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FORTHCOMING
Feedback VCZIII A VCO Premium Voltage Controlled Oscillator Module Feedback VCZIII A VCO Premium Voltage Controlled Oscillator Module
Cat: 1004970 Rel: 31 May 24 • View all Synth modules
 
Voltage controlled oscillator module - 12HP
Notes: The VCZIII voltage controlled oscillator modules are Feedback's latest creation and are based on the VCOs of one of the most revered analogue instruments, the famous British pin matrix synth released in 1969.

The VCZIII series VCO is a result of the collaboration of Feedback modules and CMS-LAB and is a modern re-creation of those temperamental, organic and beautiful sounding VCOs from 1969 but with enhancements and adaptations to the Eurorack needs of 21st century.

There are two type of VCOs, VCZIII A based on VCO1 with variable shape SINE & SAW waveforms, VCZIII B based on VCO2 & VCO3 with variable TRIANGLE & PULSE waveforms.

Also, each VCO comes in two versions, one with normal fine tune potentiometers and one with precision multiturn potentiometer.

THIS VERSION IS WITH BOURNS MULTITURN FINE TUNE POTENTIOMETER.

Tech specs:

- 12HP width
- 35mm depth behind front panel including the power connector
- standard 10 pin euro power +12V / -12V
- power consumption +12V 50mA , -12V 30mA
Read more
Pre-orders at Juno

This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.

We'll keep you informed of your order at every stage, and let you know if the release date changes.

If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.

If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.
est. release 31 May 24 $220.03
(No payment required now - pay when released)
FORTHCOMING
Feedback VCZIII B Premium Voltage Controlled Oscillator Module Feedback VCZIII B Premium Voltage Controlled Oscillator Module
Cat: 1004971 Rel: 31 May 24 • View all Synth modules
 
Voltage controlled oscillator module - 12HP
Notes: The VCZIII voltage controlled oscillator modules are our latest creation and are based on the VCOs of one of the most revered analogue instruments, the famous British pin matrix synth released in 1969.

The VCZIII series VCO is a result of the collaboration of Feedback modules and CMS-LAB and is a modern re-creation of those temperamental, organic and beautiful sounding VCOs from 1969 but with enhancements and adaptations to the Eurorack needs of 21st century.

There are two type of VCOs, VCZIII A based on VCO1 with variable shape SINE & SAW waveforms, VCZIII B based on VCO2 & VCO3 with variable TRIANGLE & PULSE waveforms.

Also, each VCO comes in two versions, one with normal fine tune potentiometers and one with precision multiturn potentiometer.

THIS VERSION IS WITH BOURNS MULTITURN FINE TUNE POTENTIOMETER.

Tech specs:

- 12HP width
- 35mm depth behind front panel including the power connector
- standard 10 pin euro power +12V / -12V
- power consumption +12V 50mA , -12V 30mA
Read more
Pre-orders at Juno

This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.

We'll keep you informed of your order at every stage, and let you know if the release date changes.

If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.

If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.
est. release 31 May 24 $220.03
(No payment required now - pay when released)
FORTHCOMING
Patching Panda Punch MG Quad VCA-Decay & Mute Group Module (black)
Patching Panda Punch MG Quad VCA-Decay & Mute Group Module (black) (dynamics/envelope generator/mixer/quad/utility/VCA synth module)
Cat: 963504 Rel: 01 Apr 24 • View all Synth modules
 
4x VCA-decay & mute group module - 16HP.
Notes: Punch MG is a unique module with VCA-DECAY & Mute GROUP designed for Eurorack systems.

This module has been specially crafted to generate dynamic percussive sounds while also offering the capability to manage multiple signals simultaneously through its innovative mute group feature.

Punch MG provides a versatile platform for crafting dynamic percussive sounds. With its mute group feature, it allows you to handle numerous signals concurrently.

The manual will guide you through the various features and functions of Punch MG, enabling you to explore its full potential.

Key Features:

Dynamic Sound Generation: Punch MG is engineered to generate dynamic percussive sounds with finesse, offering a range of creative possibilities.

Mute Group Interaction and Signal Patterning: Utilize the mute group feature to enable interactions between signals that share the same group.

This feature enables signal muting and amplitude limitation when multiple signals are triggered simultaneously. The amplitude and decay time of each signal are influenced by others in the same group. This characteristic can lead to captivating pattern variations when focusing on specific channels.

Expandable Capability: By linking two modules, you can expand the effect of the mute group to accommodate up to eight signals, fostering intricate interactions and captivating sonic landscapes.

AM Sound Creation: Connect audio rate signals to the level input to explore the creation of AM (Amplitude Modulation) sounds, further extending the sound design possibilities.

Envelope outs: Each envelope's polarity can be inverted using dedicated switches on the front panel, enabling you to achieve effects like side-chain compression and ducking. Moreover, the mute group circuit's influence extends to the envelope signal output, providing intriguing modulation capabilities that add a unique layer of creative expression to your sonic endeavours.

16 HP
Power consumption 180mA@+12V, 64mA@-12V
Read more
Pre-orders at Juno

This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.

We'll keep you informed of your order at every stage, and let you know if the release date changes.

If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.

If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.
est. release 01 Apr 24 $271.61
(No payment required now - pay when released)
FORTHCOMING
Patching Panda Punch MG Quad VCA-Decay & Mute Group Module (silver)
Patching Panda Punch MG Quad VCA-Decay & Mute Group Module (silver) (dynamics/envelope generator/mixer/quad/utility/VCA synth module)
Cat: 963505 Rel: 01 Apr 24 • View all Synth modules
 
4x VCA-decay & mute group module - 16HP.
Notes: Punch MG is a unique module with VCA-DECAY & Mute GROUP designed for Eurorack systems.

This module has been specially crafted to generate dynamic percussive sounds while also offering the capability to manage multiple signals simultaneously through its innovative mute group feature.

Punch MG provides a versatile platform for crafting dynamic percussive sounds. With its mute group feature, it allows you to handle numerous signals concurrently.

The manual will guide you through the various features and functions of Punch MG, enabling you to explore its full potential.

Key Features:

Dynamic Sound Generation: Punch MG is engineered to generate dynamic percussive sounds with finesse, offering a range of creative possibilities.

Mute Group Interaction and Signal Patterning: Utilize the mute group feature to enable interactions between signals that share the same group.

This feature enables signal muting and amplitude limitation when multiple signals are triggered simultaneously. The amplitude and decay time of each signal are influenced by others in the same group. This characteristic can lead to captivating pattern variations when focusing on specific channels.

Expandable Capability: By linking two modules, you can expand the effect of the mute group to accommodate up to eight signals, fostering intricate interactions and captivating sonic landscapes.

AM Sound Creation: Connect audio rate signals to the level input to explore the creation of AM (Amplitude Modulation) sounds, further extending the sound design possibilities.

Envelope outs: Each envelope's polarity can be inverted using dedicated switches on the front panel, enabling you to achieve effects like side-chain compression and ducking. Moreover, the mute group circuit's influence extends to the envelope signal output, providing intriguing modulation capabilities that add a unique layer of creative expression to your sonic endeavours.

16 HP
Power consumption 180mA@+12V, 64mA@-12V
Read more
Pre-orders at Juno

This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.

We'll keep you informed of your order at every stage, and let you know if the release date changes.

If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.

If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.
est. release 01 Apr 24 $271.61
(No payment required now - pay when released)
FORTHCOMING
Analog Cases Trakpack Producer & DJ Backpack Analog Cases Trakpack Producer & DJ Backpack Analog Cases Trakpack Producer & DJ Backpack Analog Cases Trakpack Producer & DJ Backpack Analog Cases Trakpack Producer & DJ Backpack Analog Cases Trakpack Producer & DJ Backpack Analog Cases Trakpack Producer & DJ Backpack Analog Cases Trakpack Producer & DJ Backpack Analog Cases Trakpack Producer & DJ Backpack Analog Cases Trakpack Producer & DJ Backpack Analog Cases Trakpack Producer & DJ Backpack Analog Cases Trakpack Producer & DJ Backpack Analog Cases Trakpack Producer & DJ Backpack Analog Cases Trakpack Producer & DJ Backpack Analog Cases Trakpack Producer & DJ Backpack Analog Cases Trakpack Producer & DJ Backpack Analog Cases Trakpack Producer & DJ Backpack Analog Cases Trakpack Producer & DJ Backpack Analog Cases Trakpack Producer & DJ Backpack Analog Cases Trakpack Producer & DJ Backpack
 
Backpack designed for producers & DJs
Notes: Introducing the TRAKPACK: the ultimate backpack for producers, DJs and creatives.

This rugged and spacious bag delivers maximum versatility, with 3 storage layers and 11 pockets. The separate padded layers protect your gear, and are precisely designed to fit the top production tools.

With interior dimensions of 19.1" x 12.6", the TRAKPACK's largest storage layer offers a massive 5" of depth for your sampler, mixer, DJ controller, or vinyl records. It's a perfect fit for the MPC Live 2 or Push 3, and can also fit up to 5 smaller machines like the Digitakt or SP-404.

The 2nd layer is 3" deep, and can hold other large drum machines and synths, and the 3rd layer has a laptop pocket with a soft velvet lining, plus extra space for your cables or iPad.

There are 5 interior pockets for organizing your accessories and FX, plus 5 exterior pockets that can fit headphones, audio interfaces, or even a MIDI controller keyboard. The exterior storage pockets are enhanced with an expandable design that can increase to a depth of 2.5".

With so much storage space available, this could be the only bag you'll need on the road. The premium materials include padded shoulder straps, cushioned back support pads, and a spacious and comfortable handle. There's even a luggage pass-through for attaching to your carry-on, and the straps can be detached and stowed when you're using this feature.

The TRAKPACK is engineered with a rigid structured frame, so the bag can rest in a standing position with total stability, and the waterproof zippers, ballistic nylon material, and shock-resistant rubber padding ensure complete protection for your gear
Read more
Pre-orders at Juno

This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.

We'll keep you informed of your order at every stage, and let you know if the release date changes.

If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.

If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.
est. release 30 Jun 24 $233.70
(No payment required now - pay when released)
FORTHCOMING
Plum Audio ADVA Smart Multimode Filter Module (black)
Plum Audio ADVA Smart Multimode Filter Module (black) (distortion/filter/noise/VCA synth module)
Cat: 970492 • View all Synth modules
 
24dB analogue multimode filter module with VCA, white noise generator, pre and post-distortions and a smart interface - 6HP.
Notes: ADVA is a fat-sounding 24dB ANALOGUE MULTIMODE FILTER packed with features including a VCA, white noise generator, pre and post-distortions and a smart interface that makes it a versatile beast in a surprisingly small package.

With 7 filter modes, ADVA provides high richness and a wide variety of tones; it can filter gently like an LPG or it can be pushed up to the edges of hot acid tones.

Unlike many other multimode filters, a phase keeper ensures that ADVA never inverts the input's phase in any of its filter modes.

Self-Oscillation is available for all modes, producing a range of waves from clean sine waves up to soft square waves when activating the post-distortion circuit. Together with V/OCT tracking, ADVA works brilliantly as an oscillator or as a percussive sound generator.

A resonance loudness compensation circuit ensures that ADVA does not compromise on volume when the resonance is increased.

An Internal analogue white noise generator is the little bit of spice that can make the world of difference. Blend it together with the input signal by rotating the dedicated knob to add more richness to your sound and further emphasize cutoff movements, or use it as an FM source to achieve the different flavors of dirty tones.

ADVA is packed with two separate distortion circuits. First, the soft-clipping overdrive is located in the sound path after the white noise blend knob and the input gain knob, a circuit which can push the incoming signal to thicken any waveform. If you blend the input with the noise generator it can compress the noise and exaggerate it to achieve more aggressive levels.

The second (post) distortion is located after the VCA, just before the output. This is a more aggressive distortion and can be used for acid and other dirty hot tones.

Although the sound path is completely analogue, ADVA has a digital support circuit that enables a smart routing system with the option to modulate filter modes via CV, and a very intuitive interface that includes 3 CLICKKNOBS and an RGB LED ring that provides visual feedback for whatever state the filter is in.

Dimensions
6 HP
35 mm deep

Current Draw
110 mA +12V
5 mA -12V
Read more
Pre-orders at Juno

This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.

We'll keep you informed of your order at every stage, and let you know if the release date changes.

If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.

If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.
coming soon $297.92
(No payment required now - pay when released)
FORTHCOMING
Plum Audio ADVA Smart Multimode Filter Module (silver)
Plum Audio ADVA Smart Multimode Filter Module (silver) (distortion/filter/noise/VCA synth module)
Cat: 970499 • View all Synth modules
 
24dB analogue multimode filter module with VCA, white noise generator, pre and post-distortions and a smart interface - 6HP.
Notes: ADVA is a fat-sounding 24dB ANALOGUE MULTIMODE FILTER packed with features including a VCA, white noise generator, pre and post-distortions and a smart interface that makes it a versatile beast in a surprisingly small package.

With 7 filter modes, ADVA provides high richness and a wide variety of tones; it can filter gently like an LPG or it can be pushed up to the edges of hot acid tones.

Unlike many other multimode filters, a phase keeper ensures that ADVA never inverts the input's phase in any of its filter modes.

Self-Oscillation is available for all modes, producing a range of waves from clean sine waves up to soft square waves when activating the post-distortion circuit. Together with V/OCT tracking, ADVA works brilliantly as an oscillator or as a percussive sound generator.

A resonance loudness compensation circuit ensures that ADVA does not compromise on volume when the resonance is increased.

An Internal analogue white noise generator is the little bit of spice that can make the world of difference. Blend it together with the input signal by rotating the dedicated knob to add more richness to your sound and further emphasize cutoff movements, or use it as an FM source to achieve the different flavors of dirty tones.

ADVA is packed with two separate distortion circuits. First, the soft-clipping overdrive is located in the sound path after the white noise blend knob and the input gain knob, a circuit which can push the incoming signal to thicken any waveform. If you blend the input with the noise generator it can compress the noise and exaggerate it to achieve more aggressive levels.

The second (post) distortion is located after the VCA, just before the output. This is a more aggressive distortion and can be used for acid and other dirty hot tones.

Although the sound path is completely analogue, ADVA has a digital support circuit that enables a smart routing system with the option to modulate filter modes via CV, and a very intuitive interface that includes 3 CLICKKNOBS and an RGB LED ring that provides visual feedback for whatever state the filter is in.

Dimensions
6 HP
35 mm deep

Current Draw
110 mA +12V
5 mA -12V
Read more
Pre-orders at Juno

This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.

We'll keep you informed of your order at every stage, and let you know if the release date changes.

If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.

If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.
coming soon $297.92
(No payment required now - pay when released)
FORTHCOMING
Plum Audio ADVA 1U Smart Multimode Filter Module (black)
Plum Audio ADVA 1U Smart Multimode Filter Module (black) (distortion/filter/noise/VCA synth module)
Cat: 970513 • View all Synth modules
 
24dB analogue multimode filter module with VCA, white noise generator, pre and post-distortions and a smart interface - 22HP.
Notes: ADVA is a fat-sounding 24dB ANALOGUE MULTIMODE FILTER packed with features including a VCA, white noise generator, pre and post-distortions and a smart interface that makes it a versatile beast in a surprisingly small package.

With 7 filter modes, ADVA provides high richness and a wide variety of tones; it can filter gently like an LPG or it can be pushed up to the edges of hot acid tones.

Unlike many other multimode filters, a phase keeper ensures that ADVA never inverts the input's phase in any of its filter modes.

Self-Oscillation is available for all modes, producing a range of waves from clean sine waves up to soft square waves when activating the post-distortion circuit. Together with V/OCT tracking, ADVA works brilliantly as an oscillator or as a percussive sound generator.

A resonance loudness compensation circuit ensures that ADVA does not compromise on volume when the resonance is increased.

An Internal analogue white noise generator is the little bit of spice that can make the world of difference. Blend it together with the input signal by rotating the dedicated knob to add more richness to your sound and further emphasize cutoff movements, or use it as an FM source to achieve the different flavors of dirty tones.

ADVA is packed with two separate distortion circuits. First, the soft-clipping overdrive is located in the sound path after the white noise blend knob and the input gain knob, a circuit which can push the incoming signal to thicken any waveform. If you blend the input with the noise generator it can compress the noise and exaggerate it to achieve more aggressive levels.

The second (post) distortion is located after the VCA, just before the output. This is a more aggressive distortion and can be used for acid and other dirty hot tones.

Although the sound path is completely analogue, ADVA has a digital support circuit that enables a smart routing system with the option to modulate filter modes via CV, and a very intuitive interface that includes 3 CLICKKNOBS and an RGB LED ring that provides visual feedback for whatever state the filter is in.

Dimensions
22 HP
35 mm deep
Module is a 1U tile in Intellijel format

Current Draw
110 mA +12V
50 mA -12V
Read more
Pre-orders at Juno

This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.

