Review: Arapu is very much one of the key Romanian artists of the moment. Of course, like his revered countrymen, that means techno that is elegant, minimal, and delicately detailed. His own take on the style is often littered with curious little motifs and trippy loops that also characterise this new one on heavyweight vinyl for Liniar. "Over" is a brilliant opener with languid Balearic guitar riffs echoing over supple drum work which will hook you in and encourage your mind to wander, whereas "A Gain" is a more direct, driving minimal techno cut with warped synths peeling off an urgent groove. "I" closes out with a funky undercarriage and dub house overtones that will get any basement popping off.
Poisoned Words (Ricardo Villalobos remix 1) (6:35)
Poisoned Words (Ricardo Villalobos remix 2) (13:39)
Review: The Mandar dream team of Lazare Hoche, Malin Genie and S.A.M revisit "Poisoned Words" with a double dose of remixes from none other than Ricardo Villalobos. The minimal overlord lives up to expectations on both flips of the original track, needling into the tiniest sonic details and holding down an insistent groove that will sit beautifully in the mix. The A side features a simmering version that revels in wriggling sound design with ample space to flex and mutate, while the B side stretches out into a quintessential Villalobos wormhole of a remix. Unmissable sonics from one of the scene's true legends.
Cafe Del Mar (Tale Of Us Renaissance remix) (8:18)
Cafe Del Mar (Nalin & Kane remix) (9:46)
Review: Energy 52 aka Paul Schmitz-Moormann and Harald Bluechel inaugurated the semail Frankfurt trance label Eye Q with the anthem "Cafe Del Mar" in 1993, named after the long running Ibiza bar and institution. It was the soundtrack to the rave culture movie Human Traffic in 1999 and later went on to be voted #1 in Mixmag's 2001 '500 Best Tracks Ever' list. Here, Renaissance recruit Tale of Us for the second edition of their quarterly-century celebrations. The modern experts in dancefloor drama were sure to deliver a stunning remix, that works the truly evocative qualities of the original into a shape for modern dancefloors - and it further enhances the levels of tension and suspense. Next up on the flip, German legends Nalin & Kane's remix from 1998 appears, delivering a zeitgeist from trance music's heyday.
Review: Hoarder continues to impress here with another classy collection of serious club heat. It comes from Italian born, New York based artist Fr!sky Buziness and marks his best work to date. All four tracks deal in proper, original tech house with a superbly smooth and seductive sense of late night funk. "Grey Goo Romance" has a gooey groove with sci-fi motifs that race along, while "Bananafish" channels early Terry Francis with its clipped and slick drums and swirling cosmic pads. "Skyhook" is awash with alien lifeforms and brain cleansing synth tones that are shiny and reflective, then finally "Aurora" pumps the party with perfectly pressurised drum loops and a whole ecosystem of spaced out sound effects. This is high grade dance floor weaponry from start to finish.
Review: Having built his reputation via a regular series of self-released 12" singles, East End Dubs is now beginning to make guest appearances on selected labels. Here he pops up on the long established, vinyl-only INFUSE imprint with a trio of club-ready concoctions. On the A-side you'll find "Gradual Steps", a rolling and attractive fusion of bouncy deep house drums, spacey, Motor City chord, thickset bass and glitchy tech-house flourishes. As usual, there's a wonderful swing to his drums and the stretched-out chords are hazy and evocative. You'll find more of these sumptuous pads and chord progressions on similarly-minded flipside cut "Mind Traps", while closer "Enhance" is another deep house/tech-house hybrid blessed with a notably epic breakdown.
Review: More from single-sided specialists EEE, a shadowy crew that specializes in sneaky contemporary club reworks of well-known tracks (many of which are, in their original form, about as dancefloor focused as your average miserable indie band or veteran cabaret crooner). What's on offer this time round is a heavily electronic tech-house groove - all Romanian style beats and bubbling, mind-altering synth notes - onto which is laid cut-up snippets from a famous old blues cut that's previously been sampled on a club cut to great effect. While the vocal does sit slightly awkwardly at times, there's no denying the heaviness or effectiveness of EEE's track. In other words, it's another winner from tech-house's most shadowy crew.
