Review: Alex Font has many strings to his bow, not least running the excellent Acme label, and here he is on one of his other ventures, Third Stream. With improvisation placed at the forefront of the creative process, Font turns out functional club tracks with curious kinks and moments of intrigue worked into the structure. "Onda Tropical" is definitely DJ friendly with its insistent percussive framework, but there are interesting diversions, fills and edits peppered throughout. "Musica Moderna (CDS Tribute)" meanwhile rolls on a more consistent groove, with a more organic set of drums pitched right at the heart of a long and winding DJ set.
Review: Although only a few months have passed since Constant Sound was first minted, the label run by Burnski and Jon Woodall is now ready to unleash its fourth EP. Entitled Raw Moments, it features a hot original by Paolo Rocco and is backed with accomplished remixes from the legendary Nail as well as boss man Burnski.
Canadian Rocco is well known on the Montreal circuit for his broad and energetic DJ sets, whilst he has also cracked the Beatport charts with his own tunes, namely 'Move Body, Move Forward' on Klasse, as well as with follow ups on Real Tone. He impresses once again here with 'Raw Moments', a track that does exactly what it says on the tin.
The whole track is built upon rock solid kick drums that bounce and bobble about as curious bird sounds and gloopy synths dart about next to cow bells and hi hats. It's expertly lively and robust.
First to re-imagine the track is Burnski, who injects some seriously fat bass, a subtle sense of shuffle and infectiously crafted grooves laden with dub motifs and rich reverb. It's perfectly designed for no frills and non stop dancing, frankly.
Last to remix is DIY Discs man, Classic Music Company associate and all round house tastemaker Nail. His Smoke Dub is a bulky house jam with buffed metal melodies, squelchy drums and sci-fi synth sounds that is deep, stays low and is perfect for back room basements.
This label might only be on its fourth release, but already it has announced itself as a go to outlet for fans of fresh intelligent sounding house, and this release only confirms that.
Review: Vincent Inc's Manuscript Records continues to bolster its identity as a vinyl label after years in the digital domain with this crucial single from label founder Vincent Inc. "Wilder" is a seductive opening track that bubbles along on a bed of honey coated melodic tones that should sit easy on the ears of any day time dancer, while "Cold Winds" takes a more somber approach with bluesy keys and heartfelt vocals. "Dreams Of D&L" ups the energy levels with a strict drum set and spiritual melodic swells, and then "Sax Night" edges towards more experimental territory for the mind to happily trip out on.
Review: The Purism label has already worked plenty with Enrico Mantini, but this time he's brought a friend along to help represent the Bologna-based team. Flavio Vecchi sounds right at home co-steering "Try To Get Out Of This", a devastatingly simple and deadly deep cut for heavy lidded house heads to get lost in the smoke machine to. Whether early in the evening or very very late, this is a big tune. "What U Do To Me" finds Nudge opening up the B side with a dreamy breakbeat house flavour for the after party crowd, and then "Dub Vandalo" maintains the stripped back but utterly punchy approach that makes this whole record so damn effective.
Vincent Inc & Jon Dasilva - "Thinkin About U" (Questionmarq mix) (7:45)
Sasha Makin & Suntetic - "Drumatik" (7:23)
Review: The Manuscript mission rolls on unabated as the Ukranian label pairs long lost deep house gems with more contemporary productions. Slam Mode's "Morning Side Dr" is a gorgeous cut laden with plush synth tones to melt the hardest of dancers, while Dennis DeSantis' "Leisure" feeds touches of EBM into a mellow, dubby construction that spans styles with ease. Label boss Vincent Inc joins up with Jon Da Silva for "Thinkin About U", which Questionmarq turns into a delightfully quirky remix before Sasha Makin and Suntetic round the EP off with the epic "Drumatik".
Review: Following choice wares from tape_hiss and Pascal Viscardi, Love Notes stride into winter with a fulsome offering from lesser-known artist Subtenant, who packs just the right balance of classic acid and modernist techno into the three original tracks on this 12". "Evergreen Soul" looks set to turn heads in the club with its playful organ flex hopping around the punchy 303 notes, while "Artisanal Acid" brings some homespun hardware handiwork to the table. "Know How It Feels" drops in at a slower tempo, but it's D'Marc Cantu who steals the show with a dynamic remix of the title track loaded with detail and shot through with dub.
