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Cat: LEWIS 02412. Rel: 17 Nov 05
Indie/Alternative
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Cat: RUG 226. Rel: 20 Apr 06
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C' Mon Everybody
C' Mon Everybody (DJ UTO mix)
C' Mon Everybody (instrumental)
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Review: Leapfrogging conventional rock sounds and hop-scotching conformity, these unassuming young gentlemen yell "Up your pigeon-hole!" to an industry obsessed with format and repeated musical templates. In the humble surroundings of a quaint English seaside village, the members of Odd Shaped Head reside in chaotic harmony: Paul (bass/vocals), Ricky (guitar/vocals), Rob (drums) and Andrew (guitar); from childhood chums to grown up geeky misfits. The quirky quartet release their new single "Egomatic Annie". Their eclectic brand of energetic, rhythmic, funk-punk, jerky bass popping, powerful scatterbrained drumming and stabbing guitars bursting into vibrant melodies draws more fans along to venues already packed with a collage of characters. This is not to be missed.
… Read morein stock $0.46
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Review: It's hard to untangle this hopelessly sad anthem from the equally tragic death of Joy Division singer Ian Curtis, but if we had to put a bet on it we'd say it would still be hailed as the masterpiece it is now without those unfortunate events. Coming, as it did, after the two albums from the band, it's the perfect half way house between their powerful, guitar-powered sound and the futuristic synthesiser waves that informed New Order not long after. Plus, it's a heartbreakingly brilliant song with lyrics that have spoken to subsequent generations without fail.
… Read morePlayed by: Juno Recommends Rock/Indie
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Billie Holiday
Beetles
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Orange Jewelryist (Orange Blossom Special Tractor Pull mix)
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Review: · Hot on the heels of acclaim from Pitchfork,
Stereogum and various other dot-com entities,
Toronto two-piece Memoryhouse make their Sub
Pop debut with ‘The Years’, a mini album
containing their 2010 digital-only, self-released EP
fully re-recorded, remixed and remastered, plus
the new tracks ‘Modern, Normal’ and ‘Quiet
America’. The five tracks form a cohesive set of
gorgeous, ethereal synth-pop songs, all of which
are seeing their first release on CD or LP.
· ‘The Years’ was re-recorded and mixed by Evan
Abeele with the help of Daniel Gray in Toronto.
· Memoryhouse will also be releasing a new fulllength
in 2012.
Tracklisting
Sleep Patterns
Lately
Modern, Normal
To The Lighthouse
Quiet America
… Read moreStereogum and various other dot-com entities,
Toronto two-piece Memoryhouse make their Sub
Pop debut with ‘The Years’, a mini album
containing their 2010 digital-only, self-released EP
fully re-recorded, remixed and remastered, plus
the new tracks ‘Modern, Normal’ and ‘Quiet
America’. The five tracks form a cohesive set of
gorgeous, ethereal synth-pop songs, all of which
are seeing their first release on CD or LP.
· ‘The Years’ was re-recorded and mixed by Evan
Abeele with the help of Daniel Gray in Toronto.
· Memoryhouse will also be releasing a new fulllength
in 2012.
Tracklisting
Sleep Patterns
Lately
Modern, Normal
To The Lighthouse
Quiet America
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Cat: SPKR 003. Rel: 11 Sep 12
Indie/Alternative
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Review: Marking the start of an exciting new collaborative project, Wolf + Lamb proudly share the debut release of The Waves & Us. Formed out of
a creative meeting of minds between Maayan Nidam, Markus Nikolaus and Louis McGuire, theirs is a sound that strengthens the storied
approach of a live band with the experimental thrust of analogue electronics. Pop and rock fundamentals lend an earthly hook to the
tracks, but these are anything but straight-forward songs.
Maayan has already forged a formidable career in electronic music, both under her own name and as part of Mara Trax, scoring releases
on such celebrated labels as Perlon. Markus performs his own solo project Cunt Cunt Chanel, while Louis is part of Ballet School, a band
releasing on noted indie label Bella Union. The whirlwind of creativity that has whipped up around the trio has yielded an album which will
follow this single, made up of one-take recordings that capture the energy and adventure that powers The Waves & Us.
