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Vini Reilly (35th Anniversary Edition) (3xCD + mini CD + DVD)
Cat: FACD 244. Rel: 18 Apr 24
Indie/Alternative
Vincent Gerard & Steven Patrick - "I Know Very Well How I Got My Note Wrong" (bonus track - 3" Mini Cd)
Live In Porto 30/04/1988 (DVD Region 0)
Review: Formed in the post-punk era of Manchester in 1978, The Durutti Column, led by guitarist Vini Reilly, has remained an enigmatic and influential force in the history of post-punk. Their 1989 release, aptly titled Vini Reilly, is a testament to Reilly's eclecticism and sonic experimentation. The album spans a vast musical landscape, encompassing elements of post-punk, rock, acoustic, avant-garde, jazz, classical, folk, pop, and electronica.The album's 35th anniversary reissue box set includes many great additions that allows listeners to appreciate the enduring impact of his artistry, as he continues to inspire and challenge music enthusiasts worldwide. Includes new essay by Durutti Column/Factory Records expert James Nice, liner notes by band member Bruce Mitchell, liner notes from Anthony Wilson, interview extracts with Vini Reilly and restored images and outtake images.
… Read more in stock $31.02
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Review: Manchester mavericks A Certain Ratio have been on a rare run of form of late, with 2023's 1982 counting as one of their most vibrant and endlessly entertaining albums for decades. Of course, all their albums are of a consistent quality, but It All Comes Down To This genuinely crackles with energy. From the word go, the veteran band's inherent funkiness is present, but this time it comes cloaked in fuzzy funk-rock guitar riffs, acid-fried effects, and vocals that are amongst the most forthright they've committed to wax (or, in this case, CD). In many ways, it is - as the band and producer/Sopeedy Wunderground boss Dan Carey intended - a 'back to basics' sound that focuses on the key aspects of ACR's sound. When those 'basics' are so strong, it's no surprise that the results are this impressive.
… Read more in stock $10.95
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Dark Matter (Deluxe Edition) (CD + Blu-ray in hard-back book sleeve)
Cat: 650849 6. Rel: 19 Apr 24
Indie/Alternative
Dark Matter: Dolby Atmos Immersive Mix & HD Audio (Blu-ray)
Review: Pearl Jam's 12th album, Dark Matter, sees the veteran rockers returning to their roots with a renewed sense of vigor. Departing from the reflective tone of their previous release, Gigaton, the band opted for a more spontaneous approach to songwriting, gathering in a room to craft material that feels refreshingly loose and live. The album as a whole delivers some convincing arguments for a classic Pearl Jam collection. Tracks like "'Scared Of Fear,' 'Wreckage,' and 'Setting Sun' showcase the band's trademark grandeur, with muscular guitar leads, powerful drumming, and Eddie Vedder's unmistakable vocals leading the charge. Many long time fans will appreciate this album as a fiery rebirth after a series of more stilted releases. Ultimately, Dark Matter is a audio guidepost to Pearl Jam's enduring identity and their ability to deliver authentic rock music that resonates with both diehard fans and casual listeners alike.
… Read more in stock $24.50
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Review: Pearl Jam's Dark Matter sees the veteran rockers returning to their roots with a revitalised energy. Recorded in a rapid yet collaborative burst of creativity, the album captures a raw essence reminiscent of their early days. The band still delivers a potent rock-forward sound with muscular guitar leads and Vedder's iconic vocals. Tracks like 'Scared Of Fear' and 'Wreckage' showcase the band's trademark grandeur, while 'Setting Sun' serves as a raggedly majestic closer. Dark Matter proves to be very strong album which should excite longtime fans.
… Read more in stock $19.81
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Review: Claire Rousay's Sentiment album is a captivating exploration of poignant emotional landscapes, encompassing themes of loneliness, nostalgia, sentimentality, guilt, and sensuality. Through a blend of experimental and ambient music, Rousay deftly incorporates textural found sounds, sumptuous drones, and candid field recordings to create music that celebrates life's banalities with granular detail. Rousay's vocals and guitar take centre stage, conveying a powerful desire for connection amidst a backdrop of resignation. The album that balances vulnerability with innovation, delivering anthemic yet deeply personal songs that resonate with listeners on an emotional level. Sentiment is a blissfully melancholic and undeniably sensual listening experience.
… Read more in stock $13.04
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Review: Mansun's The Dead Flowers Reject, originally conceived as an insurance policy against label rejection of their experimental album Six, emerges as a hidden gem in the band's discography. Recorded concurrently with Six, this album offers a slightly less eccentric selection of songs, showcasing a more conventional sequencing approach. Frontman Paul Draper describes it as possibly his favorite Mansun album, capturing the band's live essence. Fans will relish the opportunity to experience this essential piece of Mansun's legacy in its full glory. Mansun's influence on the late 90s British music scene is undeniable, and The Dead Flowers Reject adds another layer to their iconic status. With its newfound availability on vinyl, this album solidifies its place as a crucial component of Mansun's innovative journey.