Review: Having largely operated on an autonomous self-release basis up to this point, Outstrip make a sturdy connection with the Dogmatik empire and serve up some of their crucial minimal house wares for all to behold. "A1" is a shimmering treat of a cut with just the right amount of colour bleeding in between the drums, while "NeproEP" strips things back to a raw, functional core. "Peremay" has an ultra-minimal, ever so slightly dubby vibe to it, while "Rastafara" keeps things as lean as possible as well. This is a record that does a sterling job of demonstrating how less can indeed be more.
Review: Georgian producer Hamatsuki appeared on GASP last year with the Uncertain Loops cassette release, but makes his vinyl debut on this damn fine 12" for the recently minted Sensu label. "Remember" is a rich, undulating swirl of deep house laden with melancholic pads, while "Rett" sports a sunnier tone for its own arsenal of soft, rounded synth tones. DJ Sports comes on board for a remix of "Rett" that plays with said synths and creates springy, computer jazz melodic threads out of them. "Inexplainable Inner Sadness" completes the set with another trip into warm, Chicago-indebted house tones for the introspective dancer.
Review: From Copenhagen with love. After two years of planning, tweaking and fine-tuning, Danish groove monkeys Kasper Marott and Alfredo92 are proud to present their new label Axces. Repping their local crew, the label represents a community of artists including this single's co-producers Carl Emil and Lauge. "Os To" (which translates to 'the two of us') is as cute as it sounds. Dreamy, cosy, unhurried. "Fest Pa Taget" (party on the roof) raises the psychedelic factor a little as unearthly bubbles and chimes spin 360 around a jaunty rolling percussive beat. The start of something exciting and fresh; everyone has access to Axces.
Review: Those Maltese bad boys Owen Jay and Melchior Sultana are back on their trusty Batti Batti steed with another sublime drift through velvety-smooth deep house cuts for discerning heads. "August" lays the pads on thick, making the groove all that sharper when they drop out, but it's not long before that filter opens back up to let the blissful tones back into the mix. As the name suggests "Acid Carpaccio" is a rougher concern, but it's still finished off with a classy finish and one eye on the deep end of the dance. "Smoked" notches up the swing and aims skywards with an uplifting, contemplative jam like this formidable duo have forged their name on.
Review: Fully tapped into the true US tradition of soulful house music, Riccardo Masi has been delivering the goods for the past couple of years to labels like Uzuri and his own Wrong Notes Records. On this new single the good vibes just keep on flowing, kicking off with Erik Rico's on-point vocal draped over "Reaching". Rico also forms the centre point of "No One Else", another masterclass in pattering drums and honey-coated keys. "Tortellini Jazz" shores up on the B-side, drafting in Paolo Campani to lay down some sultry sax tones over the mellow chords and playful Rhodes trills.
Review: Imogen have stumbled across a rare gem here, presenting some previously unheard liquid funk jams from the lesser known Chicago pioneer James Perri. Some of his jams as Jimi Polo are perennial classics, while his time spent in Soul II Soul and elsewhere are testament to his gifts, but this particular set of recordings from the 90s have lain in wait for their time to shine. You can hear his skills as a session musician and arranger coming through in abundance on this warm, grooving, acid jazz inflected EP. "70s Theme" is a sparse, moody jazz funk cut, while "Brother Beware" is a smooth, sultry slice of message soul. "Express Yourself" is the truly uplifting slice of the pie, and it will chime just fine with any lovers of that classic Soul II Soul sound.
Review: The fourth release on Black Rox finds the Africa-loving label looking to a fine pair of suitors to do the business on a fine pair of edits. Soft Rocks is up first, channelling all the sun of the source material into a track called "Date With The Rain". It's a sweet natured jam layered with gorgeous vocals, perfect Afro guitar licks and a bubbling organ line. Roots Unit takes over on the B side with the more tricky-to--pin-down affair that puts snaking percussion at the front of the mix and loops up some mantras and chants for a truly head-spinning end result.
Review: Previously spotted on Udacha and sharing an excellent LP with A.E.M., Dices has already demonstrated a knack for wonderfully delicate ambient compositions and off-kilter 4/4, and the goods just keep on coming via this stunning 12" for Rough House Rosie offshoot Pandora. "Part 1" is a wonderful opening gambit powered by lightly pattering percussion, while "Part 7" enlists the help of Nick Ossia to float off into the swirliest of liquid synth baths. Ossia is also on hand to help with the more abstract sonic shapes of "Part 5", while "Part 3" provides a wonderfully energised, drum-rich ending to a truly standout EP.
