Search dance music

Notes: One of the most ambitious mixers in the Eurorack realm, Noise Engineering's Xer Mixa features a hybrid design with eight stereo inputs plus two stereo aux ins, digital control (including state save/recall), analogue summing and optional CV support via the Expando Expandi module. Immense.

Supplier's Notes:
All-analogue, digitally-controlled mixer with 10 stereo inputs, three stereo outputs, clickless mutes, save and recall, MIDI, and CV via expanders.

Xer Mixa is a mixer with 10 stereo-paired inputs, three stereo-paired output busses, tactile controls, and a 100% analogue signal path with low noise and crosstalk, pristine sound quality, and ultra-high headroom. A digital control interface harnesses the true power of hybrid design, allowing for state save and recall, per-channel pan law and pre/post send settings, multichannel editing, and MIDI I/O.

Xer Mixa features 8 interactive fader-controlled channels and two aux inputs, all with clickless mutes. Configuration options abound for per-channel pan-law settings, pre- or post-fader sends, and channel settings are made simple with the screen. Settings can be saved into preset slots for easy recall for performances or sessions.

Xer Mixa is a compact 32HP, with a streamlined and easy-to-use interface. CV control over almost any parameter is available through the rear-panel connecting Expando Expandi, which adds CV 8 inputs to Xer Mixa. Connect up to two Expando Expandis for easy CV control over channel levels, pan, aux sends, and more. Xer Mixa and Expando Expandi are available together as a discounted bundle, or individually.

Whether you have a massive studio rig or a compact performance system, Xer Mixa is the perfect choice for an expressive mixer.

Notes: ***B-STOCK: Box opened, internal packaging damaged but product in perfect working order***


Four-deck version of Denon's standalone controller, based on the Engine DJ OS, featuring WiFi streaming and Serato support. Built-in speakers allow quick and easy monitoring for live streaming or practice sessions.

*** Engine DJ 3.1 Performance Software for Hardware (OS) - Update June 2023 ***

New Features

Touch FX - Use the touchscreen to control and interact with FX in a whole new way. Touch FX bring powerful effect combinations to your fingertips. Swipe in any direction to instantly create build-ups, drops, and transitions. The added ability to latch Touch FX allows you to focus on other aspects of your mix while the effect remains active. Touch FX are available for all Engine DJ devices, including Media Players, however, the selection of available Touch FX will vary by the device.

New Touch FX include: Filter Echo, Filter Reverb, Filter Roll, LFO Echo, Filter Dub Echo, Filter Gate, Noise Gate, Flanger, LFO Filter, Filter

New Main FX - Denon DJ devices receive 26 new and updated Main FX. This suite of new dynamic effects provides DJs with easy-to-use tools to build energy, create drama, aid with transitions, and individualize their performances.

New Main FX include: Echo Out, Swell Verb, Hold Echo, Recycler, Stutter Out, Riser, Pitch Down, Scale Down, Reverb, LFO Verb, Reverb Drop, Reverse Reverb, Reverb Rise, Flanger (-), Beat Break, Backspin, Brake, Roll

All effects now offer a Frequency parameter, allowing you to apply the effect to a focused frequency range.

Sampler Updates

Sampler audio can be routed to any available channel or the Main output. To change the Sampler routing, open Settings and choose the Mixer tab.
The Sampler pad mode can now also be accessed by pressing the ROLL pad mode button twice without holding the Shift button. (Denon DJ hardware)
The sampler volume setting is now remembered between power cycles.
Added the ability to read Smartlists created in Engine DJ (Desktop).

Improvements and Fixes

Track Preview can now be routed directly to the headphones for instant track previews without setting the cue source in advance. (PRIME 4)
Reworded Effect parameter reset behavior setting to make it clearer.
Fixed an issue where the Date Added field was incorrectly setting newly added tracks as the day before.
Fixed an issue where the internal SATA drive would not show up as a source immediately after updating.
Fixed an issue where a track remained in the Prepare list when loading to a deck in certain situations.
Improved peak hold behavior on all products that have peak hold VU meters.
Other various stability enhancements & improvements

Engine DJ Preparation Software (Desktop)

New Features

Smartlists - Automatically organize songs from all connected drives into playlists based on the criteria or rules that you specify. To create a Smartlist, click the Smartlist icon on the Collection folder or right-click on an existing Playlist and select 'Create Smartlist'. You can easily turn a Smartlist into a regular playlist by right-clicking the Smartlist and choosing 'Convert to Playlist'. This creates a Playlist with the same name & content as the Smartlist.

Improvements and Fixes

Fixed an issue that prevented the highlighted track from updating when bulk editing metadata.
Fixed an issue where the Date Added field was incorrectly setting newly added tracks as the day before.
Fixed an issue where Serato beat grids were not imported correctly.
Other various stability enhancements & improvements

Supplier's Notes:
Denon DJ, the leader in standalone DJ products and innovation, introduces the SC LIVE 4, a 4-Deck Standalone DJ Controller with 7" touchscreen, built-in speakers, and Wi-Fi connectivity. This club-style, all-in-one device gives DJs ultimate creative freedom and offers the world's first DJ hardware integration with Amazon Music Unlimited.

World's First Amazon Music and Denon DJ Partnership

The Denon DJ SC LIVE DJ controllers were designed using an exclusive secure chipset to meet Amazon Music's streaming requirements, making them the world's first DJ hardware to support Amazon Music Unlimited. This integration with Amazon Music and other popular streaming services gives DJs instant access to over 90 million CD quality (aka "lossless") songs across all musical genres. With the SC LIVE 4's built-in Wi-Fi and lightning-fast onboard song analysis, DJs can now perform a full set without owning or preparing any music ahead of time.

Laptop Free Performances with Engine DJ OS

The SC LIVE 4 is powered by Engine DJ, the same leading standalone DJ operating system that fuels laptop-free performances on the biggest stages and DJ booths across the globe. This seamless hardware and software integration intuitively places performance essentials in the perfect place for inspirational mixes and live shows. The dedicated Layer buttons provide quick access to the controls of each of the 4 playing decks with the waveforms stacked in channel order on the full-color touchscreen. Vital information including the deck number, track position, bpm, and time are brightly shown in the center of the 6", high-definition touch-sensitive jog wheels.

Ultimate DJ Controller for Serato DJ and Virtual DJ

With "Computer Mode" enabled, the SC LIVE 4 can be used as a dedicated DJ software controller for Serato DJ Pro and Virtual DJ. This 1:1 hardware to software integration displays moving waveforms and music library information on the HD touchscreen and provides full access to FX and other top features. This versatility gives DJs multiple options to perform however they prefer.

Designed for Creative Mixing

The SC LIVE 4 gives DJs the power to perform anywhere with 4-deck standalone freedom and wireless access to Amazon Music Unlimited. This combination of performance features and unprecedented musical access opens an exciting new realm of creative mixing possibilities for laptop-free DJ performances. Inheriting the professional club-standard layout, features, and intuitive workflows from Denon DJ's flagship SC6000 PRIME media players and club-style mixers, the SC LIVE 4 fuses the power of the club-ready modular setup into a compact & intuitive 4-deck standalone DJ controller. With its built-in Wi-Fi, 7" multi-gesture touchscreen, and 3 media slots, the SC LIVE 4 unleashes creative live performances using a combination of stored media and music streaming sources.

For on-the-fly creative mixing, the 8 Performance Pads on each deck can be used to control Hot Cue, Auto Loop, Manual Loop, Roll, Slicer, and Slicer Loop modes. The onboard effects include 4 Sweep FX which utilize a dedicated knob on each channel to expressively control FX and Filter combinations. The 13 BPM FX options can be customized for extra sonic satisfaction using the FX control section which includes a Channel Assignment knob, Time/Parameter control, FX level encoder, and illuminated engagement button.

Immersive All-In-One Audio Experience

The powerful, built-in speakers offer the perfect sound solution for livestreaming, practicing, content creation, and personal monitoring during live shows. The dedicated volume knob and on/off switch offers full control to meet the needs of any gig, making it easy for DJs to bring the booth with them wherever their career takes them.

Dynamic Lighting Integration

For enhanced performance visuals, the onboard Engine DJ operating system is fully integrated with Engine Lighting. A quick button press lets DJs instantly access automatic and pre-programmed, beat-synced light shows for songs stored on saved media as well as for streaming tracks. Full parameter controls over color, intensity, strobe, and more can be adjusted on the fly for jaw-dropping light shows using Phillips Hue, Nanoleaf, and DMX lighting.

The fully loaded, fully capable SC LIVE 4 represents the next generation of standalone DJ controllers and is sure to inspire a new era of musical freedom and creativity.

Technical Specs

Audio

Frequency Range: 20-20,000 Hz
Sampling Rate: 44.1 kHz
D/A Converter: 24 bit

Physical Unit

Dimensions (W x D x H): 28.3 x 15.9 x 3.9 Inches
Weight: 12.8 lb

Compatibility

Software

Engine DJ OS
SoundSwitch
Virtual DJ
Serato DJ

Hardware

Denon DJ LC6000 Performance Expansion Controller
SoundSwitch Micro USB to DMX Interface
SoundSwitch Control One Professional Lighting Controller

Onboard Internet Services
Amazon Music Unlimited
Beatport
Beatsource
Dropbox
SoundCloud GO+
TIDAL

Included Contents
Quick Start Guide
DC Power Supply
USB Cable
Display Cleaning Cloth
Safety & Warranty Manual

FAQ's


Do other Engine DJ products work with Amazon Music Unlimited?

No. A hardware change was needed in order to support this technology.

Does the SC LIVE 2/4 work with an Amazon Music Free or Amazon Music Prime account?

No. The SC LIVE 2/4 only supports Amazon Music Unlimited.

What audio quality does Amazon Music Unlimited support?

Amazon Music Unlimited offers 75 million tracks in lossless High Definition (HD) and millions more in Ultra High Definition (Ultra HD). HD tracks are 16-bit audio, with a minimum sample rate of 44.1 kHz (16/44.1 is also referred to as CD-quality), and an average bitrate of 850 kbps. Ultra HD tracks have a bit depth of 24 bits, with sample rates ranging from 44.1 kHz up to 192 kHz, and an average bitrate of 3730 kbps.

How many Amazon Unlimited tracks can I stream simultaneously?

Amazon Unlimited allows for up to two tracks to be streamed simultaneously. That includes tracks loaded to decks or previewed from the library.

Notes: All-analogue, digitally-controlled mixer with 10 stereo inputs, three stereo outputs, clickless mutes, save and recall, MIDI, and CV via expanders.

Xer Mixa is a mixer with 10 stereo-paired inputs, three stereo-paired output busses, tactile controls, and a 100% analogue signal path with low noise and crosstalk, pristine sound quality, and ultra-high headroom. A digital control interface harnesses the true power of hybrid design, allowing for state save and recall, per-channel pan law and pre/post send settings, multichannel editing, and MIDI I/O.

Xer Mixa features 8 interactive fader-controlled channels and two aux inputs, all with clickless mutes. Configuration options abound for per-channel pan-law settings, pre- or post-fader sends, and channel settings are made simple with the screen. Settings can be saved into preset slots for easy recall for performances or sessions.

Xer Mixa is a compact 32HP, with a streamlined and easy-to-use interface. CV control over almost any parameter is available through the rear-panel connecting Expando Expandi, which adds CV 8 inputs to Xer Mixa. Connect up to two Expando Expandis for easy CV control over channel levels, pan, aux sends, and more. Xer Mixa and Expando Expandi are available together as a discounted bundle, or individually.

Whether you have a massive studio rig or a compact performance system, Xer Mixa is the perfect choice for an expressive mixer.

Notes: One of the most exciting new synths of 2020. Extremely high-quality wavetable synth engine with great expressive features like a CS80-style ribbon controller and polyphonic aftertouch. Powerful.

*** New 2.0 Firmware update for all Hydrasynth models - March 2023 ***

This is a free of charge update for all current and new users of Hydrasynth. The biggest news in this update includes:
Expanded memory to 8 banks (Keyboard, Desktop, and Explorer only)
NEW modulation source: VOICE MODULATOR
OSC Bit reducer
LFO quantizer
ENV quantizer
LFO Step Advance
Global FX bypass
Increased Vibrato resolution
New Sustain pedal options including Sostenuto
More LED options
Glissando in glide options
Arp Range goes to 6 octaves
Arp Step Offset parameter
More Rand/Init shortcuts (all STEP LFO steps, Wavescan waves, Voice mod offsets)
Local On/Off saved
......And more!
This is the first major update to the Hydrasynth family in a little, which adds a tonne of new features.


Supplier notes:
The HYDRASYNTH keyboard is both a sound designers dream synth as well as a performing musicians ideal. The sound engine is designed for maximum flexibility. At the same time, we designed the user interface in a way to allow you to edit the patch quickly with a minimal amount of paging and many workflow shortcuts.

Utilizing an advanced wavetable synthesis engine, 3 Oscillators, dual Wave Mutators and 2 filters that can be configured in series or parallel, the tone generating capabilities are unmatched.

As for the performance capabilities, The HYDRASYNTH keyboard has our proprietary Polytouch keybed that offers polyphonic aftertouch over each note, giving you the type of expressive control found only in certain vintage synths.

Add to this a 4 octave ribbon controller and ergonomically designed pitch and mod wheels and you have expression and control that is not equaled in any other hardware synthesizer on the market.

The new ASM Polytouchr keybed allows not only the standard velocity and aftertouch found on other keybeds but it also supports fully polyphonic aftertouch.

In recent years companies have been trying to find ways to give the keyboard musician more ways to better express themselves. The problem is that their solution is almost never a keyboard, so you have to learn a new technique to play them.

The Polytouch keybed features a high quality, standard sized keys, so you can start playing it instantly.

The tone generation capability is the heart of any synthesizer.

The 3 oscillators allow you to choose from a selection of 219 single cycle waveforms.

Wavemorphing is a feature usually found on synths with preset wave tables. Creating user wavetables is arduous or downright impossible. Unlike most wavetable synths, the oscillators 1 & 2 have our WAVELIST mode.

This mode allows you to pick and choose 8 waves, from the bank of 219, arrange them in the order you want, and then morph from one to another.

Oscillators 1 & 2 are routed into our MUTATORS. The Mutators allow you to modulate, bend and sculpt the sound in new (and old) ways.

Each MUTANT allows you to choose from the following processes:

FM-Linear - for making classic FM sounds. Choose multiple FM sources, including external inputs.

Wavestack- creates 5 copies of the incoming sound and allows you to set a detune amount.

Hard Sync - This gives you those classic hard sync sounds. Try hard syncing a morphing wavetable for some fun.

Pulse Width - This will pulse width modulate ANY input sound.

PW - Squeeze - This is a different form of pulse width mod that creates a smoother sound.

PW-ASM - this mode divides the incoming wave into 8 slices and allows you to set how much pulse width mod will happen in each section.

Harmonic Sweep - this will sweep the harmonics of the incoming sound.

The Mutant's can also generate its own waveforms in both FM and Sync modes so that you do not have use another oscillator....Of course the routing is flexible so you can choose the other oscillators as mod sources if you like.

The 3 Oscillators are fed into a mixer along with the Noise generator and Ring Modulator.

The Mixer allows you to mix levels as well as pan the input source.

There is a balance control that allows you to choose how much signal of each source is routed to filters 1 and 2.

The filters can be set to be parallel or series for ultimate flexibility.

If oscillators and tone generators are the heart of a synthesizer, the filters are the soul.

The Hydrasynth has two filters that can be configured in series or parallel.

The first filter has 11 different filter models, giving you multiple options for tailoring your sound.

The second filter is a 12db per octave has a continuous sweep from Low pass to bandpass to high pass, similar to the way the classic SEM filter worked.

5 DAHDSR Envelopes.

An advanced sound engine needs plenty of modulation sources. Our 6 stage envelopes feature Delay, Attack, Hold, Decay, Sustain and Release stages.

The time settings for the stage can be set in seconds or in time divisions, giving you envelopes that play in
sync to your song.

You can also loop the envelopes to create LFO's whose shape can be voltage controlled in the modulation matrix.

The modulation capabilities on the Hydrasynth are endless.

With 32 user definable modulation routings, you will have plenty of ways to use the 29 modulation sources and 155 modulation destinations.

Almost everything in the synth engine can be a modulation destination including the effects and arpeggiator.

The Modulation matrix points themselves can also become modulation destinations.

Notes: A tiny powerhouse of a mixer and audio interface. High-end electronics crammed into a compact, battery-powered format, featuring six stereo inputs, MIDI and Bluetooth support.

Supplier's Notes:
Ultra-portable pro-mixer and audio interface

TX-6 is an ultra-portable, battery-powered mixer and multi-channel audio interface. Comparable to larger units, but with even more tech packed into one sturdy little machine.

Mix 6 stereo input channels, use tempo sync, discover the internal synthesizer and sequencer or use the built-in tuner. MFi compatibility even lets you connect to your ios devices.

The smallest of its kind.

Tx-6 features a 6 channel stereo mixer with a configurable knob layout. Choose to have the three-band EQ at your fingertips, or customize each knob to control whichever setting you prefer. With more than meets the eye, TX-6 is packed full of features and connectivity options.

Battery powered

The rechargeable battery holds for about 8 hours. For energy efficiency, the display automatically goes to sleep when not in use, and led strength is completely adjustable.

Synthesizer & sequencer

TX-6 also functions as a portable synthesizer and sequencer with 4 oscillator waveforms and 4 synthesized drum sounds. Use tempo sync to stay on the beat.

8 built-in effects

Explore send effects like reverb, chorus and delay, and creative effects freeze, tape, filter, and distortion. Each channel has a three-band EQ and adjustable compressor.

Quality and engineering

TX-6 is a sturdy little machine. Encased in CNC aluminium with 2k moulding, custom-made encoders and faders, and custom PCB - engineered for portability.

Wireless connectivity

With BLE, you can use TX-6 as a wireless controller for other BLE MIDI devices or trigger and sync the internal synth and sequencer from other sources.

Super slimline cables

High quality, slimline cables custom-made for tx-6. The narrow profile allows you to use all 6 channels at once and makes for an easy pack down.

Customizable interface

When you're ready for the studio, use tx-6 as a 12 channel audio interface and connect to any daw over USB-C. MFi also allows you to connect to ios devices.

DJ mode

Turn TX-6 on its side and use it as a DJ mixer. Turn channel 1 into a fader to crossfade between the channel 5 and 6 so you can fade or cut between the two.

6.35 + 3.5 mm output

Connect your audio output through 3.5 mm mini jack or use the included and removable 6.35 mm jack to 3.5 mm mini jack adapter.

Field bags

Designed to fit TX-6 field mixer and constructed in heavy duty fabric and hardware, field bags are designed for durability, ready to be used out in the field.

Multitrack elegance.

The first portable pro-mixer that can be used as a multi-functional 32-bit 48khz audio interface that has an instrument tuner, built-in digital FX, synthesizer and drum machine.

Connect to your daw for 12 channel multitrack recordings. Use the internal synth and sequencer, or control them via external midi device. With MFi you can even connect to your ios device.inputs and outputs.

Specifications

Inputs and outputs.

