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Notes: ***B-STOCK: Box damaged, product in perfect working order***


RackBrute 6U

Armoured Eurorack carrier

RackBrute 6U is an all-inclusive Eurorack case ensuring the total security of your modules and maximum practicality in all conditions of use. Its multi-position configuration and included dependable power supply make it the true specialist solution.

Artists may have a bodyguard; modules deserve armour-plating.

RackBrute 6U provides you with 176HP to store and secure your enviable collection of Eurorack modules in an everlasting yet lightweight aluminium chassis flanked by two wood panels. Once you're locked and loaded, your modular setup will look and feel like a monolith, yet more flexible than ever thanks the Link fastening system and the paired handle. When on the move, it will make the transport of your modular equipment a walk in the park. When in position, it will let you organize your command centre the way you want it. Modules don't live on love alone, and RackBrute 6U keeps everything alive with its +12V / -12V / +5V power supply.

When you have to hold your position for hours, it's better to be well set up and to have a clear view of the surroundings. For this reason, we developed the Link system, a convenient and simple-to-use fastening system that allows you to orientate the dedicated handle so that you can give your modular the most tactically advantageous position. Whether prone, crouching, or standing to attention, RackBrute 6U will always be on the lookout, ready for orders.

Troops are nothing if they are not properly fed. No problem, RackBrute 6U is not just a box. It includes a formidable +12V / -12V / +5V power supply ensuring your firepower up to 1600mA. This is coupled with a military-grade power rail with 32 available slots, including advanced noise filtering technology that guarantees optimum conditions.

With RackBrute 6U, even the most headstrong modules fall into line.

Uniting your forces under the same banner
May all modular units meet at the rallying point and be ready for further orders!

The RackBrute 6U fully takes advantage of the Link System, and it's not alone. You'll also find the Arturia Link on the more compact RackBrute 3U, as well as the self-contained MiniBrute 2 and MiniBrute 2S synthesizers. What solution will you go for? Will your field of operations be fully based on Eurorack, or the powerful force of analogue monosynth flagship supported by a fleet of complementary modules?

This technology is the brainchild of our secret research department, but we wanted it to be patent-free so that all our allies could adopt and benefit from it. The modular music battleground is likely to get crowded with an ever-growing variety of Link-enhanced system.

You are not alone on this mission. You have your trustworthy equipment to keep you company.

Equipment checking!

All present and correct, ready for inspection. We trust you'll find everything to your liking.

Go, go, go!

Don't worry, RackBrute 6U will keep mishaps at bay.

The success of your operation depends on your sensitive material arriving in perfect working order. RackBrute 6U is up to the challenge. The handle, the chassis, the threaded nut strips, each of its strategic components is made aluminium or steel. RackBrute will carry your setup no matter the context, not matter the weight, the distance and the destination. The built-in spacers will also make sure that no collisions occur when transporting two RackBrute units or a RackBrute and MiniBrute 2. Maybe you also want to keep your modular away from prying eyes. Then, trust the optional RackBrute Travel Case for more covert missions.

RackBrute 6U is the complete transport solution for when you need to take your show on the road.

What's in the box:

Box content
RackBrute 6U unit
Power cord

Instrument dimensions
Size : 19 x 13.2 x 3.3 inches (484 x 300 x 83mm)
Weight: 8.3 lbs. (3.76 Kg)

Main Features

Eurorack format, 176 HP
Aluminium Chassis
Provided with a 5 HP power module
Up to 1600mA on +12V and 1600mA on -12V (4 separate circuits of 800mA)
Up to 900mA on 5V
Power rail with
Noise filtering
32 standard power slots
20-slot zone with up to 800mA on +12V and -12V
12-slot zone with up to 800mA on +12V and -12V
Link system and smart handle to fasten a MiniBrute 2/2S or another RackBrute unit in various configurations
Built-in Spacers for the highest protection in transport configuration

Notes: ***B-STOCK: Dent on the side, product in perfect working order***


ALM Eurorack cases are available in a range of sizes all including an integrated powered bus boards.

The cases all feature anodised aluminium construction, an on/off switch, rubber feet, and high quality switched powered bus boards with numerous keyed headers and ample power capacity.

These are simple and compact Eurorack cases, perfect for small, focused systems, taking along on travels, or as a tabletop addition to a larger setup.

Cases are available in 4 sizes; 3U 84HP / 6U 84HP / 3U 52HP / 6U 52HP sizes. They all offer 1 Amp on both the -12V and +12V rails per row.

Great modern cases

The ALM powered Eurorack case was originally designed for the System Coupe. Wider interest has seen it evolve into a range of different sized cases being made available by themselves.

A fixed solid bus board provides quality ample power and plentiful keyed power connectors. The shielded DC/DC power converter is low noise and includes overload and short circuit protection. Fixed, quality mounting rails are used over sometimes frustrating sliding nuts. The case has a great looking all anodised aluminium construction that is both strong and light.

The case proportions are designed to look great on a table or desk (not too deep, just enough) and also be easy to fit in a bag and transport.

Decksaver case covers are available currently for the 3U/84HP, 6U/52HP, and 6U/84HP cases.

6U / 52 HP

Provides up to 1 Amp power on each -12V & +12V rails.
Connections for up to 9 modules on busboard, with additional 'flying bus board' included that adds up to 12 connectors.
Includes 2 Amp power 'brick'

Notes: Operat is an oscillator with a single core and several modulation inputs that make a compact size complex oscillator when pairing it with the external gear.

The core offers four different waveforms with Thru-zero FM/PM, plus symmetry control over the modulation.

It has an internal mixer with built-in VCA's for each waveform and Amplitude/Ring modulation after the mixer circuit.

PWM with 3 different configurations plus Hard/Soft sync input.

With all these modulation configurations, Operat can be transformed into a very wild FM little monster.

12 HP

Power consumption 119mA@+12V, 85mA@-12V

Notes: Lacrima Versio's roots are in the classic analog autowah pedals, but we don't stop there. LV features an envelope follower that controls a high-resonance filter. Morph the filter between lowpass, bandpass, and highpass slopes, and Lacrima covers all the sounds you'd expect from a typical wah - but this is not your typical wah. Route an adjustable distortion pre, post, or pre+post filter for some saturation crunch. Add width and motion (and just a little otherworldly tone) to your sounds with a stereo chorus. Last but not least, use the Mod parameter to add audio-rate modulation and octavizing to your signal.

Notes: The D1 is a powerful multi-function delay with five studio-grade, high-fidelity, custom-tuned programs. Create inspiring echoes from Digital, Modulated, Vintage, Dual Delay, and Reverse. Each can be tuned and tweaked with modulation, tone, age, and tap/clock subdivisions. The attack knob adds another dynamic to each program, opening up a new world for creating soundscapes. The D1 boasts stereo in and out, midi control, adjustable stereo width, and onboard presets.

A workhorse of a delay that is just as ready for the road as it is the studio.

The D1 V2 updates are as follows:
Retooled the Reverse program for a stronger effect.
Retooled the Vintage program to emulate a tape delay.
Added stereo width control allows two widening types - Panning and Haas Stereo Effect.
Added USB functionality for firmware updates via walrusaudio.io.

Programs

Each program can be fully customized to your taste and playing style with the Tweak knob. Flip the toggle switch to Mod to bring in a tasteful modulation to your delay trails. Tone will brighten or darken your delay trails. Age will add some grit and wear reminiscent of vintage delay units. Subdivisions can be easily changed between quarter, eighth and dotted eighth.

Digital - The Digital delay program offers a clean and crystal-clear delay that is perfect for rhythmic guitar parts where ultra-defined echoes are desired.

Mod - The Mod delay program has unique modulation LFOs applied to random repeats and run at multiple rates to create unpredictable pitch modulation. This results in unique sounding repeats perfect for warping minds and scattering trains of thought.

Vintage - The Vintage program allows for analog tape delay-inspired tones to be achieved with complex filtering applied to the repeats. Use the tone knob at low settings for darker filtering and at higher settings to roll off the low end.

Dual - The Dual program employs two delays in parallel, each with different time divisions. When connected in mono, the two delays are added together. When connected in stereo, one set of repeats is sent to the left output, and one set is sent to the right. The division switch has unique functionality in Dual mode. We'll break it down for you below:

In the quarter note position, the D1 offers 1/4 note and 1/4 triplet repeats.
In the eighth note position, the D1 offers 1/8 note and 1/4 triplet repeats.
In the dotted eighth note position, the D1 offers 1/4 note and .1/8 repeats.
Reverse - The Reverse program reads the delay memory backwards creating a unique delay repeat character known as a reverse delay.

Presets

The D1 can save up to nine onboard presets, and up to 128 are accessible via midi. Onboard presets are accessible with the bank switch. Cycle between presets in each bank by pressing Bypass and tap simultaneously. You will see the tap LED change from Red to Green to Blue. Any adjustments made in a preset will change the tap LED to purple to show that you have edited the preset. Refer to the manual for accessing and saving presets via midi.
Factory presets can be viewed here.

Attack

The Attack knob will soften the attack of the echoes. Dreamy and ethereal soundscapes can be created with higher repeat and attack settings.

Bypass and Tempo Modes

The D1 has three different bypass modes. True Bypass, DSP+True Bypass (trails), and DSP Bypass. The D1 offers global and preset tempo modes. Global mode keeps the tempo the same when changing presets. Preset tempo will use the delay time that was stored when the preset was saved. Refer to the manual for more info on switching modes.

Momentary Functions:

Press and hold the Bypass switch to ramp up the repeats of the delay. Release to set the feedback back to the knob location.

Specs:

The D1 comes in an anodized silver finish with black, dark green, red, orange and purple ink.
The enclosure's exact size with knobs is 12.4 x 6.4 x 6.7 cm. Power requirements are 9VDC (300mA minimum).
The use of an isolated power supply is recommended for powering all Walrus Audio Pedals. Daisy chain power supplies are not recommended.
Power supply not included.

Notes: Every great vocal performance includes effects. Every. Single. One.

But, you shouldn't need an engineering degree and a pile of complicated equipment to make your songs sound great. Right?

SingThing combines pro quality vocal effects, instrument connections, a powerful speaker, a mic and all the cables you need to get going right away.

Better Than Basic:
SingThing has all the vocal effects you need to create any sound you can imagine. From pop to rock, country to R&B and beyond, SingThing has got you covered.

Harmonize:
Adding harmony to your music just got easy. Connect your guitar, keyboard or music player and SingThing selects the right harmony parts automatically!

Strum Along:
Most acoustic guitar pickups tend to sound boxy with an unnatural "quack" to their tone. SingThing once again comes to the rescue with BodyRez. It gives your acoustic guitar a much enhanced, natural tone to make it sound fantastic!

Homemade Jam:
Looping allows you to capture elements of your performance and then jam along with them. It's great for both live performance and songwriting. Plus, SingThing recognizes the tempo of your first loop and sets the Echo tempo automatically.

Dive In:
SingThing includes more than 200 song and artist-inspired presets covering a wide range of musical genres. Plus, there are nearly 1000 more available for free download via our VoiceSupport 2 program. Want to create something completely original? Any of the presets can easily be edited, renamed, and saved quickly.