Taxi (Francis Inferno Orchestra Dreaming Of A Wonthaggi version) (6:08)
Review: FINA Records presents Terrence Pearce's 'Last Night Lover EP' featuring the return of Francis Inferno Orchestra on the rework.
Having previously released on a number of prominent labels including Futureboogie, Wolf Music, Petfood, Kolor, Dark Energy and Freshmeat, Cape Town based DJ/Producer Terrence Pearce has emerged as a talented and sought after artist and is the latest quality edition to FINA Records' roster. Here 'Last Night Lover EP' offers up a healthy dose of the forward thinking house productions for which Terrence has become renowned; a 3 tracker that demonstrates his impeccable sonic style and production prowess.
The title track sets the tone from the off. The long and drawn out spacey synths transfix whilst the fading in and out of the subdued strings, offset against the low end warble and the foregrounded off beat percussion, give this classy understated cut a deliciously smooth and timeless quality.
'Come On Yah' meanwhile is a warm and effortless disco edged groove, characterized by its infectious low-end throb and clever concoction of playful rhythms, punchy hats, staccato strings and off kilter chords.
Then, out of nowhere 'Taxi' arrives; a wonderfully leftfield amalgamation of horn beeping, door slamming, taxi hollering madness, aggressive techno stabs and a relentless belter of a bass line which drives the contagious rhythm to an unexpected frenetic funk filled break.
Last up and hot off the back of his widely acclaimed debut album 'A New Way of Living', Melbourne's Francis Inferno Orchestra returns to FINA, this time on 'Taxi' remixing duties. After a masterful dose of his signature drum machine rhythms, early rave like samples and rainforest atmospherics FIO softens the original into near obscurity.
Review: Originally released in 1979, Francesco Cabiati's Mirage is a classic slice of holy grail electronic prog that has been searched for and fawned over for years by avid collectors. Now Galaxy have scored the record as their opening gambit, which should satisfy more than a few second hand vigilantes out there. It's a bombastic offering rich in Moog lines and dramatic themes, much like all the great instrumental synth offerings of the era. From the faithful treatment of the cover and labels to the quality of the remastering, it's everything a classic reissue of a hidden gem should be.
Review: Lemmy Ashton made quite a splash with his first outing on his own TNC label last year, and now he's back to follow up with another salvo of premium heaters geared towards disco-friendly dancers. There's a chunky, looped up quality to "Silver Suitcase" with its insistent bass lick and slamming drums, but there's equal space for soul thanks to the string-loaded sample hook. By way of contrast "Lunaire" fires up the acid flare and heads straight into a babbling brook of 303-related goodness. "Amsterdam" rounds the EP off on a stomp, whipping up the kind of bombastic disco drama that would get Studio 54 moving were it in action today.
Review: U2XProductions of Detroit presents "Descendant" - by Niko Marks. Phenomenal music containing all the elements of a great dance record with a remix of "This One", originally recorded and written by Herschel Boone (background singer for Kid Rock) and Lavelle More. This amazing EP also features "Spacebabies Mixture One" - first released on "Through Time and Culture" (LP) and "Saturday" which debuted on the "Disclosure" (LP) by Niko Marks.
Review: "We are happy to welcome Ghosts of the Sky in the family, 65th & Lawndale is a deep and strong track sitting in A side, magical chords, stomping bass and lush drums are the secret of this beauty, a future classic. On the other side, Melanin is a bit darker with its flowing pads and acidic bassline, really personnal. Acieeed, like you might imagine is a pure acid jam in its most classical form. A fantastic EP we are proud of."
Review: Jayson Wynters is best known for his recent work on Don't Be Afraid, but the Birmingham resident has also been spotted on Mr G's Phoenix G label and elsewhere. Now he brings his smooth, undulating style of deep house to Ornate, fitting right in alongside the likes of Sota, Gauss and Faune with the immersive pulse and swooping pads of "Ancient Tones." "Jet Lagged" is a true trip-out affair with a bassline to sink into and chord washes that reach skywards, and then Caldera comes on board for a remix of "Ancient Tones" that works some crafty broken beats into the mix for a distinctive, wholly different outcome to the original.