32-bit/48kHz USB interface
3.5 mm mini jack to 6.3 mm jack
Headset mic input
Aux output
Connect to iPhoner, lightning cable
Stereo or mono for each input

Dimensions and weight

90 mm (102 mm with adapter) x 62 mm x 23 mm
160 g / 5.6 oz

Electrical characteristics
Audio inputs:
Impedance: 10 kOhm
Analog gain: 0 - 42 dB
Max level 8 dBu, 2 Vrms
TLV320ADC3140 burr-brown
SNR ~ 102 dBA
Audio output (main and aux):max level 8 dBu, 2 Vrms
Cirrus Logic Master Hifi CS43131
SNR > 120 dBA
Audio output (cue):max level 2 dBu, 1 Vrms
Cirrus logic CS47L35SNR > 110 dBA
Handling
Ambient working temperature: 0-50-C (32-122-F)
Ambient storage temperature: 0-30-C (32-86-F)

Clean the shell of the unit with a microfibre cloth. Use pressurized air to remove dust from the faders.

To keep the battery healthy, the unit should be charged at least every 6 months. If not used for a long time, it may not charge again.

Notes: Four-deck version of Denon's standalone controller, based on the Engine DJ OS, featuring WiFi streaming and Serato support. Built-in speakers allow quick and easy monitoring for live streaming or practice sessions.

*** Update March 2024- Engine DJ 3.4 Performance Software for Hardware (OS) ***

New Features
Bluetooth Audio Input and Keyboard Connection for Supported Devices

Bluetooth Audio Input - Wirelessly play audio from a Bluetooth-capable device on your supported Engine DJ hardware

Assign to any individual hardware channel or main audio output
Assign to layer A or B on the Denon DJ SC6000 and SC6000M
Bluetooth transport controls allow you to play, pause, and track skip using the touch screen or hardware controls when connected to a capable Bluetooth device
Hardware screen displays Track Title, Artist, and track progress when connected to a capable Bluetooth device

Bluetooth Keyboard Support - Search for songs on your Engine DJ hardware more quickly and efficiently
Bluetooth menu option in the Control Center allows you to connect and manage Bluetooth keyboards and audio devices

Additional Bluetooth Compatibility Information

It is recommended that you confirm the Bluetooth connectivity and functionality of your computer, smartphone, or other device before using it in a live situation

Not all Bluetooth devices and audio applications provide support for Bluetooth Transport controls and track information

Track Progress is not updated on Engine OS when it is adjusted using the originating software/app

Engine DJ Preparation Software (Desktop)
Improvements and Fixes

Fixed an issue where sync manager export would take longer if SoundSwitch content is being packed

Fixed an issue where tracks would not pack via drag and drop if there are 2 drives with the same or similar names connected

Various other stability enhancements and improvements

New Features

Smartlists - Automatically organize songs from all connected drives into playlists based on the criteria or rules that you specify. To create a Smartlist, click the Smartlist icon on the Collection folder or right-click on an existing Playlist and select 'Create Smartlist'. You can easily turn a Smartlist into a regular playlist by right-clicking the Smartlist and choosing 'Convert to Playlist'. This creates a Playlist with the same name & content as the Smartlist.

Improvements and Fixes

Fixed an issue that prevented the highlighted track from updating when bulk editing metadata.
Fixed an issue where the Date Added field was incorrectly setting newly added tracks as the day before.
Fixed an issue where Serato beat grids were not imported correctly.
Other various stability enhancements & improvements

Supplier's Notes:
Denon DJ, the leader in standalone DJ products and innovation, introduces the SC LIVE 4, a 4-Deck Standalone DJ Controller with 7" touchscreen, built-in speakers, and Wi-Fi connectivity. This club-style, all-in-one device gives DJs ultimate creative freedom and offers the world's first DJ hardware integration with Amazon Music Unlimited.

World's First Amazon Music and Denon DJ Partnership

The Denon DJ SC LIVE DJ controllers were designed using an exclusive secure chipset to meet Amazon Music's streaming requirements, making them the world's first DJ hardware to support Amazon Music Unlimited. This integration with Amazon Music and other popular streaming services gives DJs instant access to over 90 million CD quality (aka "lossless") songs across all musical genres. With the SC LIVE 4's built-in Wi-Fi and lightning-fast onboard song analysis, DJs can now perform a full set without owning or preparing any music ahead of time.

Laptop Free Performances with Engine DJ OS

The SC LIVE 4 is powered by Engine DJ, the same leading standalone DJ operating system that fuels laptop-free performances on the biggest stages and DJ booths across the globe. This seamless hardware and software integration intuitively places performance essentials in the perfect place for inspirational mixes and live shows. The dedicated Layer buttons provide quick access to the controls of each of the 4 playing decks with the waveforms stacked in channel order on the full-color touchscreen. Vital information including the deck number, track position, bpm, and time are brightly shown in the center of the 6", high-definition touch-sensitive jog wheels.

Ultimate DJ Controller for Serato DJ and Virtual DJ

With "Computer Mode" enabled, the SC LIVE 4 can be used as a dedicated DJ software controller for Serato DJ Pro and Virtual DJ. This 1:1 hardware to software integration displays moving waveforms and music library information on the HD touchscreen and provides full access to FX and other top features. This versatility gives DJs multiple options to perform however they prefer.

Designed for Creative Mixing

The SC LIVE 4 gives DJs the power to perform anywhere with 4-deck standalone freedom and wireless access to Amazon Music Unlimited. This combination of performance features and unprecedented musical access opens an exciting new realm of creative mixing possibilities for laptop-free DJ performances. Inheriting the professional club-standard layout, features, and intuitive workflows from Denon DJ's flagship SC6000 PRIME media players and club-style mixers, the SC LIVE 4 fuses the power of the club-ready modular setup into a compact & intuitive 4-deck standalone DJ controller. With its built-in Wi-Fi, 7" multi-gesture touchscreen, and 3 media slots, the SC LIVE 4 unleashes creative live performances using a combination of stored media and music streaming sources.

For on-the-fly creative mixing, the 8 Performance Pads on each deck can be used to control Hot Cue, Auto Loop, Manual Loop, Roll, Slicer, and Slicer Loop modes. The onboard effects include 4 Sweep FX which utilize a dedicated knob on each channel to expressively control FX and Filter combinations. The 13 BPM FX options can be customized for extra sonic satisfaction using the FX control section which includes a Channel Assignment knob, Time/Parameter control, FX level encoder, and illuminated engagement button.

Immersive All-In-One Audio Experience

The powerful, built-in speakers offer the perfect sound solution for livestreaming, practicing, content creation, and personal monitoring during live shows. The dedicated volume knob and on/off switch offers full control to meet the needs of any gig, making it easy for DJs to bring the booth with them wherever their career takes them.

Dynamic Lighting Integration

For enhanced performance visuals, the onboard Engine DJ operating system is fully integrated with Engine Lighting. A quick button press lets DJs instantly access automatic and pre-programmed, beat-synced light shows for songs stored on saved media as well as for streaming tracks. Full parameter controls over color, intensity, strobe, and more can be adjusted on the fly for jaw-dropping light shows using Phillips Hue, Nanoleaf, and DMX lighting.

The fully loaded, fully capable SC LIVE 4 represents the next generation of standalone DJ controllers and is sure to inspire a new era of musical freedom and creativity.

Technical Specs

Audio

Frequency Range: 20-20,000 Hz
Sampling Rate: 44.1 kHz
D/A Converter: 24 bit

Physical Unit

Dimensions (W x D x H): 28.3 x 15.9 x 3.9 Inches
Weight: 12.8 lb

Compatibility

Software

Engine DJ OS
SoundSwitch
Virtual DJ
Serato DJ

Hardware

Denon DJ LC6000 Performance Expansion Controller
SoundSwitch Micro USB to DMX Interface
SoundSwitch Control One Professional Lighting Controller

Onboard Internet Services
Amazon Music Unlimited
Beatport
Beatsource
Dropbox
SoundCloud GO+
TIDAL

Included Contents
Quick Start Guide
DC Power Supply
USB Cable
Display Cleaning Cloth
Safety & Warranty Manual

FAQ's


Do other Engine DJ products work with Amazon Music Unlimited?

No. A hardware change was needed in order to support this technology.

Does the SC LIVE 2/4 work with an Amazon Music Free or Amazon Music Prime account?

No. The SC LIVE 2/4 only supports Amazon Music Unlimited.

What audio quality does Amazon Music Unlimited support?

Amazon Music Unlimited offers 75 million tracks in lossless High Definition (HD) and millions more in Ultra High Definition (Ultra HD). HD tracks are 16-bit audio, with a minimum sample rate of 44.1 kHz (16/44.1 is also referred to as CD-quality), and an average bitrate of 850 kbps. Ultra HD tracks have a bit depth of 24 bits, with sample rates ranging from 44.1 kHz up to 192 kHz, and an average bitrate of 3730 kbps.

How many Amazon Unlimited tracks can I stream simultaneously?

Amazon Unlimited allows for up to two tracks to be streamed simultaneously. That includes tracks loaded to decks or previewed from the library.

Notes: ***B-STOCK: Original box damaged, product is in different packaging but in perfect working order***


New RP-Series Professional Headphones:

The new RPmk3 series headphones are successors to the reputed RPmk2 series that have been used as reliable monitor headphones in many professional recording studios for more than 30 years including from the start of the T-series.

The driver unit incorporating the key Fostex proprietary Regular Phase (RP) Technology diaphragm has been refined to achieve sharper audio reproduction for more accurate monitoring. The housing, ear pads and head pad have also been re-designed to derive the maximum performance of the RP driver.

- Refined Fostex proprietary Regular Phase (RP) diaphragm driver using copper foil etched polyimide film and powerful neodymium magnet

- The maximum input level of 3000mW to comply with various professional uses

Notes: Users can adjust the crossover point to choose which frequency ranges of "LOW", "MID" and "HIGH" should be emphasized for their preferences and music genres.

Maximum Boost 12dB provides the users to be well aware of changes and is good for protection of speaker systems.

Volume curve is designed with insistence on quick attack and sharp response.

Its simplified design minimizing all possible sound degradation.

ARS MODEL-3500 provides superior controls for DJs to react to each different scenarios, giving more characteristics to their performance.

Supplied with UK 3 pin plug

Notes: A revolutionary keyboard controller that puts the world's best sound library at your fingertips. Get direct, hands-on control of virtual instruments from NI and thousands more from developers like Arturia, Heavyocity, Korg, Output, Spitfire Audio, and u-he.

Browse and tweak everything from synths and drums to orchestral libraries and scoring tools - all seamlessly integrated with Kontrol's tactile controls and large, high-res screen. Then play with a new level of expression and freedom thanks to a best-in-class keybed, polyphonic aftertouch, Light Guide, and Play Assist features. And with a comprehensive package of included software, featuring the industry-leading sampling platform Kontakt 7, you'll be ready to go from day one.

Polyphonic aftertouch

Take expression one step further with the slightest pressure on individual keys. Bring new layers of nuance to your playing with cutoff, pitch, vibrato, and much more, without reaching for an extra encoder or dial. All three models come complete with polyphonic aftertouch on an industry-leading keybed developed in collaboration with Fatar.

Thousands of instruments made real

Kontrol brings the world's best virtual instruments to life in a genuinely immersive experience. Whatever you're playing, get in-depth control thanks to an unparalleled direct connection to Kontakt. Find sounds quickly with intuitive on-screen navigation, then adjust and play them with intelligent auto-mapping that understands the parameters.

Included software

Kontrol comes with a host of creative music production tools - all fully integrated with the hardware, to give you everything you need to start making music straight out of the box.

Included software
Kontakt 7
A free Kontakt instrument of your choice
Komplete 14 Select
Komplete Kontrol Software
Stradivari Cello

An internet connection and a graphics card that supports Direct 3D 11.1 (feature level 11_0) or higher are required to download and activate this product. Once installed and activated, the product can be used offline.

NKS 2 NKS (Native Kontrol Standard) is NI's technical standard for virtual instruments and effects. It's used across the industry and ensures that all compatible plugins are precisely mapped to controls. Kontrol marks the launch of NKS 2, which powers the unmatched software integration experience.

S88 MK3 Dimensions: 1353 × 347 × 120 mm
Weight: 6kg

Hardware specifications:
1 high-resolution colour screen with glass surface (1280 × 480)
CNC machined, bead blasted and anodized aluminum, 8 × encoder caps, 1 × 4D encoder cap, 2 × wheels (pitch and mod)
RGB illuminated pitch and mod wheels
New button-islands that form a continuous dustproof control surface and are grouped by function

System requirements

MIDI 2.0 compatible
Intel Core i5, Apple M1 (and equivalent or higher)
macOS 13 (Ventura) or higher (compatible with macOS 12 in MIDI 1.0 mode)
Windows 10 (latest service pack) or higher
8 GB RAM

Notes: The streamlined hi-fi option of the new Technics SL series, based on similar technology to the SL-1200 GR model but with no pitch control, just rock solid Technics sound at a good price.

Supplier notes:
The technologies acquired through the development of the SL-1200 Series and the high-end SL-1000R model were lavishly inserted into the motor drive unit, a key part of the turntable. The motor exclusively tunes the single-rotor, coreless direct drive motor adopted by the SL-1200GR in order to read the high rotation accuracy and high-precision signals of the record. Optimal motor control is conducted for the inertial mass of the two-layer structure platter on which the vinyl record is placed with deadening rubber on the entire back surface to eliminate unwanted resonance in the aluminium die-cast platter to eliminate the rotation irregularity called cogging. The aluminium die-cast chassis is rigidly integrated with a special material consisting of ABS mixed with glass fibre to achieve a two-layer construction. The insulator is comprised of a spring and rubber to provide optimal vibration-damping characteristics. The tonearm is a static-balance universal S-shape tonearm, another Technics tradition. By adopting a high-precision bearing using the same gimbal suspension construction and machined housing as the SL-1200 Series, high initial sensitivity is achieved. In addition, reliability has been improved by incorporating a removable power cable and gold-plated terminals, which have less sound quality degradation, for the PHONO and LINE terminals.

Complete Turntable with a Built-in Phono Equalizer and Cartridge In order to enjoy playing analogue records more comfortably, the SL-1500C features a built-in phono equalizer and bundled cartridge. There is no need to separately prepare either one, making it easy to link with a wide range of audio equipment. The shield structure of the built-in phono equalizer suppresses the effects of external noise and noise from the power supply. It is also equipped with a switch to turn the LINE output off when it is not being used. The turntable has been designed to thoroughly shut-out adverse effects to the PHONO output. The dedicated power supply for the PHONO output terminal is isolated from the power supply for the LINE output terminal, and has been designed to prioritize sound quality by minimising the wiring of the PHONO signal. The isolated terminals also prevent wiring mistakes. An Ortofon 2M RED cartridge, which is highly acclaimed as an MM cartridge, has been selected for the bundled cartridge. Combining this high-quality cartridge with the performance of the SL-1500C will maximise the sound quality of vinyl records.

When the tonearm reaches the end of the record, the Auto Lifter function automatically raises the cartridge. This prevents unnecessary wear on your valuable vinyl records and stylus. By embedding the Auto Lifter function in the base portion of the tonearm, it eliminates impacts to the tonearm. Due to a simple design that doesn't use motor power, there is no electrical or vibrational impact and it will not prevent the movement of the tonearm. In response to requests from many users regarding the Auto Lifter function, a design that prioritises sound quality was adopted. The functions required to playback records were kept to a bare minimum, achieving simple and easy-to-use operability.

The SL-1500C sports a simple design without unnecessary frills, while retaining the superb operating feel that is a Technics tradition. The attractive appearance lets you enjoy playing records to your heart's content.

Notes: It starts with a dream

We are all fans of synthesizers, their vintage sound, classic and modern at the same time, their ability to mix several timbres. We love the musical journey that transports us while listening to each new presets.

We also like guitar and bass. Standing or sitting, in your studio or on stage, playing on guitar or bass is this tremendous energy, this way in which the intensity of the playing is in total connection with the music you want to create. A sweet ballad, a melodious arpeggio, a hell of a bass line, a stratospheric lead, an awesome riff.

What if we could express all that but with a great synth sound?

The dream came true, and even more!

A modern synth played like a guitar or a bass

Elyra is played with the typical gestures of playing guitar and bass and all the energy that comes from it. You play with your whole body.

There are two strumming aera for strings, one dedicated to back and forth and another dedicated to bass and arpeggios.

Elyra is designed to be played by both right-handed and left-handed people.

You can also play it placed on a table or on your knees like a groove box.

A powerful and unique composition tool

With up to 16 voices polyphony, spread across 16 instruments/layers and with is powerful sequencer, Elyra is more than a groovebox, it is a composition tool.
You can have one instrument with 16 voices or 16 instruments with one voice and everything in between.

Because Elyra is battery powered, you can carry it anywhere with you and play for several hours.

You can play and sequence all your other instruments via MIDI port.

A sound engine is made for this instrument by Kodamo.

At the core of Elyra there is a powerful and beautiful sound engine created for by Kodamo.

It is a virtual analogue engine based on subtractive synthesis with just enough FM synthesis to offer a vast sound territory.

It has many parameters to sculpt and create a unique sound.

Electronics and wood

Elyra is made of electronics and wood.

The electronic parts are designed in France and comply with environmental standards and in particular RoHS.

The body of the instrument is made of wood. It is cut and assembled in France. The wood is only chosen from sustainable or recycled sources.

Elyra is built to last.

Raised touch buttons

All Elyra buttons are touch sensitive pads made up of a slightly raised area allowing the user to feel physical feedback.

This is capacitive sensor technology which offers an extremely fast response time of 2 ms.

There are 5 distinct areas on the main panel:

the fretboard composed of 4 * 12 pads
the strumming area separated into two types, A and B
two assignable sliders
an OLED screen with its wheel and its 8 contextual buttons

Guitar/bass mode

At first you need a double trig to play a note in Guitar or Bass mode: the hand on the fretboard selects the note to be played, and the other hand uses one of the two strumming areas.

Each one of the four strings has its own two strumming areas.

The strumming area A, is made of a long and very thin relief pad. It is ideal for playing back and forth on one or more strings.

The strumming area B, is a double pad surrounded by holes in the main layer, it allows both bass type playing and is ideal for playing arpeggios.

Elyra retains the essential subtleties of guitar playing, when a note has just been played you can also, like in guitar, slide to another note, or do a Pull-off or a Hammer-on without using the strumming area again.

You can use the slider with your thumb to bend the notes.

Elyra can be tuned according to your needs. there are basic tunings, like the first 4 strings of a guitar E, A, D, G, or any open tuning, or like a Ukulele.

You choose the root notes of each string, and the choice is specific to each track in one project.

Specifications

Fretboard: 12*4 capacitive pads (2ms latency)
Sound Engine: Virtual analogue + FM
Polyphony: 16 voices shared by all tracks
Multitimbrality: up to 16 instruments/layers
Presets: 256 factory presets
1024 user presets
16 presets per project
Oscillators: 15 waveforms including sine, triangle, saw, pulse and noise
Pitch envelope
Amp envelope ADSR + delay
FM: envelope modulator (osc 2) + feedback level
Filter: filter type : HPF, LPF
Filter slope: 2 poles -12dB/oct, 4 poles -24d B/Oct
Envelope ADSR
LFO: 2 LFOs, 5 waveform, speed depth, delay, retrig position, sync to BPM
Effects: 3 master effects with individual send by tracks
Effect 1: distortion/overdrive
Effect 2: bitcruch or chorus
Effect 3: stereo delay or reverb
Sequencer: a pattern = up to 256 steps per track, 128 patterns per project
max 999 project by SD card
Power Supply: 5v USB bus power supply
Memory: SD card

Size and Weight

Width: 435 mm - 17 - 1/8 inches
Depth: 170 mm - 6 - 11/16 inches
Height: 40 mm - 1 - 37/64 inches
Weight: 1.2 kg / 2 lbs 12,3 oz

Notes: A tiny studio microphone with a large-diaphragm capsule and groundbreaking features.