Where's My Remote Control?
The included MP-75 microphone's Mic Control button lets you to remotely control your SingThing effects and looping functions, freeing you to move around. And if your performance involves playing guitar or keyboards, you can use a SWITCH-3 or SWITCH-6 (available separately) for extended control with a simple tap of your toe!

Go Live:
From practice to performance, SingThing is the only tool you'll need. Whether it's the local pub, your favourite coffee shop or even a friend's back yard, SingThing is as gig ready as you are.

Notes: The Cascading Register from Omiindustriies is a source of pseudo-random voltages and gates using a shift register-based architecture. It takes inspiration from digital shift registers, runglers, linear feedback shift registers (LFSRs), and analog shift registers. The module features an eight-bit shift register and voltage-controlled clock; broken into four main function blocks: clocking, data, CV, and gates.

The shift register includes eight gate outputs and three variable CV outputs derived from the state of those gates. CV 1 is determined by OO, O1, O2, and O3. While O2, O3, O4, and O5 correspond to CV 2 and O4, O5, O6, and O7 make up CV3. This grouping of stages creates three copies of the same data shifted by two clock pulses. Each CV output includes variable control over the amplitude. CV1 and CV2 include attenuverters and CV3 uses an attenuator. The eight pseudo-random gate outputs work great as both timing and modulation sources, particularly when used with percussive modules.

Data comes from the data gate input, manual seed button, and three feedback taps from the shift register itself; with each part of the data stream XOR'd with the other parts. While the module includes a voltage-controlled clock normalized into the clock input, it accepts a wide range of external clock sources, from sub-audio to audio, all the way to video rate signals. The module includes normalization from CV3 to the CV input on the clock oscillator, creating a self-influencing feedback configuration without the need for any patch cables. When using an external clock signal, the internal clock works great as a data source by patching from the clock output to the data input.

Notes: This module is a custom jacks on top, knobs on the bottom design of the discontinued Mutable Instruments Blades dual multi-mode filter.

PCB LEVEL: 2 STACK, Power Connector on Level 1, Skiff Compatible.

Original Design by Emilie Gillet

Dual Distortion with spectral colour control

Fully analogue, based on the 2164 quad VCA chip.

Frequency knob range: 8Hz to 18kHz.

Audio input impedance: 30k.

DC-coupled audio inputs.

Filter mode CV input impedance: 50k.

Other CV inputs impedance: 100k.

All CV inputs handle audio-rate modulations.

The project files for this product are located on the Survival page of the Blue Lantern modules website.

CC-BY-NA 3.0

Model: BLM Parallax Filter

Width: 18hp

Current: +150mA -140mA

Notes: Compact record cleaner based on the more expensive VC-S2. Quick and easy way to clean and care for your vinyl, improve sound and prolong stylus life.

Supplier's notes:
Vinyl Care
The VC-E is a compact, affordable vinyl record cleaning machine (RCM). Inspired by the developments made in the Pro-Ject VC-S2 ALU design, VC-E offers a string of premium features in a smaller package that's suited to smaller record collections and tighter space.
Boasting a striking aluminium surface that's not only visually appealing but is able to withstand excessive fluid spill without compromising the chassis, the VC-E still houses a sufficiently powerful vacuum motor to clean records, residue free, in as little as one or two rotations. The very best results are achieved with one rotation forward, followed by one backwards. The drive motor also makes one rotation within 2 seconds, which is about three times faster than comparable products. The end-result is a faster and more effective cleaning process for the cost.
A screw-on clamp, lined with a rubber pad, protects the record label from cleaning fluid and avoids damage to the label. The robust metal arm is easy to use, mechanically stable and focuses all suction power directly onto the record surface.
The VC-E is supplied with Pro-Ject's own eco-friendly, non-alcoholic vinyl cleaning concentrate, Wash-IT. It offers very good cleaning results and reduces static charge, so record wear and stylus wear are significantly reduced. It also evaporates in the air, dramatically reducing the number of times you need to empty the built-in 0.5l waste liquid tank.
If you demand the best sound from your hi-fi, and want to protect your precious investment in your record collection, the VC-E is an essential tool for delivering on both fronts.
Key Features:
Compact, new cabinet made out of luxurious materials
Clean records quickly and efficiently
0.5l tank for vacuumed cleaning liquid
Eco-friendly cleaning fluid effeciently cleans and removes static load off records
Screw-on clamp with rubber pad protects record label from cleaning fluid
Cloth cover available

Technical Data
Construction:
Aluminium Composite Panels (0.4mm alu / 4mm PE / 0.4mm alu)
Speed:
30 RPM
Power Consumption:
800W Max
Dimensions (W x H x D):
310 x 266 x 210mm (fully assembled)
Weight:
6.5kg
Supplied Accessories:
Vacuum Arm
Clamp
Felt Strips
Brush
Wash-IT 100

Please Note: Pro-Ject Record Cleaning Machines are not intended for commercial use. They are home-use products.

Notes: For the NEW WAVE, Jackson Audio set out to make the best sounding and versatile 100% analogue and stereo chorus/vibrato pedal. Offering a ton of flexibility with programmable presets and many industry firsts, the brand had the pleasure of working with Mark Lettieri from Snarky Puppy to create the ultimate chorus pedal.

To achieve this, they knew they could not go digital for the core circuit, yet Jackson Audio still needed to add the features that only digital products provide. Using authentic analogue MN3007 BBD chips, operating at 15 V internally exactly like the best 80s units did, this pedal delivers all the classic sounds with added modern precision, as well as all-new modulation sounds.

For the control section, a digital microprocessor gives unparalleled control over the analogue circuit for unmatched waveform accuracy. Add in programmable presets, features and MIDI, with an easy to operate interface, New Wave is designed for guitar, bass, synths and keys and will add a touch of quality modulation to any set up.

New Wave features seven presets tailored for classic and modern Chorus, Vibrato and Rotary sounds, including 70s, 80s, Rack, Vibrato, Rotary, Harmonic, and User Control. The pedal also offers five digitally controlled LFO wave shapes: sine, triangle, square and two custom harmonic shapes that are inspired by the classic ARP Solina string machine keyboard.

In addition to these presets, the pedal also offers programmable settings for use with expression, RAMP, or BLOOM foot switches. These settings include knob parameters, tap-tempo for speed control, slow and fast settings, 80's in-spired latch mode for momentary activation of the effect, full MIDI control, and expression pedal control of speed. The pedal also includes a phase/ratio feature, which changes the phase alignment of the two channels from 0-180 degrees out of phase to make for HUGE chorusing sounds!

Notes: Creative little desktop noise synth based on some unique ideas. Generate tones with conventional oscillator, noise source and oscillating delay feedback, then mix it all through a final delay.

Supplier's Notes:
Synamodecs Levitate is a desktop synthesizer that is made for noise and experimental music making.

It's divided into three blocks Legus, Neura and Nxpctd. Legus consists of two delays in series. Those delays offer time, level, feedback and dry/wet parameters. Due to it's layout it is capable of generating sounds without any input signals. The ouput of the first delay can modulate the delay time of both or just the other one. The Neura section is a sound and noise generator with frequency, texture and waveform controls and outputs on two different independent outputs. Last but not least the NXPCTD block is a third delay through which the Legus ad Neura pass through. It gives control over dry/wet, time and feedback control.

Additionally the Levitate offers an external audio input for extra fun.

All in all a fun little box for weird and crazy sound exploration. Dc power adapter included.

Dimensions: 20 × 30 × 10 cm

Notes: ***B-STOCK: Box damaged & missing software otherwise in perfect working order***


The Vestax VCM-100 is a portable rotary MIDI controller and audio interface system, designed for laptop DJ performance. Not only does the VCM-100's control interface dictate to your software, it comes with 2 stereo inputs/outputs. Unlike many other DJ MIDI controllers, no external soundcard or mixer is required for performance, headphone monitoring or integration into a sound system. 60 parameters of various software controls are assignable via USB connection.

Pitch, levels, EQs, loops, crossfader and pretty much every DJ function is pre-mapped and laied out in traditional DJ style for Vestax with the included Traktor DJ LE software. Increasing its versatility, the VCM-100 is compatible with all software that allows MIDI control assignment. 3 versions of firmware can be selected to have the best match with the software you are using. The VCM-100 is strong, sturdy, simple and very portable.

Notes: Based on the legendary Roland Space Echo, the RE-202 brings tape-style delay effects into the future. Classic vintage sound in a modern, user-friendly package.

Supplier's Notes:
A Masterpiece Returns in the Modern Era

Introduced in 1974, the Roland RE-201 Space Echo stands among the most legendary and sought-after effect units ever produced. This tape-based classic remained in production for over 14 straight years, and its distinctive rhythmic echo sounds, warm character, and highly playable sonic quirks still inspire musicians, producers, and audio mixers over four decades on.

Backed by intensive R&D and Boss' latest innovations, the RE-202 faithfully delivers the authentic sound and behaviour of the Space Echo like never before. Built by the company that designed the original, this advanced pedal captures the RE-201's magic in flawless detail, from the magnetic tape and motor properties to the vibrant spring reverb and colourful preamp circuit. And to take things even further, Boss have expanded the vintage Space Echo experience with lots of new features tuned for today's music.

Tape Echo Magic

Tape echo was the first delay effect and one of the first effect processors available for electronic musicians. In contrast with today's CPU-based digital units, a tape echo is a simple machine that uses a motor to pull magnetic tape across one or more record/playback heads. Warm, full, and dynamic, the tape echo sound is influenced by many factors. The ever-changing input level colours the sound with varying amounts of tape saturation and compression. In addition, motor speed fluctuations, friction, wow and flutter, and other elements introduce an appealing modulated character that's subtle and continually evolving.

RE-201 Space Echo: Simply Legendary

The RE-201 was a benchmark Roland product and one of the leading tape echo units of its era. It featured three evenly spaced heads that produced a wider range of echo effects than typical single-head designs, plus an innovative free-running tape system that provided superior performance with minimal tape wear. Grab-and-go controls enabled quick access to clean, single delays or various head combinations for dense, rhythmic echoes. A spring reverb tank was included too, making the RE-201 a one-stop shop for quality ambience effects. Last but not least, analogue preamp circuitry was another key ingredient in the Space Echo's rich sonic recipe.

A Masterpiece Reborn

Realized through the latest technologies and exhaustive analysis of several vintage RE-201s-including a pristine original unit from the BOSS and Roland factory archive-the RE-202 brings the complete Space Echo experience to life in a versatile modern pedal.

While previous BOSS designs captured the true sonic flavour and essential characteristics of the Space Echo, new advancements have allowed us to go much deeper than ever before. With the RE-202, Boss' engineers have fully reproduced all the complex, non-linear behaviours that contribute to the RE-201's immortal character. Everything that influences the sound was carefully examined and recreated with all-new algorithms, including the tape path, record/playback mechanism, motor variations, preamp coloration, tape age, spring reverb character, and more.