Review: After a quiet 2016 thus far Och's Autoreply label is finally back in action with a frankly fantastic selection of workouts from Mark Broom. In keeping with the style Broom has been exercising in new Perbec jams with Baby Ford, this is more restrained than the muscular techno Broom can also be known for. Instead, you get expressive, satisfying house tracks such as "18.2" and the neatly pumping "10" with its killer array of synths to satisfy the dancefloor and the mind in equal measure. Avoiding unnecessary fireworks in favour of perfectly chosen and shaped elements, this is a glittering demonstration of Broom's cool-headed approach in the studio.
Review: The Jaunt Records 10 years series shores up with the Land installment featuring another four adventurous souls that have the spirit of deepest techno in their bones. Stojche lets lush Motor City synths lead the way on the energetic "The Exchange" before AWOL gets into an intricate broken beat groove on the stunning "54.973379, -1.614705". Luke Hess brings some unabashed acid gurgles to the front of the mix on "TDY" and then Deep'a & Biri plot a course for dubby waters with the growling tones of "Pilgrim".
Review: London-based, Italian-born duo Konstress may have first appeared with the Blind Box Series in 2015, but now they're really hitting their stride with their own self-titled label. This second installment sees the pair charging out into exciting territory on the experimental fringe of the minimal techno scene. The influence of the Boogizm label weighs heavy across all these tracks as intensely detailed sound design meets with chunky basslines and snappy, electro-informed grooves. This is not party music for the conformists out there, but any mutant dancers will find it hard to resist getting their freak on to these adventurous sounds.
Review: Brighton's ever-cultured Black Key label pushes on with another house connoisseur for its next release, namely the venerated Scotland-based deep house producer Brad Peterson. Opening up the EP is "Monsoon" a nice and propulsive house jam that journeys through deep space with infectious drum hits and radiant synths fleshing out the rubbery groove. "Sit Back" is a more reflective and sombre cut, with wallowing, liquid chords draped over a ponderous, snaking bassline. The classy, cultured work continues on closer "Cloud Remedy" with its reverb coated hits, decisive drums and carefully spraying, ever shifting synth patterns. Classic but not overly reverential of the past, it's a beautifully musical bit of deep house with gently tumbling, starry night sky melodies to die for.
Review: After launching last year with Who, Get Your Copy returns to the fray with a little help from Italian powerhouse Steve Murphy. The producer gets plenty of action on labels like Hot Haus, Chiwax, Lobster Theremin and more besides, so you know you're going to get a solid dose of tuff house business delivered with that gutsy Roman attitude. "Everything U Know" channels an abundance of 90s vibes, from the nagging chord stab to the understated speech sample, while "Infiltrator" takes a tribal direction without losing the old-skool flavour. Both cuts are perfectly shaped for the dance, whether you want to hit a peak time note or take the crowd deep into the groove.
Review: There's only been one other release to date on the aptly titled Night Sea Journey, whose M.O. is, "focused on simplicity." The Chicago label started life with label heads Garrett David and Colin Johnson, and now Adam Rowe has come to join in with his own take on simple approaches in ambient and deep house. "9_27 (edit 1)" may have a lovely sub bass propelling it, but the languorous quality of the keys makes it feel almost static in the best possible way. "8_27 (edit 1)" welcomes some needlepoint drum machine rhythms into the mix, preferring a broken beat over anything too straight. "Nite Houss" has a similar mysterious charm you might hear on a Real Soon record, while "Hanging Lake" swerve into more ambient territory again, with spectacular results.
Review: Nereid appears out of the techno mists on the newly minted Warped Core label shrouded in mystery, with subtle monochrome head twisters to match. "Umea" leads the charge on the A side with an ethereal trip into dubby soundscapes filled out with plentiful reverb and pattering rhythms to snake straight into your cerebellum. "Operator" has an instructive bass throb carrying it along, although it imparts a similar steely aesthetic to the opening track. "Neptune" is no slouch either, using nagging mid-range percussion and eerie bleeps to spell out stern, functional techno of the deepest kind.
Review: A new label and a new artist throwing their hat into the techno ring with a sideways reference to A Certain Ratio. Do The Du clearly mean business, and waste no time in laying down the law with the rowdy snarl of "Verses", a punky slice of lo-fi techno from the gutter. "Senses" is a more tightly wound, looped up affair for the most nerve-jangled of dancer, while "Sauro" makes mincemeat of the house music blueprint with a wonderfully distorted twist on the genre. "Aicee" gets the whole B-side to trance out on a submerged, throbbing 303 burner and subtle drum jack that harks right back to the early days of Phuture.
