Review: As soon as the sun pops out, we tend to reach for exuberant, celebratory fare. Helpfully, there's plenty of that kind of sweaty, arms-aloft fare to be found on Dan Snaith's latest outing as Daphni. While his releases under the alias were once percussive and Afro-centric, this one comes with a big dollop of funk-fuelled goodness and more dancefloor weight than you can shake a stick at. Check, for example, the pots-and-pans percussion, soaring strings and low-slung bass of disco-sampling smasher "Romeo", the saucer-eyed rush of "Just", where another loved-up disco cut is smothered in loose-limbed carnival drumming, and the jazz-house-goes-breakbeat heaviness of "If". Best of all, though, is "Sizzling (Featuring Paradise)", a colossal chunk of pitched-up carnival disco-house full of ear-catching vocal refrains, rubbery bass and tropical horn blasts.
Review: Pepe Bradock's recent album "What A Mess!" might have been a cut-and-paste collage of weirdo track fragments, occasional rhythms and spaced-out ambient aesthetics, but the veteran Parisian producer is still capable of crafting killer dancefloor cuts when he feels like it. This weirdo deep house two-tracker proves as much, with A-side "Peeped Booths" offering a near perfect fusion of hypnotic bass, locked-in grooves, ultra-deep riffs, angular electronic noises and strange vocal samples that have been manipulated within an inch of their lives. It's more than a bit good. "Klezmorim Telepathique" sees Bradock raise the tempo and intensity via a bumpin' fusion of panicked electronic motifs, paranoid bass and fizzing synthesizer flashes.
Review: Having recently rounded off his Prolific Trilogy 009 series with a third and final collection of deep and groovy club cuts, Samuel Andre Madsen returns to action via a tightly wound two-tracker full of funk-fuelled grooves and rush-inducing moments. There's something wonderfully loose-limbed about flipside "Alright", a post two-step club cut rich in foreboding acid bass, looped spoken word samples, acid flashes and twisted tech-house electronics. It's good but nowhere near as life affirming as lead cut "Fury's Laughter", an acid bass-propelled peak-time stomper blessed with the most wide-eyed and spine-tingling breakdown we've heard this month. The clips alone are giving us chills, which is always a good sign.
Review: While their obscure disco and Balearic re-edits tend towards the warm and groovy, Psychemagik's original productions have been getting increasingly tough and druggy in tone. "Rattlesnake", a hypnotic chunk of club-ready psychedelic disco rich in wonky electronics, trippy riffs, mind-altering bass and locked-in drums, may well be their most intoxicating and hallucinatory track to date. The duo's out-there original mix is made even weirder - and arguably more alluring - by Magda on her "Blotter Traxion Remix", which sounds like a tripping hippie trying to simultaneously mix electro, tech-house and techno. Vyvyan provides the other rework, wrapping doom-laden electronics and fizzing acid lines around crispy disco drums.
Review: From Copenhagen with love. After two years of planning, tweaking and fine-tuning, Danish groove monkeys Kasper Marott and Alfredo92 are proud to present their new label Axces. Repping their local crew, the label represents a community of artists including this single's co-producers Carl Emil and Lauge. "Os To" (which translates to 'the two of us') is as cute as it sounds. Dreamy, cosy, unhurried. "Fest Pa Taget" (party on the roof) raises the psychedelic factor a little as unearthly bubbles and chimes spin 360 around a jaunty rolling percussive beat. The start of something exciting and fresh; everyone has access to Axces.
Review: Following 2017 and 2018 outings on Concrete Music and Bass Culture Records, French producer Leo Pol returns to the Iile imprint he founded in 2016. There's plenty to admire across the five included tracks, from the rubbery acid bass, sweaty drums and glassy-eyed melodic breakdowns of opener "626 Mafia", to the sturdy beats, hustling drum fills, filter-laden chords and sweet vocal samples of closing cut "Keep This Thing". Leo's collaboration with Max Ulis, "On My Face", is a thrillingly high-octane fusion of ghetto-house, techno and woozy New Jersey garage, while "FEM" is an acid-flecked chunk of sun-kissed deep house breeziness that sounds like it could have been made in Italy in 1992.