Retro Sound at Your Fingertips

The RE-202 delivers the full vintage vibe of the RE-201-without the need for regular tape replacement and hardware maintenance. All the core controls of the original are here, including the iconic 12-position mode selector. Every behaviour is replicated with complete accuracy, such as the gradual pitch change that occurs when the Repeat Rate knob is tweaked, or the cool runaway feedback that happens when the Intensity knob is maxed.

With selectable tape age and variable controls, you can dial in everything from a brand-new Space Echo to the worn character and quirks of a well-loved vintage piece. The Saturation control has been carefully calibrated based on the actual magnetic tape and preamp behaviours of the RE-201, with the sound becoming warmer and more compressed as you turn up the knob.

Sampling Frequency: 48 kHz

AD Conversion: 24 bits + AF method
AF method (Adaptive Focus method) This is a proprietary method from Roland & BOSS that vastly improves the signal-to-noise (SN) ratio of the AD converter.

DA Conversion: 32 bits
Processing: 32-bit floating point
Modes: 12 modes
Memory127 + Manual
Nominal Input Level: INPUT A/MONO, INPUT B: -10 dBu
Maximum Input Level: INPUT A/MONO, INPUT B: +7 dBu
Input Impedance: INPUT A/MONO, INPUT B: 1 M ohm
Nominal Output Level: OUTPUT A/MONO, OUTPUT B: -10 dBu
Maximum Output Level: OUTPUT A/MONO, OUTPUT B: +7 dBu
Output Impedance: OUTPUT A/MONO, OUTPUT B: 1 k ohm
Recommended Load Impedance: OUTPUT A/MONO, OUTPUT B: 10 k ohms or greater
Bypass: Buffered bypass
Controls: ON/OFF switch, MEMORY switch, TAP switch, SATURATION knob, WOW & FLUTTER knob, MODE SELECTOR knob, BASS knob, TREBLE knob, REVERB VOL knob, REPEAT RATE knob, INTENSITY knob, ECHO VOL knob, MEMORY button, INPUT button, TAPE button

Connectors: INPUT A/MONO jack, INTPUT B jack, OUTPUT A/MONO jack, OUTPUT B jack: 1/4-inch phone type
CTL 1, 2/EXP jack: 1/4-inch TRS phone type
MIDI (IN, OUT) jacks: Stereo miniature phone type
DC IN jack
USB port: USB micro B-type (program update only)
Power Supply: AC adapter
Current Draw: 140 mA
Accessories: AC adapter, Owner's Manual, Leaflet ("USING THE UNIT SAFELY," "IMPORTANT NOTES," and "Information"), Rubber foot

Options (sold separately)
Footswitch: FS-5U
Dual footswitch: FS-6, FS-7
Expression pedal: FV-500H, FV-500L, EV-30, Roland EV-5
MIDI/TRS connecting cable: BMIDI-5-35, BMIDI-1-35, BMIDI-2-35, BCC-1-3535, BCC-2-3535

Size & weight

Width: 192 mm / 7-9/16 inches
Depth: 133 mm / 5-15/64 inches
Height: 52 mm / 2-3/64 inches
Height (including rubber foot): 53 mm / 2-3/32 inches
Weight: 860 g / 1 lb 15 oz

Notes: RODELink represents the next generation of digital wireless systems. Using a series II 2.4GHz digital transmission with 128-bit encryption, it is able to constantly monitor and hop between frequencies to maintain the strongest possible signal level at a range of up to 100 metres* (over 100 yards). The RODELink Filmmaker Kit provides everything you need to start shooting video wirelessly, including a receiver, transmitter and broadcast-grade lavalier microphone.

The receiver (RX-CAM) features an OLED display with information on level, battery status (receiver and transmitter), mute and channel selection. The unit can be mounted on a standard camera shoe mount, 3/8" thread or belt-clip, and for added versatility the shoe mount can be located in one of two positions.

The lightweight transmitter (TX-BELT) can be fitted to a belt or clothing and features a locking thread to ensure the microphone connection is as secure as possible. RODE's omnidirectional Lavalier microphone is included in the kit to provide the highest possible audio reproduction quality.

Notes: A Juno-inspired oscillator module? We're flattered, but credit has to go to Roland for this one. Based on the Juno-106's digitally-controlled analogue oscillators, the Castor & Pollux modernises the 80s design with a built-in LFO and hard sync.

Supplier's Notes:
Twins that dance in and out of phase, never completely together but never fully apart, bound to each other in the infinite universe.

Castor & Pollux is a dual oscillator that echoes back to the legendary Roland Juno but shines with its own unique, massive voice. It contains two digitally-controlled analogue oscillators implemented using a faithfully modernized version of the original Juno 106 design. It builds on the classic '80s sounds of its inspiration by using the second oscillator and internal LFO to layer in thick detuned sounds and harmonically complex hard synced waveforms.

Castor & Pollux II brings a redesigned interface and moves individual waveform outputs to an included expansion. Both versions have the same features and use the same firmware.

14 HP
+12 V @ 100 mA, -12 V @ 35 mA
25 mm deep
2 separate oscillators
7 octave range
9 total outputs with waveform outputs and onboard mixers
Pitch CV input jacks (0 V to 6 V) and pitch knobs (-1 to +1 octave, configurable)
Pulse width CV input jacks and knobs
Hard sync
Hardware chorusing
Internal low-frequency oscillator (LFO)

Notes: Psychdelic Vocal Trip

Designed for vocals, the Echo Master is a lo-fi, analogue tape-style delay unit that can transform your voice into a chaotic realm of noise and feedback. The effects loop allows additional effects to be placed in the signal chain, making it easy to use with any of your favourite effects pedals on your vocal sound without any adapters.

The Echo Master is not just a delay unit, however. It utilizes matched Bourns transformers on the input to create a vibrant-sounding and feedback-minimizing preamp to bring you phenomenal vocal quality before you even hit the PA. Your sound engineer will hate you because you'll sound better than ever without their help. Top it off with high-quality Neutrik XLR jacks and the Echo Master is the ultimate tool for taking total control of the sound of your voice.

Controls

Time: Controls the delay time, with numbers labelled in milliseconds. In the Red Zone, the delay chip is pushed to the extreme. The signal decreases in fidelity as the time increases.

F-Back: Controls the number of repeats in the delay circuit, anywhere from one to an infinite to a wall of oscillation.

Mix: Controls the level of the delayed channel in comparison to the dry signal, from fully dry to an equal mix.

Send/Receive: Plug out of the Send jack into any additional effects, then back into the Return jack to introduce new sounds into your vocals. This loop is before the delay line, allowing you to affect your dry vocals as well as the delay generated by the Echo Master.

*Alternate Backplate: Back in stock baby! The Echo Master can also be purchased with a backplate that mounts to your mic stand. Puts the pedal within hands reach to maximize live performance tweak-ability. This recently upgraded V3, comes with a handgrip screw for more torque (although it resembles the V1, this is a much sturdier model). **Please note- cords, microphone, and stand are not included.

Specifications

Dimensions: 6.09" x 3.45" x 2.75" (including hardware).
Weight: 16oz. (w/ Alternate Back Plate 30oz.)
Power: 9V (runs on standard 2.1mm negative center 9V adapter).
Current Draw: 25 mA.

Notes: 8-input, 8-output sequential/addressable switch with manual, trigger, and CV control, plus three grouping options, multiple switching directions, and randomization.

Vice Virga is an 8-input, 8-output sequential/addressable switch with a plethora of features and extensive patchability. Vice Virga can be configured as a single 8-channel switch, two 4-channel switches, or four 2-channel switches. Equal parts automated patch arranger and performance tool, Vice Virga has loads of switching control options. Whether you want to chain sequencers, swap outputs on an oscillator, remix a trigger pattern, or mix up every connection in a patch just to see what happens, Vice Virga can do it!

Features:

Size and power:
8HP Eurorack
+12v: 40mA
-12v: 20mA
Vice i from Latin for "alternately"

Virga i from Latin for "switch"

"Alternating Switch"

Notes: ***B-STOCK: Box opened, product in perfect working order***


Neatly designed slimline DJ MIDI controller from A&H. 52 controls and built-in audio interface. Compatible with any DJ software.

Supplier's notes:
Xone:K2 is a compact, slim line universal MIDI controller - incorporating a 4 channel soundcard, for use with any DJ software.

With no fewer than 52 hardware controls providing up to 171 MIDI commands across 3 layers - plus the ability to link multiple units using X:LINK, saving USB ports on your computer - Xone:K2 has the power and flexibility to put you in touch with the functions and features of your chosen software.

Quick and simple mapping lets you create a unique layout that mirrors your style and puts the functions that matter at your fingertips, whilst 3 colour illuminating switches give at-a-glance feedback - allowing you to work however you decide.

The high quality internal soundcard provides flexible user setup options using the Xone:K2 with headphones, headphones and a mix system or with an external mixer. Xone:K2 comes packed in a black padded case as standard. The case doubles as a stand, bringing the K2 up to the same height as most pro DJ mixers.

Xone:K2 is a compact designed MIDI Controller for use with any DJ software such as Ableton, Virtual DJ, MixVibes, Mixx and Traktor Pro. Xone:K2 can even be used to control lights or VJ software - if it can receive MIDI data it can take commands from K2. What each control does is entirely up to you - you can create a completely customised layout that perfectly fits the way you want to work. Xone:K2 has 52 physical controls - including 12 analogue and 6 endless rotary encoders with push switch, 4 linear faders, and 30 backlit performance switches - providing up to 171 MIDI control commands across 3 layers. We also provide example maps to get you started out the box and information on how to set up your own.

A Latching Layers system lets you assign controls to multiple layers, so a single physical control can be given up to 3 functions. You can configure all, some or none of K2's controls to be linked to the Latching Layers system. As a quick visual reminder, when toggling through layers all switches assigned to a particular layer will illuminate in the appropriate colour.

Xone:K2 has a high quality internal, four channel (2 stereo) 48kHz soundcard. Setup options include using the K2 with a pair of headphones, feeding a pair of headphones and a PA system, or connecting to an external DJ mixer.

Its slim line chassis, soft touch controls and minimal looks set K2 apart from the pack. There's plenty of substance too - Xone:K2 is built to Allen & Heath's renowned touring grade audio and build quality standards, including the use of steel nuts on all rotary controls to protect the circuitry from impact damage.

Xone:K2 comes packed in a black padded case as standard. As well as keeping it safe on the road, the case doubles as a stand, elevating the K2 up to the same height as most pro DJ mixers.

Two or more K2s can be linked via our X:LINK protocol, expanding the control capability. X:LINK uses a standard RJ45 connector and distributes power and data, allowing connection to X:LINK compatible devices, including Xone:DB4 and DB2, to expand MIDI data without using additional USB ports.

Notes: The Synthesis Technology E330 Multimode VCO is a low-cost digital oscillator with 3 unique operating modes: 2-operator FM, Morphing Wavetable or a 4-oscillator Cloud Generator (similar to the E340 module).

The module provides 2 simultaneous outputs (OUT 1 and OUT 2), that change based on the MODE selected. Each output has an independent, corresponding modulation CV input and initial panel setting. The function of these 2 CVs varies based on the MODE.

