monitoring section with headphone and speaker feed outputs. The ZED-10 is bundled with IK Multimedia's AmpliTube X-GEAR software, giving access to superbly modelled amps and effects.

Getting audio to and from a computer easily is now a common requirement for live sound and music production. The way this has been implemented on ZED-10 is super-flexible and super-easy. No longer do you need to fiddle around the back of your PC to get to the soundcard inputs, only to find that the levels are all wrong and noisy. Just plug in a USB lead to your ZED-10, select the USB routing on the mixer and the device on your computer and that's it. CD quality audio to and from your PC or Mac. Switches and connection through jack socket terminals provide different send/return configurations.

SEND OPTIONS
1) Main Mix Left + Right (Post master Level)
2) Aux + FX bus (Aux is a pre-fade send, FX is a post-fade send)
3) Record Bus Left + Right (Separate stereo bus to Main Mix)

RETURN OPTIONS
1) To Playback input (through jack socket break contacts)
2) To Stereo 2 channel (through jack socket break contacts)

ZED-10 features a responsive 3-band, swept mid frequency EQ design which utilises MusiQ - with optimised slope (or Q factor) for equalising individual instruments.

ZED-10's pre-amps are similar in design to our MixWizard range of mixers, but with a twist! Inputs 3 & 4 have a high impedance jack input capable of taking either a normal line level or a low level input from a guitar pickup. These newly designed inputs have been crafted with the aim of replicating the sound of a classic guitar or instrument tube pre-amp in a combo or head amp. An extremely high input impedance ensures loading on pick-ups is minimal and a Class A FET (field effect transistor) circuit powered from 48V is employed to give the valve-like gain stage. There is a gain "Boost" switch associated with the guitar inputs which boosts gain by 26dB to cater for instruments with very low level outputs and the overdrive characteristics of the guitar inputs are very similar to a valve (tube) circuit, being asymmetric and soft. All this makes for a wonderfully natural sound to be reproduced from the instrument, full of warmth and character

Notes: To add some space to your compositions and nuances in sound design Erica Synths Dual FX module brings you two identical sections of 8 custom effects with two adjustable and CV controllable parameters.
Dual FX combines two Spin FV-1 chips in one module, each filled with eight custom effect programs with two adjustable and CV controlled parameters per effect and analogue dry/wet circuit. All parameter settings can be saved with the effect and recalled instantly during the performance. Also the output of the first FX section is normalised to the second input so creating huge layers of effects is easy.

FX:

Mono delay
Stereo delay
Hi-pass delay
Big reverb
Saturated reverb
Stalker reverb
Ripper
Dual pitch shifter

Technical specs:

Audio output level: -5...+5V
CV level (full span): -5...+5V
Power consumption: 118mA@+12V, 61mA@-12V
Module width: 10HP
Module depth: 45mm

Notes: Erica Synths Bassline is fully analogue synth voice module for ultimate basslines and leads.

It features AS3340 VCO with three waveforms, a filter inspired by Erica Synths Acidbox and unique features - transistor based suboscillator and two BBD lines that emulate VCO detune creating a sound of massive polysynth from one oscillator.

Accent provides more expression to the bassline, by adding volume and opening the VCF slightly.

Notes: Erica Synths Black Hole DSP 2, an updated version of Black Hole DSP features 24 custom effects, designed in close co-operation of Erica Synths team rider KODEK and creator of SpinCAD software Gary Worsham. Each effect has 3 manually and CV controllable parameters, manual and CV control over sampling frequency for spanning from 48kHz to really Lo-Fi crunchy sound and full analogue dry/wet control. All effect parameter settings can be saved to the memory and instantly recalled with the effect, which makes Black Hole DSP II ideal for live performances.

Notes: A bit of a bargain in the turntable world. Reloop's budget model punches way above its weight, offering features, sound and build quality found on much more expensive models.

Supplier's notes:
The RP-2000 MK2 is a dependable turntable for prospective DJs. The MK2 version features several improvements, including a newly developed top panel construction and improved metallic buttons with enhanced feel.

