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Cat: 732455 Rel: 23 Sep 19 • View all Synthesisers
 
Powerful bass synth with sound source based around a vacuum tube oscillator
Notes: Valves meet Volca. The original Volca Bass design gets twisted with the addition of Korg's Nutube technology for gritty saturation. 303-style acid with a filthy attitude.

Supplier notes:
Even today, when digital technology allows electronic musical instruments to simulate any sound imaginable, people seek the warm harmonics and distortion produced by analogue vacuum tubes. This distinctive sound has a quality beyond words that sets it apart, and cannot be captured by a response curve; it's the unmistakable sound of tubes.

The Volca Nubass is the first analogue synth to be equipped with a Nutube new-generation vacuum tube in its oscillator. Vacuum tube plus analogue means that the sound is warm, thick, and rich. The familiar transistor ladder filter gives it the character of a classic bass machine, along with overdrive, and huge-sounding distortion.

An acid bass machine for a new generation combines classic sound with the power of modern synthesizer design. It's the Volca Nubass.

A vacuum tube oscillator circuit forms the heart of Volca Nubass, utilizing groundbreaking Nutube technology:

The Nutube is equipped with two vacuum tubes; one is used in the oscillator to generate a sawtooth wave or square wave. The other vacuum tube is used in the drive circuit of the sub oscillator, adding depth and warmth one octave below the oscillator. This oscillator and sub oscillator provide a circuit structure that brings out the harmonic character that only a real vacuum tube could provide.

A transistor ladder low-pass filter that produces a distinctive sound:

The low-pass filter defines the sound of this bass machine; it uses a transistor ladder design found on classic analogue bass synths. This filter is uniquely dynamic in the way it affects a sound more than just ranging from bright-to-dark. Its wide range of timbral possibilities makes it ideal for a broad variety of dance music; you can use it to create the distinctive modulation that can be heard in acid house, or increase the resonance to bring out a sharp character that's appropriate for techno.

Analogue driver circuit:

Nubass is equipped with overdrive that uses an analogue circuit reminiscent of a classic stompbox. Turning the knob toward the right compresses the volume while causing mild distortion, adding thickness to your bass sounds. The tone knob also lets you adjust the crispness of the high-frequency range.

A 16-step sequencer that lets you automate parameters:

The Volca Nubass is equipped with a full-fledged 16-step sequencer with a variety of functionality; by using it in conjunction with a rhythm machine, you can construct rhythm tracks or loop music.

You can use the 16 buttons for step input just like the rest of the Volca series, or play the buttons as a keyboard for realtime recording. The chain function lets you play back multiple sequence patterns in succession, allowing you to loop up to 16 sequences.

Three functions to create grooves on Volca Nubass:

The sequencer of the Volca Nubass provides three functions that add the slap and slide performance techniques that are distinctive of acid bass: these transpose, accent, and slide functions are accessible and controllable through the step sequencer.

Transpose is a function that plays a note one or two octaves higher; it adds movement to the bass line while staying within the original scale. Accent emphasizes a note, creating dynamics that make the rhythm expressive. And the slide function that's indispensable to acid sound creates a smooth transition to the next note. Use these functions to add a sense of groove, and Volca Nubass will come alive in your performances and compositions.

Free bundle of music software:

The Volca Nubass comes with a diverse variety of music software from Izotope including "Ozone Elements" which lets you not only create songs but also master them using AI, "Skoove" which will help you improve your keyboard playing skills, "Reason Lite" DAW software, as well as software synths from KORG and other brands.
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 More than 10 in stock $183.37
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Cat: 741028 Rel: 16 Sep 19 • View all Guitar tuners & interfaces
 
Clip-on chromatic guitar/bass tuner with colour LED display
Notes: Even a great performance won't be worth much if the tuning is wrong. Pitchclip 2+ uses approximately 2.5 times as many meter LEDs, compared with Korg's previous model, allowing even more precise pitch adjustment. Basic functionality such as the calibration function and +/- 0.1 cent high-precision tuning (when using Strobe or Half Strobe modes) have also been dramatically improved. Additionally, the display now rotates vertically, allowing for easier viewing.

Covering any instrument from electric to acoustic, from guitar to bass, the Pitchclip 2+ is a clip-on tuner for everyday use that delivers both accuracy and ease.

LED meter boasts detailed display resolution:

The LED meter section now has a significantly increased the number of LEDs, from seven on our previous model (Pitchclip 2) to 17, allowing pitch inaccuracies to be shown in even greater detail. Furthermore, when two adjacent LEDs are lit, their brightness varies to indicate higher or lower pitch.

All note names shown in uppercase characters:

A specially designed 12+1 (=#) segment LED is newly used in order to clearly show a guitar's 4th string (D) and 2nd string (B) in uppercase characters. Even when attached to the back of a guitar's headstock, the unit can be inverted vertically to display uppercase characters.

Position at the best angle for players:

A bent clip can look unsightly when the tuner is attached to the headstock, but the Pitchclip 2+ lets you leave the clip in the same position while you freely adjust only the screen to the best angle for comfortable viewing.

+/- 0.1 cent high-precision tuning:

This tuner supports ultra-high-precision tuning as accurate as i0.1 cents (* when using Strobe mode or Half Strobe mode). By precisely adjusting your pitch, you can feel confident in your tuning and play great-sounding harmonies.

Calibration function:

The calibration function lets you adjust the reference pitch in order to support tuning with a variety of instruments. This gives you the precision and flexibility that you need when performing in an ensemble with other instruments such as an orchestra or a piano.

Reverse display that's convenient for left-handed players as well:

The reverse function lets you vertically invert the meter display so that the characters are shown correctly even when the tuner is attached to the back of the headstock. This is a convenient feature that will be appreciated by left-handed players or by those who attach the tuner to the back of the headstock so it will be less visible from the front.

Strobe and Half Strobe modes:

This tuner is equipped with "Strobe" and "Half Strobe" modes that provide a beautifully flowing LED display. These modes let you resolve pitch discrepancies down to an ultra-precise accuracy of i0.1 cents, so you can tune enjoyably and accurately.

Preview indication when switching meter display modes:

When switching between 1. Regular, 2. Strobe, and 3. Half Strobe modes, a preview indication shows you the specified mode's LED motion for several seconds, letting you use the unit without having to memorize the number corresponding with each mode.

A clip that holds securely:

The clip section is designed to hold the headstock securely. The entire clip is coated with rubber for enhanced adhesion and also to protect your instrument. It will securely fit headstocks of various designs and thicknesses.

Lightweight and long-lasting:

One small and lightweight lithium coin cell battery (CR2032) provides up to approximately 18 hours of continuous operation, and since the tuner weighs less than 20 grams including the battery, you won't notice the weight even if you leave it attached to the headstock while you perform. The auto power-off function automatically turns off the power when no sound has been detected for approximately three minutes, preventing the battery from being used unnecessarily.
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 1 in stock $31.02
Cat: 735296 Rel: 12 Sep 19 • View all Keyboard bags & covers
 
Convertible bag for transporting a KORG Monologue or notebook computer
Notes: This soft case for transporting the KORG Monologue features a convertible design that lets you change the position of the straps to use the case in two different ways: as a day pack carried on your back, or as a messenger-style shoulder bag. Internally, there is space to accommodate up to a 17-inch MacBook or a 15-inch Windows notebook computer. The bag is made of a neoprene material used in wetsuits. Lightweight, durable, and full of cushioning, the MP-MONOLOGUE will safely protect your valuable equipment.
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 2 in stock $62.14
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Cat: 743533 Rel: 01 Jan 90 • View all Guitar tuners & interfaces
 
***B-STOCK: Box opened, product unused***
Notes: Enjoy private dance lessons anytime - an ultra-miniature music player that you wear in your ear.

SyncDancing is an ultra-miniature music player for ballroom dance practice that you wear in your ear like an earphone. In addition to metronome functionality, it has 20 built-in standard ballroom dance songs, so you can practice at any time while listening your favourite dance songs. This one unit provides everything you need for improving your dancing skills, sharpening your sense of rhythm, and becoming familiar with dance songs. You can practice by yourself, or synchronize the tempo via infrared so that two people can each wear a unit and practice together.

Practice dancing while listening to the rhythm or song directly in your ear:

SyncDancing is a unique style of music player and metronome that you use by wearing it directly in your ear. Since the speaker unit fits directly in your ear, you can practice dancing with the correct rhythm while hearing the music directly in your ear. Because you can concentrate on the sound without being distracted by nearby sounds, this is ideal for personal practice at home as well as for practice in a large dance studio or hall. SyncDancing is extremely small and lightweight, so you can dance without any distraction.

The keys to improving your ballroom dance skills are to acquire steps and technique, nurture your sense of rhythm, and become able to express yourself by dancing to the music. With SyncDancing, you can experience rhythms and music anytime and anywhere for effective practicing.

Twenty standard ballroom dance songs are built-in:

A total of twenty standard songs for ballroom dances such as waltz, tango, rhumba, and cha-cha-cha are built-in, and you can play them back while switching between the metronome and the song (*). Each of the internal songs was created by a professional arranger who actually produces music CDs for ballroom dance. The tone generator section also takes advantage of KORG's many years of experience in developing synthesizer technology, packing a high-quality sound engine into the smallest possible size. Since these songs play back as SMF, you can freely change their tempo. With SyncDancing, you can enjoy serious dance practice with CD-quality songs.

Infrared tempo synchronization, ideal for practicing as a couple:

SyncDancing supports not only individual practice but also practicing dance as a couple. Simply click two SyncDancing units together and press the sync button to synchronize the tempo and timing via infrared (*1). Even while wearing the unit directly in your ear, both partners can practice while hearing exactly the same tempo.

The timing (delay) from the moment of synchronization until playback begins can be set in a range of 0--90 seconds (*2). This gives you flexibility to meet the needs of various situations. For example you can specify a shorter delay if you're synchronizing the units and then immediately starting a lesson, or use a longer delay if you need time to get into your position in a large hall.

Built-in voice count is useful for lessons:

SyncDancing's metronome sound (tone) provides not only the standard "beep beep beep" electronic tone but also a voice count of "one, two, three." You can practice with confidence while hearing the correct count.

A wide variety of beats and rhythms:

The tempo setting range is a generous 30--252 bpm, and you can choose from a variety of beats and rhythms when using the metronome. You can set the beat in the range of 0--9 beats, and choose the rhythm from quarter notes, duplets, triplets, triplets with the inner beat omitted, triplets with the third beat omitted, quadruplets, quadruplets with the middle beats omitted, and quadruplets with the third and fourth beats omitted. This covers your practicing needs for a broad range of songs.

Use the jog switch to set the tempo intuitively:

The SyncDancing features a jog switch on the side of the body, allowing you to easily change the settings without removing the unit from your ear. Using the jog switch you can select not just the tempo setting, but also the song or volume. This provides a compact yet highly intuitive method of operation. The mode select / power button, sync / mute button, and an LCD display that shows the tempo and other information are located on the inside of the body.

Comfortably and securely fits a variety of ear:

The SyncDancing utilizes two distinctive mechanisms to ensure a stable fit in any ear, large or small. The first is an Ear Fitter that extends from below the speaker. Its angle can be finely adjusted by rotating the speaker itself, allowing to fit the various shapes of ear hole. The second is an Ear Clip that opens or closes to fasten on the earlobe. The clip ensures a solid hold that will not be dislodged even by vigorous dancing when in use.

Ear pad and carrying case included.
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 1 in stock $41.82
Cat: 743534 Rel: 01 Jan 90 • View all Guitar tuners & interfaces
 
***B-STOCK: Box opened, product unused***
Notes: Turn it on and magnetically attach Magnetune directly to your guitar's tuning pegs or strap button and tune your instrument. Leave it on your guitar to easily tune while performing, attach it to your music stand, or just throw it in your pocket. Magnetune is the most straightforward guitar tuner ever.

A movable ring allows the magnet to be rotated 360 degrees. This allows you attach the unit not only to left-handed guitars, but also to any metallic portion of your guitar, so you can tune with the conveniently at any angle.

An LED indicates the string number that's closest to the string you play, letting you know at a glance which string is being tuned. When you've reached the precise pitch, the upper and lower LEDs will both illuminate. The upper LED blinks if you're sharp, and the lower LED blinks if you're flat. The LED will blink more rapidly as the string gets farther from the correct pitch, and will slow down as you approach the correct pitch.

The diameter is just 1.3 inches (33 mm), just slightly larger than a soda bottle cap and about the size of a wristwatch. When attached to the back of the tuning pegs, it's virtually invisible from the crowd, so it won't take away the natural aesthetic of your instrument. Since the clip has been eliminated, the weight with battery installed less than an ounce (Just 11 g)! When attached to the neck of your guitar, the weight will be essentially unnoticeable. Even through the most intense guitar action, the Magnetune will stay securely attached!

The Magnetune's simple design focusses on the essentials, enabling it to provide continuous operation of approximately 30 hours! After three minutes of silence, the auto power-off function turns off the power automatically, so you'll hardly ever have to think about changing the battery.

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 1 in stock $7.50
Cat: 741026 Rel: 26 Jul 19 • View all Guitar tuners & interfaces
 
Clip-on tuner for simple & efficient tuning, with enhanced visibility & accuracy
Notes: An evolution of KORG's popular Pitchclip tuner, the Pitchclip 2 is an all-new clip-on tuner with a compact body and simple operation allows you to tune quickly and easily. Simply attach it to the headstock of your instrument, turn on the switch, then just play a string and the tuner shows the exact amount of pitch difference.

The Pitchclip 2 is designed from the players point of view and features high tuning precision with excellent visibility, an enhanced clip for even better holding power, and a reverse display function that will be appreciated by left-handed users.

The new Pitchclip 2 is designed to go and perform anywhere. Put one in your pocket, or in your case, and you'll never be without it!

An even more compact and stylish design:

While carrying on the compact body of the original Pitchclip, the Pitchclip 2 takes its evolution further. The display is even thinner, and the design is now simple and stylish. Thanks to the enlarged screen, visibility is even better in spite of the unit's compact size. Since the display can be adjusted through a 120-degree angle, the player can tune while viewing the screen at the most natural position with optimal visibility.

Simple and easily readable LED display:

An LED is used to show the note name and the meter. The brightness of the light conveys the needle movement in fine detail. When the tuning is exactly right, the left and right LEDs flash along with the centre LED. When using the Pitchclip 2, it will be obvious when your instrument is tuned perfectly. Whether you're practicing in a brightly lit room or tuning in dim backstage conditions, this tuner ensures great visibility in nearly any environment.

Clip with enhanced holding power and a rubberized grip that protects your instrument:

The Pitchclip 2 boasts major improvements to its clip mechanism. Numerous trials in every detail have resulted in a 140% improvement in holding power compared with the previous model, ensuring that the attached tuner will not fall off and provide a secure connection for accurate tuning. The entire clip is now rubberized to protect your instrument. From a ukulele to an electric guitar, this tuner can be used with any instrument.

Improved detection accuracy in the low-frequency region:

After thoroughly testing the mounting location for the piezo sensor in the clip section of the Pitchclip 2, KORG has succeeded in boosting the tuner's detection sensitivity for the low-frequency region. The enhanced effectiveness is most noticeable for dropped tunings and 5- or 6-string basses that, until now, were considered problematic for stable tuning.

Reverse function vertically inverts the meter display:

The reverse function is good news for users who attach the tuner to the back side of the headstock to make it less visible when seen from the front, and for left-handed players. With the power off, long-press the switch to vertically invert the meter display. This lets you tune regardless of whether the tuner is attached to the front or the back of the headstock, and regardless of the orientation.

24-hour battery life, and an auto-power-off function:

A single widely-available lithium coin cell battery (CR2032) provides approximately 24 hours of continuous operation. The tuner is also equipped with an auto-power-off function that automatically turns off the power when approximately three minutes pass without sound being detected. You'll enjoy extended operation without wasting the battery.
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 1 in stock $14.16
Korg Volca Drum Digital Percussion Synthesiser (drum machine/percussion synthesiser)
Cat: 715951 Rel: 21 Mar 19 • View all Drum machines
 
Drum machine with 16-step sequencer, 6 dual-layer drum parts, MIDI input & sync I/O
Notes: Welcome to an infinitely expanding world of sound-design. Joining volca kick and beats as the third, and most unique, drum synth in the volca lineup. The volca series is all about unique sound. Whether it's analogue, PCM, or FM, the volca series puts unique sounds into an accessible platform. And now, the series is joined by a new rhythm machine that brings yet another sonic character. It's the volca drum digital percussion synthesizer. Based on a simple trigger waveform, wave folder and overdrive are used to add overtones and distortion, and then a waveguide resonator effect brings the sound to life. The six-part DSP synth engine was designed with a completely different philosophy than conventional drum machines, and generates a wide range of unexpectedly different sounds. And of course, you can play those sounds from the volca-style sequencer.

Adding these distinctive sounds to your rhythms will revolutionarily transform your performances and productions.

