Poisoned Words (Ricardo Villalobos remix 1) (6:35)
Poisoned Words (Ricardo Villalobos remix 2) (13:39)
Review: The Mandar dream team of Lazare Hoche, Malin Genie and S.A.M revisit "Poisoned Words" with a double dose of remixes from none other than Ricardo Villalobos. The minimal overlord lives up to expectations on both flips of the original track, needling into the tiniest sonic details and holding down an insistent groove that will sit beautifully in the mix. The A side features a simmering version that revels in wriggling sound design with ample space to flex and mutate, while the B side stretches out into a quintessential Villalobos wormhole of a remix. Unmissable sonics from one of the scene's true legends.
Review: Arapu is very much one of the key Romanian artists of the moment. Of course, like his revered countrymen, that means techno that is elegant, minimal, and delicately detailed. His own take on the style is often littered with curious little motifs and trippy loops that also characterise this new one on heavyweight vinyl for Liniar. "Over" is a brilliant opener with languid Balearic guitar riffs echoing over supple drum work which will hook you in and encourage your mind to wander, whereas "A Gain" is a more direct, driving minimal techno cut with warped synths peeling off an urgent groove. "I" closes out with a funky undercarriage and dub house overtones that will get any basement popping off.
Review: Hoarder continues to impress here with another classy collection of serious club heat. It comes from Italian born, New York based artist Fr!sky Buziness and marks his best work to date. All four tracks deal in proper, original tech house with a superbly smooth and seductive sense of late night funk. "Grey Goo Romance" has a gooey groove with sci-fi motifs that race along, while "Bananafish" channels early Terry Francis with its clipped and slick drums and swirling cosmic pads. "Skyhook" is awash with alien lifeforms and brain cleansing synth tones that are shiny and reflective, then finally "Aurora" pumps the party with perfectly pressurised drum loops and a whole ecosystem of spaced out sound effects. This is high grade dance floor weaponry from start to finish.
Review: Having built his reputation via a regular series of self-released 12" singles, East End Dubs is now beginning to make guest appearances on selected labels. Here he pops up on the long established, vinyl-only INFUSE imprint with a trio of club-ready concoctions. On the A-side you'll find "Gradual Steps", a rolling and attractive fusion of bouncy deep house drums, spacey, Motor City chord, thickset bass and glitchy tech-house flourishes. As usual, there's a wonderful swing to his drums and the stretched-out chords are hazy and evocative. You'll find more of these sumptuous pads and chord progressions on similarly-minded flipside cut "Mind Traps", while closer "Enhance" is another deep house/tech-house hybrid blessed with a notably epic breakdown.
Review: Anders Trentemøller is one of the rising stars of the dance music scene, his remixes and productions have gained critical acclaim from a broad range of DJs and producers including Pete Tong, Sasha, John Digweed, Switch, MANDY, Mylo, Nathan Fake and Freeform Five. Released on the influential Poker Flat label this is set to be one of the definitive releases of 2006. Available as a limited edition double CD and double LP. Trentemøller is currently the most in-demand remixer (recently delivering critically acclaimed mixes for The Pet Shop Boys, The Knife, Royksöpp, Sharon Phillips and Moby) with releases on Naked Music, Get Physical, and of course Poker Flat/Audiomatique.
Review: The FUSE London crew are back everyone, look out! Bringing the sound of their legendary daytime raves to us again and getting straight down to business on Enzo Siragusa's third edition of 5 are label mainstays Rich NxT (with the rolling and adrenalised "Badass") and the always impressive OdD aka Damian Daley & Danny Dixon joined by newcomer Rossko (making his production debut) on the rolling hypnotism of "Jabba The Hut". On the flip is Moscow Records boss Archie Hamilton (another mainstay of the label) with the woozy and tripped out after hours deepness of "Cirrus" and the Deep End Soundsystem affiliated Sam Bellis with the gutsy acid driven "Solstrole".
Review: Serial collaborator Romain "Traumer" Reynaud is at it again, this time joining forces with fellow Parisian producer Gregory "Point G" Dorsa for a three-track workout on INFUSE. The experienced duo predictably hits its stride from the word go, serving up some swinging rhythms, hypnotic sub-bass and Salt & Pepa samples on peak-time tech-house box jam "Push It". There's a more percussive and slightly glitchy feel to the bongo-laden "Modulation Tropique", while banging B-side "Locoliente" feels like the kind of bouncy tech-house floorfiller that Sheffield sorts Swag used to do so well in their early 2000s pomp.
