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Review: The Milano Undiscovered series has been expertly overseen by Fred Ventura and now clocks up a third installment. It again delves into Milan's dynamic techno and house scene between the years of 1988 and 1992. Unveiling a trove of unreleased demos, it highlights the city's burgeoning underground culture during this period. Influenced by the pioneering sounds of Chicago, Detroit, London, and Sheffield, Milanese producers embarked on a creative journey, crafting their own distinct interpretations of electronic dance music. These demos offer a glimpse into the innovative spirit and diverse sonic landscape that defined Milan's contribution to the global dance music scene during this transformative era.

Review: Detroit house hero Kyle Hall returns with his biggest project in some time in the form of Transmissions, a new double album on his own well-regarded Forget The Clock. All six tracks have enigmatic, functional titles and the music is as idiosyncratic as ever. Each one veers more towards techno than is Hall's usual style, with pulsating synth lines and tight, dusty drum tracks making for stripped-to-the-bones grooves. Later on, things grow ever more abstract with twisted acid lines screwing their way through the increasingly ragged and roughshod drums. These are perfectly imperfect jams from a master of the form.

Review: REPRESS ALERT!: Jade Seatle met Jane Fitz at tech-house haven Kerfuffle in Brixton around 2005 or 06 (they don't remember). They bonded that day over records, and a strange story about a pebble. Disillusioned with parties in London, rather than moan, Jade and Jane decided to make their own. Night Moves was born in 2012, after they visited Jenifa Mayanja in Connecticut in summer 2011 and promised her a party to play in London. What then evolved was a journey in music, gatherings and friendship - and a lesson in how a community can evolve from a dancefloor. Night Moves spawned Day Moves, Field Moves, a B2B partnership, and many ridiculous parties in a range of wonderful locations. The records on this release not only represent the sound of Night Moves - all are tried-and-tested NM greatest hits - but also the sound that brought Jade and Jane together, and informed what they do now, where they've been and where they are still to go. For Those That Knoe is proud to invite Jade Seatle and Jane Fitz to present the Sound of Night Moves - only available on vinyl!

Review: Domenic Cappello is a long time legend of the scene who has been in the form of his life of late. As such he finally drops a much anticipated and long awaited debut album 'Basement Philosophy on Alien Communications that comes 20 years after he started making beats. Cappello's sound permeates the whole record as it traverses diverse sonic landscapes with captivating potency. Opening with 'Mushroom Waltz', dreamy pads and lively chords set the tone, leading into the soulful depths of 'Midnight with T'. 'Early Flight' builds cerebral atmospheres with characteristic snapping drums. 'Acid Rain' evokes nostalgia, while '3am Jamaica Street' pulsates with peak-time energy. 'Moon Jump' offers languid melodies reminiscent of classic Underground Resistance and electro-inspired 'Burning Past' and 'Not for Instagram DJs' conclude ta high class record in style.

Review: California's Joe Babylon has been steering his own Roundabout Sounds through some lovely deep house waters over the last few years. Now the producer makes a big statement with his own debut album. He is something of a veteran having co-founded Plug Research back in 1994 and hosted underground events in Los Angeles during the mid '90s. Following on from outings alongside the likes of Rick Wilhite and Rondenion he now brings his own dusty, carefully disheveled house sounds to the fore. They have been crafted using an MPC which gives them their rough-edged appeal and they go from heads down back room joints to dubbed-out minimalism via dream late-night reveries. It makes for a fresh take on a tried and tested house template.

Review: Designed with a dual purpose - setting the label's agenda for the year ahead and introducing new signings - Crosstown Rebels' SPIRITS series has long been a must-check source of dependable tech-house tracks. Naturally, there's plenty of highlights to be found across this sixth annual edition. Our current favourites including the throbbing, percussion-rich, big room tech-house excellence of 'The Vision' by Cameron Jack; the acid-fired heaviness of Lauren Lane's 'Fair Game', with its wobbly sub-bass and echoing Latin drum hits; the crackling, mind-mangling tech-house psychedelia of 'So Deep' by Cristina Lazic and Leia Contois; and the fiendishly bass-heavy tribal-tech wonder that is Inigo Vontier's accurately titled 'That Trippy Sound'.

Review: It has been some years now since Nail came back from the wilderness after one of his early EPs was re-released by Fear of Flying. Since then he has turned out plenty of new material as well as digging deep into his vast and vital vaults to serve up the sort of lo-fi but kicking house sounds that made him and his Nottingham crew such a driving force back in the 90s. And that's what we get here on For Those That Knoe - no fewer than eight masterfully stripped-back cuts of deep house. Some are laced with dreamy melodies, some roll deep for days, some are raw and textured pumpers and some are jazzed-up bangers with charm to spare. Essential stuff.

Review: Zach Murray is a fast-rising London producer who makes a great impression here with an ambitious and ultimately accomplished double pack on Oscuro. The title track 'Pieces Of The Puzzle' opens with sweeping ambient before 'Chill Pill' explores as glistening melodic world of futuristic tech and 'Can't Stop The Rain' has an old-school energy to its marching drums and rave stabs. There are also forays into acidic electro like on 'Keep Chasin'' and rugged breaks on 'Phase Me', elastic house sounds on 'Dubmotions' and cosmic turbulence in the trippy 'Dreams,' all of which show off this producer's versatility in style.