We'll keep you informed of your order at every stage, and let you know if the release date changes.

If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.

If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.
coming soon $297.92
(No payment required now - pay when released)
FORTHCOMING
Plum Audio ADVA 1U Smart Multimode Filter Module (silver)
Plum Audio ADVA 1U Smart Multimode Filter Module (silver) (distortion/filter/noise/VCA synth module)
Cat: 970520 • View all Synth modules
 
24dB analogue multimode filter module with VCA, white noise generator, pre and post-distortions and a smart interface - 22HP.
Notes: ADVA is a fat-sounding 24dB ANALOGUE MULTIMODE FILTER packed with features including a VCA, white noise generator, pre and post-distortions and a smart interface that makes it a versatile beast in a surprisingly small package.

With 7 filter modes, ADVA provides high richness and a wide variety of tones; it can filter gently like an LPG or it can be pushed up to the edges of hot acid tones.

Unlike many other multimode filters, a phase keeper ensures that ADVA never inverts the input's phase in any of its filter modes.

Self-Oscillation is available for all modes, producing a range of waves from clean sine waves up to soft square waves when activating the post-distortion circuit. Together with V/OCT tracking, ADVA works brilliantly as an oscillator or as a percussive sound generator.

A resonance loudness compensation circuit ensures that ADVA does not compromise on volume when the resonance is increased.

An Internal analogue white noise generator is the little bit of spice that can make the world of difference. Blend it together with the input signal by rotating the dedicated knob to add more richness to your sound and further emphasize cutoff movements, or use it as an FM source to achieve the different flavors of dirty tones.

ADVA is packed with two separate distortion circuits. First, the soft-clipping overdrive is located in the sound path after the white noise blend knob and the input gain knob, a circuit which can push the incoming signal to thicken any waveform. If you blend the input with the noise generator it can compress the noise and exaggerate it to achieve more aggressive levels.

The second (post) distortion is located after the VCA, just before the output. This is a more aggressive distortion and can be used for acid and other dirty hot tones.

Although the sound path is completely analogue, ADVA has a digital support circuit that enables a smart routing system with the option to modulate filter modes via CV, and a very intuitive interface that includes 3 CLICKKNOBS and an RGB LED ring that provides visual feedback for whatever state the filter is in.

Dimensions
22 HP
35 mm deep
Module is a 1U tile in Intellijel format

Current Draw
110 mA +12V
50 mA -12V
Read more
Pre-orders at Juno

This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.

We'll keep you informed of your order at every stage, and let you know if the release date changes.

If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.

If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.
coming soon $297.92
(No payment required now - pay when released)
FORTHCOMING
Recovery Moonstruck Real Spring Reverb & Analogue-Style Delay Effects Pedal
Cat: 973529 • View all Effects pedals
 
Real spring reverb and analogue-style delay effects pedal.
Notes: The Moonstruck pedal marries real spring reverb with a beautifully voiced analogue-style delay in one simple-to-use device. The reverb and delay can be manipulated independently, allowing for complete control of each effect.

The delay section provides up to 550ms of classic echo sound with an all-analogue dry path. The feedback knob can be adjusted to produce as few as one repeat or turned up for an analogue-style self-oscillation frenzy. The delay level can be set wherever you like in relation to the reverb. The "reverb mix" knob controls the level of reverb with enough headroom to drench your instrument with vintage character.

Moonstruck is what every musician craves when searching for that quintessential, authentic spring reverb sound. The analogue delay elevates this player-friendly pedal, making it an exceptional addition to any pedalboard.

- Clean reverb sound, in contrast to the psychedelic, overdriven reverb of the Endless Summer pedal.

- Moonstruck pairs beautifully with the Endless Summer pedal for a rich stereo spring reverb experience.

- Signal chain: delay, reverb

- 60mA current draw

- Enclosure size: 5.625" x 4.625" x 1.563"

- And, yes, it has a real spring reverb tank inside!

Designed and assembled in Seattle, Washington. Operates on a standard Boss style 9vdc power supply, not included. Includes a limited 1-year warranty, if registered within 30 days of purchase.
Read more
Pre-orders at Juno

This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.

We'll keep you informed of your order at every stage, and let you know if the release date changes.

If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.

If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.
coming soon $289.51
(No payment required now - pay when released)
FORTHCOMING
Mooer Audio Prime P2 Portable Digital Multi-Effects Device (black) Mooer Audio Prime P2 Portable Digital Multi-Effects Device (black) Mooer Audio Prime P2 Portable Digital Multi-Effects Device (black) Mooer Audio Prime P2 Portable Digital Multi-Effects Device (black) Mooer Audio Prime P2 Portable Digital Multi-Effects Device (black) Mooer Audio Prime P2 Portable Digital Multi-Effects Device (black) Mooer Audio Prime P2 Portable Digital Multi-Effects Device (black) Mooer Audio Prime P2 Portable Digital Multi-Effects Device (black) Mooer Audio Prime P2 Portable Digital Multi-Effects Device (black)
Cat: 980085 • View all Effects units
 
Portable digital multi-effects device
Notes: The Next Generation of Intelligent Effects Interfaces

Following the success of The Prime P1 - MOOER have refined the concept of a combined ultra-portable digital effects device and audio interface. The Prime P2 features an enhanced user experience courtesy of a 1.3" touch screen as well as a fully revamped effects and rhythm suite.

Users can access 52 amp models + 10 GNR downloadable file slots, 25 Cab Sims +10 GIR/3rd IR downloadable file slots*** and 57 classic and experimental effect models making the need for bulky pedals and multiple power supplies a thing of the past. From touch sensitive vintage amp models to huge stereo reverbs, modulations and delays based on powerful digital algorithms, the Prime P2 can more than keep up with the demands of the modern guitarist and each chain is fully customizable - that's right, you can put your effects in any order you want for maximum versatility.

The Prime P2 is the ideal tool for streaming/social media use and is designed to make immediate, high-quality sound creation as effortless as possible with seamless connectivity via Bluetooth for playback and the USB-C port for on-the-go recordings* as well as a stereo output jack and TRRS headphone input which supports headphone integrated microphone use. In addition, the integrated rechargeable battery gives up to five hours of power - making the Prime P2 a great choice for the musician on the move.

Users can download the MOOER Prime App* for increased functionality via mobile device. This allows deep-dive editing of preset patches and effects chain parameters as well as storage and recall of up to 80 presets. You can also download and share presets on the MOOER Tone Cloud.

While a mobile device can be used to control the tuner, drum machine, metronome and Looper - MOOER recommend an F-Series wireless footswitch (sold separately) for hands free operation. This transforms the Prime P2 into a very powerful live performance tool. MIDI connectivity is also available for Preset switching, Looper and Drum Machine functions using CC commands from an external MIDI controller.

Features:
Eliminates the need to carry a large number of different pedals and their associated power supplies
Easy configuration of an effects chain without complicated user interfaces
1.3" touch screen allows quick preset changes and access to the tuner directly on the device
Based on MOOER's unique MNRS technology, allowing for high-quality digital amp models and effects in a small format
52 amp models created with MNRS technology + 10 GNR slots to store simulation files downloaded from the cloud
25 cab sim models + 10 GIR slots to store simulation files downloaded from the cloud or third-party IR files
57 classic and experimental effect models
Up to 80 presets in 20 banks
Drum machine with 56 groove varieties, can be synchronized with the Looper
4 metronome styles
Looper with a total capacity of 80 minutes (storage for 10 loops with 8 minutes each)
Supports loading of 3rd party IR file
Supports Tone Cloud sound sharing
Supports stereo output for stereo effects
Stereo headphone output with support for headphones with integrated microphones.
Bluetooth audio playback in stereo for practice or jamming
USB-C charging port also supports audio playback over USB and USB-OTG for live streaming and easy recording
Can be controlled using MOOER F-series wireless footswitches
Can be controlled from an external MIDI controller
Integrated rechargeable battery with up to 5 hours of battery life
Free mobile app for easy editing of sounds as well as saving, organizing and sharing presets**
MOOER Studio PC management software for backup and updates, 3rd IR loading.
* An adaptor may be necessary depending on your device
** The MOOER Prime App is available from Google Play Store, Apple App Store or the official MOOER Download-Support website.
***MNRS is MOOERS's proprietary sampling technology which can be used to sample preamps, combos, pedals and speaker cabinets - MOOER MNRS Sample files come in two categories - GNR files (Amps, preamps, pedals and effects) and GIR files (Cabinet models) for a huge array of sounds.

Specifications
Input: 6.35 mm (1/4") TS, 2 MO
Output: 6.35 mm (1/4") TRS, 100 O
Headphone: 3.5 mm (1/8"), 32 O
Screen: 1.28" Touch Screen
USB: Type C for charging or OTG recording
Bluetooth version: 5.0
Bluetooth: Bluetooth audio playback and App control
Wireless control: 2.4G
Wireless footswitch: supported
Battery capacity: 3000 mAh
Battery life: 5 hours*
MIDI Port: 3.5 mm (1/8")
Charging requirement: 5VDC / 2 A (10 W)
Charging time: 2.5 hours for full charge*
Dimensions: 120 x 64 x 21 mm (LxWxH)
Weight: 152 g
Accessories: Quick-Start manual, USB-C to USB-A cable, 3.5 mm jack to 5-PIN MIDI-connector

*Charging time and battery life are based on lab test data.
Disclaimer: Parameter updates will not be notified separately.
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We'll keep you informed of your order at every stage, and let you know if the release date changes.

If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.

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MRP:$283.19 SAVE 14%
coming soon $243.17
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FORTHCOMING
MachineRoom Filth Analogue Transistor Ladder Filter Module MachineRoom Filth Analogue Transistor Ladder Filter Module MachineRoom Filth Analogue Transistor Ladder Filter Module
Cat: 983127 • View all Synth modules
 
Analogue low pass or high pass 12dB or 24dB transistor ladder filter module - 10HP
Notes: The basis of the module is a version of the transistor ladder with low-end compensation at resonance, to which Machineroom have added aggressive Overload and linear VCA. Thanks to three audio inputs, FILTH can work with polyphonic patches, if you add Trilobite (or another triple osc) and ADSR to it, you will get a paraphonic synthesizer. 2 VCA inputs in the classic case allow you to use loudness envelope and voltage offset (for example, velocity) at the same time, but there are many more options for their application.

Works in LP/HP and 12/24 db modes

In the 24db mode, the filter self-oscillates and can act as a sine generator with perfect pitch tracking in the range of 5 octaves.

Despite the name, without overload, the module can be used as a vanilla filter, but its brutal version is generally more preferrable.

Based on "transistor ladder" design of Minimoog 204D with a cut-off slope of -24 db/octave as in various Moog synthesisers.

10HP
* skiff-friendly (25mm depth)
* 28 mA +12V
* 21 mA -12V
* 0 mA +5V
hand-built in Kyiv, Ukraine
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Pre-orders at Juno

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We'll keep you informed of your order at every stage, and let you know if the release date changes.

If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.

If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.
coming soon $242.14
(No payment required now - pay when released)
FORTHCOMING
MachineRoom 204D Dual Analogue VCF Module MachineRoom 204D Dual Analogue VCF Module MachineRoom 204D Dual Analogue VCF Module MachineRoom 204D Dual Analogue VCF Module
MachineRoom 204D Dual Analogue VCF Module (dual/stereo/filter module)
Cat: 983136 • View all Synth modules
 
Dual analogue voltage-controlled low-pass filter module - 10HP
Notes: MachineRoom 204D Dual VCF is a dual voltage-controlled low-pass filter, which filters out the higher parts of the sound spectrum and lets lower frequencies pass through.

Based on the "transistor ladder" design of Minimoog 204D with a cut-off slope of -24 db/octave as in various Moog synthesisers. Resonance (or Emphasis) is adjustable all the way up to self-oscillation with V/Oct tracking up to 4 octaves.

Filter has separate controls for both sections, but can be used for stereo operations as well.

4 cv inputs (2 with attenuators) allows complex cut off modulation
Skiff-friendly
25 mm deep
12HP
Power consumption: 120 mA +12V, 15mA -12V, 0 mA 5V
Hand-built in Kyiv, Ukraine
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Pre-orders at Juno

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We'll keep you informed of your order at every stage, and let you know if the release date changes.

If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.

If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.
coming soon $242.14
(No payment required now - pay when released)
FORTHCOMING
Death By Audio Octave Clang v2 Fuzz Effects Pedal With Octave-Up Death By Audio Octave Clang v2 Fuzz Effects Pedal With Octave-Up Death By Audio Octave Clang v2 Fuzz Effects Pedal With Octave-Up Death By Audio Octave Clang v2 Fuzz Effects Pedal With Octave-Up
Cat: 1006631 Rel: 30 Jun 24 • View all Effects pedals
 
Fuzz effects pedal with octave-up
Notes: The highly coveted Octave Clang has made a triumphant return to Death By Audio's Queens workshop. Long presumed extinct, the OC was never really gone, merely in a state of hibernation-evolving, refining, and enhancing its already extraordinary sound.

In the decade since it disappeared, Death by Audio have revisited the original Clang circuit, sculpting it into something better-a more ferocious, menacing, and thunderous force that is as usable as possible for today's musicians.

Embraced by professionals and punks alike, the vintage Octave Clang was created to unleash distinctly unconventional tones that captivated the senses. In this, it succeeded, but many users found it difficult to tame. Today, Death By Audio have refined and extended the range of the original controls, added a foot-switchable octave, and did some under-the-hood supercharging.

The resulting circuit is an insane yet versatile beast, empowering you to easily sculpt discordant ringing drones, visceral octave scrapes, and ground-shaking distortion. The revitalized Octave Clang is primed and ready to destroy!

Controls

Bypass (Left Footswitch): Turns the Octave Clang on and off (red LED).
Octave (Right Footswitch): Toggles the Octave Up mode (yellow LED). The yellow LED stays on/off when the pedal is bypassed to indicate if the Octave Up is engaged.
Volume: Controls the output level. Goes from totally silent to extremely loud. When set above your normal volume, it propels your chain into overdrive
Gain: Sets the gain of the Octave Clang. This can (and will) drive the rest of the circuit into overdrive and fuzz. Can provide up to +39dB of gain.

Tone: A powerful pre-gain tilt EQ, this control adjusts the amount of highs and lows going into the rest of the circuit. This can make the octave and fuzz react very differently. Overloading the lows yields a larger, more blown-out sound while overloading the highs gives a more cutting and clear sound.

Bias (Internal): Allows misbiasing the distortion circuitry. Leave this control in the middle (5-6) for standard functionality, or turn it left or right to skew the character of the distortion to a rougher sound.
Access this control by removing the back plate of the Octave Clang.

Specifications

Dimensions: 4.8" x 3.7" x 2.1" (including hardware).
Weight: 11.5 oz.
Power: The Octave Clang is powered by a standard 2.1mm 9V DC adapter with a centre-negative polarity. Isolated power supplies are recommended. It is also possible to use the Octave Clang with a 9V battery (not provided). When not using a battery, the internal battery snap should be attached to the corresponding battery snap holes on the board. This will prevent the contacts from shorting out against the circuitry. Do NOT leave the battery snap floating inside the pedal when not using a battery.
Current Draw: 10 mA
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This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.

We'll keep you informed of your order at every stage, and let you know if the release date changes.

If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.

If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.
est. release 30 Jun 24 $251.61
(No payment required now - pay when released)
FORTHCOMING
Cosmotronic Messor Stereo Compressor & Transient Shaper Module (silver)
Cosmotronic Messor Stereo Compressor & Transient Shaper Module (silver) (dynamics/dual/stereo/envelope follower/expander/VCA module)
Cat: 995681 Rel: 30 Apr 24 • View all Synth modules
 
Stereo compressor & transient shaper module - 8HP
Notes: Messor is an analogue stereo compressor with lots of tricks up its sleeve, in only 8HP.

From squashing drums, sidechaining kicks and sculpting transients, to glueing a mix together, it's a very versatile dynamics manager.

At its core it's a VCA based feed-forward compressor with a low noise signal path. The magic is in the internal sidechain that shapes the gain reduction envelope. This starts with a a switchable high-pass / low-pass filter, before going into a precision envelope follower, controlled by familiar parameters: the attack, release, threshold, ratio and makeup gain.

The ratio can go past limiting and into over-compression, which can completely reshape transients, a great tool for sound design.

Being modular, of course there are CV inputs for Attack, Release and the side-chain Filter cutoff. The Gain CV controls the makeup gain, but also doubles as a Stereo VCA with the Gain knob turned fully CCW.

The gain reduction envelope is also available as an output, for turning filters or other VCA's into compressors for example, or as a standalone envelope follower.

There's a bypass switch, and a Warm mode, that can bring in a bit of additional saturation and compression in the form of analog tube simulation circuitry.

Lastly there's the possibility to insert an external sidechain, for that classic kick sidechain compression.