Digital percussion synth with a 6-part x 2-layer structure:

The term "digital" typically brings to mind sounds that are based on PCM-sampled bass drum, snare drum, or cymbal, but the volca drum creates its drum sounds by DSP-powered analogue modelling. Oscillator waveforms such as sine wave, sawtooth wave, and noise are provided. By applying various changes to these waveforms, you can create a wide variety of percussion sounds that range from realistic to idiosyncratic, and are not limited only to drums.

The six parts each have two layers, and do not impose any rules or restrictions such as specifying which parts must be used for the bass drum or for the cymbal; all parts have the same specifications. You can freely assign your new sounds to these six parts without being limited by the conventions of a drum set. A kit consists of the six parts that you've assigned plus the waveguide resonator effect settings, and 16 such kits can be stored in memory (the factory settings contain 10 preload kits).

Distinctive sound from a newly developed DSP engine:

Each part consists of two layers. For each layer, users choose one of five types of oscillator waveform including sine wave, sawtooth wave, and HPF noise, and also choose from three types of pitch modulator and amp EG, each optimized for drum sounds. Layer parameters can be edited either individually or simultaneously, and users can also use the two layers to produce the same sound for additional thickness.

Waveguide resonator adds rich resonances:

The effect section features a waveguide resonator that's based on physical modelling, and which adds sympathetic resonances to the sound. You can choose from two types of waveguide: "tube" which adds the resonance of a cylindrical object such as a drum body or a long pipe, or "strings" which adds the metallic resonance of a string. The three knobs located in the centre of the panel let you specify the DECAY (amount of attenuation), BODY (sonic character), and TUNE (pitch). Setting TUNE to a lower value will produce a delay-like behaviour. You can take advantage of these knobs not only for sound design but also in your live performances.

16-step sequencer with a wide range of parameter automation:

The 16-step sequencer is excellent for improvisation. You can easily create patterns using the 16 buttons, each corresponding to one of the 16 steps. In addition to step recording, the sequencer also supports realtime recording in which you can construct a pattern while looping the playback. The pattern chain function lets you play multiple sequence patterns successively, so you can successively play back desired patterns of consecutive numbers. Up to 16 sequences can be connected to construct patterns with 256 steps.
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 9 in stock $159.78
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Cat: 715950 Rel: 18 Feb 19 • View all Synthesisers
 
Compact patch-based synth, ideal for beginners
Notes: A semi-modular analogue synthesizer that makes modular synthesis more accessible and understandable than ever before.

Creating new sounds that don't exist in the outside world is an unending dream which has continued since the birth of electronic musical instruments. This dream has evolved and expanded throughout the development of new and unique music production devices.

The popularity of modular synthesizers around the world has generated new excitement and interest in the so-called "West Coast style" of synthesis that deviates from traditional synthesis norms.

The compact body of this volca synth features eight modules and 50 patch points. While learning the basics of a modular synth, you can use popular features of the volca synthesizer line to control a unique and different flavour of analogue sounds.

Eight modules:

The volca modular is a semi-modular synthesizer consisting of independent analogue synth modules, digital effects, and a sequencer. Each of the modules has been carefully selected for its stand-alone completeness. The modules are internally connected so that sound can be produced even before connecting the included pin cables, and the routing is shown by white lines on the panel. Module connections via a pin cable take priority over the internal connections, bypassing them.

A fusion of West Coast style in a volca format:

Analog synthesizers in which a simple oscillator such as a saw wave or square wave is modified by a filter are referred to as "East Coast style" because of their origin from well-known American manufacturers. Synths of this style, as exemplified by the MS-20, have continued to evolve toward a goal of being used in many mainstream musical genres, thus being equipped with a keyboard for performance. Their sounds are notable for sharp filters and rich presence, and can be heard in many well-known songs.

Patching allows infinite possibilities:

volca modular's modules are connected via the included pin cables, allowing a diverse range of combinations. The unit's compact chassis provides 50 patch points. Inputs and outputs are color-coded for recognition at a glance, and the signals are also marked by symbols to indicate audio, control, gate or trigger. Normally, each signal is connected according to its use, but on the volca modular, signal levels are universally compatible between modules, allowing hidden possibilities to arise from patching that defies common sense. Twenty pin cables are included, and also included is a reference sheet explaining each patch point and providing basic examples of patching.

Sixteen-step sequencer that can automate parameters:

While the volca modular is a semi-modular synth, it is equipped with a full-fledged 16-step sequencer providing a wide range of functions, letting you enjoy automatic performance even when used stand-alone.

Using the 16 buttons familiar from the volca series, you can perform step input or use the buttons as a keyboard for realtime recording. The pattern chaining function plays back multiple sequence patterns in succession, allowing you to connect up to 16 sequences with up to 32, 64, or even 256 steps to create large-scale development.

Randomize function that can generate accidental ideas:

The sequencer of the volca modular lets you specify randomization for notes, active steps, and micro tuning. Irregular phrases, rhythms, and scaling that would be unlikely to come to mind can be generated by applying randomness, letting the volca be a source of unknown ideas.

Two new modes added for sequence playback:

Two new sequence modes have been added: bounce sequence mode which makes a round trip through the steps, and stochastic sequence mode which gradually proceeds while randomly moving forward and backward. Playing back a recorded sequence in a different form can add dramatic changes to your song or performance.

Musically advanced scales, keys, and micro tuning:

Although the volca modular is a West Coast style synthesizer, it also provides flexible support for music as a contemporary instrument. You can choose from 14 types of scale including equal temperament. Since you can also specify the tonic key from which these scales start, you can play these scales in any key.

There's also a micro tuning function that lets you individually specify the pitch of each note. You can pursue your own unique music by performing in an original tuning with the pitch of individual notes raised or lowered.

Connectors that allow synchronized performance and external control:

With a sync jack that allows easy connection to a Korg groove machine, you can connect the volca modular to another volca series unit, a minilogue, monologue, or prologue, an electribe, or the SQ-1, and enjoy sessions with the sequencer synchronized to the playback.
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 3 in stock $153.56
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Cat: 703181 Rel: 13 Dec 18 • View all Guitar tuners & interfaces
 
Electronic metronome with improved display, loud, crisp sound, and additional functions
Notes: The MA-1, a compact card-type electronic metronome, has been further improved. The MA-2 is an indispensable unit for rhythm training, and solidly covers the functions of a metronome. In addition to basic functionality such a wide tempo range and a generous number of beats and rhythm patterns, it also provides user-friendly features including an improved display, a loud, crisp sound, and additional functions such as a newly provided "timer mode."

Larger and more easily readable display:

The MA-2's display is 30% larger than that of the previous model, drastically improving the visibility. Within the display, a digital needle moves between left and right, providing a visual indication of the beat in additional to the audible indication. A triangular icon shows the beat position and the timing at which the measure changes.

Enhanced volume and crisp sound for easier detection:

The MA-2 is equipped with a newly designed electronic buzzer. It's more powerful, providing easily audible sound that won't be buried by high-volume instruments or high frequencies.

Covers all the needs of rhythm training:

You can choose from three different methods of setting the tempo: pendulum step lets you specify a numeric value just as on a mechanical metronome, full step lets you specify the tempo in one-step increments, and tap tempo lets you specify the tempo by pressing a button in time with the song you're playing. You can also combine a time signature of between 0-9 beats with eight types of rhythm, supporting many types of musical practicing.

Equipped with "timer mode" and "sound out mode" for daily practicing:

The MA-2 provides basic metronome function, but also includes a "timer mode" and a "sound out mode" that are useful for daily practicing. Use the MODE button to switch between these at a touch.

All-new body design & improved functionality:

The folding stand lets the metronome stand on its own in an easily visible location. The sliding battery cover is designed as one piece with the main unit, so there's no danger of the cover being lost when you replace the batteries.

Up to 400 hours of continuous use:

When using alkaline batteries, the unit provides approximately 400 hours of continuous operation. As the remaining battery power runs low, a battery indicator appears in the display, making it clear when the batteries need to be replaced. Even for extended practicing sessions, you can concentrate on your performance without worrying about battery life.
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 2 in stock $15.75
Cat: 703182 Rel: 13 Dec 18 • View all Guitar tuners & interfaces
 
Electronic metronome with improved display, loud, crisp sound, and additional functions
Notes: The MA-1, a compact card-type electronic metronome, has been further improved. The MA-2 is an indispensable unit for rhythm training, and solidly covers the functions of a metronome. In addition to basic functionality such a wide tempo range and a generous number of beats and rhythm patterns, it also provides user-friendly features including an improved display, a loud, crisp sound, and additional functions such as a newly provided "timer mode."

Larger and more easily readable display:

The MA-2's display is 30% larger than that of the previous model, drastically improving the visibility. Within the display, a digital needle moves between left and right, providing a visual indication of the beat in additional to the audible indication. A triangular icon shows the beat position and the timing at which the measure changes.

Enhanced volume and crisp sound for easier detection:

The MA-2 is equipped with a newly designed electronic buzzer. It's more powerful, providing easily audible sound that won't be buried by high-volume instruments or high frequencies.

Covers all the needs of rhythm training:

You can choose from three different methods of setting the tempo: pendulum step lets you specify a numeric value just as on a mechanical metronome, full step lets you specify the tempo in one-step increments, and tap tempo lets you specify the tempo by pressing a button in time with the song you're playing. You can also combine a time signature of between 0-9 beats with eight types of rhythm, supporting many types of musical practicing.

Equipped with "timer mode" and "sound out mode" for daily practicing:

The MA-2 provides basic metronome function, but also includes a "timer mode" and a "sound out mode" that are useful for daily practicing. Use the MODE button to switch between these at a touch.

All-new body design & improved functionality:

The folding stand lets the metronome stand on its own in an easily visible location. The sliding battery cover is designed as one piece with the main unit, so there's no danger of the cover being lost when you replace the batteries.

Up to 400 hours of continuous use:

When using alkaline batteries, the unit provides approximately 400 hours of continuous operation. As the remaining battery power runs low, a battery indicator appears in the display, making it clear when the batteries need to be replaced. Even for extended practicing sessions, you can concentrate on your performance without worrying about battery life.
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 1 in stock $14.23
Cat: 703179 Rel: 13 Dec 18 • View all Guitar tuners & interfaces
 
Tuner for acoustic guitar featuring Piezo pickup
Notes: A reliable tuner that you attach to the sound hole of your instrument. The Rimpitch-C2, a tuner designed specifically for acoustic guitar.

The Rimpitch-C2 is a tuner that you attach to the inside of the guitar's sound hole. The tuner's extremely slim and compact design allows it to be installed unobtrusively, and since the tuning meter is within your natural field of vision, you can glance casually at the tuning meter while you perform. It's an ideal choice for any acoustic guitarist who does not want to distract from their performance with a clip-on tuner.

Piezo pickup quickly and accurately detects the sound:

When tuning, the Rimpitch-C2 detects the sound through the vibration of the guitar itself. The body features a proprietary structure with a closely attached piezo pickup, allowing the sound to be detected rapidly and accurately. The tuner can be attached to a round sound hole of 100 mm diameter (within i 3mm) and is designed to fit a wide variety of acoustic guitars. Rubber cushions on both the inside and outside of the tuner ensure a secure fit and guarantee accurate tuning.

Highly visible and readable LED display:

The note name indicator is optimally balanced between the left and right of the display. The LED meter is shown across the entire display, and the strength of the light expresses the movement of the needle with exquisite precision. When the tuning is exactly correct, the left and right LEDs blink briefly, showing at a glance that you're perfectly tuned. This ensures excellent visibility not only when practicing in a bright room, but also on a dimly lit stage.
The meter also lights beautifully when you turn the power on or off.

Supports tuning in any scale or key, and a calibration function is also provided:

The Rimpitch-C2 uses chromatic tuning, which supports tuning in any scale or key, making it ideal for players who use alternate, open, or dropped tunings.

The detection range covers the range of E2 (82.41 Hz) - E7 (2637.02 Hz) required for guitar. The calibration function also supports a variety of concert pitches, allowing you to adjust the reference pitch in the range of 438 - 445 Hz as appropriate for the music that you're performing.

Intuitive design provides excellent functionality, as well as easy battery replacement:

When the remaining battery capacity runs low, the note name indicator of the display will blink, indicating at a glance that it's time to replace the battery. The battery compartment cover easily slides open or closed using a discreet button, ensuring it will not open accidentally. Because the design unifies the battery cover with the unit itself, you don't need to worry that it will be lost when replacing the battery.
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 1 in stock $23.58
Cat: 703166 Rel: 14 Nov 18 • View all Keyboard bags & covers
 
Dedicated carrying case for the KORG nano series
Notes: This dedicated carrying case for the nano series fits perfectly in a bag to casually carry to a gig or practice. Featuring a soft-shell structure with a distinctive mesh design that provides the perfect amount of cushioning and support, it securely protects your KORG nano series unit. Inside the lid are two pockets that can hold cables or other small items.
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 1 in stock $26.80
Cat: 703174 Rel: 14 Nov 18 • View all MIDI controllers
 
Slim-line USB controller - orange & green edition
Notes: In a body proportioned to fit perfectly in front of your laptop computer, the nanoKONTROL2 provides eight channels of the controllers you need to control your music software. The nanoKONTROL2 also features a dedicated transport control section. The buttons have been carefully selected to be useful with your software, ensuring simple and intuitive control. Many software titles - including major DAW programs - are supported, dramatically reducing the need to make complicated connection settings.

Complete control for your DAW or software synthesizer:

A knob, fader, and three switches are provided for each of the eight channels, respectively assigned to pan, volume, and solo/mute/record. This arrangement is a real convenience when recording automation for multiple channels. There's also a marker button, making it easy to assign marks at important points in your song for more efficient recording and song production. When using a software synthesizer, you can assign parameters to the desired controllers for easy control. For example, you could use the faders to control the ADSR of an envelope generator, and use the knobs to control the filter's cut-off frequency and resonance, etc.

USB power for an uncluttered setup:

Just connect a single USB cable from your computer to the nanoKONTROL2, and you've got a quick and portable music production system. Power and USB-MIDI data travels down the same wire for a clean, efficient workspace.
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 1 in stock $48.26
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quote 703174
Cat: 703175 Rel: 14 Nov 18 • View all MIDI controllers
 
Slim-line USB pad controller - blue & yellow edition
Notes: Like all nanoSERIES2 controllers, the nanoPAD2 had to be compact, lightweight and sized to work well with any laptop or desktop computer. In addition, the nanoPAD2 also had to pack in 16 great-feeling and dynamic-sensing pads - as well as leaving room for the X-Y touchpad! The Korg nanoPAD2 does all this and more. In fact, there are four banks of pad assignments, providing a total of 64 pads setups.

Dynamic trigger pads capture all your performance nuances:

The sixteen velocity-sensitive pads provide excellent response to your fingertips, and also realistically convey the playing feel to your sequencer or DAW software, ensuring that your drum parts will be full of life. By switching between the four scenes, you can experience 64 different pad assignments.

USB power for an uncluttered setup:

Just connect a single USB cable from your computer to the nanoPAD2, and you've got a quick and portable music production system. Power and USB-MIDI data travels down the same wire for a clean, efficient workspace.
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 2 in stock $42.88
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quote 703175
Cat: 703168 Rel: 14 Nov 18 • View all Keyboard bags & covers
 
Dedicated carrying case for the KORG nano series
Notes: This dedicated carrying case for the nano series fits perfectly in a bag to casually carry to a gig or practice. Featuring a soft-shell structure with a distinctive mesh design that provides the perfect amount of cushioning and support, it securely protects your KORG nano series unit. Inside the lid are two pockets that can hold cables or other small items.
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 1 in stock $28.10
Cat: 703171 Rel: 14 Nov 18 • View all MIDI keyboards
 
Slim-line 25-key USB keyboard - orange & green edition
Notes: The nanoKEY2 features an advanced and up-to-date design. By combining the great-feeling "touch" that Korg has developed for its professional MIDI keyboards and the low-profile "thinness" of recent computer keyboard innovations, the nanoKEY2 provides a superior keyboard response for its class and size. It's designed with ample key width and plenty of space between the keys, reducing the chances of hitting a wrong note. The touch and velocity response have been carefully tuned, as only a manufacturer with Korg's track record and know-how can, ensuring that your expressive performance will be conveyed accurately to your software.

Control buttons provide simple yet versatile control:

The Octave Shift buttons - borrowed from Korg's MIDI controllers - allow the overall pitch to be shifted four levels, either UP or DOWN, in octave increments. When used in conjunction with the Key Transpose feature, the nanoKEY2 can access the entire range of the notes in the MIDI spectrum. For enhanced performances, the nanoKEY2 also provides Pitch Bend buttons, a Modulation button, and a Sustain button; one that's indispensable for piano or electric piano performance. For each of these buttons, the on/off switching speed can be specified over four levels (using Korg Kontrol Editor), ensuring smooth changes that are appropriate for your performance.