Review: Having previously appeared alongside Tommi Vicari Jr on a 12" last year, Opto Mystics strike out on their own with this 12" for Italian powerhouse Vibraphone. New Horizon very much represents the new school approach with the long serving Italian house label, keeping that deep, melodic quality but embracing new rhythms, tones and approaches. "New Horizon" almost has an Akufen quality to it, while "Bucky Triangle" could easily transmit from the Motor City house scene. "M.I.Y.E." is a swirling blur of gorgeous synths, and "Suddent" finishes the EP off on a surprisingly experimental tip.
Review: Berlin deep house heroes Cinthie and Stevn Aint Leavn are back on their ever reliable Beste Modus imprint for its ninth edition and they aren't messing around on this one. Quality classic house vibes all the way - a timeless Windy City vibe dominates the A side courtesy of Cinthie, who serves up the sultry and swing-fuelled late night groover "Everything I Say" before taking it back to '94 with the dusty and soulful "Good For You & Me". On the flip, Stevn Aint Leavn is in fine form, too, particularly on the moody and bass-driven back room dub "Quins".
Review: Lauren Lo Sung's star continues to rise as the talented minimal house producer and DJ partners up with the mighty Lazare Hoche. This four track EP is packed with bombs, from the shimmering, metallic deep house finery of "Running" to the cheeky acid wriggle of "Dusty Pink". Things take a darker, deeper turn on the fierce "Fixate," and then lift into fluttering after hours tones for the sublime and ever so slightly trippy "Lara's Dub". Now firmly entrenched in the cut and thrust of the European minimal house scene, Lo Sung's talents spill out in abundance on this assured pack of highly workable and versatile floor filling 4/4 burners.
Review: Somewhat poetically, Anthony Naples describes his third album, "Fog FM", as a "house music transmission filtered through fluorescent static, from a station out of place and time". You'll certainly find some blasts of evocative radio static dotted around the album - see the drowsy wooziness of ambient numbers "Channel 2" and "Channel 3", not to mention the pops and crackles wrapped around sub-heavy, stripped back peak-time workout "Unhygenix" - but the lasting impression is of a smartly-produced set of mostly club-ready cuts that subtly doff a cap to many sub-genres of house and techno. It's a superb set, too, with highlights including the wayward techno intensity of "Benefit", the "Brown Album"-era Orbital heaviness of "Purple Iris" and the tough, dubbed-out deep house headiness of "Lucys".
Review: The mysterious Monsieur Blue returns for a third time to unfurl more of that supremely elegant, dusky deep house alchemy that has made his first two records so desirable. Capturing the woozy mood of the early evening or the late morning, "Track 1" billows out on a bed of mellow pads and an undulating, shuffling beat. "Track 2" does little to shake things up, instead maintaining that beautifully meditative atmosphere and coasting on gentle filter sweeps and sturdy, rolling percussion. "Track 3" injects a little more bite into the beat without sacrificing the gentle lilt of the melodic content, making this three impeccable slices of the deepest minimal house money can buy.
Review: Sudd Records has been going for some time as a digital-only label, but now they make the leap to vinyl with the help of Detroit champ Gari Romalis. "Abstraxx (Linear Mix)" kicks off the record in a heady fog of undulating pads, the smoke positively drifting out of the speaker cones over a simple, deep-as-you-like drum pattern. "Dark Ryda (Sunset Mix)" gets a little more funk in its rhythm, but the same mellow mood prevails, almost reaching dub techno levels in its atmospheric chord swells. "Heat (Bout That Life Mix)" takes things out of the darkness and into a lighter frame of mind, but Romalis is still firmly in the deep end of the deep house pool with this final cut on the record.
Review: Hailing from France but now based in Tokyo, Jazzy Couscous is a label that explores all kinds of sounds pivoting around the axis of jazz and deep house, but keeping things wide open for variety and experimentation. Following releases from Brawther, Klodio and more besides, it's time for a hefty various artists release that shows off a whole heap of talent. Matthieu Faubourg keeps thing pumping and Detroit-flavoured on "A Long Way", while Drezb smooths things out to a Chez Damier-influenced deep house groove. Pascal Viscardi gets things properly jacking on the deep-diving "Digital Illusion", and then the record closes out with the blissful ambient excursion of Midori featuring Victor Santoni's "Distance".