Jon Da Silva & Jozef K - "Maresme" (Da Silva mix) (5:44)
Review: Sasha has done well to re-establish himself with the next generation, and its largely because of the work he puts into his Last Night On Earth label. A haven for producers who like emotionally stripping, melodic sounds, this latest VA package delves into the previously digital-only archives. The boss himself kicks things off with a collab with La Fleur built on a wavy baseline and crisp house rhythm. Fur Coat keep things more mysterious with "Babel" while Hunter/Game keep you in suspense throughout the many melodic and harmonica layers of "Canyons". Jon Da Silva & Jozef K close things down in more purposeful fashion.
Review: Serial collaborator Romain "Traumer" Reynaud is at it again, this time joining forces with fellow Parisian producer Gregory "Point G" Dorsa for a three-track workout on INFUSE. The experienced duo predictably hits its stride from the word go, serving up some swinging rhythms, hypnotic sub-bass and Salt & Pepa samples on peak-time tech-house box jam "Push It". There's a more percussive and slightly glitchy feel to the bongo-laden "Modulation Tropique", while banging B-side "Locoliente" feels like the kind of bouncy tech-house floorfiller that Sheffield sorts Swag used to do so well in their early 2000s pomp.
Review: Techno heads with an appreciation of forgotten and almost-lost gems will be happy with this one. Mark Ambrose's 'Dimensions' first saw the light of day on Steve O'Sullivan's Mosaic way, way back in 1997, and here is finally remastered for the modern world. And what a treat it is. A shining example of just how compelling, addictive and inescapable tracks can be without needing to be particularly hard, those looking for adjectives will find them in the likes of tough, solid and crisp. The four tracks all follow a similar trajectory, deep but purposeful dancefloor stuff where sub bass rules and alien noises become warbling hooks- not leat on 'Cable Talk'. Those looking to stomp in the dark may find 'Signs 'N' Lights' is the go-to, 'Photo Funk' is pure darkroom mechanical groove and 'Bassoon' a sharp tech builder.
Review: The FUSE London crew are back everyone, look out! Bringing the sound of their legendary daytime raves to us again and getting straight down to business on Enzo Siragusa's third edition of 5 are label mainstays Rich NxT (with the rolling and adrenalised "Badass") and the always impressive OdD aka Damian Daley & Danny Dixon joined by newcomer Rossko (making his production debut) on the rolling hypnotism of "Jabba The Hut". On the flip is Moscow Records boss Archie Hamilton (another mainstay of the label) with the woozy and tripped out after hours deepness of "Cirrus" and the Deep End Soundsystem affiliated Sam Bellis with the gutsy acid driven "Solstrole".
Review: Diego Krause is a key part of the effervescing Berlin underground thanks to his work as a DJ, producer and co-founder of Beste Modus. Here he steps out on Mulen's 20th EP with three slick tracks that perfectly straddle the divide between deep house, tech and minimal. Opener "Apogee" gets busy on supple drum programming with all sorts of astral pads spiralling round the groove and a burrowing bassline brings the funk. "Dive" hits harder but is still detailed with deft synths, alien motifs and warped pads that make it so much more than a purely functional track and the lithe and elastic closer "Dominion" is simply irresistible.
Review: We're very happy to see a renewed interest in Underground Resistance sub-label Happy Records: which is sure known for its fair share of house classics. Quite fitting then that the chief retrovert Gerd Janson over at Running Back saw it fit to issue some remixes of the classic "Sunshine" by Unit 2 aka Raphael Merriweathers Jr. and Niko Marks. KiNK's remix on the A side is a nice modern revision of the track which retains those uplifting trademark pianos but adds some of his thunderous trademark 909 drum machine workouts beneath. On the flip, lo-slung disco pranksters Tiger & Woods do a remix which cuts up and stutters those said pianos (and the vocals) to interesting effect plus adding some nice boompty swagger into it.