Quality direct drive motor and precision-engineered die-cast platter:

Compared to belt-driven turntables, the RP-2000 MK2 transfers its motor force directly to the drive hub - this way a higher torque generates power faster on the precision-engineered platter with minimal wow and flutter. The adjustable pitch control with a range of +/- 8% is suitable for the finest pitch adjustments.

Statically balanced S-shaped tone arm:

The RP-2000 MK2 features a statically balanced s-shaped tone arm with hydraulic lift and anti-skating mechanism. Thanks to the universal SME connection, a large number of pick-up cartridges can be connected.

Newly developed top panel and sturdy housing design:

The new deep-black metallic top panel is equipped with metallic buttons for start/stop and speed settings. The improved touch upon hit offers a clear haptic feedback. With the push of a button the aluminium target light can be extended, so that the needle position can be seen in dark surroundings. The sturdy construction with optimized damping features and shock-absorbing feet improve isolation from unwanted vibrations.

With pick-up and headshell:

The RP-2000 MK2 comes with the high-quality OM Black pick-up, handmade by Ortofon in Denmark, pre-fitted to a headshell ready for immediate playback.

Notes: Polyphony is back!

Chord v2 is a plug and play solution for bringing musical polyphony to your system. It contains four oscillator voices, a multitude of waveforms, and intelligent tuning functionality. This new version features an expanded sonic palette and feature set in half the size of the original.

It features three primary modes of operation: Chord, Free Running, and Unison. These three modes allow the oscillators to be tuned as diatonic chords, run independently of each other, or be tuned to the same internal frequency for external v/oct sequencing through independent CV inputs.

The timbral possibilities of the Chord v2 bring its polyphonic tones to life. The module ships with eight banks of waveforms encompassing traditional shapes, vocal synthesis, organ emulation, and chiptune sounds. You can also load custom wavetables using the SD card slot on the front panel.

From harmonic drones to Switched On Bach, the Chord v2 is an unparalleled addition to any Eurorack modular.

Changes from v1:

- Half the size! 14HP down from 28HP
- Eight banks of waveforms
- Full polyphonic mode
- Harmonize in minor mode
- Custom wavetable compatibility
- Expanded chord types
- Improved synthesis engine

Notes: The EHX 22500 is a stereo looper with two independent loops that can be played in sequence or in parallel. Flexible performance controls and creative effects allow you to loop in any way you imagine. It records high quality, non-compressed audio directly to a removable SDHC card (4 to 32 GB) and each card holds up to 100 individual loops. Includes an 8GB card for up to 12 hours of recording time.

Creative controls over looping functions such as adjustable tempo, programmable loop/overdub length, and two loops that can playback independently or locked to one another makes the 22500 act like the looper of your dreams.

Download free drum loops for the EHX 22500

Dual stereo loops with independent or locked loop lengths
Sequential looping mode enables verse/chorus switching
Parallel looping mode allows simultaneous playback of two loops
16 built-in drum loops
Selectable microphone input with phantom power
Reverse and Octave functions
Undo-Redo your last overdub or recording
Quantize or non-quantize (free running) modes
USB port enables backup/restore to PC or Mac
Programmable third footswitch for Stop or Tap Tempo
Optional external Loop Up/Down Foot Controller
Power adapter included

SPECIFICATIONS
Circuit
Digital
Bypass
Buffered Bypass
Audio
Stereo
Power Supply
9.6VDC-500mA power adapter included
Dimensions (in)
5.75 x 4.75 x 2.5
Current Draw
235mA
Year Released
2015

Notes: Erica Synths Black Spring Reverb is a different take on spring reverberation units. Firstly, it has built in vactrol based audio compressor, secondly, it can operate an external tank and combination of both internal and external ones for effects unheard before, thirdly, in order to animate reverb effect, the module has built-in feedback effects - pitch shifters, delay, ring-modulator, etc; feedback amount and effect parameters can be controlled manually and via CV, making the module an experimental instrument on its own. Module comes with compact spring reverberation tank which can be easily installed in most eurorack cases.