Dimensions
8 HP
25 mm deep

Current Draw
45 mA +12V
26 mA -12V
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Pre-orders at Juno

This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.

We'll keep you informed of your order at every stage, and let you know if the release date changes.

If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.

If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.
est. release 30 Apr 24 $215.81
(No payment required now - pay when released)
FORTHCOMING
J Rockett Airchild Six Sixty Compressor Effects Pedal J Rockett Airchild Six Sixty Compressor Effects Pedal
Cat: 1008780 Rel: 30 Jun 24 • View all Effects pedals
 
Compressor effects pedal
Notes: The Fairchild 660 studio compressor is consistently regarded as the best compressor ever made. For years, the original Fairchild 660 and 670 (Stereo) compressors have been extensively used in studios. This inspired J. Rockett to offer that sonic signature to the guitar community at a fraction of the $30k+ price tag.

The typical guitar compressor is the "Dynacomp", which has created iconic tones throughout the history of music, especially in Country music. That said, it's widely acknowledged that there are already countless Dynacomp variants available.

"The 'typical Dynacomp circuit' tends to crush the sound more like a limiter. This characteristic has cemented its sound into certain genres of music, which some may find desirable.

The Team at J. Rockett aimed to provide a compressor that works like a studio compressor, enhancing harmonic richness and evening out transients without crushing the entire spectrum.

The Airchild Six Sixty simply makes you want to play more. It increases sustain without crushing your output, imparts richness to your overall tone, and adds feel to your playing. The target tones were the slide tones of Lowell George and the singing lead/rhythm tones of Mark Knopfler.

The Fairchild 660 Compressor was designed by Rein Narma, who had worked with Les Paul to build a recording mixer for use with Les Paul's Ampex 8-track. Les Paul asked Narma if he would build a compressor/limiter. Sherman Fairchild, who was friends with Les Paul, learned of the compressor and licensed Narma's compressor design, hiring Narma to be chief engineer at Fairchild Recording Equipment Corporation. The first 10 Fairchild 660's were built by Narma himself. The first unit was sold to Rudy Van Gelder who used it to cut lacquer masters for Blue Note Records and Vox Records. The second unit went to Olmsted Sound Studios in New York City and the third 660 built went to Mary Ford and Les Paul.

Notable users: Abbey Road Studios purchased 12 Fairchild 660s after staff engineer Peter Bown heard it during a visit to Capitol Records in America. They used it on recording sessions for the Beatles, primarily for vocals. Beginning in 1966, Geoff Emerick began using the 660 on Ringo Starr's drum tracks as well as piano and guitar tracks. As of 2014, Abbey Road still had 8 of the original 660s purchased in the 1960s.

"We put the drum sound through Fairchild 660 valve limiters and compressors. It became the sound of Revolver and Sgt Pepper really. Drums had never been heard like that before." (Geoff Emerick)

Compressors are probably the most misunderstood effect that also have incredible impact on the delivery of music. There is not a professional recording in history that does not have some sort of compression. Gain is a form of compression, even EQ is a form of compression.

A compressor is used to reduce a signal's dynamic range-that is, to reduce the difference in level between the loudest and quietest parts of an audio signal.

Compression is commonly used to attenuate loud transient peaks (e.g., when a singer suddenly belts out a high note or a guitar player digs in to a note with muscle) compression helps maintain a consistent level. Compression essentially causes distortion in a signal, in that it changes the original sound of the signal through its processing. The compressor typically achieves this by emphasizing certain harmonics based on how the compressor is hitting the incoming signal. The job of this peda;l is to make that distortion feel transparent and to use dynamics to create the best-sounding performance possible. Use your ears!

In compression, the dynamic range becomes narrower - the highest peaks and the quietest parts have fewer dB of level difference between them. In contrast, a compressor can also help support or bring to life soft notes as well. For guitar, compression helps with sustain and feel. Using compression in front of an amp with gain or a gain pedal essentially just adds more compression and is typically not very audible. A good compressor will help sustain notes without introducing noise or artifacts in an amp or pedal with gain but typically works best in a clean amp to hear the effect. You will typically hear compression on country guitar, at least as an audible full throttle effect. Most players do not utilize this sound because a squished signal limits dynamics, however, if used correctly it can increase dynamics across the board. One of the best descriptions about compression is that it is the opposite of reverb. If you think about that it is true. Compression brings the full dynamic force forward in a balanced manner where Reverb creates space and distance.
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Pre-orders at Juno

This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.

We'll keep you informed of your order at every stage, and let you know if the release date changes.

If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.

If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.
est. release 30 Jun 24 $251.61
(No payment required now - pay when released)
Boss OD-200 Hybrid Drive Effects Pedal Boss OD-200 Hybrid Drive Effects Pedal Boss OD-200 Hybrid Drive Effects Pedal Boss OD-200 Hybrid Drive Effects Pedal
Boss OD-200 Hybrid Drive Effects Pedal (distortion effects pedal)
Cat: 996875 Rel: 18 Mar 24 • View all Effects pedals
 
Hybrid drive effects pedal
Notes: Simply sophisticated

With the 200 series, BOSS introduces a new generation of pedals that pack advanced sound and versatility into a streamlined size that saves space on your board. Grab-and-go controls and multi-function switches make operation easy and intuitive, while onboard memories allow you to store multiple setups for instant recall. All 200 series pedals feature premium audio quality with 32-bit internal processing and offer support for external control via footswitches, an expression pedal, or MIDI.

The OD-200 Hybrid Drive brings next-level sound, feel, and flexibility to overdrive and distortion, combining decades of BOSS tone expertise with innovative technologies. Powered by hybrid analogue/digital circuitry, this dream pedal delivers any drive tone you can imagine via 12 primary modes, 15 boost types, series/parallel gain paths, and more. There's even an advanced gate on board, ideal for both eliminating noise and adding tightness to high-gain drive tones.

Version 1.1 Update: User Memory Expansion

The free Version 1.1 software update brings increased flexibility to the BOSS 200 series, greatly expanding the onboard memory capacity for storing and recalling sounds. There are now 128 user setups available. Setups can also be recalled directly via MIDI program change.

For optimal performance, stay up to date with the current OD-200 system software

Premium Drive Tones with BOSS's Advanced Hybrid Design

The OD-200's next-generation hybrid design seamlessly brings analogue and digital clipping circuits together for the best of all worlds, putting a universe of expressive drive colours under your fingers. Twelve modes offer a variety of premium overdrive, fuzz, and distortion sounds, including a high-gain Brown mode derived from the acclaimed Katana amplifier series. And with the three high-performance "X" drive modes powered by BOSS's cutting-edge MDP tech, you'll experience enhanced definition, clarity, and dynamic response that's perfect for modern playing styles.

Powerful Gain Shaping with Series and Parallel Boosts

While each of the OD-200's 12 main drive modes sound fantastic on their own, you're able to craft tones even further with 15 switchable boost circuits. Placing the boost in series lets you create traditional stacked drive voices, complete with post-gain level to balance with the bypassed sound or kick up the volume for solos. The boost circuit can also be used in parallel with the main mode, enabling side-by-side blending for an unlimited range of unique drive textures.

Kill the Noise and Tighten Your Tone

With its integrated gate circuit, the OD-200 always keeps your signal clear and quiet when you're not playing. The default setting is a great starting point, providing gentle, transparent gating that works well for general playing styles. The decay and threshold controls can also be adjusted for super-fast gate performance when needed, perfect for bringing tightness to heavy modern styles that combine full-throttle gain with precision staccato riffing.

Dial in Sounds Fast

The OD-200 offers a ton of advanced capabilities, but remains as simple to use as any regular distortion stomp. With dedicated controls, you can quickly dial in the gain and overall level for any selected mode, then sculpt the tone with wide-ranging low, mid, and high EQ. There's also a multi-function parameter knob, which changes operation based on the group selected with the panel's parameter switch and LED status indicators.

Save and Recall Your Favourite Setups

The OD-200 features 127 user memories plus a real-time panel setting, giving you 128 total setups to choose from. Any range of consecutive memories and the panel setting can be assigned for scrolling access from a footswitch. It's also possible to limit the scrolling range or assign memories directly for even faster recall.

Specifications

Sampling Frequency: 96 kHz
AD/DA Conversion: 32 bits
Processing: 32-bit floating point
Drive Circuit: Analogue + Digital

Modes:
12 modes
OVERDRIVE, BLUES, SCREAM, CNTR OD, X-DRIVE, DIST, X-DIST, STACK DRIVE, FAT DIST, BROWN, X-METAL, FUZZ

Memory: 127 + Manual
Nominal Input Level: INPUT: -10 dBu
Maximum Input Level: INPUT: +7 dBu
Input Impedance: INPUT: 1 M ohm
Nominal Output Level: OUTPUT: -10 dBu
Maximum Output Level: OUTPUT: +7 dBu (Load Impedance: 220 k ohms or greater)
Output Impedance: OUTPUT: 1 k ohms
Recommended Load Impedance: OUTPUT: 10 k ohms or greater
Bypass: Buffered bypass

Controls: ON/OFF switch, MEMORY/BOOST switch
MODE knob, DRIVE knob, LEVEL knob, PARAM knob, LOW knob, MIDDLE knob, HIGH knob
PARAM button, MEMORY button
Display: 7 segments, 3 characters (LED)
Indicator: PARAM indicator, MEMORY (MAN, 1--4) indicators

Connectors:
INPUT jack, OUTPUT jack: 1/4-inch phone type
CTL 1, 2/EXP jack: 1/4-inch TRS phone type
MIDI (IN, OUT) jacks: Stereo miniature phone type
DC IN jack
USB port: USB micro B-type (program update only)

Power Supply: Alkaline battery (AA, LR6) x 3, AC adaptor (sold separately)
Current Draw: 220 mA

Expected Battery Life Under Continuous Use:
Alkaline: Approx. 6 Hours
* These figures will vary depending on the actual conditions of use.

Accessories:

Leaflet "USING THE UNIT SAFELY"
Leaflet "To obtain the Owner's Manual"
Alkaline battery (AA, LR6) x 3
Rubber foot x 4

Options (sold separately):
AC adaptor: PSA-S series
Footswitch: FS-5U
Dual footswitch: FS-6, FS-7
Expression pedal: FV-500H, FV-500L, EV-30, Roland EV-5
MIDI/TRS connecting cable: BMIDI-5-35, BMIDI-1-35, BMIDI-2-35, BCC-1-3535, BCC-2-3535

Size & weight:

Width: 101 mm / 4 inches
Depth: 138 mm / 5-7/16 inches
Height: 63 mm / 2-1/2 inches
Height: (including rubber foot)65 mm / 2-9/16 inches
Weight: 600 g / 1 lb 6 oz
Weight (including battery): 670 g / 1 lb 8 oz
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MRP:$271.61 SAVE 20%
 1 in stock $217.92
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quote 996875
Boss SY-200 Synthesiser Effects Pedal Boss SY-200 Synthesiser Effects Pedal Boss SY-200 Synthesiser Effects Pedal Boss SY-200 Synthesiser Effects Pedal
Boss SY-200 Synthesiser Effects Pedal (synthesis effects pedal)
Cat: 996878 Rel: 19 Mar 24 • View all Effects pedals
 
Synthesiser effects pedal
Notes: Part of Boss's 200 series, the SY-200 is the latest in a range of guitar synth pedals dating all the way back to the 1970s. Plug in any guitar or bass and layer synth sounds over the raw tone. A versatile and creative way to explore new sounds.

Supplier's Notes:
A World of Synth Tones at Your Feet

Offering a universe of rich, analogue-inspired polyphonic tones in a small footprint, the SY-200 makes it simple to weave BOSS's expressive guitar and bass synth technology into all of your musical journeys. Building on the fun, instant-gratification experience of the acclaimed SY-1, this blue inspiration machine features an expanded sound set, more tone-shaping possibilities, and 128 memories for storing your sonic creations. Two onboard footswitches provide deep real-time performance control, and you can take things even further with external footswitches, an expression pedal, and MIDI.

A Massive Library of Expressive Synth Tones

The SY-200 transforms your guitar or bass into a versatile analogue-flavoured synth, ready to infuse your music with dynamic, compelling, and evocative new voices. This streamlined stomp gives you 171 total sounds organized in 12 intuitive categories, along with adjustable parameters for customizing the tone and response. And with 128 memory locations, you're able to store your favourite sounds and instantly recall them while performing.

Build Custom Sounds Fast

With the SY-200's informative display and hands-on controls, it's quick and easy to call up sounds and balance the direct and synth levels. All the preset synth tones have been dialled in by the BOSS engineers to be inspiring and playable right away. But if you want to go deeper, you can tweak three different parameters for each sound via dedicated knobs.

Flexible Connectivity

The SY-200 smoothly integrates into your setup in a variety of ways. Patch it in your chain like a regular pedal, or use the send and output jacks to route synth and straight guitar sounds to different destinations. And with the send/return loop and level knobs, it's possible to craft unique hybrid sounds by blending one or more pedals in parallel with different synth voices.

Powerful Real-Time Control

The SY-200 provides a massive range of control options while taking up minimal space on your pedalboard. Two customizable footswitches offer multi-functional operation with press-and-hold functionality, allowing you to control synth on/off, memory scrolling, pitch bend, synth hold, and more. Expanded control is possible via external footswitches or an expression pedal, and MIDI I/O is also available to interface with other MIDI-equipped pedals and devices like the ES-8 and ES-5 loop switchers.

Plug-and-Play and Latency-Free

You can use the SY-200 with any guitar or bass-just plug in with a standard 1/4-inch cable and start creating. Thanks to custom DSP and the latest BOSS innovations, you'll enjoy latency-free performance that's a natural extension of your instrument, letting you play freely without altering your normal technique in any way.

Supercharge Your Music with a Diverse Range of Sounds

The SY-200 is loaded with a large library of synthesizer tones to inspire new ideas and bring fresh voices to your music.

LEAD-A wide range of sounds suitable for single-note soloing.
PAD-Full tones that work great with chords, from layered pads to synth brass and more.
STRING-Classic analog-style strings, including layered voices and sweeping textures.
BELL-Percussive synth sounds with metallic resonance.
ORGAN-A large selection of organ sounds, including many with rotary-style modulation.
BASS-Fat synth bass sounds, including filtered and sub-octave tones.
DUAL-Fat synth tones with stacked oscillators.
SWEEP-Dynamic sounds with expressive and engaging movement.
NOISE-Classic analog-style synth noise. Great for percussive sounds and dramatic effects.
SFX-A variety of synth sound effects, including explosive one-shot sounds, animated pitch/filter voices, and more.
SEQ-Pulsating sounds with rhythmic pitch or filter changes.
ARPEGGIO-Generate rhythmic arpeggios based on the notes you play.

Specifications

Sampling Frequency: 44.1 kHz
AD/DA Conversion24 bits
Processing: 32-bit floating point

Modes: 12 modes
LEAD, PAD, STRING, BELL, ORGAN, BASS, DUAL, SWEEP, NOISE, SFX, SEQ, ARPEGGIO

Memory: 128
Nominal Input Level: INPUT, RETURN: -10 dBu
Maximum Input Level: INPUT, RETURN: +7 dBu
Input Impedance: INPUT, RETURN: 2 M ohms
Nominal Output Level: OUTPUT, SEND: -10 dBu
Maximum Output Level: OUTPUT, SEND: +7 dBu
Output Impedance: OUTPUT, SEND: 1 k ohm
Recommended Load Impedance: OUTPUT, SEND: 10 k ohms or greater
Bypass: Buffered bypass

Controls:
ON/OFF switch, MEMORY/CTL 1 switch
TYPE knob, MEMORY knob, 1 knob, 2 knob, 3 knob, D. LEVEL knob, E. LEVEL knob, VARIATION knob
MENU button, EXIT button

Display: Graphic LCD (132 x 32 dots, backlit LCD)

Connectors:
INPUT jack, OUTPUT jack, SEND jack, RETURN jack: 1/4-inch phone type
CTL 2, 3/EXP jack: 1/4-inch TRS phone type
MIDI (IN, OUT) jacks: Stereo miniature phone type
DC IN jack
USB port: USB micro B-type (program update only)

Power Supply: Alkaline battery (AA, LR6) x 3, AC adaptor (sold separately)
Current Draw: 230 mA

Expected Battery Life Under Continuous Use: Alkaline: Approx. 5 Hours
* These figures will vary depending on the actual conditions of use.