Review: Baby Ford's minimal minded label is back in action with some psyched-out goodness from Alex Celler. The long-serving Greek producer has many strings to his bow, but this release finds him tapping into his foundational sound as a steady ticking groove carries a richly produced bed of chimes and tones for the deepest moments in the dance. Where "Feudade" is a lilting, soothing trip, "Vis A Vis" heads into a more mysterious headspace peppered with nagging rhythmic trysts, crafty licks and fulsome bass to get the synapses popping. It's exactly how stripped down house music should be done, inventive to the last and yet utterly danceable.
Review: iO Mulen's eponymous imprint is unstoppable at the moment after releases by himself, homeboy Silat Beksi and Frenchman Varhat setting the bar high. Now it's over to emerging Romanian talent Suolo with this brilliant new one. Starting off in trippy and hypnotic fashion with the rather Villalobos-ish "Kamadeva", he then gets down with the ultra deep "Domergue's Got A Secret" which, likewise, is perfect for a Sunday afternoon after-hours in Bucharest. Finally, he saves the best for last on the flip with "Merimna", a rolling, trance inducing cut where subtlety and tight programming of elements effectively showcase a less is more work ethic.
Review: After making his debut with the Slum EP on Bucharest-based Te Iubesc Records, Romanian producer Ionu? Arapu has spread his wings with a series of releases across a wedge of European labels such as Dusseldorf's Gua Camole and London crew Moss Co. This Mdmamazing 12" for Michael Peter & Siggi Schulz's Movida label is Arapu's most high profile to date and despite the slightly dubious title will probably land the Romanian some new fans too! The title cut is a powerful minimal dancefloor tool with a supple bassline driven groove and some nicely broken drums, whilst "Chivoice" finds Arapu in more abstract territory.
Review: We're very happy to see a renewed interest in Underground Resistance sub-label Happy Records: which is sure known for its fair share of house classics. Quite fitting then that the chief retrovert Gerd Janson over at Running Back saw it fit to issue some remixes of the classic "Sunshine" by Unit 2 aka Raphael Merriweathers Jr. and Niko Marks. KiNK's remix on the A side is a nice modern revision of the track which retains those uplifting trademark pianos but adds some of his thunderous trademark 909 drum machine workouts beneath. On the flip, lo-slung disco pranksters Tiger & Woods do a remix which cuts up and stutters those said pianos (and the vocals) to interesting effect plus adding some nice boompty swagger into it.
Review: Using the Turkish psychedelic project Insanlar as a jump off point, Honest Jon's have enlisted Ricardo Villalobos to turn out one of his grandiose remix projects that gels so naturally with more exotic sound sources. The original of "Kime Ne" is already an enchanting, Moog-infused groover rich with traditional vocals, and then Mr Villalobos locks the ingredients in for a typically cosmic ride into stripped and hypnotic house territory, letting the lutes intertwine with dusty reams of percussion using that alchemists touch that could only come the man himself. The remix spreads itself over two sides of wax, leaving one side of the double pack free for a fetching etching as well.
Review: Alex is a brand new alias from the artist regularly known as Baba Stiltz - a Swedish producer whose quirky, off-kilter house and techno releases are rarely less than brilliant. His first Trilogy Tapes outing is suitably impressive. The real killer is "Samba", an inspired nine minute workout in which he layers deep, woozy electric piano motifs, sun-kissed chords, child-like vocal samples and rich bass atop a swinging, samba fired techno beat. The deeper and more bass-heavy "Memo" is even more epic; a near 13-minute journey through sparse, crunchy, hypnotic and dubbed-out minimal house rhythms and exotic, snake charmer solos. In other words, it's another top-notch EP from a producer who genuinely can do no wrong.
Review: Kiasmos are a Reykjavik based duo comprised of BAFTA awarded composer Olafur Arnalds and Janus Rasmussen from the band Bloodgroup. The sounds of classical music and electro-pop collide fantastically on this release. First track "Drawn" is a sublime and emotional serving of trip-hop with Arnald's signature piano style floating on top of Rasmussen's immaculately programmed beats. And then that lush string section comes drifting in, its magnificent! "Gaunt" features some mutant pan pipes accompanied by a bleepy melody and sub-bass pulsations, but once again balanced out by Arnalds' lush piano and strings arrangements. On the flip "Swept" is a dreamy and melancholic deep house cut that could have come out on Kompakt, it's that good. There's even a remix of it by men of the moment Tale Of Us, who revise the track into one of their signature dark and adrenalised journey tracks, it's well done!