Review: Ilian Tape continues to be code for "absolutely killing it mate" with the Zenker brothers introducing us and you to the production talents of Sciahri with the Mysterious Love 12". Spend some time with the sound clips here and you'll be hard pushed to believe this is Sciahriar Tavakoli's debut 12" as Sciahri, such is the standard of productions. Tavakoli's stated interest in the loop techno pioneered in 90s era Birmingham is very much evident on a cut like "The Dream Is True" but there's some nice little touches slipped in that give it some true personality such as the spin back in the breakdown. The title cut is a stern faced dubby number that just tunnels and tunnels away, whilst there's a cheeky strut to the way Tavakoli implements the filters on "Mind". The final track "Emblema" is the kind of techno number you want to drop right when everyone has forgotten their names.
Review: Alex is a brand new alias from the artist regularly known as Baba Stiltz - a Swedish producer whose quirky, off-kilter house and techno releases are rarely less than brilliant. His first Trilogy Tapes outing is suitably impressive. The real killer is "Samba", an inspired nine minute workout in which he layers deep, woozy electric piano motifs, sun-kissed chords, child-like vocal samples and rich bass atop a swinging, samba fired techno beat. The deeper and more bass-heavy "Memo" is even more epic; a near 13-minute journey through sparse, crunchy, hypnotic and dubbed-out minimal house rhythms and exotic, snake charmer solos. In other words, it's another top-notch EP from a producer who genuinely can do no wrong.
Review: Baby Ford's minimal minded label is back in action with some psyched-out goodness from Alex Celler. The long-serving Greek producer has many strings to his bow, but this release finds him tapping into his foundational sound as a steady ticking groove carries a richly produced bed of chimes and tones for the deepest moments in the dance. Where "Feudade" is a lilting, soothing trip, "Vis A Vis" heads into a more mysterious headspace peppered with nagging rhythmic trysts, crafty licks and fulsome bass to get the synapses popping. It's exactly how stripped down house music should be done, inventive to the last and yet utterly danceable.
Jeremy Castillo - "Beat Dat" (feat Vin Sol) (4:24)
Review: Unknown To The Unknown spreads its wings with a new sublabel dedicated specifically to jacking house jams for proper white-knuckle party times. Steven BC turns the acid intensity up to 11 with the devastatingly on-point "Flanger Zone", while Mall Grab reaches for a classic bit of disco funk to sample and filter mercilessly. Lawrence Lee meanwhile opts for a playful, budget take on Eastern electro on "Pyongyang Rhythm" before Jeremy Castillo and Vin Sol return to primal Trax Records territory for "Beat Dat". It's a release that marks House Crimes out as a natural descendant from UTTU's irreverent approach to dance music, without compromising on the quality.
Review: Brawther's Negentropy label has already carried gold star material from Ron Obvious and the man himself, and now it's the turn of debutant producer Zweizig to show off his wares. This assured 12" leads in with the ambient intro "Gewissen" before the crisp minimal funk of "Rhythm Tension" kicks in with its shimmering and shuddering sound design pinging around the dexterous beat. "Zephyr" is a smoky affair with a snappy broken beat and lots of subtle organic matter writhing in the middle distance. "Rehash Repeat" takes things deep and dubby to complete the set, all mellow hiccupping rhythm accents and hazy melodic phrases.
Review: For the fourth and final edition of Matthew Herbert's Parts series, we have four further reductions from the UK producer's back catalogue - all in his idiosyncratic style. Timeless minimal house that has truly stood the test of time and sounds as captivating as it did over 20 years ago. Part Four came out on Phono back in 1996 and is reissued here on Herbert's Accidental imprint. From the dubbed-out heroin house of "Pen", the crunchy robo-jack of "Pump", more blip, blurp and bleep on "Take Me Back" or his knack for simply straight-up and emotive deep house as heard on the utterly sublime "Resident". The tracks on here are still relevant in today's musical landscape and completely essential, in our humble opinion.
Review: Subtil is run by Nils Weimann and Martin Glowacz. The latter teams up with label stalwart Martin Glowacz for the Berlin label's twelfth release, following up some great ones by Romanian tech house heroes Piktor and Vlad Arapasu. The A side features the slinky and hypnotic groove of "Frankonia", followed by the rolling and esoteric sorcery of "Lower". The flip belongs to an epic 13 minute long remix of "Frankonia" by Paul Agripa - of the trio Sahau with Dan Andrei and Serban Goanta. The Bucharest based producer's trippy daydream of a rendition is pure magic and exactly the kind of thing we could have imagined the crowd at Sunwaves 23 trancing out to last week.