… Read more in stock $13.04
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Review: Texas-based trio Khruangbin returns with their highly anticipated album, A La Sala, blending Thai funk, psychedelic rock and world music influences. Laura Lee's funky basslines, Mark Speer's intricate guitar work, and Donald "DJ" Johnson's precise drumming define each hypnotic groove. Tracks like 'Farolim De Felgueiras' and 'A Love International' emit a laid-back aura, ideal for lazy summer days, while 'Juegos Y Nubes' adds Latin rhythms with a psychedelic twist. 'A La Sala' offers a rich journey through diverse musical landscapes, solidifying Khruangbin's mastery of genre fusion and their ability to create sonic euphoria.
… Read more in stock $11.99
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CD1: Switched On
CD2: Refried Ectoplasm (Switched On Vol 2)
CD3: Aluminum Tunes (Switched On Vol 3)
CD4: Aluminum Tunes (Switched On Vol 3)
CD5: Electrically Possessed (Switched On Vol 4)
CD6: Electrically Possessed (Switched On Vol 4)
CD7: Pulse Of The Early Brain (Switched On Vol 5)
CD8: Pulse Of The Early Brain (Switched On Vol 5)
Review: This massive anthology box set compiles all five volumes of the Stereolab Switched On series: 94 non-album tracks and sought after deep cuts by the group. Beginning with the original Switched On compilation LP from 1992, the series that ensued - though entirely comprised of deep cuts - still makes for a comprehensive jaunt through the Anglo-French auteurs' oeuvre, which never once lets up on quality. Every track here could've appeared on a full-length, so it's a testament to the band's work ethic that they simply had this much material to follow up with. Warp's comprehensive new 8xCD includes experimental highlights such as the original weirdo-chanson 'Plastic Mile', an Autechre remix of 'Refractions In The Plastic Pulse' and the stripped back 'XXXOOO', among many other gemstones.
… Read more in stock $48.75
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Review: Given their Radiohead connections Thom Yorke and Jonny Greenwood make up two thirds of the band), there's always been an enormous amount of interest in The Smile - a lockdown-born project that has plenty of potential. Wall of Eyes, the trio's second album, is certainly impressive. For proof, check the moody, suspenseful and slowly unfurling title track (all pulsing, low-slung semi-acoustic grooves, eyes-closed vocals, dense electronic textures and soundtrack strings), the heady, subtly jazz-flecked wall of sound that is 'Friend of a Friend' (listen out for the music concrete-style sound collage sitting in the background of the White Album era Beatles-esque 'Friend of a Friend'), and the lo-fi, string-laden headiness of the largely beat-free 'Bending Heretic', whose cut-glass horror strings and Nine Inch Nails style guitars are impressively intense at times.
… Read more in stock $10.95
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Cat: TRNHC 013CD. Rel: 05 Apr 24
Folk/Americana
Review: Build Something Better by Grace Petrie, produced by Frank Turner, is a powerful statement on contemporary societal inequalities and injustices. With a blend of punk-folk elements, Grace's acoustic guitar and vocals shine, supported by Ben Moss' captivating fiddle playing and Stuart Proven's excellent drumming. The album tackles themes of alienation, political disillusionment, and the struggle for truth in a post-truth world. Tracks like 'The House Always Wins' and 'Meanwhile In Texas' confront hard-hitting issues with poignant lyrics and infectious musical patterns. Grace's songwriting ability shines through in tracks like 'King And Country' and 'Earthwire,' where personal relationships intertwine with broader social commentary. The album culminates in the title track, 'Fixer Upper,' offering hope amidst the existential threat of global crises. Overall, Build Something Better is a musically rich and lyrically profound album.
… Read more in stock $13.04
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Review: Cranes were a British alternative band formed in 1985. Long before the Dream Pop subgenre name came out, the band earned a cult following culminating in 1992 opening for The Cure on their Wish tour of America. Strangely, there catalogue has been mostly untouched as far as reissues are concerned. But, the news of a remaster and reissue is even better! Originally released in 1986, their debut album Fuse was a cassette only purchase and for 38 years it has stayed that way. Until now! Fans of shoegaze, goth, dream pop and indie should pick this up without question to hear how ahead of time the band's music was.
… Read more in stock $11.99
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Review: The third full-length studio album from Singaporean singer-songwriter-producer Nat Cmiel (aka yeule) released to rave reviews earlier this September, following an ethereal rollout with singles 'dazies', 'ghosts' and 'inferno' showcasing exactly what yeule excels at: worldbuilding. 'softscars' is now the 3rd instalment in one of the most exciting album runs in modern alt-pop, shifting away from the glitchy, electronic ambience of predecessor 'Glitch Princess', moving in a more rock-centric, brighter direction. This isn't to say the album doesn't have its soul-crushing moments, opening track 'x w x' closes with a defiant scream of frustration, whilst the drums, guitar and synths fight each other for dominance - bottoming out into a gentle outro sequence. The calm after the storm. We could go on about this album for hours, as a yeule fan it feels so fresh but so perfect with it's oscillating directness in delivery. Whereas 'Glitch Princess' felt like travelling through a clastrophobia-inducing tunnel at time, 'softscars' is that moment you burst out of the tunnel and are hit with a huge green vista. It's my album of the year but, hey, what do I know?
