Notes: Documentary focusing on British singer-songwriter Kate Bush and her 1985 album 'Hounds of Love'. Featuring interviews with producers and musicians who worked on the album and music journalists, the film examines the making of the album and its impact upon release.
Review: Remixes by 30Hz & DJ Quest. "Robots Ready From Mars" is tackled by Quest who gives the track a heavier, clubby breakbeat mix. Fits nicely next to tracks from the likes of The Stanton Warriors or Tayo.
Notes: Right angle 2.1mm barrel plug (5.5mm outer diameter, positive tip). Short barrel to barrel cable for daisy-chaining Row Powers and/or Pods. Cable is 11" long (centre of tip to centre of tip), suitable for two Pods next to each other or in front/behind each other. Also compatible with Row Power modules.
Review: Smile & Wave appears from out of nowhere with two unknown names heading up the first release. There's no indication of who is behind A Houseband or Russian Hackers, but both of them have done a damn fine job of bringing two sure fire killers to wax. The first is "Another Love Another Happiness", which as the title candidly suggests is yet another version of the oft-sampled "Love & Happiness", this time framed in a bubbling, dubby deep house context for the mellow heads to soak up. By way of contrast Russian Hackers get busy with "303", bringing some forthright jack to the table.
Review: Under the A Vision of Panorama alias, Mikhail Khavsko has released some of the most beguiling nu-Balearic music of the past few years. Aquafusion is his long-awaited debut album, and is sure to further enhance his already high reputation. Drawing on sun kissed synthesizer grooves, languid nu-disco and hazy pop for inspiration, the album boasts all manner of ear-pleasing highlights. These include the new age inspired ambient slinkiness of "Open Sequences", the Gigi Masin style bliss of "Seagulls", the mid-'80s synth-pop-goes-dancing bounce of "Barbados", and the baked, horizontal pop of "Duality" (which notably features the drowsy vocals of Krista Michaela).
Review: "Is the Cornuta Sound's return after a long resting time. This new 10" contains one of the most saved songs by Above Smoke (Deep Explorer) that runs into the jazz world and an outro take for djs. The flipside brings a great rework by the label boss (W&P Hgg)."
Review: We're not sure who's behind the mysterious AC-EXP project, but the shadowy figure returns with more of that strange, submerged house music he's been tickling discerning DJs with over the past few years. After taking last year off, "1A" is a fine place to start things up again with a strutting jack track carrying acidic synth pulses that flirt with measured delay processing. It's a jam that sounds steamy and sinister all at once. "1B" maintains this restrained but seductive vibe with the slightly trancey throb of the lead synths pivoting around the snappy drums to great effect.
Conductive carbon fibres eliminate static charges & fine dust particles
Notes: Keep your vinyl collection in pristine condition with this specially designed antistatic brush. Designed to clear the fine grooves of dust & fluff without damaging the delicate playing surfaces, an essential requirement for maintaining optimum reproduction quality.
Review: The latest release on DJ Bone's Subject Detroit label is a split 12" featuring Esteban Adame and Santiago Salazar. This is how they do techno, Californian style, and you can tell it from the off. The beats are tough as hell, but there's a sun-kissed vibrancy to the synth work that positively leaps out of the speakers and shakes your cerebellum. Adame leads on the A side with "Guaguanco", an effervescent stomper that takes a turn for the deep when Frequencia jumps on board for a remix. Salazar is in a housey frame of mind on "October 17", letting smooth pads lead the way without losing that all-important impact. The "Dub mix" of the track actually beefs things up with a grinding lead synth pitched at big room scenarios while maintaining a steady tempo.
Review: As one of the foremost energies in Rome's electronic music scene, Adiel's productions on her own Danza Tribale label have communicated her take on minimalist, rhythmically inventive techno to the wider world. On this fourth installment, Adiel pays tribute to the Japanese capital with the snaking immersion and insistent propulsion of "Tokyo". On the flip, she truly opens up the filters of possibility with the kinetic, hyper-detailed percussive ripples of "Jungle". In an eerie, cavernous space, these needlepoint drum lines interlock and drive the listener deeper into a well of meditation, delivering the intended outcome of submission and transcendence that Adiel's music is engineered for.