Review: After making his debut with the Slum EP on Bucharest-based Te Iubesc Records, Romanian producer Ionu? Arapu has spread his wings with a series of releases across a wedge of European labels such as Dusseldorf's Gua Camole and London crew Moss Co. This Mdmamazing 12" for Michael Peter & Siggi Schulz's Movida label is Arapu's most high profile to date and despite the slightly dubious title will probably land the Romanian some new fans too! The title cut is a powerful minimal dancefloor tool with a supple bassline driven groove and some nicely broken drums, whilst "Chivoice" finds Arapu in more abstract territory.
Review: Using the Turkish psychedelic project Insanlar as a jump off point, Honest Jon's have enlisted Ricardo Villalobos to turn out one of his grandiose remix projects that gels so naturally with more exotic sound sources. The original of "Kime Ne" is already an enchanting, Moog-infused groover rich with traditional vocals, and then Mr Villalobos locks the ingredients in for a typically cosmic ride into stripped and hypnotic house territory, letting the lutes intertwine with dusty reams of percussion using that alchemists touch that could only come the man himself. The remix spreads itself over two sides of wax, leaving one side of the double pack free for a fetching etching as well.
Review: Given that Music Man regular Petar Dundov and Systematic boss Marc Romboy are both hugely successful producers in their own right, you'd expect this first collaborative release to be rather good. It is, of course, with pleasingly melodic A-side "Garden of Cyrus" leading the way. While the track's muted (but heavy) drums and squeezable acidic bassline provide the energy, it's the duo's layered electronic melody lines that really catch the ear. If you're in the mood for something darker and more suitable for pitch-black Berlin basements, creepy and hypnotic flipside "Caper Tran" should more than fit the bill.
Review: Kiasmos are a Reykjavik based duo comprised of BAFTA awarded composer Olafur Arnalds and Janus Rasmussen from the band Bloodgroup. The sounds of classical music and electro-pop collide fantastically on this release. First track "Drawn" is a sublime and emotional serving of trip-hop with Arnald's signature piano style floating on top of Rasmussen's immaculately programmed beats. And then that lush string section comes drifting in, its magnificent! "Gaunt" features some mutant pan pipes accompanied by a bleepy melody and sub-bass pulsations, but once again balanced out by Arnalds' lush piano and strings arrangements. On the flip "Swept" is a dreamy and melancholic deep house cut that could have come out on Kompakt, it's that good. There's even a remix of it by men of the moment Tale Of Us, who revise the track into one of their signature dark and adrenalised journey tracks, it's well done!
Review: Since 2012, Frankey & Sandrino have exceeded all expectations and are now easily one of the most alluring house duos on the scene. With releases for imprints such as Drumpoet Community, Mule Musiq, Kompakt and Innervisions, among others, their name is instantly recognisable for their sound and artistic diversity. This new EP for Innervisions leads with "Wega", a tune that manages to blend a variety of musical elements under one roof; a minimal percussion groove is wrapped tightly around a myriad of Hispanic chanting, rhythmic distortions and a tubby undertone, equating to one gorgeous dance escapade. "Pollux" is similarly sparse and multi-faceted, except that the vocal swarms are now replaced by a sublime cascade of crystalline synths, aqueous electronics, and their inimitable use of outernational flavours.
Review: Berlin's Cab Drivers are the real deal. If their extensive collection of classic Roland machines wasn't enough, they even sequence them all on an old Atari ST you don't get more purist than that. Paul and Augustowsky's new track "Correspondence" has all the hallmarks of their signature sound: bumpin', melodic, rolling and emotive. You know; the Cab Drivers sound! On the flip, fellow Berlin minimal techno legend Audio Werner steps up to deliver a more darker and emotive remix that strays on the dubbier side of things and we loved it: Tip!
Review: Roving Romanians Khidja take us on a trip of a lifetime with "Impossible Holiday"... We take off with the stately, cavernous and slightly fuzzy "Die Wilde Spirale" and land in our improbable destination to the spiked out synth washes and dubby bass palpitations of "Pinnacles". We enjoy all sorts of unperceivable activities to the bouncy, analogue bed and fluttering, head-soothing arpeggios of "Haetrin" then fly home to our comparably dismal existences on the droning, groaning and ever-morphing "Kraftfield". Happy travels.
