Review: Stil Vor Talent introduces this month another newcomer called Freska from the beautiful Murmansk in Russia. The nice James Holden fan has taken guitar lessons and discovered the world of synthesiser and drumcomputer since 1996. Freskas tracks are reflecting the Nordic impressions of his snowy home. He reaches this unique atmosphere by using his acoustic guitar and his love for deep electro, which he proves with this release called "Some Turns Inside" which has already been charted by well known artists like Carl Cox and Kiki. Stil Vor Talent is proud to present another exceptional talent with style on our sweet underground label.
Review: Brand new label hailing from Argentina by way of Germany, bringing you an amazing 4 track artist collaboration custom designed for fans of the stripped down Pheek-style phunk. Speaking of, Pheek contributes the awesome cut 'Previews' here alongside equally devastating jams from Dario Zenker 'New Kids On Weed', Seph's 'Phound' and Motio & E Contact with 'Do You See'.
Review: Donnacha's closing salvo in this three part mini-series of six tracks - six tracks of six minutes duration across six sides, written recorded and edited in six days, locked in his Dublin studio. The mordant swells of 6.5 seem to indicate Donnacha's self imposed studio discipline could have had serious effects - like the distant sound of a Sahko party held in a bunker many metres beneath the earth's surface - there's tremors and beeps, but nary the semblance of a groove. On the upside 6.6 adopts a rakish jacking mode, a vocal opines "well that’s enough, **** it" and seems to sum up Donnacha, climbing up the ceiling of his Irish studio space in the advanced stages of cabin fever - delirious and cranking out deadly house music. As the closing refrain of 6.6 has it "Everything continuous" - indeed!
Review: Anders Trentemøller is one of the rising stars of the dance music scene, his remixes and productions have gained critical acclaim from a broad range of DJs and producers including Pete Tong, Sasha, John Digweed, Switch, MANDY, Mylo, Nathan Fake and Freeform Five. Released on the influential Poker Flat label this is set to be one of the definitive releases of 2006. Available as a limited edition double CD and double LP. Trentemøller is currently the most in-demand remixer (recently delivering critically acclaimed mixes for The Pet Shop Boys, The Knife, Royksöpp, Sharon Phillips and Moby) with releases on Naked Music, Get Physical, and of course Poker Flat/Audiomatique.
Review: Peter Horrevorts once again kicks over the dancefloor as sound-vaporizer. He delivers with "Vaporize" a stunning two tracker of a timeless electronic masterpiece. "Vaporize Part 1" comes with a forward rolling bassline and a really big portion of lightness whereas "Vaporize Part 2" sounds more deep, with mysterious and moody elements, but also always warm-hearted.
Review: We asked our favourite remixers of the moment to tackle the electronic disco vibe of the original Sasse production taken from his recent album "Made With The Upper Stairs Of Heaven". Peter Dildo, the man behind Trackdown Records, delivers his phat trademark sound of deep-house meets-post minimal in a slamming arrangement of fine tuned drums and hypnotic synth stabbing.
Review: Dear friends of Boxer Sport. Our emotions are hopping mad. After almost a year, Andre Dalcan & his buddy Greg Delon (aka Delon & Dalcan), the driving forces behind Scandium, are back on Boxer Sport with fresh stuff for your turntables, "Freaky Under My Skin". The remix comes from Martin Eyerer. A slick, rocking track that will make Odin swing his mace deep down into the hell of bass.
Review: The Sebo K and Metro make a partnership debut on Get Physical with "Transit". These upcoming house producers are so hot that this EP almost melts the vinyl that it's pressed on! "Transit" looks to the past and the future at the same time: inspired by old school Chicago house but boasting a modern techno approach to arranging, the nagging bass riff at the heart of "Transit" builds and builds along with Sebo and Metro's evocative chords to create a track that will raise the roof on any club during the peak time. "Transit" never loses its raw, hypnotic groove either, and after it reaches a climax, the sparse, raw rhythm is still there, urging the dancers to keep moving. Philly producer King Britt dons his Scuba hat to provide the remix. It's more understated than the original version, based on an off-beat groove, but, like a thief slipping through an open door in the middle of the night, Britt's reshape gradually introduces the hypnotic chords. Before you know it, his remix will have seduced any crowd who love deep, electronic house music. Get a move on to pick up on this future house classic!
