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Notes: An audio filter in a tiny package! A blend between Mystic Circuits' "AND - gate" and their "Vactrol Low Pass Gate" circuits, the cutoff frequency can be modulated at audio rate. It also features a voltage controlled clipping circuit which allows for further wave shaping. The response of this circuit is much faster than that of the Vactrol Low Pass Gate, so it will react to very plucky envelopes and even triggers.

Whether you need some extra utilities for your studio behemoth or you need to save space on the road, 0HP gives you options. Mystic Circuits' modules come as a small circuit board mounted to a colorful piece of laser cut plexiglass, with a small chance to get one of their fabulous rare colors. With a robust line of modules planned in the future, full DIY kits and an open hardware license we aim to make modular synthesis accessible and fun for the veteran and new user alike.

Notes: WAYOUT8 is a patchbay module for Eurorack systems used to group your DAW inputs and outputs, or manage signals going from one case to another. Wayout8 is grounded, meaning that even if nothing is plugged into the inputs your outputs are still grounded and will not pick up noise. The module is made so it can be mounted two ways, with outputs on the left or right, whichever is the most ergonomic placement in your case. All eight channels are passive so they do not modify your signals and can be used for audio and CV Gate. No power is required.

Size: 6HP
Depth: 10mm
No Power Required

Notes: The UDG Ultimate Audio Cable, the perfect solution for the professional DJ/Producer looking for high-quality sound and reliable performance. Designed with your needs in mind, this 1/4" audio cable features low loss and a neutral tone, ensuring that your music is delivered exactly as it should be heard. The UDG signature shielding ensures a dead-silent background, so you can concentrate on what matters most - your performance.

The UDG Ultimate Audio Cable is built to last, with superior flexible PVC cable construction and dual gold contact 1/4" male plug connectors. These connectors provide smooth connections and prevent corrosion, ensuring that your cables will last gig after gig. The Velcro cable strap and UDG branding on the cable ends validate that you're using an official UDG product.

Don't compromise on sound quality or reliability - upgrade to the UDG Ultimate Audio Cable today. Experience professional performance at its best, with a cable that's designed to meet the demands of the modern DJ/Producer.

Features

Audio Optimized Dual 1/4" Male to Dual 1/4" Male cable
Constructed with corrosion-resistant, gold-plated connectors for optimal signal
High-quality multi-shielded PVC audio cable
Two strain reliefs: adjust the cable separation to fit your needs
Includes UDG Velcro strap for easy storage
Ergonomic UDG Design
Various colors make them easy to identify
Available Colors: Black, Green, Light Blue, Orange, Red, White & Yellow

Notes: The UDG Ultimate Audio Cable, the perfect solution for the professional DJ/Producer looking for high-quality sound and reliable performance. Designed with your needs in mind, this 1/4" audio cable features low loss and a neutral tone, ensuring that your music is delivered exactly as it should be heard. The UDG signature shielding ensures a dead-silent background, so you can concentrate on what matters most - your performance.

The UDG Ultimate Audio Cable is built to last, with superior flexible PVC cable construction and dual gold contact 1/4" male plug connectors. These connectors provide smooth connections and prevent corrosion, ensuring that your cables will last gig after gig. The Velcro cable strap and UDG branding on the cable ends validate that you're using an official UDG product.

Don't compromise on sound quality or reliability - upgrade to the UDG Ultimate Audio Cable today. Experience professional performance at its best, with a cable that's designed to meet the demands of the modern DJ/Producer.

Features

Audio Optimized Dual 1/4" Male to Dual 1/4" Male cable
Constructed with corrosion-resistant, gold-plated connectors for optimal signal
High-quality multi-shielded PVC audio cable
Two strain reliefs: adjust the cable separation to fit your needs
Includes UDG Velcro strap for easy storage
Ergonomic UDG Design
Various colours make them easy to identify
Available Colours: Black, Green, Light Blue, Orange, Red, White & Yellow

Notes: Dual Oak Veneer stand for the Roland Aira Compact Range S1, E4, J6 & T8

This stand has been precision machined form Oak Veneered MDF and fits any 2 of the Roland Aira Compact models.

Once assembled this takes up a much smaller footprint in the studio and gives you much better working angles.