Jamie Lidell - "When I Come Back Round" (live version - Matthew Herbert long Night dub) (7:42)
Matthew Herbert - "Megaphone" (7:20)
Review: The ACJ94 EP comes courtesy of Accidental Jnr, a new sub-label of Matthew Herbert's Accidental. Here he presents a remix of Jamie Lidell's "When I Come Back Round" from 2005's Multiply. Entitled "Live version - Matthew Herbert long Night dub" it's a much more raw and funky take on the track with tough drums and emotive elements where the source material is, like its name suggests, from an appearance on an L.A. radio station from some years ago. On the B side, we have the man himself Herbert with a new track entitled "Megaphone" a classic and proper deep house jam for the late night that's expertly crafted by the artist who has brought us such timeless classics like "See You On Monday" amongst many others.
Review: Berlin's Rampa is back, on none other than brilliant local imprint Keinemusik (which he co-founded) presenting the deep and sultry slow burner "The Touch" which is a perfect follow up to the equally sexy hits "Touch Me" and "Spoken For" from last year which featured Hercules & Love Affair's one time frontwoman Nomi Ruiz. Second offering "528 Hz" is a dark and moody journey track which is perfect for one of those euphoric cool down moments for DJs to facilitate a headrush or few before getting into the tougher stuff. Spoiler alert: incredibly wonky Life & Death style synth lead on this one! After great releases recently by Adam Port and &ME, the German label goes from strength to strength.
Review: Swiss master of all things deep, Bastian Volker is back for the eighth release on his always impressive Office imprint. Not just content with creating some lush music under the Baaz alias or redefining the dub techno sound as Eric Miller (like on his recent album Silhouettes for Sushitech this year), could he be delving into the world of hypnotic techno now also? Brilliant opener "Kraut House" starts the EP off in great form and is reminiscent of the tribal trance sounds of Refracted or Tozzy. On the flip, "Modual" is more like the Baaz we know; deep, dubby and emotive with a bumping baseline, smoky drum patterns and pitch shifted druggy vocals for added effect. Finally "Simple E" adds yet more variety to the release with this dusty and bittersweet slow burner that's perfect for drifting.
Review: Itchy tech house label NCSS returns with a trio of new artists all weaving their way into the top charts, and if the material is sounding this good then we're pretty sure we'll be hearing a lot more from them soon! Newcomer Jhobei rolls through with "Do Milk", a creamy, synth-heavy house killer with a slap-up bass, followed by Casey Spillman's "Simply Focus", a freaky tech roller with all sorts of minimal nuances going off in its mix. On the flip, Jhobei returns with "Club Beige", an aqueous roller that sounds a little like the Cab Drivers, while Ben Balance's "Funk Tower" unleashes a dark, muddy bassline interlocked with subtle bursts of sc-fi goodness.
Review: Thomas Berg's Soundscape Versions has Berlin very much at its heart; we're not talking street creds or look here, but purely musical aesthetic. It's champion artist, Octaedre, makes gorgeous swirls of dub techno and is named after one of Basic Channel's infamous 12"s, a totally fitting chice once you hear the fine groove of "M Nature II". Following the shadowy producer is E110 and the majestic glide of "Empty", another dubbed-out slammer, and while Mirage Man retains a form of dubbiness to his sonic manipulation, "6AM" is significantly more stripped-down and beat-heavy; "Tascam Loops" by Kuf takes a grainy palate of beats and bleeps, washes them over a fading glow of a bassline and wraps it all up in a nice techno package for you - probably the best tune on an already stellar EP. TIP!
Review: Eddy and Levii, two Romanian electronic producers by the name of Vinyl Speed Adjust, have gained fame thanks to the myriad of EPs that they've released for labels like Visionquest, and the Bucharest duo are set to light the Hourglass LTD imprint on fire with this latest EP. Contrast EP Vol.1 kicks off with "Floating Around", a punchy techno slammer with a polished edge and countless minimalistic bleeps spewing from its groove, and the Volkan Akin remix breaks up its tempo beautifully, managing to retain the core of the original but filtering its bass and percussion through mounds of cacophonous bass that is built for the big rooms. Tight minimal gear.
