Review: While he's continued to offer up occasional singles, Bonn-based producer Dominik Eulberg has not released an album for eight years. It's for this reason that "Mannigfaltig", the former Traum Schallplatten regular's new set, is big news. Interestingly, it's nowhere near as club-focused as you'd perhaps expect, with Eulberg combining his usual glitchy, tech-house influenced beats and sounds with a range of intricate electronic motifs, sumptuous melodies and atmospheric aural textures. There are one or two club cuts, of course, but majority of the tracks bob along at a more sedate pace, with Eulberg offering up cuts that draw influence from IDM and hazy electronica. As a result, it may well be his most coherent and "listenable" album to date.
Review: After a two-year absence, Aline Brooklyn - New York's surprise home of Romanian style minimal techno adventures - has returned with a bang in 2019. They've launched the "Original Series", with March's debut release from Mihai Pol being followed by this eight-track album from Nico Laa and Juan Cristiani. The pair begins in confident mood via the melodious tech-house funk of "Drastic", before wrapping chiming lead lines and spacey electronics around a low-slung groove of "Mars". More warm, deep house style motifs can be heard on "Good Morning Brooklyn" and the bumpin' goodness of "New York", while "Loop People" is a hazy, minimalist jack-track. Elsewhere, "La Rose" is woozy, dreamy and quietly picturesque (despite locked-in tech-house beats) and "Senor Lopez" is snappy and funky in the best possible way.
Review: John Talabot joins the likes of Scuba, James Holden and Motor City Drum Ensemble to contribute to the long running DJ-Kicks mix series that's deftly proved there's still mileage in the commercially released Mix CD despite this podcast heavy age we live. The usual double LP edition culls ten cuts from the weighty 27 track mix which the Hivern Disc lad has described as "not an easy mix. It's quite strange". If you've seen Talabot DJ you know the Barcelona based artist digs deep and that's represented well on these ten cuts, with Andy Stott's lurching take on Maps and the similarly minded Tempel Rytmik ( the new project from Talabot and Alexander 'Genius of Time' Berg) contrasting nicely with the more effervescent house from Axel Boman, MCDE and Paradise's Deep Groove. Kudos too for the inclusion of Samo DJ's "Tai Po Kau"!
Ich Schreib' Dir Ein Buch 2013 (feat Hildegard Knef)
Review: Though his career has taken many turns over the last decade, DJ Koze has remained that most illusive of creatures: a minimal-minded producer with an ear for a melody. This fourth full-length, packed to the rafters with big-name collaborations (Apparat, Caribou, Ada and Matthew Dear all feature), continues his move towards the home-listening sphere. So, while many of the heady rhythms and shuffling grooves hark back to his stripped-back past, Amygdala impresses with its woozy songs, genre-straddling fusions (see the modern soul meets deep house of "Homesick" or the steppy, tropical vibes of "Marilyn Whirlwind") and homely atmosphere.
Lianne La Havas - "Lost & Found" (Matthew Herbert remix) (6:13)
Ada - "You & Me" (5:21)
Roman Flugel - "9 Years" (DJ Koze remix) (9:56)
Jackmate - "Pacemaker" (feat Nik Reiff) (7:57)
Axel Boman - "In the Dust of This Planet" (7:36)
Nasrawi - "Bump With You" (3:23)
Lawrence - "Glow" (6:25)
Stimming - "No. 17" (6:01)
Funkstorung - "I Does It" (feat Sensational) (3:07)
Josef - "I Wonder" (2:18)
Mount Kimbie - "Bells 5" (4:26)
Michel Cleis - "Un Prince" (4:47)
Die Vogel - "Everything" (feqa Sophia Kennedy) (4:16)
Isolee - "I Like It Here Can I Stay?" (6:05)
Jamie XX vs Kosi Kos - "Come We Go" (5:43)
Dntel - "Snowshoe" (3:36)
Acid Pauli - "Nana" (vinyl version) (10:07)
Gold Panda - "Black Voices" (5:18)
Roman Flugel - "9 Years" (4:23)
Review: The first compilation on Koze's Pampa label is a lovingly curated affair. It starts with the left field house of Herbert's take on Lianne La Havas and Ada's r&b-infused "You & Me", as well as DJ Koze's own hymnal take on Roman Flugel's "9 Years". Other Pampa regulars like Axel Boman are well represented and he provides the ultra-mellow "In The Dust of This Planet". Equally though, Koze also provides a platform for newcomers to the fold. There's the utterly bizarre, glitch-hop of Nasrawi and Funskstorung's contributions, and at the other end of the spectrum, wide-eyed deep house from Mount Kimbie and Jamie xx & Kosi Kos' pumping indie-dance "Come We Go".