Features
Compact spring reverberation tank to install in a skiff case
Manually and CV controlled feedback amount
Vactrol-based compressor
7 distinct feedback effects
Selection between internal, external reverberation tanks or combination of both
Feedback Send and Return jack sockets
The module is designed to be used with wide variety of spring tanks, but the best results will be using tanks with low input impendance - 8-200ohm

Technical specifications:
Audio input level -5V - +5V
CV level (full span) -5V - +5V
Power consumption 43mA, -71mA
Module width 12HP
Module depth 30mm
Internal reverb tank dimensions 190mmx67mmx24mm (30mm with spacers)

Notes: Clever little portable deck from German DJ gear specialists Reloop. Designed for mobile scratching or crate digging. Bluetooth streaming and USB recording too. Bonus.

Supplier notes:
The ultimate portable turntable.

Reloop SPIN is a portable turntable that guarantees mobile fun anywhere you want! The turntable comes with everything you need out of the box and is especially optimized for scratching and cutting.

Bluetooth streaming of your music:

The Bluetooth Audio Streaming technology allows wireless streaming of music or beats via SPIN - this way the turntable becomes a speaker for your smartphone.

Direct USB recording:

Via the USB recording function it is possible to record your scratches and cuts in MP3 format directly to an USB stick. This interface can also be used for digitizing records.

Includes 7" scratch vinyl:

SPIN comes with a 7'' slipmat and an exclusive 7" scratch vinyl containing specially mastered scratch samples and beats for beginners and experienced scratch artists alike.

Flexible power options:

Enjoy your records on the road: SPIN is extremely portable, not only due to its shape and small form factor, but also thanks to its flexible power options. It can be used with a regular USB power supply unit (5 V, 2 A), USB power bank or rechargeable batteries. The batteries can be inserted in the compartment on the bottom and are sold separately. A power LED keeps you informed about the turntable's operational status. The dust cover protects the turntable and thanks to the handle, SPIN can be carried like a suitcase. Skip-proof rubber feet guarantee stability.

Outstanding for mobile scratching and cutting:

Via the switch on the turntable's top panel you can select between 3 speeds (33 1/3, 45 & 78 rpm) which covers all available speeds. The straight tone arm offers enhanced stability and can be fixed into position with a transportation lock. The pre-installed cartridge has excellent tracking features and holds the groove tightly, even when carrying out fast scratches.

45-mm Crossfader pre-installed:

The precise 45-mm crossfader has a unique form factor and thanks to the two-rail technology it is especially sturdy. Moreover, it is possible to install the crossfader on either side of the platter - simply select your preferred position.

Extensive controls & adjustment possibilities:

On the top panel you can find a start/stop button as well as a pitch control with a range of +/-20 % for precise setting. A tone control can be used to adapt the sound of the lows to your requirements. Volume for the AUX input and master/headphones output can be adjusted via two separate controls. There is also a 7'' adapter for records with a large centre hole.

Reloop SPIN - Connect through vinyl:

Through the combination of turntable and mixer as well as the high connectivity, SPIN is ideal for vinyl lovers as well as scratch artists and aspiring DJs.

- Inputs: AUX 3.5 mm stereo, Bluetooth audio
- Outputs: master RCA, USB (USB-A), headphones 3.5/6.3 mm stereo
- Dimensions: 370 x 95 x 260 mm
- Weight: 1.61 kg

Notes: Your Palette case is the ideal solution for your space conscious and portable needs. At about the same size as a small laptop, your Palette fits comfortably on your desktop; in your backpack; at your favourite coffee shop; in your jam space; or pretty much anywhere else you might desire to play. Your imagination is the only limit. With 62hp of rack space, you can piece together powerful but focused mini systems and control surfaces. Intellijel's 1U row and built-in i/o ports add a ton of extra utility to bring the most out of your Eurorack modules. Truly a palette for the sonic artist.