Accessories: Leaflet "USING THE UNIT SAFELY"
Leaflet "To obtain the Owner's Manual"
Alkaline battery (AA, LR6) x 3
Rubber foot x 4

Options (sold separately)
AC adaptor: PSA-S series
Footswitch: FS-5U
Dual footswitch: FS-6, FS-7
Expression pedal: FV-500H, FV-500L, EV-30, Roland EV-5
MIDI/TRS connecting cable: BMIDI-5-35, BMIDI-1-35, BMIDI-2-35, BCC-1-3535, BCC-2-3535

Size & weight

Width: 101 mm / 4 inches
Depth: 138 mm / 5-7/16 inches
Height: 63 mm / 2-1/2 inches
Height (including rubber foot): 65 mm / 2-9/16 inches
Weight: 630 g / 1 lb 7 oz
Weight (including battery): 700 g / 1 lb 9 oz

0 dBu = 0.775 Vrms
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MRP:$331.62 SAVE 15%
 1 in stock $281.08
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quote 996878
Boss DD-200 Digital Delay Effects Pedal Boss DD-200 Digital Delay Effects Pedal Boss DD-200 Digital Delay Effects Pedal Boss DD-200 Digital Delay Effects Pedal
Cat: 996860 Rel: 19 Mar 24 • View all Effects pedals
 
Digital delay effects pedal
Notes: Simply sophisticated

With the 200 series, BOSS introduces a new generation of pedals that pack advanced sound and versatility into a streamlined size that saves space on your board. Grab-and-go controls and multi-function switches make operation easy and intuitive, while onboard memories allow you to store multiple setups for instant recall. All 200 series pedals feature premium audio quality with 32-bit internal processing and offer support for external control via footswitches, an expression pedal, or MIDI.

The DD-200 Digital Delay brings together sounds and features inherited from the flagship DD-500 into an even smaller footprint. Twelve different modes offer an inspiring variety of delay colours from modern digital to classic analogue, letting you dial up everything from basic echoes to rich ambient pads and everything in-between. There's also a looper that's always ready to use, plus a selectable carryover function for seamless transitions between memories.

Version 1.1 Update: User Memory Expansion

The free Version 1.1 software update brings increased flexibility to the BOSS 200 series, greatly expanding the onboard memory capacity for storing and recalling sounds. There are now 128 user setups available. Setups can also be recalled directly via MIDI program change.

For optimal performance, stay up to date with the current DD-200 system software

Twelve Modes, Unlimited Sounds

With 12 different modes to choose from, the DD-200 provides nearly any flavour of delay in an amazingly compact size. At your command are super-clean digital delays, gritty analogue echoes, and spot-on retro sounds from the Roland RE-201 Space Echo and Binson Echorec 2. There's also a variety of options for creating reverse effects, lo-fi tones, and pulsing rhythmic sounds with layered delays. And with the Tera Echo, Shimmer, and Pad Echo modes, immersive ambient colours are just a knob twist away.

Dial in Sounds Fast

The DD-200 features a no-nonsense interface, making it easy to craft inspiring sounds in the heat of the moment. Essential delay parameters are provided on dedicated controls for direct, hands-on access. And in each mode, the function of the PARAM knob changes to parameters tailored for the selected type, delivering extended control with no need to menu dive.

Save and Recall Your Favourite Setups

The DD-200 features 127 user memories plus a real-time panel setting, giving you 128 total setups to choose from. Any range of consecutive memories and the panel setting can be assigned for scrolling access from a footswitch. It's also possible to limit the scrolling range or assign memories directly for even faster recall. If you crave deeper control, setups can be directly recalled via program change messages from an external MIDI device. And by enabling the carryover function, delay repeats will keep sounding as you change memories for smooth, free-flowing transitions.

Deep Real-Time Control

By default, the DD-200's multi-function footswitches provide access to basic functions like bypass, memory scrolling, tap tempo, and looper control. But you can easily reassign them to hold, warp, and many other functions. External control is also possible via footswitches or an expression pedal, and MIDI I/O is even provided on space-saving mini TRS jacks. Via MIDI, you're able to chain multiple 200 series pedals and select memories on all of them at once, and also control a wide range of functions from MIDI devices like the ES-8 and ES-5 effects switchers.

Ready-to-Go Looper

Any time you're ready, pressing the DD-200's two footswitches together puts you into looper mode. Up to 60 seconds of mono recording time is available, and operation is simple and direct with the onboard switches. And since the looper engine functions independently, you're able to develop expressive loops with any of the DD-200's rich delay sounds.

DD-200 Delay Modes

Standard-Clear digital delay. PARAM adjusts the delay attack.
Analog-Emulates classic analogue "BBD" delays like the BOSS DM series. PARAM controls character and distortion amount.
Tape-Emulates the warm tape-based sound of the legendary Roland RE-201 Space Echo. PARAM selects different combinations of three playback heads, and also adjusts the amount of distortion in the delay sound.
Drum-Models the drum-based Binson Echorec 2. PARAM selects different combinations of four playback heads, and also adjusts the amount of distortion in the delay sound.
Shimmer-Pitch-shifted delay for lush, heavenly textures. PARAM adjusts the delay brightness.
Tera Echo-Spacious, animated ambience effect derived from the BOSS TE-2 pedal. PARAM adjusts the sound character.
Pad Echo-Newly developed delay sound for creating drifting ambient textures. PARAM adjusts the delay attack.
Pattern-Rhythmic sounds with 16 delay lines layered together. PARAM selects different pattern variations.
Lo-Fi-Delay sound with fat, distorted character. PARAM adjusts the distortion effect.
Dual-Two different delay lines connected in series. PARAM adjusts the time of the second delay.
Reverse-Backwards delay for cool psychedelic effects and other unique tones. PARAM adjusts the delay attack.
Ducking-Delay with a built-in ducking effect. PARAM adjusts the input sensitivity.

*The product names mentioned on this page are registered trademarks or trademarks of their respective owners. These names are used because it is the most practical way of describing the sounds that are simulated.

Specifications

Sampling Frequency: 96 kHz
AD/DA Conversion: 32 bits
Processing: 32-bit floating point

Modes: 12 modes
STANDARD, ANALOG, TAPE, DRUM, SHIMMER, TERA ECHO, PAD ECHO, PATTERN, LO-FI, DUAL, DUCKING, REVERSE

Memory127 + Manual
Nominal Input Level: INPUT A/MONO, B: -10 dBu
Maximum Input Level: INPUT A/MONO, B: +7 dBu
Input Impedance: INPUT A/MONO, B: 2 M ohm
Nominal Output Level: OUTPUT A/MONO, B: -10 dBu
Maximum Output Level: OUTPUT A/MONO, B: +7 dBu
Output Impedance: OUTPUT A/MONO, B: 1 k ohms
Recommended Load Impedance: OUTPUT A/MONO, B: 10 k ohms or greater
Bypass: Buffered bypass

Controls:
ON/OFF switch, MEMORY/TAP switch
MODE knob, TIME knob, FEEDBACK knob, E. LEVEL Knob, PARAM knob, TONE knob, MOD DEPTH knob
TAP DIVISION button, MEMORY button

Display: 7 segments, 3 characters (LED)
Indicator: TAP DIVISION indicator, MEMORY (MAN, 1--4) indicators

Connectors:
INPUT (A/MONO, B) jacks, OUTPUT (A/MONO, B) jacks: 1/4-inch phone type
CTL 1, 2/EXP jack: 1/4-inch TRS phone type
MIDI (IN, OUT) jacks: Stereo miniature phone type
DC IN jack
USB port: USB micro B-type (program update only)

Power Supply: Alkaline battery (AA, LR6) x 3, AC adaptor (sold separately)
Current Draw: 225 mA

Expected Battery Life Under Continuous Use
Alkaline: Approx. 4 Hours
* These figures will vary depending on the actual conditions of use.

Accessories: Leaflet "USING THE UNIT SAFELY", Leaflet "To obtain the Owner's Manual", Alkaline battery (AA, LR6) x 3, Rubber foot x 4

Options (sold separately):
AC adaptor: PSA-S series
Footswitch: FS-5U
Dual footswitch: FS-6, FS-7
Expression pedal: FV-500H, FV-500L, EV-30, Roland EV-5
MIDI/TRS connecting cable: BMIDI-5-35, BMIDI-1-35, BMIDI-2-35, BCC-1-3535, BCC-2-3535

Size & weight

Width: 101 mm / 4 inches
Depth: 138 mm / 5-7/16 inches
Height: 63 mm / 2-1/2 inches
Height (including rubber foot): 65 mm / 2-9/16 inches
Weight: 610 g / 1 lb 6 oz
Weight (including battery): 680 g / 1 lb 8 oz

0 dBu = 0.775 Vrms
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 1 in stock $240.01
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quote 996860
Frequency Central Akropoli Advanced Generative Sequencer Module
Frequency Central Akropoli Advanced Generative Sequencer Module (clock generator/comparator/logic/sequencer module)
Cat: 997141 Rel: 19 Mar 24 • View all Synth modules
 
Generative CV sequencer & 4-channel clock divider module - 16HP
Notes: Advanced generative sequencer featuring mutes per channel and transposition facilities.

Akropoli is an extension and enhancement of our successful Little Melody and High Towers modules, offering the features of both of these modules as well as some of it's own unique features such as mute buttons per channel, manual transpose knob and 1V/oct transpose CV input. Akropoli operates using Frequency Central's proprietary TOOL V2 code, and can count in integers as well as multiples for even more subtle and evolving variations.

Akropoli is a generative sequencer based around clock divisions and a chromatic quantiser, used to create in-the-moment licks and riffs. It is more that the sum of it's parts.

Akropoli's internal operations can be considered as 4 clock dividers patched into a CV mixer via attenuators. The attenuators select notes over a 5 octave range, the clock dividers determine how often those notes are added to the mix. The final output of Akropoli is quantized chromatically for fast set up and continuously pleasing results. Akropoli has an onboard transposition knob, as well as a 1V/oct transposition CV input.

The 4 clock dividers are labelled A, B, C, and D. They all receive clocks from the same source, the divisions may be selected using the presets and the individual division selectors. The clock dividers can be set to count up, down, or to one of a variety of modes that move between counting up and down. For further information on Presets and Modes see the Little Melody User Guide.

Additionally, each clock divider has it's own binary output (either high or low), these 4 outputs can be used to clock/gate/trigger other stuff on other modules to great effect.

Product Specifications

12V draw
50mA

-12V draw
36mA

5V draw
0mA

Depth
35mm
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 1 in stock $262.12
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quote 997141
Boss MD-200 Modulation Effects Pedal Boss MD-200 Modulation Effects Pedal Boss MD-200 Modulation Effects Pedal Boss MD-200 Modulation Effects Pedal
Boss MD-200 Modulation Effects Pedal (modulation effects pedal)
Cat: 996868 Rel: 18 Mar 24 • View all Effects pedals
 
Modulation effects pedal
Notes: Simply sophisticated

With the 200 series, BOSS introduces a new generation of pedals that pack advanced sound and versatility into a streamlined size that saves space on your board. Grab-and-go controls and multi-function switches make operation easy and intuitive, while onboard memories allow you to store multiple setups for instant recall. All 200 series pedals feature premium audio quality with 32-bit internal processing and offer support for external control via footswitches, an expression pedal, or MIDI.

Outfitted with algorithms from the flagship MD-500, the MD-200 Modulation delivers an array of world-class effects in one small, convenient pedal. Twelve different modes provide every mod sound you need and more, and each includes customized controls that unlock deep tone shaping right from the panel. And with the powerful insert function, it's simple to patch in drive pedals and other effects for selectable pre or post processing.

Version 1.1 Update: User Memory Expansion

The free Version 1.1 software update brings increased flexibility to the BOSS 200 series, greatly expanding the onboard memory capacity for storing and recalling sounds. There are now 128 user setups available. Setups can also be recalled directly via MIDI program change.

For optimal performance, stay up to date with the current MD-200 system software.

Twelve Mod Essentials in One Pedal

Compact and mighty, the MD-200 gives you every key mod effect in a minimal footprint. Modern and vintage BOSS chorus effects are included, plus phaser, flanger, rotary, vibrato, and tremolo. Classic vibe and '70s phaser effects are also available, complete with selectable distortion for added versatility. BOSS's famous Slicer delivers lots of cool rhythmic grooves, while the rich Overtone effect dishes up fat octave tones and unique sonic colours. There's a highly adjustable auto wah as well, which can double as a foot wah when an expression pedal is connected.

Dial in Sounds Fast

With the MD-200's simple and direct interface, it's easy to craft inspiring sounds in the heat of the moment. Using dedicated controls, you can quickly dial in rate, depth, and level for any selected mode. You can also tap in the rate with a footswitch while playing, and visually set note subdivisions right from the panel. Going further, three additional parameter knobs dynamically change functions with each mode, providing extended tone shaping with no need to menu dive.

Save and Recall Your Favourite Setups

The MD-200 features 127 user memories plus a real-time panel setting, giving you 128 total setups to choose from. Any range of consecutive memories and the panel setting can be assigned for scrolling access from a footswitch. It's also possible to limit the scrolling range or assign memories directly for even faster recall. And if you crave deeper control, setups can be directly recalled via program change messages from an external MIDI device.

Instantly Change Effect Order for Optimum Tone

Using the MD-200's insert loop function, you're able to patch external pedals, set the ideal effect order, and save the setting to an onboard memory. For example, you can place a phaser or classic vibe before an external pedal in one memory, a chorus or flanger after in the next, and then switch between them. This is particularly useful with drive pedals, where the signal order can have a dramatic effect on the selected mod sound.

Deep Real-Time Control

By default, the MD-200's multi-function footswitches control bypass, memory scrolling, and tap tempo, but you can easily reassign them to alternate functions as needed. External control is also possible via footswitches or an expression pedal, and MIDI I/O is even provided on space-saving mini TRS jacks. Via MIDI, you're able to chain multiple 200 series pedals and select memories on all of them at once, and also control various functions from MIDI devices like the ES-8 and ES-5 effects.

Specifications

Sampling Frequency: 96 kHz
AD/DA Conversion: 32 bits
Processing: 32-bit floating point
Modes:12 modes; CHORUS, CE-1 CHORUS, FLANGER, PHASER, VINTAGE PHASER, CLASSIC VIBE, VIBRATO, TREMOLO, ROTARY, AUTO WAH, SLICER, OVERTONE
Memory: 127 + Manual
Nominal Input Level: INPUT A/MONO, B: -10 dBu
Maximum Input Level: INPUT A/MONO, B: +7 dBu
Input Impedance: INPUT A/MONO, B: 2 M ohm
Nominal Output Level: OUTPUT A/MONO, B: -10 dBu
Maximum Output Level: OUTPUT A/MONO, B: +7 dBu
Output Impedance: OUTPUT A/MONO, B: 1 k ohms
Recommended Load Impedance: OUTPUT A/MONO, B: 10 k ohms or greater
Bypass: Buffered bypass
Controls: ON/OFF switch, MEMORY/TAP switch, MODE knob, RATE knob, DEPTH knob, E. LEVEL knob, PARAM 1 knob, PARAM 2 knob, PARAM 3 knob, TAP DIVISION button, MEMORY button
Display: 7 segments, 3 characters (LED)
Indicator: TAP DIVISION indicator, MEMORY (MAN, 1--4) indicators

Connectors:
INPUT (A/MONO, B) jacks, OUTPUT (A/MONO, B) jacks: 1/4-inch phone type
CTL 1, 2/EXP jack: 1/4-inch TRS phone type
MIDI (IN, OUT) jacks: Stereo miniature phone type
DC IN jack

USB port: USB micro B-type (program update only)
Power Supply: Alkaline battery (AA, LR6) x 3, AC adaptor (sold separately)
Current Draw: 225 mA
Expected Battery Life Under Continuous Use: Alkaline: Approx. 4 Hours
* These figures will vary depending on the actual conditions of use.
Accessories: Leaflet "USING THE UNIT SAFELY", Leaflet "To obtain the Owner's Manual", Alkaline battery (AA, LR6) x 3, Rubber foot x 4

Options (sold separately)
AC adaptor: PSA-S series
Footswitch: FS-5U
Dual footswitch: FS-6, FS-7
Expression pedal: FV-500H, FV-500L, EV-30, Roland EV-5
MIDI/TRS connecting cable: BMIDI-5-35, BMIDI-1-35, BMIDI-2-35, BCC-1-3535, BCC-2-3535

Size & weight
Width: 101 mm / 4 inches
Depth: 138 mm / 5-7/16 inches
Height: 63 mm / 2-1/2 inches
Height (including rubber foot)65 mm 2-9/16 inches
Weight: 610 g / 1 lb 6 oz
Weight (including battery)680 g / 1 lb 8 oz

0 dBu = 0.775 Vrms
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MRP:$271.61 SAVE 21%
 1 in stock $214.75
ALM Pamela's PRO Workout Clocking Modulator Module ALM Pamela's PRO Workout Clocking Modulator Module
ALM Pamela's PRO Workout Clocking Modulator Module (clock generator/clock modulator/function generator/LFO/sequencer/digital/quantizer/random synth module)
Cat: 911097 Rel: 18 Nov 22 • View all Synth modules
 
'Pamela's PRO Workout' is a compact programmable clocked modulation source for your Eurorack modular system.
Notes: 'Pamela's PRO Workout' is a compact programmable clocked modulation source for your Eurorack modular system. It provides 8 highly editable outputs producing various control voltage signals correlated and synced to a BPM based master clock.