Woman For A Day (Clandestino Dessert Trance remix)
Review: We have been patiently waiting for Pele to crop up on a release from the footy mad Rothmans, and what a time to play that card! Rothmans is back once again with his Aussie teammate Dawn Again, supported by a first appearance from Leeds legends Clandestino. EP opener 'Cobblejam' is nothing short of first class, a worthy and chugging Italo powerhouse that leaves absolutely nothing to the imagination. The B-side finds us with the strangely named 'Woman For A Day', though there's nothing strange about the track itself, a deep and dark cut that slowly drives forward into the abyss. Finishing off the record is an excellent remix from the lads over at Clandestino, their 'Dessert Trance' vibe brings the record together as sweetly as Pele brought together that 1970 World Cup Winning team.
Review: Needs (not-for-profit) is a new label that aims to raise awareness about different issues within society with each release. Their first offering highlights the importance of mental wellbeing, with all profits being donated to mental health charity Mind, and calls upon a strong cast of deep house producers to impart the kind of Smallville-friendly sounds that discerning heads should snap up in a heartbeat. Hubie Davison's "I Know" is a melancholic affair with heart-nagging strings, while Johannes Albert injects a little spice into proceedings with a choice breakbeat and some excellent bird song on "Vigilia". DJ Swagger's "21st Century Slow Jam" is a peppy little shuffler with warm acidic bass and a kick ass swing in the beat, and then Bobby Pleasure finishes the record off with the wistful but tech-edged "Cloudspotting".
Review: Joe Morris is back in action on Jacaranda Skies 8.02, exploring more of that balmy sound that Pleasure Unit love so dearly when having a good time down by the marina. This is how yacht rock would sound if it had got with the party program, not least on the illustrious "Jacaranda Skies". "The Lost Garden" is a more mysterious affair that trades in immersive atmospherics with a distinctly soundtracky feel. "Mangrove Dawn" is a sleepy affair that wraps around you like a perfectly timed silken scarf, and then "Skies Reprise" lets Morris sail back into those bountiful waters that gave us the lead track.
Review: The high grade, leftfield approach to house music Lyssna have set out as their MO continues in fine style on this new Colours series, starting with the Yellow EP and a strong cast of characters from the outer reaches. Riciar Ghir opens up proceedings with the tumbling deep house of "Cargo", making the keys dance with distinction and injection a subby rumble where it counts. Minimal Afrika follow that up with a percussive tryst entitled "Drakma Queen" that blossoms into a sumptuous ambient excursion. Robotalco takes a very different approach with some classically pumping sample-powered house music to shake feel-good fists to, and then Klubbhuset finishes up with an impassioned romp through peak time disco licks for the peak of the night.
I Can See It In My Dreams (Orgue Electronique remix) (6:04)
Review: The ever-impressive Organic Analogue returns with another crucial excursion into seductive hardware jams from the deeper end of the electronic gene pool. Marvis Dee is an alias for Dutch electro champ Jeremiah R, and finds the promising upstart on impeccable form. There's something seedy in the air on killer opening jam "Alpha", while "Dipper" makes no bones about its classic, Drexciya-informed electro intentions. "I Can See It In My Dreams" is a wistful trip into Chicago house territory, which Orgue Electronique dutifully remixes in his warm, effervescent manner. With "Intervention" and "Cygnus" taking a deeper direction it's a record with depth to match the other excellent releases on OA, and one of the strongest sleeve designs we've seen in some time.
Review: KNLB first appeared with the Initialize 12" on Vibraphone in July of this year, and it's not taken them long to return with another slab of on-point, upfront house music loaded with flair and imagination. "Up Again" is a heavy, chugging and bumping jam that should inspire all manner of screwed up faces of appreciation on the floor, and then "Fog Machine Smell" simmers things down to a more measured house groove. "Half Life" brings a few more dubby elements into the mix, and then the club mix of "SIN" sends the record spinning off in a wonderfully dusty reverie of detuned pianos and late-hitting drums.
Review: Hold tight for a shocking, rare discovery from the dusty vaults of a forgotten 90s breakbeat house outfit's MiniDisc archives. The two tracks that make up the repertoire of the Two Bad Jews crew are steeped in the wistful optimism of the good old days - they just don't make them like this any more. "Holland Memory" rolls on a measured use of a break and a simple chord sequence that could melt on for days, plus there's space for the odd cheeky sample to remind you of the unpretentious era these tracks herald from. "Tony Hayers (dub)" meanwhile ups the DX7 funk with a rollicking house cut that would sit right with any true deep house head who wants a little UK attitude in their soul stew.
