Review: Alex Puddu's Afro Soul Prophecy project continues to blaze into the year with pure molten lava grooves. "Daddy's Groove" is a perfect summer heater with its laid back horns that ooze over the wah wah licks and strutting rim-shots. "Let Me Be Your Lover" takes more of a Latin approach with its upbeat rhythm and bossa tendencies. Listen out for those cosmic guitars in the background... Dreamy business.
Review: Don't be fooled by the smoky jazzy horns on the intro: The Allergies are still at the front of the party queue! They were just lulling us into a false sense of security before hitting us with a precision range of big soul swingers and dynamite party killers; both "Hold You Close" and "Since You've Been Gone" pop with big beat bangs, "Entitled To That" stamps and sweats like Wigan Pier is still holding the best dances in the country, "Main Event" parps and pumps while long-standing affiliate Andy Cooper reminds us who's boss while "It Won't Be Me" (also with Cooper) is coded with so much horn and guitar powered gusto you could be fooled into thinking Ugly Duckling are back. Yet another triumphant album from one of Jalapeno's most exciting acts.
Review: What a trip it's been for The Allergies; rolling from one killer album to the next, funk is flying from their HQ at a rate of knots. Here are two fine examples from their last LP Push On, both featuring their long-time friend and MC from Andy Cooper. Best known for his witty wordplay and character on Ugly Duckling records, here Andy gets to show off both sides to his expansive flow; "Main Event" is a chubby disco groove laced with mountains of funk, creating space for Andy's laidback-but-hypey charm. In perfect contrast "Buzzsaw" is a much sweatier funk jam allowing Cooper to get rapid and tongue-twisty in a way that only he knows how. Keep on pushing...
Review: Kylie Auldist is a heavyweight Aussie soul singer whose powerful lungs have graced many a hit over the years. Now, with the help of Lance Ferguson and Graeme Pogson, she's recorded a solo album, Family Tree, and this here EP features a selection of tracks from it. Gone is the raw funk vibes of old with Auldist opting for a bright and synthetic mid-'80s pop-soul sound instead. It largely works too with the Donna Allen-esque "Sensational", the chrome and carpet grooves of "Family Tree" and the late-'70s US funk style of "Rewards" as standouts.
Review: A serious self-press rarity from the heart of Clarksville, Suggs never achieved the recognition he deserved during his tenure as a band leading soul man. Still in Clarksville and now a missionary, the sentiments of this recording history peak resonate with what he does now: "Everything That Looks Good" is a JB style message on the lure of temptation while "You Don't Deserve", an instrumental that sees Bubba switching his vocals for equally commanding sax, is a moment for poignant, soul-searching reflection. Lord have mercy.
E Man Boogie '83 (Jimmy Castor/Gerry Thomas 12" mix)
Review: Larry Levan remix - v.e.r.y. r.a.r.e.! 12" Import pressing of the extremely rare Larry Levan remix of 'It's Just Begun'.
On the flip is the original Jimmy Castor/Gerry Thomas 12" mix 'E Man Boogie 83'. We found these Salsoul 12"s in
a warehouse and have hardly any, once they are gone - they. are. gone.
Review: Bay City claim that between the 60s and 70s, the music scene "was so fertile that the speed with which tastes changed left a colossal amount of incredible music to gather dust - perhaps most famously a profusion of funk, soul and rock." This resulted in many local bands who released their music independently without a label. The rather short lived, James Brown indebted Chain were one of those bands. These impressive two tracks feature hard drums, sharp horns, raw vocals, and supercool guitar licks. And a whole lot of soul, of course!
Review: Two of Funk Night Records' most distinctive and innovative acts join forces for two outstanding pieces of psychedelic fiery funk fusion. Estonian duo Misha Panfilov Sound Combo set the bedrock on "Soul Strut". All fuzzy, unkempt and energetic, it sets the scene for Detroit's Coco Buttafli to lay her scorched heart on the line in an almost metal-like style. "Electrifying Woman" takes us even deeper into the psychedelic mindset as the groove is given a swampy, dizzying feeling while Coco spits spoken word with such a savage honesty you can't helped but get sucked into the story. Two of a kind.