USB power for an uncluttered setup:

Just connect a single USB cable from your computer to the nanoKEY2, and you've got a quick and portable music production system. Power and USB-MIDI data travels down the same wire for a clean, efficient workspace.
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 1 in stock $42.89
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quote 703171
Cat: 703173 Rel: 14 Nov 18 • View all MIDI controllers
 
Slim-line USB controller - blue & yellow edition
Notes: In a body proportioned to fit perfectly in front of your laptop computer, the nanoKONTROL2 provides eight channels of the controllers you need to control your music software. The nanoKONTROL2 also features a dedicated transport control section. The buttons have been carefully selected to be useful with your software, ensuring simple and intuitive control. Many software titles - including major DAW programs - are supported, dramatically reducing the need to make complicated connection settings.

Complete control for your DAW or software synthesizer:

A knob, fader, and three switches are provided for each of the eight channels, respectively assigned to pan, volume, and solo/mute/record. This arrangement is a real convenience when recording automation for multiple channels. There's also a marker button, making it easy to assign marks at important points in your song for more efficient recording and song production. When using a software synthesizer, you can assign parameters to the desired controllers for easy control. For example, you could use the faders to control the ADSR of an envelope generator, and use the knobs to control the filter's cut-off frequency and resonance, etc.

USB power for an uncluttered setup:

Just connect a single USB cable from your computer to the nanoKONTROL2, and you've got a quick and portable music production system. Power and USB-MIDI data travels down the same wire for a clean, efficient workspace.

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 1 in stock $48.26
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quote 703173
Cat: 703178 Rel: 14 Nov 18 • View all MIDI controllers
 
Slim-line USB pad controller - orange & green edition
Notes: Like all nanoSERIES2 controllers, the nanoPAD2 had to be compact, lightweight and sized to work well with any laptop or desktop computer. In addition, the nanoPAD2 also had to pack in 16 great-feeling and dynamic-sensing pads - as well as leaving room for the X-Y touchpad! The Korg nanoPAD2 does all this and more. In fact, there are four banks of pad assignments, providing a total of 64 pads setups.

Dynamic trigger pads capture all your performance nuances:

The sixteen velocity-sensitive pads provide excellent response to your fingertips, and also realistically convey the playing feel to your sequencer or DAW software, ensuring that your drum parts will be full of life. By switching between the four scenes, you can experience 64 different pad assignments.

USB power for an uncluttered setup:

Just connect a single USB cable from your computer to the nanoPAD2, and you've got a quick and portable music production system. Power and USB-MIDI data travels down the same wire for a clean, efficient workspace.
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 2 in stock $45.03
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quote 703178
Cat: 737703 • View all MIDI keyboards
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


The nanoKEY2 features an advanced and up-to-date design. By combining the great-feeling "touch" that Korg has developed for its professional MIDI keyboards and the low-profile "thinness" of recent computer keyboard innovations, the nanoKEY2 provides a superior keyboard response for its class and size. It's designed with ample key width and plenty of space between the keys, reducing the chances of hitting a wrong note. The touch and velocity response have been carefully tuned, as only a manufacturer with Korg's track record and know-how can, ensuring that your expressive performance will be conveyed accurately to your software.

Control buttons provide simple yet versatile control:

The Octave Shift buttons - borrowed from Korg's MIDI controllers - allow the overall pitch to be shifted four levels, either UP or DOWN, in octave increments. When used in conjunction with the Key Transpose feature, the nanoKEY2 can access the entire range of the notes in the MIDI spectrum. For enhanced performances, the nanoKEY2 also provides Pitch Bend buttons, a Modulation button, and a Sustain button; one that's indispensable for piano or electric piano performance. For each of these buttons, the on/off switching speed can be specified over four levels (using Korg Kontrol Editor), ensuring smooth changes that are appropriate for your performance.

USB power for an uncluttered setup:

Just connect a single USB cable from your computer to the nanoKEY2, and you've got a quick and portable music production system. Power and USB-MIDI data travels down the same wire for a clean, efficient workspace.
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 1 in stock $31.85
Korg KA196 Power Supply (power supply)
Cat: 702730 Rel: 07 Sep 18 • View all
 
Power supply/AC adapter
Notes: Korg KA196 is a PSU compatible with a wide range of Korg products.
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 1 in stock $20.32
Cat: 693421 Rel: 01 Jan 90 • View all Drum machines
 
***B-STOCK: Box opened, product unused***
Notes: The ultimate drum sound, anytime and anywhere! Numerous rhythm patterns built into a practical interface! The new KR-55 Pro is a multi-function rhythm machine that's also equipped with mixer/recorder functionality.

Experience the same musical support as if a pro drummer were sitting in on your session. The KR-55 Pro gives you an easy way to enjoy jam sessions with the backing of real drum/percussion sounds. It provides a rich variety of input jacks, mixer functionality, effects, and equalizer, as well as a versatile recorder that can record to an SD card. The intuitive interface means that there's no need for complex programming. Battery-powered operation allows complete mobility from desktop to street performances, or use in a variety of situations including live events in small spaces.

Drum/percussion sound that overturns your concept of a rhythm machine:

The KR-55 Pro features "Real Groove Technology" which uses data recorded from actual professional musicians performing at various tempi, and is a completely different technology than conventional rhythm machines. There is a total of 24 high-quality rhythm styles, each fine-tuned to provide the best possible feel, to accurately reproduce the experience of playing with a percussionist. The sounds, grooves, and phrases will play back at pristine quality even if you change the tempo, so you can enjoy playing serious jam sessions at your own pace.

Use the chain function to easily create sophisticated rhythm tracks:

Each rhythm style includes a wide variety of patterns: two variations in addition to basic, fill-in 1, and fill-in 2. This means that the KR-55 Pro can provide the accompaniment for an entire song. By using the chain function, which lets you put together and memorize a different rhythm style for each measure, you can freely create even complex rhythm tracks. Up to 30 banks of chains can be stored, and each chain can be up to 999 measures long.

A rich array of input jacks and full-fledged mixer functionality:

The KR-55 Pro provides a rich array of input jacks that accommodate a variety of instruments: a guitar or bass can be connected to INPUT 1/2, and the XLR jack accepts a mic input. You can let the KR-55 Pro take care of the rhythm, and enjoy a full-band performance with guitar, bass, and vocals. A reverb effect can be applied to each input source, and TREBLE and BASS equalizer are also provided so that you can shape your sound in detail. The AUX INPUT supports stereo, and can be connected to a digital audio player, a keyboard, or an effect unit that's equipped with stereo output. Together, they allow you to use up to four channels.

Versatile recording functionality that supports multi-track recording:

In addition to built-in rhythm styles, the KR-55 Pro is equipped with a versatile recorder function that can record a variety of input sources. You can record your own performances along with the built-in rhythm styles, a favourite song, or karaoke tracks that you created on your DAW. The recorded data can be exported as a WAV file to an SD card, so the KR-55 Pro is all you need to create widely-usable tracks. You can also multitrack-record your guitar and bass to produce more complex tracks. Also provided are editing functions such as undo/redo and punch-in, and you can also place markers at the desired location of the recorded data, and overdub while looping the playback.

Player function can play back audio files from an SD card:

The KR-55 Pro is equipped with an audio player function that can play back audio files (wav) from an SD card. You can take advantage of Acoustage and use this unit as a high-quality listening system, or prepare backing tracks for you to play along with. There's also a playlist function (10 banks) that lets you manage the file playback order of up to 24 songs, so you can play back songs in a desired order for your live performance. In addition, the playback speed can be adjusted in the range of -25% to +25%, and you can also make files play repeatedly or automatically in succession. Whether you're practicing at home or performing in front of an audience, the KR-55 Pro is packed with functions that will be useful in various situations.

Tuner and metronome functions with a large and easily readable meter:

A tuner with the high precision that you expect from KORG is built in. When you turn this function on, the rhythm style buttons become a tuning meter, allowing you to tune with a large and easily visible meter. You can also tune while listening to a guitar, bass, or piano guide tone, or sound a metronome for convenient practicing.
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 1 in stock $241.26
Cat: 751130 Rel: 11 May 18 • View all Drum machines
 
B-STOCK: Item refurbished, repaired and in perfect working order.
Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


The ultimate drum sound, anytime and anywhere! Numerous rhythm patterns built into a practical interface! The new KR-55 Pro is a multi-function rhythm machine that's also equipped with mixer/recorder functionality.

Experience the same musical support as if a pro drummer were sitting in on your session. The KR-55 Pro gives you an easy way to enjoy jam sessions with the backing of real drum/percussion sounds. It provides a rich variety of input jacks, mixer functionality, effects, and equalizer, as well as a versatile recorder that can record to an SD card. The intuitive interface means that there's no need for complex programming. Battery-powered operation allows complete mobility from desktop to street performances, or use in a variety of situations including live events in small spaces.

Drum/percussion sound that overturns your concept of a rhythm machine:

The KR-55 Pro features "Real Groove Technology" which uses data recorded from actual professional musicians performing at various tempi, and is a completely different technology than conventional rhythm machines. There is a total of 24 high-quality rhythm styles, each fine-tuned to provide the best possible feel, to accurately reproduce the experience of playing with a percussionist. The sounds, grooves, and phrases will play back at pristine quality even if you change the tempo, so you can enjoy playing serious jam sessions at your own pace.

Use the chain function to easily create sophisticated rhythm tracks:

Each rhythm style includes a wide variety of patterns: two variations in addition to basic, fill-in 1, and fill-in 2. This means that the KR-55 Pro can provide the accompaniment for an entire song. By using the chain function, which lets you put together and memorize a different rhythm style for each measure, you can freely create even complex rhythm tracks. Up to 30 banks of chains can be stored, and each chain can be up to 999 measures long.

A rich array of input jacks and full-fledged mixer functionality:

The KR-55 Pro provides a rich array of input jacks that accommodate a variety of instruments: a guitar or bass can be connected to INPUT 1/2, and the XLR jack accepts a mic input. You can let the KR-55 Pro take care of the rhythm, and enjoy a full-band performance with guitar, bass, and vocals. A reverb effect can be applied to each input source, and TREBLE and BASS equalizer are also provided so that you can shape your sound in detail. The AUX INPUT supports stereo, and can be connected to a digital audio player, a keyboard, or an effect unit that's equipped with stereo output. Together, they allow you to use up to four channels.

Versatile recording functionality that supports multi-track recording:

In addition to built-in rhythm styles, the KR-55 Pro is equipped with a versatile recorder function that can record a variety of input sources. You can record your own performances along with the built-in rhythm styles, a favourite song, or karaoke tracks that you created on your DAW. The recorded data can be exported as a WAV file to an SD card, so the KR-55 Pro is all you need to create widely-usable tracks. You can also multitrack-record your guitar and bass to produce more complex tracks. Also provided are editing functions such as undo/redo and punch-in, and you can also place markers at the desired location of the recorded data, and overdub while looping the playback.

Player function can play back audio files from an SD card:

The KR-55 Pro is equipped with an audio player function that can play back audio files (wav) from an SD card. You can take advantage of Acoustage and use this unit as a high-quality listening system, or prepare backing tracks for you to play along with. There's also a playlist function (10 banks) that lets you manage the file playback order of up to 24 songs, so you can play back songs in a desired order for your live performance. In addition, the playback speed can be adjusted in the range of -25% to +25%, and you can also make files play repeatedly or automatically in succession. Whether you're practicing at home or performing in front of an audience, the KR-55 Pro is packed with functions that will be useful in various situations.

Tuner and metronome functions with a large and easily readable meter:

A tuner with the high precision that you expect from KORG is built in. When you turn this function on, the rhythm style buttons become a tuning meter, allowing you to tune with a large and easily visible meter. You can also tune while listening to a guitar, bass, or piano guide tone, or sound a metronome for convenient practicing.
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 1 in stock $221.42
Cat: 675875 Rel: 11 May 18 • View all Drum machines
 
Multi-function rhythm machine
Notes: The ultimate drum sound, anytime and anywhere! Numerous rhythm patterns built into a practical interface! The new KR-55 Pro is a multi-function rhythm machine that's also equipped with mixer/recorder functionality.

Experience the same musical support as if a pro drummer were sitting in on your session. The KR-55 Pro gives you an easy way to enjoy jam sessions with the backing of real drum/percussion sounds. It provides a rich variety of input jacks, mixer functionality, effects, and equalizer, as well as a versatile recorder that can record to an SD card. The intuitive interface means that there's no need for complex programming. Battery-powered operation allows complete mobility from desktop to street performances, or use in a variety of situations including live events in small spaces.

Drum/percussion sound that overturns your concept of a rhythm machine:

The KR-55 Pro features "Real Groove Technology" which uses data recorded from actual professional musicians performing at various tempi, and is a completely different technology than conventional rhythm machines. There is a total of 24 high-quality rhythm styles, each fine-tuned to provide the best possible feel, to accurately reproduce the experience of playing with a percussionist. The sounds, grooves, and phrases will play back at pristine quality even if you change the tempo, so you can enjoy playing serious jam sessions at your own pace.

Use the chain function to easily create sophisticated rhythm tracks:

Each rhythm style includes a wide variety of patterns: two variations in addition to basic, fill-in 1, and fill-in 2. This means that the KR-55 Pro can provide the accompaniment for an entire song. By using the chain function, which lets you put together and memorize a different rhythm style for each measure, you can freely create even complex rhythm tracks. Up to 30 banks of chains can be stored, and each chain can be up to 999 measures long.

A rich array of input jacks and full-fledged mixer functionality:

The KR-55 Pro provides a rich array of input jacks that accommodate a variety of instruments: a guitar or bass can be connected to INPUT 1/2, and the XLR jack accepts a mic input. You can let the KR-55 Pro take care of the rhythm, and enjoy a full-band performance with guitar, bass, and vocals. A reverb effect can be applied to each input source, and TREBLE and BASS equalizer are also provided so that you can shape your sound in detail. The AUX INPUT supports stereo, and can be connected to a digital audio player, a keyboard, or an effect unit that's equipped with stereo output. Together, they allow you to use up to four channels.

Versatile recording functionality that supports multi-track recording:

In addition to built-in rhythm styles, the KR-55 Pro is equipped with a versatile recorder function that can record a variety of input sources. You can record your own performances along with the built-in rhythm styles, a favourite song, or karaoke tracks that you created on your DAW. The recorded data can be exported as a WAV file to an SD card, so the KR-55 Pro is all you need to create widely-usable tracks. You can also multitrack-record your guitar and bass to produce more complex tracks. Also provided are editing functions such as undo/redo and punch-in, and you can also place markers at the desired location of the recorded data, and overdub while looping the playback.

Player function can play back audio files from an SD card:

The KR-55 Pro is equipped with an audio player function that can play back audio files (wav) from an SD card. You can take advantage of Acoustage and use this unit as a high-quality listening system, or prepare backing tracks for you to play along with. There's also a playlist function (10 banks) that lets you manage the file playback order of up to 24 songs, so you can play back songs in a desired order for your live performance. In addition, the playback speed can be adjusted in the range of -25% to +25%, and you can also make files play repeatedly or automatically in succession. Whether you're practicing at home or performing in front of an audience, the KR-55 Pro is packed with functions that will be useful in various situations.

Tuner and metronome functions with a large and easily readable meter:

A tuner with the high precision that you expect from KORG is built in. When you turn this function on, the rhythm style buttons become a tuning meter, allowing you to tune with a large and easily visible meter. You can also tune while listening to a guitar, bass, or piano guide tone, or sound a metronome for convenient practicing.
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 1 in stock $234.83
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quote 675875
Cat: 687637 Rel: 27 Apr 18 • View all Keyboard bags & covers
 
Carry case/sleeve for Korg Nano controllers
Notes: Official high quality Korg sleeve, for Nanokey, Nanopad and other similar MIDI controllers.
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 1 in stock $10.71
Cat: 675885 Rel: 16 Apr 18 • View all Guitar tuners & interfaces
 
High precision tuner/metronome with contact microphone
Notes: This package consists of the TM-60, which combines tuner and metronome functionality, and the CM-200 Contact Microphone, which sends the vibrations from your instrument directly to the tuner. By using the tuner together with this contact mic, you can take advantage of quick and accurate tuning without any interference from outside sounds in the environment, and you can also utilize the TM-60's Sound Back function*. The CM-200 Contact Microphone is the perfect way to accurately pick up and convey your instrument's sound to the TM-60 and-held tuner with its wide, easy to read meter. The TM-60 can be placed on a nearby music stand, making it ideal for orchestral or brass band instruments.

TM-60 Combo Tuner Metronome:

The best-selling KORG TM series, which lets you use a tuner and metronome simultaneously, has been revamped. The TM-60 is the newest model and features a larger display that can show the tuner and metronome simultaneously. The battery life has also been dramatically improved. With the all-new TM-60, you'll be able to enjoy pitch training and rhythm training without having to switch functions or be concerned with battery life.

Tuning and rhythm training are indispensable for brass band or orchestral practice. In addition to letting you use the tuner and metronome simultaneously, the TM-60 features a display that's approximately 1.3 times larger than the previous model (the TM-50), allowing easy viewing even when the unit is placed on your music stand, and also allowing the tuner and metronome functions to both be viewed simultaneously.