Review: Off the back of their blossoming indie-electronica sophomore LP Cold Spring Fault Less Youth, the Mount Kimbie duo undergoes the remix treatment from three well-equipped and idiosyncratic artists. First up Kyle Hall brings the Detroit grit but balances it with his sensitivity towards UK concerns for an uptempo and undeniably version of "You Took Your Time". DJ Koze brings a more tender kind of 4/4 full of esoteric melodic flourishes and the stark original vocal on "Made To Stray", and Lee Gamble rips it all up with his own aquatic blur of "You Took Your Time" that lets the drums fall muddily and the synths strain against a wall of sonic fluff, with fantastic end results.
Review: Gird yourselves; starting from this month and running through until December, Dutch institution Dekmantel are celebrating a decade in the game with a series of monthly 12"s featuring a seriously all-star cast from Tony Allen to Villalobos. It starts right here as legendary innovative composer Gigi Masin opens with the lilting, delicate "Maja", Vakula brings us down from the clouds and back to the future with the body-jacking ghetto bump of "Robot Fuck The System" while Flugel blows the finale horn with the swampy Amazonian harmonic trip-out "Mice On Stick". This is the start of something very special.
Review: The Sebo K and Metro make a partnership debut on Get Physical with "Transit". These upcoming house producers are so hot that this EP almost melts the vinyl that it's pressed on! "Transit" looks to the past and the future at the same time: inspired by old school Chicago house but boasting a modern techno approach to arranging, the nagging bass riff at the heart of "Transit" builds and builds along with Sebo and Metro's evocative chords to create a track that will raise the roof on any club during the peak time. "Transit" never loses its raw, hypnotic groove either, and after it reaches a climax, the sparse, raw rhythm is still there, urging the dancers to keep moving. Philly producer King Britt dons his Scuba hat to provide the remix. It's more understated than the original version, based on an off-beat groove, but, like a thief slipping through an open door in the middle of the night, Britt's reshape gradually introduces the hypnotic chords. Before you know it, his remix will have seduced any crowd who love deep, electronic house music. Get a move on to pick up on this future house classic!
Review: Stil Vor Talent introduces this month another newcomer called Freska from the beautiful Murmansk in Russia. The nice James Holden fan has taken guitar lessons and discovered the world of synthesiser and drumcomputer since 1996. Freskas tracks are reflecting the Nordic impressions of his snowy home. He reaches this unique atmosphere by using his acoustic guitar and his love for deep electro, which he proves with this release called "Some Turns Inside" which has already been charted by well known artists like Carl Cox and Kiki. Stil Vor Talent is proud to present another exceptional talent with style on our sweet underground label.
Review: Last seen excelling on The Corner, NYC techno man Phil Moffa adds Hypercolour to his prospering profile with Rogue Music, a 12" hook up with the irrepressible Seth Troxler. Whilst this may not be the most immediate of collaborative endeavours you could think of, there is still plenty to enjoy here with "Blue Rawls" a perfect balance of stripped back, bone shaking rhythm and a growing sense of textural foreboding. It's the sort of track you can lay down after a frantic bout of drums to really hypnotise the dancefloor. Complementing this, "Meet The Butcha" heads off into seven odd minutes of bugged out house territory and leaves us clamouring more from the pair.
Review: Peter Horrevorts once again kicks over the dancefloor as sound-vaporizer. He delivers with "Vaporize" a stunning two tracker of a timeless electronic masterpiece. "Vaporize Part 1" comes with a forward rolling bassline and a really big portion of lightness whereas "Vaporize Part 2" sounds more deep, with mysterious and moody elements, but also always warm-hearted.