The units are held in place into a recess into the side panels so are rock solid once assembled.

Please note you will only receive a wooden stand, you must purchase your own Roland Aira Compact Synths and Drum Machine.

A single version and triple versions are also available.

Notes: Dual Black Valchromat HDF stand for the Roland Aira Compact Range S1, E4, J6 & T8

This stand has been precision machined form black Valchromat HDF and fits any 2 of the Roland Aira Compact models.

Once assembled this take up a much smaller footprint in the studio and gives you much better working angles.

The units are held in place into a recess into the side panels so are rock solid once assembled.

Please note you will only receive a wooden stand, you must purchase your own Roland Aira Compact Synths and Drum Machine.

A single version and triple versions are also available.

Notes: Dual MDF stand for the Roland Aira Compact Range S1, E4, J6 & T8

This stand has been precision machined form MDF and fits any 2 of the Roland Aira Compact models.

Once assembled this take up a much smaller footprint in the studio and gives you much better working angles.

The units are held in place into a recess into the side panels so are rock solid once assembled.

Please note you will only receive a wooden stand, you must purchase your own Roland Aira Compact Synths and Drum Machine.

A single version and triple versions are also available.

Notes: Triple MDF stand for the Roland Aira Compact Range S1, E4, J6 & T8

This stand has been precision machined from MDF and fits any 3 of the Roland Aira Compact models.

Once assembled this take up a much smaller footprint in the studio and gives you much better working angles.

The units are held in place into a recess into the side panels so are rock solid once assembled.

Please note you will only receive a wooden stand, you must purchase your own Roland Aira Compact Synths and Drum Machine.

A single version and triple versions are also available.

Notes: Solid Osk Replacement Korg MicroKorg End Cheeks

The end cheeks have been precision machined from FSC Certified solid Oak

These are fixed to your Microkorg by removing the original end cheeks and replacing using the existing screws.

The Oak has been oiled and should stay looking beautiful for a long time.

These are a great addition to amazing Korg Microkorg synth and it give a much nicer look.

NOTE: You must buy your own Synth; all you will get is 2 wooden cheeks.

Notes: Solid Oak Replacement End Cheeks for the Modal Electronics Argon 8m and Cobalt 8m Synthersizer.

These FSC Certified Oak end cheeks have been precision machined using a CNC.

They fix to your synth by removing the original end cheeks and replacing them with these using the original screws.

The Oak comes oiled to bring out the grain and should stay looking beautiful for a long time.

These are a great addition to amazing Modal Synths, and give a vintage look.

NOTE: you must buy your own synth; all you will get is 2 wooden cheeks

Notes: Pro Studio Mic Boom Arm

Desk mounted microphone boom arm with a slim and modern design, it is the perfect solution for your recording, gaming, podcasting and live streaming needs. This boom arm features 3 pivoting joints and 180- swivel movement enabling optimum positioning. It will support microphones weighing up to 1kg and the 3/8" to 5/8" adaptor included allow for universal compatibility with most microphones and other accessories. A cable management strap is included for neat installation.

Slim and modern design
Supports microphones up to 1kg
Includes 3/8" to 5/8" adaptor compatible with most microphones and other accessories
Cable management strap provided to ensure neat installation
3 pivoting joints and 180- swivel movement enabling optimum positioning

Vertical reach: 750mm
Horizontal reach: 610mm
Clamp aperture: 10-55mm
Max. weight load: 1kg
Boom arm diameter: 25 x 15mm
Boom arm length: Lower: 365mm, Upper: 357mm
Dimensions: 750 x 50 x 30mm
Weight: 1.132kg

In the box

The box for this item contains :1pc x Pro Studio Mic Boom Arm

Notes: When patching, you might feel inspired to add an effect mid patch - but how do you audition your new sound compared to the baseline, without a lot of continuous plugging and unplugging? The Bypass offers a solution. Quickly switch between the dry and wet signal output AND immediately hear the impact of your dynamics change, FX or EQ, switching back and forth at will.

The best part? It's a completely passive solution, drawing no power and requiring only an Intellijel 1U row. An invaluable tool for the studio, or the creative performer. The Bypass works similarly to an FX return circuit, taking a signal input and multiplying it to an output. A switch then allows the user to select either the dry input or the returned, wet input, for the final output.