2-OP FM is a 2 "operator" (to use Yamaha's terminology) FM (frequency modulation) where a sine VCO that is the 'pitch' (called the carrier) is FM'd by another sine VCO (the modulator). These sine VCOs are internally generated by the E330. OUT 1 has the pitched, FM'd result, and OUT 2 has the modulation sine wave. The MODULATION A panel/CV is the FM 'depth' or 'index' and varies from 0% (OUT A is a pure sine) to over 400% (4th harmonic overtones). The MODULATION B panel/CV is a 64-entry look-up table that sets the ratio of the moduation VCO to the audio VCO. The modulator can be lower in frequency, the same frequency, or higher in frequency. The steps begin at 0 (no modulation) to 7.375 in steps of 0.125 For example a ratio of 2.000:1 means the modulator is exactly 2X the frequency of the audio VCO.

The MORPH mode is a selection of 32 wavetables from the E350, which are continuously morphed (blended) in the 'Z Axis' (end-to-end), The wavetables vary from sines/harmonics, vocal effects, traditional shapes to noise. The 2 outputs have the same pitch (they share the 1V/OCT input and the FM CV) but have independent wavetables. MODULATION A/MOD A set the waveshape for OUT 1 and MODULATION B/MOD B set OUT 2.

CLOUD mode is a variant of the E340 Cloud Generator, when set to the '4 Oscillator' setting. The E330 generates 4 VCOs, with OUT 1 being Sine and OUT 2 being Saw. The 4 VCOs are 'spread apart' (detuned) by MODULATION A/MOD A. This spreading is exponential, from slight beating (the 'Super-Saw effect') to a noise 'cluster'. In addition, filtered noise can be added to the spreading by MODULATION B/MOD B, which will add 'chaos' to the overall sound.

The E330 Multimode VCO raises the bar for low-cost Euro VCOs, with dual outputs and 3 operating modes, all in a compact panel size.

Specs

Height: 3U (128.5mm)
Width: 14hp (70.8mm)
Depth: 32mm
Power: 16-pin Eurorack (50mA from +12V, 15mA from -12V)
CV Range: 10Vpp (-5V to +5V)
Audio Output: 10Vpp nominal (varies with relative VCO detuning)
Frequency Range: 16Hz to 18KHz

Panel controls

Coarse/fine: Sets the initial frequency with no CV applied
FM: Attenuator for any CV applied to the FM input jack
Modulation A: Initial setting for the effect for OUT A, based on the MODE switch setting
Modulation B: Initial setting for the effect for OUT B, based on the MODE switch setting
Mode switch: Selects the VCO operation mode: 2-OP FM, MORPH or CLOUD

Inputs and outputs

1V/Oct: 1 volt per octave control for the initial VCO pitch
FM: VCO frequency modulation input (DC to 8kHz)
Sync: Reset VCO frequency when input signal exceeds 0.6V
Mod A: CV is added to the MODULATION A panel control
Mod B: CV is added to the MODULATION B panel control
Out 1: VCO primary output
Out 2: VCO secondary output

Notes: The Lenco LS-500 is a record player with 2 separate wooden speakers and easy to use. This allows you to enjoy your favourite vinyl in no time and the included speakers are easy to connect.

The adjustable speed allows you to choose between 33 and 45 RPM which makes it easy to play your precious LPs and single records.

With the Lenco LS-500 you have everything you need to reminisce in the warm sound of your favourite records. The LS-500 hides the latest technology in a classic design.

The built-in Bluetooth function makes the LS-500 suitable for streaming music.

Specifications

Measurements for turntable
Height: 12.50cm
Width: 42.00cm
Depth: 35.90cm
Measurements for speaker
Hright: 25.00cm
Width: 15.90cm
Depth: 15.80cm
Colour: black
Material: aluminium, metal, plastic, wood
Mains adapter input voltage 1 (v): 100-240 v
Mains adapter input frequency 1: 50-60 hz
Mains adapter output voltage 1 (v): 15.00 volt
Mains adapter output current 1: 2.40 ampere
Mains adapter output power 1 (w): 36.00 watt
Mains adapter average mainstive efficiency 1 (in %): 87.5800
Mains adapter efficiency low load 1 (in %): 84.00
Mains adapter no load energy consumption 1 (w): 0.08 watt
Standby power in watts 1: 0.10 watt
Time period switch to EPR state 1: 20 min
Number of audio channels: stereo 2.0
Maximum output power (w): 2 x 30 watt
Audio / video / data connections output: RCA out, speaker out
Audio / video / data sources: Bluetooth, LP
Bluetooth type: receive
Bluetooth commercial range: up to 10 metres
Bluetooth version: 4.2
Bluetooth handsfree: no
Material external speakers: wood
Anti skating: yes
Turntable type: normal
Turntable with Bluetooth: yes, stream to turntable
Mp3 encoding: no
Mechanic armlift: yes
Needle pressure adjustable: yes
Pitch control: no
Turntable drive type: belt drive
Autostop: no
Autoreturn: no
Warranty: 24 months
Product weight (kg): 9.31 kilogram
Retail packaging / sales unit height (m): 0.39 meter
Retail packaging / sales unit width (m): 0.47 meter
Retail packaging / sales unit depth (m): 0.41 meter
Retail packaging / sales unit gross weight (kg): 10.96 kilogram
Handle: no
Trolley: no
Impedance external speaker (ohm): 4.00 ohm
Touchscreen: no
Turntable RPM speed: 33, 45
Supported record types: 7", 10", 12"
Pick-up system type: moving magnet (mmc)
Platter material: aluminium
Pre amplifier: selectable
Turntable with speaker(s): yes, external wired speakers
Accessories turntables included: 45 RPM adaptor, AC adapter, anti-skating weight, AT3600, cleaning cloth, counterweight, dust cover, slip mat

Notes: Any signal can be expressed in terms of a few parameters: frequency, phase, amplitude and timbre. It is through modulation of these aspects that synthesists create electronic sound. With Generate 3, it is now possible to create a signal and control all its parameters by through-zero modulation within a single 12 HP wide module.

Everything starts with the exceptionally precise triangle-core voltage controlled oscillator (VCO) at the module’s heart. Through-zero linear frequency modulation (FM) enables rich yet pitch-stable FM sounds, by allowing the oscillator to run backwards into ‘negative frequencies’.

The resultant triangle wave is then processed by the through-zero phase modulator, providing a total phase shift range of 900°. Phase modulation offers an interesting alternative for FM, as it enables deep FM-type tones without actually changing the oscillation frequency.

The timbre of a signal is determined by its harmonic content. This full set of harmonics can be grouped into three main parts: the fundamental, even and odd harmonics. Generate 3’s harmonics generator separates out these three timbral ‘channels’. By adjusting their relative amplitudes, a vast array of different waveforms can be created, including but not limited to the classic sine, saw and square waves.

While the amplitudes can be adjusted manually, each timbral channel supports through-zero amplitude modulation, also known as balanced or ring modulation. When audio-frequency modulation signals are applied, the harmonics become ‘split’, enriching the spectrum.

In addition to all the usual analogue synthesis techniques, the extensive set of modulation options makes Generate 3 especially suited for exploring multiphonic synthesis: a monophonic source creating a complex timbre, much like throat singing, yet by electronic means.

Notes: The legendary Serge Wave Multipliers (VCM) are designed to dynamically add new harmonically-related overtones to an input waveform. Accroding to the 1982 catalogue, they alter the timbre in exciting new ways, producing interesting alternative forms of signal processing which are unique in the Serge Modular Music System. Since there are three entirely separate and different types of Wave Multipliers in this module, an enormously varied palette of new effects can be synthesized.

The top section offers two different modes, selected by a switch. In the HI position, the module functions to square-up an incoming signal, with a rounded flattening of the signal peaks, somewhat similar to overdriving a tube amplifier (with voltage control!). In LO mode, the module is a linear gain controlled VCA. This is useful for various functions such as amplitude modulation and for gating signals into the other sections.

The middle section generates a sweep of the odd harmonics (1, 3, 5, 7, 9, 11 and 13th) when a sine wave is applied to its input and the FOLD knob is turned up or a control voltage is swept from low to high. This effect is similar to overblowing a wind pipe closed at one end. A second input is included to allow two signals to be mixed before processing. This module can be used to explore timbral areas beyond the range of ring modulation.

The bottom Wave Multiplier performs non-linear wavehaping known as full-wave rectification, but with sophisticated level-compensating conditioning as well. The circuit uses three full-wave rectifier sections linked in a very refined controllable format. Sweeping the VC input over its range will produce a smooth timbral transition using the even harmonics (second, fourth, and eighth). Many other partials are present in this basic sound, however, and the sonorities are very rich and varied. The white output is a squared up version of the black one, resembling an harmonically enhanced pulse width modulation.

The Random*Source version of the Serge Wave Mulitpliers for Euro is a licensed and authorized adaption of the original Serge design, using best parts available today (e.g. Burr-Brown op-amps, C0G capacitors up to 220N) for optimum audio performance.

Notes: ***B-STOCK: Box opened, but product is in excellent condition and in perfect working order***


ALM turn their hand to sequencing with the ASQ-1. Multiple modes allow you to sequence up to two CV/gate channels and four trigger outputs.

Supplier's Notes:
The ASQ-1 is a multi mode Eurorack sequencer. It can simultaneously sequence two CV/GATE and four trigger patterns, as well as perform synchronised quantisation of an external CV signal. Programming of all patterns is performed using familiar classic paradigms - SH101 style step-time note entry and classic drum machine pattern editing - with satisfying mechanical computer style keys.

Pattern position, step info, length and clock division settings are communicated via the keys and LEDs. Through simple key combinations, global and performance oriented features such as mutes, transposition and saving / loading patterns are available.

ASQ-1 is designed to be a simple, immediate sequencer ideally suited to quickly jamming out ideas, having happy accidents and performing live. It is intended to be a fun and hands on alternative to the many increasingly complex hardware sequencers out there.

Features
2x step time style CV/Gate sequencers. Think 'SH101' but more turbo.
4x drum machine style pattern sequencers.
1x Clock synced external hi-res CV quantiser.
Intuitive, immediate and fun performance orientated interface with great ASMR.
Internal or external clocking with optional internal division per pattern.
Independent poly rhythmical sequence lengths.
All patterns saveable and persist with state across power cycles.
USB-C port for easy drag and drop FW updates and backing up sequence data.
Skiff friendly with reverse power protection.
Made in England.

Technical Specifications:

Supply: +12V 50mA / -12V 10mA
Size: 32HP
Depth: 32mm
Outs: 0-5V 16 bit CV outputs, 5V Triggers

ASQ-1 pairs well with Pamela's NEW Workout, Squid Salmple and ALM's drum voice modules.

Notes: ***B-STOCK: Box opened, product in perfect working order***


Offspring from a noble house, the little synthesizer machine with the big and evil sound.

Waldorf is back in the game. With the Blofeld.

This synthesizer offers all the unique qualities that made Waldorf a truly legendary brand.

The engine inside the heavy duty, full metal chassis of the Blofeld delivers the same fat and rich sound that so many Waldorf users worldwide love when they play their pulse, Q, Q+, micro Q, microwave, microwave II/XT, or even the flagship wave.