Royksopp - "What Else Is There?" (Trentemoller remix)
Trentemoller - "Gush"
The Knife - "We Share Our Mother's Health" (Trentemoller remix)
Trentemoller - "Kink"
Review: Audiomatique are happy and proud to present "The Trentemoller Chronicles". This new double album is not a new studio album, but an overview of Trentemoller's impressive body of work. "The Trentemoller Chronicles" include Anders' personal selection of his best songs and remixes, which have only been available on vinyl or on compilations, as well as some new and exclusive songs. This is an essential piece of minimal/tech house.
Review: Trentemoller's Into The Great Wide Yonder sees the Danish producer dipping his toe into new territory to deliver an LP that sounds wholly natural and unforced, showcasing yet another side to his musical prowess. Not that we should be surprised - 2006's critically acclaimed debut The Last Resort was a crisp dance record, while his first mix compilation, Harbour Boat Trips, came loaded with varying sentiments of indie, rock and pop. Into The Great Wide Yonder completes Trentemøller's transition from his roots as a dancefloor producer into the more instrument-led domain of pop and rock tinged electronica. Still using a driving kick drum as the core to the album, the In My Room head honcho is still very much part of the dance scene, just not in the club focused way that we're used to.
Review: Off the back of their blossoming indie-electronica sophomore LP Cold Spring Fault Less Youth, the Mount Kimbie duo undergoes the remix treatment from three well-equipped and idiosyncratic artists. First up Kyle Hall brings the Detroit grit but balances it with his sensitivity towards UK concerns for an uptempo and undeniably version of "You Took Your Time". DJ Koze brings a more tender kind of 4/4 full of esoteric melodic flourishes and the stark original vocal on "Made To Stray", and Lee Gamble rips it all up with his own aquatic blur of "You Took Your Time" that lets the drums fall muddily and the synths strain against a wall of sonic fluff, with fantastic end results.
Review: After making his debut with the Slum EP on Bucharest-based Te Iubesc Records, Romanian producer Ionu? Arapu has spread his wings with a series of releases across a wedge of European labels such as Dusseldorf's Gua Camole and London crew Moss Co. This Mdmamazing 12" for Michael Peter & Siggi Schulz's Movida label is Arapu's most high profile to date and despite the slightly dubious title will probably land the Romanian some new fans too! The title cut is a powerful minimal dancefloor tool with a supple bassline driven groove and some nicely broken drums, whilst "Chivoice" finds Arapu in more abstract territory.
Review: Nestled comfortably on his constant home of Erased Tapes, Rival Consoles imparts another collection of plush forays into warm, melodic synthesis for those who like their instrumental electronic music scuffed with a little earthly charm. With the same starry-eyed innocence that bursts out of Nathan Fake's music, tracks like "Helios" leap with great strokes of synth and upsurging drums, carefully running threads of live instrumentation into the fold through some canny processing. The progression of each track is a beautifully crafted story with pleasant surprises aplenty but always reaching a logical resolution, making for a thoroughly rounded and satisfying listening experience without losing that all important bite of intrigue.
Review: Last seen excelling on The Corner, NYC techno man Phil Moffa adds Hypercolour to his prospering profile with Rogue Music, a 12" hook up with the irrepressible Seth Troxler. Whilst this may not be the most immediate of collaborative endeavours you could think of, there is still plenty to enjoy here with "Blue Rawls" a perfect balance of stripped back, bone shaking rhythm and a growing sense of textural foreboding. It's the sort of track you can lay down after a frantic bout of drums to really hypnotise the dancefloor. Complementing this, "Meet The Butcha" heads off into seven odd minutes of bugged out house territory and leaves us clamouring more from the pair.