Hand built, tested and guaranteed to take your abuse, the Bypass is the tool you wished you had in your arsenal yesterday - correct that mistake today!

Notes: 2mm thick aluminium panel, in bath-anodized finish, with high-quality light-grey printing.

Notes: 2mm thick aluminium panel, in bath-anodized finish, with high-quality light-grey printing.

Notes: The Man-Machine Interface, or MMI, is a passive touch and pressure sensitive controller which allows the user to direct CV and audio signals at will. The MMI consists of three input/output jacks, and five body contact surfaces in glorious gold.

The zig-zag body contacts correspond to the input/output jacks, with the top zig-zag connecting to the top jack, the middle zig-zag connecting to the middle jack, and the lower zig-zag connecting to the lower jack. The spiral patterns in between the zig-zags are comprised of the two adjacent jacks, so the upper spiral is comprised of the upper and middle jack, while the lower spiral is comprised of the middle and lower jack.

In order to operate the MMI, the user can touch any two points with their fingers, patch cables, a piece of fruit or vegetable, or any other conductive substance or object, in order to complete the connection. The degree of contact made with the MMI, and the resistance of the object completing the circuit, will determine the output that is sent along the circuit. For instance, if a user were to patch a VCO into the top jack, and patch the MMI into a filter in the middle jack, the VCO will be sent to the filter when the topmost zig-zag and lower zig-zag are connected by two fingers, for instance.

But how about the spirals? The spirals offer a way to make a connection with one finger. Using the example from before, the connection will instantly complete when the user touches the upper spiral pattern. Using this principle, it becomes possible to use the MMI in unusual and interesting ways, such as a rudimentary keyboard, a drum controller, a switch and any other number of weird and exciting purposes.

It is also possible to combine several MMI - using two different MMI, it is possible to reach across one zig-zag to another zig-zag, in order to make a different connection, or to place a particularly long vegetable across all the contacts just to see what will happen. The MMI is an unusual patching system for the experimental musician, and lends itself well to all manner of experimentation and weird instruments.

The MMI can bleed a tiny bit of signal when using sharp VCO waves like square waves, while other sounds like sine waves will have softer responses. This can easily be corrected with amplification or attenuation as needed.

The MMI takes up 4HP and is skiff friendly, and is also suitable for installing in external boxes as a passive control unit. You can combine any number of MMI to create increasingly complex keyboard-like arrangements, drum pad matrixes or advanced switch systems.

Dimensions
4 HP
14 mm deep

Notes: ***B-STOCK: Box opened, product in perfect working order***


The Johnny Brook 20 Watt Amplifier is an ideal portable solution for any aspiring musician. It is suitable for most Electric and Electro Acoustic Guitars.

This ultra-portable amplifier is big on features: includes Volume Control (treble and bass), (6.5in.) 20 Watt speaker, 6.35 mm Input and 6.35 mm Headphone Output. It can also be used as a music speaker for your MP3 player, phone or laptop.

Notes: ***B-STOCK: Without original box, product in perfect working order***


Gate Expander for Sweet Sixteen mkII.

This is an expander, brings 8 gate inputs for the Sweet Sixteen mkII.

The panel is reversible, so jacks & buttons can be in the left or right side.

The orientation of the 10 pin ribbon cable is marked by the 'do not plug power here!' legend on the PCB, so it could be with the red stripe facing that in both GESS and Sweet Sixteen mkII modules.

Notes: DP-2 Digital Drum Practice Pad

DP-2 is a drum practice pad for solo practice and technique improvement. The pad can be used on a desktop or mounted to a snare drum stand and played with standard drum sticks. A built-in metronome produces audio prompts or spoken word beat counts through the integral speaker or via a headphone output. Each strike on the pad can be detected, which works with the internal modes to provide interactive rhythm training. Time signatures and beat types can be selected as needed within a wide range of tempo settings, all comprehensively displayed on the built-in LCD screen. Powered from its internal battery, the DP-2 can be re-charged via USB (5V 2A) using the supplied lead. An excellent and enjoyable training tool for drummers of all levels.