… Read more in stock $10.95
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Review: During The Black Keys surprise revival of recent years, much of their music has been produced by Dangermouse. While he played no role on the duo's new album, Ohio Players - their 12th in total - his influence remains in the inventiveness of the production. The pair's new-found love of collaboration remains too, with Beck credited as co-writer on roughly half of the album's tracks. His influence is obvious in the funkiness and fuzz-fuelled psychedelia of 'This Is Nowhere' and 'Don't Let Me Go', as well as the quirky, horn-sporting cheeriness of 'Beautiful People (Stay High)' and the low-slung, effortlessly funky indie-rap hedonism of 'Paper Crown' (where he appears on vocals alongside Juicy J. The band's wholehearted love of hip-hop is also explored on the excellent Lil Noid collaboration 'Candy & Her Friends'.
… Read more in stock $13.04
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Cat: CL 94106. Rel: 04 Jan 24
Indie/Alternative
Review: Much loved emo post-punk outfit The Cure not only released several superb albums but were also a brilliant band to catch live. Over their career, they played many a seminal live show for radio or TV broadcast and now the best of them has been picked apart and collated on this new five-CD box set. The Broadcast Collection spans 1979 to 1996 and includes all your favourites like 'Killing An Arab', 'Boys Don't Cry' and 'Just Like Heaven' (in fact more than one version of some of those make the cut) next to plenty of lesser-known but no less good jams.
… Read more in stock $13.82
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Cat: LCDSTUMM 98. Rel: 11 Apr 24
Indie/Alternative
Review: Mute's reissue of These Immortal Souls' sophomore album, I'm Never Gonna Die Again, has been long awaited by fans of the band's dark and brooding sound. Remastered from the original tapes by Lindsay Gravina, along with original members Harry Howard and Genevieve McGuckin at Birdland Studio, this edition breathes new sonic life into the haunting melodies and gritty textures of the album. Originally released in June 1992 after a hiatus due to Rowland S. Howard's writer's block, the album marked a triumphant return for These Immortal Souls. Lead single 'King of Kalifornia' set the tone with its gritty intensity, showcasing the band's evolution since their debut. Joined by Anthony Thistlethwaite on saxophone and slide mandolin, the band's lineup remained formidable, with Rowland S. Howard's distinctive vocals and guitar work leading the charge. Alongside Harry Howard, Epic Soundtracks, and Genevieve McGuckin, they craft a sonic landscape that was both haunting and hypnotic. For fans of post-punk and dark wave, I'm Never Gonna Die Again remains a standout in These Immortal Souls' discography. With this reissue, Mute pays homage to the band's enduring legacy, ensuring that their music continues to gain new fans for years to come.
… Read more in stock $10.95
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Review: After an extended hiatus of nigh-on five years, Vampire Weekend has finally got around to recording a new album. Only their third studio set in total, Only God Was Above Us sees the trio muse on the weight of history - their own as much as anything else - while fretting about what lies ahead for the human race. Musically, much of what's on offer is densely layered and impressively loud, with loads of intricate musical detail (check the jazz horns and mad stereo panning of 'Classical' and the string-laden, White Album-era Beatles nostalgia of 'Capricorn') working in unison with their attractive, harmonic, saucer-eyed vocals. It's a bit of a triumph all told and one that proves that there's plenty of life yet in Vampire Weekend.
… Read more in stock $13.30
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Cat: LCDSTUMM 48. Rel: 11 Apr 24
Indie/Alternative
Review: Mute's re-release of These Immortal Souls' debut album, Get Lost (Don't Lie!), marks a long-awaited moment for fans of post-punk excellence. Remastered from the original tapes by Lindsay Gravina, along with original band members Harry Howard and Genevieve McGuckin at Birdland Studio, this edition breathes new life into the iconic record. Originally unleashed in 1987 on the heels of their debut EP, Marry Me, the album encapsulates the band's raw energy and uncompromising vision. Led by the unmistakable vocals of Rowland S. Howard, renowned for his work with the Birthday Party, the band's lineup, including Harry Howard, Epic Soundtracks, and Genevieve McGuckin, solidifies their place in the annals of post-punk history. Clocking in at a concise 30 minutes, Get Lost (Don't Lie!) remains a potent sonic statement, capturing the essence of These Immortal Souls' dark and brooding sound. From the haunting atmospheres to the frenetic rhythms, each track is a testament to the band's collective talent and creative chemistry. For both seasoned enthusiasts and newcomers to the These Immortal Souls saga, this reissue serves as a fitting tribute to a band whose influence reverberates through the underground music scene.