Review: After first appearing on the label back in 2016, Florence-based Italo house stalwarts Minimono return to Vibraphone with another selection of illustrious dancefloor gems for subtler moments in the dance. "Oldest Friend" is an airy, dreamlike track laden with upper register chords, tones and FX pinging around in a reverie of deep house delight, while "Questions" gets locked into a loose, swinging groove with some mysterious pads swirling around the middle distance for added atmosphere. "Some Day" is a more rugged affair that bumps and wriggles in all the right places, while "Eleven Days" explores broken beat territory without losing the hazy atmosphere that permeates the EP.
Review: Is It Balearic? welcome the mellow charms of Chris Coco and Camillo Miranda to lay down an unusual paean to a prehistoric love with the truly breezy drifter "Dinosaur Baby." While the tale might be a quirky one, the music is the real deal, all tumbling percussion locked into a slow, head-nodding groove, and this comes through even stronger on the "12" Dub". On the flip, Rune Lindbaek delivers a remix that fleshes the original out with laconic disco flourihes, and then Luke Solomon's version injects a little housey energy into the make up with his usual flair for off-kilter party fuel.
Review: Is It Balearic...? continues to challenge our perception of what makes the perfect island breeze jam, this time around welcoming emergent producer Kimopots to the table with a track that is just crying out for a choice cocktail in a weathered hammock. "Synthetic" is anything but, riding on a bed of hand-played percussion and capturing an innate warmth in its melodic content that feels utterly natural, even if it has been played on synthesisers. Ilija Rudman steps up with a fat old bassline and some eerie strings and chimes that make his remix a thoroughly worthwhile one, and then Robot 84 makes a more drastic turn towards peppy deep house for an audacious revision that frames the original in a whole new light.
Review: Uzuri proudly welcomes Giorgio Luceri with the 1st of 2 eps signed on the label for 2016 . with previous releases on Jamal Moss's Mathematics imprint , On the Prowl ++ , 'Space Fire Truth' sees Giorgio charting new territory to his previous output & coming correct in the process .
Le Syndicat - "Prothesis Pack Xtract 08 (1983)" (3:52)
Le Syndicat - "Maximalist" (Ekman remix) (6:05)
Review: Continuing their uncompromising fusions of artists new and old, Contort Yourself return with a punishing array of industrial thuggery from hardware manipulators you wouldn't take home to your mother. Novacom were last seen on Slumdiscs back in 2014 and here bring a fast and gnarly rhythmic tryst to bear before JK Flesh do their own snagging dance with oppressive synths and drums twirling into a heavyweight whole. French brutalists Le Syndicat then dominate the B-side with their confrontational bastardisation of techno and industrial, making the perfect source material for Ekman to get nasty with on his remix of "Maximalist".
Review: Holic Trax label boss Tomoki Tamura continues his anniversary celebrations by presenting his own work on this third installment of 5ive Years. The title track is a deep and crafty tech house cut suited to more subtle, heads down moments, while "Polyphony Six" keeps things equally moody but fattens out the bass and warms up the lead lines. "U's Floppy Disk" is a more taut, wiry track with gruff drums and splashes of bleepy FX - the perfect tripped out club tool. "High Chee's" lightens the mood at the 11th hour with a more playful melodic line that should fine favour with all kinds of good time DJs.
Review: Finale Sessions is really pleased to launch new series Finale Sessions Limited with Berlin up and coming act Arcarsenal. Duo comprised of Alan Mathias and Etienne Dauta, both founders of Bass Cadet Records and its dedicated vinyl store located in the heart of the german capital, they are also active members of the large Underground Quality family. Arcarsenal have already started to establish themselves as proponent of a crossover sound, mixing many influences from jazz, house, ambient to dub and techno. They are always giving a prominence to jam, improvisation and textures work in their studio routine. This EP called « Dark Skies & Wetlands », even if slightly grittier than usual, is no stranger to the rules of the duo. The opening track « Different Planet » is an epic dark deep house cut which develops itself over a course of 8:40. Starting with a stamping ground bassline and hazy atmosphere, the track opens up with synth attacks, dub echoes and slowly brings in a blissful melody that ends up linking all the elements. « Substance Of Arjuna », the following track on the A-side, is a-contrario a short but intense ambient work. Shot in one take, this subtle cut showcases the kind experimentations that Mathias and Dauta can end up doing late at night in front of their machines. The b-side of the EP leaves all the space to « Racoons », one of the weirdest and yet most powerful work of the duo to date. Tribal techno could be a short try to define what they achieved here, but the track goes far more than this. Built on a gritty mental acidic bass and a huge drum kick, the frenchmen bring over aggressive synth work that could sound like an orchestra on rehearsal, pachydermic screams or an overdriven guitar larsen. Underlined by a complex percussion pattern recorded live in their nest and chopped up to the best effect, the track ends up in a looping transe from which the listener might not leave in a normal state.