Review: Using the Turkish psychedelic project Insanlar as a jump off point, Honest Jon's have enlisted Ricardo Villalobos to turn out one of his grandiose remix projects that gels so naturally with more exotic sound sources. The original of "Kime Ne" is already an enchanting, Moog-infused groover rich with traditional vocals, and then Mr Villalobos locks the ingredients in for a typically cosmic ride into stripped and hypnotic house territory, letting the lutes intertwine with dusty reams of percussion using that alchemists touch that could only come the man himself. The remix spreads itself over two sides of wax, leaving one side of the double pack free for a fetching etching as well.
Review: Kiasmos are a Reykjavik based duo comprised of BAFTA awarded composer Olafur Arnalds and Janus Rasmussen from the band Bloodgroup. The sounds of classical music and electro-pop collide fantastically on this release. First track "Drawn" is a sublime and emotional serving of trip-hop with Arnald's signature piano style floating on top of Rasmussen's immaculately programmed beats. And then that lush string section comes drifting in, its magnificent! "Gaunt" features some mutant pan pipes accompanied by a bleepy melody and sub-bass pulsations, but once again balanced out by Arnalds' lush piano and strings arrangements. On the flip "Swept" is a dreamy and melancholic deep house cut that could have come out on Kompakt, it's that good. There's even a remix of it by men of the moment Tale Of Us, who revise the track into one of their signature dark and adrenalised journey tracks, it's well done!
Take Me Back (Ricardo Villalobos Mistuck Vill remix) (9:53)
Review: 1990 acid house classic "Take Me Back" by Miami producer William Torres gets a reissue on Belgian imprint Invade. The original 303 banger is featured of course, in all its squelchy, snappy and downright epic glory, but it's the remixes which are definitely most curious. The remix by label boss Ilario Liburni is a deep, druggy and bumping remix for modern dancefloors of the 9AM variety. On the flip the Ricardo Villalobos "Mistuck Mil remix" typically clocks in at just under ten minutes and is a pleasure to listen to in its entirety. He brings back the acid sounds of the original in a more restrained capacity over a tough 808 rhythm pattern, plus trippier vocals than the original.
Review: Thomas Berg's Soundscape Versions has Berlin very much at its heart; we're not talking street creds or look here, but purely musical aesthetic. It's champion artist, Octaedre, makes gorgeous swirls of dub techno and is named after one of Basic Channel's infamous 12"s, a totally fitting chice once you hear the fine groove of "M Nature II". Following the shadowy producer is E110 and the majestic glide of "Empty", another dubbed-out slammer, and while Mirage Man retains a form of dubbiness to his sonic manipulation, "6AM" is significantly more stripped-down and beat-heavy; "Tascam Loops" by Kuf takes a grainy palate of beats and bleeps, washes them over a fading glow of a bassline and wraps it all up in a nice techno package for you - probably the best tune on an already stellar EP. TIP!
Review: Recently celebrating their third year in business at Berlin's infamous Club der Visionaere, Romanian imprint Polen are back with this new EP by Inner aka Cristian Ghiban, with some more and deeply emotive minimalism. On the A side there's "Breakup" with its high fidelity sound fuelled by a clean, broken beat with soulful pads and processed vocal samples while "No Light Without D" gets properly deep and ethereal . On the flip we've got "Pause & Stop" which is probably the most energetic cut on here; this highly engineered micro-house cut ticks all the right boxes. Finally "Why Don't You Let Go" is the kind of reduced mini-funk that gives a nod to the likes of Seuil or Robin Ordell.