… Read more in stock $10.95
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Cat: WIGCD 506. Rel: 21 Mar 24
Post Rock/Experimental
Review: Julia Holter has subtly shifted focus on new album (her sixth in total) Something In The Room She Moves, moving away from exploring memory and dream-like states to instead focus on (in her words) "the complexity and transformability of our bodies". To create this rather distinctive (and rather good sound world), she added her own ethereal vocals to self-created backing tracks rich in electric fretless bass, warming wind and reed instruments, and distinctive synth sounds plucked from a Yamaha CS060. The results are predictably immersive and soul-enriching, with highlights including stunning opener 'Sun Girl', the percussively inventive 'Spinning', and the pastoral, dreamy 'Evening Mood'.
… Read more in stock $10.95
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Review: Following on from 2022's critically acclaimed, Mercury Prize nominated debut LP The Overload, crossing over the bridge provided by last year's absurdist, Black Mirror-indebted eight-minute stand alone single 'The Trench Coat Museum', everyone's new favourite Leeds based post-punks Yard Act are set to capitalise on their momentous winning streak with the highly anticipated sophomore effort Where's My Utopia? Recorded in collaboration with Gorillaz member Remi Kabaka Jr handling production duties, sonically the band have opted to open their playful dynamic to as many sprawling influences as possible, simultaneously leaning into synth-laden new wave territory whilst citing Fela Kuti's political messaging and worldly psychedelia as an integral aspect. As lyrically snide and sharp as ever, the reliable brand of tongue-firmly-in-cheek socio-political commentary reaches ludicrous new heights when unpacking the band's success to date, their self-awareness of being signed to a subsidiary of a subsidiary of another soulless corporation aggressively at odds with the members' personal ethos, and even the increasing admiration/begrudgery that stems from the ascension within the eyes of their supporters. It's all clever, dense, humorous and delivered via an onslaught of razor-focused bangers. In essence, it's Yard Act.
… Read more in stock $13.30
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Review: Few bands have sidestepped expectations as cannily as Mount Kimbie. Initially a duo but now expanded into a quartet, the British band has previously excelled in mixing, matching and fusing a wide range of experimental and left of centre electronic music influences. On The Sunset Violet, their first full-length as a quartet, they've shifted sonically once more, leaning into their indie-rock influences on a set recorded in California. The latter aspect - and the impact of being surrounded by sunshine and desert - is reflected in the warmth and haziness of the sound, which draws on the layered vocals and guitars of vintage shoegaze while also reaching for more familiar aspects of the band's previous experimental electronic sounds (for proof, check the ghostly musical vision that is King Krule collaboration 'Boxing').
… Read more in stock $10.95
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Review: The latest offering from serial collaborator and cross-genre tastemaker Stephen O'Malley's Ideologic Organ imprint is a tender filigree bureau of acid folk sketches from Tokyo's Ai Aiso. Across seven tracks, she patiently meanders through broken and phased chord progressions, her simultaneously pure and wavering vocal lines forming elegant arcs over sparse beds of instrumentation and washes of room tone. Some tracks are bookended by applause, and it is this ostensibly 'indoorsy' atmosphere which lends the mini LP a great deal of charm; the delicate atmospherics seem to issue from an intimate and isolated space. Indeed, Bandcamp user Everyvillianislemons317 describes it as "The perfect album for a lonely night in the city." We're more than inclined to agree.
… Read more in stock $14.59
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Review: 40 years after the band's formation, The Jesus & Mary Chain have delivered their eighth studio album, their first full length release of new material for seven years. Admirably, the Reid brothers have refused to rest on their laurels and offer-up something undeniably nostalgic - catnip for long term fans if you will - but instead have fused elements of their familiar sound and style with plenty of fresh ideas. There are audible nods to Suicide, Kraftwerk and the improvisational practices of jazz, but also tons of fuzz, feedback and aural chaos. It's an invigorating mixture that's best exemplified by 'Jamcod', where the pair's red-raw guitars, low-slung bass and acid-fried vocals rise above a skittish electro beat, the slipped shoegaze-goes-dreampop flex of 'Chemical Animal', and the pleasingly spiky and punchy 'Girl 71'.
… Read more in stock $13.04
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Review: A genuine treat for goth-rock fans, here, as Laser Media presents a six-disc box set featuring live performances - all originally recorded for radio broadcasts - by arguably the genre's most famous and celebrated band, Leeds legends The Sisters of Mercy. It moves back and forth through the years, with the earliest recordings (featured on disc five) dating from 1981 - when they'd yet to fully define the "goth" sound - and the most recent 1991 (discs three and four). It's a good reflection of their live sound and career evolution, with fine renditions of singles and fan favourites being joined by deeper cuts and covers of such classics as 'Knocking On Heaven's Door', 'Gimme Shelter' and 'Jolene'.
