Review: Oooh! Angie Stone's "Wish I Didn't Miss You" definitely belongs in the canon of all time modern soul classics. Taken from her 2001 second album Mahogany Soul, the Swizz Beats produced track made optimum usage of an O' Jays sample and was instrumental in that LP going gold and propelling the former D'Angelo collaborator to stardom. It also inspired countless official and under the counter remixes with Blaze's perhaps the most recognisable. So yes this reissue on 7" from Outta Sight is worthy if you don't have the original in your collection and features a housed up remix from Hex Hector on the flip.
Review: For their latest trawl into the world of rare soul and funk, Outta Sight has decided to reissue Lou Lawton's brilliant "Knick Knack Patty Wack", a punchy, horn-heavy and occasionally stomping 1967 cut that regularly changes hands for eye-watering sums online. Part of the appeal to collectors and DJs is the track's association with the British northern soul scene. The same could be said of Walter Wilson's "Love Keeps Me Crying", another 1967 recording that was only ever released in limited quantities as a "promo-only" 7" single. While not as sought-after as the Lou Lawton track on the A-side, its every bit as cheery and life affirming (despite the presence of rather melancholy lyrics above the driving Motor City production).
Review: Outta Sight's latest monthly rare soul missive contains hard-to-find and overlooked classics from "hard-hitting" New Jersey vocal group Soul Brothers Six and New Orleans Rhythm and Blues man Willie Tee. It's the former's wonderfully sweet and loose "I'll Be Loving You" (first released in 1966, fact fans) that takes pride of place on the A-side, serving up a lightly sauteed soul take on the rhythm and blues template. Willie Tee's 1967 jam "Walking Up A One Way Street", a summery affair blessed with a superb horn section, leisurely groove and brilliant lead vocal from the man himself, can be found on the B-side.
Review: Chalalala move on. Outta Sight continue their two sides / two legends Atlantic 45 series with this beautiful celebration of The Pointer Sisters and The Drifters. Neither act require an introduction. The famous Oakland all-girl troupe take the lead with "Send Him Back", their sophomore single (that regularly fetches upwards of L100 a copy) it's a bubblegum soul frenzy with all the energy you'd expect from their breakthrough years. The Drifters carries a similar sense of focus and energy with vibrant backing vocals and a sunny side soul touch that will have you bouncing from here to next winter.
Review: Outta Sight has only been around for two years but their catalogue would suggest otherwise. In this short space of time they've out our a truck loads of records, all in the form of sweet, highly sought after reissues - hot damn! Dee Dee Sight's "Comin Home Baby" gets the rounds this time and it's a peach. Those swingy rhythm & blues strings sounding so ahead of their time. The B side is "Standing In The Need Of Love", equally as amazing but more of anthem - we can almost imagine a lazy summer day in the mid 60s. Soulful would be too much of an understantement.
Review: The latest 7" missive from the Outta Sight camp features two more impossible-to-find rarities. On the A-side you'll find a storming chunk of horn-heavy, Hammond-rich funk from obscure US psychedelic band Mr Floods Party. Originally released on GM Records in 1971, the cut has long been an in-demand amongst Northern Soul collectors thanks to its stomping beat and impassioned vocals. Speaking of Northern Soul favourites, flip to the B-side for the greatest moment from short-lived Detroit soul group Fork In The Road. Originally released in 1970, "Can't Turn Around Now" is a thrillingly energetic workout full of heavy instrumentation, surging vocals and an even heavier backbeat.
Review: While most remember Melba Moore for her string of disco and boogie-era classics, she actually started her career at the tail end of the 1960s recording soul stompers in Nashville. "The Magic Touch", which here gets the reissue treatment, is a typical Northern Soul style four-to-the-floor slammer that was recorded in 1967 when she was 22 years old and has previously only been issued on a hard-to-find 1986 single. This time round it comes backed with Maxine Brown's similarly popular Northern Soul scene staple "It's Torture", which remarkably went unissued until Kent Records discovered it in the Ace Records vault back in 1985.