No longer will you have to switch between functions; you'll be able to use practicing techniques that are idiomatic to orchestral instruments, such as keeping a consistent pitch over the course of a long note while varying the tone to add vibrato in time with the tempo, or checking the pitch of chords while using the metronome.

The enlarged display is backlit. You can adjust the brightness in two levels, soft or auto, ensuring stress-free tuning even when you're on a dimly lit stage or in an orchestra pit.
The circuitry has been redesigned to achieve a battery life of 130 hours, approximately double that of the previous TM-50 model (tuner in use, backlight off). There's no need to worry about the remaining battery life even during extended practices or performances.

CM-200 Contact Microphone:

The CM-200 is a contact microphone that can be attached to the bell of a brass instrument, the bridge of a violin, or even to a guitar or ukulele. The microphone uses a piezo element to directly capture the vibrations and send them to your tuner. The CM-200 is an indispensable item in situations where the mic built into your tuner might have difficulty detecting the sound of your instrument, such as when you're practicing with an entire brass band.

Compared to its predecessor, the CM-200 features a fresh appearance with a sharper design.

The functionality of the microphone has also been improved. The cable now transmits sound more efficiently, and is more flexible. The connection between the mic and cable has been made more durable, reducing the possibility of breakage. The new clip opens up 7 mm wider than the previous model, providing more space to attach to your instrument. The rubber inside the clip has been redesigned to provide a better fit so that it can be securely attached.
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 1 in stock $36.62
Cat: 675871 Rel: 26 Mar 18 • View all Live mixers
 
Compact multi-function four-channel mixer
Notes: The Volca Mix is a four-channel analogue performance mixer that lets you construct a live setup combining multiple Volca units.

Volume faders are easy to control, plus crisp-sounding LO/HI CUT filters, and a master chain that radically transforms the sound. In addition to the sync function found on all Volcas, there are also DC output connectors that can supply power for up to three Volca units. Numerous functions to facilitate your on-stage Volca performances have been packed into a high-quality aluminium-panelled body, reminiscent of a high-end DJ mixer. The Volca Mix will unlock the maximum potential of the Volca series.

An analog mixer for performance:

The Volca Mix is a four-channel analog mixer with an intuitive interface and plenty of connectivity. It provides two mono inputs and one stereo input, perfect for connecting three Volca units. The jacks are mini-jacks, allowing you to make connections with just one stereo mini-cable from the headphone out of each Volca unit. The channel volumes use vertical faders that allow precise control. The gain can be boosted to adjust the mix balance, and mute buttons are also provided. Each channel is also equipped with a LO/HI CUT filter that lets you control the low and high frequency ranges with a single knob. The pristine, natural-sounding filters that you expect from analog gear give you complete control over the character of your sound.

Output and monitor capabilities for use on stage, plus stereo speakers for maximum portability:

The output section provides RCA stereo line outputs to ensure stable connection. There's a master volume with LED VU meter for adjusting the output level, as well as a headphone output that can be used simultaneously with the line output, providing a reliable monitoring environment on stage. Speakers are also built-in for excellent portability. The stereo speakers are placed at both sides of the front, and while compact, deliver SPL levels that are even greater than the built-in speakers on previous Volca units.

Powerful master chain:

The Volca Mix is equipped with master effects powered by all-analog circuitry. In addition to an expander that broadens a mono source into a stereo sound image, there's a dynamic range compressor that compresses the high-frequency range according to level changes of the low-frequency region, as well as a side chain effect that's indispensable for dance music. Use these to dynamically vary the mix, adding a professional feel to live performances with the Volca.

Connect an external effect unit for further variety:

The Volca Mix provides a stereo mini-jack send out and AUX in jack, and send level knobs for each channel. This allows you to use it with an external effect unit in a send/return connection. When used in conjunction with a unit such as the mini Kaoss pad 2S, you can also enhance your live performances using standard effects such as reverb, delay, filter, and break. The AUX in jack can also be used as a stereo input channel for a fourth Volca unit, an iOS app, or any other gadget, instrument, or device.

As the master of your Volca live setup:

The Volca Mix features an analog sync out jack that can easily be connected to many pieces of KORG gear for tempo sync, and also a play button and tempo knob to control that sync signal. By using the Volca Mix as the sync master device of your live setup, you can easily enhance your live performance, such as simultaneously playing sequences from multiple synced units, and combining mute and volume control to create performances that use your Volca units in even more ingenious ways.
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MRP:$154.42 SAVE 32%
 2 in stock $105.70
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quote 675871
Cat: 675876 Rel: 24 Jan 18 • View all PA speakers
 
Compact, portable & powerful PA system with wireless Bluetooth connectivity
Notes: KONNECT is a portable all-in-one stereo PA system that provides a complete solution for both sound and convenience. It's a single unit that has everything you need for performances, DJ, background music, or MC work in any situation: live shows, parties, dance studios, exhibitions, seminars, or presentations. Featuring clarity that's unparalleled in any compact speaker, KONNECT delivers both powerful low-end and loudness. At the same time, KONNECT includes conveniences such as an interface that's easy to understand and operate, a rich variety of EQ presets suitable for any source (the VOICING function), and support for wireless control from your smartphone or tablet.

The KONNECT features stunningly powerful sound that exceeds its class. While remaining lightweight and compact, it reaches high volumes suitable for the stage. Equipped with a 6.5-inch woofer and two tweeters, it delivers a total of up to 180W of power. A bass reflex structure provides a rich low-range, giving you powerful sound that packs a punch.

In addition, the KONNECT achieves a clear sound image with an excellent sense of separation. The secret to this capability lies in a cutting-edge SHARC DSP and 32-bit digital processing. Experience accurate phase control with an all-in-one stereo speaker, a carefully designed crossover that connects the high and low frequency ranges, a low-noise design that decreases the noise floor, and superb resolution that delivers smooth attacks and crisp clarity. The latest technology and Korg's know-how ensure that the full range will be reproduced with high-quality sound that rivals studio monitors.

In addition to a panel layout that is clear and concise, every function corresponds to a knob or switch. The KONNECT is designed with an interface that will be intuitive even to non-musicians. There are four input channels, which can be used for both microphones/audio sources and instruments. Each channel is equipped with an independent volume control.

The all-in-one design combines a mixer, power amp, speakers, multi-effect unit, and feedback canceller into a single unit. This eliminates many of the inconveniences of using a conventional PA system, such as the difficulty of transportation, the need to provide speaker cables, the difficulty of finding the best location for the speakers, or the need to find a partner to help you set up. The sturdy front grill also protects the speakers from impacts during transportation. There's a hand-grip that lets you easily carry the unit with a single hand, plus a stylish, high tech design.

Getting the optimal sound for a given location usually requires the technical skills of a mixing engineer. However, the KONNECT is equipped with a VOICING function that lets you choose complex equalizing preset settings that optimize the sound for the instruments or the background music that's being played - simply by turning a single knob. Now it's easy for anyone to get the perfect sound.

The KONNECT provides five preset types: MUSIC is for enjoying music with powerful sound, MALE VOCAL and FEMALE VOCAL are optimized for male/female vocals or speech, and ELECTRIC GUITAR and ACOUSTIC GUITAR are for guitar performance. By using the dedicated KONNECT App, you can choose from an even wider range of 17 types including BASS GUITAR and KEYBOARD.

These VOICING presets are meticulously set using an EQ with five bands: Lo, Lo Mid, Mid, Hi Mid, and Hi. For every preset, the gain, Q value, frequency, and curve of each individual band are carefully voiced to obtain the ideal equalizing result for that specific situation. Simply by turning a single knob, any user can easily achieve the optimal sound for a variety of situations including a singer-performer, small band, dance music, or various other events.

Remote control from a smartphone:

With the spread of digital mixers in recent years, wireless control using a tablet is a must-have in the professional workplace as well. The KONNECT also lets you use the dedicated KONNECT App (supports iOS 8.1 and Android 5.0 or later) to connect via Bluetooth, allowing users to use their smartphone or tablet to wirelessly control the unit. KONNECT can be operated from a listening position without having to walk over to the unit's rear panel.

In addition, KONNECT App satisfies both people who are unfamiliar with mixing as well as people who like to make detailed settings to their own taste. You can switch between STANDARD mode with its simple parameter structure, and ADVANCED mode which lets you edit more detailed parameter settings.

Equipped with a generous selection of inputs, the KONNECT also supports Bluetooth audio (using channels 3/4). Use it to provide backing tracks for a live performance, for DJ work at a party, for background music during a speaking event, or for choreographed music in a dance environment. Without any complicated connections, you can easily play back music wirelessly from your smartphone or tablet.
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 1 in stock $320.63
Cat: 675884 Rel: 24 Jan 18 • View all Guitar tuners & interfaces
 
High precision tuner/metronome with contact microphone
Notes: This package consists of the TM-60, which combines tuner and metronome functionality, and the CM-200 Contact Microphone, which sends the vibrations from your instrument directly to the tuner. By using the tuner together with this contact mic, you can take advantage of quick and accurate tuning without any interference from outside sounds in the environment, and you can also utilize the TM-60's Sound Back function*. The CM-200 Contact Microphone is the perfect way to accurately pick up and convey your instrument's sound to the TM-60 and-held tuner with its wide, easy to read meter. The TM-60 can be placed on a nearby music stand, making it ideal for orchestral or brass band instruments.

TM-60 Combo Tuner Metronome:

The best-selling KORG TM series, which lets you use a tuner and metronome simultaneously, has been revamped. The TM-60 is the newest model and features a larger display that can show the tuner and metronome simultaneously. The battery life has also been dramatically improved. With the all-new TM-60, you'll be able to enjoy pitch training and rhythm training without having to switch functions or be concerned with battery life.

Tuning and rhythm training are indispensable for brass band or orchestral practice. In addition to letting you use the tuner and metronome simultaneously, the TM-60 features a display that's approximately 1.3 times larger than the previous model (the TM-50), allowing easy viewing even when the unit is placed on your music stand, and also allowing the tuner and metronome functions to both be viewed simultaneously.

No longer will you have to switch between functions; you'll be able to use practicing techniques that are idiomatic to orchestral instruments, such as keeping a consistent pitch over the course of a long note while varying the tone to add vibrato in time with the tempo, or checking the pitch of chords while using the metronome.

The enlarged display is backlit. You can adjust the brightness in two levels, soft or auto, ensuring stress-free tuning even when you're on a dimly lit stage or in an orchestra pit.
The circuitry has been redesigned to achieve a battery life of 130 hours, approximately double that of the previous TM-50 model (tuner in use, backlight off). There's no need to worry about the remaining battery life even during extended practices or performances.

CM-200 Contact Microphone:

The CM-200 is a contact microphone that can be attached to the bell of a brass instrument, the bridge of a violin, or even to a guitar or ukulele. The microphone uses a piezo element to directly capture the vibrations and send them to your tuner. The CM-200 is an indispensable item in situations where the mic built into your tuner might have difficulty detecting the sound of your instrument, such as when you're practicing with an entire brass band.

Compared to its predecessor, the CM-200 features a fresh appearance with a sharper design.

The functionality of the microphone has also been improved. The cable now transmits sound more efficiently, and is more flexible. The connection between the mic and cable has been made more durable, reducing the possibility of breakage. The new clip opens up 7 mm wider than the previous model, providing more space to attach to your instrument. The rubber inside the clip has been redesigned to provide a better fit so that it can be securely attached.
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 1 in stock $36.62
Cat: 694189 Rel: 24 Jan 18 • View all Guitar tuners & interfaces
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


The KORG KDM series is renowned for its powerful volume and its clearly-audible tone. We are proud to announce the latest model, the KDM-3 which features a fresh new appearance. Along with an attractive look that resembles a miniature mechanical metronome, it also contains a rich variety of beat patterns and metronome sounds. It's also packed with the convenient functions that you expect from a digital unit and will support your performance in situation, regardless of genre or instrument.

The KDM-3's design is similar to that of an acoustic mechanical metronome, except much smaller. It will fit nicely on a tabletop, on your piano, or in any practicing environment. Featuring a newly designed sealed speaker enclosure, it delivers powerful volume that exceeds its compact size. The lineup gives you a choice of two colours: sophisticated black or pure white.

The design is not the only way in which this unit is reminiscent of a mechanical metronome. The KDM-3 now provides the sound of an acoustic mechanical metronome. You can also choose alternative sounds to suit your performance or instrument, including cowbell, rimshot, or voice. All of these sounds deliver a clear tone that is easy to hear and will not be obscured even by high-volume instruments.

In addition to 0-9 beats per measure with your choice of duplets, triplets, triplets omitting the middle note, quadruplets, and quadruplets omitting the middle notes, we've provided variations such as son clave and rumba clave, for a total of 19 built-in beat patterns. The tempo can be freely specified in the range of 30 to 252 beats/minute. From classic to pop, jazz, and Latin, this unit covers your needs in a wide range of genres.

Timer mode is a function that operates the metronome for a specified length of time and then automatically stops. It's a great convenience for warming-up or when practicing the basics.

The START/STOP button located on top of the unit blinks in two colours, red and green, giving you a clear visual indication of the tempo. You can even start practicing with the volume set to zero. The TEMPO/CALIB dial on the top panel provides easy access to the numerical setting that you want. The content of the setting is visible at a glance in the large display.

Sound Out mode produces a reference tone from the built-in speaker or through connected headphones, allowing you to tune by ear. It can generate 12 reference tones in the range from C4 (261.63 Hz) to B4 (493.88 Hz). The calibration of the A4 pitch can also be adjusted over a wide range of 410 Hz-480 Hz.

Timer mode is a function that operates the metronome for a specified length of time and then automatically stops. It's a great convenience for warming-up or when practicing the basics.

Even when the power is turned off, the Memory Backup function preserves the specified tempo, beat, calibration, and reference tone. (These settings are initialized when the batteries are replaced.) The Auto Power-Off function automatically turns the power off when 20 minutes have elapsed with the metronome stopped.

The KDM-3 allows approximately 120 hours of operation when used at 120 beats/minute at maximum volume. Even if you're practicing daily, you won't need to worry about the remaining battery life.
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 1 in stock $46.86
Cat: 675881 Rel: 24 Jan 18 • View all Guitar tuners & interfaces
 
High-precision tuner & metronome with larger display & improved battery life
Notes: The best-selling KORG TM series, which lets you use a tuner and metronome simultaneously, has been revamped. The TM-60 is the newest model and features a larger display that can show the tuner and metronome simultaneously. The battery life has also been dramatically improved. With the all-new TM-60, you'll be able to enjoy pitch training and rhythm training without having to switch functions or be concerned with battery life.

Tuning and rhythm training are indispensable for brass band or orchestral practice. In addition to letting you use the tuner and metronome simultaneously, the TM-60 features a display that's approximately 1.3 times larger than the previous model (the TM-50), allowing easy viewing even when the unit is placed on your music stand, and also allowing the tuner and metronome functions to both be viewed simultaneously.

No longer will you have to switch between functions; you'll be able to use practicing techniques that are idiomatic to orchestral instruments, such as keeping a consistent pitch over the course of a long note while varying the tone to add vibrato in time with the tempo, or checking the pitch of chords while using the metronome.

The enlarged display is backlit. You can adjust the brightness in two levels, soft or auto, ensuring stress-free tuning even when you're on a dimly lit stage or in an orchestra pit.

The circuitry has been redesigned to achieve a battery life of 130 hours, approximately double that of the previous TM-50 model (tuner in use, backlight off). There's no need to worry about the remaining battery life even during extended practices or performances.

Needle-type meter with excellent response:

KORG's proprietary technology accurately detects the pitch without any time lag. The pitch drift that is prone to occur during long tones played on a wind instrument can be detected before it happens, letting you train yourself to produce unwavering tone with stable pitch.

A wide detection range of C1-C8 supports a variety of instruments:

The TM-60 can detect note names and pitches for a variety of orchestral and other instruments. The range from C1 (32.70 Hz) to C8 (4186.01 Hz) can easily be detected. Even acoustic instruments that are difficult to detect because their sound contains a significant amount of low-frequency energy or a large number of partials, such as guitar and ukulele, can be tuned easily and accurately.

Marks that indicate pure major and minor third intervals:

In an ensemble such as a brass band or orchestra, harmonies of third intervals are easily perceived as out of tune, and can be made to sound better by slightly adjusting the pitch to a pure major or minor third. The TM-60's meter scale provides marks that indicate pure major and minor thirds, and simply by tuning so that the needle coincides with these marks* allows you to play in beautiful harmony with an ensemble. This is convenient not only for orchestral instruments but also for vocal music or a cappella practice.

Easily set the tempo using three different methods:

You can set the tempo using three different methods: "pendulum step" lets you increase or decrease the tempo value in the same way as the settings on a standard pendulum-type metronome, "full step" lets you specify the tempo in single-step increments in the range of 30-252, and "tap tempo" lets you specify the desired tempo by pressing the switch in time with the song you're playing.

Fifteen rhythm variations for practicing a wide range of musical genres:

There are 15 different built-in rhythms* including time signatures from 0 through 9 as well as duplets, triplets, triplets with the middle note omitted, quadruplets, and quadruplets with the middle notes omitted, and the tempo can be freely specified in the range of 30-252 beats per minute. Sophisticated rhythms such as triplets or quadruplets with the middle notes omitted are used in a wide range of styles from classical to rock and jazz.