CM-1; the latest addition to Teenage Engineering's field system.

A versatile studio quality, ultra-portable microphone that comes with a built-in professional SUB-C audio interface with built-in preamp. Add a 3.5 mm jack and a 48v phantom powered mini XLR, and you have a truly one-of-a-kind battery-powered studio microphone.
A rarity in the field.

Large-diaphragm capsules are preferred for professional recording, but are rare within the world of portable equipment. CM-15 features an ESS sabre analogue-to-digital converter, preserving high-fidelity sound and capturing exceptional detail in any recording situation.

Clean, mean and lean mic-machine.

Clean, rich, transparent and natural sound. Period.

Use the gain switch on the back for padding those mean drums, or the other way around. Battery-powered with an integrated audio interface and preamp, cm-15 is always ready to use wherever you like to record. In other words: 'lean operation'.

CM-15 includes a standard 1/4" and 3/8" adapter, making it universally compatible with standard mic stands and tripods.

The included adapter allows for a 90- to 110- tilt, so you can mount the mic onto a boom arm or to better record overheads. Use tripod mini for portable setups (available separately).

Dynamic sound for any occasion.

Teenage Engineering's first microphone also means a unique sound quality to discover.

Rich, transparent and natural, cm-15 captures clear and clean sound for professional audio productions, always ready to set up wherever you like to record.

Pure craftsmanship.

CM-15 is an incredibly versatile microphone, both inside and outside the studio. The large-diaphragm condenser capsule essentially means you get a better signal, so there is less noise and better depth of sound.

Vocal recording

As a directional mic, CM-15 is perfect for the vocal booth, focused on picking up sounds in front of it.

Instrument recording

With the flattest frequency response at a 50 cm distance, CM-15 is perfect for capturing a variety of instruments, including your drum kit.

Interview/podcast

CM-15 is great for podcasts and interviews, where high audio quality and portability is necessary.

Field production

With a compact form factor and 10 hour rechargeable battery, it's a great tool for every 'trip'.

Camera mic

When filming with a video camera, connect CM-15 through the line out to record synced audio directly.

Multi-use connectivity.

CM-15 has multiple outputs that can be used simultaneously:

mini XLR, 3.5 mm jack and USB-C. It can also be powered three ways, through phantom power, battery or USB-C, instantly detecting the right power source for your connected device.

On the bottom side of CM-15, you will find three audio outputs: mini XLR, 3.5 mm jack and USB-C. The built in table stand can be used to rest and angle the microphone on a surface.

CM-15 includes a mini XLR to XLR cable for connecting to your recording console. The 3.5 mm jack can be used with headphones, while USB-C is used for digital audio interface connection, firmware updates and charging.

Technical specifications

CM-15 highlights

1-inch large-diaphragm capsule
10 hour rechargeable battery
48 V phantom power compatible pseudo-balanced mini xlr output
dual mono 3.5 mm jack line output
USB-C class compliant device with high performance
ESS sabre ES9822Q PRO analogue to digital converter

Dimensions and weight

90 mm x 65.5 mm x 19 mm
132 g / 54.6 oz

Audio characteristics

Self noise: 14 dBA

Max SPL for 0.5% THD: 138 dB
USB SNR dBA FS: 120 dB
Polar pattern: supercardioid
Polarity: positive

The field system.

CM-15 is part of Teenage Engineering's ultra-portable sound recording and performance system. All battery-powered, rechargeable via USB-C and with full interconnectivity (MIDI and high resolution audio). Compatible with iOS, macOS, and windows it's the most powerful, highest quality, portable system in the world 'as we know it'.

Notes: The technologies acquired through the development of the SL-1200 Series and the high-end SL-1000R model were lavishly inserted into the motor drive unit, a key part of the turntable. The motor exclusively tunes the single-rotor, coreless direct drive motor adopted by the SL-1200GR in order to read the high rotation accuracy and high-precision signals of the record. Optimal motor control is conducted for the inertial mass of the two-layer structure platter on which the vinyl record is placed with deadening rubber on the entire back surface to eliminate unwanted resonance in the aluminium die-cast platter to eliminate the rotation irregularity called cogging. The aluminium die-cast chassis is rigidly integrated with a special material consisting of ABS mixed with glass fibre to achieve a two-layer construction. The insulator is comprised of a spring and rubber to provide optimal vibration-damping characteristics. The tonearm is a static-balance universal S-shape tonearm, another Technics tradition. By adopting a high-precision bearing using the same gimbal suspension construction and machined housing as the SL-1200 Series, high initial sensitivity is achieved. In addition, reliability has been improved by incorporating a removable power cable and gold-plated terminals, which have less sound quality degradation, for the PHONO and LINE terminals.

Complete Turntable with a Built-in Phono Equalizer and Cartridge In order to enjoy playing analogue records more comfortably, the SL-1500C features a built-in phono equalizer and bundled cartridge. There is no need to separately prepare either one, making it easy to link with a wide range of audio equipment. The shield structure of the built-in phono equalizer suppresses the effects of external noise and noise from the power supply. It is also equipped with a switch to turn the LINE output off when it is not being used. The turntable has been designed to thoroughly shut-out adverse effects to the PHONO output. The dedicated power supply for the PHONO output terminal is isolated from the power supply for the LINE output terminal, and has been designed to prioritize sound quality by minimising the wiring of the PHONO signal. The isolated terminals also prevent wiring mistakes. An Ortofon 2M RED cartridge, which is highly acclaimed as an MM cartridge, has been selected for the bundled cartridge. Combining this high-quality cartridge with the performance of the SL-1500C will maximise the sound quality of vinyl records.

When the tonearm reaches the end of the record, the Auto Lifter function automatically raises the cartridge. This prevents unnecessary wear on your valuable vinyl records and stylus. By embedding the Auto Lifter function in the base portion of the tonearm, it eliminates impacts to the tonearm. Due to a simple design that doesn't use motor power, there is no electrical or vibrational impact and it will not prevent the movement of the tonearm. In response to requests from many users regarding the Auto Lifter function, a design that prioritises sound quality was adopted. The functions required to playback records were kept to a bare minimum, achieving simple and easy-to-use operability.

The SL-1500C sports a simple design without unnecessary frills, while retaining the superb operating feel that is a Technics tradition. The attractive appearance lets you enjoy playing records to your heart's content.

Notes: Inspired by the early 80s Synton Syrinx, the SER-2020 is a semi-modular monster, featuring an excellent formant filter section, unique Touch 'N Bend Control and MPE-compatible MIDI interface.

Supplier's Notes:
The SER-2020 is a monophonic semi-modular analog synthesizer with an formant filter section, designed to use as standalone synthesizer or in combination with Eurorack modules. Inspired by the Synton Syrinx *(1) added the flexibility of an MS-20. Its filter design features a combination of a 24dB/octave VC Low Pass Filter, and two independent Resonant VC Peak Filters for precise and dynamic sound shaping. The sound is ranging from solid bass sounds to articulated formant effects. Other features on the SER-2020 are the Touch 'N Bend Control together with the MPE (MIDI Polyphonic Expression) capabilities makes the SER-2020 a special instrument which response to its player. The flexible routing makes the SER-2020 a versatile machine for sound effects.

Key Specifications:
2 VCO's (CEM3340 based)
1 Sub-Oscillator
Ring Modulator
Noise Generator
Audio Mixer
Multi-Mode Sync & Sync D-Tune
3 VCF's (CEM3350 based)
2 ADSR's
2 LFO's with Reset & Shaper Modes
Auto-Glide
Multiple Triggering
Touch 'N Bend Pad
Bend Assign
Sample and Hold
Semi Modular Setup - CV inputs and outputs
Signal and Headphone output.
MIDI interface
USB MIDI interface
MPE compatible - Sensitive for; Strike (note-on velocity), Press (aftertouch), Glide (pitch bend), Slide (brightness) and Lift (note-of velocity).

The SER-2020 consist of two VCO's and one sub-oscillator, driven by VCO 1. Both VCO's deliver a triangle, sawtooth, square wave and pulse signal, which can be selected. A rich spectrum can be obtained with Pulse Width Modulation of VCO 1 and VCO 2. The LFO 1 and 2 signals can be feed to the pulse width modulation section introducing phase shift effects and Doppler frequency shifts. Since the both VCO's have a separate LFO for PWM, chorus-like effects can be obtained by controlling both pulses with different LFO speeds. VCO 2 can be synchronized to VCO 1 in different modes. Synchronization is applied when two or more VCO's have to produce exactly the same pitches, without phase shift or beat effects. When VCO 2 is detuned from VCO 1 another effect occurs, which will result in quite dramatic tone colors.
Each VCO has an individual output, also the noise generator and sub-oscillator has individual outputs.

The most important sections of this synthesizer is the filter. The SER-2020 features a very extensive filtering system, which consists of the standard 24 dB/octave low pass filter and two independent band pass filters, which together form the Voltage Controlled Formant filter.
Both band pass filters have a frequency control and a resonance control for setting the selective amplification in the pass band. The bandpass filters are equipped with a control voltage mixer for LFO, ADSR and key range voltages. The LFO control can be used for the external modulation input.
The low pass filter is an standard 24 dB/octave roll-off. It has a frequency control and a modulated CV mixer from several sources like LFO, ADSR and the key range. The LFO control can be used for the external modulation input. Also the resonance of the low pass filter can be controlled.

The SER-2020 has two ADSR generators, of which one is used to control the internal VCA, and the other one to control the filter section. The control signal can be inverted by means of the ADSR controls in the filter section, so that the filters can be swept in opposite directions.
ADSR 1 and 2 have a positive and negative (inverted) direct output available on the patch panel.

The SER-2020 has two independent Low Frequency Oscillators (LFO's) of which the rate can be controlled, and for LFO 2 also the wave shape.

LFO 1 generates a triangle wave which exclusively is routed to the pulse width modulation control input of VCO2. LFO 1 also generates a square wave and a pulse wave. The square wave is available as direct output on the patch panel. The pulse wave of LFO 1 is internally routed to the sample and hold generator as clock source.

LFO 2 is more versatile and can be used for the modulation of the VCO's and the filters. Moreover LFO 2 can be used as a one shot generator which means that a signal is generated much alike an Attack/Release generated function. Except for the LFO 2 rate control with the preset knob, it also can be controlled dynamically with the pad.

Several sections in the synthesizer can be controlled with the bend pad, by pressing it with the left hand index and middle finger. The pressure sensitivity for the VCO, VCF and VCA can be adjusted. The touch 'N bend pad also reacts on the MIDI modulation control and the MIDI brightness (CC#74) control for MPE compatibility.
Also the speed of the rise/decay mode of the LFO 2 is possible. Pressing the UP pad will result in a shorter cycle, and pressing the DN pad in a longer cycle.

Notes: PlayAUDIO1U allows every working musician access to an easy, seamless, simple & straightforward failover solution.

PlayAUDIO1U fuses iConnectivity's vast engineering knowledge of the live arena, passion for performance, and decades of experience into one product. PlayAUDIO1U ensures working musicians never suffer the embarrassment of a silent show, ever again.

PlayAUDIO1U's secret in part is integrating two computers connected directly to the interface, forming an incredible redundancy / failover protection system. Should your main computer fail, PlayAUDIO1U switches to the backup computer in a heartbeat; so fast that you and your audience won't even notice. Backing tracks keep playing in time and your MIDI gear stays connected. It does this all in a package that is completely designed from the ground up made-to-tour.

PlayAUDIO1U also ships with iConnectivity's new and improved Auracle 2.0. Auracle 2.0 is fast, flexible and intelligent, allowing performers to create a sophisticated live integration of all audio and MIDI connections, inputs and outputs; Auracle lets you do it in minutes, not hours.
"PlayAUDIO1U builds on everything we learned in creating and then supporting users of our PlayAUDIO12, an interface that quickly became the industry standard," says Al Joelson, VP of Sales and Marketing. "This interface is designed to be an even more ready-to-gig, comprehensive solution. It's a crazy powerhouse of audio and MIDI capability for live performance. "

Notes: The ISLA Instruments Caladan Is an expandable 8-part analogue/digital multi-timbral desktop synthesizer module boasting multiple synthesizer engines by way of voice cards. Sharing much of its DNA with Isla's S2400 desktop sampler and the Futuresonus Parva MPE Synthesizer, released in 2015.

Without any voice cards installed, the Caladan has its own internal digital synthesizer engine with playback capabilities of Soundfont (.sf2) and SFZ multisample formats, with the added benefit of being able to run a (possibly multiple) plugin based synthesizer (VST, LV2, CLAP formats). Isla's target for this is 32-Voices (subject to change).

Voice Cards

Caladan has internal slots for up-to 8 voice cards, accessible via an easy access 'trap door' underneath the unit. Said cards are able to be essentially any type of synthesizer, be that pure analogue, digital or a hybrid of both. The voice card API will be open sourced with development kits made available, allowing other designers and developers to create synthesizer cards for use in the Caladan.

At launch, an improved version of the original Parva voice card will be available, the specifications of which are as follows:

Oscillators
3 Digitally-controlled analogue oscillators per voice
Sawtooth, triangle, and PWM waveforms
Variable-width saw waves
Tunable +/- 5 octaves
Hard Syncable
Independent level controls
Envelopes
4 4-stage (ADSR) envelopes per voice
Exponential curves for punchy attack and natural decay
Linear mode also available
Loopable envelopes
Routable to >40 destinations
Modulation
4 LFOs per voice
Sine, sawtooth, triangle, and square waveforms
Random sample-and-hold
Stepped LFOs
Free-running or key-synced
Routable to >40 destinations
Polyphonic Aftertouch
Filters
2 configurable voltage-controlled filters per voice
24db or 12db low-pass or high-pass modes
12db bandpass mode
Self-oscillating
Filter FM

Further Cards
Additionally, Isla also have the intention of creating the following voice cards.

Dual OPL3 4op FM card with analogue filters/VCAs (already in development)
SEM / OB-X card (already in development)
Analogue Percussion card
Mini Moog card
SH-101 card
String machine card
TB-303 Card

More Specifications
MPE Support
RGB led rings (yes, you can change colours) enabling simultaneous viewing of parameters across different voices/cards per knob.
USB Host and Device ports, both class compliant for MIDI controllers.
Standard MIDI DIN In/Out/Thru
4 x independent CV & Gate inputs
8 x Stereo output busses
Main & Sub Mix outputs
High quality steel/aluminium enclosure, comparable in build/looks to the S2400 (and compatible with the same side panels for wood lovers)
Universal mains powered (100-250v AC)

Notes: Arturia's flagship audio interface is designed for maximum versatility as well as top quality sound. With 16 analogue inputs, 12 analogue outputs and an array of digital I/O including ADAT, MIDI and clock, your creative process won't be interrupted by reconfiguring your hardware.

Supplier's Notes:
AudioFuse 16Rig

Studio mastermind interface

AudioFuse 16Rig is a high-density audio interface that combines an unmatched array of connections with a creativity-first workflow, built to handle a hardware-focused setup and keep your devices always in sync, always sounding pristine, and always ready to go.

Make your sound count

Introducing an interface that lets you leave everything connected, route anything to anything, and be more creative with your projects.

A workhorse hub of connections and smart features designed to get the job done, no matter the complexity. A powerful, reliable production tool that can be moulded to suit your audio setup, your workflow, and your sound.

A standalone mixer

For DAWless recording, live mixing, and outside-the-box audio configuration, AudioFuse 16Rig just works. Fire up its two low-latency internal mixers for sessions away from the studio, process audio & MIDI without a computer connection, and save your configurations for instant recall and quick setup switching.

Intricate audio routing

Get hands-on with an interface that lets you configure its connections to suit any need, including multiple sends/returns for effects, quick A/B speaker monitoring, and more. The included AudioFuse Control Center even features a matrix for quick 'connect anything and everything' configuration.

Quantity, meet quality

Give every recording the shine, clarity, and projection it deserves with two high-quality digitally-controlled preamps and 24-bit AD/DA converters from ESS and Cirrus Logic. Whether it's red-hot synths, dynamic guitars, delicate vocals, or any combination of inputs, expect top-notch sound across the board.

Choose your workflow

Your interface should adjust to suit your setup, not the other way around. Control AudioFuse 16Rig's settings via the display or the included software, configure it for desktop or 1U rackmount operation, use the DC-coupled outputs to send signals to synth modules, and connect your high-impedance headphones.

It's time your music had an upgrade

x16 ADAT I/O
x8 Analog Line DC coupled Outputs
x16 Analog Line Inputs
x1 MIDI In & 2x MIDI Out/Thru
Wordclock I/O
24-bit AD/DA 192kHz
Creative FX Bundle Included

Smart design

Sometimes it's the little things that matter most. You need your gear to complement and enhance the way you work, and that's the driving force behind AudioFuse 16Rig.

See how every piece of the AudioFuse 16Rig puzzle fits together to deliver a dream interface for audio & music hardware lovers.

Premium FX included

Every AudioFuse interface comes with an ever-evolving suite of creative plugins curated from Arturia's award-winning FX Collection. Refine any incoming audio with vintage studio tools, get experimental with contemporary effects, and embark on a journey through classic & modern sounds with Analog Lab.

AudioFuse Range

The new studio reference

The AudioFuse interface range connects your computer to the world of music. Record with the highest quality, monitor with absolute precision, and bring all of your gear together to create the music you always wanted to.

Analogue signal path

The highest quality components are used in the input and output signal paths of the AudioFuse series, giving you an audiophile-quality experience with no compromise.

Powerful monitoring

Multiple outputs, integrated A/B switching, monitor mix options, and even headphone outputs with both 3.5mm and 6.35mm connectors. The AudioFuse makes monitoring a joy.

Huge versatility

Each AudioFuse interface has its own unique set of features designed to make recording as fun and easy as possible.

Main Features

16 x TRS analogue inputs
Includes 2 x high-quality digitally-controlled preamps
Inputs 3 & 4 also available as 3.5mm stereo input

12 x analogue outputs
Includes 8 x DC-coupled TRS line outputs
Stereo monitor outputs
6.35mm front-panel outputs for reamping, dual-headphones

2 x ADAT in, 2 x ADAT out

Up to 16 channels of I/O at 48kHz, 8 channels at 88.2/96kHz

Wordclock in & out

1 x MIDI in, 2 x MIDI out/thru
5-pin DIN connectors
Route MIDI standalone

Low-latency USB-C connection

Class-compliant MIDI
3 x USB hub connections

Two internal standalone mixers

No computer connection needed
Cue mixer for sub-mixing and added flexibility
Main mixer controllable by MIDI

Color display with rotary control & menu buttons
Desktop or 1U rackmount configuration
Includes AudioFuse Control Center
Includes AudioFuse Creative Suite

Analog Lab Intro
Comp DIODE-609* NEW
Pre 1973
Pre V76
Pre TridA
Filter MINI
Chorus JUN-6
Comp FET-76
Delay TAPE-201
Rev PLATE-140
Phaser BI-TRON

What's in the box

Box content
AudioFuse 16Rig unit
Power supply
2x USB cable

Instrument dimensions
size : 17.3 x 11.6 x 1.7 inches (493 x 294 x 43mm)

Platform requirements

Windows
Win 10+ PC: 4 GB RAM; Intel i5 CPU or faster
1GB free hard disk space
OpenGL 2.0 compatible GPU

Apple
10.13+: 4 GB RAM; Intel i5 CPU or Apple Silicon CPU
1GB free hard disk space
OpenGL 2.0 compatible GPU

Notes: Supercritical Synthesizers introduces their first desktop instrument, Redshift 6 - six voice analogue Variable Character Synthesizer

Supermassively dense analogue oscillator combined with a chameleon analogue filter with versatile gain staging. Now sixfold.