Review: Moldova-based Resonanz are back with their third edition of minimal oddball house grooves. Considering its close proximity to Romania; we're definitely interested in hearing what this bunch is up to. Starting out with the hypnotic low-slung tribalism of Andrey Djackonda's "Calida Noche", we then get treated to Dimitri Monev's "Makaulu" a druggy broken beat experiment in maximalism reminiscent of Barac or Suciu; it's pretty wicked! On the flip the loopy and dusty deepness of Leparente's "Leflor" will definitely get good vibes happening at the after-hours while Maarka's "Reveranz" is exactly the kind of tunnelling trance inducing groove that we like, kind of like when Cristi Cons or Vid are on point, if you get what we mean?
Review: Swiss master of all things deep, Bastian Volker is back for the eighth release on his always impressive Office imprint. Not just content with creating some lush music under the Baaz alias or redefining the dub techno sound as Eric Miller (like on his recent album Silhouettes for Sushitech this year), could he be delving into the world of hypnotic techno now also? Brilliant opener "Kraut House" starts the EP off in great form and is reminiscent of the tribal trance sounds of Refracted or Tozzy. On the flip, "Modual" is more like the Baaz we know; deep, dubby and emotive with a bumping baseline, smoky drum patterns and pitch shifted druggy vocals for added effect. Finally "Simple E" adds yet more variety to the release with this dusty and bittersweet slow burner that's perfect for drifting.
Review: Berlin's Cab Drivers are the real deal. If their extensive collection of classic Roland machines wasn't enough, they even sequence them all on an old Atari ST you don't get more purist than that. Paul and Augustowsky's new track "Correspondence" has all the hallmarks of their signature sound: bumpin', melodic, rolling and emotive. You know; the Cab Drivers sound! On the flip, fellow Berlin minimal techno legend Audio Werner steps up to deliver a more darker and emotive remix that strays on the dubbier side of things and we loved it: Tip!
Review: iO Mulen's eponymous imprint is unstoppable at the moment after releases by himself, homeboy Silat Beksi and Frenchman Varhat setting the bar high. Now it's over to emerging Romanian talent Suolo with this brilliant new one. Starting off in trippy and hypnotic fashion with the rather Villalobos-ish "Kamadeva", he then gets down with the ultra deep "Domergue's Got A Secret" which, likewise, is perfect for a Sunday afternoon after-hours in Bucharest. Finally, he saves the best for last on the flip with "Merimna", a rolling, trance inducing cut where subtlety and tight programming of elements effectively showcase a less is more work ethic.
Review: The FUSE London crew are back everyone, look out! Bringing the sound of their legendary daytime raves to us again and getting straight down to business on Enzo Siragusa's third edition of 5 are label mainstays Rich NxT (with the rolling and adrenalised "Badass") and the always impressive OdD aka Damian Daley & Danny Dixon joined by newcomer Rossko (making his production debut) on the rolling hypnotism of "Jabba The Hut". On the flip is Moscow Records boss Archie Hamilton (another mainstay of the label) with the woozy and tripped out after hours deepness of "Cirrus" and the Deep End Soundsystem affiliated Sam Bellis with the gutsy acid driven "Solstrole".
Review: Riccardo Buccirossi is one of those artists who has no problem in pressing up his own debut release onto vinyl; he clearly has absolutely no need to go through other labels to get his point across, and we respect him for that. Of course, we should mention that this is some pretty stellar music, right here: the opener "Giraffe" shapes the minimal techno formula into something completely new and boundaries thanks to his use of electro as a guide to the arrangement, and the more beat-centric dub mix isn't anything short of brilliant. There's also a dub version of "Intothestruggles", a muddled, intricate web of washed-out sonics, followed by the glitchy folds of "Amazzonia" and the original mix of "Intothestruggles". All in all, this is a fine debut that will surely place this artist on the map.