Each output can provide everything from simple clocked triggers, complex rhythmic waveforms, quantised melodic patterns to random chaos with direct and assignable CV control over numerous parameters. These features together with a quick and easy to use interface provide almost limitless synced modulation possibilities in a tiny space.

Building on the original 'Pamela's Workout' & 'Pamela's NEW Workout' the evolved 'PRO' Pam maintains the precursor's form factor and intuitive workflow but improves and adds many new features with upgraded hardware, more CV inputs, a new full colour hi res display and rewritten software adding many new enhancements like micro grid timings and cross output modulations.

Through optional expander modules more CV input and outputs can be added with support for external non euro equipment through Midi and Din Sync outputs. Please enjoy your next generation PRO workout!

Size: 8HP
Power: +12v 60ma / -12v 10ma
Depth: 32mm (approx with power header)
Outputs: 0-5v buffered low impedance. 12 bit res. 3.8khz max update freq.
Inputs: CV 0v-5v / Clock, Run - rising edge 700mV min.
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 More than 10 in stock $271.60
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quote 911097
ALM MFX Stereo Multi-Effects Processor Module ALM MFX Stereo Multi-Effects Processor Module
ALM MFX Stereo Multi-Effects Processor Module (delay/digital/distortion/dual/stereo/dynamics/effect/tuner/utility synth module)
Cat: 867407 Rel: 04 Mar 22 • View all Synth modules
 
The MFX is a compact 6HP Eurorack stereo digital audio multi effects processor.
Notes: The MFX is a compact 6HP Eurorack stereo digital audio multi effects processor.

It offers 14 different full featured effects programs plus a number of metering utilities.
Inspired by ALM's favourite classic hardware effects processors, the MFX incorporates DSP technologies from the dawn of digital effects in the 70s to the present day. This combines with ALM character and uniqueness to form a highly useful, fun and practical Eurorack effects module.

Reshape sounds with the distortion and dynamics engines. Bend time, space and pitch with multiple feature rich reverb and delay engines. Modulate signals with the flexible panner, frequency shifter, and range of ensemble effects. Fracture sounds with the one of a kind granular and glitch engines. Check signals and tune oscillators with various utilities.

The MFX user interface is designed to be familiar, quick and easy to use. Each program contains a wide range of controllable parameters both directly editable or freely assigned to CV or clocked control. Additionally, each program includes factory presets as well as the ability to store and recall user presets. All states are preserved across power cycles.

Effect Program List

Digi-PCM Echo
Feature rich digital delay taking inspiration from early prime time rack delay units with added modern features.

Tape-Tech Echo
Tape style delay with a digital pitch shifter bolted on.

Crumbular Echo
More experimental granular style echo.

Ursa Minor Echoverb
Emulation of the classic Ursa Major 'Space station' providing more delays and reverb type effects.

Pocket PL8 Reverb
Emulation of very early digital style reverbs with a dense metallic sound.

Almicon Reverb
Emulation of 80s studio style reverb great for bright rooms and vast synthetic spaces.

Quaidra Reverb
Emulation of a popular 90s rack reverb. Excels at creating airy, atmospheric reverbs.

TY-50 Compressor
Flexible modern compressor great for adding punch, smoothing transients or as a clean mix bus compressor.

Transient Shaper
Fast acting dynamics processor for reshaping the attack and release envelope of any sound.

TH-30 Distortion
A versatile distortion program with distortion types ranging from analog style saturation to intense digital wavefolding.

2051 Bit Corrupter
Real-time audio buffer designed to imitate malfunctioning digital audio equipment.

Modulating Panner
Clock-syncable mono or stereo auto-pan with an additional scan mode that cross fades between 2 input signals. Use for VCA, Panner, crossfader, tremolo type effects.

Ring + Freq Modulator
Pair of classic modulation effects in stereo, tailored towards otherworldly and dissonant sounds.

Ensembles Ensemble
Simulation of classic chorus and ensemble effects. An added digital pitch shifter takes the effect beyond traditional chorus circuits.

Utilities
Simple oscilloscope and VCO tuner.

Technical Specifications

Supply: +12V 50mA Max / -12v 15mA
Size: 6 HP
Depth: 32mm
16 Bit / 44.1Khz Stereo processing
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 4 in stock $250.55
Xaoc Devices Batumi II 1974 Quadruple Low Frequency Oscillator Module
Xaoc Devices Batumi II 1974 Quadruple Low Frequency Oscillator Module (digital/LFO/oscillator/quad/random/clock generator/CV modulation module)
Cat: 979276 Rel: 13 Feb 24 • View all Synth modules
 
Quadruple low frequency oscillator module - 10HP
Notes: An updated version of the excellent Batumi quad LFO, version II introduces performance updates plus compatibility with the new Poti II expander. Original Poti I breakout functions are now included in the Batumi II.

Supplier's Notes:
Xaoc Devices presents Batumi II - a greatly improved and enhanced new iteration of the modern day classic that is/was the original Batumi, preserving its layout and form factor. The premise remains the same: four LFO's with individual outputs for sine, assign and rectangle waves. The channels can operate independently or they can be linked - phase shifted, divided or multiplied (new mode alert) with regard to the first channel. Multiple major and minor improvements have been implemented, e.g. when synced to an external clock source, each channel's frequency slider selects a clock division for that channel's outputs.

Xaoc Devices have managed to incorporate the features of the original expander into Batumi II (sync mode switching and assign waveform selection) without changing the size of the module which opened up new possibilities for the new optional expander. The Poti II expander for Batumi II adds multi destination inputs for sine wavefolding, assign output waveform selection or rectangle pulse modulation with the destination set for each channel independently. Poti II also features frequency input attenuation as well as sine and assign output attenuation. All adjustments may be performed separately for each individual channel or for all channels simultaneously.

The Batumi II software has been rewritten from scratch to ensure best performance. The hardware has also been updated to allow for V/oct tracking and stable operation up to audio rates (more powerful CPU, precise, wideband converters, antialiased waveforms).

-4 LFO's
- redesigned from scratch - both the hardware and software
- new waveforms for the assign output (including random)
- new frequency multiplication mode
- all features of the Poti expander incorporated into the main module
- very wide frequency range well into audio rate
- 1V/oct tracking = so can be used as 4 VCO's
- in the Phase/Divide/Mult modes the random waves at the ASGN output follow the values available in the master/A channel
- 10HP
- +90/-50mA
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 2 in stock $272.66
Cre8audio NiftyBUNDLE Synth Module Case Bundle Cre8audio NiftyBUNDLE Synth Module Case Bundle Cre8audio NiftyBUNDLE Synth Module Case Bundle Cre8audio NiftyBUNDLE Synth Module Case Bundle Cre8audio NiftyBUNDLE Synth Module Case Bundle
Cat: 846914 Rel: 08 Nov 21 • View all Synth Module Accessories
 
A collection of Cre8audio’s most essential euro rack synth components: case, modules, power, MIDI to CV, and enough patch cables to get into trouble are all included.
Notes: NiftyBUNDLE is a collection of Cre8audio's most essential euro rack synth components:

Case, modules, power, MIDI to CV, and "enough patch cables to get into trouble" are all included.

The NiftyBUNDLE is made up of the following Cre8audio components:

NiftyCASE

The Cre8audio NiftyCASE is a moderately sized euro rack case with HUGE possibilities!

NiftyCASE is more than just a basic eurorack case; it provides all the power and connection possibilities you could possibly ask for. NiftyCASE offers a beefy 2A of cumulative current via its +12v -12v and +5v power rails, ideal for all your modules.

Connecting your NiftyCASE to computers or MIDI devices is a breeze thanks to the built-in MIDI to CV conversion. NiftyCASE takes either DIN-MIDI from any DIN-MIDI device or USB-MIDI from your computer and turns it into eurorack compatible CV, gate, mod, and clock signals.
NiftyCASE's DIN-MIDI thru lets you easily daisy-chain multiple NiftyCASES and easily integrate NiftyCASE with your MIDI equipment.

The NiftyCASE is the perfect size for a portable eurorack case being 84hp wide; that means NiftyCASE isn't super tiny or super huge- it's just the right size for all of the cardboard boxes they're shipped in.

Chipz and Cellz modules

Chipz is a chiptune-inspired eurorack synth module, which will take you back to the halcyon sounds of the '80s.

Cre8audio describe chips as ideal for those who speak "bleep blop". They say that Chipz is "full of heaping piles of beeps, blops, and probably some other stuff too. It's got a couple of voices and some wacky LFO junk, perfect for getting your body wobbling"

Putting all of that into language you might understand a little more, Chipz is a dual VCO and dual LFO module with each offering sine, triangle, saw, square, and noise waveforms.

Cellz is another wacky module from the deranged minds over at Cre8audio. A programmable CV touchpad where each touch segment can be tuned to 2 different CV values then played by hand, sequenced, and arpeggiated.

Box 'O' Cables & Blanking Panels

To get you up and running, the NiftyBUNDLE also comes with Cre8audio's Box 'O' Cables, allowing you to get patching and making noise straight away. The NiftyBUNDLE also includes some Cre8audio branded panel blanks to fill empty eurorack space.

Included in the NiftyBUNDLE:
NiftyCASE
NiftyCASE 15v 2.4A PSU
Chipz
Cellz
Box 'O' Cables
2x Cre8audio "8" panel blanks

Specifications:

Useable case area = 84hp
Internal depth = 55mm
Weight = 1.8kg
6.8cm x 44.6cm x 18.6cm
Range of cv out 1 = 0-10V
Range of cv out 2 = 0-10V
Voltage output gate 1 - off =0 on =5?off = 0 on = 4.65?
Voltage output gate 2 - off =0 on =5?off = 0 on = 4.65?
Voltage output mod = 1-10V
Voltage output clock - off =0 on =5
Power output for modules
+12V - 1500mA peak output**
-12V - 500mA peak output**
+5V - 500mA peak output**
1/4" ts mono output on rear
MIDI in via USB and 5 pin Din
MIDI thru via 5 Pin Din and USB
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 4 in stock $229.49
MOTU M4 USB-C 4x4 Audio Interface MOTU M4 USB-C 4x4 Audio Interface MOTU M4 USB-C 4x4 Audio Interface MOTU M4 USB-C 4x4 Audio Interface
MOTU M4 USB-C 4x4 Audio Interface (audio/MIDI interface)
Cat: 755895 Rel: 30 Dec 19 • View all Audio interfaces
 
USB audio interface
Notes: Equipped with the same ESS Sabre32 Ultra DAC Technology found in audio interfaces costing thousands, the M4 delivers an astonishing 120 dB Dynamic Range on its main outputs. ESS converters also drive the headphone output, which rivals dedicated headphone amplifiers costing hundreds. Ultra-clean preamp circuits produce a measured -129 dBu EIN on the mic inputs. Capture and monitor your audio with pristine clarity.

The M4 provides best-in-class speed for monitoring live inputs (mic, guitar or keyboard) through your computer, thanks to MOTU's expertly engineered USB drivers, which deliver class-leading, ultra-low 2.5 ms Round Trip Latency (at 96 kHz with a 32 sample buffer).

When recording and mixing, nothing is more critical than achieving optimum levels. The M4 is the only audio interface in its class with a full color LCD featuring clear, detailed level meters for all inputs and outputs. Enjoy professional-level volume control and feedback to get your sound just right.

The M4 driver provides convenient loopback channels to your host computer, so you can easily route computer output back to the computer, where you can mix it with live mics and/or guitar inputs from the M4 in your host software for live streaming or podcasting. Streaming and podcasting has never been easier and better-sounding!

Decades of award-winning product engineering for hit songs, mega tours, primetime shows and blockbuster movies goes into every MOTU audio interface.
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MRP:$262.13 SAVE 12%
! low stock $230.54
Genelec 8010A Biamplified Active Studio Monitor (single, dark grey) Genelec 8010A Biamplified Active Studio Monitor (single, dark grey) Genelec 8010A Biamplified Active Studio Monitor (single, dark grey)
Cat: 518633 Rel: 12 Mar 14 • View all Studio monitors
 
Biamplified active studio monitor with 3" woofer and 3/4" tweeter
Notes: The new Genelec 8010 allows professionals to work in compact studios and on the move with an accurate monitoring tool.

The Genelec 8000 Series is widely used in broadcast, music and post-production studios around the world.

The ease of installation and outstanding sound quality make Genelec 8010 monitors ideal for small studios, OB vans, and perfect companions for portable recording devices and other mobile work.
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MRP:$342.14 SAVE 21%
 2 in stock $271.60
Arturia KeyLab Essential 3 61-Key USB MIDI Keyboard Controller (white) Arturia KeyLab Essential 3 61-Key USB MIDI Keyboard Controller (white) Arturia KeyLab Essential 3 61-Key USB MIDI Keyboard Controller (white) Arturia KeyLab Essential 3 61-Key USB MIDI Keyboard Controller (white)
Cat: 946020 Rel: 23 May 23 • View all MIDI keyboards
 
A 61-key USB MIDI keyboard controller.
Notes: Updated version of Arturia's consistently popular MIDI keyboard series, featuring a bigger screen and new performance features.

Supplier's Notes:
Arturia's new KeyLab Essential 3 offers a new level of accessible, enjoyable, and creative music making, redefining the essence of a modern universal keyboard controller.

From its refreshing new design, to its vastly upgraded creative workflow, to an expanded software package, it promises to shake up the affordable controller market by empowering modern musicians and sound explorers looking to expand their setup without breaking the bank.

Main selling points

Fit for any style and any setup

For DAW producers, musicians with hybrid setups, or performers using hardware; enhance any creative setup or musical style with MIDI out & USB power, deep DAW compatibility, and premium software.

The new standard for affordable keyboard controllers

A keyboard controller that doesn't need tons of controls, menu diving, or complex configuration to operate. KeyLab Essential 3 looks modern, feels great, and removes creative barriers for next-level music making.

Directly-linked with Arturia's industry-leading software ranges

Many musicians and producers will be familiar with Arturia's award-winning software; KeyLab Essential 3 is part of the same range, seamlessly integrating with Analog Lab V, Pigments, and V Collection.

New Features:
New creative features: Scale Mode, Chord Mode, and Arpeggiator, making composition, songwriting, and beat-making more intuitive than ever.
Custom DAW integration: KeyLab Essential 3 features custom scripts for deeper control over DAWs, including Ableton Live Logic Pro X, FL Studio, and more.
More versatile presets: The 2000 presets included with Analog Lab V are no longer limited to vintage sounds; users can enjoy unique hybrids, modern synths, orchestral sounds, and more.
Easier controls & interface: RGB-backlit pads with velocity and pressure sensitivity, contextual button, and a bright new 2.5" LCD screen for real-time feedback.
Expanded software package for beginners & pros: Now includes Analog Lab V, 2 pianos (UVI Model D, NI's The Gentleman), plus subscriptions to Loopcloud and Melodics.
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MRP:$247.40 SAVE 16%
 3 in stock $206.61
After Later Audio Typhoon Clouds/Monsoon/Microcell Redesign Module
After Later Audio Typhoon Clouds/Monsoon/Microcell Redesign Module (effect/pitch shifter/reverb/sampling/VCA/delay synth module)
Cat: 805536 Rel: 14 Jan 21 • View all Synth modules
 
Analogue texture synthesiser/rebuild of Mutable Instruments Clouds
Notes: This is where Storm and Monsoon meet to create the latest improvements on the original Clouds design. With Typhoon you get all of the features of Storm combined with sliders and layout of Monsoon in 16hp. Typhoon runs the SuperParasites firmware, so no more having to swap between Parasites and Kammerl firmware options. Some of the notable features are:

Dedicated blend controls for Feedback, Panning, Mix, and Reverb (similar to Monsoon)

All eight modes from Parasites and Kammerl

Stereo VCAs

input/output mutes

Exponential and linear pitch controls

Universal CV routing and random CV signals

Comes with an exclusive black and gold panel, power cable and one year warranty.
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! low stock $250.55
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DJ Tech Tools MIDI Fighter Twister 16-Button MIDI Controller (black)
Cat: 794833 Rel: 09 Dec 20 • View all MIDI controllers
 
Knob-assisted MIDI controller with LED rings
Notes: The usual solid MIDI Fighter build quality and LED feedback combine with rotary encoders and push-button options in the Twister. Configure it for your chosen software and get creative.

Supplier's Notes:
The most playable knob controller around.

Each knob doubles as a super powerful button. Turn the encoders to control a parameter in any software and twist their built in buttons to quickly reset the knobs or turn effects on and off. This means each knob is like 3 knobs.

The heart of the Twister are the 16 "Endless Encoders". These are very powerful knobs that don't have a start or ending point. Instead the LED rings show you the position of the knob. This means that the controller and the software are always in sync, even when changing banks, racks or songs on the fly.