Utilities panel:

- Dual 1:4 buffered multiple
- Two 1/4" balanced audio jacks that can be connected to the Stereo Line Out 1U, Pedal I/O 1U or Mixup
- 1/8" (6.35mm) MIDI Input that can be connected to uMIDI 1U
- USB port that connects to the uMIDI 1U and other future modules
- Rocker switch and barrel plug for power entry

Construction:

- Anodized aluminium
- Aluminium extruded rails with steel threaded inserts
- Rubber feet to protect your desktop
- Rear mounted power supply for maximum module depth

Includes:

- 40W Meanwell AC/DC adapter with right angled connector
- 3FT North American IEC power cable
- 1/8" (6.35mm) TRS to 5-Pin Din MIDI adapter

Notes: Mission Control

All the essentials to control and sync your Eurorack modular from your computer, iPhone/iPad, or hardware MIDI device. No menu diving or configuration scripts, just two buttons. Get crazy with external modulation and sequencers, or just sync your rack's clock from the rest of your MIDI bus.

Bridge Your System

The uMIDI provides all the essentials to control and sync your Eurorack modular from your computer, iPhone/iPad, or hardware MIDI device with a minimum of fuss. No menu diving or configuration scripts, just two buttons. The connectivity, features, and compact size allows the integration of your modular system with the rest of your studio while not taking up too much space in your case.

The upper clock section features a dedicated 16th note clock output ideal for synchronizing a Eurorack sequencer like the Metropolis. A second clock output with selectable divisions can be used when different sync events are needed. The run and reset outputs can be used to reset your Eurorack sequencers in tandem with any external sequencer or DAW.

The lower half of the uMIDI gives you everything you need to control a single-voice synth via MIDI. Just connect either a USB or DIN MIDI cable to the module, LEARN a channel, and start playing.

As of firmware revision 1.11 the uMIDI supports configuration of some internal parameters via a browser-based configuration utility. Currently the utility is only compatible with Google Chrome.

Features

High speed ARM processor for low latency & jitter.
DIN or USB MIDI input.
Two clock outputs, one with selectable divisions.
Sequencer sync via run and reset outputs.
Precision 0 - 10 V note pitch output with pitch bend & portamento CC support.
Gate and trigger outputs for envelope triggering.
Mod wheel and continuous controller outputs for additional modulation.
Firmware updates and configuration over USB.

Specifications

Width: 6HP
Depth: 40mm
Power: 3mA @ -12V, 47mA @ 12V

Notes: The Polaris is a 4-stage cascaded OTA filter designed by David Dixon. It builds on the lineage of the Dr. Octature and Atlantis filters, but with a totally revised core and resonance control. Along with dedicated LP, HP and BP outputs it features a configurable MULTI output capable of an unprecedented 27 different filter modes.

With drive turned down the Polaris is capable of buttery smooth filtering, and the cutoff control range has been fine-tuned for playability. With the drive dialled up and the new asymmetric multi distortion circuit engaged it creates a more aggressive sound. Not content to be just a filter, the Polaris's AP phaser mode combined with frequency modulation can be used to achieve a phaser effect.

With so much versatility in a modest size, the Polaris is an ideal filter for a starter system and an excellent addition to the tonal palette of a larger modular.

Notes: Next-generation monophonic analog synthesizer in a vivid five-colour line-up:
Fully programmable, analog synthesis for all players; monologue is the next-generation monophonic synthesizer that shares the spirit of the acclaimed minilogue, with a completely new voice and powerful new features.

The monologue is a 25-key, fully programmable monophonic analog synthesizer with a voice all its own. While sharing its sleek layout, knob-per-function workflow and high-quality construction with the best-selling minilogue, monologue is a truly unique new synth for all types of musicians; featuring new voicing and sound sculpting abilities - at an amazing price. The monologue's completely new filter, modulation, drive, and LFO can generate powerful basses and sharp leads, creating awesome mono sounds that showcase its single-voice design. The step sequencer has also been dramatically expanded, allowing more intuitive and more complex editing. With a line-up that gives you a choice of five eye-catching colours, this compact instrument has a strong personality to match your own.

Redesigned monophonic analog circuitry:
The monologue contains monophonic analog synthesizer circuitry that builds on the circuitry of the minilogue. But that doesn't mean that the monologue is simply a one-voice model of the minilogue. It's a monophonic beast with stunning power that comes from a redesigned envelope section, modulation routing, and a filter with powerful low-end punch.