Review: We like it when labels carry on that whole mystery, hand-stamped kinda vibe because it does, in fact, add even more charm and personality to a genre with should ideally remain faceless and allow the machines to speak for themselves. This is the Trimurti label's third release to date, and NT is the enigmatic artist behind these three powerful house-techno hybrids. "Vishnou 1.3" is a bass-heavy, dubbed-out house slinger with a deep, wholesome analogue feel, while "Vishnou 2.3" adds a few breakbeats and a bit of an electro charm to its stutter, and "Vishnou 3.3" flaps a glitchy set of percussion all over a sparse and desolate landscape of melodies. This is a tidy little three-tracker that shouldn't go unnoticed, and we recommend you to pick one up fast because it's likely to fly on out of here pretty damn fast!
Jeremy Castillo - "Beat Dat" (feat Vin Sol) (4:24)
Review: Unknown To The Unknown spreads its wings with a new sublabel dedicated specifically to jacking house jams for proper white-knuckle party times. Steven BC turns the acid intensity up to 11 with the devastatingly on-point "Flanger Zone", while Mall Grab reaches for a classic bit of disco funk to sample and filter mercilessly. Lawrence Lee meanwhile opts for a playful, budget take on Eastern electro on "Pyongyang Rhythm" before Jeremy Castillo and Vin Sol return to primal Trax Records territory for "Beat Dat". It's a release that marks House Crimes out as a natural descendant from UTTU's irreverent approach to dance music, without compromising on the quality.
Review: Sometimes, a single side of vinyl is all you need. That's certainly the case here, as Where To Now regular Beatrice Dillon delivers her most impressive and mind-altering club cut yet. Across a mesmerizing 13-minutes, Dillon distills the essence of Minimal techno, dub, West African rhythms, early jungle and experimental noise into one, constantly evolving dancefloor burner. While the blazed vibe of dub, and the crackle of vintage vinyl are ever-present throughout, it's the subtle shifts in rhythmic emphasis - from 4/4 to breakbeat, via intricate polyrhythms - that make "Can I Change My Mind" such an alluring prospect. Few 13-minute tracks can captivate a dancefloor throughout, but this certainly can.
Review: Puglia, Italy based imprint Out-Er has had quite a year, with releases by the likes of Detroit minimal techno innovator Terrence Dixon aka Population One, British tech house hero Aubrey and Dutch techno legend Orlando Voorn. The label (run by Simone Gatto) now presents an impressive compilation celebrating five years in business and it is rather impressive, if we do say so ourselves and signifies some brilliant prospects on the horizon for 2017 and beyond. Highlights here weren't limited to: Dial Records and Berghain regular Efdemin with the oddball avant garde/techno crossover of "Don't Bang Your Fingers" where its hypnotic groove supports a bizarrely used dialogue from a cooking show. Then, quick: hide your AIRA because The Analogue Cops are here! They give us the slow burning and dusty hardware jam "Speculation", which is very good. Also, don't forget to check the aforementioned Voorn's collaboration with Motor City don Juan Atkins on "Reloaded" for your fix of hi-tech soul.
Review: For the 20th release of the Valencian label Oblack, it is over to Los Pastores aka Snna and Nacho Arauz/Juliche Hernandez from the Canary Islands (DownHill Music). They gather up all their talents to come up with one of the most clubby, dance floor oriented tracks from the label thus far. "Bigger Easy" is classic late noughties style minimal that's big on druggy elements plus those pitch shifted vocals (a la Marc Houle) are a worthy addition. On the flip, "Get Back" is a funky electro house jam with a buzzy synth lead and bumpy bassline over its tight groove, plus those subtle disco influences thrown in for good measure work a treat. The remix by Japanese guy in Berlin, Tomoki Tamura, is the real winner on there though. Here he takes the track into reductionist afterhours territory, with all its dusty and sparsely hypnotic elements working in harmony.
Review: Longstanding Detroit deepsmith Kage returns on his brand new label Michigander. The result? Three superlative exercises in synth soul and an on-point version for later hours. "The Arc" prowls with all the string-soaked majesty of an early Rolando cut while the stringless version hits a little harder. "D Drive" jacks with a slappy bass groove while tipping a slight nod to Yazoo with its vibrant riffy ripples while "Transcending" is all about the big dubby synth washes and off-kick bass palpitations. Let's hope there'll be more to gander from Michigander very soon.