Jeremy Castillo - "Beat Dat" (feat Vin Sol) (4:24)
Review: Unknown To The Unknown spreads its wings with a new sublabel dedicated specifically to jacking house jams for proper white-knuckle party times. Steven BC turns the acid intensity up to 11 with the devastatingly on-point "Flanger Zone", while Mall Grab reaches for a classic bit of disco funk to sample and filter mercilessly. Lawrence Lee meanwhile opts for a playful, budget take on Eastern electro on "Pyongyang Rhythm" before Jeremy Castillo and Vin Sol return to primal Trax Records territory for "Beat Dat". It's a release that marks House Crimes out as a natural descendant from UTTU's irreverent approach to dance music, without compromising on the quality.
Review: Brawther's Negentropy label has already carried gold star material from Ron Obvious and the man himself, and now it's the turn of debutant producer Zweizig to show off his wares. This assured 12" leads in with the ambient intro "Gewissen" before the crisp minimal funk of "Rhythm Tension" kicks in with its shimmering and shuddering sound design pinging around the dexterous beat. "Zephyr" is a smoky affair with a snappy broken beat and lots of subtle organic matter writhing in the middle distance. "Rehash Repeat" takes things deep and dubby to complete the set, all mellow hiccupping rhythm accents and hazy melodic phrases.
Review: For the fourth and final edition of Matthew Herbert's Parts series, we have four further reductions from the UK producer's back catalogue - all in his idiosyncratic style. Timeless minimal house that has truly stood the test of time and sounds as captivating as it did over 20 years ago. Part Four came out on Phono back in 1996 and is reissued here on Herbert's Accidental imprint. From the dubbed-out heroin house of "Pen", the crunchy robo-jack of "Pump", more blip, blurp and bleep on "Take Me Back" or his knack for simply straight-up and emotive deep house as heard on the utterly sublime "Resident". The tracks on here are still relevant in today's musical landscape and completely essential, in our humble opinion.
Review: Itchy tech house label NCSS returns with a trio of new artists all weaving their way into the top charts, and if the material is sounding this good then we're pretty sure we'll be hearing a lot more from them soon! Newcomer Jhobei rolls through with "Do Milk", a creamy, synth-heavy house killer with a slap-up bass, followed by Casey Spillman's "Simply Focus", a freaky tech roller with all sorts of minimal nuances going off in its mix. On the flip, Jhobei returns with "Club Beige", an aqueous roller that sounds a little like the Cab Drivers, while Ben Balance's "Funk Tower" unleashes a dark, muddy bassline interlocked with subtle bursts of sc-fi goodness.
Review: Berlin's Cab Drivers are the real deal. If their extensive collection of classic Roland machines wasn't enough, they even sequence them all on an old Atari ST you don't get more purist than that. Paul and Augustowsky's new track "Correspondence" has all the hallmarks of their signature sound: bumpin', melodic, rolling and emotive. You know; the Cab Drivers sound! On the flip, fellow Berlin minimal techno legend Audio Werner steps up to deliver a more darker and emotive remix that strays on the dubbier side of things and we loved it: Tip!
Review: Roving Romanians Khidja take us on a trip of a lifetime with "Impossible Holiday"... We take off with the stately, cavernous and slightly fuzzy "Die Wilde Spirale" and land in our improbable destination to the spiked out synth washes and dubby bass palpitations of "Pinnacles". We enjoy all sorts of unperceivable activities to the bouncy, analogue bed and fluttering, head-soothing arpeggios of "Haetrin" then fly home to our comparably dismal existences on the droning, groaning and ever-morphing "Kraftfield". Happy travels.
Review: Swiss master of all things deep, Bastian Volker is back for the eighth release on his always impressive Office imprint. Not just content with creating some lush music under the Baaz alias or redefining the dub techno sound as Eric Miller (like on his recent album Silhouettes for Sushitech this year), could he be delving into the world of hypnotic techno now also? Brilliant opener "Kraut House" starts the EP off in great form and is reminiscent of the tribal trance sounds of Refracted or Tozzy. On the flip, "Modual" is more like the Baaz we know; deep, dubby and emotive with a bumping baseline, smoky drum patterns and pitch shifted druggy vocals for added effect. Finally "Simple E" adds yet more variety to the release with this dusty and bittersweet slow burner that's perfect for drifting.