Notes: ***B-STOCK: Box damaged, product in perfect working order***


Solid experimentalism at an excellent price, the vocoder-equipped version of Arturia's hybrid MicroFreak offers 14 digital oscillator options, analogue filters and 16 vocoder modes, plus a uniquely expressive polyphonic touch keyboard.

Supplier's Notes:
The uniquely unpredictable MicroFreak but not as you know it. 14 digital oscillator modes, velvety analog filters and heaps of modulation/randomization controls, supercharged with wild vocoding abilities.

The Vocoder engine

Arturia have created an entirely new 16-band mode to transform your voice in the Freakiest way possible. The vocoder engine features 3 waveforms - sawtooth, pulse width and noise - while the Tim-bre and Shape knobs adjust the response of the 16 frequency bands.

MicroFreak Vocoder Edition goes beyond robot vocals. 16 new presets give you instant access to android translations, crystalline harmonies and vibrant formant sequences galore. Connect an ex-ternal sound source like a drum machine or synth via the headphone socket for glitchy sound pro-cessing.

Step up to the mic

A simple, removable mic attachment that lets you sprinkle your voice into the mix. A gooseneck design means quick position adjustment, with easy connection straight into the headphone socket alongside your cans. The utility menu lets you set your preferred mic gain and noise gate settings.

A new dress code

First impressions make a difference. MicroFreak has always been out to make a statement, and the Vocoder Edition is no exception. The control panel has been given a makeover. The center strip boasts a bold new Swan graphic, while a sleek white finish makes this limited edition Freak stand out from the crowd - as if it didn't already.

The Freak within

Behind the revamped appearance and microphone attachment is the same lovable maniac that set the synth world spinning. Sparkling digital and wavetable oscillators collide with warm analog filters. A unique poly-after-touch PCB keyboard combines with a distinctly freaky arpeggiator & sequencer. Bathe your mix in sonic hysterics with the erratic mod matrix or the unique Spice & Dice randomizers.

Included Software: MIDI Control Center

Notes: ***B-STOCK: Box damaged, product in perfect working order***


8 independent 16-stage CV sequencers packed with performance features and presets makes the Voltage Block the ultimate CV tool. Create quantized or unquantized sequences for each output, record your modulation changes, tie sequences together, mute on the fly, randomize your outputs and so much more. The Voltage Block can be used stand-alone or pairs well with Varigate 4 and especially Varigate 8+ to share clocking and preset save/recall. All in 20hp.

Notes: As a LIVE musician, public presenter, or anyone else who's had to ensure their audience can hear them clearly, you've almost certainly run into the shortcomings of most portable live sound speaker systems. They're either too big and heavy to easily transport and set up, or they're small but don't offer the power, sound quality, and reliability you need for your most confident performances.

Push those concerns aside. Mackie's new FreePlay LIVE is the perfect personal PA for anyone who needs a lightweight and great-sounding solution for music performance and speech presentations with plenty of power on tap. It can run on either AC or battery power, with the built-in high-capacity rechargeable battery offering up to 15 hours of rich, powerful sound.

FreePlay LIVE is flexible, with inputs for your microphone, guitar, keyboard, or playback device. You can also stream music wirelessly from any Bluetooth enabled device. Plus, with the FreePlay Connect app, you get mobile freedom to control everything from levels to EQ for amazing sound in any situation and wirelessly link to a second FreePlay Series Bluetooth speaker for music playback.

So get ready to rock that coffeehouse. To host that open jam on the beach. To give that presentation to the sales team, or to lead that rally in the park. FreePlay LIVE gives you the freedom to be confident with your sound no matter where you go or what you do.

Notes: With Mantis, Tiptop took their years of experience with Eurorack to create a low-cost case that makes the Eurorack modular synthesizer look, work, and feel like a professional instrument. Mantis is an instrument that is at home on stage, touring, or in the center of the studio.

Mantis has two rows of 104HP for you to rack your modules. It comes fully powered and assembled, just drop in your modules and play.

Using its sophisticated leg mechanism, you can set it to three different positions: 0, 45, and 90 degrees.

Power Power and more Power! With Mantis, say bye-bye to the tedious, never-ending calculation of current consumption for the i12V power. Mantis comes with a juicy Zeus power supply that delivers plenty of power both now and for the future.

Mantis is beautiful and the color contrast between legs and body gives it its identity. Legs are offered in 4 different colors so anyone can find the right look.

Mantis comes with real Z-Rails made according to Eurorack enclosure standards. No sliding nuts or wrong spacing! It also has keyed power connectors to help protect your modules from damage from plugging the power in in reverse.

Using the optional bracket accessory Mantis can be doubled up to 416HP! Multiply your Mantis and watch your studio setup grow...

Weighing only 3kg/6.5lb, Mantis is so light, traveling has never been so relaxed.

The Dual Mantis Studio Brackets pair lets you connect two Mantis together in a robust and elegant solution. This setup is fixed and is recommend mainly for studio use. The brackets are cut precisely by laser from a sturdy metal and then coated twice for a nice smooth finish that matches the Mantis light gray color. They come with sixteen screws and special washers that help hold the screw in place during assembly and keep a tiny gap between the brackets and the Mantis. Installation is fairly simple and takes about 30 minutes to complete.

***UPDATE - MAY 2021 ***
As of May 2021, all Mantis cases shipped have a small update to the design. The connector for SyncBus is no longer included. This connector was never used as Tiptop didn't develop the cable for it, and the connector is no longer in production by the manufacturer so it was removed. The Mantis still has the same power supply and functions as before.

Notes: Deluxe version of the impressive iRig Pro Quattro features the same high-quality portable interface with the added bonus of a full complement of accessories, including mics and travel case.

Supplier's Notes:
***Note: This version of the iRig Pro Quattro I/O comes with 2 x Mic XY stereo microphones, foam windscreen, and a carry case. ***

Go pro all the way

For a little more, you get a lot with the iRig Pro Quattro I/O Deluxe edition. The value of the iRig XY stereo mic capsules alone is worth the upgrade. In addition to the pair of mics you'll get the optional power supply, which you can also use to keep your iOS device charged during extended sessions. Plus you'll get a custom carrying case to protect and transport your Quattro I/O and XY mics wherever your field work takes you.

Pro recording and performing, in the palm of your hand

iRig Pro Quattro I/O is a professional-quality 4 in / 2 out portable audio and MIDI interface packed with everything needed for field recording and content creation, for serious sound and flexibility - anywhere.

Small enough to fit in the palm of your hand, the iRig Pro Quattro I/O still packs in four high-quality, low-noise mic preamps; instrument, RCA and TRS inputs; plus XLR balanced, 3.5mm stereo and headphone outputs - and full MIDI I/O!

iRig Pro Quattro I/O works right out of the box with iPhone, iPad, Android, Mac and PC, but can also serve as a stand-alone mic preamp or line mixer, with a built-in limiter and direct monitoring so you're always guaranteed the perfect take.

Packed with a swiss-army-knife's worth of tools, iRig Pro Quattro I/O ensures you're ready for anything, anywhere.

As a mobile interface

Connected to a computer or mobile device, the iRig Pro Quattro I/O will work as a high-quality, multi-channel audio and MIDI interface with a full array of inputs and outputs so you'll always be prepared for any recording or need. Fully MFi-certified, no adaptors are required for iPhone or iPad for reliable field performance on any device.

As a broadcast / podcast interface

Enable STEREO mode and iRig Pro Quattro I/O mixes all sources down to stereo for streaming or recording. Monitoring is easy thanks to a dedicated headphone output with independent volume control and direct monitoring. Or use MONO mode for streaming to social media; Loopback lets you duet your favourite videos easily.

As a field recording interface

With an onboard microphone and optional stereo mic capsules, iRig Pro Quattro I/O turns your iPhone, iPad, Android device into a full-featured, professional field recorder.

As a stand-alone mixer

iRig Pro Quattro I/O also works as a preamp and mixer: just power it via battery, USB or DC IN and use the full set of inputs/outputs to capture and mix multiple sources to your DSLR camera with professional quality.

Always perfect recordings with the safety backup channels

In STEREO and MONO mode, inputs 3 and 4 can be used as safety channels: recording the same signal as input 1 and 2 but reduced by 12dB as a backup in case the sound source unexpectedly overloads the main channels.

Audio quality without compromise... wherever you are

Up to 24-bit, 96 kHz sample rate Ultra-low-noise mic preamps with full +48v phantom power Professional-quality, transparent A/D and D/A conversion Built-in limiter, for input 1-2, to protect against clipping Multitrack, stereo or mono internal mixdown.

Dimensions

Size: 160mm/6.29" x 90mm/3.54" x 40mm/1.57"
Weight: 340g/11.99oz (without batteries)
Cable length: 60cm/23.62"

Box contents

iRig Pro Quattro I/O
1/4" thread adapter
4x AA Batteries (alkaline)
iOS Lightning to mini-DIN cable
USB-A to mini-DIN cable
2.5mm jack to MIDI female adapter
2 iRig MIC XY stereo microphones
Windscreen
9V PSU
Travel case

Notes: The EP4000 builds on the incredible legacy of our EP2500, which is one of the best-selling power amps in the industry. Our proprietary Accelerated Transient Response (ATR) Technology gives the EP4000 the massive power reserves needed for deep and impactful bass response, which translates into a more natural sound quality that will bring your audience to its feet - and keep them there! With an amazing 4,000-Watts of output power (2 x 2,000 Watts @ 2 Ohms; 2 x 1,400 Watts @ 4 Ohms; 4,000 Watts @ 4 Ohms in Bridge mode), the EP4000 is the perfect amplifier for medium-sized club gigs, mobile PA systems, church services or public spaces.

The uber-simple front panel controls of these amps give you all of your sound's vital signs at a glance. After flipping the Main switch, the Power LED will light when the amp is ready for action. Both channels have independent gain dials as well as Clip LEDs that indicate when the signal is distorted and you need to reduce the gain. There are also Signal LEDs that light up when a signal is present at the input.

It takes huge pulses of energy (current and voltage) to propel a woofer cone fast enough to match a bass beat. That's called Transient Response and it's the holy grail of amp designers. By carefully selecting transistors with extremely high slew rates and optimizing other proprietary parts of our circuitry, the EP4000 reacts instantly to even the most demanding bass impulses. If the woofers in your PA system can keep up, your audience will hear a tighter, crisper, more natural sound.

The rear panel of every EUROPOWER EP4000 sports an array of options to help you get the most out of your amp. The built-in Clip Limiter automatically senses when the amplifier is being driven into "clipping" and momentarily reduces the input level to avoid distortion. This all happens in mere micro-seconds, making it the ideal way to ensure perfect sound all the time.

Stage vibrations, mic thumps and wind noise can cause ultra-low frequency sounds, or infrasonics - and while technically inaudible, they can be a real drain on power resources. As a solution, the EP4000 features a defeatable Low Cut Filter that eliminates frequencies below either 50 or 30 Hz (depending on your PA system's capabilities) - for better sonic performance, as well as the ultimate in loudspeaker protection. The rear panel also contains the Stereo or Bridge (mono) mode switches.