Review: Since the first pressing of Binh's Ship of Imagination double-pack sold out at the tail end of 2016, demand for the record has rocketed online. Happily, My Own Jupiter owners Edume and Nicolas Lutz has bowed to demand and quickly sorted out this re-press. It's a fine record, with the producer effortlessly blending elements of Detroit techno, electro and chunky deep house rhythms with the kind of spacey synthesizer sounds and razor-sharp TB-303 lines most commonly found in early '90s British "intelligent techno" records. In other words, it's sounds like the kind of set that could have been released around 1994 by one of the greats of our scene.
Review: Back in 2008, noted experimentalist Alva Noto began a sporadic series of albums that were far more focused on dancefloor-inspired rhythms than his usual eccentric and inspiring fare. Unieqav is the third and, we're told, final part of the series. The album is apparently meant to be a sonic representation of an underwater dive, a conceptual theme which manifests itself through the storied producer's use of deep and atmospheric chords, fluid and occasionally glistening electronics, and rhythms that evoke images of ever-deeper dives into the dark, cold depths. Rhytmically, there are nods to electro, IDM, dub techno and Autechre, though the mood remains laidback and intoxicated throughout.
Review: Minimal and tech-house DJs went wild for the first, double album-length missive from Germany's OFFM label, so we expect this follow-up to sell quickly, too. As with its predecessor, there's much to get excited about on OFFM number two, from the breezy synth stabs, undulating blissful melodies and bubbly rhythm of DJ Meme Generator's "Lowlife" and the throbbing tech-funk of Non Paying Buyer's "Pressato", to the deliciously spacey wonder that is Tomi's "Moti", where dreamy chords and intergalactic electronics ebb and flow above a rolling Paris-style tech-house groove. In other words, it's another top-notch selection of well-produced club cuts.
Review: DJ, producer, multi-instrumentalist, singer... Kalabrese's talents know no bounds. Naturally his range is equally bountiful, but nothing in his past discography matches the colour, warmth and scope of this extensive second album. Ranging from the WhoMadeWho style lollops of the title track to the ghostly Blakey echoes of "Das Haus Am Fluss", the Zurich-based artist has polished his technique with finesse. With a delivery that's not far off a young Byrne, and an ability to conjure up some very interesting studio sounds (case in point: the fluctuating bass on "Makossa"), Kalabrese has hit a rich vein of form. Available as a special gatefold vinyl and CD package, this is a very wise investment opportunity.
Review: Former Panorama Bar resident and local Berlin fixture Cassy Britton presents her first full length release since giving up her residency and leaving Europe's clubbing capital for the sunny shores of Los Angeles. The Donna LP features some dusty classic house sounds of the deeper spectrum, as heard previously on her eponymous imprint, Uzuri or Perlon sporadically over the last 10 years and her great vocals which veer from spoken word, haunting/monotone to high pitched diva moves are a constant throughout. Highlights for us were the uplifting deep disco of "All I Do", the soulful deep funk on her cover of Prince's "Strange Relationship" or the emotive yet tough techno of "Move".
Review: Manmade Science is producer Michel Baumann (aka Jackmate/SoulPhiction), engineer Nik Reiff and percussionist Benjamin Lieten (aka Phlegmatic). With the feeling of a raw live session, this masterpiece comes along in a variety between jazz and techno, soul and house. It also contains a live track from a Manmade Sciences Concert at the Jazz Open in Stuttgart. There are also collaborations with guest musicians like conductor, musical-director and multi-instrumentalist John Thrower playing the sax on the starter "Chicago Sidewalks" and the last song "Brown Sugar". There are some lovely vocals from Isaiah Femi Awonaike on "Turn down the Lights" and the garage feel comes with the stunning voice of Haldor Laegreid on "Just tell me when...". If you're looking for something with more flesh than just bones check this out!
Review: Innervisions bosses Frank Wiedemann and Kristian Beyer return as Ame, and present their first full length entitled Dream House - described as a home listening styled journey. The German duo spent three years working on the LP and it features collaborations with legends of German electronic music such as Roedelius and Gudrun Gut, as well as Bolivian singer David Lemaitre and Jens Kuross - who was a member of Wiedemann's other venture The Howling, with Ry Cuming. Highlights include their dramatic collaboration with Matthew Herbert "The Line", the upbeat disco number "Blind Eye" (featuring Planningtorock), the chill balearica of "Positivland" and the evocative/melodic dreamscape of "No War".