The Twister allows for deep customization of every knob across all 4 banks with 5 killer features not found on any other controller. Change LED color, transform an encoder into a DJ filter, enable fine midi control, toggle a parameter on/off, or setup a "shift" knob so pressing a push-encoder activates control of a secondary function

The Midi Fighter twister was designed with producers in mind. We need compact, reliable controllers that are easy to map to our DAW's. The endless encoders respond to the software so everything is always in sync, even when playing back recorded automation.

Combine The Twisters powerful knobs with a DAW template so that every time inspiration strikes, a powerful studio environment is there to support you. This is how the pro's do it - why wouldn't you?

The knobs not only control your typical volume, pan and FX send controls but they also enable a host of quick access to deeper control - only available on the twister. For example, push the encoder to send out a fine resolution range and dial in the exact EQ setting you want. Release and return to normal range control.

You need to be able to react to the dancefloor. Having a dedicated controller is just like being a practiced instrumentalist. Once you have a idea, you can just make it happen as soon the inspiration hits.

*** Firmware update June 2023 ***

If you just bought your Midi Fighter Twister or haven't used the utility in a while chances are you might need to update it's firmware with the latest and greatest. This is a fairly straightforward process as long as you take some extra precautions.

1. Download and install the MF Utility if you don't have it already on your computer (PC/Mac).

2. After you check that any other MIDI related applications (Ableton, Traktor, etc) are closed connect your Twister directly to your computer and open the MF Utility. DO NOT USE A USB HUB

3. Click on "File>Export Settings" and select a destination, this will back up your Twister's settings if you have customized your Twister beforehand and make sure you export it outside of the "Midi Fighter Utility" folder since your OS might lock this location and prevent the MFS file from being generated successfully. If you just got your Twister you can skip this step.

4. If a new firmware is available for your device you should see a message in the utility as soon as your device is detected.

5. Click on the orange UPDATE FIRMWARE button and accept the pop up message warning you not to use a USB hub.

6. Once this process finishes your device will reboot and the MF Utility will now show it has successfully updated the firmware!
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MRP:$284.24 SAVE 10%
 3 in stock $255.69
Klavis Twin Waves MK2 Voltage-Controlled Dual VCO/LFO/Random Module (silver)
Klavis Twin Waves MK2 Voltage-Controlled Dual VCO/LFO/Random Module (silver) (digital/LFO/oscillator/dual/stereo/noise/quantizer/ring modulator/random synth module)
Cat: 798332 Rel: 10 Dec 20 • View all Synth modules
 
Synth module
Notes: Voltage-controlled Dual VCO/LFO - two oscillators independently set as VCO or LFO.

Features in VCO mode:
V/Oct tracking over 10 octaves
Through zero and linear FM
Sub-octave output
Hard & soft synchronization
VCA control and CV algorithms selection
Quantizer with various scales
20 algorithm-based synthesis types among:
Wave shaping
Phase modulation
Phase positioning of multiple waves
Up to 5 stacked oscillators in tunable unison
Self-sync with phantom oscillator
Additive synthesis (7 waves)
Variable bit reduction (bit-crushing)
Ring modulator with its own 2nd oscillator
Noise with LPF, BPF, or resonant filter
Features in LFO mode:
Simultaneous signal and trigger outputs
External wave synchronization
Clock controlled rate with voltage controlled multiplier and divider
CV and knob control of output level
Algorithm based wave engine with a selection of:
Wave shaping
Phase modulation
Random levels and vectors (also Brownian)
Randomly spaced triggers and waves
Display with contextual icons and instant reminder help text
LEDs indicating potentiometer vs. value matching, switch settings and output levels
Automatically saved settings for instant recall at power on
Firmware update by playing an audio file via the front panel
Compact and skiff-friendly module

The driving idea behind the Twin waves voltage-controlled dual oscillator/LFO is to offer two interesting oscillators in a skiff-friendly and compact size. To achieve that challenge, Klavis built the product's architecture on the concept of pre-defined algorithms, where the most useful configurations and their matching parameter are ready to use.

This MKII evolution brings a redesigned layout, additional knobs for more hands-on fun and semi-modular cross-patching between sections.

All of the original features are present: a top selection of synthesis techniques, each with their key parameter directly at hand, enriched by a full set of complementary features.

More than ever, the Twin Waves is versatility at its best.

Dimensions:

(mm) Height: 128.40, Width: 40.40, Depth: 21.00
(Inches): Height: 5.06, Width: 1.59, Depth: 0.83
Eurorack: Height: 3HE, Width: 8HP
Depth behind panel (no supply cable inserted)- 21.00mm, 0.83 inches

Current draw
+12V: 46mA
-12V: 18mA
+5V: 0mA
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MRP:$289.51 SAVE 22%
 1 in stock $226.33
Arturia DrumBrute Impact Analogue Drum Synthesiser Arturia DrumBrute Impact Analogue Drum Synthesiser Arturia DrumBrute Impact Analogue Drum Synthesiser
Cat: 697102 Rel: 06 Aug 18 • View all Drum machines
 
Drum machine featuring bold, hard-hitting pure analogue sounds
Notes: The little brother to the original DrumBrute arguably packs a bigger punch. Gritty analogue sounds are on offer, but the sequencer is just as inspiring. A great alternative to the usual Roland suspects.

Supplier notes:
This is the drum machine you've been waiting for.

Combining bold, hard-hitting analogue sounds, a monstrous output distortion, performable controls, superb connectivity, and a powerful sequencer, DrumBrute Impact will fill your music with energy and muscle.

Putting the focus on "Brute", DrumBrute Impact features 10 high-energy, refined, punchy analogue sounds.

You can also use the exclusive "Colour" sound-shapers to introduce unique, per instrument effect for some variation. Boost the harmonic content, add some drive, snap, or crack at the touch of a button, you can even automate tonal changes by creating a "Colour" sequence. If you want your drums to push even harder, use the built-in distortion on the output for some drum-optimized crunch.

DrumBrute Impact is a drum machine for musicians and producers who crave raw power and monstrous tone.

Awesome drums made easy:

Sharing the same prize-fighting sequencing architecture found in the original DrumBrute, you'll love the simple, fun, and intuitive sequencer in DrumBrute Impact.

Whether you want to create complex, phasing polyrhythms or straight, pounding rhythms; record a finger-drumming performance; punch in a step-sequenced masterpiece; DrumBrute Impact beats to your rhythm. Use the touch strip to create some real-time glitchy, beat-repeat breakdowns, spice up a single instrument or your whole pattern with a dedicated 'Random' knob, and add some syncopation and groove with the 'Swing' feature.

A true analogue experience:

Connect to your other gear, sync up, and make some music the old-school way.

Get away from computer screens, say goodbye to sub-menus, and jump into the world of tactile, instant, analogue satisfaction. Featuring a huge array of sync and connectivity options, you'll be able to hook up and jam with practically any other synth, sequencer, or MIDI-enabled instrument. Mix on the fly with dedicated controls for every function, multitrack, record, effect, and mix the sound your way with multiple bus outputs. Save patterns that you love, chain them together, and create full songs and live sets, all without looking at a single screen.

DrumBrute Impact is a massive sounding, creativity fuelling beast, with effortless workflow and amazing performance controls.
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MRP:$304.24 SAVE 17%
 1 in stock $253.82
WMD Javelin Expressive Envelope & Amplitude Controller Module WMD Javelin Expressive Envelope & Amplitude Controller Module WMD Javelin Expressive Envelope & Amplitude Controller Module
WMD Javelin Expressive Envelope & Amplitude Controller Module (CV modulation/envelope generator/LFO/VCA synth module)
Cat: 784089 Rel: 15 Jul 20 • View all Synth modules
 
ADSR envelope module with integrated VCA - 6HP.
Notes: Javelin is a module that is basically an ADSR envelope with integrated VCA. However, it has several features that make the module an expressive sound shaping tool.

Three level ranges determine the total amplitude of the envelope, additionally three different time ranges are integrated, which can be switched between.

The accent behaviour is also unique. If several gates are applied to the Accent input at the same time, the envelope rises slightly with each gate.

Features:

Attack-decay-sustain-release envelope
Integrated VCA
Unique accent behaviour for expressive sequences
Reset input
CV control over attack and release
Looping mode for LFO-like modulations
Mode switch for gate and trigger behaviour
Linear, moderate or steep exponential shape
Short hold in the peak of the attack for more punch
Power consumption: 93mA at +12V and 65mA at -12V

Depth: 38mm

HP : 6
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 2 in stock $246.33
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Buchla & TipTop Audio Mixer & Preamplifier Model 207t Module Buchla & TipTop Audio Mixer & Preamplifier Model 207t Module Buchla & TipTop Audio Mixer & Preamplifier Model 207t Module Buchla & TipTop Audio Mixer & Preamplifier Model 207t Module
Cat: 950885 Rel: 26 Jan 24 • View all Synth modules
 
Mixer & preamplifier module - 28HP.
Notes: A characteristically unique take on mixing from Buchla, with six mono inputs and a built-in mic/guitar pre-amp. Each channel can be cued to a monitor mix, while the first and last channels also include voltage-controlled panning.

Supplier's Notes:
The Tiptop 207t is a modern reimagining of the classic Don Buchla 207 Mixer/Preamplifier from the 1970s 200 Series. This stereo mixer comes with a built-in preamp that allows you to boost external instruments and microphones, making it a versatile tool for any modular setup. The 207t also features a six-channel mixer with a variety of signal routing options, including the ability to route channels to the monitor and L&R signal outputs, with per-channel control over loudness and panning.

Each channel has a Mon switch that sends the channel's signal to the monitor outputs, which are always full-volume and summed to mono, making it useful for basic monitoring applications or rudimentary mixing. The Prog switch sends the signal to the L&R signal outputs, with loudness controlled by the Level Adjustment slider and panning determined by the Channel Assignment knobs. The first and sixth channels offer voltage control of panning; these channels are hard-panned when no CV is applied.

The preamp section features a 1/4" input and multiple gain settings, making it suitable for use with external line level instruments, electric guitars, or dynamic microphones. The continuous amplification control provides added flexibility for your audio needs. Finally, the Expansion In is a stereo input that sums to the left and right main outputs, which is great for chaining multiple 207t modules or adding another stereo source at the final output.

While the 207t's functionality may be simple, it is an essential part of any 200t system, serving as the glue that holds everything together. The Tiptop 207t is a fantastic mixer/preamp option that delivers quality sound and reliable performance.

Buchla 207t Features

Mixer/preamp module based on Don Buchla's original 207 design
Six-channel mixer with per-channel level control and panning
Voltage-controllable panning on channels 1 and 6
Manual panning on channels 2-4
Program switches can act as channel mutes for main outputs
Mon switches route signal (in mono) to Monitor output
Expansion input useful for stereo chaining and more
Re-designed preamp for high audio fidelity
Preamp suitable for use with external instruments, electric guitars, dynamic microphones, and more

Eurorack module
28hp wide
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 More than 10 in stock $244.23
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Arturia BeatStep Pro Pad Controller & Performance Sequencer (white) Arturia BeatStep Pro Pad Controller & Performance Sequencer (white) Arturia BeatStep Pro Pad Controller & Performance Sequencer (white)
Cat: 561278 Rel: 16 Jul 15 • View all Sequencers
 
Pro controller & performance sequencer with 2 monophonic step sequencers & 16 track drum sequencer
Notes: The ultimate sequencing powerhouse.

BeatStep Pro is unique: a world-class controller, performance sequencer and composing tool all in one very connectible package.

BeatStep Pro is unlike anything you have ever used on stage or in the studio. Wherever you are, whatever gear is available, taking control of the creative process has never been so easy.

Step into the spotlight

Two independent melodic sequencers and a drum sequencer put thousands of on-the-spot ideas at your disposal.

With BeatStep Pro you are master of the performance, taking full control of virtual devices, analog and digital instruments, drum machines and iPad apps all at once. 16 Projects are instantly accessible, each of which contains 16 sequences per melodic sequencer and 16 patterns for the drum sequencer. That's over 4000 possible combinations per Project!

Each melodic sequence can be up to 64 steps long with individual articulation of pitch, velocity and gate time per note. These are the most powerful step sequencers ever made. The drum sequencer has 16 separate tracks per sequence (one per pad). Record in real time from the pads or use the step buttons for that classic drum machine workflow.

Perfect performance

BeatStep Pro brings together the most unique and sought-after performance effects available: a looper with a touch strip, a randomizer, swing settings and a slew of hands-on controls that will make your performances the stuff of legend.

Take control

Control mode lets you trigger clips in your favorite DAW, play sounds from an external device or make magic with your plug-in of choice. Take your music from idea to reality with BeatStep Pro.

Plays well with others (very, very well)

With BeatStep Pro you can connect to virtually any musical device within reach: computers, virtual instruments, modular synths, drum machines; anything with USB, MIDI in and out, CV/Gate outputs, Clock in and out, or DIN sync. From the oldest music technology to the newest and beyond, BeatStep Pro is bound to become the centerpiece of your setup and the heart of your creative efforts for many years to come.
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MRP:$293.72 SAVE 17%
 2 in stock $245.03
Soma Laboratory Illuminator 8-Channel CV To LED Desktop Controller Soma Laboratory Illuminator 8-Channel CV To LED Desktop Controller Soma Laboratory Illuminator 8-Channel CV To LED Desktop Controller Soma Laboratory Illuminator 8-Channel CV To LED Desktop Controller Soma Laboratory Illuminator 8-Channel CV To LED Desktop Controller
Cat: 938043 Rel: 02 May 23 • View all Synth Module Accessories
 
An eight channel converter that turns synth module and analogue CV signals into a voltage that drives LEDs and LED strips.
Notes: ILLUMINATOR is an eight channel converter that turns Eurorack and analog CV signals into a voltage that drives LEDs and LED strips, creating a unique light show in sync with your live performance. CV signals coming from your music gear are already pulsating with the different parts and sounds of your track, so there is no need for any kind of programming or light operator.

You can focus on playing your set and let ILLUMINATOR take care of the rest, creating a dynamic visual show that follows your tracks down to every note and beat!

No presets, no memory- just your music driving the lights. Create intense strobe-like effects by connecting rapid hi-hats from your analogue drums, or use slow external LFOs for a moody ambience during your ambient sessions.

ILLUMINATOR is compatible with standard 12V LED strips that are affordable and widely available. LED strips are flexible and typically come with adhesive on the back, so it's easy to attach them to any objects and surfaces, including irregular and unusual ones. It can be your Eurorack case, synth stands, walls of the venue, furniture and even your body! This way you can create a unique light show that would otherwise require an expensive (and unwieldy!) lighting setup. Everything you need for your ILLUMINATOR show easily fits into a small backpack for just a couple hundred euros.

ILLUMINATOR can also run an art installation, as LED strips are far from its only application. It can drive anything that accepts DC 12V with a current up to 0.5A. You can hook up anything from motors, electromagnets to old-fashioned filament bulbs. It's the perfect beating heart for your weird mechanical steampunk orchestra. Your imagination is the limit!

ILLUMINATOR accepts all types of CV signals in the range from 3 to 20 volts. Each of the eight channels contains an individual trimmer pot that defines the sensitivity of the channel. It not only adjusts the optimal input range for connected CV sources, but it can also set the brightness of each LED strip. Default factory setting for all trimmer pots is made for the range of 5V, compatible with most gear out of the box.

Applying bipolar CV is also possible but the negative part of the signal will not light up the LEDs (everything below zero will be processed as zero).

CV signals can be connected to ILLUMINATOR using Eurorack mini-jacks or PULSAR-23-like pins and alligator clips. PSU DC IN and all outputs are standard DC sockets 5.5×2.1mm center plus.

Technical specs

Number of channels: 8
Supply voltage: DC 12V
Supply voltage socket: 5.5 × 2.1 mm (center plus)
Output voltage: DC 12V
Output LED socket: 5.5 × 2.1 mm (center plus)
Maximum total power of all channels: 48 watts
Maximum total current of all channels: 4A
Recommended maximum current for one channel: 0.5A
Absolute maximum current for one channel: 1.5A
Input voltage range: 3 - 20 Volts
Input impedance / with correct adjustment of the input sensitivity: > 5.7 kOm / 100 kOm
Input sockets: Eurorack mini-jacks and Pulsar-23 / Ornament-8 pins
Number of mini-jack sockets: 8 (1 for each channel)
Number of Pulsar-23 pins: 9 (1 for each channel + 1 common ground)
LED Items: 8
LED Color: 4000K x 2, Red x 2, Blue x 2, Green x 2
LED Length: 1.5 + 3 m cable
LED Power: 4.8 W/M
LED Voltage: DC 12V
LED IP Rate: IP65
Power supply Input: 100 - 240 VAC, 1.5 A, 50/60 Hz
Power supply Output: 12 DC, 5A
Dimensions: 275 x 70 x 40 mm
Weight: 300 g
Box size: 375 x 310 x 85 mm
Box weight: ~ 800 g

Product dimensions
Illuminator: 275 x 70 x 40 mm
Box: 375 x 310 x 85 mm
Net and gross weight
Illuminator net weight: 300 g
Gross weight: ~ 800 g
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MRP:$278.98 SAVE 10%
 1 in stock $250.55
Xaoc Devices Drezno II 1989 Binary Conversion Komputor Module
Xaoc Devices Drezno II 1989 Binary Conversion Komputor Module (comparator/CV modulation/distortion/frequency divider/logic/quantizer/sample & hold/waveshaper synth module)
Cat: 945630 Rel: 10 Nov 23 • View all Synth modules
 
An improved version of the original Drezno module in 12HP.
Notes: Part of Xaoc's Leibniz Binary Subsystem, the updated Drezno ADC/DAC module builds on the original with higher resolution converters, allowing you to use it for pitch quantisation.