Redshift 6 combines technology from the company's previous products, the Demon Core Oscillator and the Neutron Flux Filter. Each of the six voices features a DCO with analogue waveforms generated under digital control. The filter core is an analogue 4-pole state variable filter also digitally controlled to act like almost any classic vintage synthesizer filter and more. In addition to the oscillators and filters, Redshift 6 has all the features expected of a modern synth - plenty of modulators, flexible voice routing, multitimbrality, MPE, and DSP effects.

Redshift 6's idea is something that is wrapped in the moniker "Variable Character Synthesizer". Each voice's analogue path regarding tuning, gain staging, filter, and more is under strict digital control. Redshift 6 has as lush and warm sweet spot inspired by the analogue polysynth tradition, but it can also cover the full range from almost digitally sterile and clean to distorted misbehaviour and beyond. No modelling here - it's all analogue until the bypassable stereo DSP effects processor.

The oscillator, already road-tested in the Demon Core Oscillator eurorack module, is featured in each of the six voices. The oscillator has multiple tricks up its sleeve, each one wrapped as an Engine for the user to choose between. Traditional twin oscillator engines, supersaw engines, flanging phase sync engines, and transistor organ engines are all powerful modes in user-friendly ways that are easily controllable and modulatable.

Redshift 6's six voices can be configured in plenty of ways. Choose between true six-voice polyphony, classic vintage poly dual layer mode with 3+3 voices, six individual voices each with their own patch and physical output, or any combination of the above. Each of the six voices can also operate as a paraphonic voice with up to 16 note paraphony. Additionally, multiple filters can be chained by routing audio from one voice to another.

The form factor of Redshift 6 is a modern, compact desktop device with a 2.7-inch colour screen. Menu diving is reduced to a minimum, with quick navigation via the shortcut button grid. A selection of familiar synth controls are featured on the front panel. A macro mode is included with six user-assignable controls. The back panel features main audio outputs with a DSP effects processor and four auxiliary voice outputs.

One of the major design principles of Redshift 6 is to have a versatile and capable analogue platform and a flexible UI for new Engines, easily updateable via software updates.

Supercritical Redshift 6 Desktop synthesizer module

Technical specifications

Six voices each featuring:
Full analogue signal chain
Digitally controlled analogue Supercritical Demon Core Oscillator
Analog four pole Variable Character Filter
Flexible gain staging with an analogue boost circuit
Physical audio output per voice (2 main outputs and 4 aux outputs)
Optional voice chaining
Bypassable digital effects in main outputs 1-2
2.7" TFT IPS colour screen with a bank of 8 endless clickable potentiometers and quick navigation via button grid
Quick powerful controls for oscillators and filters.
Six user-assignable macro controls
Six parts multitimbral
Modern MIDI implementation with USB-B connection and DIN IN/OUT
MPE
12V power supply
Physical dimensions: 378 mm x 254 mm x 63 mm

Notes: 2022 production run for ARS's excellent DJ crossover. LE version features adjustable frequency knobs on the front panel for added versatility. Also available as the standard Model 3500 or 3500B with booth volume control.

Supplier's Notes:
Limited modified model

Model 3500LE

3 band crossover

Two variable frequencies controls are installed on the front panel.

ARS Model-3500 is an innovative frequency isolator with adjustable crossover frequency control.

Users can adjust the crossover point to choose which frequency ranges of "LOW", "MID" and "HIGH" should be emphasized for their preferences and music genres.

Maximum Boost 18dB provides the users to be well aware of changes and is good for protection of speaker systems.

Volume curve is designed with insistence on quick attack and sharp response.

Its simplified design minimizing all possible sound degradation.

ARS MODEL-3500 provides superior controls for DJs to react to each different scenarios, giving more characteristics to their performance.

* HI/MID/LOW frequencies are completely separated giving each independent level controls.

Each band frequencies can be controlled the range of +18db to -infinity.

* Two variable frequencies controls are installed on the Front panel.

One is for adjusting the LOW/MID crossover point, the other is for the MID/HI crossover point.

Due to the feature of being able to set the midrange frequencies narrow or widen, the MODEL 3500 can be functional any musical genres.

* For the input sources, either RCA unbalanced jacks or XLR balanced jacks (2HOT) can be connected.

* For the output sources, both RCA unbalanced jacks and XLR balanced jacks can be connected simultaneously since both jacks has independent output circuits.

* Knobs have brims on the center point to easily identified the center with a little light in the clubs.

* 100 mm width intervals between knobs give smooth operation to improve DJ performance

* No power switch avoiding accidentally turning power off while playing.

* Minimizing the power noise by designing the main circuit board and the power circuit board independently and setting them apart.

Bypass:
Frequency Response: +-1dB 20Hz-20Khz
Input: RCA Unbalanced Impedance 20K Ohm/ XLR Balanced Impedance 40K Ohm

Output:
RCA Unbalanced Impedance: 600 Ohm / XLR Balanced Impedance 50 Ohm
Maximum Output Level: +20 dB
Crossover Type: Low Mid Hi 3 Band 18dB Octave / Crosspoint: Variable, Low Mid: 50Hz-500Hz / Mid Hi: 1KHz-10Khz
Crossover/Bypass Switch: Selector switch on the right of the front panel(*Silver front panel color type doesn't have this feature)
Power Requirement: (2 Types) US-115V/EU-230V(Selectable) JP-100V 50/60Hz
Power Consumption: 10w
Dimensions: Front Panel 1U (W)482x(H)44x(D)195mm
Front Panel Colour: Black

Notes: A unique approach to FM synthesis in this updated version of Kodamo's ludicrously powerful EssenceFM. Up to 300 voice polyphony, hugely powerful touchscreen editing and stereo effects.

Supplier notes:
The EssenceFM is a powerful and easy to use FM synthesiser, allowing you to explore the endless soundscapes offered by FM synthesis. With a super-responsive touchscreen, assignable knobs and workflow optimized for sound design, creating rich and unique sounds is easier than on any other FM synthesiser.

The EssenceFM engine allows to create ridiculously powerful sounds made of more than 6 operators. That's why it's been given 300 voices of polyphony, you get the easy-to-program 6 op FM synthesis and the ability to layer many voices to create huge, rich-souding instruments.

There are 1800 operators and 4200 envelopes running at the same time, more than you will ever need.

This synth is the result of Kodamo's efforts to create the best user interface to interact with FM synthesis. No endless menus, no weird key combinations, no complex structure to remember. Everything is displayed on screen, every element is editable by pressing on it.It requires some trial and error to find the perfect sound, and that exploration process is fun only when the interface doesn't work against you. The EssenceFM is full of small details that makes workflow better: 1024 undo/redo steps while editing, copy/paste on every element, clear navigation using 4 modes and a breadcrumb, real-time envelope level display on the operators and much more. All that makes for a powerful and enjoyable synthesiser.

What you can do with it:
Create your own FM algorithms by drag and dropping operators on the touch screen. An almost infinite number of configurations is possible
Layer up to 128 voices per patch, each consisting of 6 operators, for incredibly rich sounds
Draw your custom waveforms on the touch screen to use them as oscillators or LFOs
Thicken the sound with the built-in effects
Take advantage of its 16 part/300 voice multi-timbrality to create full songs with it
Use it to make analog-like sounds with the built-in resonant filter
Connect it to your audio recording gear and effect modules in many different ways with the four balanced stereo outputs
Explore FM synthesis in the most convenient way possible with the Undo-Redo buttons, allowing for any action to be undone
Try microtunings, layer splits, round robin, MPE, and many other advanced features.

Package Contents:

EssenceFM synthesizer (MKII version)
Printed user manual
2x 3U 19" rack mount brackets
4x screws
Universal (100-240V) AC adapter
IEC power cable
2x rubber strip

Notes: A true MIDI powerhouse, based around a 128-pad matrix and 16-track MIDI sequencer with slick programming workflow and Ableton-style pattern mode for live performance.

*** Version 2.0 updates - January 2024 ***

In this version, Squarp have put a lot of effort into improving the ergonomics and screen designs.

As for features, the focus has been on expanding patterns from 8 to 16 per track. Follow-actions have been introduced to bring more life to your sections, adding logic and randomness to the construction of your tracks.

A new MixMute mode has been created to enhance live performances, improve transitions between projects and arm your tracks for multitrack recording.

Now you can engage in multi-track recording and capture on multiple tracks simultaneously.

Two new effects are making their debut as well: FX ECHO, the best delay Squarp have made so far, and FX OUTPUT, allowing rerouting to a different output in the middle of the effect chain.

You can now Import/ExportMIDI files, either to save and reuse your own patterns in different projects or to load complex MIDI files from a computer.

The Curve algorithm is now accessible in automation mode, Squarp have added a track compensation mechanism and Auto-load.

Supplier's Notes:
Professional standalone sequencer

Genuine centerpiece of a setup, it offers every tool needed to compose songs in the studio and perform them on stage. From vintage to modern synths, from modular systems to your favourite DAW, Hapax can sequence and synchronize all your gear, while bringing you carefully crafted tools, designed for maximizing creativity.

The midi powerhouse.

Up to a million notes and events

16 tracks per project, 8 patterns per track.

Thanks to its dual-processor architecture, Hapax can record and transform tremendous amounts of data in no time, without a hitch.

Express yourself.

MPE compatibility

Hapax is the first hardware sequencer that fully supports MIDI Polyphonic Expression. Record the finest gestures, slides and articulations of your playing, without compromising quality.

Around the clock performance.
Dual-project architecture



Hapax can handle two separate and independent projects, that can be played simultaneously. This lets you compose or load an entire project while the first one is already playing, enabling endless sets and seamless transitions.

Dawless is more.

Hapax offers broad connectivity options for perfect integration in any setup.

Adaptive workflow.
Several ways to write music
Writing a melody: use a polyphonic or MPE track and take advantage of the advanced step sequencer to quickly lay down notes or edit your live recording.

Composing a beat: control up to 8 different instruments with a single track. The drum sequencer is tailored for very easy rhythm writing and jamming.

Real-time midi effects.

Bring your synths to life

Hapax embeds multiple real-time, polyphonic, non-destructive midi effects, as well as project-wide assignable LFOs. Each parameter of these effects can be automated in the dedicated mode, and processed in the mod matrix, which provides even more ways of routing and modulating.

Powerful composition tools.

Algorithms

Powerful tools for offline note transformation and generation, right at your fingertips. Harmonically invert your motive, generate a controlled-random counter-melody, slowly ramp up the velocities, emphasize every fifth 8th note...

Hi-res recording

Hit the red button, and record from the encoders and 128 pads of Hapax, external midi instruments (included MPE controllers) or any incoming analogue signal, at a high resolution of 192 ppqn. Looper style recording, count-down and metronome options, punch-in mode, you'll certainly find the options that best suit your workflow.

Time elasticity

Each track has an elasticity value which changes its playback speed, expressed in percentage of BPM. Quickly double or halve the speed of a track, or create slightly shifted tracks that will slowly drift out of phase with each other.

Fluid editing

Using hardware should never get in the way of creative flow. The undo/redo button lets you go back in time as needed, thanks to its extensive history. Additionally, the snapshot function enables you to save the state of a pattern and recall it with a single press. Together with dedicated copy, paste and delete buttons, Hapax offers a complete toolbox for the prompt editing of your tracks.

Harmony, simplified

For fast and intuitive chord building, the chord live mode brings harmonic capabilities to anyone, with or without deep theoretical knowledge. With its colourful interface, the chord mode displays a synesthetic melding of hearing, vision and touch.

Simple by design.

Trimmed to perfection

Squarp designed Hapax from the ground up, deconstructing everything you thought you knew about sequencing- aiming for a high-end product, with dual arm processors for computation power and a rugged yet minimalist housing.

As music-making should remain an enjoyable process, dedicated buttons were over key combinations and imagined a clear-cut interface as well as a simple architecture. Squarp have striven to minimize the importance of screens for live performing, but the dual grayscale display helps keeping track of things in a studio context.

Hapaxos
Evolving firmware.
The Hapax Operating System has been written with extra care, prioritizing stable and fast operations. New features and parameters will be added regularly.

Specifications
Model name: Hapax
Hardware: 128 RGB MATRIX pads
52 clic pads
9 sturdy clickable encoders
2 OLED greyscale displays
SD card for saving projects
CPU: dual ARM design
RAM: 32MiB
Housing: machined aluminium 2mm
Housing (back): unibody ABS

Sequencer
Dual Sequencer (2 Projects)
16 tracks per project
8 patterns per track

Input
2× midi in (DIN + TRS)
2× CV in [-5V to +5V] (16bit)
Stereo pedal (footswitch)

Output
4× midi out (3× DIN + TRS)
4× CV out [-5V to +5V] (16bit)
4× GATE out [+5V]

Bidirectional I/O
USB Host (link a controller)
USB Device (link a computer)
Power supply: 15V, 1.2A, 18W (included)
Dimensions: 358 × 206 × 48 mm
Weight: 1.855 kg

Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


Designed for seamless integration with Serato and the Stem-Split feature, the Four is Rane's flagship controller. Clever compatibility options let you add vinyl, CDJs and other controllers like the Rane Twelve or Denon LC6000.

Supplier's Notes:
Designed for creativity, built to last

The FOUR brilliantly combines the latest in performance-focused DJ technology with RANE's tried-and-true build and industry-leading sound quality. The result is a bulletproof, great sounding, feature-packed DJ controller that will unleash exciting new levels of creativity in your DJ sets and livestreams. With never-before-seen features like STEM-SPLIT, Performance Pad OLED displays, and a new dynamic internal FX engine, the FOUR is the world's most advanced 4-channel Stems DJ controller.

Harness the power of Serato stems

RANE and Serato have a long history of creating ground-breaking DJ products together, dating back to the RANE SL1 box in 2004. The RANE FOUR takes this partnership to the next level by melding the industrial-grade build and sound quality of RANE hardware with the powerful new Stems capabilities of Serato DJ software. The result is a next-level DJ controller with unprecedented Serato Stems control. A dedicated Stems Pad Mode, Instrumental and Acapella buttons, and RANE's exclusive STEM-SPLIT feature provide you with the ultimate Stems workflow and experience to fully elevate your creativity as a DJ.

New levels of creative FX

The newly designed internal FX suite features 22 paddle-triggered, fully customizable Main FX and 4 knob-controlled Channel FX for adding flavour and personality to individual Stems elements and tracks. This robust FX suite features traditional FX classics like Reverb and Echo and exhilarating new additions including Scale Down, Recycler, Riser, and more. The Channel FX section offers dynamic, hands-on manipulation of 4 knob-controlled FX including Filter, Filter Roll, Noise, and Flanger. The RANE FOUR also allows you to switch seamless back and forth between the built-in hardware FX and Serato's software FX, providing limitless options for any style of DJing.

Four channels of performance possibility

The 4-channel mixer section features full EQ control and intuitive FX assignment options, plus 2 external Line/Phono inputs for external turntables or decks. The FOUR is DVS-enabled and unlocks both Serato DJ Pro and Serato Pitch 'n Time when connected to laptop running the latest version of Serato. Enhanced Sampler routing options allow you to control the Sampler volume via a dedicated knob, or assign the audio to Channel 4 so that you can layer FX on top of your DJ drops, instruments, and other samples. The quick-access deck selection buttons allow for swiftly switching platter control between software decks, and the FOUR also supports external modular decks like the RANE TWELVE MKII and the Denon DJ LC6000 for a full physical 4-deck mixing experience.

Focus on your performance, not your laptop

The 8 OLED displays above the Performance Pads on each deck offer visual feedback for all pad modes, making it easier than ever to see the function of each pad without having to look at the computer. See Cue, Loop, and Sample names as well as Roll and Loop lengths, beat divisions, Pitch Play tuning, and Stem elements and FX.

The best static platters... ever

The 8.5" capacitive jog wheels were designed to be the smoothest and most accurate static jog wheels available on a DJ controller. A central colour display indicates play head position, BPM, pitch percentage, pitch range, overview waveform with Hot Cue markers, song key, time, loop size, deck selection, Beat Jump length and more.

Trusted Rane quality

The RANE FOUR is the only 4-channel DJ controller built to RANE's rigorous standards. Solid, bulletproof construction, MAG-FOUR crossfader with curve adjustment and channel assignment switches, aluminium FX toggles, and industry-leading sound quality and connections ensure that the RANE FOUR will always perform like a champ, no matter what.

Technical Specifications

Digital Audio

Converters: Cirrus Logic, 24-bit PCM, 48 kHz
Digital Signal Processing: 32-bit, Floating Point, Double precision
Dynamic Range (A-weighted, unity gain): ADC: 113 dB DAC: 113 dB
CD Input to Analog Output: 110 dB
CD Input to USB Output: 113 dB
USB Input to Analog Output: 113 dB

Connections

(2) XLR / 1/4" (6.35 mm) TRS inputs (Mic 1-2)
(2) RCA stereo input pairs (Deck 3-4)
(2) XLR outputs (Main)
(2) 1/4" outputs (Booth)
(1) RCA stereo output pair (Main)
(1) 1/4" (6.35 mm) TRS output (Headphones)
(1) 1/8" (3.5 mm) TRS output (Headphones)
(2) USB Type-B ports
(2) USB Type-B ports

Audio Outputs

Main Outputs (XLR):
Gain Trim: Off to 0 dB
Maximum Output: 8 Vrms
THD+N (20 kHz BW @ 1 kHz): 0.004%
Frequency Response: Flat - 20-20kHz

Main Outputs (RCA stereo pair):
Maximum Output: 4 Vrms
THD+N (20 kHz BW @ 1 kHz): 0.004%
Frequency Response: Flat - 20-20kHz

Booth Outputs (1/4"):
Gain Trim: Off to 0 dB
Maximum Output: 8 Vrms
THD+N (20 kHz BW @ 1 kHz): 0.004%
Frequency Response: Flat - 20-20kHz

Headphone Outputs (1/4"/6.35 mm and 1/8"/3.5 mm TRS):
Maximum Output: 4 Vrms Voltage: (no load)
Output Power: 50 mW (50 ohms)
Dynamic Range (A-weighted): 108 dB

Audio Inputs

Microphone 1/2 (Combo XLR/1/4" [6.35 mm] TRS):
Analog Gain: 25 dB
Maximum Input: 110 mV
Gain Trim: Off to +26 dB (unity at center)
Tone Control: 2-band

Line/Phono Inputs 3/4 (RCA stereo pairs, switchable):

Line: Line
Maximum Input: 4 Vrms
Gain Trim: Off to +12 dB
Tone Control: 3-band, full-cut to +10 dB
THD+N (20 kHz BW @ 1 kHz: 0.004%

Phono: RIAA
RIAA Curve: +/-0.25 dB
Gain (@ 1 kHz): 31.5 dB
Maximum Input (@ 1 kHz): 106 mV
Dynamic Range (A-weighted): 102 dB

Pads: (16) on/off multi-colour back-lit pads (8 per deck, 9 modes each
Wheel Displays: (2) 320 x 240 Colour LCD's
Pad & FX Displays: (9) 128 x 32 Monochrome OLED's
Faders: (1) MAG FOUR tension-adjustable crossfader with contour, (4) Standard channel faders

Power:
Connection: IEC
Voltage: 100-240 V, 50/60 Hz
Consumption: 20 W

Dimensions (width x depth x height):
Dimensions (width x depth x height): 30.8" x 15.9" x 4.2" / 782.32 x 403.8 x 106.6 mm
Weight: 18.25 lbs./8.27 kg

Notes: One of a small selection of vinyl-style DJ controllers on the market, the One features 7-inch turntable-style platters and a scratch-friendly Mag Four crossfader. A great option for scratch DJs and those who prefer the vinyl feel.

