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Review: We're big fans of the great work that ZYX has been doing recently and it seems as though that is going to continue into 2023 if this first release of the year is anything to go by. Paul Crazy's 'Believe Me' is an Italo disco classic hit from back in 1984 that gets a top reissue on 12" vinyl. This version includes both the original vocal and the instrumental as well as, as is often the case with reissues from this label, a fine remix from Flemming Dalum. He flips the original into a more rigid and chugging disco stomper while a lush Victor Ark remix brings the dreamy arps.
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Cat: ZCCD 065. Rel: 19 Sep 18
Industrial/Noise
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Cat: ZENFC 013CD. Rel: 17 Nov 22
Coldwave/Synth
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For Joy (hand-numbered cassette + insert + MP3 download code limited to 55 copies)
Cat: ZZ 064. Rel: 05 Jan 21
Indie/Alternative
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Review: Always tinkering in the curious gaps between musical conventions, Georgia are surely one of the slipperiest entities in contemporary electronics. Following stellar albums for Firecracker, Ekster and Metron, the NYC duo round out a prolific 2019 with another mind-bending long player for Youth. It's as hard to pin down as anything they've done before, playing bricolage with atmospheric field recordings and live percussion pushed through the meat grinder and splattered on the grid with a liberal pouring of synthetic alchemy for garnish. It's not as difficult to digest as that description would suggest either, which is precisely why Georgia are so utterly wonderful to get bewildered by.
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Review: It has taken five years for FKA Twigs to follow up her astonishing first album, "LP1". With that kind of timeframe, you can't help but have high expectations for the finished product, expectations "Magdalene" more than meets from the off. An artist in the truest sense - with every step and stage in the recording process controlled by her - it's an accomplished comeback for a woman who in the last half decade has experienced both personal loss and major physical challenges. Don't expect more of the same, then, but instead a talent finding new purpose and new confidence following difficult times. With the ever-impressive Nicolas Jaar giving a helping hand, the result is a raw, honest record that's deeply personal, full of self-reflection and, ultimately, accepting and positive. Not to mention destined to be on repeat. Her position as one of the UK's most vital and compelling acts re-confirmed.
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I Can See The Future (180 gram vinyl 2xLP + MP3 download code)
Cat: YEP 2278LP. Rel: 01 Jan 90
Indie/Alternative
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Cat: YR 7010CD. Rel: 31 Jan 20
Indie/Alternative
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Cat: YALA 14. Rel: 28 Aug 20
Indie/Alternative
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All We Can EP (limited hand-numberd + hand-sprayed + signed 12" (we cannot guarantee the colour you will receive) )
Cat: XV1 004. Rel: 20 Dec 13
Indie/Alternative
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Exit Pursued By A Bear (limited clear vinyl 10" + MP3 download code)
Cat: XMREP 144LP. Rel: 17 Oct 14
Indie/Alternative
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Xtra Mile Single Sessions Vol 6 (limited pink vinyl 7")
Cat: XMR 780. Rel: 11 Oct 13
Indie/Alternative
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Shakedown
It's Over
Drive Thru Divorce
Freight Train
What You Do To Her (feat Nicole Atkins)
If All My Nines Were X's
Backup Plan
Sleight Of Hand
Tv Shows
My Comrade
On, Wisconsin
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Feral
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Played by: Humberto Matias, Juno Recommends Rock/Indie
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Colourful Life
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Mansard Roof
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A Punk
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I Stand Corrected
Walcott
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Review: You want ideas? Vampire Weekend have ideas. They've also got wit, imagination, an eye for lyrical detail and an ear for musical adventure.
Most importantly Vampire Weekend have tunes. Oh yes, they've got tunes. Dealing in genres the band have dubbed 'Cape Cod Kwassa
Kwassa' and 'Upper West Side Soweto', 'Vampire Weekend' is a breath of fresh air, both musically and lyrically, with this New York band
endeavouring to make music that is anything but straight ahead rock. Straight ahead? As if. This is indie-rock that isn't indie-rock, a joyously
exuberant carnival of melody and rhythm. Strings. Organs. Afro-funk guitars. Courtly 18th century harpsichord. A bit of post-punk (maybe Franz
Ferdinand crossed with the Bhundu Boys?). Lyrics about grammar and architecture and preferred bus routes and the British Imperial origins of
American preppie fashion. With fleet-footed pizzazz Vampire Weekend deploy all these to craft a tinglingly refreshing sound. Anyone for brainy
party music? Take 'Oxford Comma', a spartan funk charmer that references a piece of grammar (you can look it up). Then there's the band's
debut, limited edition UK single, 'Mansard Roof'. Said roof is an architectural style that offers extra living space in an attic. The lyrics then go on:
'the Argentines collapse in defeat, the admiralty surveys the remnants of the fleet'. You want world music? That is, music of the world? You want
Vampire Weekend. You can throw yourself around the moshpit to 'Campus'. You can imagine what happened to characters in recent single
'A-Punk' before they ended up in the song ('Johanna drove slowly across the city/the Hudson River all filled with snow/she spied the ring on his
honour's finger/oh-oh-oh'). You can shed a tear, then shed your clothes, at the hymnal-meets-tribal thunder of 'I Stand Corrected' or the epic 'M79',
which is named after a Manhattan bus route and forms the heart of the album.
… Read moreMost importantly Vampire Weekend have tunes. Oh yes, they've got tunes. Dealing in genres the band have dubbed 'Cape Cod Kwassa
Kwassa' and 'Upper West Side Soweto', 'Vampire Weekend' is a breath of fresh air, both musically and lyrically, with this New York band
endeavouring to make music that is anything but straight ahead rock. Straight ahead? As if. This is indie-rock that isn't indie-rock, a joyously
exuberant carnival of melody and rhythm. Strings. Organs. Afro-funk guitars. Courtly 18th century harpsichord. A bit of post-punk (maybe Franz
Ferdinand crossed with the Bhundu Boys?). Lyrics about grammar and architecture and preferred bus routes and the British Imperial origins of
American preppie fashion. With fleet-footed pizzazz Vampire Weekend deploy all these to craft a tinglingly refreshing sound. Anyone for brainy
party music? Take 'Oxford Comma', a spartan funk charmer that references a piece of grammar (you can look it up). Then there's the band's
debut, limited edition UK single, 'Mansard Roof'. Said roof is an architectural style that offers extra living space in an attic. The lyrics then go on:
'the Argentines collapse in defeat, the admiralty surveys the remnants of the fleet'. You want world music? That is, music of the world? You want
Vampire Weekend. You can throw yourself around the moshpit to 'Campus'. You can imagine what happened to characters in recent single
'A-Punk' before they ended up in the song ('Johanna drove slowly across the city/the Hudson River all filled with snow/she spied the ring on his
honour's finger/oh-oh-oh'). You can shed a tear, then shed your clothes, at the hymnal-meets-tribal thunder of 'I Stand Corrected' or the epic 'M79',
which is named after a Manhattan bus route and forms the heart of the album.
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Live Those Days Tonight
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