There are lots of awesome features on the outside of the EP4000, but this amplifier's beauty goes much more than just skin-deep. Inside you'll find industry-leading components, such as world-class Toshiba/Fairchild power transistors, and a custom-designed, high-current toroidal transformer for ultra-high transient response and further reliability. Independent DC and thermal overload protection on each channel automatically protects both the amplifier and your speakers. The exhaust fan, visible on the back panel, is the final stage of an internal back-to-front cooling system that keeps the comfortably EP4000 within its normal operating range. Finally, an impact-resistant, all-steel 2U rack-mount chassis protects your investment from the rigors of the road.

Notes: The main unit has a media player with options for playback from USB stick, SD card, Bluetooth or a slot fed disc player for CD and DVD. A pair of UHF handheld microphones are included in addition to 2 inputs for wired microphones with a built-in echo effect for vocalists and a VCV control enables mic priority over music. Operated from mains power or the internal rechargeable battery, the main unit also powers the passive satellite cabinet. Line input, output and composite video output offer easy connection to other equipment for expanded AV systems. A comprehensive multi-functional system for leisure, teaching and performances.

In the box:

- PAV8 main unit
- 8" satellite speaker
- 2 x UHF handheld microphones
- 4 x AA batteries
- IR remote control
- 1 x speaker jack cable
- Securing strap
- 15Vdc 3A power supply & IEC lead(s)

Notes: *** B-STOCK: Box opened, but product is in excellent condition and in perfect working order ***


Another cracker from Xaoc, the Timiszoara is a take on digital multi-effects with stereo in and out, an intuitive interface and CV control of effect parameters. Big power with 176 factory programs.

Supplier's Notes:
Timiszoara is a stereo, Eurorack compatible, voltage-controlled multi-effect signal processor based on the popular Spin Semiconductor FV-1 DSP chip. It features a full stereo signal path with two adjustable audio inputs, two outputs, and a stereo voltage-controlled wet/dry mixer. In addition, there is a microSD memory card slot on the front panel that allows for loading factory and custom effects without any restrictions or copyright protection, which means you can use many effects available on the Internet and even create your own.

Effect programs are organized in banks of 8 and can be selected using a rotary encoder, as well as CV and trigger signals. Timiszoara features a crisp OLED screen that displays the program parameters and its name. It also facilitates navigating the list of banks. Up to three parameters per effect can be controlled from the front panel with illuminated slider potentiometers and dedicated CV inputs.

Xaoc Devices have prepared quite a few banks of algorithms (176 in total) that cover most effects needs: delays, reverbs, filters, modulation effects (such as choruses and flangers), pitch shifters, and, of course, shimmers (no multi-effects unit would be complete without its share of those). However, Xaoc Devices wanted to ensure that users had access to some more adventurous programs, so some special banks have been created to allow you to take a walk on the wild side.

For detailed description, please refer to the manual.

Technical details:

10hp, skiff friendly
Current draw: +120/-45 mA
Reverse power protection

Notes: The NT5 matched pairs are a masterpiece of small-diaphragm cardioid-condenser microphone design.

Intended for recording acoustic instruments, drum overheads, cymbals and live performances, the compact externally polarized mic employs a 1/2" capsule, an active J-FET impedance converter with bipolar output buffer.

Finished in durable satin nickel, the NT5 is intended for either single or stereo X/Y mic set-ups. The NT5 matched pairs comes supplied in a custom carry case with windshields and mounts.

NT5 - Matched Pair Box Contains :

As of 2022, the updated packaging is made from engineered cardboard instead of foam or plastic blister, making it more environmentally friendly, and they all share a unified look to further enhance brand consistency.

RODE have also made a change to the box contents removing the hard cases and including a zip case instead. This has meant that the new dimensions of the packaging are significantly smaller than the original packaging.

2 x NT5
2 x RM5 (mic clip)
2 x WS5 (windshield)
1 x ZP1 (zip pouch)

Notes: More affordable than the flagship X8 but still offering exceptional sound quality, the X6 is a handheld recorder for every purpose, with built-in mics or XLR inputs, 96-kHz/32-bit resolution and smartphone-style touchscreen control.

Supplier's Notes:
Advanced recording technology, yet simple to use!

Capturing high-resolution audio is easy with the Portacapture X6. The intuitive app-like operation on its large colour touchscreen makes it easy to record or sweeten up your audio in post-processing. Record using the two built-in microphones or plug in your own mics to its two XLR inputs. The recording quality on the Portacapture X6 will be your secret advantage. Its 96-kHz/32-bit floating-point recording technology means that you can capture audio softer or louder than ideal, assuring that you will never miss that moment.

Six different recording apps to choose from

Manual: This is the main app for multi-track recording of up to six audio sources and a stereo mix (2-mix).
Voice: This recording app is ideal for capturing interviews, dictation and meetings.
Podcast: Use this for podcast creation with up to four people.
Music: Choose this app for capturing instrumental and vocal performances.
Field: Ideal for recording nature sounds outdoors.
ASMR: The screen visual effect changes in response to the input sound.

App-like operation
Quickly access your settings and adjustments on the Portacapture X6's large (2.4-inch) colour touchscreen. With the easy-to-navigate interface and helpful tools, you are just a few taps from the perfect setting for your needs. Use the Launcher to select from podcast, music, interviews, field recording and real 6-track recording. Start fast, start right and get exactly what you need.

Audio for video production

When shooting a video, you want to be able to focus on your video production and not worry about your audio. The Portacapture X6 was built with video production in mind. The workflow, presets and user settings save you countless steps. The X6 has your back with its 96 kHz/32-bit float recording technology. Not only does this mean you will have the highest quality audio, but you will have a dynamic range that allows you to overcome those less-than-ideal realities that can often occur on a shoot.

The X6 even gives you a timecode sync option* via Bluetooth (with optional AK-BT1) allowing you to align your audio with your video, even when you have no audio on your camera. Upgrade your audio and reduce your worries with your own Portacapture X6.

Record your way

The Portacapture X6 is ready to record with a few quick taps. The internal high-quality stereo microphones can instantly be rotated from A-B to a true X-Y mic pattern to allow for dialogue or spatial music recording. Have your own mics? Use those thanks to the two included XLR inputs which can also handle line level sources.

The mic preamplifiers are Tascam HDDA (High Definition Discrete Architecture) - providing ultra-low noise and clean transparent audio based on more than 50 years of Tascam know-how.

Record six tracks (four individual track plus stereo mix) simultaneously and even use the X6 as your 6-in/2-out USB audio interface to connect to your computer.

Capture every bit

It would be great if every time you need to capture audio, everything is perfect. Not too loud, not too soft. Of course that is not the reality for most of us. Sometimes a voice or sound will be really soft and in other cases it is blasting. Even in these extremes, you are expected to capture the sound and deliver well-finished audio.

The 32-bit floating point recording technology in the Portacapture X6 gives you a much lower floor and higher ceiling for sound material. The result is that your recording can capture everything from the quietest rustle to the loudest spectacle.

Control the recorder from your phone (with optional Bluetooth adapter)

In those cases where you want to put your audio recorder in one place and operate it from another, the X6 has you covered. With the AK-BT1 Bluetooth adapter (sold separately) and the free Portacapture Control app, it's easy to remote control your X6 wirelessly from your smartphone or tablet.

Imagine the possibilities!

Ready-to-publish audio anywhere

With the Portacapture X6, your audio is ready to share. Built-in signal processing, including a compressor, limiter, high-pass filter, EQ and reverb, adds that studio polish.

Whether you need to tame the wind when recording outside or want to add the ambiance of reverb to your vocals, the X6 has you covered. From smoothing out your input to preventing extreme peaks or eliminating plosives in dialogue, you can count on the Portacapture X6.

Specifications

Recorder specifications

Recording media: microSD card (64 MB - 2 GB), microSDHC card (4-32 GB), microSDXC card (48-512 GB)
Recording/playback formats: WAV (BWF): 44.1/48/96 kHz, 16/24 bit or 32 bit float, MP3: 44.1/48kHz, 128/192/256/320 kbit/s
Input channels: 4 (maximum)
Recording tracks: 6 (4 tracks + stereo mix)

Analogue audio inputs

Mic inputs 3-4 (balanced): XLR-3-31 equivalent (1: GND, 2: HOT, 3: COLD), 6.3-mm TRS jacks (Tip: HOT, Ring: COLD, Sleeve: GND)
(phantom power over XLR only)
Input impedance: +/-2.2 kO
Maximum input level: +2 dBu
Minimum input level: -75 dBu
Line inputs 3-4: XLR-3-31 equivalent (1: GND, 2: HOT, 3: COLD), 6.3-mm TRS jacks (Tip: HOT, Ring: COLD, Sleeve: GND)
Input impedance: +/-9 kO
Maximum input level: +24 dBu
Minimum input level: -53 dBu
MIC/EXT IN (unbalanced): 3.5-mm mini jack (supports plug-in power)
Input impedance: 10 kO (plug-in power off), 1.8 kO (plug-in power on)
Maximum input level: 0 dBV
Minimum input level: -67 dBV

Analogue audio outputs

Line output (LINE OUT, unbalanced): 3.5-mm stereo mini jack
Output impedance: 200 O
Nominal output level: -14 dBV
Maximum output level: +6 dBV
Headphones output: 3.5-mm stereo mini jack
Maximum output: 45 mW + 45 mW (THD+N: =0.1%, 32 O load)
Built-in speaker: 0.4 W (mono)

Control inputs/outputs

USB port: USB Type-C connector
Format: USB 2.0 High Speed mass storage class
Bluetooth device connector: For Bluetooth adapter (AK-BT1) only

Audio performance

Equivalent input noise (EIN, mic inputs 3-4) =-125 dBu
Frequency response (inputs 3-4 to PCM data): Fs 48 kHz: 20 Hz - 20 kHz, +0/-0.3 dB (JEITA), Fs 96 kHz: 20 Hz - 40 kHz, +0/-0.7 dB (JEITA)

Dynamic range (20 kHz SPCL LPF, A-weighted, Field app)
Inputs 3-4 to PCM data: -112 dB (48/96 kHz)

S/N ratio (20 kHz SPCL LPF, A-weighted)
Inputs 3-4 : 112 dB (48/96 kHz)
MIC/EXT IN: 103 dB (48 kHz), 105 dB (96 kHz)
Total harmonic distortion ratio (THD+N, 1 kHz sine wave, -5 dBFS at input, GAIN at minimum, 20 kHz SPCL LPF)
Inputs 3-4 (LINE IN) to PCM data: 0.008 %
Inputs 3-4 (MIC IN) to PCM data: 0.006 %

Power supply and other specifications

Power supply: 4 AA batteries (alkaline, Ni-MH or lithium-ion)
USB bus power from a computer
AC adapter (TASCAM PS-P520U, sold separately)
Power consumption 7.5 W (maximum)
Display: 2.4-inch full-colour LCD touchscreen
Dimensions (W × H × D): 75 mm × 174 mm × 37 mm (excluding protrusions)
Weight: 365 g (with batteries) / 265 g (without batteries)
Operating temperature range: 0-40 -C

Notes: The Chord Machine 2 is composed of a chord generator, an arpeggiator and a quantizer. The module creates up to five voices out of one incoming CV signal. They can be spread over a range of eight octaves. 42 preset plus 16 user chords with up to four voices are available for musical experiments. Additionally, they can be switched between first, second and third inversion. All in all, users get access to 232 chords, which are playable within 54 preset and 15 user scales. Transpositions can be done via a CV input.