The structure is 2VCO, 1VCF, 1EG, 1VCA, and 1LFO. In addition to the same distinctive circuits as on the minilogue (such as the wave shaping that shapes the overtones of the oscillator, and a sync/ring switch), the filter section uses a two-pole filter to deliver aggressive sound. Newly featured is a drive circuit that adds overtones and distortion to the sound, letting you generate fat basses and sharp lead sounds to your heart's content. The LFO rate can be adjusted into an unprecedentedly ultra-high-speed range to generate crazy space-shattering sounds, or switched to one-shot mode to act, in a sense, as an additional envelope.

Fully programmable:
The monologue goes beyond analog synths in its price range by adding 100 preset locations. Select a program for instant access to great sounds - - ranging from thick basses to deep subs to brilliant cutting leads and even percussive sequences. No need to have deep synthesis knowledge; just choose a sound and tweak - a workflow that is very familiar with musicians today. Built-in programs provide 80 preset sounds and sequences made by creative artists around the world including legendary electronic artist Aphex Twin, plus 20 user locations for saving custom sounds.

16-step sequencer for highly-evolved motion sequences:
The step sequencer of the monologue has been significantly enhanced to deliver musical, complex rhythms that are easy to capture, see, and edit. It supports both real-time recording with overdubbing capability as well as step recording that lets you record simply by pressing keys in the desired order, and you can also use the 16 physical buttons for quick editing or for improvisatory performance. The motion sequence function lets you record up to four knob movements to apply time-varying change to the sound, and allows you to record not only continuously changing values as on previous models, but also values with step-wise variation. Since it's designed to let you create different sounds at each step, you can make unprecedented sequences, such as a sequence that generates a drum pattern from a single program.

There's also a key trigger function that lets you play back a sequence while you hold down a key, and even transpose it. Another new function is slide, which can be used to produce smooth bass lines by specifying portamento for each step.

Battery-powered analog:
From smooth curves to muscular straight lines. The stylish visuals featuring aluminium and wood are inherited directly from the minilogue, but have been modified to a straight, direct design that bespeaks the power of a monophonic instrument. In spite of its stout construction, the compact and light-weight body is only 1.7 kg / 3.78 lbs., providing an unprecedented combination of toughness and portability.

In addition, unlike most analog synthesizers in its class, the monologue can operate on batteries. Even if you're a hardware performer who uses numerous units, you won't need to worry about providing additional power supplies and installation space.

Sync with Audio Sync:
In addition to 5-pin In/Out and USB MIDI, monologue includes Audio Sync connectivity, which allows it to play in time and integrate seamlessly with KORG volcas, electribes, minilogue and SQ-1. Use the monologue with your DAW as a USB MIDI controller or a versatile analog voice. Send clock over USB and use Audio Sync to chain monologue's clock to other Audio Sync-equipped products.

Notes: Kamieniec is an analog signal processing module directly inspired by a range of classic phaser effect units from 1970s that helped to define entire musical genres. Most of these classic devices contained a fairly small number of phase shifting stages, but made up for that lack with tons of character! However, what was initially intended for guitars is not necessarily sufficient for synthesizers. Therefore, the intention is to preserve the classic sound as it's transported it to a new tonal space while prioritizing flexible modular usability.

Just like many of the famous OTA-based phasers of the 1970s, Kamieniec sports four tuneable stages. However, there are two additional fixed stages included so as to increase the number of notches, and ultimately offer two versions of the mixed signal (that may be used as a stereo pair) at the two outputs of the unit. While the general topology is similar to a certain very classic phaser pedal, the circuitry has been redesigned with modern components and low noise op-amps to bring down the noise floor, improve the bandwidth, and offer a wider range of tuning. The feedback control can be set extremely deep, which results in a very high resonance that is capable of self-oscillation. This produces a unique sound otherwise unreachable for typical phasers, which can vary from subtle and creamy to utterly brutal and grinding. On top of that we've included switchable feedback paths, individual stage group outputs, CV inputs, built-in LFO, and daisy chaining ability to provide a comprehensive integration with a modular synthesizer system.