… Read more in stock $23.46
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Review: Walls Have Ears first surfaced as a bootleg live album from an unknown source, cropping up in conjunction with a throng of incendiary live performances by Sonic Youth made between London and Brighton at the height of their fame. Though the original bootlegger's identity is unknown - Thurston Moore was livid at the fact, famously mumbling, "our creative control was put on the spot by this guy" - the album is tightly and expertly assembled, lending it enough credo to be reissued by Goofin this 2024. As Sonic Youth biographer Steve Chick wrote of the album, "unloved by its creators, Walls Have Ears proves that artists sometimes aren't the best judges of their own artistic output," and this is, nonetheless, a whoppingly firecracking sound.
… Read more! low stock $14.59
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Review: If the greatest bands evolve over the course of their career, IDLES are clearly on the right track. While the Bristol-band rose to prominence via a raw, noisy and aggressive sound that sat somewhere between post-punk and alt-rock, Tangk - their fifth album and first for three years - represents a genuine (and deliberate) tearing up of their previous trademark sound. Inspired specifically by a desire to "make people dance and make people feel", it feels like a successful attempt to move into the punk-funk/rock-rave territory previously defined by LCD Soundsystem. It's fitting then that James Murphy and company feature on standout (and recent single) 'Dancer'. The nods to the glory years of DFA Records continue throughout, with further highlights including the moody, low-slung brilliance of 'Grace' and the righteous heaviness of 'Gift Horse'.
… Read more in stock $11.46
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Review: .
… Read more in stock $37.02
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Cat: 009362 4846017. Rel: 11 Apr 24
Metal
Review: It's been seven years since the tragic passing of Chester Bennington and the abrupt end of nu-metal legends Linkin Park, while their legacy remains praised and intact by avid fans. Papercuts offers up a career-spanning greatest hits collection, yet rather than sequencing each bundle of tracks chronologically in terms of specific album release, the cuts are mixed with the design of flowing as naturally as possible, with the anthemic 'Faint' from 2003's Meteora rubbing shoulders with their iconic Jay-Z Collision Course collab 'Numb/Encore'. Elsewhere, 'One Step Closer'; the breakout single from 2000's genre-defining debut LP Hybrid Theory is followed directly by 'New Divide', which served as the lead single from the Transformers: Revenge Of The Fallen soundtrack. From their rap-metal beginnings to their signature style of nu/alt-metal to the their calmer accessible later era, this compilation delivers a succinct yet sprawling distillation of Linkin Park's most vital contributions to the several dynamic scenes they helped to elevate.
… Read more in stock $13.04
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Cat: GOSS 069. Rel: 25 May 23
Indie/Alternative
Review: A month before he passed away in December 2002, Joe Strummer delivered what turned out to be his final performance - a benefit gig for striking firefighters at Acton Town Hall, where he was backed by his then band the Mescaleros. This must-have CD presents that performance in its entirety, including the infamous ending - where Strummer's former Clash bandmate Mick Jones emerged from the audience to join him on stage for performances of 'Bank Robber', 'White Riot' and 'London's Burning' (it was the first time the two had performed together since 1983). Recorded for a radio broadcast, the gig was undoubtedly special, with Strummer and his bandmates powering through classics including 'Police & Thieves', '(White Man) In Hammersmith Palais' and 'I Fought The Law'.
… Read more in stock $10.95
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Cat: SON 0388. Rel: 25 May 23
Indie/Alternative
Review: Despite emerging as a synth-pop outfit, Talk Talk's sound evolved considerably in a short space of time. By 1986, when their third album The Colour of Spring hit record stores, they'd ditched the synth-pop of their debut and the free-jazz-influenced post-rock of its sequel in favour of a more traditional indie sound - albeit one still infused with some electronics and bags of aural invention. The performance captured on this CD (originally recorded for a radio broadcast) dates from 86 and mixes interpretations of tracks from The Colour of the Spring with new takes on earlier singles and classic cuts. Highlights include a rushing version of 'It's My Life', the concert-opening 'Talk Talk' and a decidedly Balearic, harmonica-sporting 'Living In Another World'.
… Read more in stock $10.42
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Review: For all of the "it's like 1995 all over again" analysis that greeted the surprise return of Britpop stars Blur, it would count for nothing if the music they were making was a hollow pastiche of the past. Fortunately, The Ballad of Darren, the band's first new album since 2015, is a giddy blast from the past - and reportedly one recorded in a much more cooperative and good-humoured atmosphere than expected. Fans will immediately feel at home, with tracks such as 'St Charles Square' and 'The Narcissist' offering that now familiar mix of weary vocals, squally guitars, low-slung bass and shuffling drums. Whether or not it's a "return to form" is debatable, but it's certainly a refreshing blast from the past for those came of age in the 1990s (and those inspired by Britpop's messy, lager-fuelled energy).