Enhanced ease of use with a newly designed stand and battery compartment cover:

The design of the TM-60 pays careful attention to every detail of the unit. A folding stand lets you position the unit stably. The battery compartment cover is designed as a single piece with the unit itself, eliminating any danger of the cover being lost when you replace the batteries.

Convenient memory backup function and auto power-off function:

The memory backup function ensures that the tuner section's calibration and reference tone settings, and the metronome section's tempo, time signature, pendulum/full-step, and backlight settings are remembered even when the power is turned off. (These settings are initialized when you replace the batteries.)
If 20 minutes elapses while the metronome is not operated and no sound is being input to the tuner, the auto power-off function automatically turns the power off.
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 1 in stock $26.81
Cat: 518666 Rel: 20 Sep 17 • View all Synthesisers
 
Quality digital toy piano with excellent pitch & accurate tone
Notes: First impressions stay with us. If it's an instrument, the sound of that instrument continues to reverberate in our hearts and minds even when we become adults.

Just because something is called a toy piano, doesn't mean it has to sound like a toy. If the instrument has correct pitch and accurate tone, a child who plays with the instrument will look forward to better instruments as they grow older.

The KORG tinyPIANO is a digital piano made by a musical instrument manufacturer renowned for professional pianos for the children who carry the future.

Accurate pitch and true tone:

KORG believes that the way to foster a true sense of value is to be in contact with true quality from the very beginning. A truly valuable present for our children must be of a quality that will satisfy the adult who chooses the gift. The tinyPIANO lets you play the deep, rich tones of a sampled grand piano with the stable pitch that you expect from a digital piano. With an emphasis on safety and durability, moving parts have been reduced to the minimum and the volume has also been adjusted to a modest level that will be appropriate for a child's ears.

Fashionable, cute, and serious:

The cute design is essentially a miniaturized upright piano, with a fallboard just like on a real piano, and a miniature 25-note keyboard made by KORG for ease of playing. The body makes extensive use of wood for a solid feel when touched, giving it a sense of quality and sophistication that elevates the instrument above the category of toy piano, thus making it ideally suit the decor of any room.

Twenty-five built-in sounds that let you learn while playing:

Good sound is not limited to grand piano tones. There are a total of 25 built-in sounds including sounds that you've heard in classic songs, such as electric piano, clavinet, organ and bell, as well as sounds that befit a miniature piano, such as music box and toy piano tones. You can learn the sounds of instruments while actually playing them, as if the tinyPIANO itself were a picture book of instruments.

Fifty built-in demo songs to enjoy even when you're not playing:

The tinyPIANO contains 50 automatically playing demo songs that cover a wide range of styles. In addition to being a great way to hear skilful performances, these songs can provide enjoyable background music for your room, like a music box. Each demo song is assigned to play using a tone that's appropriate for it, but you are free to specify a different tone to suit your taste or the desired atmosphere. Even when playing back the demo songs at night, you can turn down the volume and enjoy the background music without disturbing those around you.

Small, easily transportable, and powered by AA batteries:

Speakers are built into the compact body. Since the instrument is powered by six AA batteries, you can enjoy piano performances anywhere and anytime. Without needing to be set up in a specific location, you can move the tinyPIANO from the living room to the bedroom or even outside according to how you feel that day, and enjoy music in the style you like. This instrument is too good to let the children monopolize; it's a miniature electronic piano that adults will enjoy as well.
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 2 in stock $173.42
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quote 518666
Cat: 648293 Rel: 01 Jan 90 • View all PA speakers
 
***B-STOCK: Box opened, product unused***
Notes: Contains an enormous variety of live-recorded drum phrases.

A high quality multi-function portable PA amp.

You need rhythm for your solo performances. You have a rhythm machine, but you want your performance to feel more "alive". The STAGEMAN 80 is a multi-function portable PA amp that will meet those needs. This unit contains a large number of high-quality rhythm patterns that can even respond to tempo change in realistic ways, due to KORG's new "Real Groove Technology." The STAGEMAN 80 can act as your personal drummer to support your live performances or practice sessions; you can even create a rhythm structure that's appropriate for your own song, while using a foot switch to control it in real time. With high-output, high-quality stereo speakers, it can also be used as a live PA. It additionally provides a recorder and audio player, as well as a full-featured mixer. The STAGEMAN 80 lets you perform with optimal sound backed by the ultimate rhythms.

A Stereo 80W high-output system provides high-quality sound:
The STAGEMAN 80 is a powerful sound system equipped with two 40W high-output amps and two 4-inch stereo speakers. It delivers impressive volume levels that can cover a small or mid-sized performance venue, a listening room, or even a live street performance.
The generous sound takes advantage of the high output, extending from a tight low-frequency range to an extended high-frequency range, and is tuned to give you an extremely well-balanced and natural tone. The sound quality is reminiscent of high-end audio equipment, and will allow every note of your vocals or guitar to shine beautifully.
The amp section uses class-D amps for their good power efficiency. You'll always be able to enjoy clear sound where long battery life is important.

Rhythm machine function with excellent presence:
The STAGEMAN 80 is equipped with a large number of high-quality rhythm patterns that take advantage of KORG's advanced sound-generating technology. Based on performances by top-ranking pro drummers and percussionists, these rhythm patterns have a great-feeling groove, and utilize KORG's new "Real Groove Technology" that allows natural and musical-sounding phrases to be generated at any tempo. A total of approximately 3GB of rhythm loops are included, covering a range of 24 genres such as 8-beat, 16-beat, unplugged beats such as Cajon, rock, jazz, and boss nova, with two variations for each genre. Just press a single button to flexibly play back the rhythm you want. The high-quality speakers will produce a realistic and live-sounding rhythm session as though a real drum performance is being staged in front of the listener. There's a memory function that lets you register your favourite rhythms and playback tempo, as well as a chain function that lets you freely connect individual measures of rhythm styles. You can create original drum tracks to suit the songs that you're performing.

Simple-to-use recording and playback functions:
You can record your own performance along with the internal rhythm patterns or along with a song you've added to the SD card. You can record with undo/redo, and even register marks at desired locations in the recorded data and play back a region as a loop while you overdub. You can use this capability to create sketches for song ideas, to capture material for later work in your DAW, or create a full recording.
The STAGEMAN 80 is also equipped with an audio player function that can play back audio files (wav) from an SD card. Acoustage and the high-quality speakers mean that you can use this as a great-sounding listening system. You can also prepare backing tracks beforehand and perform along with them, using the STAGEMAN 80 as a PA amp. There's a playlist function (10 banks) that let you manage the file playback order of up to 24 songs, so you can play them back in the desired order during your live performances.
Additionally, the playback speed can be adjusted in a range of -25% to +25%, and you can specify that files play back repeatedly or in automatic succession. The STAGEMAN 80 gives you solid support with a wide range of functions that you'll actually use in your performances.

Mixer function that meets a variety of needs:
The STAGEMAN 80 lets you mix a variety of input sources simultaneously, including a mic input, two inputs to connect a guitar or bass, and an AUX input that supports line-level stereo output from devices such as an iPod or keyboard. Two-band EQ is provided, and you can apply reverb to your vocal (mic input) or acoustic guitar and so on (inputs 1/2) to enhance your presence.
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 1 in stock $267.01
Cat: 751698 • View all Synthesisers
 
B-STOCK: Refurbished item without original box.
Notes: ***B-STOCK: Refurbished item without original box.***


Next-generation monophonic analog synthesizer in a vivid five-colour line-up:
Fully programmable, analog synthesis for all players; monologue is the next-generation monophonic synthesizer that shares the spirit of the acclaimed minilogue, with a completely new voice and powerful new features.

The monologue is a 25-key, fully programmable monophonic analog synthesizer with a voice all its own. While sharing its sleek layout, knob-per-function workflow and high-quality construction with the best-selling minilogue, monologue is a truly unique new synth for all types of musicians; featuring new voicing and sound sculpting abilities - at an amazing price. The monologue's completely new filter, modulation, drive, and LFO can generate powerful basses and sharp leads, creating awesome mono sounds that showcase its single-voice design. The step sequencer has also been dramatically expanded, allowing more intuitive and more complex editing. With a line-up that gives you a choice of five eye-catching colours, this compact instrument has a strong personality to match your own.

Redesigned monophonic analog circuitry:
The monologue contains monophonic analog synthesizer circuitry that builds on the circuitry of the minilogue. But that doesn't mean that the monologue is simply a one-voice model of the minilogue. It's a monophonic beast with stunning power that comes from a redesigned envelope section, modulation routing, and a filter with powerful low-end punch.

The structure is 2VCO, 1VCF, 1EG, 1VCA, and 1LFO. In addition to the same distinctive circuits as on the minilogue (such as the wave shaping that shapes the overtones of the oscillator, and a sync/ring switch), the filter section uses a two-pole filter to deliver aggressive sound. Newly featured is a drive circuit that adds overtones and distortion to the sound, letting you generate fat basses and sharp lead sounds to your heart's content. The LFO rate can be adjusted into an unprecedentedly ultra-high-speed range to generate crazy space-shattering sounds, or switched to one-shot mode to act, in a sense, as an additional envelope.

Fully programmable:
The monologue goes beyond analog synths in its price range by adding 100 preset locations. Select a program for instant access to great sounds - - ranging from thick basses to deep subs to brilliant cutting leads and even percussive sequences. No need to have deep synthesis knowledge; just choose a sound and tweak - a workflow that is very familiar with musicians today. Built-in programs provide 80 preset sounds and sequences made by creative artists around the world including legendary electronic artist Aphex Twin, plus 20 user locations for saving custom sounds.

16-step sequencer for highly-evolved motion sequences:
The step sequencer of the monologue has been significantly enhanced to deliver musical, complex rhythms that are easy to capture, see, and edit. It supports both real-time recording with overdubbing capability as well as step recording that lets you record simply by pressing keys in the desired order, and you can also use the 16 physical buttons for quick editing or for improvisatory performance. The motion sequence function lets you record up to four knob movements to apply time-varying change to the sound, and allows you to record not only continuously changing values as on previous models, but also values with step-wise variation. Since it's designed to let you create different sounds at each step, you can make unprecedented sequences, such as a sequence that generates a drum pattern from a single program.

There's also a key trigger function that lets you play back a sequence while you hold down a key, and even transpose it. Another new function is slide, which can be used to produce smooth bass lines by specifying portamento for each step.

Battery-powered analog:
From smooth curves to muscular straight lines. The stylish visuals featuring aluminium and wood are inherited directly from the minilogue, but have been modified to a straight, direct design that bespeaks the power of a monophonic instrument. In spite of its stout construction, the compact and light-weight body is only 1.7 kg / 3.78 lbs., providing an unprecedented combination of toughness and portability.

In addition, unlike most analog synthesizers in its class, the monologue can operate on batteries. Even if you're a hardware performer who uses numerous units, you won't need to worry about providing additional power supplies and installation space.

Sync with Audio Sync:
In addition to 5-pin In/Out and USB MIDI, monologue includes Audio Sync connectivity, which allows it to play in time and integrate seamlessly with KORG volcas, electribes, minilogue and SQ-1. Use the monologue with your DAW as a USB MIDI controller or a versatile analog voice. Send clock over USB and use Audio Sync to chain monologue's clock to other Audio Sync-equipped products.
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 1 in stock $225.19
Cat: 631792 Rel: 13 Apr 17 • View all Synthesisers
 
Analog synthesiser with all-new synthesis structure optimized for monophonic sounds & sequences - black
Notes: Next-generation monophonic analog synthesizer in a vivid five-colour line-up:
Fully programmable, analog synthesis for all players; monologue is the next-generation monophonic synthesizer that shares the spirit of the acclaimed minilogue, with a completely new voice and powerful new features.

The monologue is a 25-key, fully programmable monophonic analog synthesizer with a voice all its own. While sharing its sleek layout, knob-per-function workflow and high-quality construction with the best-selling minilogue, monologue is a truly unique new synth for all types of musicians; featuring new voicing and sound sculpting abilities - at an amazing price. The monologue's completely new filter, modulation, drive, and LFO can generate powerful basses and sharp leads, creating awesome mono sounds that showcase its single-voice design. The step sequencer has also been dramatically expanded, allowing more intuitive and more complex editing. With a line-up that gives you a choice of five eye-catching colours, this compact instrument has a strong personality to match your own.

Redesigned monophonic analog circuitry:
The monologue contains monophonic analog synthesizer circuitry that builds on the circuitry of the minilogue. But that doesn't mean that the monologue is simply a one-voice model of the minilogue. It's a monophonic beast with stunning power that comes from a redesigned envelope section, modulation routing, and a filter with powerful low-end punch.

The structure is 2VCO, 1VCF, 1EG, 1VCA, and 1LFO. In addition to the same distinctive circuits as on the minilogue (such as the wave shaping that shapes the overtones of the oscillator, and a sync/ring switch), the filter section uses a two-pole filter to deliver aggressive sound. Newly featured is a drive circuit that adds overtones and distortion to the sound, letting you generate fat basses and sharp lead sounds to your heart's content. The LFO rate can be adjusted into an unprecedentedly ultra-high-speed range to generate crazy space-shattering sounds, or switched to one-shot mode to act, in a sense, as an additional envelope.

Fully programmable:
The monologue goes beyond analog synths in its price range by adding 100 preset locations. Select a program for instant access to great sounds - - ranging from thick basses to deep subs to brilliant cutting leads and even percussive sequences. No need to have deep synthesis knowledge; just choose a sound and tweak - a workflow that is very familiar with musicians today. Built-in programs provide 80 preset sounds and sequences made by creative artists around the world including legendary electronic artist Aphex Twin, plus 20 user locations for saving custom sounds.

16-step sequencer for highly-evolved motion sequences:
The step sequencer of the monologue has been significantly enhanced to deliver musical, complex rhythms that are easy to capture, see, and edit. It supports both real-time recording with overdubbing capability as well as step recording that lets you record simply by pressing keys in the desired order, and you can also use the 16 physical buttons for quick editing or for improvisatory performance. The motion sequence function lets you record up to four knob movements to apply time-varying change to the sound, and allows you to record not only continuously changing values as on previous models, but also values with step-wise variation. Since it's designed to let you create different sounds at each step, you can make unprecedented sequences, such as a sequence that generates a drum pattern from a single program.

There's also a key trigger function that lets you play back a sequence while you hold down a key, and even transpose it. Another new function is slide, which can be used to produce smooth bass lines by specifying portamento for each step.

Battery-powered analog:
From smooth curves to muscular straight lines. The stylish visuals featuring aluminium and wood are inherited directly from the minilogue, but have been modified to a straight, direct design that bespeaks the power of a monophonic instrument. In spite of its stout construction, the compact and light-weight body is only 1.7 kg / 3.78 lbs., providing an unprecedented combination of toughness and portability.

In addition, unlike most analog synthesizers in its class, the monologue can operate on batteries. Even if you're a hardware performer who uses numerous units, you won't need to worry about providing additional power supplies and installation space.

Sync with Audio Sync:
In addition to 5-pin In/Out and USB MIDI, monologue includes Audio Sync connectivity, which allows it to play in time and integrate seamlessly with KORG volcas, electribes, minilogue and SQ-1. Use the monologue with your DAW as a USB MIDI controller or a versatile analog voice. Send clock over USB and use Audio Sync to chain monologue's clock to other Audio Sync-equipped products.
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 1 in stock $240.82
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Korg GA2 Guitar & Bass Tuner (guitar/bass tuner)
Cat: 631804 Rel: 27 Jan 17 • View all Guitar tuners & interfaces
 
Compact tuner for guitar/bass with needle-style meter & large high-visibility note/string name
Notes: Even easier to use with a large note name/string name display - a dedicated compact tuner for guitar/bass, with a stylish new look.

With its superior basic functionality and convenient functions, the GA series has become extremely popular with musicians as a standard guitar/bass tuner, now has a fresh new look. While carrying on the stylish design with its simple layout of the necessary functions, it now has a larger note name and string name display, making the meter even easier to read. Dedicated guitar and bass modes can be selected, making it a must-have item not only for beginners who have just started their instrument but for all players. The GA-2 provides stable tuning functionality in any situation from home to studio and stage, with the high precision, sensitivity, and simple ease of use that you expect from KORG tuners.

A needle-style meter with large high-visibility note name and string name:
KORG's needle-style meter that shows you the pitch quickly and accurately now has a note name and string name display area that's approximately four times larger, making it easier than ever to read. Red and green LEDs to indicate the pitch discrepancy are also provided for even smoother tuning.

A compact body that's slim and lightweight:
The GA-2 is a pocket-sized card-type tuner that's easy to carry anywhere. The rounded body is comfortable to hold in your hand, and has an even more stylish design that accents the battery compartment. It uses a new mechanism that lets you replace the battery by sliding the entire body, so there's no risk of losing the battery compartment cover.