Review: Waxwing pops up on Re-Fix with a crafty, chopped up soulful house approach that will sit right with fans of Max Graef and Felix Lenferink. "Can You" is a summery jam with plenty of sliced and diced vocals and romantic sweeps of melody, while "LongFunk" gets a cheeky shuffle in the mix with splashy drum hits and nifty Rhodes stabs to get bodies popping uncontrollably. "Do It For 'Em" gets even twitchier in the edit, using all kinds of heavily funked up samples to create a killer groove. "Stand It" takes a more classic New Jersey approach without losing that instinct for crafty twirls and curls to spice the mix up.
Slipping Into Darkness (Vincent Floyd remix) (7:12)
As You Are (7:17)
As You Are (Nick Anthony Simoncino remix) (7:00)
Review: Vibraphone Records continues to deepen its contemporary repertoire by inviting Andrew Soul into the fold with a vocal contribution from house music legend Robert Owens. "Slipping Into Darkness" is a beautifully rendered deep house gem with expressive piano work, rubbery bass synth tones, but in some ways the minimalism of Vincent Floyd's remix gives Owens' vocals a chance to take centre stage. "As You Are" is a crooked, broken beat exploration on the fringes of deep house, and Owens' voice sounds resplendent in the more experimental surroundings before Nick Anthony Simoncino comes on board with a 90s flavoured, darkside remix of the highest order.
Review: The ever strong Tusk Wax empire continues apace with this assured slice of cosmic tinkering from the somewhat mysterious Pork & Tony, supposedly featuring Private Agenda. Who's responsible hardly matters - the jams are what counts, and they're impeccable slices of disco-informed boogie crafted with woozy nights and red lights in mind. "Rhythm Ride" is a seductive trip peppered with (presumably Agenda's) vocals, and "Luke's Summer" gets gently melancholic while thumping out a rugged machine beat. Jay Shepheard comes on board to remix "Luke's Summer" and does so in a measured, patiently paced manner. Coyote's take on "Rhythm Ride" dubs the whole thing out magnificently, pushing the track even further out of the stratosphere thanks to shimmering dub processing and a nagging acid line.
Review: Having served as a reliable source of heads down deep house, deep techno and other such electronic gems for a long time now, Michael Zucker finally steps up to Finale Sessions with his debut album, and it was worth the wait. He frames it as presenting his life story across eight tracks, leading in with the elegant, heads-down tech house roll of "40 Days" and the immersive ambience of downtempo jam "Choosing Sides." There are diversions into broken beat on "Tokyo Sunrise" and rawer drum sounds powering "Divine Power," but the vibe is consistent across the LP. Melodic, mellow machine soul positively pours out of this one.
Review: Is It Balearic? welcome Ilija Rudman back to the fold for the first time since the excellent True Colours album back in 2015, and the Croatian disco house mainstay sounds like he's on searing form. "Motions" is a luscious deep house jam with a throbbing low end, but made all the more powerful by the sultry vocal turn from Andre Espeut. Italo house veteran Don Carlos is a smart shout for two remixes, kicking off with the uplifting yet understated groove of the vocal version before spreading over the B side with the beatless but driving pulse of the ambient mix.
Review: Laroze is flying the flag for US inspired house music in France, wearing influences from Nu Groove to Mahogani Music on his sleeve and delivering that classic strain of deep house that never dulls with time. "Bring It Down" is a soul-stirring boost of energy fuelled on the hedonism of optimism of vintage 90s house, from the chords to the vocal hook. "Port De La Lune" does a damn fine job of looping up some feel-good disco licks, and "You Better Give Up" shows a different side to Laroze that feels as indebted to R&B and downtempo as house music. Kosme comes on board to do a remix of the track that reframes it as a rolling breakbeat number.
Review: Georgian producer Hamatsuki appeared on GASP last year with the Uncertain Loops cassette release, but makes his vinyl debut on this damn fine 12" for the recently minted Sensu label. "Remember" is a rich, undulating swirl of deep house laden with melancholic pads, while "Rett" sports a sunnier tone for its own arsenal of soft, rounded synth tones. DJ Sports comes on board for a remix of "Rett" that plays with said synths and creates springy, computer jazz melodic threads out of them. "Inexplainable Inner Sadness" completes the set with another trip into warm, Chicago-indebted house tones for the introspective dancer.