Review: You'll normally find OdD lurking round their own self-titled label, but on this occasion they're moonlighting on SPORTS with more of that shuffling, jazzy minimal house they've made their calling card. "Little Drum" is a perfect percussive trip-out of a track, all dense layers of rhythm locking into a dreamy house swell, while "The Reload" offers a distinctly different prospect powered by driving machine beats and techy synth threads. Kamran Sadeghi turns "Little Drum" into a dynamic, dark-edged tech-house workout, and Malin Genie drops some freaky electro stylings all over "The Reload", making this a 12" with something for everyone (who likes quality house, techno and electro at least).
Review: Having helped launch the Sugarhouse label with his Paradise Forum brethren, Jamie Paul gets a chance to show off his talents on his debut 12", adding to the label's already impressive catalogue with another swathe of classy house jams with a modern twist. "Double G" definitely sports the chops for the peak of the night, but it's also shot through with a welcome weirdness and a fuzzy warmth that should find favour with a wide range of DJs. "Even So" is a more laid back, bumping affair that matches the smooth finish of the A-side, but says something different altogether. Label mate Maurice Jnr meanwhile serves up a remix of Even So that nudges the delicate tones in a techier direction.
Andy Rantzen - "The Dial" (Itch-E & Scratch-E mix)
Laccy - "Spectrum Of Vibrations"
Laccy - "Coincidence Of Opposites"
Review: The fourth installment on Spinning Plates comes from Andy Rantzen and Laccy, featuring a wealth of off-beat techno adventures for wayward souls. Rantzen is an Australian producer with a history remixing the likes of Severed Heads and working alongside Paul Mac as Itch-E & Scratch-E. His lead track "Digital Elf" is a stripped a raw beats n' bleeps workout, while "The Dial" finds Mac chipping in as they rework the track into a deadly old-skool burner for lovers of bleep techno. Laccy has only had one prior outing to date, but sounds in strong form on the sleek and crafty "Spectrum Of Vibrations" and delightfully freaky "Coincidence Of Opposites".
Review: Following the royal success that was Maximum Joy, Alfresco is back with another release.
2015 marks ten years of Alfresco Disco parties. The label is still only young, however - but the crew bring their party planning, djing and producing experience into the label.
The Maximum Joy pt. 2 presents 4 good friends of the Alfresco Crew, both old and new, who each bring something different to the e.p whilst still maintaining the free spirited Alfresco Vibe.
Thermal Bear brings in a straight up classic deep house beat with 'Round and Round'. Outrageously warm chunky production and one to keep the crowd moving in the wee hours.
Kemback's effort shuffles effortlessly into the mind, taking you on a dreamy trip to somewhere wonderful. A strong nod to Floating Points here with it's heavy swing, gritty drums, and Kemback makes subtle but powerful use of his fine musicianship.
James Fox brings the good time disco-house vibe with the sample-heavy 'Feeling Free'. The wonderful arrangement and vocal make this a pure summer record that's been getting great crowd reactions.
Our Cornish Connection and newcomer Kieran Holden slows it down and makes it nice and trippy with the magnificent 'Wild Palms'. We love this dark, acid tinged sound which adds a different dimension to the ep and shows why Kieran has already been getting props from the likes of Tici Taci and the LFOS crew.
Review: Belgian label House Running has been in operation for some time as a digital affair, but now they're cutting their releases on wax and giving them a physical presence in the field of discofied house music. Hyas is making his first appearance with the two jams on the A side, both of which re-mould classic disco burners as stomping modern day house cuts. "Dat Musik Freak" is a heated, looped up riot of a track, while "Le Gardien Du Tekos" gets just as fierce and funky, channeling a little Detroit pressure in the extravagant filter usage and gritty rhythm section. Chinau's "Awareness (Feeling Of House Music)" is a lighter affair for easy going times, and then D-Nite rounds things out with the breakbeat-powered balladry of "Something About U."