… Read more in stock $10.17
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It Will Never Stop
Kind Ghosts
Evening Star Supercharger
O Child
Failing Down
I Fucked it Up
Hello Lord
Daddy's Gone
Chaos Of the Universe
Listening To The Higsons
Everybody's Gone To Sleep
The Scull Of Lucia
Blue
Stay
Review: It's 13 years since Sparklehorse's Mark Linkous died suddenly, leaving behind a glittering legacy in indie rock and a shocked, devoted fan base. As it transpires, he had nearly completed his fifth album when he took his own life, and was in fact midway through recording with Steve Albini at Static King at the time. Now his brother and sister-in-law have finally found the right way to honour his legacy and bring this nearly-lost album to light in the most respectful way possible. For those who have been missing Linkous' unique, resplendent songwriting in the years since his passing, this is an unexpected and sure-to-be-treasured treat.
… Read more in stock $10.95
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Cat: 581973 6. Rel: 21 Sep 23
Experimental/Electronic
Review: During recent interviews, James Blake framed Playing Robots Into Heaven, his sixth album, as a kind of return to his club roots - an idea borne out by his decision to structure the album as a kind of imaginary "night out raving". Of course, this is Blake we're talking about, and while the album does lean heavily on the post-dubstep sound that made him famous (which itself drew as much from experimental electronica and outsider pop as dubstep, house or techno), it's not like he's suddenly turned into Ben UFO, Scuba or Mala. It's a highly enjoyable album, though, and one that combines his most familiar and cherished elements - heavily treated, emotive vocals, piano motifs, woozy electronics and ghostly chords - with grooves rooted in techno, house and UK bass. If you're a fan, you'll love it.
… Read more in stock $13.30
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Review: Skep Wax's first Under The Bridge compilation, released in 2022, reunited the bands, songwriters and producers who populated cult early '90s indie label Sarah Records. This hotly anticipated follow-up repeats the trick, presenting 20 recently recorded cuts from the Bristol-based imprint's original roster of artists. It too, is a hugely successful - and understandably nostalgic - exercise, with hi9ghlights including the bright-and-breezy indie jangliness of Action Painting's 'Just Who Are The Cockleshell Heroes', the shoegaze-influenced dream pop haziness of Soundwire's 'Everything Is Real', the near Balearic soft focus shuffle of 'Double Nine' by GNAC, and the saucer-eyed excellence of The Orchids' 'A Final Love Song'.
… Read more in stock $11.46
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Review: Exactly pinpointing the essence of Little Dragon's sound is tough - it's always soulful and groovy, but it's not soul in the classic sense and there's plenty of other musical influences in the mix - but by now it barely matters. Each of their albums thus far has been special, and Slugs of Love is no exception. The Swedish four-piece impresses early with the head-nodding grooves, echoing house pianos and swirling atmospherics of 'Frisco', opts for a New York no-wave disco flex on 'Slugs of Love', and offers a perfect platform for mic man JID to the warped, hip-hop-goes-synth-pop shuffle of 'Stay'. There are highlights aplenty elsewhere across the album too, with our picks including Damon Albarn hook-up 'Glow', the moody house-not-house of 'Gold' and the picturesque, breakbeat-driven pop breeziness of 'Tumbling Dice'.
… Read more in stock $9.12
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Review: Hadsel, Zach Condon AKA Beirut's first album in four years, is named in honour of the place in which much of it was recorded, a remote Norwegian island that the neo-folk artist stayed in back in 2019. The tranquillity of his surroundings, as well as access to limited instruments (a lo-fi drum machine, a church organ, a basic synthesiser and his trusty acoustic guitar, is reflected in the beauty and slow-burn nature of the music on show, which naturally pushes Condon's distinctive, emotionally charged vocals to the fore and tends towards the atmospheric and musically opaque. The results are genuinely beguiling, with our picks of a very strong bunch including 'The Tern', where Condon's voice sails above sustained organ chords, a tribal-tinged rhythm track, and life-affirming vocal harmonies, and the brass-enhanced warmth of 'So Many Plans'.
… Read more in stock $13.04
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CURSES / VARIOUS
Next Wave Acid Punx: Deux (unmixed 3xCD)
Cat: 541416 667030. Rel: 20 Nov 23
Indie/Alternative
Review: When Eskimo first invited New York-born, Berlin-based Curses to compile Next Wave Acid Punx, they might not have known what they were letting themselves in for. As we reach part Deux, there's no doubt they signed up to sift through a staggering volume of EBM, industrial, minimal wave and electro from the darker side of the dancefloor. Taking in 49 tracks in total, this authoritative collection spreads across three CDs and features old legends like Throbbing Gristle alongside newer wave sonic deviants like The Hacker, with so much more ground covered in between. Consider this monumental compilation a homing beacon for all creatures of the night.
… Read morePlayed by: Rave Energy
in stock $19.81
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Review: Put together in part to mark the tenth anniversary of Jack Rollo and Elaine Tierney's monthly NTS radio show, Searchlight Moonbeam is a "narrative compilation" described by fast-rising Aussie imprint Efficient Space as an "autumnal dreamscape". It's a conceptual theme open to interpretation, but in practice that means a gorgeous, atmospheric and Bonfire Night-friendly mix of acoustic songs (Bo Harwood & John Casavettes), exotic Indian neo-classical music (Bhairavi Raman & Nanthesh Sivarajah), string-laden outsider pop (The King of Luxemburg), heady global beats (OG Jigg), lo-fi indie haziness (Klang), ghostly and dreamy trip-hop (Scala), psychedelic dream pop (Soft Location), and picturesque piano pieces (Delphine Dora). A genuine triumph.