Comprehensive LCD display
Interactive rhythm trainer
USB type-C charging cable included

Battery: Internal 1300mA Li-ion rechargeable
Power in: USB type-C (for charging)
Speaker output: 0.5W
Recharge time: 2 hours
Tempo range: 40bpm - 208bpm
Time setting: 1, 2, 3, 4, 5, 6, 7, 8, 9
Dimensions: 270 x 240 x 27mm
Weight: 726g

In the box

The box for this item contains:

DP-2 digital drum practice pad
USB A to C lead (charge only)

Notes: TRS Split - CV/Audio signal distributor

TRS Split is a multipurpose CV and audio signal distribution module. It has three 3.5 mm TRS (tip/ring/sleeve - stereo) jacks and six ordinary 3.5 mm mono jacks.

It contains 3 identical sections set up as following:

Upper jack carries the tip signal
Middle jack carries the stereo/dual signal
Lower jack carries the ring signal

Each section can either split a stereo signal into two mono signals or join two mono signals into one stereo signal. The module does not have any active components and does not need a power supply.

Use cases:

When you plug a stereo signal carried by a stereo (TRS) cable into the middle jack, you receive two separate mono signals by plugging in a mono (TS) cable in the upper jack to carry the left signal and a mono (TS) cable in the lower jack to carry the right signal. That way you can attack an "AUX" cable such as from your smartphone to your modular.

Or the other way around: Send two separate mono signals by plugging in a mono (TS) cable in the upper jack to carry the left signal and a mono (TS) cable in the lower jack to carry the right signal. Receive a stereo signal at the middle jack to be used with a stereo (TRS) cable.

Converting from stereo to dual mono and back allows you to alter the two sides of a stereo signal with different effects/filters.

Some tuners such as the Korg NTS-2 accept inputs to tune two oscillators combined in one 3.5 mm stereo jack. With one splitter you can easily feed two VCO signals into such a tuner.

Switching sides

Two splitters can be used to switch tip and ring (left and right): Plug in a stereo cable in the middle jack of the first section. Connect mono cables to the upper and lower jack of the first section. Then connect the upper mono cable of the first section to the lower mono jack of the second section and the lower mono cable of the first section to the upper mono jack of the second section. The signals are switched. Plug a stereo cable in the middle of the second splitter and you're good to go.

Hint: This also works for MIDI signals. If you use MIDI over minijack, there are two standards A and B - some manufacturers use A some B - thus not all connections are working. Now you can easily switch between the standards using the TRS Split.

Note: The MIDI input of the DROID X7 automatically detects A and B, so there is no switching necessary. The MIDI output of the X7 can be set to A or B with a switch on the back of the module.

Stereo multiple setup

If you have a separate multiple in your modular, you can use the TRS-SPLIT to create a 1:2 stereo multiple as follows:

Plug a stereo cable in the middle jack of section 1, patch the mono cable from the upper jack into section 1 of your multiple (e.g. a 3/3/3 multiple) and feed two of the outputs back into the upper jacks of section 2 and 3. Do the same with the mono cable coming from the lower jack of section 1 going into the second section of a 3/3/3 multiple and patch two cables back into the lower jacks of section 2 and 3 of the TRS Split. Now the middle jacks of section 2 and 3 both carry the stereo signal.

Dimensions
2 HP
22 mm deep

Current Draw
Module does not draw current

Notes: TRS Tool - Stereo/Dual CV/Audio/MIDI signal multipurpose module

TRS Tool is a multipurpose CV and audio signal distribution module for working with 3.5 mm stereo jacks (tip/ring/sleeve). These jacks are common for stereo audio but also for MIDI.

The TRS TOOL has no active components and does not need a power supply. It contains 3 different sections set up as following from top to bottom:

TRS Split
The upper jack carries the tip signal
The middle jack carries the stereo/dual signal
The Lower jack carries the ring signal

Use cases:

When you plug a stereo signal carried by a stereo (TRS) cable into the middle jack, you receive two separate mono signals by plugging in a mono (TS) cable in the upper jack to carry the left signal and a mono (TS) cable in the lower jack to carry the right signal. That way you can attack an "AUX" cable such as from your smartphone to your modular.

Or the other way around: Send two separate mono signals by plugging in a mono (TS) cable in the upper jack to carry the left signal and a mono (TS) cable in the lower jack to carry the right signal. Receive a stereo signal at the middle jack to be used with a stereo (TRS) cable.