Review: Jan Jelinek has made many fine albums over the years, under both his given name and a handful of occasional aliases. One such pseudonym was Gramm, a handle he plucked out of thin air for the release of the now celebrated 1999 full-length "Personal Rock". Here that set is given a deserved 20th anniversary vinyl reissue, allowing a whole new generation to investigate the dusty nooks and crannies of one of the producer's most techno-centric releases. It is every bit as sample-heavy, glitchy and crackling as his other work, whereas other outings explored skewed hip-hop beats and downtempo grooves, "Personal Rock" was more informed by the steady pulse of dub techno, the deep space fluidity of ambient techno and the locked-in hypnotism of original era minimal techno. The results are out of this world.
Thank You/Dream State Of A Bellmaker/Big Sur (14:00)
Review: A mere four years after making his 12" debut on Fathers & Sons Productions, Samuel Andre Madsen delivers his debut album on Delaphine, the label he set up to release his music back in 2013. There's much to admire about Dream State of A Bellmaker, which attractively drifts between undulating ambient bliss, deep and melodious techno shufflers, evocative electronica, becalmed drone explorations, and atmospheric compositions that define easy categorization (see the electronic jazz/ambient/dream house fusion of "Better To Have Loved"). It's a hugely enjoyable and entertaining set, full of intricately programmed and life-affirming music.
Here Comes The Warrior (Super short Version) (15:00)
Discotico Sinetico (8:25)
Life Is Strange, Life Is Hard, Life Is Great (5:39)
Spacer Rainbow Woman (8:11)
Fears Come True (5:44)
A Numb Gas To The Future (6:53)
Pow Pow (6:39)
Discotico Estatico (8:14)
Dance Warrior Dance (10:37)
Here Comes The Worrior (Super short album version)
Life Is Strange, Life Is Hard, Life Is Great
Spacer Rainbow Woman
Fears Come True
A Numb Gas To The Future
Dance Warrior Dance
Review: Mexico's Rebolledo has played an important part in Comeme's development over the years, and his nutty strain of electronic dance music fit perfectly in line with the label's tone of voice. Never straight enough to be categorised as house but always too structured to be labelled simply as ambient, Rebolledo is one of the few artist's truly making 'outsider' music these days. This latest album, Mondo Alterado, is perfect for anyone wanting something deep and mystical but that still carries enough weight and shape to be played to other human beings. In fact, a big part of the tunes on this LP verge onto the 'dance' side of things, but the producer has a distinct knack for making that sound constantly surprising, a sort of perennial sonic morphing that steers clear of any concrete genres. TIP!
Review: With a great emphasis placed on presentation and artistic statement, Swiss label Les Points has already established itself as a serious operator within the bustling minimal house and techno scene. This split release from Barbir and Nicola Kazmir is yet further proof of the ambitious intentions the label has in delivering the most creatively inspired music possible, and there is certainly plenty of music to get your teeth into here. There's twitchy house constructions aplenty to enjoy from both artists, as well as some intriguing remixes of STL loops at the end of each side in a nod to the inspirational power of the German producer, whose own leftfield leanings fit into the lineage of this release.
Review: For a small label with minute sounds, An dromeda is a heavyweight when it comes to releasing the finest in experimental, sparse and dub-laden, extra-ordinary minimal techno. Vid inaugurated the label in 2012 and now provides the outlet with its first album via a triple 12". Should you find the early releases of Giegling appealing, its likely Vid's debut LP will be of interest too through its poppy beats, watery undertones, balanced percussion and dynamic piano manoeuvres. Productions plunge deep without the need of booming kick drums as demonstrated in "Pasul Unu", or the looped chords of "Tripusor", while rustic tribalisms form in "Landrum Bun". An intriguing album transforming how we perceive the micro-isms of danceable electronic music.
Losoul - "Love Supreme" (Its All In There mix) (9:57)
The Moul - "Love Supreme" (Drum mix) (4:40)
Metaboman - "Love Supreme" (Metabomix) (5:57)
Dave Aju - "Love Supreme" (A Dub Supreme mix) (8:10)
Ark Pit Spector - "Love Supreme" (A Rush Supreme) (6:14)
Ark - "Love Supreme" (Free mix) (7:06)
Review: Parisian oddball house legend Ark teams up again with fellow local and Prospector head honcho Pit Spector to inaugurate Ark Records. A longtime in the making no doubt but worth the wait. Love Supreme LP as the title suggests is a tribute to the legendary John Coltrane and the pair have drafted a who's who of deep house and minimal to lend some hands and ears. Highlights include The Mole's "Molemix"; a sublime serving on reductionist bounce, Frankfurt genius Lo Soul who is as brilliant as ever on the sublime and hypnotic "It's All In There Mix" and Ark himself with his "Free Mix" which is as dusted down and as funked up as we all like it!