Dedicated guitar and bass modes:
The GA-2 lets you select either Guitar mode or Bass mode for truly easy operation with automatic pitch detection. The guitar mode supports 7-string guitars (7B through 1E). The bass mode supports 6-string basses (Low-B, Hi-C). A high-sensitivity microphone is built-in, allowing easy and accurate tuning of acoustic guitars.

Quinta Flat tuning mode:
The GA-2's Quinta Flat Tuning mode supports the lowered tunings used in heavy metal styles to give more weight to the sound. The GA-2 gives you five steps of flatted tuning, extending as far as five semitones below standard pitch, and supporting even super-long scale guitars that are five frets longer than conventional guitars.

Tune with adjustable calibration:
Since the calibration value of 430-450 Hz is shown within the meter, you can tune using the calibration of your choice.

Sound mode emits a reference tone from the built-in speaker:
In addition to tuning visually with the meter, you can also tune by ear using Sound Out mode which emits a reference tone to which you can tune each string of your guitar or bass.

Approximately 200 hours of continuous use:
The high-efficiency long-life design allows approximately 100 hours of continuous operation on two AAA zinc-carbon batteries or approximately 200 hours on alkaline batteries.
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 1 in stock $12.61
Cat: 631801 Rel: 27 Jan 17 • View all Guitar tuners & interfaces
 
Metronome & rhythm trainer designed for the drummer & percussionist
Notes: Rhythm practice using a metronome is indispensable for any musician, especially for the drummer and percussionist. In the past, rhythm practice has been excruciatingly dull and boring, consisting simply of striking a practice pad in time with a metronome. Furthermore, since you have only a subjective judgement as to whether or not your rhythm is correct, many players find it difficult to keep themselves motivated to practice.

That's where the BEATLAB mini comes in; it's a training tool that lets you practice rhythm more accurately and enjoyably. In addition to a versatile metronome function that includes a wide range of sounds, including human voice and real drum pattern sounds, this unit provides a training function that detects and evaluates the discrepancy between the metronome and the notes that you play. This means that you can develop a perfect sense of rhythm by using by treating rhythm training as if you were playing a game.

Metronome function with a generous selection of patterns:
The BEATLAB mini provides a generous selection of the rhythm patterns that are indispensable for practicing a percussion instrument. The tempo can be adjusted over a wide range of 30-300 beats per minute, and you can specify the time signature and rhythm individually to meet your rhythm training needs for a variety of songs and styles. In addition to conventional electronic metronome sounds, there's also a rich range of PCM sounds. Mechanical metronome sounds that won't fatigue your ear even at high-volume listening, male and female voices that make it easy to tell your beat within the rhythm, and realistic drum pattern sounds with snare, cymbal and claves are some of the 30 available choices, meeting the needs of drummers and percussionists in any musical style.

Training function that check and improve your sense of rhythm:
The BEATLAB mini provides a training mode that lets you objectively check your own sense of rhythm. If you connect the included contact mic to the unit's TRIGGER jack and attach it to your snare or practice pad, the BEATLAB mini detects the sound of your strikes and measures the slight discrepancy in tempo between your playing and the sound of the metronome. The amount of the discrepancy is indicated audibly. For example, if a male or female voice is selected, you'll be informed whether you're "TOO FAST" or "TOO SLOW"; if you're correct, the voice tells you plainly "GOOD," "GREAT," "WONDERFUL," or "PERFECT." This lets you check your own rhythm in real time with ease.. After evaluation, your score at keeping the rhythm and your overall tendencies are shown in the display, allowing you to monitor your progress as you continue to practice.

How strictly your rhythm is evaluated and the trigger sensitivity can be adjusted in detail to correspond with your ability and the devices with which you're practicing. From the beginner who has just started their instrument up to the veteran who just wants to verify their rhythmic sense, the BEATLAB mini will support your rhythm training as your very own dedicated and personalized trainer.

Timer/Stopwatch function can be used in a variety of ways:
A timer function and stopwatch function are provided for convenience in time-keeping during rehearsal, when you're performing on stage, or for any other purpose.

High-volume built-in speaker and headphone output:
A volume adjustment dial is provided for the built-in speaker and headphone output, and there's plenty of volume to meet the needs of the percussionist. You can use the rhythm trainer with a constantly audible metronome sound that won't be drowned out by the sound of your drums or percussion.

Large backlight LCD display:
The large LCD shows the metronome movement and settings at a glance, and the high-brightness backlight ensures great visibility. The unique disk-shaped body is easy to grip with one hand, and the numerous physical buttons mean that you have quick access to all the functions.

Two-way clip that holds with a variety of use-cases:
A clip with excellent holding power is provided on the rear surface of the lightweight and compact BEATLAB, so you can attach it directly to your belt in a position that won't get in your way while performing. Pulling out the clip transforms it to a stand, letting you place the unit in a stable position on a table. Also provided is a convenient strap hole that's convenient when using the unit as a stopwatch.

Includes a contact microphone for trigger detection:
The CM-200 high-sensitivity contact mic is included for trigger detection. You can attach this mic to your practice pad or snare, or even to a magazine or table; any object that the clip will grip to transmit to transmit its vibration. The moment you get your BEATLAB mini, you can immediately start accurate rhythm training wherever you are.
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 2 in stock $64.04
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quote 631801
Cat: 631793 Rel: 19 Jan 17 • View all Synthesisers
 
Analog synthesiser with all-new synthesis structure optimized for monophonic sounds & sequences - red
Notes: Next-generation monophonic analog synthesizer in a vivid five-colour line-up:
Fully programmable, analog synthesis for all players; monologue is the next-generation monophonic synthesizer that shares the spirit of the acclaimed minilogue, with a completely new voice and powerful new features.

The monologue is a 25-key, fully programmable monophonic analog synthesizer with a voice all its own. While sharing its sleek layout, knob-per-function workflow and high-quality construction with the best-selling minilogue, monologue is a truly unique new synth for all types of musicians; featuring new voicing and sound sculpting abilities - at an amazing price. The monologue's completely new filter, modulation, drive, and LFO can generate powerful basses and sharp leads, creating awesome mono sounds that showcase its single-voice design. The step sequencer has also been dramatically expanded, allowing more intuitive and more complex editing. With a line-up that gives you a choice of five eye-catching colours, this compact instrument has a strong personality to match your own.

Redesigned monophonic analog circuitry:
The monologue contains monophonic analog synthesizer circuitry that builds on the circuitry of the minilogue. But that doesn't mean that the monologue is simply a one-voice model of the minilogue. It's a monophonic beast with stunning power that comes from a redesigned envelope section, modulation routing, and a filter with powerful low-end punch.

The structure is 2VCO, 1VCF, 1EG, 1VCA, and 1LFO. In addition to the same distinctive circuits as on the minilogue (such as the wave shaping that shapes the overtones of the oscillator, and a sync/ring switch), the filter section uses a two-pole filter to deliver aggressive sound. Newly featured is a drive circuit that adds overtones and distortion to the sound, letting you generate fat basses and sharp lead sounds to your heart's content. The LFO rate can be adjusted into an unprecedentedly ultra-high-speed range to generate crazy space-shattering sounds, or switched to one-shot mode to act, in a sense, as an additional envelope.

Fully programmable:
The monologue goes beyond analog synths in its price range by adding 100 preset locations. Select a program for instant access to great sounds - - ranging from thick basses to deep subs to brilliant cutting leads and even percussive sequences. No need to have deep synthesis knowledge; just choose a sound and tweak - a workflow that is very familiar with musicians today. Built-in programs provide 80 preset sounds and sequences made by creative artists around the world including legendary electronic artist Aphex Twin, plus 20 user locations for saving custom sounds.

16-step sequencer for highly-evolved motion sequences:
The step sequencer of the monologue has been significantly enhanced to deliver musical, complex rhythms that are easy to capture, see, and edit. It supports both real-time recording with overdubbing capability as well as step recording that lets you record simply by pressing keys in the desired order, and you can also use the 16 physical buttons for quick editing or for improvisatory performance. The motion sequence function lets you record up to four knob movements to apply time-varying change to the sound, and allows you to record not only continuously changing values as on previous models, but also values with step-wise variation. Since it's designed to let you create different sounds at each step, you can make unprecedented sequences, such as a sequence that generates a drum pattern from a single program.

There's also a key trigger function that lets you play back a sequence while you hold down a key, and even transpose it. Another new function is slide, which can be used to produce smooth bass lines by specifying portamento for each step.

Battery-powered analog:
From smooth curves to muscular straight lines. The stylish visuals featuring aluminium and wood are inherited directly from the minilogue, but have been modified to a straight, direct design that bespeaks the power of a monophonic instrument. In spite of its stout construction, the compact and light-weight body is only 1.7 kg / 3.78 lbs., providing an unprecedented combination of toughness and portability.

In addition, unlike most analog synthesizers in its class, the monologue can operate on batteries. Even if you're a hardware performer who uses numerous units, you won't need to worry about providing additional power supplies and installation space.

Sync with Audio Sync:
In addition to 5-pin In/Out and USB MIDI, monologue includes Audio Sync connectivity, which allows it to play in time and integrate seamlessly with KORG volcas, electribes, minilogue and SQ-1. Use the monologue with your DAW as a USB MIDI controller or a versatile analog voice. Send clock over USB and use Audio Sync to chain monologue's clock to other Audio Sync-equipped products.
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 1 in stock $241.65
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quote 631793
Cat: 631794 Rel: 19 Jan 17 • View all Synthesisers
 
Analog synthesiser with all-new synthesis structure optimized for monophonic sounds & sequences - dark blue
Notes: Next-generation monophonic analog synthesizer in a vivid five-colour line-up:
Fully programmable, analog synthesis for all players; monologue is the next-generation monophonic synthesizer that shares the spirit of the acclaimed minilogue, with a completely new voice and powerful new features.

The monologue is a 25-key, fully programmable monophonic analog synthesizer with a voice all its own. While sharing its sleek layout, knob-per-function workflow and high-quality construction with the best-selling minilogue, monologue is a truly unique new synth for all types of musicians; featuring new voicing and sound sculpting abilities - at an amazing price. The monologue's completely new filter, modulation, drive, and LFO can generate powerful basses and sharp leads, creating awesome mono sounds that showcase its single-voice design. The step sequencer has also been dramatically expanded, allowing more intuitive and more complex editing. With a line-up that gives you a choice of five eye-catching colours, this compact instrument has a strong personality to match your own.

Redesigned monophonic analog circuitry:
The monologue contains monophonic analog synthesizer circuitry that builds on the circuitry of the minilogue. But that doesn't mean that the monologue is simply a one-voice model of the minilogue. It's a monophonic beast with stunning power that comes from a redesigned envelope section, modulation routing, and a filter with powerful low-end punch.

The structure is 2VCO, 1VCF, 1EG, 1VCA, and 1LFO. In addition to the same distinctive circuits as on the minilogue (such as the wave shaping that shapes the overtones of the oscillator, and a sync/ring switch), the filter section uses a two-pole filter to deliver aggressive sound. Newly featured is a drive circuit that adds overtones and distortion to the sound, letting you generate fat basses and sharp lead sounds to your heart's content. The LFO rate can be adjusted into an unprecedentedly ultra-high-speed range to generate crazy space-shattering sounds, or switched to one-shot mode to act, in a sense, as an additional envelope.

Fully programmable:
The monologue goes beyond analog synths in its price range by adding 100 preset locations. Select a program for instant access to great sounds - - ranging from thick basses to deep subs to brilliant cutting leads and even percussive sequences. No need to have deep synthesis knowledge; just choose a sound and tweak - a workflow that is very familiar with musicians today. Built-in programs provide 80 preset sounds and sequences made by creative artists around the world including legendary electronic artist Aphex Twin, plus 20 user locations for saving custom sounds.

16-step sequencer for highly-evolved motion sequences:
The step sequencer of the monologue has been significantly enhanced to deliver musical, complex rhythms that are easy to capture, see, and edit. It supports both real-time recording with overdubbing capability as well as step recording that lets you record simply by pressing keys in the desired order, and you can also use the 16 physical buttons for quick editing or for improvisatory performance. The motion sequence function lets you record up to four knob movements to apply time-varying change to the sound, and allows you to record not only continuously changing values as on previous models, but also values with step-wise variation. Since it's designed to let you create different sounds at each step, you can make unprecedented sequences, such as a sequence that generates a drum pattern from a single program.

There's also a key trigger function that lets you play back a sequence while you hold down a key, and even transpose it. Another new function is slide, which can be used to produce smooth bass lines by specifying portamento for each step.

Battery-powered analog:
From smooth curves to muscular straight lines. The stylish visuals featuring aluminium and wood are inherited directly from the minilogue, but have been modified to a straight, direct design that bespeaks the power of a monophonic instrument. In spite of its stout construction, the compact and light-weight body is only 1.7 kg / 3.78 lbs., providing an unprecedented combination of toughness and portability.

In addition, unlike most analog synthesizers in its class, the monologue can operate on batteries. Even if you're a hardware performer who uses numerous units, you won't need to worry about providing additional power supplies and installation space.

Sync with Audio Sync:
In addition to 5-pin In/Out and USB MIDI, monologue includes Audio Sync connectivity, which allows it to play in time and integrate seamlessly with KORG volcas, electribes, minilogue and SQ-1. Use the monologue with your DAW as a USB MIDI controller or a versatile analog voice. Send clock over USB and use Audio Sync to chain monologue's clock to other Audio Sync-equipped products.
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 1 in stock $240.82
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quote 631794
Cat: 631795 Rel: 19 Jan 17 • View all Synthesisers
 
Analog synthesiser with all-new synthesis structure optimized for monophonic sounds & sequences - gold
Notes: Next-generation monophonic analog synthesizer in a vivid five-colour line-up:
Fully programmable, analog synthesis for all players; monologue is the next-generation monophonic synthesizer that shares the spirit of the acclaimed minilogue, with a completely new voice and powerful new features.

The monologue is a 25-key, fully programmable monophonic analog synthesizer with a voice all its own. While sharing its sleek layout, knob-per-function workflow and high-quality construction with the best-selling minilogue, monologue is a truly unique new synth for all types of musicians; featuring new voicing and sound sculpting abilities - at an amazing price. The monologue's completely new filter, modulation, drive, and LFO can generate powerful basses and sharp leads, creating awesome mono sounds that showcase its single-voice design. The step sequencer has also been dramatically expanded, allowing more intuitive and more complex editing. With a line-up that gives you a choice of five eye-catching colours, this compact instrument has a strong personality to match your own.

Redesigned monophonic analog circuitry:
The monologue contains monophonic analog synthesizer circuitry that builds on the circuitry of the minilogue. But that doesn't mean that the monologue is simply a one-voice model of the minilogue. It's a monophonic beast with stunning power that comes from a redesigned envelope section, modulation routing, and a filter with powerful low-end punch.

The structure is 2VCO, 1VCF, 1EG, 1VCA, and 1LFO. In addition to the same distinctive circuits as on the minilogue (such as the wave shaping that shapes the overtones of the oscillator, and a sync/ring switch), the filter section uses a two-pole filter to deliver aggressive sound. Newly featured is a drive circuit that adds overtones and distortion to the sound, letting you generate fat basses and sharp lead sounds to your heart's content. The LFO rate can be adjusted into an unprecedentedly ultra-high-speed range to generate crazy space-shattering sounds, or switched to one-shot mode to act, in a sense, as an additional envelope.

Fully programmable:
The monologue goes beyond analog synths in its price range by adding 100 preset locations. Select a program for instant access to great sounds - - ranging from thick basses to deep subs to brilliant cutting leads and even percussive sequences. No need to have deep synthesis knowledge; just choose a sound and tweak - a workflow that is very familiar with musicians today. Built-in programs provide 80 preset sounds and sequences made by creative artists around the world including legendary electronic artist Aphex Twin, plus 20 user locations for saving custom sounds.

16-step sequencer for highly-evolved motion sequences:
The step sequencer of the monologue has been significantly enhanced to deliver musical, complex rhythms that are easy to capture, see, and edit. It supports both real-time recording with overdubbing capability as well as step recording that lets you record simply by pressing keys in the desired order, and you can also use the 16 physical buttons for quick editing or for improvisatory performance. The motion sequence function lets you record up to four knob movements to apply time-varying change to the sound, and allows you to record not only continuously changing values as on previous models, but also values with step-wise variation. Since it's designed to let you create different sounds at each step, you can make unprecedented sequences, such as a sequence that generates a drum pattern from a single program.

There's also a key trigger function that lets you play back a sequence while you hold down a key, and even transpose it. Another new function is slide, which can be used to produce smooth bass lines by specifying portamento for each step.

Battery-powered analog:
From smooth curves to muscular straight lines. The stylish visuals featuring aluminium and wood are inherited directly from the minilogue, but have been modified to a straight, direct design that bespeaks the power of a monophonic instrument. In spite of its stout construction, the compact and light-weight body is only 1.7 kg / 3.78 lbs., providing an unprecedented combination of toughness and portability.

In addition, unlike most analog synthesizers in its class, the monologue can operate on batteries. Even if you're a hardware performer who uses numerous units, you won't need to worry about providing additional power supplies and installation space.