Review: A new project based out of Copenhagen - Aether's Spring comes shrouded in mystery but makes a bold statement with this first transmission. WATER: Dancing Moon 12" leads in with "House In Blue Rain," a downcast track bathed in melancholic pads and blown out percussion around a steady 4/4 tick. "Dancing Moon" is a more kinetic affair that works with all kinds of synth shapes alongside some primal drum machine percussion that lends the track a new wave quality that suits it just fine. Closer "Throne Of Clay" spreads across the B side in a brooding, journeying epic fit for the likes of classic James Holden or a more wave-minded Jon Hopkins.
Review: You can always count on Afrikan Sciences to flip the script with what you think soulful electronic music should sound like. Tearing the grid up and pinging off on a cosmic voyage in between the notes, this is futuristic, jazz-minded machine music of the highest order. "Reciprocess" is a shuddering, but surprisingly focused exercise in cracking open the house music structure, while "Hullman Z" gets into a brilliantly futuristic boogie. "Just In Case I Do" takes a more laid back approach without eschewing the essential dose of freakiness, and "Son Shine" takes things in an explicitly broken beat direction with spellbinding results.
Review: Alex Puddu's Afro Soul Prophecy project continues to blaze into the year with pure molten lava grooves. "Daddy's Groove" is a perfect summer heater with its laid back horns that ooze over the wah wah licks and strutting rim-shots. "Let Me Be Your Lover" takes more of a Latin approach with its upbeat rhythm and bossa tendencies. Listen out for those cosmic guitars in the background... Dreamy business.
Review: Swedish producer Albion Venables has been building up a formidable bank of oddball disco, boogie, wave and other groove-oriented delights on labels like Ambassador's Reception, Macadam Mambo and People Must Jam. After first appearing on the ever-excellent Bahnsteig 23 in 2016, he's back on the label with some more head-spinning obscurities from the outside tracks of synth music. "Poupee Mecanique" is a jovial French bopper, while "Balearo" cuts a more organic, reclining figure with its chugging bass plucks, laconic guitar and dreamy keys. "In Coherence" channels some funky AOR sass, and "OVNI" heads into heavy prog funk territory, rounding out a veritable wild card of a record.
Review: Alien Stadium is a collaborative project comprised of Martin Duffy of Primal Scream and Felt, and Steve Mason of The Beta Band. 'Livin' In Elizabethan Times' is an audacious and oddball cosmic rock concept mini-LP about a comically underwhelming invasion of drunkard aliens. As well as the sheer unadulterated fun of the record, the amount of dense and inventive genre-melting the pair have managed to cram into these four tracks is astonishing - dropping in theremins, sound effects, militaristic horns and much more when you least expect them. They set an interplanetary course from twanging and stomping bluesy opener 'This One's For The Humans', through hypnotic balearic-ish bleep and orchestrated retro-futurist pop, to the huge cosmic disco closer 'Titanic Dance'. At first glance, it's an unashamedly silly and fun offering, but repeat listens will reveal these maverick veterans have woven in far deeper layers of commentary humour and substance.
Review: Underlying Form is a new vinyl only label run by Northern Irish DJ/Promoter Darren Allen. The first release, a debut for Darren, sets the tone for the labels future with 4 tracks of deep and abstract minimal techno on the 'Invisible Landscape EP'.
Review: While he may have been operating in the underground for some time, Darren Allen's music is only just coming to light through his own Underlying Form label now. There's a range of styles on offer across this EP, kicking off with the subtle pulse of "Feel" before moving on to a distinctly French-flavoured micro house groove on "Inmost Cave" that wouldn't sound out of place on Telegraph Records. On the B side, "Routine Kills Inspiration" switches the mood up with a rougher sound palette, even if the arrangement is still a minimally-minded affair. Then it's left to Vid Vai to drop a complex reworking of "MD Habitat" loaded with intricate textures.