Supplier's Notes:
The Rane One Motorized DJ controller takes the high-performance features, reliability and exceptional quality we're trusted for and without compromise, combines them into the ultimate Motorized DJ Controller.

The One continues Rane's reputation for high-end, no-compromise sound quality and creative freedom. The gig-ready One represents the pinnacle in music control for DJs commanding the best in performance and sound.

The One gives DJ's a familiar, performance driven, intuitive layout with everything you need, where you need it. Take control with the multi-function performances pads, aluminum FX paddles, dedicated loop section and mixer controls.

The One features authentic motorized 7" turntable platters for high-performance precision. Experience the traditional vinyl-like touch, with all the creative tools the digital world has to offer. With support for leading DJ software platforms like Serato DJ Pro, Algoriddim's djay Pro AI, and Virtual DJ, the One brings a true turntable experience to the portable arena.

If you like scratching, you're going to love the Mag Four crossfader. Rane's lightest and smoothest fader ever, the Mag Four gives you swift and precise control over your cuts, with a software cut-in adjustment available in Serato DJ Pro.

The One has 8 multi-function performance pads per deck for full creative control. Each deck includes Hot Cue, Pitch 'n Time, Saved Loop, Roll, Sampler, Slicer, as well as Serato DJ Pro's Scratch Bank feature. Everything you need for creative control.

With 6 radio-style stackable FX buttons, instantly activate any combination of software FX with a single press, fine-tune with depth and beat parameter controls, then activate with the independent aluminum paddle controls with latch or momentary positions.

Tech Specs:

Digital Audio:

Converters: Cirrus Logic, 24-bit PCM, 48 kHz
Digital Signal Processing: 32-bit, floating point, double precision
Dynamic Range (A-weighted, unity gain):
ADC: 113 dB
DAC: 113 dB
CD Input to Analog Output: 110 dB
CD Input to USB Output: 113 dB
USB Input to Analog Output: 113 dB

Inputs:
2x XLR / 1/4" (6.35 mm) TRS Combo (Mic 1-2)
1x RCA stereo pair (Aux)
2x RCA stereo pairs (CD/Phono 1-2)

Outputs:
2x XLR (Main)
2x XLR (Booth)
1x RCA stereo pair (Master)
1x 1/4" (6.35 mm) TRS (Headphones)

1x 1/8" (3.5 mm) TRS (Headphones)
Pads: 16x velocity-sensitive multi-color back-lit pads (8 per deck, 5 modes each)
Faders: 1x MAG FOUR tension-adjustable crossfader with independent Contour and Reverse controls, 2x Standard channel faders with shared Contour and Reverse controls

Connections:
2x XLR outputs (Main)
2x XLR outputs (Booth)
1x RCA stereo output pair (Master)
2x XLR / 1/4" (6.35 mm) TRS inputs (Mic 1-2)
2x RCA stereo input pairs (Deck 1-2)
1x RCA stereo input pair (Aux)
1x 1/4" (6.35 mm) TRS output (Headphones)
1x 1/8" (3.5 mm) TRS output (Headphones)
2x USB Type-B ports
1x IEC power cable input

Power
Connection: IEC
Voltage: 100-240V, 50/60 Hz
Consumption: 50 W

Dimensions (wxdxh): 26.5" x 13.6" x 4.9" (674 x 345 x 124.3 mm)
Weight: 23.55 lbs. (10.68 kg)

Notes: From Denon's excellent Prime range, the X1850 is a four-channel mixer with all the features you'd expect from a club-standard pro model: three-band EQs, filters, loads of effects and solid build.

Supplier's Notes:
4-Channel Digital Mixer with Multi-Assignable Inputs and Pro DJ FX

With a rugged metal construction, the X1850 is a 'mixing comfort-zone' for any DJ. It has 4-channels with multi-assignable inputs, covering every gig performance need. A 'high-visibility', 3-band EQ section offers both 'normal' and expressive 'isolation' modes. Smooth line and crossfader control handles all Pro-DJ mixing styles.

Add dynamic audio effects into the mix with the X1850's 4 Sweep FX, contouring frequencies with its powerful Lo/Hi pass Filter. Get creative and expressive with the X1850's 16 Pro-Club BPM FX and 'Time-Division' Touchstrip too. The X1850 brings 'FX Quantize' control to ensure all effects parameters align with your grooves!

Multi I/O, 24-bit/96kHz Prograde audio connectivity is just the start! The X1850 PRIME has a built-in LAN hub for connecting up to four 'SC' media players, carrying tempo information, ultra-fast music file transfer and StagelinQ audio visual connections. A 5-Pin MIDI out to start/sync external gear brings even more performance flexibility.

Line, Phono, Digital, USB or DVS - select your channel input and let the mix flow with 4 smooth, contour controlled line faders plus 'flex-fader' style crossfader

Customize X1850 DJ workflow and performance settings plus access, adjust and edit 16 expressive Pro Club FX

Experience fast, uninterrupted DJ 'handoffs', connect to DJ software and record multi-channel audio to laptops.

No sacrifice of line faders with 2 independent, EQ/level controlled microphone channels with 'talkover'. Get Split/Cue headphone monitoring with 1/4" jack plus minijack inputs.

Dedicated Sweep FX, access 4 dynamic, 'left/right variant' controlled effects. Simultaneously manipulate lo/hi pass Filters on each channel, coloring with adjustable resonance control

Audio
Dynamic Range (master): > 117 dB (A-weighted)
Frequency Range: 22-22,000 Hz (+1 dB)
Signal-to-Noise Ratio:
Line: > 93 dB (A-weighted)
Phono: > 87 dB (A-weighted)
THD+N: < 0.02%
Channel Separation: < -90 dB (@ 1 KHz, unity)
Headroom:
Line Inputs: > 16 dB
Microphone Inputs: > 20 dB
Outputs: > 20 dB
Analog Output:
Master (balanced): +24 dBu (maximum), +4 dBu (unity)
Master (unbalanced): +20 dBu (maximum), 0 dBu (unity)
Booth: +24 dBu (maximum), +4 dBu (unity)
Record: +10 dBV (maximum), -10 dBV (unity)
Send: +10 dBV (maximum), -10 dBV (unity)
Headphones: > 150 mW @ 40 O
Analog Input:
Line: +15 dBV (maximum), 0 dBV (unity)
Phono: -22 dBV (maximum), -40 dBV (unity)
Microphone: -40 dBu (maximum), -60 dBu (minimum)
Return: +15 dBV (maximum), 0 dBV (unity)
Microphone Inputs:
CMRR: > 80 dB (@ 1 KHz, unity)
EIN: < -124 dBu (Rs = 150 O, DIN)
Digital Output:
Sampling Rate: 44.1, 48, 96 kHz
Bit Depth: 24-bit
Displays
1.6" / 39 mm (diagonal)
1.4" x 0.69" / 35 x 17 mm (width x height)
(2) monochromatic LED-backlit displays
Connections
(2) XLR outputs (balanced master)
(2) RCA output pairs (1 unbalanced master, 1 unbalanced record)
(5) 1/4" (6.35 mm) outputs (2 booth, 2 send, 1 headphone)
(1) 1/8" (3.5 mm) output (headphone)
(1) coaxial digital output (audio)
(1) 5-pin DIN MIDI output
(8) RCA input pairs (4 line, 4 phono)
(1) XLR+1/4" (6.35 mm) input (Mic 1)
(3) 1/4" (6.35 mm) inputs (2 receive, 1 Mic 2)
(5) RCA digital inputs (4 audio, 1 link)
(5) Ethernet link ports
(1) IEC power inlet
Power Connection: Locking IEC
Input Voltage: 100-240 V~, 50/60 Hz
Consumption: 65 W

Dimensions (width x depth x height):
310.9mm X 445mm X 109.7mm
12.2" x 17.5" x 4.3"
309.88 x 444.5 x 109.22 mm

Weight (without USB and power cable): 15.43 lbs./7.00 kg

Notes: The Resonant Garden is an electronic-acoustic hybrid instrument designed to create anything from beats and oddities to dense soundscapes.

The garden utilizes three Alter circuits each equipped with a mic pre-amp, and 4 sprout (stringed) panels for generating acoustics. By plucking, rubbing, tapping or even bowing, those micro-acoustic sounds become amplified and affected by the Alter in any number of ways. In essence, the garden is a large microphone designed to pick up vibrations.

Monolithic vs Discrete

A Monolithic version of the Resonant garden consists of a single faceplate for the entire instrument.

A Discrete version of the Resonant garden consists of 7 faceplates, three for each Alter module and four for the sprouts. The discrete version allows for individual sprout and Alter modules to be moved around or substituted with other modules. Keep in mind the power and audio distribution system is designed for the configuration shown here, but can easily be hand wired with standard cables (sold separately). The maximum depth for modules in the garden box is 33mm.

Effects

There are two Alter 1 units and one Alter 2 unit. Each Alter 1 has seven DSP effects which are selected by touching the copper hexagon:

1 - long delay (capable of near infinite feedback looping)
2 - notated granular delay
3 - plate reverb
4 - shimmering reverb
5 - distortion and multi-filter
6 - pitch delay
7 - stutter glitch

Alter 2 has the following effects:

1 - analogue delay
2 - reverb with infinite capture and lp + hp filters
3 - choral reverb
4 - palindrome reverse delay - backward/forward repeat
5 - time stretch
6 - pitch shift (notated semi-tones
7 - time stretch glitch

Control

On each of the Alter sections, the following is present:
- Control for the gain of the mic pre-amp or any incoming audio.
- Controls for Mix, X, Y and Sift as well as clock.
- All effects have a variation of a filter which may change effect to effect.
- X and Y control various rates.
- Clock control adjusts the rate which controls the DSP which can drastically change the effect. In doing so it does slightly lower the quality of the output signal but the results are fantastic. This clock is not for synchronization.
- Mix, X, Y and Sift all have CV control inputs.
- Each control level or CV input is visualized on the control panel.

Acoustics

Each garden panel is equipped with a contact mic. A contact mic is designed to pick up vibration. The mic pre-amp is specifically designed to deal with the frequencies of the contact mic by boosting certain frequencies and dulling others in order to optimize the sound quality. The mic pre-amp has a gain control so the level can be adjusted according to how you intend to play.

Routing

1/8" stereo inputs with separate level/gain control for right and left channels. These level controls can also act as mute as they can take the signal to 0. They can also add gain to a quiet signal.
In its natural state, each Alter utilizes the garden panel acoustics and each Alter outputs its own signal. By plugging in to the left input of any Alter, the mic amp is bypassed. This means that the signal can be chained from one alter to another, utilizing the single final output. This chain of effects can result in an incredibly broad range of sound.
- use all effects in parallel (3 sets of stereo output)
- use two in series and one in parallel (2 sets of stereo output)
- use all in series (single stereo output)
- peak level indicator for clipping levels at the input

Design

The box is constructed with Sapele African hardwood and a white birch bottom panel. It features anodized black aluminium rails for mounting the faceplates. Each sprout of strings is bolted in from the back and held in place with a backing panel under the main board.
Each box has unique wood grain patterns. The wood grain shown in the images will appear different for each instrument we ship.

Included
- Power Supply: 12v positive tip AC Adapter (included) - US - 100-240V ~ 50/60Hz 0.6A
- Printed manual
- Four (4) black 6" (15cm) 3.5mm TS mono patch cables
- Four (4) black 24" (60cm) 3.5mm TS mono patch cables

Dimensions
- 76 HP Total Width, Sprouts: 7 HP, Alters: 16HP
- Mounting Rails are 406.16mm long

Notes: ***POWER SET FOR EU AND AUSTRALIA 220-230V:
The Pittsburgh Modular Structure 208 and Structure 360 eurorack enclosures use a switching power supply that needs manually set to the correct AC input voltage. The internal switch has already be properly set for 220-230 VAC. This setting works for the EU and Australia or other countries that use 220-230 VAC power.
For use in countries that use 100-120 VAC power, such as North America and Japan, the switch inside the case on the AC/DC regulator needs to be switched to the left. The switch is marked with a Yellow sticker printed with "AC input voltage can be selected by switch. Check input voltage avoiding damage before power on." The switch is located on the side of the enclosure below the arrow.
Please contact Pittsburgh Modular with any questions. service@pittsburghmodular.com***

Structure EP-360 Eurorack Enclosure

Maximum Power for a New Generation -

Beautifully stained hardwood triple row, 360hp powered eurorack travel case with lid. A huge case to house a monster synth. Features include a professional, heavy duty, internal power supply designed to exceed the needs of the most demanding analog and digital eurorack systems.




Everything is New:
With years of research and two case lines under our belt, we decided to start over and produce a line of cases for the next generation of eurorack synthesizers. The eurorack modular ecosystem is expanding faster than ever and manufacturers are constantly pushing eurorack cases and power supplies to the limits. What started as a power supply designed to drive primarily analog synthesizers has transformed into a supply that needs to simultaneously meet the unique demands of sensitive analog circuitry, power hungry digital processors, and ground sensitive user interface modules.

We started with what matters most. Clean power. A lot of it. Up to 3x the amount of clean power available in cases from other brands. Next we turned our focus to the enclosure itself and there was only one goal. Make the case stronger. Our engineers tested countless combinations utilizing different types of wood, joints, adhesives, assembly techniques, and hardware to ensure that Structure cases are as durable as they are beautiful.

With a clean and gorgeous design that promotes creative exploration, the Structure enclosures are our most robust and refined case line yet. With massive amounts of both room and clean power, you can reach completely new heights in your creative performances.






Includes:
Structure EP-360

Power
:
6 Amps of Clean +12v Power

6 Amps of Clean -12v Power

5 Amps of Clean +5v Power

Custom Powered Bus Board with 15 Keyed Eurorack Power Headers Per Row, 45 Power Headers Total

External On-off Rocker Power Switch with LED

Universal IEC Power Connector Works Anywhere

Structure EP-360 Enclosure
:
Hardwood and Steel Construction (No cheap plastic here)

Triple 120hp Rows

Removable Lid

Lid Fits Over Fully Patched System (No need to remove patch cables)

Edge to Edge Rail Design Reduces Gaps Between Modules and the Side of the Case

24 Smooth Sliding Square Nuts Per Rail (Holds up to 72 modules)

Beautifully Hand-Stained Hardwood

Matching Black Steel Hardware Set




Structure EP-360 Dimensions
:
External Depth with lid:9 1/4"
External Depth without Lid: 5 1/2"
External Height: 17"
External Width: 25 1/2"
Internal Depth Above Power Supply: 2 3/4"
Internal Depth Above Bus Board: 3 3/4"
Internal Depth Above Nothing: 4 1/4"

Notes: ***B-STOCK: Box opened, but product is in excellent condition and in perfect working order***


A proper bargain here. Ecler's flagship rotary mixer offers all the benefits of audiophile sound quality and organic, hands-on control at a surprisingly low price point.

Supplier's Notes:
WARM4 is a professional four channel analogue rotary DJ mixer, designed and manufactured by ECLER in Barcelona. Featuring 4 phono/line channels, 2 MIC inputs, classic sharp filters and a 4th order Isolator. WARM4 includes an unique feature, an Analogue Subharmonic Synthesizer selectable per channel, specially designed to generate and reinforce ultra-low frequencies.

Applications

Night Clubs
DJ studios
Itinerant DJ performances

Audio performances

Inputs:

Number of Inputs:
LINE: 4 Stereo Unbalanced Inputs
PHONO: 4 Stereo Unbalanced Inputs
MICRO: 2 Mono Balanced Inputs
FX RETURN: 1 Stereo Unbalanced Input

Connectors type:
LINE 1-2-3-4: RCA STEREO
PHONO 1-2-3-4: RCA STEREO
MICRO 3: XLR3-F
MICRO 4: Combo XLR3F-6.3mm TRS BAL
FX RETURN: RCA STEREO

Inputs Sensitivity nom/Impedance:
LINE: 0dBV/50kO
PHONO: -40dBV/50kO
MICRO: -50dBV/>1kO
FX RETURN: 0dBV/>6kO

PERFORMANCE:

Frequency Response:
LINE: 10Hz#30kHz -1dB
MICRO: 10Hz#25kHz -1dB
PHONO: RIAA i0.5dB
FX RETURN: 10Hz#50kHz -1dB

THD+N:
LINE: <0.004%
MICRO: <0.7%
PHONO: <0.06%
FX RETURN: <0.001%

CMMR:
MICRO: >75dB @ 1kHz

Signal Noise Ratio:
LINE: >105dB
MICRO: >90dB
PHONO: >100dB
FX RETURN: >110dB

Trim control / Tone control Inputs 1-2-3-4:
INPUTS 1-2-3-4: i 15dB
BASS: +10/-30dB
MID: +10/-25dB
TREBLE: +10/-30dB

Trim control / Tone control Isolator:
BASS: +12/-70dB
MID: +12/-40dB
TREBLE: +12/-70dB

Tone Filter cut frequency at -6dB (slope 12dB/oct):
BASS: 200Hz
MID: 200Hz#6.8kHz
TREBLE: 6.8kHz

Isolator cut frequency at -6dB (slope 24dB/oct):
BASS: 300Hz#4kHz
TREBLE: 4kHz

Analogue Subharmonic Synthesizer:
Input selective filter: 50#120Hz
Harmonics synthesis: 25#60Hz
Max Output level: +12dBV

OUTPUTS:

Number of Outputs:
HOUSE: 1 Stereo Balanced Outputs / 1 Stereo Unbalanced Outputs
BOOTH: 1 Stereo Balanced Outputs / 1 Stereo Unbalanced Outputs
HEADPHONE: 2 Stereo Unbalanced Outputs
FX SEND: 1 Stereo Unbalanced
REC: 1 Stereo Unbalanced

Connectors Type:
HOUSE: XLR3-M STEREO / RCA STEREO
BOOTH: XLR3-M STEREO / RCA STEREO
HEADPHONE: Jack Stereo 6.3mm / Jack Stereo 3.5mm
FX SEND: RCA STEREO
REC: RCA STEREO

Outputs Level/Minimum Load:
HOUSE (BAL): 0dBV/600O 1V *(+12dB 4V)
HOUSE (UNBAL): 0dBV/2.2kO 1V *(+12dB 4V)
BOOTH (BAL): 0dBV/2.2kO 1V *(+12dB 4V)
BOOTH (UNBAL): 0dBV/2.2kO 1V *(+12dB 4V)
REC: 0dBV/10kO
HEADPHONES: 200mO/200O THD 1%
FX SEND: 0dBV/2.2kO

Max Undistorted Output Level:
HOUSE (Electr.BAL): 21dBV (23dBu)
BOOTH (Electr.BAL): 21dBV (23dBu)
HOUSE (UNBAL): 21dBV (23dBu)
BOOTH (UNBAL): 21dBV (23dBu)

MICELLANEOUS
Control Mode: Rotary with Alps Blue Velvet Potentiometers and Alps RK09L potentiometers
Phantom Voltage: 18VDC/5mA Max (Default ON)
Input VU-Meter: LED 12 segments (-38dBV # +10dBV)
House-Mix-Booth VU-Meter: LED 12 segments (-30dBV # +20dBV)
Subharmonic Output VU-Meter: LED 3 Segments (-20dBV / 0dBV / +4dBV)

ELECTRICAL

Power Supply: Internal
AC Mains Voltage: 90-264VAC 47-63Hz
AC Main Connector: 15A IEC inlet connector
Rated power consumption: 39 VA

PHYSICAL
Operating Temperature: -5-C # 45-C / 23-F # 113-F
Operating Humidity: 20 - 90% RH (no condensation)
Storage Temperature: -10-C # 50-C / 14-F # 122-F
Storage Humidit : <90% RH (no condensation)
Operating Humidity: 20 - 90% RH (no condensation)
Installation Options: Desktop or Rack mount with optional accessories
Included Accessories: IEC Cable EU
Dimensions (WxHxD): 34.0 x 8.1 x 37.2 cm / 13.39 x 3.19 x 14.65 in
Weight: 5.32 Kg / 11.73 lb
Shipping Dimensions (WxHxD): 49.5 x 17.5 x 43.5 cm / 19.49 x 6.89 x 17.13 in
Shipping Weight: 6.74 Kg / 14.86 lb

MECHANICAL

Dimensions (without wooden sides) : 400 x 185 x 100mm / 15.7" x 7.2" x 3.9"
Weight : 3.6Kg / 7.94 lbs

Notes: ***B-STOCK: Box opened, but product is in excellent condition and in perfect working order***


Waldorf draw on their proud history with a new wavetable synth building on the classic Microwave 1 and modern Microwave II/XT. Serious synth power from this eight-voice monster.