Review: Two big cuts taken from the Melbourne trio's sixth album Blind Bet, here the band flip two sides of a ridiculously funky coin. "Mind Made Up" features the vocals of Tru Thoughts starlet Kylie Auldist. Her rich emphatic vocals fit the 70s soul licks perfectly. Smooth and dynamically delivered with big horns, subtle strings, major chords and an instantly catchy chorus, you'll make your mind up on this long before the last horns blast a final cheerio. "Skeletor", meanwhile, is a much more party-focussed jam where big breakbeats provide the back bone for sharp horns, heavy Hammond slapping and warm gravelly vocals.
Review: Dreamy mid '70s funk from Caribbean (St Maarten to be precise) trio Cool Creations: "Wish Upon Love" struts with a Boz Scaggs-style confidence and a deep, cloudy finish that would make Faze-O proud. Flip for a straight-up cloud burst as "Night On Beach Island" lives up to its name with measured pace, cosmic trumpets, sandy pianos and lavish, lolloping wave-lapping double bass. Beautiful.
Review: One of 2016's finest funk stories was, without question, when AOTN suddenly dropped this incredible unreleased album by criminally slept-on Jacksonville troupe Fruit. A stunning piece of work, even by Fryer's standards it was a coup-de-grace. Now two of the album's finest, funkiest, sweatiest jams are available on limited 45. Instant floor burners, just like the rest of the album, before the tracks are over you'll feel you and your floor have known them forever.
Review: The love of all things Soviet and disco has been established by French/German duo Fulgeance and Scientist for several years now, having reached a peak last year with their album The Soviet Tape on First Word. Now they return with their own edit series on brand new label Excursions. With eyes squared fully on the floor, each obscurity is given some serious groove muscle for the floor... Charaunitsy's soulful croons and yearning horns are given an additional kick/snare swing, Latvia's Mirdza gets a deliciously camp turbo charge while Ukraine's Tatyana Kochergina gets a full-on Philly treatment with lavish strings and a bassline that won't say nyet.
Review: Released in 1971 and written and recorded by Dave Hamilton (one of Motown's most prolific and influential session players), Sugar Billy Garner plays the consummate band leader over a relentless groove that rolls with drama. Billy gets sweatier, the guitars get busier, the dynamic gets heavier and heavier... So heavy it rolls into a second part. Primed for the floor, it still hits hard 44 years after its release.
Review: For their latest dive into the depths of funk history, Athens of the North travels back to 1978 and the debut of John Hawes and Velma Bunch's obscure Hard Drivers project. The record initially appeared on Hawes' own short-lived imprint, and his since become a sought after 7" amongst serious collectors. "Since I Was A Little Girl" is a disco-era funk gem, with guest singer Vivian Lee providing a brilliantly confident vocal to compliment Hawes and Bunch's driving, horn-heavy backing track. On the flip you'll find original B-side "Straight Talk", a touching torch song full of harmony backing vocals, impassioned builds, and lyrics capable of melting even the stoniest of hearts.
Review: Finnish revivalist funk combo the Soul Investigators are no strangers to collaboration, having previously provided backing for Nicole Willis, Myron and Ernie Hawks. Here, they once again join forces with the latter for two more chunks of instrumental funk and soul goodness. A-side "Scorpio Walk" is the kind of cut that should come with its own named dance; a shuffling, mid-tempo funk affair that layers Spaghetti Western guitar solos and fluttering flute lines over a backing track rich in flanged guitar licks, bustling bass guitar and on-point drum breaks. Flipside "Message of Love" is an altogether deeper and more dewy-eyed affair, with woozy backing vocals and electric piano solos rising above a shuffling groove.
Review: Ernie Hawks & The Soul Investigators return to Timmion with a pair of brand-new soul scorchers, and this ain't no reissue business. For real. As per usual, the imprint know exactly where to source the very best in the contemporary gear while everyone else is looking to the 70s for that adrenaline rush. As it turns out, this is some marvellously constructed soul music, right from the heart and soul, with "Cold Turkey Last Time" and "Trackin' Down" containing all the elements of fine ballads that are both future-proof and utterly stand-out. Check it and don't wreck it.