Sync with Audio Sync:
In addition to 5-pin In/Out and USB MIDI, monologue includes Audio Sync connectivity, which allows it to play in time and integrate seamlessly with KORG volcas, electribes, minilogue and SQ-1. Use the monologue with your DAW as a USB MIDI controller or a versatile analog voice. Send clock over USB and use Audio Sync to chain monologue's clock to other Audio Sync-equipped products.
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 1 in stock $240.82
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quote 631795
Cat: 631797 Rel: 19 Jan 17 • View all Synthesisers
 
Analog synthesiser with all-new synthesis structure optimized for monophonic sounds & sequences - silver
Notes: Next-generation monophonic analog synthesizer in a vivid five-colour line-up:
Fully programmable, analog synthesis for all players; monologue is the next-generation monophonic synthesizer that shares the spirit of the acclaimed minilogue, with a completely new voice and powerful new features.

The monologue is a 25-key, fully programmable monophonic analog synthesizer with a voice all its own. While sharing its sleek layout, knob-per-function workflow and high-quality construction with the best-selling minilogue, monologue is a truly unique new synth for all types of musicians; featuring new voicing and sound sculpting abilities - at an amazing price. The monologue's completely new filter, modulation, drive, and LFO can generate powerful basses and sharp leads, creating awesome mono sounds that showcase its single-voice design. The step sequencer has also been dramatically expanded, allowing more intuitive and more complex editing. With a line-up that gives you a choice of five eye-catching colours, this compact instrument has a strong personality to match your own.

Redesigned monophonic analog circuitry:
The monologue contains monophonic analog synthesizer circuitry that builds on the circuitry of the minilogue. But that doesn't mean that the monologue is simply a one-voice model of the minilogue. It's a monophonic beast with stunning power that comes from a redesigned envelope section, modulation routing, and a filter with powerful low-end punch.

The structure is 2VCO, 1VCF, 1EG, 1VCA, and 1LFO. In addition to the same distinctive circuits as on the minilogue (such as the wave shaping that shapes the overtones of the oscillator, and a sync/ring switch), the filter section uses a two-pole filter to deliver aggressive sound. Newly featured is a drive circuit that adds overtones and distortion to the sound, letting you generate fat basses and sharp lead sounds to your heart's content. The LFO rate can be adjusted into an unprecedentedly ultra-high-speed range to generate crazy space-shattering sounds, or switched to one-shot mode to act, in a sense, as an additional envelope.

Fully programmable:
The monologue goes beyond analog synths in its price range by adding 100 preset locations. Select a program for instant access to great sounds - - ranging from thick basses to deep subs to brilliant cutting leads and even percussive sequences. No need to have deep synthesis knowledge; just choose a sound and tweak - a workflow that is very familiar with musicians today. Built-in programs provide 80 preset sounds and sequences made by creative artists around the world including legendary electronic artist Aphex Twin, plus 20 user locations for saving custom sounds.

16-step sequencer for highly-evolved motion sequences:
The step sequencer of the monologue has been significantly enhanced to deliver musical, complex rhythms that are easy to capture, see, and edit. It supports both real-time recording with overdubbing capability as well as step recording that lets you record simply by pressing keys in the desired order, and you can also use the 16 physical buttons for quick editing or for improvisatory performance. The motion sequence function lets you record up to four knob movements to apply time-varying change to the sound, and allows you to record not only continuously changing values as on previous models, but also values with step-wise variation. Since it's designed to let you create different sounds at each step, you can make unprecedented sequences, such as a sequence that generates a drum pattern from a single program.

There's also a key trigger function that lets you play back a sequence while you hold down a key, and even transpose it. Another new function is slide, which can be used to produce smooth bass lines by specifying portamento for each step.

Battery-powered analog:
From smooth curves to muscular straight lines. The stylish visuals featuring aluminium and wood are inherited directly from the minilogue, but have been modified to a straight, direct design that bespeaks the power of a monophonic instrument. In spite of its stout construction, the compact and light-weight body is only 1.7 kg / 3.78 lbs., providing an unprecedented combination of toughness and portability.

In addition, unlike most analog synthesizers in its class, the monologue can operate on batteries. Even if you're a hardware performer who uses numerous units, you won't need to worry about providing additional power supplies and installation space.

Sync with Audio Sync:
In addition to 5-pin In/Out and USB MIDI, monologue includes Audio Sync connectivity, which allows it to play in time and integrate seamlessly with KORG volcas, electribes, minilogue and SQ-1. Use the monologue with your DAW as a USB MIDI controller or a versatile analog voice. Send clock over USB and use Audio Sync to chain monologue's clock to other Audio Sync-equipped products.
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Cat: 631806 Rel: 01 Dec 16 • View all Audio cables
 
Set of six coloured monaural mini-patch cables & two adapters
Notes: This is a set containing six monaural mini-patch cables that are ideal for connecting the SQ-1 to external devices. The six colours are red, orange, yellow, green, blue, and purple, and the cables are 750 mm long. Since these are longer than the 500 mm cables included with the MS-20M Kit + SQ-1, you'll have plenty of room for routing. Also included are two adapters that convert from mini-size to 1/4" so that you can make connections to the 1/4" jacks of devices such as the MS-20M.
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 1 in stock $18.74
Cat: 624272 Rel: 14 Nov 16 • View all Drum machines
 
Analog synthesiser optimized for kick drum & bass sounds
Notes: An analog kick generator that delivers powerful sounds from kick drum to kick bass.

The volca series has consistently brought renewed attention to classic groove machines and historical synthesis. It now has a new focus. This time, it's the most important sound in dance music: the kick.

The volca kick is an analog kick generator that's made for sound design. An analog circuit based on the powerful resonant sound of the original MS-20 filter, it lets you create a wide range of kick sounds only possible through analog circuitry, ranging from solid kick drums to crisp kick basses. The 16-step sequencer, a distinctive feature of the volca, now has a new Touch FX feature that lets you control an effect instantly, giving you even more live performance potential. Experience the stunning power of an analog kick that cannot be obtained from a plug-in or a sample.

Analog kick sounds generated by MS-20 filter oscillation:

The volca kick generates powerfully present kick sounds using a completely analog circuit. To create those sounds, it uses not a typical sine wave, but the sound of an oscillating filter from the original MS-20. The powerful Rev.1 filter of the MS-20 self-oscillates when resonance is increased to the maximum, and this is used to produce powerful kick sounds with complex overtones.

Simple and effective parameters are provided, allowing you to freely design a wide range of kick sounds to your taste. Start the sound design process by using MS-20 RESONATOR (PITCH/BEND/TIME) to control the sense of pitch that generates the "body resonance" of the kick sound. Then use PULSE COLOUR/LEVEL to adjust the clip components to control the sense of attack, and AMP ATTACK/DECAY to intuitively control the decay of the sound. From tight kicks to fat, slow-decaying kicks, and pitched kick bass, it's possible to create kick sounds that are appropriate for every type of dance music.

Aggressively control the sound using DRIVE and TONE:

In addition to the analog kick generator circuit based on the MS-20 filter, there's an analog drive that includes multiple stages of distortion. The distortion level and type can be varied by a single knob, increasing the variety and power of the kick sounds. You can use the tone control to transform the character of the sound by adjusting the high-frequency range.

Powerful kick bass that rules the beat:

The volca kick is not just a kick drum machine. You can use the 16-key touch-panel keyboard to perform dynamic kick bass, and take advantage of the volca kick's powerful analog circuitry to generate the sub bass sound that's indispensable to dance music styles such as grime or trap.

Since the volca kick covers a wide pitch range from low- to mid-frequencies, your sequences can include a variety of sounds including low tom, high tom, and sound effects.

16-step sequencer allows automation of all parameters:

The volca kick features a 16-step sequencer that gives you plenty of improvisatory freedom. You can use it to quickly lay out a kick drum pattern, and it also supports realtime recording, which is an ideal way to perform kick bass phrases. And the pattern chain function lets you connect multiple sequence patterns for successive playback, making it possible to construct large-scale developments of 32, 64, or even 256 steps by joining up to 16 sequences.

The volca kick's motion sequence function records your knob movements, letting you add time-varying change to the sound. This is great way to polish your loops, and also lets you generate highly original live performances. Up to 16 sequence patterns and sounds can be stored in internal memory.

TOUCH FX controls realtime sequence effects with for instant cuts, breaks and fills:

The new Touch FX function further strengthens the performance potential of the volca kick. You can instantly trigger a sequence effect simply by touching a step key, transforming your realtime performance in kaleidoscopic ways.

Sequence effects include the roll function that plays a sound repeatedly, the octave function that raises the pitch by one or two octaves, and the sustain function that immediately maximizes the amp decay. These are great ways to create punchy and powerful breaks.

Playback can be synchronized with another unit:

The volca kick provides a sync connector that can be easily connected to many of KORG's other synths and groove machines. Connect to other volca units, minilogue, electribe or SQ-1, and experience a session with synchronized sequencer playback. The MIDI IN jack lets you use the volca kick as a sound module for DAW and MIDI controller.
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quote 624272
Korg Minilogue Soft Case (equipment case)
Cat: 629995 Rel: 25 Oct 16 • View all Keyboard bags & covers
 
Dedicated soft case for the Minilogue
Notes: This is a dedicated soft case, perfect for transporting the Minilogue. The iconic slant-design fits the body of minilogue comfortably with a generous layer of cushioning. The exterior of the SC-MINILOGUE is made of durable tarpaulin and features a handy pocket for holding cables. It also includes a strap for carrying by hand, on your shoulder, or as a backpack.
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 1 in stock $72.92
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quote 629995
Cat: 624266 Rel: 11 Oct 16 • View all Guitar tuners & interfaces
 
Miniature music player for ballroom dance practice
Notes: Enjoy private dance lessons anytime - an ultra-miniature music player that you wear in your ear.

SyncDancing is an ultra-miniature music player for ballroom dance practice that you wear in your ear like an earphone. In addition to metronome functionality, it has 20 built-in standard ballroom dance songs, so you can practice at any time while listening your favourite dance songs. This one unit provides everything you need for improving your dancing skills, sharpening your sense of rhythm, and becoming familiar with dance songs. You can practice by yourself, or synchronize the tempo via infrared so that two people can each wear a unit and practice together.

Practice dancing while listening to the rhythm or song directly in your ear:

SyncDancing is a unique style of music player and metronome that you use by wearing it directly in your ear. Since the speaker unit fits directly in your ear, you can practice dancing with the correct rhythm while hearing the music directly in your ear. Because you can concentrate on the sound without being distracted by nearby sounds, this is ideal for personal practice at home as well as for practice in a large dance studio or hall. SyncDancing is extremely small and lightweight, so you can dance without any distraction.

The keys to improving your ballroom dance skills are to acquire steps and technique, nurture your sense of rhythm, and become able to express yourself by dancing to the music. With SyncDancing, you can experience rhythms and music anytime and anywhere for effective practicing.

Twenty standard ballroom dance songs are built-in:

A total of twenty standard songs for ballroom dances such as waltz, tango, rhumba, and cha-cha-cha are built-in, and you can play them back while switching between the metronome and the song (*). Each of the internal songs was created by a professional arranger who actually produces music CDs for ballroom dance. The tone generator section also takes advantage of KORG's many years of experience in developing synthesizer technology, packing a high-quality sound engine into the smallest possible size. Since these songs play back as SMF, you can freely change their tempo. With SyncDancing, you can enjoy serious dance practice with CD-quality songs.

Infrared tempo synchronization, ideal for practicing as a couple:

SyncDancing supports not only individual practice but also practicing dance as a couple. Simply click two SyncDancing units together and press the sync button to synchronize the tempo and timing via infrared (*1). Even while wearing the unit directly in your ear, both partners can practice while hearing exactly the same tempo.

The timing (delay) from the moment of synchronization until playback begins can be set in a range of 0--90 seconds (*2). This gives you flexibility to meet the needs of various situations. For example you can specify a shorter delay if you're synchronizing the units and then immediately starting a lesson, or use a longer delay if you need time to get into your position in a large hall.

Built-in voice count is useful for lessons:

SyncDancing's metronome sound (tone) provides not only the standard "beep beep beep" electronic tone but also a voice count of "one, two, three." You can practice with confidence while hearing the correct count.

A wide variety of beats and rhythms:

The tempo setting range is a generous 30--252 bpm, and you can choose from a variety of beats and rhythms when using the metronome. You can set the beat in the range of 0--9 beats, and choose the rhythm from quarter notes, duplets, triplets, triplets with the inner beat omitted, triplets with the third beat omitted, quadruplets, quadruplets with the middle beats omitted, and quadruplets with the third and fourth beats omitted. This covers your practicing needs for a broad range of songs.

Use the jog switch to set the tempo intuitively:

The SyncDancing features a jog switch on the side of the body, allowing you to easily change the settings without removing the unit from your ear. Using the jog switch you can select not just the tempo setting, but also the song or volume. This provides a compact yet highly intuitive method of operation. The mode select / power button, sync / mute button, and an LCD display that shows the tempo and other information are located on the inside of the body.

Comfortably and securely fits a variety of ear:

The SyncDancing utilizes two distinctive mechanisms to ensure a stable fit in any ear, large or small. The first is an Ear Fitter that extends from below the speaker. Its angle can be finely adjusted by rotating the speaker itself, allowing to fit the various shapes of ear hole. The second is an Ear Clip that opens or closes to fasten on the earlobe. The clip ensures a solid hold that will not be dislodged even by vigorous dancing when in use.

Ear pad and carrying case included.
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 1 in stock $53.40
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Cat: 752057 Rel: 03 Oct 16 • View all Synthesisers
 
B-STOCK: Box damaged, product unused & in perfect condition
Notes: ***B-STOCK: Box damaged, product unused & in perfect condition***


Shape your sound, bring it anywhere: The microKORG S continues to build on the success of the original.

With a serious sound, ubiquitous design, and superior build quality, the microKORG analog modeling synthesizer became an instant world standard when it was released in 2002. Since then, the microKORG has found its way into the hands of musicians far and wide, and now, receives an update to ensure it will remain one of the world's most beloved synthesizers for years to come.

The new microKORG S features a built-in 2+1 speaker system with power that far exceeds its size. Its body sports an elegant white motif, and features new presets that represent the sounds of a new generation. Beneath the microKORG S's sophisticated exterior hides a sound engine both brutal in strength and universal in application.

Built-in 2+1 speaker system ensures a rich and full sound at any volume:

Inside that compact body of the microKORG, we've included a carefully constructed speaker system consisting of stereo speakers with clear imaging, plus a woofer that emanates a startling amount of low frequency. The chassis uses a new box structure, and the combination of ample box volume and a bass reflex port takes full advantage of the speakers, thereby delivering a rich sense of volume that exceeds the size of the speakers, a clear sense of positioning, and a rich low-frequency range. In addition to the battery-powered operation of the existing model, the inclusion of the built-in speakers allows an easy yet full-fledged performance experience even in an environment where there is no power supply or PA.

Since the speaker box is contained within the chassis of the instrument, the vibrations from the speaker can be felt through your fingertips. This tactile feedback allows you to experience the same subtle and dynamic response as when playing an acoustic instrument or electric piano.

Increased memory, new programs, and additional user programs:

The memory capacity has been increased from the original microKORG. Mainly centered on simple and present sounds that shine on stage, we've added 64 powerful preset programs that meet the needs of the changing music scene, including clearly defined and punchy leads, electric pianos that sound great in an ensemble, and powerful and solid basses. In addition, we've also newly provided 64 additional slots for user programs, so you can save your own original sounds without overwriting the presets. This encourages a sound design process that's ideal for this instrument: select a sound that you like, and edit it.

Elegant new design retains the spirit of the original:

The microKORG's distinctive form has been beloved worldwide for more than ten years. The microKORG S adds speakers, yet carries on the looks and compactness of the original. In addition, the front panel features an elegant white reboot, updated with maple wood for the side panels.

Favorite Select function:

There's a new Favorite Select function that lets you assign up to eight of your favorite programs. Since this lets you instantly recall the sound you need, it makes live performance even more convenient.

All of the functionality of the original microKORG, plus so much more:

This new instrument carries on all of the original microKORG's functionality, including the ease of selecting a program of a desired musical genre and then editing the selected sound, a vocoder with an included miniature microphone, and battery operation that allows you to perform anywhere. As a beginner's first synthesizer that's easy to use, as a supplementary live synth for the stage, or as a sound module for production, the microKORG S will continue to play a role in every music scene around for many years to come.
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 1 in stock $344.73
Cat: 624268 Rel: 03 Oct 16 • View all Synthesisers
 
Analog modeling synthesiser and vocoder with velocity-sensitive mini-keys and built-in speakers
Notes: Shape your sound, bring it anywhere: The microKORG S continues to build on the success of the original.

With a serious sound, ubiquitous design, and superior build quality, the microKORG analog modeling synthesizer became an instant world standard when it was released in 2002. Since then, the microKORG has found its way into the hands of musicians far and wide, and now, receives an update to ensure it will remain one of the world's most beloved synthesizers for years to come.