The fifth voice of the Chord Machine 2 is meant for arpeggios, which can run in several directions and octave ranges. Alternatively, this channel is usable as a quantizer. Setups can be saved in extensive song lists.

Current consumption: ca. + 140mA / - 20mA
Size: Euro rack format 3U / 12HP 60,2x128,5mm

Notes: Top-of-the-range model in Keeley's legendary line of compressor pedals. True studio-quality compression in a convenient pedal format, suitable for guitars, synths, drums or even vocals.

Supplier's Notes:

Keeley Compressor Pro. The stomp-box sized compressor/limiter is made in Oklahoma, USA and engineered to be an indispensable tool for your musical endeavors. It is in no way limited to be used with only guitar. It has been designed to work as a studio compressor accepting any range of inputs and a frequency response and noise level matching the finest compressors made.

Compression LED Display:
Segment LED display for fast and accurate metering of compression and gain reduction. Gain Reduction Levels of -1dB to -20dB are indicated.

Threshold LED Indicator:
Bi-Color LED to indicate when compression is initiated and released.

Exact RMS Analysis (ERA):
Senses the true RMS value of the input program material such as your guitar, bass or drum machine.

Hard/Soft Knee Compression - Hard Compression for limiting or adding sustain, soft knee or Komfort Kompression for gentle compression, keeping performances lively and natural sounding without potential phase issues in parallel, or blending style compression.
Auto Mode - Program dependent Attack and Release times. Set to Auto ON for worry-free performance and automatic Attack and Release times.
True-Bypass - No tone or signal loss when OFF

The Keeley Compressor Pro is designed to be used at home or in the studio for creating full sounding recordings of any instrument. In live situations, the Compressor Pro can be used to achieve full sounding, polished performances as well as protect amplifiers and speakers from overload. The Comp Pro is designed to work with any instrument from voice and guitar to keyboard, bass, or drums. Use it when creating a podcast or YouTube videos to maintain professional performance levels. Use it around the home to create tons of sustain while at low volumes or low gain settings!

Notes: The Arpopone from LepLoop is a little synthesizer for generating a melody or bass line and a chord section at the same time. It is based on analog ramp dividers of which each one generates a voltage ramp starting from a master clock that can be internal or external.

Trig1 and Trig2 potentiometers set the number of clock pulses.

With the Trig Mix switch it is possible to select between a single trigger (1 or 2) or both (1+2) to advance the scales.

The Scale Step potentiometer sets the number of steps for the two scale generators.
In the mixer section, the two scales are summed together to obtain a more complex pattern. The amount of each scale can be set by two controls and can be positive (ascending scale) or negative (descending scale).

With the VCO Pitch knob, the melody can be transposed while maintaining the same interval between notes.

The note generated by the VCO is fed to a chain of dividers to obtain four sub harmonics of the original note. One of these is the bass section with its own filter and envelope, the other three form the chord section with their envelope.

The two envelope sections are identical, both have a selector for different trigger sources:

Trig1 & Trig2: The envelope starts at the flash of the green LED (bass) or yellow LED (chord)
SB1 & SB2: The envelope starts at the first step of Scale1 (bass) or Scale2 (chord)
White & Blue: The envelope follows the intensity of the white LED (bass) or the blue LED (chord). Except for this setting the envelope length is set by the two controls Bass ENV and Chord ENV. Additionally, an EXT CV input allows to provide an external envelope.
The bass channel is passed through a resonant low-pass filter with Cutoff and Resonance control.

Finally the Bass and Chord channels are mixed together. The output level is set by the Bass LEV and Chord LEV controls.

Two outputs jacks are available: the mono OUT jack on the back panel and the STEREO jack on the front panel, useful for listening with headphones and for separate channel output.

Notes: Moonwalker is a versatile signal generator that performs as an envelope, lfo, and audio oscillator, with attack and decay time controls

Phase offset is continuously variable from 0 to 360° and inverts the waveform without changing it’s amplitude, and with or without changing it's polarity.

Unipolar mode preserves the output range by offsetting the starting voltage, so it always stays between 0 and +10v

Bipolar mode preserves the starting voltage by offsetting the output range, so it always starts at 0v. The output range will shift from +unipolar, through +bipolar, to -unipolar, through -bipolar back to +unipolar.

The reference waveform does not change phase, but the timing of the rate change between Attack and Decay shift with the phase offset, to ensure synchronous movement.

The phase offset output is half-normalled to the phase offset cv input and skews the waveform from triangle to saw or ramp without changing frequency (when attack = decay).

Dimensions
10 HP
39 mm deep

Current Draw
110 mA +12V
80 mA -12V
0 mA 5V

Notes: Gorgeous stereo implementation of the classic frequency shifter sound, moving from tonal harmonics to atonal disharmony effortlessly. Separate outputs for down and up shifts, plus plenty of CV control.

Supplier's Notes:
Koszalin is a full stereo frequency shifter with two inputs and four outputs. If offers simultaneous exponential and linear through-zero control of the amount of frequency shift in 3 carefully scaled ranges (up to +/- 5kHz). Frequency shifting results in linear translation of signal spectrum producing all kinds of atonal sounds. It should not be confused with frequency scaling, also known as pitch shifting. Several stereo feedback topologies are offered with additional density control besides feedback depth, which results in spectacular stereo barberpole effects.

Through-zero modulation allows for using Koszalin's input as an FM operator. Koszalin is a digital module with a DSP behind an analog interface.

Main features:

full stereo frequency shifting
3 shift ranges: +/- 50Hz / 500Hz / 5kHz
exponential and linear through-zero inputs
internal feedback under voltage control.
10HP
12V: 140mA / -12V: 30mA

Notes: ***B-STOCK: Dent on the side, product in perfect working order***


The Shaped Dual EnvVCA is a two-channel analogue envelope generator with waveshapers and a stereo linear VCA. Unlike conventional analogue envelope modules, the waveform of each envelope can be controlled with a slider or CV without changing the envelope timing. With a wide time range from an hour to 2.5kHz, and a plethora of CV inputs and attenuverters, it can be used as an LFO, audio-rate oscillator, slew limiter, waveshaper, ASR/ADSR/complex EG, independent audio/CV VCA, envelope follower, sidechain processor, and general utility module. Each channel has dedicated linear outputs plus attenuverters and offset controls for the variable waveshape outputs, making it an ideal modulation source and stereo VCA.

100% analogue

Shaped Dual EnvVCA

20HP Eurorack format module
0.95" (24mm) maximum depth (includes power cable)
10-pin Eurorack power header

Power consumption
+12V: 255mA
-12V: 230mA

Audio/VCA
100k input impedance, 1k output impedance, DC-coupled
VCA gain range: -90dB to +2.0dB, linear response to CV from 0V to 5V
VCA unity gain: 4.4V CV
DC to 20kHz, +/-0.1dB

Envelope Times
Minimum rise or fall time: ~200us per segment (2.5kHz max frequency)
Maximum rise time: >20 minutes (typically > 40 minutes)
Maximum fall time: >12 minutes (typically > 20 minutes)

Jacks:
Env jack: Min = -10.2V, Max = +10.1V, maximum amplitude 9.3Vpp
Trigger jack: rising edge threshold = 1.25V
Follow jack: active range = 0V to +5V

EO* jacks:
EOR (channel A): <80mV low to >4.50V high gate output
EOF (channel B): <80mV low to >4.95V high gate output
Minimum stable pulse width: 1ms. Shorter than this may produce extra 50us pulses
Audio In/Out jacks: -10V to +10V maximum range without clipping

Notes: The compact new Fostex PM0.5d is a successor of the to the popular PM0.5n.

Driven by new high efficiency 35W (LF) and 23W (HF) high efficiency digital amplifier and with completely re-designed woofer and tweeter drivers, this attractive bookshelf speaker is set to be every bit as successful as its predecessor.

Notes: The RS-95N oscillator is a premium, british sounding VCO with waveshaping possiblities. It has a new front panel design with elongated holes.

It is based on the RS-90 but has more features, predominantly a very special sine wave.

The RS-95N presented here is technically identical but instead a normal frequency control it features a gorgeous, lockable potentiometer with ten turns. This allows precise fine tune control and adds the look of an EMS synthesiser to the VCO.

The module has three audio outputs: pulse, triangle and sine.

The upper shape control affects the pulse width. The lower shape control not only morphs from a falling sawtooth over triangle to a rising saw (or ramp) but simultaneously alters the sine wave and produces a kind of smoothed, softer sawtooth. Additionally the saw/sine output is a CV-INPUT for the symmetry of the sine. Very extraordinary feature that all are voltage controllable.

The oscillator sync is "soft" and not only reacts to square waves but works with all waveforms.

The frequency control has three switchable modes:

STD (standard) with a range of two octaves.
2 is two octaves lower than STD.
WIDE mode gives a range from 0.3 Hz - 17kHz and thus allows use of the RS-95 as VC-LFO with waveshaping options!
The "vary" control not only attenuates but also can amplify the pitch CV. It controls linearly from 0V over 1V/oct to 0.4 V/oct.

Notes: Part performance mixer, part utility module, with 4 channels of VCA, summed to a stereo output, Tannhauser Gates is AFA's first stereo module.

Based loosely on the Buchla 100 series Gates, each channel boasts a discrete VCA with a rich overdrive sound, stereo panning, a tilt EQ and an easily accessible mute switch. Each channel can be used individually as a mono track or all four can be summed down to the stereo output. The four channels have an individual CV input, or they can all be controlled via the master CV input. The Tannhauser Gates also hosts the capability for a stereo send and return path, expanding your sonic arsenal to other processing modules.

Tannhauser Gates is designed with future expansion in mind. Adding up to three more Tannhauser Gates modules, it is possible to build a performance mixer system of up to 16 channels, all summed to a single output module. The back side of the module is equipped with a number of expansion headers.

Power consumption: 146mA at +12 V and 94mA at -12 V
Depth: 34mm
HP : 20

Notes: Updated to version 6, Presonus's innovative DAW just keeps getting better. New features include Smart Templates, online collaboration via Sphere Workspaces, customisable toolbars and new native plug-ins.

Supplier's Notes:
Your creative partner for end-to-end production, Studio One has everything you need to bring your inspiration to life. Studio One is the only audio production software that provides a complete integrated experience for recording, production, composing, mixing, mastering, and performing.

Studio One's pioneering drag-and-drop workflow makes it highly intuitive and fast to use. Laborious tasks like vocal comping and drum replacement are as easy as drag and drop. Smart Templates make it easy to get started with streamlined workflows and helpful guided tutorials. Use the new Customization Editor to select just the tools and functions you need for the task at hand, simplifying the user interface so you can focus and work faster than ever.