Review: Made up of tech house trippers par excellence Tomoki Tamura and Tuccillo, Doublet have been steadily issuing forth their wares with aplomb since starting out back in 2013. Most of this material has been on their own label, and so it is on this fifth installment that finds them in especially fine form with the shimmering delights of A side track "Beautyfull". "Mush" is no slouch in the attractive stakes either with its sultry chords and slinky grooves, while "Robin & Maikel" takes a more esoteric route through tech house on the B side. It's a superbly produced EP full of imaginative ideas to match the proficiency of the beats.
Review: Subtil is run by Nils Weimann and Martin Glowacz. The latter teams up with label stalwart Martin Glowacz for the Berlin label's twelfth release, following up some great ones by Romanian tech house heroes Piktor and Vlad Arapasu. The A side features the slinky and hypnotic groove of "Frankonia", followed by the rolling and esoteric sorcery of "Lower". The flip belongs to an epic 13 minute long remix of "Frankonia" by Paul Agripa - of the trio Sahau with Dan Andrei and Serban Goanta. The Bucharest based producer's trippy daydream of a rendition is pure magic and exactly the kind of thing we could have imagined the crowd at Sunwaves 23 trancing out to last week.
Review: Phil Evans and Markus Sommer's Pager label is back with more quirky retro techno representative of the Offenbach sound of now - this time served up by Shampoo Douglas. Comprised of Italian brothers Ruben and Alex, these two are said to be on a mission from the distant planet Kepler 66 - and they've made it clear on the "Polypako EP". Highlights include the bumpin' and glitched out minimal funk as heard on A side cuts "Alpha Clan" and "Shumizum" which are perfect for busting out on the afterhours dancefloor, and the spaced out breaks action of "Pako (feat Goiz)" on the flip.
Review: Mr Cloudy has a sizable back catalogue on labels like Entropy, Dubwax and Millions Of Moments, and now he's been snapped up by Local Traffic to impart his sumptuous dubby wares across four tracks. "Memoria I" and "Memoria II" let the A-side simmer in a bubbling broth of dub techno ambience, all shimmering chords undergoing heavyweight processing. "Sprayer I" is still immensely mellow, although a little rhythmic pulse creeps its way into earshot via the movement of the gravelly chords, and then "Sprayer II" rounds the EP off with something approaching a beat-oriented excursion through the same billowing clouds of dub techno finery.
Review: Trentemoller's Into The Great Wide Yonder sees the Danish producer dipping his toe into new territory to deliver an LP that sounds wholly natural and unforced, showcasing yet another side to his musical prowess. Not that we should be surprised - 2006's critically acclaimed debut The Last Resort was a crisp dance record, while his first mix compilation, Harbour Boat Trips, came loaded with varying sentiments of indie, rock and pop. Into The Great Wide Yonder completes Trentemøller's transition from his roots as a dancefloor producer into the more instrument-led domain of pop and rock tinged electronica. Still using a driving kick drum as the core to the album, the In My Room head honcho is still very much part of the dance scene, just not in the club focused way that we're used to.
Take Me Back (Ricardo Villalobos Mistuck Vill remix) (9:53)
Review: 1990 acid house classic "Take Me Back" by Miami producer William Torres gets a reissue on Belgian imprint Invade. The original 303 banger is featured of course, in all its squelchy, snappy and downright epic glory, but it's the remixes which are definitely most curious. The remix by label boss Ilario Liburni is a deep, druggy and bumping remix for modern dancefloors of the 9AM variety. On the flip the Ricardo Villalobos "Mistuck Mil remix" typically clocks in at just under ten minutes and is a pleasure to listen to in its entirety. He brings back the acid sounds of the original in a more restrained capacity over a tough 808 rhythm pattern, plus trippier vocals than the original.
Review: Thomas Berg's Soundscape Versions has Berlin very much at its heart; we're not talking street creds or look here, but purely musical aesthetic. It's champion artist, Octaedre, makes gorgeous swirls of dub techno and is named after one of Basic Channel's infamous 12"s, a totally fitting chice once you hear the fine groove of "M Nature II". Following the shadowy producer is E110 and the majestic glide of "Empty", another dubbed-out slammer, and while Mirage Man retains a form of dubbiness to his sonic manipulation, "6AM" is significantly more stripped-down and beat-heavy; "Tascam Loops" by Kuf takes a grainy palate of beats and bleeps, washes them over a fading glow of a bassline and wraps it all up in a nice techno package for you - probably the best tune on an already stellar EP. TIP!