Supplier's Notes:
Drezno II is an improved version of the original Drezno module. It is an essential member of the 8-bit Xaoc Devices Leibniz Binary Subsystem. The Leibniz subsystem is a family of modules that operate on 8 binary (two-state, on/off) signals. These signals are arranged as 8 bits of digital data and may represent analogue signals and voltages, or they may be whatever you want them to be (clocks, gates, rhythms, etc.).

Drezno features an ADC (analogue-to-digital-converter) and DAC (digital-to-analogue-converter), allowing it to act as an analog front-end of the system. In other words, Drezno allows one to convert analogue signals and CVs into digital numbers, as well as to obtain analogue signals back from some other digital numbers (or 8 binary signals). Between these two conversions there is a whole universe of digital shenanigans waiting to happen resulting in all kinds of signal transformations and modulations.

Both (ADC and DAC) sections of Drezno can work independently, or they can be linked. Input and output range of analogue signals may be adjusted using Gain and Offset sliders. Individual bit outputs (for the ADC) and inputs (DAC) allow for extensive cross-patching and the creation of complex waveforms and rhythms. A very fast clock (up to 2MHz) at which the conversions are performed may be replaced with any external clock (for each section separately).

Compared to its predecessor, Drezno II uses new converters of much higher resolution which results in much lower noise floor and higher accuracy. The lower bits are much more stable than before. It is easy now to use Drezno for quantizing pitch voltages with accurate results with 128 or 256 semitone steps. Potentiometer ranges are factory calibrated for precise chromatic scale. A new switch on the front panel allows the user to select the calibrated range of 10Vpp or 20Vpp, so that the lowest bit or the second bit correspond to 1 semitone.

Technical details

Eurorack synth compatible
12hp, skiff friendly
Current draw: +80mA/-50mA
Reverse power protection
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 3 in stock $250.55
ALM Jumble Henge 16-Input Stereo Spectral Mixer Module ALM Jumble Henge 16-Input Stereo Spectral Mixer Module ALM Jumble Henge 16-Input Stereo Spectral Mixer Module
ALM Jumble Henge 16-Input Stereo Spectral Mixer Module (dual & stereo/equaliser/mixer/panning synth module)
Cat: 812641 Rel: 05 Feb 21 • View all Synth modules
 
A 16 input stereo spectral mixer with a unique patch-based mixing interface in a compact space.
Notes: The Jumble Henge is a 16 input stereo spectral mixer with a unique patch-based mixing interface in a compact space. Each input has a carefully tuned resonant analog filter and a unique fixed pan value, providing each sound its own space within the mix. There is a Mix control to adjust the depth of the filtering and a clean external stereo input for chaining with another mixer or extra sound source. Jumble Henge is a space efficient solution for creating rich stereo mixes from a number of both mono and stereo sources.

INPUTS
Vertical and horizontal patch position determines a source's spectral and stereo placement in the mix respectively.

Aside from centred inputs, every input sits in its own unique pan position, helping to keep a separation between sounds but building a complete stereo image when combined.

The centre right inputs of the top two rows are normalised to the centre left inputs. - i.e if just a left input is patched it will be effectively panned center.

Towards the highs the panning becomes wider - as the human ear better pinpoints direction at higher frequencies, whereas the lows remain more centred for a tighter, more focused sound.

MIX CONTROL
Mix control for the overall depth of the filters applied to the inputs. Note: a slight volume increase occurs near the centre of the dial.

EXTERNAL INPUT
An additional clean stereo input pair for chaining with another mixer or additional source. Right input normalised to left input to accomodate mono sources.

OUTPUTS
Stereo mix output, the sum of all 16 inputs.

Jumble Henge was designed in collaboration with Worng Electronics and is based on the 'SoundStage'.

Technical Specifications

Supply: +12V 70mA / -12V 70mA

Size: 8HP

Depth: 38mm
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 5 in stock $240.01
After Later Audio Pachinko Marbles Redesigned Module
After Later Audio Pachinko Marbles Redesigned Module (clock generator/clock modulator/quantizer/random/sequencer synth module)
Cat: 805525 Rel: 14 Jan 21 • View all Synth modules
 
Random sampler module/rebuild of Mutable Instruments Marbles
Notes: This is a brand new build of a JakPlugg designed Pachinko, which is a micro version of Mutable Instruments Marbles. It retains all of the functionality of the original but takes up less space (12HP) than the original Marbles (18HP).

The module is fully assembled, tested, and calibrated. The calibration is done with a 6.5 digit multimeter, itself recently calibrated, to ensure you get the highest accuracy from your module.

The panel is a custom black After Later Audio panel that offers metallic gold accents.

The module comes with a power cable and a 1 year warranty.
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Empress Effects Bass Compressor Effects Pedal Empress Effects Bass Compressor Effects Pedal Empress Effects Bass Compressor Effects Pedal
Cat: 799007 Rel: 27 Nov 20 • View all Effects pedals
 
Bass compressor effects pedal
Notes: When Empress released the original Compressor back in 2011, it quickly became a favourite among guitar and bass players alike who were searching for something more than the typical oversimplified controls found on most compressor pedals. Although our original Compressor sounded great on bass (and still does!) we set out to do even better.

On top of the full range of features and controls normally only seen in high end studio equipment, such as input and gain reduction metering, independent attack and release controls, a mix knob for parallel compression, and an external sidechain insert, we've now added a fully variable sidechain high pass filter, and a two position 'tone + colour' circuit which adds gentle tone sculpting and harmonic distortion, giving your bass some delicious character.

Specifications:
Input Impedance 1M
Output Impedance 2.2k
Frequency Response (-3dB) 10Hz - 20kHz
Distortion less than 0.1%
Noise -101dB
Power Input Voltage 9 - 18 V DC (Negative tip)
Power Input Connector 2.1mm barrel connector (Negative tip)
Power Consumption ~ 100mA
Enclosure Material Die Cast Aluminum
Input connector 1/4" Jack
Output connector 1/4" Jack
Height (Enclosure only) 1.5"
Height (including controls) 2.5"


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MRP:$314.77 SAVE 17%
 2 in stock $262.13
Xaoc Devices Zagrzeb 1979 Stereo Four Pole VC Filter Module
Xaoc Devices Zagrzeb 1979 Stereo Four Pole VC Filter Module (dual/stereo/effects/filter synth module)
Cat: 846578 Rel: 14 Jan 22 • View all Synth modules
 
A stereo multimode 4-pole (24dB/oct) state variable voltage-controlled filter (SV VCF).
Notes: A seriously versatile filter here, much more than meets the eye. Stereo, state-variable, multi-mode design gives you huge control over frequency response and stereo image.

Supplier's Notes:
Zagrzeb is a stereo multimode 4-pole (24dB/oct) state variable voltage-controlled filter (SV VCF). It offers five distinct frequency responses, three of which are available simultaneously. Spread control allows for animation of the stereo image by moving the left and right filter cutoff frequencies in opposite directions. Zagrzeb is designed to sound smooth and clean unless it is overdriven with a hot signal- however, it does not lack character! We believe it will be appreciated by fans of old Japanese synthesizers, but bear in mind that Zagrzeb is not a clone of any existing design. The four-pole state variable structure is a new development and offers unique sonic characteristics. While Zagrzeb is designed for filtering stereo signals (e.g. samples or stereo oscillators like Xaoc Devices Odessa), it can easily handle mono signals and is capable of creating a faux stereo pair thanks to a special phase shifting network at the input.

Dimensions:
8 HP

Current Draw:
70 mA +12V
60 mA -12V
0 mA 5V
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 3 in stock $235.81
iConnectivity mioXM MIDI Interface iConnectivity mioXM MIDI Interface iConnectivity mioXM MIDI Interface iConnectivity mioXM MIDI Interface
Cat: 825885 Rel: 08 Nov 21 • View all Audio interfaces
 
Advanced 4 in, 4 out MIDI-USB-RTP/network interface for Mac, PC, iOS
Notes: mioXM - more connectivity than you can shake a stick at.

With mioXM it's never been easier to get all of your MIDI gear talking to each other. Harness the power of iConnectivity advanced computer and network connectivity and experience why mioXM redefines what a MIDI interface can and should do.

Connect all your MIDI devices (USB-MIDI, DIN-MIDI, RTP/Network-MIDI) and let this rugged, versatile interface put you in control of your MIDI devices and workflow.

On stage or in the studio, RTP/Network-MIDI capability means you are no longer constrained by cable length or limited USB ports. Stack multiple interfaces and computers on a network for ultimate scalability and flexibility.

With mioXM, you're able to streamline and expand your MIDI setup, and do it faster, better, and in creative and exciting new ways.

What makes mioXM unique? The iConnectivity difference.

Powerful network MIDI capabilities:

Network connectivity means MIDI wherever you need it. Regular USB connectivity limits you to keeping your interface within 15ft of your computer. Network / Ethernet connectivity gives you up to 330ft / 100m connection between you and your interface.

Drop an interface in every room of your studio, or place an interface virtually anywhere in a venue.

RTP/Network-MIDI is not bound by some of the same restrictions as USB-MIDI.

Easy renaming of network ports - have them show up the way you want them to in your DAW.

Access to more than12 ports per interface.

iConnectivity's unique network technology is as easy to use as USB! Enjoy your new-found MIDI power without extra headaches.

Use your 12 network MIDI ports anyway you want. Connect each of the 12 RTP-MIDI sessions to any combination of physical or virtual I/O ports. Almost any combination is possible.

Configuring mioXM:

Introducing a new version of iConnectivity's Auracle control software: taking the simplicity of workflow that the original Auracle introduced but now with the added deep configuration functionality that iConnectivity become known for. All the deep configuration options you asked for: MIDI merging, filtering, remapping, and deep routing are all there and super easy to use.

Presets onboard:

Need to configure your MIDI setup in multiple ways? No problem!

Store and recall up to 4 presets directly on the interface, without even needing a computer!

Easily recall unique MIDI routing, filter and merging setups to preset scenes, all from the front of mioXM.

What's in the box
1 x mioXM
1 x USB cable
1x Ethernet cable
1 x mioXM 12V 36W Power Power Supply with interchangeable blades (NA, EU, UK and AU (Australia only)).

Device Specifications:

Width: 214 mm/8.43 in
Height (1U): 37 mm/1.46 in
Depth: 140 mm/5.51 in
Weight: 992g/2.13 lbs

mioXM fits comfortably in iConnectivity's iCRS Interface Rack Shelf

System Requirements

Macintosh
Mac OS X 10.11 or greater
1 free ethernet or USB port

Windows
Windows 10 or greater
1 free ethernet or USB port

iOS
iOS 8 or greater with Camera Connection Kit (CCK)*
CoreMIDI compatible app
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 2 in stock $214.75
Erica Synths Graphic VCO Advanced Wavetable VCO Module
Erica Synths Graphic VCO Advanced Wavetable VCO Module (oscillator/waveshaper/distortion/effect module)
Cat: 771733 Rel: 06 Apr 20 • View all Synth modules
 
Advanced wavetable VCO module with wave & FX design features - 16HP
Notes: Better known for analogue modules, it turns out Erica Synths are pretty damn good at digital too. Draw your own waveforms, build wavetables, tweak in real time and get freaky. Killer VCO.

Supplier's notes:
Erica Synths Graphic VCO allows you to draw your own waveforms, arrange them in wavetables and wavetable banks, morph between two selected waves and alter the resulting wave in advanced ways (FXes) - apply FM, phase distortion, ring modulation, wavefold/wavewrap, bitcrush.

Waves, wavetables, FXes and other settings can be saved and recalled from the memory instantly. The module has two outputs - the main output and the output with configurable suboscillator.

NB! To have the module functionality up to date, we recommend you to check the Erica Synths home pageor our social media from time to timefor announcements about firmware updates for the Graphic VCO. You can update the firmware of the module via miniUSB cable. More detailed instructions of the firmware update can be found in the User Manual.

The sound is clean, modern, punchy and detailed thanks to the unit running at 96kHz - quite different to some low bit-rate wavetable oscillators on the market. Wavetable interpolation is smooth as butter and with the built-in effects you can dirty things up in many different ways. The module scores highly on the sound front. The Graphic VCO is a very capable oscillator module with excellent sound quality and a lot of features that could make it the right choice, especially if live performance is your thing. - Sound On Sound
The bottom line is that the Graphic VCO is a joy to use. It's a module that's unashamedly digital, yet unmistakably eurorack. I think Erica showed a great deal of careful judgement and restraint in the design of this module. It would have been easy to have made it bloated and cumbersome trying to cram as many features as possible into it, but they kept it fairly simple which keeps the module fun and immediate in use. It's capable of a huge tonal palette ranging from beautiful to brutal that is bound to fit in with a lot of different styles and systems. - Ask Audio
The ability to draw and then effortlessly jump between different custom digital waveforms in this way feels unique on the Eurorack stage, and allows for a wide range of tones and transitions between them. - Orb Mag

Technical specifications:

Audio output amplitude
10Vptp
Octave range
C0-C8
Sample rate
96kHz
Unipolar CV input range
0 -+10V
Bipolar CV input range
-10V -+10V
Panel Width
16 HP
Module depth
30mm
Power consumption
152mA@+12V,
20mA@-12V
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MRP:$356.88 SAVE 31%
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Arturia MicroFreak 25-Key Paraphonic Hybrid Synthesiser & Step Sequencer Arturia MicroFreak 25-Key Paraphonic Hybrid Synthesiser & Step Sequencer Arturia MicroFreak 25-Key Paraphonic Hybrid Synthesiser & Step Sequencer Arturia MicroFreak 25-Key Paraphonic Hybrid Synthesiser & Step Sequencer Arturia MicroFreak 25-Key Paraphonic Hybrid Synthesiser & Step Sequencer Arturia MicroFreak 25-Key Paraphonic Hybrid Synthesiser & Step Sequencer
Cat: 718636 Rel: 01 May 19 • View all Synthesisers
 
Experimental 25-key paraphonic analogue/digital hybrid synth
Notes: The lovable oddball of the Arturia range, this brilliant hybrid synth combines versatile wavetable and digital oscillators with analogue filters. Touch keyboard gives uniquely expressive control.

*** New firmware update (26th October 2021) *** Arturia are happy to announce another major new firmware update for MicroFreak, bringing massive new creative functionality for users free of charge.

Firmware V4.0 elevates this hybrid desktop synthesizer's status as a sound design powerhouse even further:
New WaveUser sound engine
Allows for user wavetables(!!)
64-new presets
Sequencer Unison & Chord Voices
Faster Oscillator Encoder Response
....and more!

This update, plus ALL the of previous updates (see Vocoder & Noise Engineering oscillators etc.) cement the MicroFreak as one of the most interesting, powerful and flexible synthesizers on the market, whilst maintaining excellent value for money.

Supplier's Notes:

A synthesizer like no other, MicroFreak is a peculiar, exceptional instrument that rewards the curious musician. It blends wavetable and digital oscillators with analogue filters. It features a unique poly-aftertouch flat keyboard. It adds controlled randomness to sequences. This isn't a revolution, it's a mutiny.

This out-there little music machine features a versatile digital oscillator so you can create rare and interesting sounds with ease. Modes like Texturer, KarplusStrong, Harmonic OSC, and Superwave give adventurous musicians the chance to explore totally new, unheard possibilities. Like having dozens of synths in just one instrument, both wild-eyed newcomers and seasoned professionals will fall in love with MicroFreak's flexible, powerful synth engine.

Physical modelling, wavetable synthesis, virtual analogue, there is nothing as complete and exciting as the MicroFreak oscillator on the market. It's hard to believe from such a small synth, but here it is, ready for you to explore. Excite your creativity and reward your curiosity with a large, diverse sound palette. MicroFreak features 11 awesome oscillators, 4 bespoke Arturia engines, and 7 modes from our friends at Mutable Instruments.

Inspired by the trailblazing 12-dB Oberheim SEM filter, you can make MicroFreak's filter scream or whisper to taste. The filter is state-variable, and can even auto-oscillate! You can use this is any way you like, from taking the edge of the razor-sharp wavetable sounds, or automating the cut-off by modulating it with keyboard pressure or the in-built sequencer.