Review: Roving Romanians Khidja take us on a trip of a lifetime with "Impossible Holiday"... We take off with the stately, cavernous and slightly fuzzy "Die Wilde Spirale" and land in our improbable destination to the spiked out synth washes and dubby bass palpitations of "Pinnacles". We enjoy all sorts of unperceivable activities to the bouncy, analogue bed and fluttering, head-soothing arpeggios of "Haetrin" then fly home to our comparably dismal existences on the droning, groaning and ever-morphing "Kraftfield". Happy travels.
Review: Made up of tech house trippers par excellence Tomoki Tamura and Tuccillo, Doublet have been steadily issuing forth their wares with aplomb since starting out back in 2013. Most of this material has been on their own label, and so it is on this fifth installment that finds them in especially fine form with the shimmering delights of A side track "Beautyfull". "Mush" is no slouch in the attractive stakes either with its sultry chords and slinky grooves, while "Robin & Maikel" takes a more esoteric route through tech house on the B side. It's a superbly produced EP full of imaginative ideas to match the proficiency of the beats.
Review: Jon Voickmer and Michael Salsal's Fusal project was worthy of a home like the Malonian label, and we'd been looking out for the duo's next release ever since their debut for 87 Records back in a now distant 2015. "Calimero" picks up where they left off, and we're back with another fine assortment of post-minimalistic glitch and neo-classical experimentation - a true head-spinner in all senses of the word. "Handicap" is no less entrepreneurial in its choice of sounds and melodic constructions, except that the groove feels a lot more dance-centric here, which is revved up one step further on the frantic patterns of "Delailoop", another intriguing minimal excursion that will undoubtedly please the electronic shut-ins.
Review: Simbad Stanislas has enjoyed a fine start to 2017, with copies of his first outing on Funkineven's Apron label simply flying off the shelves. Here he transfers to Lo Recordings to deliver another collection of eccentric, off-kilter, hard-to-pin-down dancefloor treats. Stanislas' stock-in-trade is combining dusty, MPC-powered house rhythms with quirky, left-of-centre sounds. This fusion can be heard loud and clear on "Ping Pong Love", where a soulful vocal sample is combining with weirdo electronics and thrusting analogue noises, and amongst the intergalactic synths, bubbly electronics and bizarre spoken word samples of ambient closer "Message 045". There's a slightly breezier, break-of-dawn feel to the overwhelmingly loved-up World Air Hybird Remix of "Ping Pong Love", while "Backstreet" is a jolly, jammed-out chunk of loose-limbed deep house positivity.
Review: Gird yourselves; starting from this month and running through until December, Dutch institution Dekmantel are celebrating a decade in the game with a series of monthly 12"s featuring a seriously all-star cast from Tony Allen to Villalobos. It starts right here as legendary innovative composer Gigi Masin opens with the lilting, delicate "Maja", Vakula brings us down from the clouds and back to the future with the body-jacking ghetto bump of "Robot Fuck The System" while Flugel blows the finale horn with the swampy Amazonian harmonic trip-out "Mice On Stick". This is the start of something very special.
Review: Arno E Mathieu has been a part of the enlarged house movement since 2005. Yes, that's 12 years in service, which means that he's kind of a veteran by now. This, however, is no surprise; the producer's work is carefully crafted and, whether he's making progressive or tech, he has a clear ability to catch the dancer's attention with some pretty seductive grooves. He's back on his favoured Clima label after a few years dipping and diving into other imprints, but it's like he's never been away. "Circumstances Of Chaos" is a wide-eyed, big-room kind of tune that stabs its large drums to a raucous tempo, while "7 Janvier 2015" breaks the predictable 4/4 groove into a sparse nu-jazz sort of lick for the deeper ends of the DJ set, and "Together?" ties the EP off to a close with the help of a steely house structure accompanied by warm waves of dubbiness . A magnetic outing from this reliable producer.