Review: Off the back of their blossoming indie-electronica sophomore LP Cold Spring Fault Less Youth, the Mount Kimbie duo undergoes the remix treatment from three well-equipped and idiosyncratic artists. First up Kyle Hall brings the Detroit grit but balances it with his sensitivity towards UK concerns for an uptempo and undeniably version of "You Took Your Time". DJ Koze brings a more tender kind of 4/4 full of esoteric melodic flourishes and the stark original vocal on "Made To Stray", and Lee Gamble rips it all up with his own aquatic blur of "You Took Your Time" that lets the drums fall muddily and the synths strain against a wall of sonic fluff, with fantastic end results.
Review: Gird yourselves; starting from this month and running through until December, Dutch institution Dekmantel are celebrating a decade in the game with a series of monthly 12"s featuring a seriously all-star cast from Tony Allen to Villalobos. It starts right here as legendary innovative composer Gigi Masin opens with the lilting, delicate "Maja", Vakula brings us down from the clouds and back to the future with the body-jacking ghetto bump of "Robot Fuck The System" while Flugel blows the finale horn with the swampy Amazonian harmonic trip-out "Mice On Stick". This is the start of something very special.
Review: Last seen excelling on The Corner, NYC techno man Phil Moffa adds Hypercolour to his prospering profile with Rogue Music, a 12" hook up with the irrepressible Seth Troxler. Whilst this may not be the most immediate of collaborative endeavours you could think of, there is still plenty to enjoy here with "Blue Rawls" a perfect balance of stripped back, bone shaking rhythm and a growing sense of textural foreboding. It's the sort of track you can lay down after a frantic bout of drums to really hypnotise the dancefloor. Complementing this, "Meet The Butcha" heads off into seven odd minutes of bugged out house territory and leaves us clamouring more from the pair.
Ways Of The Sun (Peter Kruder Into The Black Hole remix) (7:22)
Ways Of The Sun (Manuel Fischer remix) (8:38)
Ways Of The Sun (Armitage remix) (6:43)
Review: Second time round for the much-loved "Ways Of The Sun", Frankey and Sandrino's 2015 collaboration with vocalist La Oberg. This time, there's no original mix to admire, but rather a quartet of fresh remixes. Jimi Jules steps up first, wrapping dubbed-out synth splashes and La Oberg's evocative vocal around a loose and languid dub disco-meets-deep house groove, before Peter Kruder re-imagines the track as an acid bass-propelled chunk of analogue deep house goodness. Over on side B, Manuel Fischer dishes up a sunrise-ready organic tech-house take while Armitage slams down a loopy and hypnotic peak-time revision that subtly builds throughout.
Review: Apollonia co-head and all-round Parisian legend Dan Ghenacia steps up for his label's latest release. On The Egg EP, you can really hear the various shades of French house presented by a true expert who lived and played throughout the city's best times for over two decades. From the sexy and slinky late night bounce of "A La Coque" which could have been easily played at his Batofar residency at the turn of the millennium, and the tripped-out and slammin' shuffle of "Mykonos Huevos" (taking the best of early '90s Chicago) to the emotive dancefloor drama of "Sunny Side Up" taking on the very best of Detroit influences such as Terence Parker or Blake Baxter.
Review: Simbad Stanislas has enjoyed a fine start to 2017, with copies of his first outing on Funkineven's Apron label simply flying off the shelves. Here he transfers to Lo Recordings to deliver another collection of eccentric, off-kilter, hard-to-pin-down dancefloor treats. Stanislas' stock-in-trade is combining dusty, MPC-powered house rhythms with quirky, left-of-centre sounds. This fusion can be heard loud and clear on "Ping Pong Love", where a soulful vocal sample is combining with weirdo electronics and thrusting analogue noises, and amongst the intergalactic synths, bubbly electronics and bizarre spoken word samples of ambient closer "Message 045". There's a slightly breezier, break-of-dawn feel to the overwhelmingly loved-up World Air Hybird Remix of "Ping Pong Love", while "Backstreet" is a jolly, jammed-out chunk of loose-limbed deep house positivity.
Review: Sometimes, a single side of vinyl is all you need. That's certainly the case here, as Where To Now regular Beatrice Dillon delivers her most impressive and mind-altering club cut yet. Across a mesmerizing 13-minutes, Dillon distills the essence of Minimal techno, dub, West African rhythms, early jungle and experimental noise into one, constantly evolving dancefloor burner. While the blazed vibe of dub, and the crackle of vintage vinyl are ever-present throughout, it's the subtle shifts in rhythmic emphasis - from 4/4 to breakbeat, via intricate polyrhythms - that make "Can I Change My Mind" such an alluring prospect. Few 13-minute tracks can captivate a dancefloor throughout, but this certainly can.