Review: Ilija Rudman is certainly a prolific artist, regularly appearing on labels like Is It Balearic? and running his own Imogen label to ensure he's always got an outlet for the classically informed grooves he does so well. Paradigma is his third studio album, and it finds the Croatian producer exploring all manner of moods both day time and nocturnal. At one moment you might be wistfully cruising down the sultry boulevards of "Temptations Trial", only to cosy up with the comely tones of "Creamfields" or the vibrant chords of "Elastica". By and large it's a downtempo affair for private reflection, steeped in 80s glamour and produced with a crystalline perfection to add that all-important glint to your life.
Review: Dana Ruh is best known as a figurehead for the mighty Brouqade, but she's equally found on many other labels in the mean time. On this occasion she's brought her distinctive, heavy grooving style to Autoreply for an examination of the artistic process in the shape of one jam, three ways. "Round 2 Reel 1" is the funkiest of the lot, using some killer swing and vibing chords to make for an upbeat, infectious yet still nicely kinked sound. "Round 2 Reel 2" takes things into a more intricate, techy headspace where snaking rhythms interlock with pockets of synth abstraction. "Round 2 Reel 3" continues that theme into a rich, exotic forest of mechanical tones for the adventurous techno trippers to zone out on.
Review: Gene Hunt is one of the few producers from the original wave of Trax Records signees that still flies the flag for Chicago house with as much gusto as when he started. This is his second trip out on Inner Shift Music, and it finds the US house veteran on impeccable form. "Kayla Dream" is a light, airy jacker defined by amorphous synth washes that match the mellow mood of the label. "Distant Voyage" is a truly standout track though, dealing in crooked rhythmic structures and channelling the techno side of Hunt's muse. "Open Up Your Eyes" maintains the introspective mood, but this time welcomes some soulful vocal turns into the adventurous, machine-powered landscape.
Review: It's the fourth go round for Monsieur Blue, who steps back up to the plate with another three surefire jams from the slinkier side of the minimal house spectrum. "Track 1" is an exquisite trip through blue-hued keys and shuffling drums, striking a fine balance between the lounge and the dancefloor. "Track 2" takes a moodier approach, eking out mysterious chords and injecting a little juice into the low end to suit a more rugged situation, and then "Track 3" jettisons the ballast and pings off into a dubbed out sphere of house music perfectly crafted for the times you want to get lost at sea.
Review: Seven Davis Jr proved once again he's one of the brightest lights in authentic soul-soaked deep house with attitude when he released Love From The Other Side back in 2016. Now he's pulled together a strong cast of cats to offer up remixes of key album tracks, with scintillating results. Davis Jr's heady atmosphere is maintained in all of the versions, from Marcel Vogel's funky broken beat treatment on "99 Candles" to the woozy bump of the Teflon Dons' version of "This Weekend". Watch out for the tracky heat of Coflo's remix of "Me Like You" as well - just the kind of lean, mean, sexy jam that will get bodies heaving in the right party spot.
Review: The WineLambs is a new project on Troubled Kids from label founder Jesus Gonsev and Dan Piu. It's an assured trip into buttery smooth deep house for those who likes things sensual, starting off with the plush tones of "Falling In Your Arms" featuring the soulful vox of Shareen. "A Genuine World" is another hazy gem of a track, setting adrift on a bed of harmonious chords and achingly understated bass. "Poti Poti" is a spicier affair that pushes the beat to the foreground and gets a little choppier with the chords. Grant Focus turns in a remix of "A Genuine World" that strides confidently into rock solid deep house territory once more, extending the scope of this EP while maintaining the consistent vibe.
Review: There are some deep house producers you just know you can rely on, like DJ Aakmael. No matter the season, his dusty, sun-kissed sound radiates warmth and groove loaded with authenticity and impervious to hype and fads. On this release for Deso he's in a particularly breezy mood, letting the easy tones of "Flyte Tyme" drift out over a sturdy, funked up groove. Desos strips the track back to a spartan core, all percussion and subtle flecks of the original melody. We're back to widescreen technicolour on "Just A Track 6" with delirious chopped up vocals aplenty, which Luvnote shirks for the shuffling remix that closes out this strong package of contemporary deep house.