… Read more in stock $13.04
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Review: French dream pop breakthrough Halo Maud follows up her debut record Je Suis Une Ile (I Am An Island) with her second ever LP, Celebrate, which lives up to its name in fantastic fashion. Evidently less introspective than her last, the sonic palette throughout this dozen sunbursts suggests Maud has found her inner John Donne; indeed, opener 'Terres Infinies' is a massive crasher of a three-pronged shoegaze, synthwave and art pop sensibility, and both sonically and titularly suggests a new, deterritorial antithesis to the first album's sense of introspection. Organic, well-rounded instrumentation hears Maud traverse infinite terrains of bright tambourines and detuned synths thereafter.
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Review: Returning in their usual captivating style, Kula Shaker's latest album, Natural Magick, maintains their spellbinding blend of psychedelic rock, Indian classical nuances, and Britpop influences. The long player unravels as a distinctive sonic expedition, showcasing Kula Shaker's renowned fusion of mystical lyrics and intricate instrumentals, infused with spiritual tones and experimental vibes. While still resonating with the essence of the 90s alternative scene, the album introduces some of their most potent compositions yet. Each track serves as a blazing psychedelic sermon, accompanied by raga-tinged raves, adorned with "pop pearls and mood-enhancing mantras," solidifying Kula Shaker's continued prowess in their unique realm of musical enchantment.
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Review: A triumphant return for modern synth-pop chart-toppers Everything Everything, Mountainhead is an album-length analogy for our present condition, and an oozing forth of slick, joyous music at that. "Making a mountain out of a molehill" is certainly lent a positive spin when considered in light of "starting from nothing", i.e. music career-making; Everything Everything did just that in the mid 2010s when they charmed their burgeoning audience with their sophisti-synth prowess, and this is a sophistication that can only be continually reinforced hereon. For their latest concept album Mountainhead, all of society is imagined as working towards the creation of a manmade mountain; at the top is rumoured to be a huge mirror that reflects endlessly recurring images of the self, and at the bottom of the pit is a giant golden snake; the primal fear of all believers. Everything Everything make joyous work of the dreaded maxim, "the taller the mountain, the deeper the hole", delivering glitzing, falsetto'ing gems in the form of 'Cold Reactor' and 'R U Happy?', both of which transcend their initial synthpop reveries to become more than their constituent sum.
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Review: Lush's reissue series continues via a painstakingly remastered and sonically spruced-up edition of the band's second studio album, 1994's 'Split'. A very different album to its loose, immersive and shoegaze-fuelled predecessor, it saw the band join forces with producer Mike Hedges (celebrated for his work with The Cure and Siouxsie and the Banshees) and opt for a more - in their words - "direct" sound. Of course, it was still Lush, so the layered guitars and vocals remained, albeit amongst a lightly expanded sound palette, more hooky riffs and an early Britpop vibe that delivered a subtle evolution from the band's more wide-eyed, sonically loved-up roots.
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Moon Safari (25th Anniversary Edition) (limited 2xCD + Blu-ray)
Cat: 505419 7906770. Rel: 14 Mar 24
Balearic/Downtempo
Review: When Air's Moon Safari first landed on terra firma in 1997, it was a revelation that flipped the French touch boom on its head. Swapping discoid thrust for sensual lounge, Nicolas Jean Godin and Jean-Benoit Dunckel kept a certain sophisticated nostalgia in their sound which tracked with their compatriots, but they absolutely weaved their own spell with it. The hits caught on for good reason, from the dirty grind of 'Sexy Boy' to the swooning romanticism of 'All I Need' featuring Beth Hirsch on vocals, but the moments in between merely added to the spectacle, lodging Air in the hearts and minds of a whole generation. This special anniversary edition adds a second disc of B-sides, remixes and session tracks, plus a Blu-ray disc featuring the iconic videos and a documentary from the Moon Safari era.
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Cat: 505419 7893995. Rel: 29 Feb 24
Indie/Alternative
Review: For indie heads of a certain vintage, this album - a first full-length collaboration between Oasis lead singer Liam Gallagher and former Stone Roses guitar-slinger John Squire - is one of the most hotly anticipated of the year. It was recorded in Los Angeles over a three-week period last year, with former Foo Fighters and Gorillaz studio don Greg Kurstin handling production. As you'd expect, the album is undeniably nostalgic, with Squire's variously funky, raw and bluesy guitar licks and Beatles-esque backing tracks providing a fitting vehicle for Gallagher's distinctive lead vocals. For proof, check recent singles 'From Mars To Liverpool' - where Squires' solos towards the end seemingly soar above reverb-laden backing vocals that accurately pay tribute to the Fab Four - and the more psychedelic Roses-meets-Oasis flex of 'Just Another Rainbow'. There are no surprises, but fans will love it.
