Review: House Music With Love turn once again to Swedish duo Swim for a record soaked in a particularly soothing bath of Balearic goodness. Original track "Be There" is certainly laced with an air of Scandinavian cool, not least thanks to Erika Rosen's dreamy vocals, but there's a solid boogie undercarriage carrying the music along. Halllo Halo step up with a remix that makes a playful, intricate broken beat refrain out of the backing track while maintaining the vocals. Ghost Immanuel meanwhile whips up a spacious dub that stays close to the original, albeit in instrumental form.
Review: Boarding House Reach is the third solo album from Jack White, a man who really should need no introduction by now. Where 2014's 'Lazaretto' was a cohesive and indulgent gothic collage of country, soul, Americana and rock, 'Boarding House Reach' sees White ambitiously add layers of hip-hop, experimental and electronic influences. Twists and turns come thick and fast, from the fuzzy organ soul of 'Why Walk A Dog?', the poetic preacherman monologue of 'Abulia and Akrasia', the jittery and crunchy hip-hop 'Ice Station Zebra' to the stunningly laid-bare folk and wrought piano chords of closing track 'Humoresque'. This breadth of sounds makes the album compelling and unpredictable from start to finish, and a fascinating addition to Jack White's juggernaut of a discography.
Why Do I Lose My Mind When I Have Something To Say?
Review: Through her 'U.S. Girls' project, Toronto-based Meg Remy has released a consistently high quality run of albums that explore issues of femininity with a shaded and angular avant-pop sound. New record 'In A Poem Unlimited' sees Remy continue to explore identity politics, but in a comparatively warmer and more free sound as she collaborates with improvisational group The Cosmic Range. Structurally, the album enjoys an unpredictability of form that sprawls across skulking grunge, found sounds, crunching horn-sections and synth-driven industrial disco. Highlight track 'Incidental Boogie' exemplifies this binding of elements; the contrast of stomping, distorted with Remy's breathy and swaggering vocals is an intoxicating one. The breadth of Remy's palette makes this album an exhilarating listen, and - both as a vocalist and writer - Remy shines as an arresting and formidable talent.
Review: Alien Stadium is a collaborative project comprised of Martin Duffy of Primal Scream and Felt, and Steve Mason of The Beta Band. 'Livin' In Elizabethan Times' is an audacious and oddball cosmic rock concept mini-LP about a comically underwhelming invasion of drunkard aliens. As well as the sheer unadulterated fun of the record, the amount of dense and inventive genre-melting the pair have managed to cram into these four tracks is astonishing - dropping in theremins, sound effects, militaristic horns and much more when you least expect them. They set an interplanetary course from twanging and stomping bluesy opener 'This One's For The Humans', through hypnotic balearic-ish bleep and orchestrated retro-futurist pop, to the huge cosmic disco closer 'Titanic Dance'. At first glance, it's an unashamedly silly and fun offering, but repeat listens will reveal these maverick veterans have woven in far deeper layers of commentary humour and substance.