Record up to four automations, edit notes per step or use the innovative Spice and Dice sequencer functions to find happy accidents. Add randomization to create evolving, original patterns, and virtually rewire and reconfigure its signal chain and controls with the 5x7 modulation matrix.
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 3 in stock $295.81
Intellijel Palette 62 4U x 62HP Stealth Powered Synth Module Case With 40W Meanwell PSU Adapter & MIDI Adapter Cable (black) Intellijel Palette 62 4U x 62HP Stealth Powered Synth Module Case With 40W Meanwell PSU Adapter & MIDI Adapter Cable (black)
Notes: Your Palette case is the ideal solution for your space conscious and portable needs. At about the same size as a small laptop, your Palette fits comfortably on your desktop; in your backpack; at your favourite coffee shop; in your jam space; or pretty much anywhere else you might desire to play. Your imagination is the only limit. With 62hp of rack space, you can piece together powerful but focused mini systems and control surfaces. Intellijel's 1U row and built-in i/o ports add a ton of extra utility to bring the most out of your Eurorack modules. Truly a palette for the sonic artist.

Utilities panel:

- Dual 1:4 buffered multiple
- Two 1/4" balanced audio jacks that can be connected to the Stereo Line Out 1U, Pedal I/O 1U or Mixup
- 1/8" (6.35mm) MIDI Input that can be connected to uMIDI 1U
- USB port that connects to the uMIDI 1U and other future modules
- Rocker switch and barrel plug for power entry

Construction:

- Anodized aluminium
- Aluminium extruded rails with steel threaded inserts
- Rubber feet to protect your desktop
- Rear mounted power supply for maximum module depth

Includes:

- 40W Meanwell AC/DC adapter with right angled connector
- 3FT North American IEC power cable
- 1/8" (6.35mm) TRS to 5-Pin Din MIDI adapter
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 1 in stock $298.97
MOTU M2 USB-C 2x2 Audio Interface MOTU M2 USB-C 2x2 Audio Interface MOTU M2 USB-C 2x2 Audio Interface MOTU M2 USB-C 2x2 Audio Interface
MOTU M2 USB-C 2x2 Audio Interface (USB audio interface)
Cat: 755894 Rel: 30 Dec 19 • View all Audio interfaces
 
USB audio interface
Notes: Compact audio and MIDI interface from one of the longest-running and most trustworthy brands in the business. Simple 2x2 setup with clear sound. A great entry-level option for getting sounds in and out of your computer.

Supplier notes:
Equipped with the same ESS Sabre32 Ultra DAC Technology found in audio interfaces costing thousands, the M2 delivers an astonishing 120 dB Dynamic Range on its main outputs. ESS converters also drive the headphone output, which rivals dedicated headphone amplifiers costing hundreds. Ultra-clean preamp circuits produce a measured -129 dBu EIN on the mic inputs. Capture and monitor your audio with pristine clarity.

The M2 provides best-in-class speed for monitoring live inputs (mic, guitar or keyboard) through your computer, thanks to MOTU's expertly engineered USB drivers, which deliver class-leading, ultra-low 2.5 ms Round Trip Latency (at 96 kHz with a 32 sample buffer).

When recording and mixing, nothing is more critical than achieving optimum levels. The M2 is the only audio interface in its class with a full color LCD featuring clear, detailed level meters for all inputs and outputs. Enjoy professional-level volume control and feedback to get your sound just right.

The M2 driver provides convenient loopback channels to your host computer, so you can easily route computer output back to the computer, where you can mix it with live mics and/or guitar inputs from the M2 in your host software for live streaming or podcasting. Streaming and podcasting has never been easier and better-sounding!

Decades of award-winning product engineering for hit songs, mega tours, primetime shows and blockbuster movies goes into every MOTU audio interface.


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 2 in stock $205.27
Arturia RackBrute 3U Noir 88HP Powered Synth Module Enclosure Case Arturia RackBrute 3U Noir 88HP Powered Synth Module Enclosure Case Arturia RackBrute 3U Noir 88HP Powered Synth Module Enclosure Case Arturia RackBrute 3U Noir 88HP Powered Synth Module Enclosure Case Arturia RackBrute 3U Noir 88HP Powered Synth Module Enclosure Case Arturia RackBrute 3U Noir 88HP Powered Synth Module Enclosure Case
Cat: 955520 Rel: 24 Jul 23 • View all Synth Module Accessories
 
A comprehensive synth module housing, transport and protection solution.
Notes: RackBrute 3U is a comprehensive Eurorack housing, transport, and protection solution. Featuring configurable positions, dependable power supply, and maximum practicality, you can be assured your precious modules will be well guarded.

Don't worry; your beloved modules are under heavy guard.

Modular gear is a precious commodity, and you need a versatile housing and security system to accommodate them. A first glance, you'll see that this is a perfectly fitted 3U, 88 HP case made of a light but strong aluminium chassis, fitted with wood side panels.

Deceptively simple, RackBrute is far more than a simple box. It includes many smart additions, such as the included +12V / -12V / +5V power supply that ensures that keeps everything up and running, and the multi-position handle system that not only lets you carry your collection with ease, but also lets you deploy an optimal operating angle, whatever your preference.

Ready for anything

Secure an unobstructed viewpoint over the theatre of operation, and hold the position 'til further orders.

In addition to keeping your modules safe and secure, RackBrute 3U gives you total control of the situation, no matter the context. The first of its secret weapons is the Link fastening system. Paired with the included handle, it will let you choose one of several configurations and orientations for your modular arsenal. Whether you want your gear stealthy and prone, or standing to attention, RackBrute is at your command.

The second trick up its sleeve is the stalwart, ever-reliable, power supply module. Including two independent circuits to supply common modular voltages, it will more than cover your need for +12V, -12V and +5V, providing up to 1600mA in total.

Thirdly, its robust power rail includes a sophisticated noise-filtering technology, and provides 20 standard slots to leave plenty of space for your collection.

Once you're powered, in position, and locked down, you'll feel like your modular rig could withstand a siege.

Joining forces with allies

Always remember the Modular Republic's motto: Unity is strength.

The Link fastening system not only equips the RackBrute 3U, but also its large-calibre sibling, RackBrute 6U as well the MiniBrute 2 and MiniBrute 2S. No matter the combination you go for, you can make the most out of your extensive module collection, or create a powerful EcoSystem with the extensive CV/Gate connectivity of the MiniBrute 2 and 2S.

It's also worth noting that although this technology comes straight from the top secret Arturia research labs, they are working for the greater good. The Link system is patent-free, so you can expect more and more Link-enhanced equipment to become available in the near future.

Do not wait for reinforcements, bring them yourself.

Let's move out

Arturia have made sure that your gear would arrive without any scratches.

When carrying precious cargo, dozens of fragile modules, a unique and irreplaceable collection, you need to be certain of their safety. With RackBrute 3U, you have nothing to fear: from the handle, all the way to the threaded nut strips, you'll find strong aluminum and steel. Wherever you go, however long your journey, however heavy your setup, RackBrute was built to last. Even transporting two RackBrutes or a RackBrute and a MiniBrute 2 is totally risk-free thanks to the built-in Spacers, eliminating any chance of collision.

If you are planning an undercover mission, the dedicated, discrete RackBrute Travel Case will keep your precious equipment free from harm.

When you need to take your show on the road, rehearse, or even just rearrange your creative space, you can depend on RackBrute.

What's in the box

Box content:

RackBrute 3U unit
Power cord
Instrument dimensions
Size : 19 x 6.6 x 3.3 inches (484 x 167 x 83mm)
Weight : 4.7 lbs. (2.1 Kg)

Main Features:

Eurorack format, 88 HP
Aluminum Chassis
Provided with a 5 HP power module
Up to 1600mA on +12V and 1600mA on -12V (2 separate circuits of 800mA)
Up to 900mA on 5V (USB + 5V modules)
Power rail with noise filtering
20 standard power slots with up to 800mA on +12V and -12V
Link system and smart handle to fasten a MiniBrute 2/2S or another RackBrute unit in various configurations
Built-in Spacers for the highest protection in transport configuration
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MRP:$268.45 SAVE 16%
 1 in stock $224.20
Make Noise 3U 104HP Powered Modular Synthesiser Enclosure Case With AC Adaptor Make Noise 3U 104HP Powered Modular Synthesiser Enclosure Case With AC Adaptor Make Noise 3U 104HP Powered Modular Synthesiser Enclosure Case With AC Adaptor
Cat: 593467 Rel: 21 Dec 15 • View all Synth Module Accessories
 
3U 104hp modular synthesiser enclosure case with built-in power
Notes: In 2009 Tony designed the first Skiff to complement the vertically oriented cases available at the time by providing an ergonomic enclosure for our Rene and Pressure Points touch controllers.

Today the Make Noise Skiff provides a smart way to build a small modular synthesizer. It is low cost, but extremely durable. The clean simple lines and matte black color place visual emphasis where the action is: the patch the artist has created. At one side there is a power button and the Make Noise logo is illuminated to show the power is ON.

Ships ready to use. Just add modules, patch cables, and inspiration.
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 1 in stock $245.28
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ALM Tyso Daiko Dual 12-Bit Digital Wavetable Drum Voice Module ALM Tyso Daiko Dual 12-Bit Digital Wavetable Drum Voice Module ALM Tyso Daiko Dual 12-Bit Digital Wavetable Drum Voice Module
Cat: 848748 Rel: 06 Oct 21 • View all Synth modules
 
Dual 12-bit digital wavetable drum voice module - 14HP
Notes: The successor to Dinky's Taiko, Tyso Daiko is a 12-bit dual digital drum voice, with built-in analogue tilt EQ and wavefolder, plus extensive CV control. Intuitive, powerful and versatile.

Supplier's Notes:
The 'Tyso Daiko' is a dual 12-bit digital wavetable drum voice with full voltage control and an analogue EQ output path.

The twin voices are independently triggered and output, but share pitch, envelope and other parameters of a swept wavetable oscillator. One voice is output through a voltage controlled analogue tilt EQ emphasising upper or lower frequencies.

The other voice is output through a digital wavefolder which adds increasing timbral complexity (to noise).

Both voices respond independently to an accent input and the first voice is able to be 'choked' . A surface control allows for fine control of additional transients from a click to a slow attack. Full voltage control including a V/Oct pitch input makes the Daiko an expressive and wide ranging drum module with extremely wide pallet of sounds with lots of modulation possibilities.

The Daiko succeeds the original Dinky with the same spirit but much improved control, new features and new wavetables.

Technical Specifications

Supply: +12V 70mA Max / -12v 35mA
Size: 14 HP
Depth: 32mm
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 3 in stock $292.66
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Crazy Tube Circuits HiPower Amp & Speaker Simulation Effects Pedal Crazy Tube Circuits HiPower Amp & Speaker Simulation Effects Pedal Crazy Tube Circuits HiPower Amp & Speaker Simulation Effects Pedal
Cat: 986581 Rel: 02 Jan 24 • View all Effects pedals
 
Pedal + amp-in-a-box overdrives recreating legendary sounds, following the success of Crossfire and Unobtanium
Notes: HI POWER is Crazy Tube Circuits' next endeavour in pedal + amp-in-a-box overdrives recreating legendary sounds, following the success of Crossfire and Unobtanium.

It was inspired by the sonic combination of two British tone machines. The almighty Colorsound Power Boost meets the blistering high-headroom Hiwatt amp.

While the combination of these two units directly hints at the gear setup of David Gilmour and especially the gear used on Pink Floyd's album: Wish You Were Here (think the guitar solo sounds of "Shine on you Crazy Diamond", "Have A Cigar") the sonic options are endless.

The orange enclosure silicon transistor circuit (Colorsound Power Boost) can deliver from a transparent clean boost to an all-out fuzz driving a tube amp to sonic bliss. Crazy Tube Circuits set out to clone the original unit featuring the true-to-the-original spec BC184 transistors running on 18V DC (via an internal voltage booster circuit).

The ultra-flexible 2-band Baxandall EQ circuit can add bite and low-end rumble to any setup. Crazy Tube Circuits used a reverse log gain pot (labelled as volume), compared to the linear taper pot found in the original units and acted as an on/off switch, to be able to set the amount of boost/overdrive more precisely. While the earlier units didn't feature a master volume control (only as an aftermarket mod - Pete Cornish made an external unit master volume for David Gilmour's Power Boost) Crazy Tube Circuits chose to include one that is setup in a way so that when it is all the way clockwise it is bypassed. Later versions of the Power Boost had 9V power supply and were renamed as the "Overdriver" due to the lower headroom and their ability to drive the signal earlier. They were offered in a grey enclosure and can be seen in the gear setups of Jeff Beck, Marc Bolan, etc. Crazy Tube Circuits chose to incorporate this version as well with a flip of a toggle switch (PWR-ODR toggle switch).

On the left side of the HI POWER you will find an all-analogue circuit set out to emulate the sound and feel of a Hiwatt amp. Following the path of the famed British tube amplifier, this circuit offers authentic amp tone and feel resembling guitar tones from guitar greats like David Gilmour, Pete Townsend, Jimmy Page, Noel Gallagher to name a few. From the big bold high-headroom clean sounds to the face-melting crunchy tones.

True to the last detail, Crazy Tube Circuits have included the full EQ section along with a presence control located at the negative feedback of the power amp simulation circuit. A headroom toggle switch selects between the high headroom 100w power section provided by a quartet of EL34s (think Hiwat DR103), or the lower headroom and compression provided by a 50W power section with a pair of EL34s when hit hard (think DR504). Similar in operation to the original amps the master volume was designed to produce more gain at higher settings.

Crazy Tube Circuits taken the design a step further by adding a switch to select between input channels of the amplifier. You can select between the full response of the normal channel of the amplifier, the increased presence and tight low end of the bright channel input or the "Gilmour-ish" enhanced frequency response and added gain of those inputs linked together. This follows the modifications that Pete Cornish did to all David Gilmour's Hiwatt amps.

Like their other dual overdrive/amp-in-a-box designs, Crazy Tube Circuits also included a passive effects loop to give you the option to connect your beloved pedals between your booster/overdrive and amp in a box or use the two sections as separate and independent effects when using an external bypass switcher/looper. Gilmour enthusiasts will love to insert their Big Muff, Tube Driver and Phase 90 in there. Note that all pedals inserted in the passive effects loop are still in the signal chain when any or both sections of HI POWER are in bypass.

HI POWER features a power-up bypass/engage pre-set function for the footswitches. That way you can select which state your pedal will go to when you plug the power supply. This function comes in especially handy to people that use remote pedal switchers / loopers as they only set the state of the pedal once and then operate from the controller.

All-analog dual booster/overdrive - amp in a box.
Recreates the tones of the legendary setup used by David Gilmour in the recordings of Pink Floyd's Wish You Were Here album.
Right side: Faithful reproduction of the Colorsound Power Boost/Overdriver circuits with true-to-the-original-spec BC184 transistors.
Controls: gain, bass, treble, master, voicing toggle.
Wide gain range control: from transparent boost to gnarly and fuzzy overdrive.
Two-band (treble & bass) Baxandall EQ.
Master knob sets overall output. Huge amount of dB boost available.
Toggle switch to select between the 18V Power Boost style circuit or the 9V Overdriver style circuit.
Left side: Hiwatt AMP in a box overdrive.
All analog simulation of the preamp and power amp sound and response.
Controls: gain, bass, middle, treble, master, input channel toggle switch, headroom toggle switch.
Gain control: from clean to big bold British crunch/overdrive.
3-band Hiwatt style EQ (bass, middle, treble).
Presence control follows the original design/is located at the negative feedback of the power amp simulation circuit to control the amount of upper mid and high frequencies.
Master knob sets overall output volume. Designed to respond like the original control producing more gain at higher settings.
Input channel toggle switch selects between normal, bright, or linked input channels of the AMP for different voicing and gain levels.
Headroom toggle switch selects between the high headroom and dynamic response of a 100W amp or the lower headroom and compression of a 50W power amp.
Independent operation of the BOOST/OVERDRIVE and AMP sections
Click-less true bypass design via high-quality relays for each section.
2 Footswitches / 2 Status LEDs - one for each effect section.
Power-up bypass/engage preset function for the footswitches.
Top-mounted jacks
Passive series effects loop to connect pedals between the two sections or use them separately as independent effects.
Power Supply: Use only 9V DC, 2.1 mm x 5.5 mm, center negative (not included).
Runs internally at 18V DC (via voltage doubler circuit) for higher headroom and tube-like performance.
Current consumption: 84mA.
British Racing Green die-cast enclosure with color-coded lettering for the control section (orange for BOOST/OVERDRIVE section, white for AMP section).
Dimensions: (W x L x H): 119 x 97 x 53 mm.
Weight: 444 g.
Made in Greece.
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 4 in stock $247.39
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