Review: Subsequent returns with some fine excursions into afterhours weirdness here, this time courtesy of Second Player - who's said to be a newcomer to the scene. On the A side we've got the hypnotic "N 001" which is reminiscent of legend Baby Ford's work, the dusty classic Chicago house sound on "To The Head" up next provides some variety. On the flip is the EP stand out - the ten minute long epic "M 202" which could have nice crossover appeal within the scene, appealing just as much to fans of minimal house as it would to lovers of the rolling and subtle sounds out of Romania. The reductionist acid jam "M 201" closes out the EP in style.
Review: Puglia, Italy based imprint Out-Er has had quite a year, with releases by the likes of Detroit minimal techno innovator Terrence Dixon aka Population One, British tech house hero Aubrey and Dutch techno legend Orlando Voorn. The label (run by Simone Gatto) now presents an impressive compilation celebrating five years in business and it is rather impressive, if we do say so ourselves and signifies some brilliant prospects on the horizon for 2017 and beyond. Highlights here weren't limited to: Dial Records and Berghain regular Efdemin with the oddball avant garde/techno crossover of "Don't Bang Your Fingers" where its hypnotic groove supports a bizarrely used dialogue from a cooking show. Then, quick: hide your AIRA because The Analogue Cops are here! They give us the slow burning and dusty hardware jam "Speculation", which is very good. Also, don't forget to check the aforementioned Voorn's collaboration with Motor City don Juan Atkins on "Reloaded" for your fix of hi-tech soul.
Review: French producer Ortella is a staple of the Lyon based Mad Records and is also known for releasing on Rennes based imprint Rutilance. There's more dusty and reduced deep house here on the Believe EP. The A side features two sexy and swinging cuts such as "It's Good To Be Lost" (with its bouncy Juno bassline) and the rather Derrick Carter styled boompty business of "Attitude". On the flip, the funky disco loops of the title track are a bit of an afterthought when compared to the next track "Ass-ID" - undeniably the EP's highlight. This euphoric 303 acid journey jacks good and proper and will take you back to the days at The Warehouse circa '86 - when the likes of DJ Pierre and Adonis reigned supreme.
Review: We like it when labels carry on that whole mystery, hand-stamped kinda vibe because it does, in fact, add even more charm and personality to a genre with should ideally remain faceless and allow the machines to speak for themselves. This is the Trimurti label's third release to date, and NT is the enigmatic artist behind these three powerful house-techno hybrids. "Vishnou 1.3" is a bass-heavy, dubbed-out house slinger with a deep, wholesome analogue feel, while "Vishnou 2.3" adds a few breakbeats and a bit of an electro charm to its stutter, and "Vishnou 3.3" flaps a glitchy set of percussion all over a sparse and desolate landscape of melodies. This is a tidy little three-tracker that shouldn't go unnoticed, and we recommend you to pick one up fast because it's likely to fly on out of here pretty damn fast!
Review: Longstanding Detroit deepsmith Kage returns on his brand new label Michigander. The result? Three superlative exercises in synth soul and an on-point version for later hours. "The Arc" prowls with all the string-soaked majesty of an early Rolando cut while the stringless version hits a little harder. "D Drive" jacks with a slappy bass groove while tipping a slight nod to Yazoo with its vibrant riffy ripples while "Transcending" is all about the big dubby synth washes and off-kick bass palpitations. Let's hope there'll be more to gander from Michigander very soon.
Review: For the 20th release of the Valencian label Oblack, it is over to Los Pastores aka Snna and Nacho Arauz/Juliche Hernandez from the Canary Islands (DownHill Music). They gather up all their talents to come up with one of the most clubby, dance floor oriented tracks from the label thus far. "Bigger Easy" is classic late noughties style minimal that's big on druggy elements plus those pitch shifted vocals (a la Marc Houle) are a worthy addition. On the flip, "Get Back" is a funky electro house jam with a buzzy synth lead and bumpy bassline over its tight groove, plus those subtle disco influences thrown in for good measure work a treat. The remix by Japanese guy in Berlin, Tomoki Tamura, is the real winner on there though. Here he takes the track into reductionist afterhours territory, with all its dusty and sparsely hypnotic elements working in harmony.