Only Studio One features harmonic editing for both audio and MIDI. Experiment with new chord progressions until your next hit song comes to life - no music theory degree required. From pop ballads to rap anthems, the Chord Track is a producer's dream come true. Quickly create beats with advanced pattern editing, flexible samplers, and live looping. Remix complete songs with the Arranger Track and Scratch Pads.

Go from the studio to the stage or stream with the Show Page. Design a complete show by creating a Setlist using songs you're already created in Studio One, incorporating a mix of live instruments, pre-recorded tracks, and virtual instruments.

Assemble your album and get mastering with Studio One Projects. Only Studio One Professional links Songs with mastering projects, so you can update mixes as needed without losing fades, automation, Clip Gain edits, or any other mastering work.

Designed with ease of use at its core, Studio One seamlessly moves with you from initial inspiration to full production, final mix to mastered album, digital release to live production... and lets you truly create without boundaries.

What's new in Version 6:

Customizable user interface. Show or hide essentially every user interface tool and function with the new Customization Editor.
Smart Templates. Smart Templates provide essential toolsets for the tasks at hand from basic recording to mixing stems, mastering an album to setting up a live show.
Global Lyrics Support. Add lyrics to your scores, songs, productions, and live performances with the all-new global Lyrics Track!
Global Video Track. The all-new global Video Track provides an intuitive video workflow thanks to the familiar drag and drop functionality that made Studio One famous.
Track Presets. Store every aspect of a given track or channel for instant recall, even for multiple selected tracks/channels.
Advanced Collaboration with PreSonus Sphere. Studio One 6 deepens the integration between your desktop application and your PreSonus Sphere Workspaces with convenient sharing options and built-in sync options right from the Studio One Browser.

Tech Specs

Computer System Requirements

Studio Oner is a 64-bit, cross-platform DAW. While we make every effort to ensure Studio One will run well on the widest variety of computers possible, please read these specifications carefully to determine compatibility with your system.

Windows

Windows 10 (64-bit only)
Intelr Core i3/AMD A10 processor or better
4 GB RAM minimum (8 GB or more recommended)

macOS

macOSr 10.14 or higher (64-bit only)
Intelr Core i3 or better
4 GB RAM minimum (8 GB or more recommended)

All Computer Systems

Internet connection (needed for installation and activation)
Monitor with 1366 x768 resolution (Retina display recommended)
Multi-touch enabled monitor with TUIO support is required for touch operation

Content Storage

40 GB free hard drive space (Studio One Professional)
20 GB free hard drive space (Studio One Artist)
2.5 GB free hard-drive space (Studio One Prime)

Notes: The SSL 2521 Segwencer™ 2.0 Euro module is an updated version of Syntehtic Sound Labs' popular 2520 with improved circuitry, simple panel graphics and only 8 HP width - and is indeed in a class of its own. The name derives from the audio term "segue" (fading from one sound to another), and the synth term "sequence" (moving from one point / sound to another), and once combined, there is a synergy that blasts these concepts into a totally new way of morphing sounds, textures and even control voltages.

Before we go any further, a bit of explanation is probably in order. If you know a bit about pipe organ history, you know that a "crescendo" pedal is not a simple volume control. Pipe organs can control volume by opening and closing louvers in front of the pipes (called "swell"), but can't really control brightness / timbre. A crescendo can add the perception of brightness and impact by adding more "ranks". This is typically done with a separate pedal that the artist moves forward to bring in brighter and louder sounds. On a pipe organ, the mechanics of this are fairly straight-forward but technically complex. As the artist goes from soft to loud with the crescendo pedal, several "switches" are sequentially engaged. Each successive switch causes a new pipe rank to sound, therefore it becomes increasingly fuller with each stage of the crescendo pedal.

So, what is the SSL Segwencer? In a typical Voltage Controlled studio environment, a control voltage is fed to the "Depth" input which (through an on-board attenuator) controls which of the four Segwencer channels is active based on the input voltage. Each channel of the Segwencer has a separate built in VCA (DC coupled!) input and output, as well as a convenient Mix output that can frequently save a mixer.

By this description, you might think that the Segwencer harshly "switches" from channel to channel - which is not in itself a bad thing. Here is where the Segwencer really shines.

The Segwencer has a "Width" panel control that literally softens the progressive transitions between the channels. So YOU have complete control over the transition of the "switch" point between the channels, and the "softness" of how that channel switches. Really cool!

Obviously, using a voltage pedal could emulate the actions of a crescendo pedal, but how about feeding the Depth input with an envelope generator? What about an LFO, or even keyboard velocity voltages. And since the VCAs are DC coupled, imagine possibilities of Segwencing control voltages, or even CVs AND audio in the same segwence? The combinations are staggering.

Imagine taking each basic waveform from a VCO into each input of the Segwencer and having the Segwencer smoothly blend the waves? Or how about a sine wave into channel "A" out to a audio mixer, an LFO into channel "B" out to the VCOs CV input, and a wavefolded sine into channel "C" out to the audio mixer? Result: Sine, to FM modulated sine, to distorted sine.

The VCA inputs are conveniently normalized, so - How about a voltage controlled quad panner with each output going to a separate speaker? Or maybe three or four VCOs in a musical chord (or discord if that floats your boat), each into a separate Segwencer input, with the Segwencer "Mix" output as audio? Result: Think about it.

You'll probably find youself using at least one Segwencer for just about every patch!

Specifications
Controls
- Width
- Depth CV Amount
- Peaks / Slope selection switch

Inputs
- 4 DC Coupled Linear VCAs
- Depth CV

Outputs
- 4 DC Coupled Linear VCAs
- 1 DC Coupled Mix output

Indicators
- 4 Channel Activity LEDs (Red)

Power
+15V at..ma, -15V at..ma, 16pin Eurorack header.

Size
Width - 8HP
Depth - <45mm (1.5") behind panel

Notes: The SSL 2611 V-Gates 2.0 is an updated version of Synthetic Sound Labs' popular 2610 with improved circuitry, simple panel graphics and only 8 HP width. It sports a powerful combination of features for your clocking and gating pleasure. In fact, there are well over 300 variations of gates, functions and modes. And many of these functions can be voltage controlled!

Analogue knobs on a digital gate?
Absolutely! You bet! Although knobs might seem to make more sense for analogue, with digital functions the knobs actually allow very versatile selections of what Synthetic Sound Labs call "Sub-Functions". These sub-functions allow you to adjust how the gate outputs react with the input clock, among other things.

Modes, functions and sub-functions
The 2611 has two Modes - analogue & digital - each with three Functions. Functions (and sub-functions) allow control over how the outputs respond to the input. Sub-functions in digital mode, allow the outputs to selectively follow the input pulse width and control up/down actions.

Sub-functions in analogue mode, controls the number of outputs affected by the input CV. In Analog mode, the 2611 follows an input control voltage (CV) to produce unique combinations of output gate signals. Binary, Step and Slope functions are available. A clock output is available that produces a 1 millisecond (ms) pulse for each change of output state.

In Digital mode, the outputs change in step with the input clock. Binary, Step and Random functions are available. This makes the 2610 very useful in creating rhythmic patterns, as well as random (no patterns) outputs. The outputs respond from DC to about 400 Hz.

Diffused red LEDs display the output states. The Initial and external CV input controls respond linearly. Knobs are conveniently placed to allow ample room for manual adjustment. Top quality 1/8" jacks permit smooth, effortless patching. Quality, solder masked, fiberglass-epoxy printed circuit boards with precision computer controlled part placement and meticulous hand-crafted assembly assure years of trouble-free service.

Specifications


Controls
-Initial CV (analogue) / Function Controls (digital)
-External CV Amount
-Mode Selector: Analog / Digital
-Function: Binary, Step, Slope (analogue) / Binary, Step, Random (digital)

Inputs
- Reset (digital) / CV In (analogue); 0 to +5V
- Clock In (digital); 0 to +5V

Outputs
- Clock Out (analogue); 0 to +5V
- Step (Stage) outputs - x8; 0 to +5V

Indicators
- Step (Stage) LEDs (Soft Red) - x8

Frequency Range
DC to ~400Hz - (At rates greater than about 60Hz, jitter is more apparent)

Power
+12V @ 21 ma, -12V @ 3 ma
10 pin Euro standard connector.

Size
Width - 8 HP (Euro rack)
Depth - < 33mm (1.25") behind panel Skiff ready


(Due to continual product improvements, specifications are subject to change without notice.)

Notes: Upgraded Pro version of the outstanding FX Aid multi-effects module. 200 onboard stereo effects, customisable via an online app, with added CV inputs and even more physical controls. Superb.

Supplier's Notes:
FX AID Pro:

OLED screen shows current effect's number, name and its three parameters

200 onboard effects which can be arranged in any order via the online editor https://fxaid.app/pro

Instant switching of the effects or seek then activate option

Stereo input level control

SRR input can also be routed to parameters 1-3 or effect selection

Advanced internal lfo which can be routed to the Sample Rate, parameters 1-3 or effect selection

Manual control of the Sample Rate with one click for default position

10 user storable presets with handy indicator lines for each stored parameter

Screensaver with 1, 10, 30, 60 minutes options

Easy update by playing wav file, level indicator for proper volumes matching

Notes: All analogue sonic recreations of 5 legendary fuzz circuits plus a future classic combination.

For this limited run of our Constellation Fuzz we carefully hand-select NOS germanium CV7003 transistors (military spec OC44) made in the UK by Texas Instruments in 1968.

Each pedal is built by hand, one at a time in our workshop in Athens, Greece and comes in a beautiful laser-etched aluminum enclosure and natural stained wooden box.

Voicings:

FF: a tribute to the most copied fuzz circuit.
VTB: inspired by the Italian made fuzz circuit
3/2: voiced after the mythical circuit knows as mk1.5
2: the soaring gain 3-transistor fuzz circuit
RM: a treble booster as close as it gets to the real thing
RMFF: a tailor made RM into a FF

Note: Constellation CV7003 requires a centre negative power supply for proper operation ( - centre, + ring ). It is a positive ground circuit. Do not use a daisy chain power supply with negative ground effects. Please make sure to use an isolated power supply output!


Note: Constellation CV7003 requires a center negative power supply for proper operation ( - center, + ring ). It is a positive ground circuit. Do not use a daisy chain power supply with negative ground effects. Please make sure to use an isolated power supply output !

Notes: Zadar is a powerful, four-channel envelope, modulation, and transient generator, in a compact yet very complete, feature-rich package. It is capable of synthesising a vast palette of envelope shapes starting from hundreds of shapes stored in the memory. These starting shapes are not mere wavetables, but flexible vectors that can be stretched (from a fraction of a millisecond to half an hour), flipped, warped, distorted, delayed, shuffled, repeated, and amplitude modulated in real time. A set of freely assignable CV inputs allows for external control of most parameters. Each channel can work independently or combined with other channels within one of the chaining and looping algorithms.

Operating Zadar is quick and immediate, thanks to its accessible interface and crisp OLED display. The main screen displays all parameters together with the currently selected shape. Entering the simple 3-page menu is needed only for advanced settings.