Review: A reissue that minimal house fans will have been waiting for - an expanded version of Baby Ford & The Ifach Collective's Sacred Machine album. Released in 2001, it's genreally accepted to be the high weatermark for minimal, and here's it's been lovingly remastered by Dubplates & Mastering and comes blessed with two unheard-til-now corkers from the same sessions - Mark Broom's mix of 'RTDC' and 'In The Bag'. What are you waiting for?!

Review: This double 12" compilation between Brazilian duo Stekke and producer and DJ Max Underson is a perfect marriage between the emotional aesthetic background of Underson's previous works and the precise floor-filling formula that Stekke has devised. The minimal composition is at the crossroads between deep, acid and tech house, with the wet basslines of 'The Messenger' being paired with ritualistic sub-bass lines culminating in house heaven. A real highlight on this release is side 4's 'Guidance', a smooth, grooving track that goes to show that house tracks don't always have to be cramped to the brim. The negative space used in these tracks, and the way it's used, is an art. Not to turn a blind eye to the two unique remixes on the compilation either, which take tracks to new heights thanks to the abstract re-imaginings by XDB and Melchior Productions Ltd. Universal Law is a schooling in the ways of minimal house, take notes.

Review: German artist Damiano Von Erckert has matured into a fine producer with a unique sound. He's dropped it on his own label, Aus Music and now comes through with a full-length on Live At Robert Johnson. As always it is a cross-genre mix with a dusty vibe and big heart. '3PIANOS' kicks off with expressive vocal samples and florid flutes ready for a summer dance, while a Pepe Braddock mix brings some signature weirdness from the Frenchman. Further tunes bring in tech, electro and hints of techno but always with that rough and ready vibe that brings the good times.

Review: Bushwacka! deserves any plaudits that come his way. He was there at the birth of acid house and went on to foment his own take on tech house. He held a legendary residency at the End in London and of course dropped countless seminal tunes alongside Layo, not least their epic 'Love Story' mash-up. Now the acclaimed but still relevant UK veteran dives back into his roots to serve up the sounds that came before tech house with highlights that would have been heard at the time at parties like Heart & Soul, Release, The Drop, Vapour Space, and at venues like Heaven and The End. Skippy, dubbed garage and driving house all feature in a fine collection.

Review: We're still not quite sure why fabric rebranded their much loved mix series because the fabric present series seems to be very similar in that it is unbound by genre and chases only the best DJs in the game. Saoirse is one of those and makes a fine entry here that is on the header end of the spectrum following on from efforts from the likes of Sherelle, TSHA and MCDE. Her functional, low slung sounds are perfect for late night moment slots in the groove with cuts from the likes of Luca Lozano, Rinse FM founder Geeneus and many more all making for a storytelling mix.

Review: Marco Calderoni seems to have released just one thing and that was his How to Use The World Volume 2 EP back in 1991. Sound Metaphors Records has now remastered it and recompiled it for this all new pressing which sends you deep into his mix of ambient, house and Balearic across six sublime cuts. '7 Heavens' is the glistening opener with nice deep analogue beats, and 'Exploring The Unknown' carries on the same vibe before 'How 2 Use The Sky' is like a perfect post rave comedown. The second half is another scintillating mix of silvery, shiny synth lines and dusty analogue drums that sounds like little else before or since.

Review: Ron Moreli's famously sleazy LIEs welcomes back one of its regular artists in Lipelis, this time with his TMO project alongside extra goodness from keyboardist Eugene Piankov. The pair really go for it from the off, with anthemic house stomper 'Goes D Jam' offering up squealing 303 and 909s that ring out into the cosmos over crunchy drums. '112 Bright Jam' is slower, deeper, more heartfelt with its tender piano chords and 'Goes C Jam' is an acid laced piano celebration. Last of all is '107 Dark Jam' which is a heads down stomp with acid meditations for grotty warehouse spaces at 5am.

Review: The inimitable Jamal Moss comes forth with his second offering for Madrid's Apnea records. 'The Moon Dance' unfurls over 11 tracks- in turns pensive, elegiac, and slammin'. Between the sedate expanse of opener 'When The Earths Shadow Falls On The Moon' and the final cymbal strokes of gauche, machine funk closer 'Mawu', Moss lifts us on yet another Afrofuturist space flight of fancy, passing through superclusters of deep house, tactile techno and stroboscopic piano jams along the way.
Standout moments include the smoove-as-u-like-it intergalactic lounge jazz diversion 'The Moondance Moon Walk Version'; its steezy stride-piano vamp seamlessly intertwining with Moss' signature babbling acid intrusions, the irresistibly groovy bump of 'Tethered 2 The Divinely Spaces With In' and the hypnotic sway of 'Celestial Poems Of The Lady With 10000 Names', which opens up from Terrence Dixon-esque introspection into broad windy city string washes and synapse-tickling bleeps. With this collection, Moss pens yet another crucial chapter in the seemingly bottomless hieroglyphic being scroll. While 'The Moon Dance' is one of his most accessible and harmonious works to date, it doesn't lose an ounce of the rawness and immediacy of his previous work. Essential listening!