Converting from stereo to dual mono and back allows you to alter the two sides of a stereo signal with different effects/filters.

Some tuners such as the Korg NTS-2 accept inputs to tune two oscillators combined in one 3.5 mm stereo jack. With one splitter you can easily feed two VCO signals into such a tuner.

TRS Quad Multiple

Multiply a stereo signal. Four TRS jacks to be used with stereo minijack cables.

Use cases:

You could use this to multiply the signal for headphones - listen to patches together.

Or create sends - route one (or two) stereo signals to effects and use the third one as dry signal going to the mixer.

Experimental: multiply a MIDI signal to two or three receivers: NOTE: depending on the output power of the MIDI sender and the power draw of the MIDI receivers this might or might not work. MIDI uses a current of typically 5 mA instead of voltage levels for data transmission. So when you attach too many devices to one output the current might not be enough to drive all of them. So this is strictly spoken not covered by the MIDI standard, but might work anyway.

A/B Swapper
The bottom section of the module consists of two connected TRS jacks.
Whatever signal applies to the tip in jack A will be routed to the ring in jack B.
Whatever signal applies to the ring in jack A will be routed to the tip in jack B.

Use cases:

Switch the left and right side of a stereo audio signal.

Switch between MIDI standard A and B: If you use MIDI over minijack, there's two standards A and B - some manufacturers use A some B - thus not all connections are working. Now you can easily switch between the standards using the TRS Split.

Note: The MIDI input of the DROID X7 automatically detects A and B, so there is no switching necessary. The MIDI output of the X7 can be set to A or B with a switch on the back of the module.

Dimensions
2 HP
22 mm deep

Current Draw
Module does not draw current

Notes: The NYLE FILTER is an adaption of the Steiner Filter for the AE modular palette. It contains the classic filter curves lowpass/highpass/bandpass with adjustable filter frequency and resonance. The unique feature of this filter type is, that there are separate inputs for lowpass/highpass/bandpass (not separate outputs as with other filters). This allows quite unusual sounds, if different signals are fed into the different inputs.

Each input has its own attenuator; for frequency CV control there are two inputs with individual attenuators. Additionally, the resonance can also be CV controlled!

The sound goes from quite soft filtering with low resonance setting to a quite intense resonance peak to full self-resonance.

Notes: Connect two AE cases with RACKLINK!

The RACKLINK is a module for connecting two AE cases; the kit contains of 2 identical modules and a connector cable (length 50 cm). The modules are placed in both cases and are connected by the cable.

By this, you get the following:

The second case is powered by the first one

All bus lines (CV, GATE, CONTROL, MIDI clock/start/stop) are connected to the second case

Additionally, there are 8 connections that can be freely used; so it is not necessary to have connections between two cases. E.g. the second rack can run a patch for a drone sound, the output is then sent via Racklink line 1 to the first rack and here patched to a mixer, via line 2 the second rack can receive a modulation signal from the first one. The lines are bi-directional!

Notes: 2TONE is a dual bass-treble tone control, that is a quite useful companion for the MIXCONSOLE, to shape the overall spectrum of individual signal paths.

Notes: The Daisy Patch Submodule is a DSP platform for Eurorack synthesizer modules. It features a lightning fast STM32 processor, high fidelity stereo audio codec, and enough RAM for 10 minute long buffers - all with standard signal levels and conditioning for the Eurorack ecosystem.

Simply design your carrier board, and let the Patch Submodule do the rest!

Programming is a breeze with support for C++, Max/MSP Gen~, Pure Data, Arduino, and more. These languages can be coupled with our open source DSP library, DaisySP, for a powerful music synthesis programming environment.

Create your dream Eurorack module with the Daisy Patch SM!

STM32 processor at 480MHz, 96kHz / 24-bit audio, RAM for up to 10 minute audio buffers

Stereo audio IO, x12 ADC inputs ( 16-bit bipolar CV or potentiometer), x2 CV outputs (12-bit), x2 gate inputs, x2 gate outputs, x12 GPIO

Flash firmware over USB via open source web programmer

Support for SDDMC, SPI, UART, I2C, and USB

FCC / CE Tested and Compliant