Supplier's Notes:
M's musical heart is an eight-voice polyphonic, four-part multitimbral WAVETABLE SYNTHESIZER - as boldly blazoned in red across its full-metal blue- coloured casing, itself hinting at its illustrious Microwave heritage - are two wavetable oscillators with independent wavetable-generating Classic Microwave 1 and Modern Microwave II/XT modes, meaning that the wavetable oscillators behave differently in both of those modes (accessible by pressing the Mode button beside the helpful high-resolution graphic display with four endless encoders for yet more hands-on control).

With M, Waldorf are musically returning to their roots by bringing back classic Microwave and 'modern' Microwave II tone generation as a new-generation classic hybrid wavetable synthesizer with an analogue lowpass 24 dB/Oct VCF - SSI 2144 Improved Ladder Type - with resonance and analogue saturation feature, true stereo analogue VCA with panning option, and much more to explore in a desktop-friendly form factor featuring a wide range of unique sounds. Plentiful presets - totalling 2,048 sound programs (divided into 16 banks, each with 128 sounds) - professionally programmed by world- renowned sound designers also include all of the classic Microwave sound sets, such as MW1 Factory Sound Set, MW1 Soundpool 1-5, the fat-sounding Analogue and Bassco, as well as PPG Wave 2.3 sounds cleverly converted for the original Microwave. Moreover, it also features freshly-programmed sounds utilising M's myriad new features - from true hard Sync (when working in its Modern Microwave II/XT mode) to the ARP (arpeggiator) and MIDI-syncable global LFO (Low Frequency Oscillator).

But beating at M's musical heart as an eight-voice polyphonic, four-part multitimbral WAVETABLE SYNTHESIZER - as boldly blazoned in red across its full-metal blue- coloured casing, itself hinting at its illustrious Microwave heritage - are two wavetable oscillators with independent wavetable-generating Classic Microwave 1 and Modern Microwave II/XT modes, meaning that the wavetable oscillators behave differently in both of those modes (accessible by pressing the Mode button beside the helpful high-resolution graphic display with four endless encoders for yet more hands-on control). Consequently, there is no hard Sync or ring modulation available in the Classic Microwave I mode, where 16-bit wavetables are bit-reduced to 8-bit and a 240 kHz non-anti-aliased sample rate is offered, whereas the Modern Microwave II/XT mode offers a 40 kHz sample rate with band-limited wavetables, although both oscillators - OSC 1 and OSC 2 - offer the same panel parameters.

Two LFOs are generating a periodic waveform with adjustable frequency Rate and Shape that can be used for modulation purposes, are also always at hand. However, unlike other Waldorf synthesizers, there is no modulation matrix in M. Making a conscious design decision to set up M's modulation facilities directly on the corresponding display page, to paying tribute to the 1989-vintage Microwave.

Back in the here and now, M takes performance to a whole new level, thanks to that advanced ARP with 16 preset patterns, chord mode, and an ability to synchronise to MIDI clock. Furthermore, four programmable ENVELOPES allow adventurous users to manipulate sound parameters via rate or timed modulations.

Musically making a connection to the outside world is important to any synthesizer, so M offers six (rear panel-positioned) stereo analogue outputs - arranged as MAIN OUT (L/Mono and R) and AUX OUT (A, B, C, and D), the latter of which can be used to route each of the four Multi (multitimbral) parts to different outputs, if desired; a stereo headphone output (with an associated Volume knob in addition to the topside Master Volume knob); 5-pin MIDI IN, OUT, and THRU DIN connectors, complimented by a USB 2.0 MIDI port (for computer connection to transmit and receive MIDI data); an SD Card slot (for updating M's firmware, importing/saving sound patches, and importing/saving M-specific data, such as user wavetables); and - last but not least - a Kensington compatible security lock slot.

Notes: A proper bargain here. Ecler's flagship rotary mixer offers all the benefits of audiophile sound quality and organic, hands-on control at a surprisingly low price point.

Supplier's Notes:
WARM4 is a professional four channel analogue rotary DJ mixer, designed and manufactured by ECLER in Barcelona. Featuring 4 phono/line channels, 2 MIC inputs, classic sharp filters and a 4th order Isolator. WARM4 includes an unique feature, an Analogue Subharmonic Synthesizer selectable per channel, specially designed to generate and reinforce ultra-low frequencies.

Applications

Night Clubs
DJ studios
Itinerant DJ performances

Audio performances

Inputs:

Number of Inputs:
LINE: 4 Stereo Unbalanced Inputs
PHONO: 4 Stereo Unbalanced Inputs
MICRO: 2 Mono Balanced Inputs
FX RETURN: 1 Stereo Unbalanced Input

Connectors type:
LINE 1-2-3-4: RCA STEREO
PHONO 1-2-3-4: RCA STEREO
MICRO 3: XLR3-F
MICRO 4: Combo XLR3F-6.3mm TRS BAL
FX RETURN: RCA STEREO

Inputs Sensitivity nom/Impedance:
LINE: 0dBV/50kO
PHONO: -40dBV/50kO
MICRO: -50dBV/>1kO
FX RETURN: 0dBV/>6kO

PERFORMANCE:

Frequency Response:
LINE: 10Hz#30kHz -1dB
MICRO: 10Hz#25kHz -1dB
PHONO: RIAA i0.5dB
FX RETURN: 10Hz#50kHz -1dB

THD+N:
LINE: <0.004%
MICRO: <0.7%
PHONO: <0.06%
FX RETURN: <0.001%

CMMR:
MICRO: >75dB @ 1kHz

Signal Noise Ratio:
LINE: >105dB
MICRO: >90dB
PHONO: >100dB
FX RETURN: >110dB

Trim control / Tone control Inputs 1-2-3-4:
INPUTS 1-2-3-4: i 15dB
BASS: +10/-30dB
MID: +10/-25dB
TREBLE: +10/-30dB

Trim control / Tone control Isolator:
BASS: +12/-70dB
MID: +12/-40dB
TREBLE: +12/-70dB

Tone Filter cut frequency at -6dB (slope 12dB/oct):
BASS: 200Hz
MID: 200Hz#6.8kHz
TREBLE: 6.8kHz

Isolator cut frequency at -6dB (slope 24dB/oct):
BASS: 300Hz#4kHz
TREBLE: 4kHz

Analogue Subharmonic Synthesizer:
Input selective filter: 50#120Hz
Harmonics synthesis: 25#60Hz
Max Output level: +12dBV

OUTPUTS:

Number of Outputs:
HOUSE: 1 Stereo Balanced Outputs / 1 Stereo Unbalanced Outputs
BOOTH: 1 Stereo Balanced Outputs / 1 Stereo Unbalanced Outputs
HEADPHONE: 2 Stereo Unbalanced Outputs
FX SEND: 1 Stereo Unbalanced
REC: 1 Stereo Unbalanced

Connectors Type:
HOUSE: XLR3-M STEREO / RCA STEREO
BOOTH: XLR3-M STEREO / RCA STEREO
HEADPHONE: Jack Stereo 6.3mm / Jack Stereo 3.5mm
FX SEND: RCA STEREO
REC: RCA STEREO

Outputs Level/Minimum Load:
HOUSE (BAL): 0dBV/600O 1V *(+12dB 4V)
HOUSE (UNBAL): 0dBV/2.2kO 1V *(+12dB 4V)
BOOTH (BAL): 0dBV/2.2kO 1V *(+12dB 4V)
BOOTH (UNBAL): 0dBV/2.2kO 1V *(+12dB 4V)
REC: 0dBV/10kO
HEADPHONES: 200mO/200O THD 1%
FX SEND: 0dBV/2.2kO

Max Undistorted Output Level:
HOUSE (Electr.BAL): 21dBV (23dBu)
BOOTH (Electr.BAL): 21dBV (23dBu)
HOUSE (UNBAL): 21dBV (23dBu)
BOOTH (UNBAL): 21dBV (23dBu)

MICELLANEOUS
Control Mode: Rotary with Alps Blue Velvet Potentiometers and Alps RK09L potentiometers
Phantom Voltage: 18VDC/5mA Max (Default ON)
Input VU-Meter: LED 12 segments (-38dBV # +10dBV)
House-Mix-Booth VU-Meter: LED 12 segments (-30dBV # +20dBV)
Subharmonic Output VU-Meter: LED 3 Segments (-20dBV / 0dBV / +4dBV)

ELECTRICAL

Power Supply: Internal
AC Mains Voltage: 90-264VAC 47-63Hz
AC Main Connector: 15A IEC inlet connector
Rated power consumption: 39 VA

PHYSICAL
Operating Temperature: -5-C # 45-C / 23-F # 113-F
Operating Humidity: 20 - 90% RH (no condensation)
Storage Temperature: -10-C # 50-C / 14-F # 122-F
Storage Humidit : <90% RH (no condensation)
Operating Humidity: 20 - 90% RH (no condensation)
Installation Options: Desktop or Rack mount with optional accessories
Included Accessories: IEC Cable EU
Dimensions (WxHxD): 34.0 x 8.1 x 37.2 cm / 13.39 x 3.19 x 14.65 in
Weight: 5.32 Kg / 11.73 lb
Shipping Dimensions (WxHxD): 49.5 x 17.5 x 43.5 cm / 19.49 x 6.89 x 17.13 in
Shipping Weight: 6.74 Kg / 14.86 lb

MECHANICAL

Dimensions (without wooden sides) : 400 x 185 x 100mm / 15.7" x 7.2" x 3.9"
Weight : 3.6Kg / 7.94 lbs

Notes: Buchla's touch-sensitive keyboard updated for the 21st century. Third-generation version offers expressive control for Buchla, MIDI and Eurorack. Iconic.

Supplier's Notes:
Though our lives are dominated by touchscreens, when it comes to music, there's still a lot of magic in capacitive touch control. Don Buchla was one of the first to apply this technology to electronic music in the Buchla 112 module. The non-traditional sounds were controlled with a futuristic interface. This fantastic idea met many iterations in Buchla history: the Music Easel, 400, 700, Thunder, and 223 all employed touch technology.

Buchla USA is proud to present the third iteration of one of the most used touch interfaces, the 218, as the LEM218v3: The 218e version3 Lunar Excursion Module. The first design appeared in the 1973 release of the Buchla Music Easel and named for the spacecraft that delivered astronauts to the moon. Providing the familiar piano key layout for this early mobile music machine, the additional controls and capabilities were an interface for exploring uncharted musical territory. With the new version 3, it's been updated with a new foundation of stable, modern electronics and plenty of inputs and outputs to integrate with your Buchla, MIDI, and Eurorack gear.

Capacitive Magic

The incredible sensitivity and accuracy of the redesigned touch bed means the lightest touch will produce triggers and control voltage for your setup. The adjustable sensor has the dynamic range and durability to handle your playing. The new texture not only improves the sensing, but provides a satisfying tactile experience.

As always, pressure is an expressive output, adding an extra dimension to the control. MIDI outputs velocity and polyphony, as well as channel pressure, making the LEM218 a uniquely expressive controller for all your synthesizers. The configurable touchstrip adds a fantastic addition for pitch bend or as an additional modulator to patch into your system.

MIDI Polyphony, Velocity & More!

More than just MIDI compatible, the LEM 218 v3 gives you a unique interface to playing your existing MIDI gear and soft synths. Each touch outputs note name, channel pressure, and velocity for every note, along with sustain controls from a pedal. Polyphonic MIDI mode lets you play chords. The touchstrip can act as a pitch bend control, or as a mod wheel for additional expressive control. Easily configured using the front panel controls, you can send notes and controls on any MIDI channel. Send the LEM some MIDI, and it gets converted to voltages and gates for eurorack and Buchla control.

Get More For Your Euro

Even if you don't have any Buchla products, the LEM 218 v3 is designed to work with your Eurorack-compatible gear. Four 3.5mm jacks output 1v/octave pitch, 0-8 volts pressure, touchstrip voltage, and gate outputs for use with Eurorack equipment. Or, combine your Euro with your Buchla instruments. If NATO can do it, so can you. The sound design possibilities will blow your mind.

Arpeggiate

A pulse input allows the arpeggiator to be driven by external inputs and are allowed to interact with the automated notes to make the pattern more complex. Additional controls allow you to blend different patterns and randomness to easily change from the expected to the surprising.

Control

The classic preset voltage knobs offer several possible ways to shift your sounds into new territory. Not only can the knobs be used for quick access to voltages for your patch, they can control arpeggiation modes and octave shifting. Pads output pulses for additional control

Set It Up Your Way

Such a unique device will spark many ideas. With easy front panel configuration, you can quickly customize the velocity and pressure sensitivity, MIDI channel, knob behavior, and more. No cumbersome software setups, just simple settings with the keys and knobs, and you're ready to play.

Notes: Keyboard version of Pittsburgh's superb Taiga synth, combining Moog-style East Coast elements with Buchla-inspired West Coast synthesis. Premium 37-key model with velocity, aftertouch and 24 HP expansion bay.

Supplier's Notes:
Modern Analogue Keyboard with Expansion Bay

Taiga Keyboard is an evolution of the award-winning Taiga synthesizer. Taiga gave users a boundary-smashing suite of unique modern Pittsburgh Modular analogue synthesizer innovations. Now in Taiga Keyboard, that same powerful suite of tools acts as a foundation in this expressive keyboard instrument.

Exploring the larger keyboard format, spreading controls out, and adding larger knobs makes sound sculpting while performing easier than ever. We've also added additional modulation sources, additional controls, a full-size 37 key premium aftertouch-enabled keybed, and a first-of-its-kind, modular expansion bay.

Taiga Keyboard oscillators

Waveforms generated by the three Taiga Keyboard oscillators stretch beyond the basic geometric shapes and sounds associated with analogue synthesis. Taiga Keyboard waveforms pass through up to three proprietary, cascading waveshapers designed to precisely manipulate their symmetry and harmonic content. In addition, each oscillator includes a robust six-stage wave folder to add even more complexity and depth to the diverse sonic palate of Taiga Keyboard. Dedicated coarse and fine controls deliver maximum flexibility & control over the full range of each oscillator.

The "Pittsburgh Filter"

The Pittsburgh filter has defined the sound of Pittsburgh Modular from the moment it was introduced. A signature gummy and relaxed sound with no dead spots that has been tweaked to perfection. It offers a warm, smooth sweep through the full frequency range and a sweet resonance that does not roll off the low end. This generation of the Pittsburgh filter is specifically designed to ensure a remarkable interplay with Taiga Keyboard's oscillators.

Pittsburgh Dynamics Controller

Pittsburgh's new Dynamics technology imparts Taiga Keyboard with a uniquely organic depth and presence. By simultaneously managing both amplitude and harmonic content, the Pittsburgh Dynamics Controller expands beyond the one-dimensional VCA found in other synthesizers. It does this by utilizing new advancements from traditional low pass gates to add additional definition and dimension to the voice of Taiga Keyboard.

When used in low pass gate mode, sounds shed harmonic content and become warmer as they decrease in volume. This mimics how sound waves react to their environment. Because of this connection, the Taiga Keyboard sounds more natural or complex compared to other instruments.

Analogue Echoes

Echos is a beautifully dark analogue delay tuned to enhance the source material by repeating it over and over. Echos utilizes a pair of bucket brigade delay chips to produce a classic voltage-controllable analogue delay effect that helps to place the sounds of Taiga Keyboard in a simulated environment.

Open Architecture

Taiga Keyboard has an internally defined signal path. Patch cables are not necessary to begin exploring. Attach a midi keyboard and plug the output into a speaker or DAW and Taiga Keyboard is ready to go with a robust but familiar workflow. When your ideas grow beyond the pre-defined signal path, a 64 point patch bay opens up a fully modular instrument with access to an even deeper set of features and tools.

Modular Expansion Bay

Staying true to our modular roots, we've added a 24hp powered eurorack Modular Expansion Bay that lets you personalize your Taiga Keyboard to your sound and performance needs. Simply remove the metal plate that covers the bay and add eurorack compatible modules. The modular bay helps you make Taiga Keyboard's sound completely your own.

Complete Set of Modular Tools

Taiga Keyboard includes a host of fully modular, analogue, and digital synthesis tools to support and enhance its core functionality. Analog tools include a flexible dual mixer, a pair of plucky four-stage envelope generators, noise, and sample and hold. Digital tools cover external MIDI, arpeggiator, clock sync'd modulation tools, and a robust collection of random generators. The Taiga Keyboard toolset is deep enough for any type of sonic exploration.

Keybed and additional MIDI control

Taiga Keyboard as its name would suggest, has an integrated 37 key keyboard with aftertouch, as well as pitch bend and modwheel. The keyboard can be used as a separate USB / Din MIDI controller using the Local On/Off modes.


Taiga Keyboard's key range can be easily changed using the dedicated octave up and down buttons that are located adjacent to the pitch bend and modwheel.

Taiga Keyboard features and other info:

Paraphonic synthesizer with unique additive elements
37 note aftertouch equipped keybed with full-sized keys
Fully patchable - use Taiga Keyboard's components as separate modules with external devices or reroute its internal patching.
24hp powered Eurorack Modular Expansion Bay
64 point patch bay for rerouting internal signal flow and integrating external sound and modulation sources
Controllable via MIDI, CV, and integrated pseudo random sequencing mode

Notes: Sitting below the flagship Seventy Two model in Rane's mixer line-up, the Seventy is a simpler model aimed at streamlining scratch performances. Two channels, effects, paddles, pads and Serato integration.

Supplier's Notes:
Solid Steel, Precision Performance Battle Mixer

2-channel Serato mixer for the Pro-Performance DJ

The SEVENTY is the latest edition to RANE's solid steel, Serato battle-ready mixer series. Built from the same high-quality components as the multi world-title winning, SEVENTY-TWO.