Maayan's electronics provide the atmospheric backdrop to the songs, running modular synthesisers and drum machines through detailed
chains of processing and effects with an emphasis on a warm, charmingly rough finish. Markus' guitar undergoes a similar fuzzy treatment
while his voice calls out introspective, abstract lyrics to set the mind racing. Louis' bass underpins the music with a dubby sensibility,
bringing a necessary balance to the frequency range.
Making the most of their in-the-room recording approach, the singles will feature alternative takes of the songs that will appear on the
album, providing a little insight into the flutters and fluctuations that shape the development of this project. With their eyes fixed on live
performances and an arresting sound already formed, this is a vital time for all three artists and the people that listen to them.
… Read morea creative meeting of minds between Maayan Nidam, Markus Nikolaus and Louis McGuire, theirs is a sound that strengthens the storied
approach of a live band with the experimental thrust of analogue electronics. Pop and rock fundamentals lend an earthly hook to the
tracks, but these are anything but straight-forward songs.
Maayan has already forged a formidable career in electronic music, both under her own name and as part of Mara Trax, scoring releases
on such celebrated labels as Perlon. Markus performs his own solo project Cunt Cunt Chanel, while Louis is part of Ballet School, a band
releasing on noted indie label Bella Union. The whirlwind of creativity that has whipped up around the trio has yielded an album which will
follow this single, made up of one-take recordings that capture the energy and adventure that powers The Waves & Us.
Maayan's electronics provide the atmospheric backdrop to the songs, running modular synthesisers and drum machines through detailed
chains of processing and effects with an emphasis on a warm, charmingly rough finish. Markus' guitar undergoes a similar fuzzy treatment
while his voice calls out introspective, abstract lyrics to set the mind racing. Louis' bass underpins the music with a dubby sensibility,
bringing a necessary balance to the frequency range.
Making the most of their in-the-room recording approach, the singles will feature alternative takes of the songs that will appear on the
album, providing a little insight into the flutters and fluctuations that shape the development of this project. With their eyes fixed on live
performances and an arresting sound already formed, this is a vital time for all three artists and the people that listen to them.
Played by: DAVIS [BR], Juno Recommends Experimental
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Bonus EP (white vinyl 12" + insert + MP3 download code)
Cat: 081177 4026406. Rel: 02 Dec 16
Indie/Alternative
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Review: In the world of slow burners, "Habit" ranks among the slowest. For some, it's the fabled iconic first EP from Lindsay Jordan, Shawn Durham, and Ryan Vieira, who shot to cult attention through a gig with the legendary Priests. For others, it'll be a slightly avant-leaning, DIY-garage rock effort packed with pained cries and instrumental cacophonies. Whichever side of the fence you fall on, it's fantastic. "Dirt" might display the band's scope the most, toying with rhythms, lyrics compelling even the most unemotional ears. "Stick" shows off Snail Mail's talent for balladry that belongs on the score to an indie movie about coming of age on the fringes of society. Throw in the forthright, uptempo "The 2nd Most Beautiful Girl In The World", which combines Jordan's innocent vocals with crashing cymbals and runaway guitars, and it's no surprise this has achieved cult status.
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Review: British label Fire return with more retro antics. Virginias Wings perform a cover version of Suzanne Menzel's lost pop classic "It Starts Again" with Jane Weaver on vocals. Noveller Aka Brooklyn based Sarah Lipstate performs a rendition of John Carpenter's "The Thing" and Malmo based dream pop trio Death and Vanilla re-imagine Bert Janschs "Moonshine" on this first edition of the new Lost Library series: conceived by the label boss James Nicholls and designer Luke Drozd. Featuring new tracks from their acclaimed female fronted roster.
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Out Of The Blackness Into The Blue (limited blue vinyl 12")
Cat: CTRUE 23. Rel: 10 Nov 17
Indie/Alternative
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Review: Hailing from the London rat race, MUX step forward with the first release on Teenage Father and lay their distinctive style out for all to witness. Their broad-reaching indie rock sound has undertones of electronica, grunge and a very British swagger that deserves to get them onto radio playlists and festival line ups aplenty. "MDMA" rumbles along somewhere between Soulwax, Kasabian and Queens Of The Stone Age, while "Teenage Father" ups the intensity with a punky thrum behind the raucous guitars and grinding synths, and then "Stray" finds the band mixing up the time signatures for the most adventurous cut on the record.
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