Expandability:
Unlike any other phaser module, multiple Kamieniec units can be chained together to achieve a more radical response with many notches. The general idea of chaining is to pass along the phase shifted signal to subsequent units before it is mixed with the original version in the last unit of the chain. This approach has a very different effect than plain cascading (connecting multiple phaser units in series), because a long chain of allpass sections yields a dense and uniform pattern of multiple notches, exactly like in a long phaser.

- Eurorack synth compatible
- 9hp, skiff friendly
- Current draw: +40mA / -40mA
- Reverse power protection

Notes: Bass Bot is an intelligent sequencer featuring 21st century transistor technology. An analogue, monophonic synthesizer with classic step entry programming by the user or Bot computer-generated patterns. Seven unique preset personality programs, capable to generate up to 224 read only computer generated presets by the Bass Bot. An additional 224 Write Editable Patterns can compose up to 7 songs of up to 127 bars. All information is saved to on-board flash (permanent) memory and transferable directly to other Bass Bots via 8 DIN cable, (unit cloning) or to PC/MAC (backup) computers for storage with a downloadable transfer application available.

Supplied with Euro two pin to UK three pin adapter

Notes: Stereo compressor in only 4HP!
The module was mainly designed as a dynamic tool for subgroups and sums, but also works well with single signals. Similar to classic DBX units, threshold, ratio and gain can be adjusted with just one knob. Further fine adjustments can be made for attack and release times. In addition to compression, the module can also be used as a limiter. Ducking effects can be created via a sidechain input.

The MSCL is equally suitable for subtle and strong compression effects. Ratio (1.25:1 to infinity), make-up gain and threshold can be adjusted with a single potentiometer. The threshold works in the opposite direction as the other parameters. In addition, there is a threshold switch that can be toggled between three value ranges (-15 dBu, -4 dBu, +5 dBu). This allows the MSCL to be used with other audio signals outside the modular system. In addition, it is possible to limit the gain control range by 3 dB or 9 dB. This makes the module behave similar to a peak limiter. The attack and release controls can be used to adjust the settling phase and the decay time of the compressor. At the output, it is possible to increase the gain by up to 35db. With the switchable sidechain channel, the MSCL can also be controlled by external signals.

Features:

Sidechain input for classic ducking sounds
Easy and intuitive design
Threshold switch lets you compress modular level signals as well as lower level sources
Limit switch limits the makeup gain on the comp knob to make compressor act more like a peak limiter
Power consumption: 50mA at +12V and 50mA at -12V

Depth: 38mm

HP : 4

Notes: TouellSkouarn Strakal Brulu is a handmade distortion and fuzz module. The great sound is due to the new-old-stock east-German germanium transistors.

Very characteristic for the module's sound if the feedback that is coupled to the feedback. The more fuzz, the more feedback - the Strakal Brulu 2 can get pretty nasty and it screams a lot at high fuzz settings and low input level. The fuzz amount can be voltage controlled, with an inverse attenuator. Input and output levels can also be set separately.

Notes: Tetrapad is a versatile, multi-dimensional, touch-sensitive control surface for Eurorack. Each of its four pads use force sensing resistors to respond to both the vertical position of your finger and its pressure. Four push encoders and a shift function give you even more tactile control over your modular system.

Tetrapad operates in numerous modes - each of which configures the module to perform a specific control task. Through these modes, Tetrapad can emulate a bank of faders; a voltage storage device; a finger drumming surface; a chord generator; an 8-key keyboard; four independent LFOs; or an 8-switch panel. The chosen mode determines what type of signal (CV, note, trigger, gate, etc.) is sent from each of Tetrapad's eight independent outputs, while its multitude of multi-coloured LEDs keep you informed of exactly what's happening within each mode.

Tetrapad automatically remembers how you've configured each of its modes and retains these settings when powered off. By default, Tetrapad automatically saves these settings every minute, or whenever you change modes. This makes Tetrapad ideal for live performance, since you know it will always power up with your configurations intact.