Review: Newcomer Tom Dicicco aka Veyg presents an ear snagging selection of leftfield beatdowns here for adventurous spinners on the fringes of the party. "Mutual Romance" is a quivering, shimmering trip through crooked house beats and crunchy yet dubby synth flourishes to delight the mind. "Virgo Love Affair" has a sweeter lilt, but it's no less wayward in its execution, but then "Filling Pieces" heads into more explicit deep house territory with some blissed out melodic content riding atop a deep diving US-flavoured rhythm section. "How We Live" ramps up the meandering dub processing, with tripped out filter sweeps and panning lending a psychedelic edge to this smoked out joint.
That's How Lovers Be (Scott Grooves That How dubs Be) (8:52)
Review: The Mysticisms label once more turns its attention to rarefied gold dust from the annals of deep house history, this time shining a light on Soiree Records, which was helmed by cult favourite Drivetrain. Nu-C Zn's "That's How Lovers Be" was an unconventional but oh so sweet curio back in 1995, and now it's been revived with Drivetrain delivering a new mix of the track that lets the smoky keys, plastic sax and gorgeous vocals hover tentatively. UK house stalwart Nail is up next with a bumping, crafty update on the track, while Scott Grooves lays down honey-coated keys that shift the mood of Nu-C Zn's original into a different emotional headspace.
Review: Minuendo calls upon Vincent Inc and Danijel Kevic to kick off their latest single, and they do so in fine style with the luxurious sweeping chords of "Space". Twinkling pianos, speech samples and a carefully measured set of deep house drums make this the consummate slice of pool-side dance music for those who can still find some sun at this time of year. Lola Allen steps up to the B side with something a little more sassy in the shape of "Afrofusion Jazz". As the title might suggest, there's a mixture of influences tumbling into this track, most notably with some wildly filtered jazz organ and funk licks stewing in the pot, and just when you think it's going to break it swerves off into submerged Moodymann territory. This is unpredictable house music at its finest.
Review: The hitherto unknown BEFORETHEBEATSBREAK crew step up with a low key drop on Blah Records, a label that has previously hosted the talents of Ronaldo and Crazy Bank. The mood is resolutely fixed on pumping garage house with oodles of swing, from the deeper shuffle of "Closer" to the heavy bump of "I Don't Want U". "Freak Me Out" is a wonderfully frantic workout with all manner of samples and skittish key flex pinging around an uptempo groove, before "Talkin' About" pushes the swing even harder to conjure up a jazzy feeling smattered with sax licks and squelching synth stabs.
Henry Hyde - "Every Day's A Good Day For A Swim" (6:18)
Review: The ever-charitable Needs project continues apace with another stunning cast of characters offering up their dancefloor creations to help a good cause - the environmentally-focused Cool Earth NGO. On this 12", Eris Drew delivers the uplifting breakbeat celebration of "See You In Snow", while Edward takes things deeper with the tripped out minimal house groove of "Mind Loop". D. Tiffany brings a particularly crafty approach to her own drum funk science on "Sun Trip" and Henry Hyde cools things down with the mellow, new age 2 step stylings of "Every Day's A Good Day For A Swim."
Review: Whereas the first volume in Joaquin "Joe" Claussell's "Cosmicdelic Africa" series focused on sneaky re-edits by the Sacred Rhythm founder, this second instalment focuses on original productions "for the dancefloor and the head". In other words, Clausell has offered up DJ-friendly extended versions of some of his most cosmic, Afro-centric creations. There's much to enjoy throughout, from the psychedelic rock guitar solos, restless bass, layered Latin house rhythms and rainforest sounds of Cosmic Ritual's "Abraxas (Demo Sketch Mix)", to the piano sporting cosmic house positivity of Mampo's "Emarofo Tech (Extended Sketch Mix)", via the spaced-out electronics, hallucinatory synth lines and sparse drums of intoxicating downtempo workout "Mundo De Agua (Psyxchdelic Transfusion Mix)".
Review: It's been a hot minute since we heard something new from Och, but he's back on Autoreply with a double 12" of high-grade, stripped back tech house shot through with oodles of imagination. "Panamax" is the consummate dubby house track, a true immersion chamber of a track, while "The Sadness" brings a shuffling groove and some peppy key stabs to the table. "The Healer" is a more overtly minimal affair that would sound at home on PAL SL, while "Linear Response Function" keeps things tight and focused with a sturdy rhythmic framework and some spartan piano notes. "Incompressible Flow" has a submerged jazzy undercurrent to it, and "Lovers Roll" gets into that freaky house bounce heard on "The Sadness". Overall, it's another sterling grip of refined tracks from a seasoned pro.