The new microKORG S features a built-in 2+1 speaker system with power that far exceeds its size. Its body sports an elegant white motif, and features new presets that represent the sounds of a new generation. Beneath the microKORG S's sophisticated exterior hides a sound engine both brutal in strength and universal in application.

Built-in 2+1 speaker system ensures a rich and full sound at any volume:

Inside that compact body of the microKORG, we've included a carefully constructed speaker system consisting of stereo speakers with clear imaging, plus a woofer that emanates a startling amount of low frequency. The chassis uses a new box structure, and the combination of ample box volume and a bass reflex port takes full advantage of the speakers, thereby delivering a rich sense of volume that exceeds the size of the speakers, a clear sense of positioning, and a rich low-frequency range. In addition to the battery-powered operation of the existing model, the inclusion of the built-in speakers allows an easy yet full-fledged performance experience even in an environment where there is no power supply or PA.

Since the speaker box is contained within the chassis of the instrument, the vibrations from the speaker can be felt through your fingertips. This tactile feedback allows you to experience the same subtle and dynamic response as when playing an acoustic instrument or electric piano.

Increased memory, new programs, and additional user programs:

The memory capacity has been increased from the original microKORG. Mainly centered on simple and present sounds that shine on stage, we've added 64 powerful preset programs that meet the needs of the changing music scene, including clearly defined and punchy leads, electric pianos that sound great in an ensemble, and powerful and solid basses. In addition, we've also newly provided 64 additional slots for user programs, so you can save your own original sounds without overwriting the presets. This encourages a sound design process that's ideal for this instrument: select a sound that you like, and edit it.

Elegant new design retains the spirit of the original:

The microKORG's distinctive form has been beloved worldwide for more than ten years. The microKORG S adds speakers, yet carries on the looks and compactness of the original. In addition, the front panel features an elegant white reboot, updated with maple wood for the side panels.

Favorite Select function:

There's a new Favorite Select function that lets you assign up to eight of your favorite programs. Since this lets you instantly recall the sound you need, it makes live performance even more convenient.

All of the functionality of the original microKORG, plus so much more:

This new instrument carries on all of the original microKORG's functionality, including the ease of selecting a program of a desired musical genre and then editing the selected sound, a vocoder with an included miniature microphone, and battery operation that allows you to perform anywhere. As a beginner's first synthesizer that's easy to use, as a supplementary live synth for the stage, or as a sound module for production, the microKORG S will continue to play a role in every music scene around for many years to come.
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 1 in stock $356.69
Cat: 620854 Rel: 19 Sep 16 • View all Guitar tuners & interfaces
 
Tuner, metronome & tone trainer
Notes: Analyze your playing to improve your sound & technique - A tuner/metronome that further improves the quality of your practicing:
The TM-50 tuner/metronome, which allows musicians to practice both pitch and rhythm in a single unit, has now taken a major evolutionary leap to become the new TM-50TR.

In addition to the existing high-precision tuner functionality, the TM-50TR adds a new Tone Trainer function which analyses your playing sound in more detail. It detects not only the pitch, but also the volume and brightness of your tone, as well as the stability of these aspects, making it much easier to evaluate your own playing and practice more efficiently. Of course the TM-50TR also provides Sound Out and Sound Back functions that are great for improving your sense of pitch. Additionally, its metronome capabilities feature a new "periodic" metronome function that can help you practice keeping the rhythm. The display newly features a large color LCD for excellent visibility. The TM-50TR is available in your choice of two colors: silver or black.

With its ability to give you more detailed feedback on your playing, the TM-50TR will take your daily practice routine to the next level.

A tuner that detects not only the pitch but also the volume and tone - Tone Trainer function analyzes your sound as you play:
In addition to its high precision as a tuner, the TM-50TR features a new "Tone Trainer" function (*1, 2) that can evaluate your sound in even greater detail. When you play a sustained note on your instrument, the TM-50TR will detect not only the pitch, but also the dynamics (volume) and brightness (tonal character). These three elements are displayed in the TM-50TR's meter in real time. When you finish playing the note, the stability of each of these three elements is shown in a graph, allowing you to see at a glance whether your sound is stable.

By analyzing these three basic elements of sound, including tuning, the TM-50TR can identify which aspects of your playing need improvement, thus helping you practice more efficiently.

The Tone Trainer function is based on KORG's new ARTISTRY (*3) technology. This is proprietary technology for analyzing and evaluating sound that was developed through cooperative research under the supervision of Xavier Serra, Director of the Music Technology Group at the Pompeu Fabra University in Barcelona, Spain.

The Sound Out function produces a reference tone from the built-in speaker:
In addition to visual tuning using the meter, you can use the Sound Out function to produce a reference tone from the internal speaker or headphones, and tune by ear. You can specify the reference tone in a three-octave range from C3 (130.81 Hz) to C6 (1046.50 Hz), which covers a wide variety of instruments.

The Sound Back function generates the reference tone that's closest to the input sound:
In addition to the Sound Out function, the TM-50TR provides a Sound Back function (*) that's ideal for further training your sense of pitch. The reference tone that's closest to the note you play into the tuner is played back to you through the speaker, and the pitch of your input is simultaneously shown in the meter; this lets you check the pitch simultaneously by eye and ear, enabling you to tune accurately and also helping you develop an accurate sense of pitch.

A metronome that further develops your sense of rhythm:

Usable simultaneously with the tuner:
The TM-50TR lets you use the tuner function and metronome function simultaneously. For example, if you're doing rhythm training along with the sound of the metronome, and feel that the tuning of your instrument might have drifted, you can turn on the tuner function while letting the metronome continue running. This lets you simultaneously train two elements that are indispensable for any instrumental performance: your sense of pitch and your sense of rhythm.

Fifteen rhythm variations:
You can choose fifteen types of metronome rhythms. It contains standard time signature from 0 through 9, and sophisticated rhythms such as duplets, triplets, triplets without the center beat, quadruplets, quadruplets without the center beats. It allows training a diverse variety of styles including classical, rock, and jazz.

Periodic metronome function is ideal for training:
The TM-50TR features a new Periodic Metronome function that further develops your sense of rhythm. This function repeatedly alternates between sounding and silencing the metronome for the specified number of measures, so that you can keep playing during the silent measures to see how well your own performance has kept time with the metronome when it resumes sounding. The cycle between sound and silence can be adjusted in a range of 0--4 measures (with a setting of 0 the function is off). This is a great way to test whether you are accurately keeping the rhythm during your performance.
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 1 in stock $41.82
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Cat: 624271 Rel: 04 Oct 18 • View all Guitar tuners & interfaces
 
Chromatic tuner/metronome with wide detection and built-in stand - white
Notes: The Korg TM series allows you to use the tuner and metronome simultaneously. Since this single unit is all you need for both pitch and rhythm training, it has become a favourite lesson tool for brass bands as well as many other types of musicians. The TM-50 is the latest model, featuring a two-level backlight that enhances the visibility of the LCD display. It uses a newly designed needle-style LCD for excellent response, and even greater tuning accuracy. In a first for this series, the entry-level model provides the Sound Back function that allows the speaker to generate the reference tone that's closest to the input sound, giving you a great way to develop and refine your sense of accurate pitch. Available in a choice of two colours, black or pearl white, the TM-50 is the perfect daily practice partner that will support your development as a performer.

Newly designed needle-style LCD meter with excellent response and wide detection range:
The TM-50 features extremely fast response to audio input from wind and other instruments, and the redesigned meter display method allows the pitch to be accurately and instantly shown without any time lag. Wind players will no longer experience the problem of their pitch changing spontaneously before it can be displayed accurately; this ensures that you'll be able to develop stable and drift-free pitch.

Marks indicate pure major/minor third intervals:
When performing in a brass band or orchestra, incorrect pitch is particularly noticeable for harmonic intervals of a third, yet by slightly skewing the pitch of a major or minor third interval from the equal-tempered pitch, you can obtain a more pure-sounding harmony that satisfies the ear. The meter scale of the TM-50 provides marks that indicate pure major and minor thirds relative to a given pitch; simply by tuning. When the needle aligns with the appropriate mark, you'll be able to produce beautiful harmony when playing in an ensemble. This is extremely convenient not only for wind instruments, but also for vocal or a cappella practice.

Fifteen rhythm variations let you practice a broad range of musical styles:
Fifteen types of rhythms are built in, including time signature numerators from 0 through 9, duplets, triplets, triplets without the centre beat, quadruplets, and quadruplets without the centre beats. The tempo can be freely set in the range of 30--252 beats per minute. Sophisticated rhythms such as triplets and quadruplets with the centre beats omitted can be useful for a diverse variety of styles including classical, rock, and jazz. The volume can also be adjusted, so you'll be able to use the metronome in any situation from personal practice in a small room to rehearsals in a studio.

Easy tempo settings with two types of tempo step pattern plus a tap tempo function:
When setting the tempo, you can choose either "pendulum steps" where the tempo will increment or decrement in the same numerical steps as on a mechanical metronome, or "full steps" which allows you to specify any tempo between 30 and 252 in one-step increments. In addition, you can also use the tap tempo input to specify the desired tempo simply by pressing a switch in time with the beat.

Enhanced visibility provided by a large LCD with a backlight adjustable in two levels:
The large LCD display has a backlight that lets you adjust the brightness in two levels. In conjunction with the LED guide at the top of the display, this ensures excellent visibility, even when you're performing on a dim stage or in an orchestra pit. The characters shown in the display are also larger for improved readability.
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 1 in stock $30.17
Cat: 620853 Rel: 25 Aug 16 • View all Samplers
 
Professional music production station for stage or studio use, including 16 "step-sequencer-style" pads and a large touch pad
Notes: The electribe series lets you play back your carefully constructed patterns while using intuitive operations to add spice and reveal new sonic possibilities. Approximately ten years after the Electribe SX first went on sale, there's now a new sampler in the electribe series that's designed to be simple and easy for the beginner to understand, and even more enjoyable for previous electribe users.

The electribe perfectly fulfills two tasks that both demand speed: live performance and music production

The electribe sampler has been reborn with cutting-edge technology inherited from popular KORG products such as the KingKORG, kaossilator, kaoss pad, and taktile. The internal memory lets you save 250 patterns, including preset patterns which are perfect for today's dance music scene. There's also support for the polyphonic playback that's indispensable for styles that include complex chord progressions, such as House music.

Using the 16 pads placed on the front of the unit, you can create patterns intuitively while actually hearing and seeing the sounds. You can use the pads as a keyboard to realtime-record phrases, and also perform step recording by entering the pitch and rhythmic value one note at a time. The patterns you create can be used in alternate forms as you perform by taking advantage of the "step jump" feature inherited from the volca series, or by changing the "last step" to vary the length of each part.

There's also a "motion sequence" function that lets you record knob and button operations and use them in the pattern that you create.

Either drums or synths can now be assigned to each of the 16 parts (i.e., the 16 pads). For example you could create complex rhythms by assigning drums to all of the 16 parts.

Familiar from the kaossilator is the "touch scale" function that lets anyone perform without wrong notes, just by moving a finger across the touch pad. The trigger pads that were popular on the taktile are also provided, making it easy for anyone to create phrases intuitively. The trigger pads can also be used for drum input. Settings allow you to switch velocity on/off.

KORG created a synth engine for the electribe sampler that's perfectly designed to maximize your creativity.

In addition to a sampler sound engine that lets you use your own unique and original sounds (samples), there are also several types of analog modeling sound engines that are great for creating synth basses and pad sounds. There can be up to a total of 999 preset and user samples, and a maximum of 270 seconds of sampling time (calculated as monaural) can be used. The unit is shipped with numerous drum, rhythm/phrase loops, and hit samples included. (collaborations with Sample Magic, Loopmasters, Prime Loops are included)

Modulation can make sound-creation more complicated, but we've made it easy by condensing it down to three parameters: simply select a template that specifies an effect and its target, and then adjust the speed and depth of the effect to suit your taste.

The "Time Slice" function detects attacks within the phrase and slices it appropriately, allowing you to play the phrase at the desired tempo without significantly affecting the sound. Sounds within a sliced part can also be used separately by assigning them to steps or parts. You can even apply an effect to a sample, and then resample it while using the knobs to vary the pitch or modulation.

The new electribe sampler provides effects such as compression and overdrive for each part, giving you uncompromising control over the nuances of individual sounds that differ subtly between genres. The groove function can be specified for each part, letting you apply a groove to your phrase simply by selecting a template.

The master effects can be controlled from the touch pad just like on the Kaoss pad, and they include not only spatial-type effects that shape the overall acoustics but they also include effects that apply aggressively musical transformations such as the "Vinyl Break" effect inherited from the Kaoss pad series, and the newly developed "Seq Reverse" and "Odd Stepper" that change the playback order of the sequencer. These are also extremely effective for live performance. Insert effects can be assigned for individual parts, opening up even more complex sound-design possibilities.

There's also a "pattern set" function which lets you switch patterns by pressing trigger pads, and an "event recording" function that records that performance. In addition to MIDI IN/OUT, "Sync IN/OUT" is also provided, allowing synchronized performances with the volca series, monotribe, or MS-20 mini. The unit can run on six AA batteries, so you can easily take it along with you and perform anywhere, providing on-the-go inspiration to your musical ideas.
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 1 in stock $355.35
Cat: 598437 Rel: 26 Jul 16 • View all MIDI keyboards
 
Mobile MIDI keyboard with 25 pad-style keys & 8 trigger pads
Notes: An all-in-one that delivers inspiration. A mobile MIDI keyboard that connects via USB or wirelessly.
The nanoKEY Studio provides a keyboard, knobs, trigger pads, and touch pad that lets you instantly convert your inspiration into sound. It is battery operated and can connect wirelessly to iPhone/iPad or Mac/Windows. It's a compact, mobile MIDI keyboard that is easy to travel with, allowing ease of use anytime, anywhere.

Step-record as easily as typing. A keyboard with 25 backlit keys that illuminate:
Even if you're not the most skilled keyboardist, the 25 velocity-sensitive keys allows you to step-record easily. The Scale Guide function illuminates the keys to show recommended notes in the scale, making it easier to play. This is a smart keyboard with a variety of performance modes, such as the Easy Scale function, that lets you produce musical phrases using any keys.

More freedom to produce music, via USB or wirelessly:
The nanoKEY Studio can connect not only via USB but also wirelessly. It's easy to connect to an iPad/iPhone music app such as KORG Gadget or Apple GarageBand, or to your Mac/Windows music production software. Liberated from annoying cables, you'll be free to set up your system much easier than some other products. Thanks to careful tuning, you'll enjoy low latency and high stability.

Lightweight and compact design can be placed anywhere and easily transported:
Smaller than a sheet of letter-sized paper, you can put the nanoKEY Studio in your bag and take it anywhere. With a simple, refined, and stylish design, along with beautiful lighting with white LEDs, you won't get tired of using it every day. With its modern design, the nanoKEY Studio is ideal for use with new devices such as your laptop, tablet, or smartphone.

Create the ultimate mobile music production system with your iPad/iPhone and the nanoKEY Studio:
The combination of the nanoKEY Studio with KORG Gadget is the ultimate combination for mobile performance. With the nanoKEY Studio that supports wireless connection via Bluetooth MIDI, your iPhone can instantly transform into a music production tool. In your room, in a coffee shop, in transit, or outdoors, you can immerse yourself in music with minimal requirements of space and time.

Eight high-sensitivity trigger pads that you can use for drum input or playing chords:
The eight velocity-sensitive trigger pads will convey every dynamic nuance of your drum performance. In chord-playing mode, the Chord Scale function automatically assigns the best chords for the key and scale you've selected, so your song will take shape at amazing speed. You can also assign the pads to trigger audio clips. These pads are not limited by musical genre; they deliver all-purpose music production power.

Touch pad inherited from the KAOSS series provides one-finger control of software synthesizers:
You can use a single finger to control a software synthesizer just like you can with a Kaossilator, or control a plug-in effect the same way as a KAOSS PAD. The nanoKEY Studio features an arpeggiator with rhythm patterns, letting you generate a succession of new phrases simply by touching the pad.

Eight assignable knobs for controlling your DAW and plug-ins:
The eight knobs provide versatile control of your software synthesizers, plug-in effects, and DAW mixer.

A lavish and powerful bundle of music software is included free of charge:
The nano Studio series comes with an extravagant bundle of powerful mobile and desktop music software that includes iPad / iPhone apps, a special edition of KORG Gadget, and the KORG Legacy Collection M1 Le which includes plug-in versions of classic KORG instruments. If you have the nanoKEY Studio, there is no need to buy any additional software.
The sounds and functionality of "iPad / iPhone apps" can be expanded by connecting them to a nano Studio series unit.

Customize using dedicated "KORG KONTROL Editor" software.
We provide "KORG KONTROL Editor" software that lets you freely customize the settings of the nanoKEY Studio. You can adjust the velocity curve of the keyboard, and customize the MIDI messages that are assigned to the pads and knobs to meet your needs.
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 1 in stock $120.28
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