Review: Baby Ford's minimal minded label is back in action with some psyched-out goodness from Alex Celler. The long-serving Greek producer has many strings to his bow, but this release finds him tapping into his foundational sound as a steady ticking groove carries a richly produced bed of chimes and tones for the deepest moments in the dance. Where "Feudade" is a lilting, soothing trip, "Vis A Vis" heads into a more mysterious headspace peppered with nagging rhythmic trysts, crafty licks and fulsome bass to get the synapses popping. It's exactly how stripped down house music should be done, inventive to the last and yet utterly danceable.
Review: We're very happy to see a renewed interest in Underground Resistance sub-label Happy Records: which is sure known for its fair share of house classics. Quite fitting then that the chief retrovert Gerd Janson over at Running Back saw it fit to issue some remixes of the classic "Sunshine" by Unit 2 aka Raphael Merriweathers Jr. and Niko Marks. KiNK's remix on the A side is a nice modern revision of the track which retains those uplifting trademark pianos but adds some of his thunderous trademark 909 drum machine workouts beneath. On the flip, lo-slung disco pranksters Tiger & Woods do a remix which cuts up and stutters those said pianos (and the vocals) to interesting effect plus adding some nice boompty swagger into it.
Review: Mr Cloudy has a sizable back catalogue on labels like Entropy, Dubwax and Millions Of Moments, and now he's been snapped up by Local Traffic to impart his sumptuous dubby wares across four tracks. "Memoria I" and "Memoria II" let the A-side simmer in a bubbling broth of dub techno ambience, all shimmering chords undergoing heavyweight processing. "Sprayer I" is still immensely mellow, although a little rhythmic pulse creeps its way into earshot via the movement of the gravelly chords, and then "Sprayer II" rounds the EP off with something approaching a beat-oriented excursion through the same billowing clouds of dub techno finery.
Review: Having built his reputation via a regular series of self-released 12" singles, East End Dubs is now beginning to make guest appearances on selected labels. Here he pops up on the long established, vinyl-only INFUSE imprint with a trio of club-ready concoctions. On the A-side you'll find "Gradual Steps", a rolling and attractive fusion of bouncy deep house drums, spacey, Motor City chord, thickset bass and glitchy tech-house flourishes. As usual, there's a wonderful swing to his drums and the stretched-out chords are hazy and evocative. You'll find more of these sumptuous pads and chord progressions on similarly-minded flipside cut "Mind Traps", while closer "Enhance" is another deep house/tech-house hybrid blessed with a notably epic breakdown.
Review: It would be fair to say that no other artist is quite as associated with Bass Culture Records' "Limited" offshoot as Mihai Popescu AKA MP. In fact, since the series' inception in 2016, he's provided all but one of the releases. Thanks to this latest 12", that remarkable record stays in tact. The Romanian producer explores his more positive side on opener "Start Get Yourself", a clever combination of sweaty, jacking machine drums and fluid, watery and downright dreamy electronics that runs for eight mesmerizing minutes. Flip the disc, first for the deliciously bass-heavy and bumping "Generation House", where jazzy electric piano motifs rise above a swinging rhythm track, and then the early British tech-house lusciousness of "No Bullshit".
Review: Eddy and Levii, two Romanian electronic producers by the name of Vinyl Speed Adjust, have gained fame thanks to the myriad of EPs that they've released for labels like Visionquest, and the Bucharest duo are set to light the Hourglass LTD imprint on fire with this latest EP. Contrast EP Vol.1 kicks off with "Floating Around", a punchy techno slammer with a polished edge and countless minimalistic bleeps spewing from its groove, and the Volkan Akin remix breaks up its tempo beautifully, managing to retain the core of the original but filtering its bass and percussion through mounds of cacophonous bass that is built for the big rooms. Tight minimal gear.