Review: A slice of cyclopean, baltic Techno served by Grad U, well known for his Greyscale/Redscale project and releasing on labels like Knowone, Neurotron or Echocord. He delivers an obscure trip through the 7th Chapter of the story, Warfare, the decisive battle between clones and humans for the reign of planet earth...no one is safe. This is a vinyl-only release and limited.
Review: Finale Sessions is excited about this reease and we are greatfull to bring you Natan H hailing fro the "City Of Angels" Natan has this energy that we at Finale Sessions as of late have not been able to find so as you know we are estatic to get this out to the masses and give you a little taste of what is going on out on the Left Coast and we start with the track "Lignes" with its melodic pads and its wavering synths make for a latenight beauty for sure then we move to track 2 which is " 0 (Phase)"This track is another latnight stomper with moving chords and melodic drum patterns that keep it a smooth sounding pieace, Then last but not least we have the song "Invariant" (Feat.Jordan) This dub techno track is floor filler for sure with its heavy laden pads and synths and its monsterous sounds one of my favorite tracks at the moment . We want to thank you at Finale Sessions for giving us the opportunity to share this music with you and we hope you enjoy it
Don’t Take This Shit So Serious (feat Brothers' Vibe - original mix) (9:52)
Don’t Take This Shit So Serious (feat Brothers' Vibe - Brothers' Vibe remix) (7:44)
Don’t Take This Shit So Serious (feat Brothers' Vibe - acapella) (2:52)
Review: Finale Sessions is proud to bring you a fantastic release from Berlin's youANDme Feat New Jerseys Brothers'Vibe and we are excited because of the combination of this release and we start with the "Original "with its classic house appeal and the perfect vocals of Brothers' Vibe it is one for the peak time dance floors and then we have the Brothers'Vibe Remix and it is an amazing piece with its tribal drums and its super deep vibe this one is stellar part of the record
Review: deepArtSounds may be a sublabel of Moto Music, but it's achieved so much on its own terms over the past decade. Now Joe Lewis is joining the esteemed ranks of the label with even more experience behind him - he was recording for the likes of Relief Records and Peacefrog way back when. It's no secret when you listen to his jams on Back 2 Live, where rugged and raw synth lines sit atop tough machine beats. "Love Mystery" is plenty tender where it counts, but "9 Lives" and "Confused House" head towards a rougher end goal for the nastier kind of party.
Review: Haunted Doorbell are Timothy J. Fairplay and Matilda Tristram who released 'Xylophone' together last year on Astro Lab Recordings. Picking up where Xylophone left off 'Unconnected thoughts on jacking' is four tracks of naive melodies, rough slamjack drums, and new age atmospheres. 'Starclash' kicks off side A, with its dramatic arpeggios and SID chip crashes, Techno to soundtrack the Saturday night laser show at the planetarium. Following is 'A night of adventure' with its eastern scales and washy broken chorus unit hiss. On side B we have 'Beautiful Sheffield' - an ode to electronic music's (possibly) most important British city and the title track rounds of the EP - house music for listening to while looking out to sea.
Review: Dave Aju, Alland Byallo, Kenneth Scott and Marc Smith joined together as KAMM, resulting in a mini-album called Kick Drunk Love for marcel Vogel's Amsterdam based label Intimate Friends.iDescribed in a press release as being influenced by the artists' "love of early '90s MoWax era laid-back beats," it features Barrite on lead vocals (with Byallo and Scott also contributing vocals), Smith on guitar, Byallo on trumpet and Scott on Moog synth. There's a couple guest appearances as well: Damian Schwartz plays some bass on "Sidewalks" and Eureka provides "a hell of a [vacuum] rev" on "Stage Left."
Review: Having regularly appeared on Junk Yard Connections and Banoffee Pies over the years, Adam Stromstedt has plenty going on, but he's also got the time and space for his own Lyssna label, and he returns with his first solo EP on the label. It's an accomplished record, mining the vibe of ambient techno and channeling it into contemporary production with soul-stirring results. "TST142" is a mellow groover with a trancey undercurrent, while "Reptile Boogie" swerves into blissed out electro for lazy days. "Green Room Therapy" places plaintive keys at the front of the mix and channels a little of Floating Points' magic, and then "Split Tongue" offers up the most overtly club-minded jam on the 12".