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Review: At 66 years young, Guiding By Voices main man Robert Pollard has a whopping 3,000 songs registered to his name with BMI, while outside of his primary project, he's released 22 solo albums as well as a plethora of lesser known works put out under obscure aliases. His latest alter ego, Rip Van Winkle, features a backing band shrouded in mystery on their debut EP The Grand Rapids, which redirects Pollard's eccentric and unique penmanship down the realms of neon-hued post-punk and frosted cold meets new wave machinations.
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Review: Four years after hitting the headlines with her debut album as the Japanese House, Good At Falling, Amber Bain returns with a much-anticipated sequel. Musically, it's a confident affair, with Bain further developing her now trademark sound, which sits somewhere between folksy breeziness, melancholic synth-pop, positive-sounding indie-pop, and deep, alluring dance-pop of the sort that would impress those who love deep house and tech-house. Bain's vocals, delivering lyrics far more thoughtful and at times heart-breaking than those showcased early in the year, are particularly impactful. The result is a highly entertaining and listenable album that's sure to push its creator a little further towards superstar status.
… Read morein stock $10.31
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Review: Following a couple of years spent re-releasing many of her classic albums, alongside sets featuring demo versions of the same songs, Polly Jean Harvey is finally ready to release a new album - her first for seven long years. Reunited with long-time collaborators John Parish and Flood, Harvey delivers alluring, at times otherworldly songs - delivered beautifully and with more than a hint of world-weary emotions - backed by sparse, effects-laden instrumentation, metronomic grooves and plenty of pastoral, folk-influenced intent. We've not listened to the lyrics intently enough (yet) to adequately discuss their themes, but in advance Harvey's label promised "biblical images and references to Shakespeare" amongst the introspection and hard-worn commentary.
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Review: Long Island outfit The Lemon Twigs frequently leave critics confounded and confused, in part because their shape-shifting style tends towards the over-the-top and grandiose. Rooted in a love of 70s glam, the theatrical rock pomp of Queen and a tongue-in-cheek love of overblown rock operas, they seem to delight regular listeners while rubbing reviewers up the wrong way. On Everything Harmony, their new album, they've re-set their influences once more, delivering a blend of folk-rock, Simon & Garfunkel style folk revivalism, prime Beatles and the close harmony bliss of the Beach Boys, with a dash of fuzzy garage rock and giddy psychedelia thrown in. It's well-crafted and expertly executed stuff that's hugely easy-going and enjoyable, whatever sniffy critics may say,
… Read more in stock $9.59
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Review: The title of veteran singer-songwriter Jonathan Richman's latest EP, Yatasamaroun, is an Arabic word that, roughly translated, means 'lovers talking softly together in the moonlight'. It's perhaps fitting, then, that the title track is a gorgeously exotic, steamy and moonlit affair that fuses North African, Andalucian and Middle Eastern instrumentation with spoken word monologues and Arabic singing. It's a fine, intoxicating musical brew that makes an even greater impact in the included 'Extended Mix' form. Elsewhere across the CD single, 'En La Discoteca Reggaeton' is a jangling, bluesy chunk of global musical fusion that's bold and infectious enough to suggest that it could work on open-minded dancefloors, while 'I'm In a Dancing Mood' sees Richman add his David Byrne-esque lead vocals to a Flamenco-inspired workout.
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Review: Having previously celebrated dance and pop hits of the 1980s, the long-running Now That's What I Call Music series - itself established that decade - has turned its attention to "alternative". It's a catch-all term that basically includes anything with indie roots, meaning a mix of goth, post-punk, indie, new wave, indie-dance and skewed synth-pop that emerged from the underground rather than the A&R departments of major labels. There's plenty of big hits and iconic cuts stretched across the four discs (think The Smiths, Simple Minds, Joy Division, REM, The Jam, New Order, Pixies, Sisters of Mercy etc), alongside lesser-celebrated favourites from the likes of Pop Will Eat Itself, Tom Robinson (the decidedly Balearic 'Atmospherics', which was co-written by Peter Gabriel), Sugacubes, Kissing The Pink and Big Audio Dynamite.
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Cat: DAMGOOD 484CD. Rel: 22 Jun 23
Psych/Garage Rock
Review: While The Galileo 7's records are all nostalgic by design - they specialise in making psych-pop and psych-rock that sounds so authentically 1960s that it should come with a Beatle wig and a free tab of acid - few are quite as heady, densely layered or hallucinatory as 2017's Tear Your Minds Wide Open. Here that album is given the expanded reissue treatment. Alongside all 12 tracks from the set - including the squally brilliance of 'The Mask', with its gnarled guitar riffs, Hammond stabs and elongated solos, and the Hendrix-esque 'Your Face Tomorrow' - you get eight bonus cuts. Expect a mix of instrumental mixes, alternate versions, band demos and home recordings.
… Read morein stock $10.31