Display: Full-color display with capacitive multi-touch (2.1" x 3.7" / 54 x 95 mm (wxd)) (4.3" / 109 mm (diagonal))
Pads: 16x velocity-sensitive multi-color back-lit pads (8 per deck, 10 modes each)
Faders: 3x MAG THREE tension-adjustable faders (2 channel/line faders, 1 crossfader)

Outputs:
2x XLR (Main)
2x 1/4" (6.35 mm) TRS (Booth)
1x RCA stereo pair (Session)
1x 1/4" (6.35 mm) TRS (Headphones)
1x 1/8" (3.5 mm) TRS (Headphones)

Inputs:
4x RCA stereo pairs (Deck 1-2)
2x XLR / 1/4" (6.35 mm) TRS (Mic 1-2)
1x RCA stereo pair (Session)
1x 1/4" (6.35 mm) TRS (Footswitch)

Connections:
2x USB Type-A ports (Deck 1-2 USB Controllers)
2x USB Type-B ports
1x IEC power cable input
Digital Audio

Converters: AKM High Definition Audio; 24-bit PCM, 48 kHz

Digital Signal Processing: 32-bit, floating point, double precision

Dynamic Range (A-weighted, unity gain):
ADC: 114 dB
DAC: 114 dB
CD Input to Analog Output: 114 dB
CD Input to USB Output: 114 dB
USB Input to Analog Output: 114 dB
Power Voltage: 100-240V, 50/60 Hz
Consumption: 30 W

Dimensions (WxDxH): 11.2" x 17.5" x 4.25" (28.4 x 44.5 x 10.8 cm)

Weight: 12.0 lbs. (5.46 kg)

Two Deck Inputs: Left Deck and Right Deck

Source selects:
USB-A
PH-CD
AUX
USB-B
PH-CD RCA Inputs
Select Phono (RIAA) or CD (line-level)

CD setting:
4 Vrms maximum input
A-weighted DR 114 dB
Photo Setting
RIAA Curve, +0.1/-0.2dB
Gain @ 1kHz = 30 dB

Maximum input at 1 kHz = 126mV

AUX RCA Input:
4 Vrms maximum input
A-weighted DR 114 dB
Gain Trim
Off at minumum
0dB @ center position
+15

Tone Controls:
Full-cut 2nd order filters
Off @ minumum, flat at center, +6 dB maximum
Crossover frequencies 300 Hz and kHz
Manual swept filter
Flat at center, CCW = High-cut, CW = Low-cut
4th order, adjustable Q

Session Inputs:
RCA Inputs:
Max Input 4 Vrms
A-weighted DR 114 dB
Analog to Digital Converters
AKM High Definition Audio
24-bit PCM, 48 kHz
Digital to Analog Converters
AKM High Definition Audio
24-bit PCM, 48 kHz

Digital Signal Processing:
32-bit, floating point, double precision
A-weighted Dynamic Range (unity gain)
ADC, 114 dB
DAC, 114 dB
Single CD Input to any Analog Output, 111 dB
Single CD Input to USB Output, 114 dB
Single USB Input to any Analog output, 114 dB

USB Ports
Two Device Ports
Two powered Hub Ports
+5V @500mA
Connect RT01 Controller
Auto-switch HUB ports between USB-A and USB-B
Determined by Input Selection
USB 2.0 Class-compliant Audio and MIDI
No driver needed for MAC
Universal ASIO driver for windows
24-bit PCM, 48 kHz SR
USB Port Audio for USB-A and USB-B

Record:
Deck-1 Pre L/R
Deck-2 Pre L/R
Deck-1 Post L/R
Deck-2 Post L/R
Mix L/R
Mics L/R
Session L/R

Playback:
Deck-1 L/R
Deck-2 L/R
Sampler L/R

Two Mic Inputs

Mic-1 Features
XLR/TRS Combo Jack
Mic/Line Select on Rear Panel
Dynamic Mic, Analog Gain 30dB, Max Input 0.126 Vrms
Line, Analog Gain 4.75 dB, Max Input 2.3 Vrms
ON/OFF switch
Press to toggle on/off
Press and hold to enable auto talk-over
Duck level = 10 dB
Gain Trim: Off to +20dB (unity at center)
Tone Control
One knob tilt tone control
Max boost/cut = 10 dB
Echo Effect (Mic-1 Only)
Echo enable button on top plate
Echo Depth Control on Front Panel
Mic-2 Features
XLR/TRS Combo Jack
Mic/Line Select on Rear Panel
Dynamic Mic, Analog Gain 30dB, Max Input 0.126 Vrms
Line, Analog Gain 4.75 dB, Max Input 2.3 Vrms
ON/OFF switch (front panel)
Toggle on/off
Gain Trim (front panel)
Off to +20dB (unity at center)
On front Panel
Tone Control (front panel)
One knob tilto tone control
Max boost/cut = 10 dB
Line Outputs
Balanced XLR Main Output
Frequency Response Flat 20 to 20 kHz (+/- 0.2 dB)
Maximum Output, 8 Vrms
THD+N, 0.002%, 1 kHz, 4 Vrms
Balanched TRS Booth Output
Frequency Response Flat 20 to 20 kHz (+/- 0.2 dB)
Maximum Output, 8 Vrms
THD+N, 0.002%, 1 kHz, 4 Vrms
Unablanced Session Output
Frequency Response Flat 20 to 20 kHz (+/- 0.2 dB)
Maximum Output, 4 Vrms
THD+N, 0.02%, 1 kHz, 2 Vrms
Headphones
1/4" TRS and mini 3.5mm TRS Jacks
Max ouput voltage, 4V, (no load)
THD+N @ 2Vrms = 0.003%
Power Into 50 ohms, 96mW
Turn on/off muting
Universal AC Mains Power Supply
AC Input: 100 to 240 AC, 50/60 Hz, 30 watts

Minimum System Requirements
Operating System:
macOS High Sierra 10.13
macOS Sierra 10.12
Mac OS X 10.11
Windows 10
Windows 8.1
Windows 7

Notes: Combining the signature warm analogue Xone sound with class leading digital connectivity, Xone:PX5 breathes life and soul into electronic music performance. The built-in FX technology offers new levels of manipulation with our new Xone:Xcite FX suite of performance-focused delays, reverbs, modulators, flangers and distorters which are all assignable through simple hands-on control for fine-tuning the FX and expressing the DJ's inner creativity.

Xone:PX5 is a 4+1 channel mixer, equipped with the legendary Xone filter, 3 band EQ on all channels and an intuitive layout.

The versatile Send/Return feature allowing for the connection of external FX hardware with both Send/Return and Master Insert mode connections (Line or Hi-Z) equips Xone:PX5 for numerous enhanced setup scenarios. Each channel has its own dedicated send control for external FX processing and can also be routed to the internal Xone:FX engine.

Connect your laptop or computer to the premium internal 20 channel 24bit 96kHz USB2 soundcard for easy integration into digital DJ workflows, plus plug n' play connection via X:LINK to Xone:K series controllers for expanded MIDI control.

The crossfader has three switchable curve settings for blending or scratching styles and can be easily replaced or upgraded to an Innofader Pro 2 for ultimate crossfader performance.

No matter what your mixing style, Xone:PX5 combines a modern approach to DJing with all the tools required for creating your own individual sound.

Key Features

High quality internal soundcard

Xone:PX5 incorporates a high specification 20 Channel 96kHz, 24bit USB Soundcard, allowing it to be seamlessly integrated into digital DJ workflows.
Additionally the Xone:PX5 Soundcard supports DVS control of Native Instruments' TRAKTOR SCRATCH PRO 2 DJ software. Plug your PC/Mac into the Xone:PX5 and use the TRAKTOR SCRATCH PRO 2 control media (control vinyl or CDs) to intuitively control and scratch with digital audio files stored on your computer.

Xone:FX
Xone:PX5 features the Xone:Xcite FX suite, a new breed of FX specifically tailored for DJ performance. The array of spectral delays, resonators, gritty reverbs and more is accessed through familiar, hands-on controls for instant, instinctive operation, making it easy to add energy and excitement to a track or create entire FX soundscapes. A hybrid FX mode combines the internal and external send & return FX for more advanced FX processing.

Xone filter system

The original and best. The Xone filter is a legend in the DJ booth - none of its imitators come close. Xone:PX5's filter includes HPF, BPF, LPF, resonance control and frequency sweep, plus the option to route the Aux channel and External Return to the filter.

Xone:Sync MIDI clock engine

Xone:PX5 features an integrated MIDI clock engine which can send start/stop messages to external equipment. The 5-pin MIDI Sync/Out connection integrates external software/hardware instruments such as drum machines and synthesizers which can be connected via 14" jack input connections (mono/stereo). Xone:PX5 can also send/receive MIDI clock information through the USB connection.

X:Link
For the ultimate DJ setup, connect Xone:K series controllers to the Xone:PX5 over X:Link for hands-on control over your software, saving USB ports on your computer.

4+1 channels

On top of its four fully featured phono/USB/line channels, Xone:PX5 has a flexible mic / aux channel with XLR and 14" jack connectors and full 3 band EQ. If you don't perform with mics, the additional inputs allow this channel to be used as an extra stereo music source or USB Return channel.

Innofader compatible

Upgrade to an Innofader Pro 2 crossfader (available separately) for ultimate performance. Always a popular choice for scratch DJs.

Technical Specs
Type: Analogue
Channels: 4 + 1
EQ: 3-band / Total Kill (CH 1-4 + CH A)

USB Soundcard:
20 Channel (10 in / 10 out)
USB2 / Class Compliant
24bit / 96kHz
1 x MIDI IN
1 x MIDI Out

Line Inputs: 4 x RCA (CH 1-4), 1 x 1/4" TRS (CH A) Mono/Stereo
Phono Inputs: 4 x RCA (CH 1-4), LN/PH Switch for DVS
USB Inputs: 5 x USB (CH 1-4 + CH A)
Mic Input: 1 x XLR
Master Output: 1 x XLR (Balanced)
Master 2 Output: 1 x RCA (Un-balanced)
Booth Output: 1 x 1/4" TRS
Record Output: 1 x RCA (Un-balanced)
Master Insert: 1 x 1/4" TRS
MIDI Sync/Out: 1 x 5-Pin DIN, DIN Offset Control

Send/Return I/O
1 x 1/4" TRS Send
1 x 1/4" TRS Return
1 x LN/Hi-Z Switch

Internal Xone: FX Yes
Hybrid FX Mode: Yes (Internal < Dual > External)
FX Send: 1 x Pre/Post Selectable (CH 1-4 + CH A)

Filter:
1 x VCF Filter
HPF / BPF / LPF
Adjustable Frequency & Resonance
Assignable CH 1-4 + CH A + External Return

X-Link: 1 x RJ45

Headphones:
1 x 1/4"
1 x 3.5mm
Split Cue Monitoring

Channel Faders: 60mm VCA / Replaceable
Chanel Meters: 12 Segment LED
Channel Fader: Curve 3 Types
X-Fader: 45mm VCA / Replaceable / Innofader Compatible
X-Fader Curve Settings 3 Types
MIDI: Clock Send + Receive; Start / Stop / Pause / Tempo Bend (-/+)
MIDI Assignable: Yes (MIDI CC / MIDI Notes)
BPM Detection: Auto / Manual / Tap Tempo
Earth Ground Terminals: x 2
Headroom: 20dB

AC Mains:
100 to 240V
AC 50/60Hz
Consumption 35W max

Mains Adaptor: 3 pin IEC socket with cable clamp
Fuse Rating: 250V AC T1AL 20mm

Height: 4.3"
Width: 12.6"
Depth: 14.8"
Weight: 11.5 lbs.

Notes: *** Update March 2024- Engine DJ 3.4 Performance Software for Hardware (OS) ***

New Features
Bluetooth Audio Input and Keyboard Connection for Supported Devices

Bluetooth Audio Input - Wirelessly play audio from a Bluetooth-capable device on your supported Engine DJ hardware

Assign to any individual hardware channel or main audio output
Assign to layer A or B on the Denon DJ SC6000 and SC6000M
Bluetooth transport controls allow you to play, pause, and track skip using the touch screen or hardware controls when connected to a capable Bluetooth device
Hardware screen displays Track Title, Artist, and track progress when connected to a capable Bluetooth device

Bluetooth Keyboard Support - Search for songs on your Engine DJ hardware more quickly and efficiently
Bluetooth menu option in the Control Center allows you to connect and manage Bluetooth keyboards and audio devices

Additional Bluetooth Compatibility Information

It is recommended that you confirm the Bluetooth connectivity and functionality of your computer, smartphone, or other device before using it in a live situation

Not all Bluetooth devices and audio applications provide support for Bluetooth Transport controls and track information

Track Progress is not updated on Engine OS when it is adjusted using the originating software/app

Engine DJ Preparation Software (Desktop)
Improvements and Fixes

Fixed an issue where sync manager export would take longer if SoundSwitch content is being packed

Fixed an issue where tracks would not pack via drag and drop if there are 2 drives with the same or similar names connected

Various other stability enhancements and improvements

Supplier's notes:
Denon's flagship SC6000 player is an innovative alternative to Pioneer CDJs, featuring dual-layer playback, built-in Wi-Fi and Ableton Link integration. Also available in SC6000M form with motorised platter. Excellent value.

Compatible with the LC6000 PRIME; The LC6000 PRIME gives a dedicated, professional control surface to any of the SC Media Players secondary layers giving you the freedom to be more creative.

Navigate, search and load extensive music libraries plus edit track lists with 'on-board' Crate management. Gesture manipulate large waveforms and scrub through overviews, while visualizing essential DJ workflow info. Also, execute internal analysis of previously unanalyzed music files directly within the SC6000 itself - just 'plug in & play out!'

Exceed any previous DJ performance boundaries. The SC6000 is dual-layer capable, playing two separate tracks simultaneously. Its jog-wheel has an increased 8.5" 'handson' platter surface area for track cue, pitch and scratch manipulation. Add new rubber button, subtly lit and tactile feel trigger pads for more performance & mix creativity

With dual output 24-bit, 96kHz digital audio quality, the SC6000 supports all major compressed and uncompressed music file formats - including FLAC, ALAC and WAV. With built-in WiFi and wired internet connectivity, DJs can now stream music, standalone, from partnered services Beatport, Beatsource, Soundcloud and TIDAL.

Mix and perform two tracks simultaneously from just one SC6000. Each player features two independent analog/digital outputs and a stacked waveform view. Dual-layer playback opens up a new world of creative possibilities for standalone media players.

Open Format, cross-BPM DJing perfection! Artifact free, sonically perfect audio reproduction, for pitch locked, extreme track tempo changes.
With built-in Wi-Fi and an Ethernet Link port for hardwired internet connections, the SC6000 connects you with your favorite music streaming service or personal cloud storage without being tethered to a computer. Log in to your streaming account directly on the unit for instant access to the world's largest music collections. The SC6000 offers a vast array of streaming service options including Beatport/Beatsource Streaming, SoundCloud GO+, and TIDAL, so whatever the genre the SC6000 has you covered. If that's not enough, connect your Dropbox account to access your personal music collection remotely from anywhere in the world.

Nudge pitch, back-cue and scratch with the SC6000's 8.5" platter with selectable tension adjustment. View and customize center display track and logo artwork, changing platter LED ring colors too.

The SC6000's onboard musical key shift and instant match feature enable beautiful harmonic DJ sets to be performed with ease. Create sonic textures with just the touch of a finger.

Trigger Hot-Cues, engage Loop regions, Roll and Slice your beats with 8, responsive rubber performance pads - now with sophisticated design illumination for improved club visibility.

Handle all digital music libraries and enable DJ 'hand-offs with 3 x USB and 1 x SD media inputs. Travel with large terabyte music collections, accessing the SC6000's built-in internal HDD bay. Connect the player to the internet via Wi-Fi or Ethernet and stream music straight away without any physical media.

Tech Specs:
Audio:
Analog Output: 2.0 Vrms (0 dBFS, 1 kHz)
Signal-to-Noise Ratio: 116 dB
Distortion (THD+N): < 0.0015%
Frequency Range: 22-22,000 Hz
Digital Output:
Sampling Rate: 96 kHz
Bit Depth: 24-bit

Platter:
Diameter: 8.5" / 216mm (diameter)
Material: Metal construction with display and touch-capacitive circuitry

Connections:
(2) RCA output pairs
(2) coaxial digital outputs
(1) 1/8" (3.5 mm) mini TS input (remote start)
(3) USB Type-A ports (for USB drives) (Rear-panel ports supply 900 mA for USB 3.0 devices, 500 mA for USB 2.0 devices. Front panel port supplies 500 mA for USB 2.0 devices only.)
(1) USB Type-B port (for computer connection)
(1) SD card slot
(1) Ethernet link port
(1) IEC power input
(1) 2.5" SATA HD bay

Power:
Connection: Locking IEC
Input Voltage: 110-240 VAC, 50/60 Hz

Dimensions (Width x Depth x Height):
319.5mm X 463.3mm X 151.17mm
12.6" x 18.2" x 6"

Weight (Without USB and Power Cable): 12.76 lbs./5.8 kg

Supported Media

Type:
SD/SDHC card
USB mass-storage devices (flash memory, external HDD enclosures):
2.5" SATA hard drives

File Systems:
exFAT
FAT32 (recommended)

File Formats:
AAC/M4A
AIF/AIFF (44.1-192 kHz, 16-32-bit)
ALAC
FLAC
MP3 (32-320 kbps)
MP4
Ogg Vorbis
WAV (44.1-192 kHz, 16-32-bit)

Notes: Still a classic, still a brilliant mixer. Nearly 20 years on the market but sounding just as good as ever, the Xone:92 seems like a bit of a bargain now.

Supplier's Notes:
The industry-standard Xone:92 is a versatile six channel analogue mixer, renowned for its expansive, involving sound. With its solid construction and easy to use interface, the 92 is on the riders of most of the world's top DJs and is a permanent fixture in the booth at many of the biggest superclubs.

The Xone:92 was one of the first professional DJ mixers to incorporate MIDI for control of DJ software or external devices, and the first to include the innovative dual VCF filters. With its two stereo FX sends, twin Mic/returns, and one of the best EQ sections around, this mixer is a DJ's dream tool.

For those who prefer to blend with rotary faders the Xone:92R is also available.

Notes: The new PerFourMer is a real analog synthesizer, through its simple control surface and very flexible sound production it is able to offer a near inexhaustible variety of bass, lead, pad and effect sounds. Additionally, with its total of 6 filter inputs, the PerFourMer is also perfectly suited as a complex filter-bank. Even though the PerFourMer is not considered a modular system, it can still be described as a modular or at the very least a semi-modular. The basic concept is reminiscent of classics such as the Oberheim 4 Voice or the Korg Monopoly.

The PerFourMer is a 4 voice synthesizer, consisting of completely independent synthesizers, which can be adjusted and played independently from each other. These 4 synthesizer channels can be linked with each other and be played in 3 different operating modes.