Ways Of The Sun (Peter Kruder Into The Black Hole remix) (7:22)
Ways Of The Sun (Manuel Fischer remix) (8:38)
Ways Of The Sun (Armitage remix) (6:43)
Review: Second time round for the much-loved "Ways Of The Sun", Frankey and Sandrino's 2015 collaboration with vocalist La Oberg. This time, there's no original mix to admire, but rather a quartet of fresh remixes. Jimi Jules steps up first, wrapping dubbed-out synth splashes and La Oberg's evocative vocal around a loose and languid dub disco-meets-deep house groove, before Peter Kruder re-imagines the track as an acid bass-propelled chunk of analogue deep house goodness. Over on side B, Manuel Fischer dishes up a sunrise-ready organic tech-house take while Armitage slams down a loopy and hypnotic peak-time revision that subtly builds throughout.
Review: It would be fair to say that no other artist is quite as associated with Bass Culture Records' "Limited" offshoot as Mihai Popescu AKA MP. In fact, since the series' inception in 2016, he's provided all but one of the releases. Thanks to this latest 12", that remarkable record stays in tact. The Romanian producer explores his more positive side on opener "Start Get Yourself", a clever combination of sweaty, jacking machine drums and fluid, watery and downright dreamy electronics that runs for eight mesmerizing minutes. Flip the disc, first for the deliciously bass-heavy and bumping "Generation House", where jazzy electric piano motifs rise above a swinging rhythm track, and then the early British tech-house lusciousness of "No Bullshit".
Review: Apollonia co-head and all-round Parisian legend Dan Ghenacia steps up for his label's latest release. On The Egg EP, you can really hear the various shades of French house presented by a true expert who lived and played throughout the city's best times for over two decades. From the sexy and slinky late night bounce of "A La Coque" which could have been easily played at his Batofar residency at the turn of the millennium, and the tripped-out and slammin' shuffle of "Mykonos Huevos" (taking the best of early '90s Chicago) to the emotive dancefloor drama of "Sunny Side Up" taking on the very best of Detroit influences such as Terence Parker or Blake Baxter.
Review: Simbad Stanislas has enjoyed a fine start to 2017, with copies of his first outing on Funkineven's Apron label simply flying off the shelves. Here he transfers to Lo Recordings to deliver another collection of eccentric, off-kilter, hard-to-pin-down dancefloor treats. Stanislas' stock-in-trade is combining dusty, MPC-powered house rhythms with quirky, left-of-centre sounds. This fusion can be heard loud and clear on "Ping Pong Love", where a soulful vocal sample is combining with weirdo electronics and thrusting analogue noises, and amongst the intergalactic synths, bubbly electronics and bizarre spoken word samples of ambient closer "Message 045". There's a slightly breezier, break-of-dawn feel to the overwhelmingly loved-up World Air Hybird Remix of "Ping Pong Love", while "Backstreet" is a jolly, jammed-out chunk of loose-limbed deep house positivity.
Review: We asked our favourite remixers of the moment to tackle the electronic disco vibe of the original Sasse production taken from his recent album "Made With The Upper Stairs Of Heaven". Peter Dildo, the man behind Trackdown Records, delivers his phat trademark sound of deep-house meets-post minimal in a slamming arrangement of fine tuned drums and hypnotic synth stabbing.
Review: Subsequent returns with some fine excursions into afterhours weirdness here, this time courtesy of Second Player - who's said to be a newcomer to the scene. On the A side we've got the hypnotic "N 001" which is reminiscent of legend Baby Ford's work, the dusty classic Chicago house sound on "To The Head" up next provides some variety. On the flip is the EP stand out - the ten minute long epic "M 202" which could have nice crossover appeal within the scene, appealing just as much to fans of minimal house as it would to lovers of the rolling and subtle sounds out of Romania. The reductionist acid jam "M 201" closes out the EP in style.
Review: Sometimes, a single side of vinyl is all you need. That's certainly the case here, as Where To Now regular Beatrice Dillon delivers her most impressive and mind-altering club cut yet. Across a mesmerizing 13-minutes, Dillon distills the essence of Minimal techno, dub, West African rhythms, early jungle and experimental noise into one, constantly evolving dancefloor burner. While the blazed vibe of dub, and the crackle of vintage vinyl are ever-present throughout, it's the subtle shifts in rhythmic emphasis - from 4/4 to breakbeat, via intricate polyrhythms - that make "Can I Change My Mind" such an alluring prospect. Few 13-minute tracks can captivate a dancefloor throughout, but this certainly can.