Next to the already mentioned filter inputs, each channel has a single output, which can also be used as an insert for external effect devices, and make it possible to easily integrate the PerFourMer with already established equipment. It is also possible to transmit the unedited VCO signal. Additionally the opportunities of the PerFourMer can be expanded through internal patching between the channels, for example; you can route a VCO through multiple filters and VCAs, or use 2 channels to create 1 voice with 2 ADSR envelopes (1 for VCA and 1 for VCF). Use the PerFourMer as a filter-bank and the slope envelope can be doubled by interconnecting the filter in series. The PerFourMer is controlled via MIDI.

www.youtube.com/watch?v=UWFsfUa9pUk

Notes: A thing of beauty. Teenage Engineering channel the vibes of vintage open-reel tape recorders mashed up with modern tech. A proper all-round recording solution, from voice memos to studio work.

Supplier's Notes:
There are thoughts, ideas and fragments that - for the sake of humanity - we need to record and be able to return to as a reference, as a seed for new thoughts or just to remember another time. TP-7 is built for just that, to record sound, music, interviews and important ideas with zero friction in the highest possible quality. A device engineered in every detail to do only one thing and to do it well. A dedicated piece of hardware for ideas, or just a dirty riff.

The ultra-portable audio recorder. Record and listen back using the internal mic and speaker, or use any number of the 3x two-way jacks for external mics, headsets or other signal sources. Multiple connectivity options include USB-C, MFi and Bluetooth. Instant voice-to-text transcription available via the IOS app. Included in the box: 6.35 mm jack adapter, textile USB-C cable, user guide and reusable plastic storage box.

Intuitive muscle reflex control.

TP-7 fits perfectly in the palm of your hand and lets your fingers naturally adopt the controls. The index finger triggers fast forward and the middle finger rewinds. Your thumb records a memo, the pinky selects the mode. It's a genuinely rewarding experience.

Tape reel sensation.

The centre piece of the TP-7 is the motorized tape reel. A delicately engineered brushed motor with ball bearings, and a highly sensitive hall sensor that lets you virtually grab your recording. the reel is also used for scrubbing, to pause, menu navigation and as gentle visual feedback during playback and recording.

The rocker.

The side-mounted rocker allows you to quickly scrub through your audio.
just press on the top edge to fast forward, and down to rewind. watch the wheel spin around and hear your tracks scrub in 'hyperspeed'.

Transcription hell turned into transcription heaven.

We've all experienced the process of transcribing recorded speech to text by hand. A key feature of the TP-7 is its ability to streamline the process of turning audio into text. simply connect your phone to TP-7 via BLE or USB, open the TP-7 app and press transcribe. Job done!

(* Additional languages, text-to-audio edit and other useful features will be added over time.)

Off the record.

Picture yourself in an interview situation. The reel on the TP-7 is spinning slowly, the bright red record lamp is lit. Both the reel and the lamp indicates that a recording is taking place. The interview is going quite well. The situation gets heated, you're suddenly asked some personal questions. In that moment, you gently place a finger on the reel and pause the recording, allowing you to continue the interview 'off the record'.

The importance of zero friction.
(or how to remove steps from thought to action.)

Let's compare TP-7 to the most common recorder today - the smartphone:
Once you've turned on and unlocked your phone, found the recording app and started recording, you've probably forgotten whatever you had in mind. When recording on TP-7: press the memo button and start talking.

Inputs, outputs and 20 years of ideas.

TP-7 features three stereo two-way jacks to be used as either inputs or outputs, for connecting external mics, headphones, studio monitors, or any other audio equipment like OP-1 field or TX-6, recording with all 6 stereo channels. Use USB-C for multi-channel audio interface, MIDI, data transfer and charging, and BLE and MFi for wireless connectivity. TP-7 also includes a 6.35 mm to 3.5 mm jack adapter. Add to that 128 GB of internal storage and you can preserve 5 minutes of ideas a day for 20 years..

Applications.

Interview

Let you, and your subject, focus on the job at hand. When conducting interviews, TP-7's discreet size and dedicated function makes for an unobtrusive recording device.

Podcast

Whether you're in the studio or out in the field, TP-7's high quality audio is perfect for podcast recording. Connect up to 3 external mics, or use the internal mic in a pinch. Keep an eye on your levels with the VU meter and headphones.

Voice memos

Think out loud, tape does the rest. Let TP-7 capture your thoughts, then convert them into accurate text using the TP-7 app. For professionals, and avid thinkers and writers.

Field recording

Inspiration can strike when you least expect it. With an internal mic, 3x inputs, and a 7 hr rechargeable battery, you can use tape to record samples and demos on the go. Never lose an idea again.

Live performance

Use TP-7 in a live performance or recording scenario. Track all the instruments in your studio, or record your live set when performing. You can even use TP-7 as turntables and TX-6 to mix.

The field system.

TP-7 is part of Teenage Engineering's ultra-portable sound recording and performance system. All battery-powered, rechargeable via USB-C and with full interconnectivity (MIDI and high resolution audio). Compatible with iOS, macOS, and windows it's the most powerful, highest quality, portable system in the world 'as we know it'.

TP-7 specifications

Highlights
3x stereo two-way jack input/output/headset connectors
1x stereo headphones connector with 3.5 to 6.35 mm jack adapter
Internal microphone and speaker
Motorised 'tape reel'
128 GB internal storage
24-bit/96 kHz usb audio interface
Bluetooth low energy
Rechargeable battery
7 hr battery life
64x32 pixel monochrome display
LED VU meters
Companion transcription app

Dimensions and weight
96 mm x 68 mm x 16 mm
170 g / 5.6 oz

Electrical characteristics
Two-way jacks (3.5 mm TRRS)

Stereo input:
Input impedance 9.5 kOhm
Analogue gain 0 - 42 dB
Max level 8 dBu (2 Vrms)
SNR 105 dBA

Headset:
Max level out 2 dBu (1 Vrms)
SNR 110 dBA
Microphone SNR 98 dBA

Headphone output (6.35 mm TRS)
Max level 8 dBu (2 Vrms)
SNR 120 dBA

Notes: 12-voice version of Waldorf's Iridium Core, a compact synth from the same range as the Quantum. Running on the Waldorf OS, the Iridium features a versatile selection of Wavetable, Multi- & Granular-Sampling, Waveform, Kernel FM and Resonator synth engines.

Supplier's Notes:
The Core

Iridium Core provides the core synthesis engine of the Quantum / Iridium platform. It is the heart of Waldorf's most advanced hardware-based synthesis. The essence of forward-looking sound. The Core.

Sonic Explorer

Iridium Core contains 5 synthesis engines: Wavetable, Multi- & Granular-Sampling, Waveform, Kernel FM and Resonator. Combined with a broad selection of digital filter and processing options Iridium Core lets you explore a huge sonic universe of electronic sound. Iridium Core's intuitive and easy graphical interface helps you to keep your flow of creativity.

Wave Traveller

The compact form factor makes Iridium Core an ideal companion to travel with you to all your sonic explorations and performances. It fits well into laptop size bags and in carry on-baggage it leaves enough space to all your other devices you need for your performances.

Driven by Inspiration

Iridium Core comes with a huge collection of more than 1700 factory presets and samples to drive your sonic Wanderlust. Get inspired what the broad and diverse array of sound designers have created to fuel your musical endeavours.

Team Player

Iridium Core integrates into various live performance and studio setups. Its connects with your modular synths, drum machines, sequencers and computers. The compact form factor fits well into your tabletop or space limited setups.

Family Member

Iridium Core shares the same software platform like Quantum, Iridium Desktop & Iridium Keyboard. All instruments are powered by the Waldorf synthesiser OS and will receive joint updates. Thus, the whole family participates from future enhancements and developments.

Specifications

Compatible with the Waldorf Quantum synth engine
Software: Waldorf Synthesis Platform OS

Oscillators
3 Oscillators each capable of 5 synthesis modes:
Wavetable
Waveform (VA)
Particle (Sampling and Granular Sampling)
Resonator
Kernels (up to 6 sub-oscillators which can be interlinked through FM, AM or Wavetable-position at audio rate)

Dual Stereo Filters per voice
True stereo path Dual Digital Filter with independent modes:
12/24dB LP/HP/BP in all combinations
Nave, Largo, PPG, Quantum and StateVariable models
Analyzer displayed in Filter view
Filter curve animation when modulated (optional)
Sophisticated filter routing options with modulatable panning and levels

Digital Former
Filter models like State Variable, Waldorf Nave, Largo and PPG in HP/LP/BP/Notch
Comb filters, Bit-Crusher, various Drives, Ring-Modulation

Modulators
6 Envelopes
6 LFO
Komplex Modulator (LFO/Envelope combination with user-definable shape and morphing)

Mod Matrix
40 slots
Fast assign mode
One additional control amount per slot
Identical Sources and Destinations can be used multiple times until the matrix is full

Effects
5 slots per layer
Various parallel and sequential routing options
Reverb, Delay, Chorus, Phaser, Flanger, Drive, EQ, Compressor, Tremolo

Performance features
Advanced Arpeggiator
Step-sequencer with up to 64 steps for notes and parameters
2x4 button pads assignable to notes or chords
4 user-assignable potentiometers
6 user-configurable macro buttons
Favourites screen for quick patch recall
XY control on touchscreen
Wheels touchscreen for MIDI controls like mod wheel, pitch bend, aftertouch and velocity
MPE capable

Screen
Industrial-grade highly responsive touch screen with Brightness control
1024x600 pixels

Voices
12 voice polyphony
Duo-timbral
Mono, Legato and Unisono modes

Patches
Over 1700 factory patches
Capacity of 7000 patch memory slots (numbers 0000-9999 can be used)
Patches from Quantum and other Iridium variants can be loaded and vice-versa
Category filter for patch list
2.6 GB sample flash memory preloaded with 2 GB factory samples

Connections
Stereo Audio Out: 2x TS jacks
Stereo Audio In: 2x TS jacks
Headphones TRS output with level control
DIN MIDI IN & Out, mini-TRS Type A (two adapters to DIN MIDI sockets included)
USB Type B (device) for MIDI connection to computer
USB Type A (host) for storage media and MIDI devices
MicroSD slot
2 high-resolution CV Inputs which can be used as modulation sources in the Mod-Matrix
Analogue clock In & Out with clock divider settings

Overall
Sturdy metal case
Dimensions: 346 mm wide by 200 mm depth by 64 mm height (including controls)
Weight: 2.2 kg
External Power Supply: Input 100-240 V / AC 50-60 Hz, Output 12 V DC / 3 A

What's In the Box?
Iridium Core Synthesizer
Two MIDI adapters: mini TRS to DIN sockets
Power Supply
Printed Quick Start Guide

Notes: The new PerFourMer is a real analog synthesizer, through its simple control surface and very flexible sound production it is able to offer a near inexhaustible variety of Bass, Lead, Pad and Effect sounds. Additionally, with its total of six filter inputs, the PerFourMer is also perfectly suited as a complex filter-bank. Even though the PerFourMer is not considered a modular system, it can still be described as a modular or at the very least a semi-modular. The basic concept is reminiscent of classics such as the Oberheim 4 Voice or the Korg Monopoly.

The PerFourMer is a 4 voice synthesizer, consisting of completely independent synthesizers, which can be adjusted and played independently from each other. These four synthesizer channels can be linked with each other and be played in 3 different operating modes.

Next to the already mentioned filter inputs, each channel has a single output, which can also be used as an insert for external effect devices, and make it possible to easily integrate the PerFourMer with already established equipment. It is also possible to transmit the unedited VCO signal. Additionally the opportunities of the PerFourMer can be expanded through internal patching between the channels, for example; you can route a VCO through multiple filters and VCAs, or use 2 channels to create 1 voice with 2 ADSR envelopes (1 for VCA and 1 for VCF). Use the PerFourMer as a filter-bank and the slope envelope can be doubled by interconnecting the filter in series. The PerFourMer is controlled via MIDI and additionally via CV/gate (1V/octave) inputs for every synthesizer channel.

Notes: Designed for seamless integration with Serato and the Stem-Split feature, the Four is Rane's flagship controller. Clever compatibility options let you add vinyl, CDJs and other controllers like the Rane Twelve or Denon LC6000.

Supplier's Notes:
Designed for creativity, built to last

The FOUR brilliantly combines the latest in performance-focused DJ technology with RANE's tried-and-true build and industry-leading sound quality. The result is a bulletproof, great sounding, feature-packed DJ controller that will unleash exciting new levels of creativity in your DJ sets and livestreams. With never-before-seen features like STEM-SPLIT, Performance Pad OLED displays, and a new dynamic internal FX engine, the FOUR is the world's most advanced 4-channel Stems DJ controller.

Harness the power of Serato stems

RANE and Serato have a long history of creating ground-breaking DJ products together, dating back to the RANE SL1 box in 2004. The RANE FOUR takes this partnership to the next level by melding the industrial-grade build and sound quality of RANE hardware with the powerful new Stems capabilities of Serato DJ software. The result is a next-level DJ controller with unprecedented Serato Stems control. A dedicated Stems Pad Mode, Instrumental and Acapella buttons, and RANE's exclusive STEM-SPLIT feature provide you with the ultimate Stems workflow and experience to fully elevate your creativity as a DJ.

New levels of creative FX

The newly designed internal FX suite features 22 paddle-triggered, fully customizable Main FX and 4 knob-controlled Channel FX for adding flavour and personality to individual Stems elements and tracks. This robust FX suite features traditional FX classics like Reverb and Echo and exhilarating new additions including Scale Down, Recycler, Riser, and more. The Channel FX section offers dynamic, hands-on manipulation of 4 knob-controlled FX including Filter, Filter Roll, Noise, and Flanger. The RANE FOUR also allows you to switch seamless back and forth between the built-in hardware FX and Serato's software FX, providing limitless options for any style of DJing.

Four channels of performance possibility

The 4-channel mixer section features full EQ control and intuitive FX assignment options, plus 2 external Line/Phono inputs for external turntables or decks. The FOUR is DVS-enabled and unlocks both Serato DJ Pro and Serato Pitch 'n Time when connected to laptop running the latest version of Serato. Enhanced Sampler routing options allow you to control the Sampler volume via a dedicated knob, or assign the audio to Channel 4 so that you can layer FX on top of your DJ drops, instruments, and other samples. The quick-access deck selection buttons allow for swiftly switching platter control between software decks, and the FOUR also supports external modular decks like the RANE TWELVE MKII and the Denon DJ LC6000 for a full physical 4-deck mixing experience.

Focus on your performance, not your laptop

The 8 OLED displays above the Performance Pads on each deck offer visual feedback for all pad modes, making it easier than ever to see the function of each pad without having to look at the computer. See Cue, Loop, and Sample names as well as Roll and Loop lengths, beat divisions, Pitch Play tuning, and Stem elements and FX.

The best static platters... ever

The 8.5" capacitive jog wheels were designed to be the smoothest and most accurate static jog wheels available on a DJ controller. A central colour display indicates play head position, BPM, pitch percentage, pitch range, overview waveform with Hot Cue markers, song key, time, loop size, deck selection, Beat Jump length and more.

Trusted Rane quality

The RANE FOUR is the only 4-channel DJ controller built to RANE's rigorous standards. Solid, bulletproof construction, MAG-FOUR crossfader with curve adjustment and channel assignment switches, aluminium FX toggles, and industry-leading sound quality and connections ensure that the RANE FOUR will always perform like a champ, no matter what.

Technical Specifications

Digital Audio

Converters: Cirrus Logic, 24-bit PCM, 48 kHz
Digital Signal Processing: 32-bit, Floating Point, Double precision
Dynamic Range (A-weighted, unity gain): ADC: 113 dB DAC: 113 dB
CD Input to Analog Output: 110 dB
CD Input to USB Output: 113 dB
USB Input to Analog Output: 113 dB

Connections

(2) XLR / 1/4" (6.35 mm) TRS inputs (Mic 1-2)
(2) RCA stereo input pairs (Deck 3-4)
(2) XLR outputs (Main)
(2) 1/4" outputs (Booth)
(1) RCA stereo output pair (Main)
(1) 1/4" (6.35 mm) TRS output (Headphones)
(1) 1/8" (3.5 mm) TRS output (Headphones)
(2) USB Type-B ports
(2) USB Type-B ports

Audio Outputs

Main Outputs (XLR):
Gain Trim: Off to 0 dB
Maximum Output: 8 Vrms
THD+N (20 kHz BW @ 1 kHz): 0.004%
Frequency Response: Flat - 20-20kHz

Main Outputs (RCA stereo pair):
Maximum Output: 4 Vrms
THD+N (20 kHz BW @ 1 kHz): 0.004%
Frequency Response: Flat - 20-20kHz

Booth Outputs (1/4"):
Gain Trim: Off to 0 dB
Maximum Output: 8 Vrms
THD+N (20 kHz BW @ 1 kHz): 0.004%
Frequency Response: Flat - 20-20kHz

Headphone Outputs (1/4"/6.35 mm and 1/8"/3.5 mm TRS):
Maximum Output: 4 Vrms Voltage: (no load)
Output Power: 50 mW (50 ohms)
Dynamic Range (A-weighted): 108 dB

Audio Inputs

Microphone 1/2 (Combo XLR/1/4" [6.35 mm] TRS):
Analog Gain: 25 dB
Maximum Input: 110 mV
Gain Trim: Off to +26 dB (unity at center)
Tone Control: 2-band

Line/Phono Inputs 3/4 (RCA stereo pairs, switchable):

Line: Line
Maximum Input: 4 Vrms
Gain Trim: Off to +12 dB
Tone Control: 3-band, full-cut to +10 dB
THD+N (20 kHz BW @ 1 kHz: 0.004%

Phono: RIAA
RIAA Curve: +/-0.25 dB
Gain (@ 1 kHz): 31.5 dB
Maximum Input (@ 1 kHz): 106 mV
Dynamic Range (A-weighted): 102 dB

Pads: (16) on/off multi-colour back-lit pads (8 per deck, 9 modes each
Wheel Displays: (2) 320 x 240 Colour LCD's
Pad & FX Displays: (9) 128 x 32 Monochrome OLED's
Faders: (1) MAG FOUR tension-adjustable crossfader with contour, (4) Standard channel faders

Power:
Connection: IEC
Voltage: 100-240 V, 50/60 Hz
Consumption: 20 W

Dimensions (width x depth x height):
Dimensions (width x depth x height): 30.8" x 15.9" x 4.2" / 782.32 x 403.8 x 106.6 mm
Weight: 18.25 lbs./8.27 kg

Notes: Mantis is a unique, duophonic hybrid synthesizer that was co-developed by the late Chris Huggett (of EDP Wasp, OScar & more fame) and is dubbed as a spiritual successor to the OSCar, sporting precision digital oscillators, dual state variable filters and more.

Mantis is a premium synthesizer, sporting a high quality 37-note velocity and pressure sensitive keybed, SSI2164 IC's for the VCF's and VCA's, custom high performance processors for the oscillators coupled with a pristine analogue signal path, which features a twice amplified gain structure for maximum clipping capabilities plus lush stereo digital FX.

The modulation capabilities are vast with:
Two unique ADSR's that feature "sustain fall" that allows you to create a drop before release...even while a key is held for greater sound design possibilities. The envelopes can also be set to cycle.
Two tempo-syncable LFO's with four waves, fade in and fade out parameters and a seriously wide operating range.
Ring modulation available at the mixer
And a unique modulation routing controller with 6 choices of modulation parameters, 6 choices of modulation sources and scale control, which used to scale the effect of the modulation.

In development over the last period of his life Chris threw everything into Mantis. Although incomplete when he sadly passed away in 2020, he handed the project over to Paul of PWM to carry on and continue the project.

PWM, with the support of Chris' estate, think this synthesiser deserves to be born into the world for everyone to enjoy!

PWM MANTIS Key Features:
Hybrid-Analogue Synthesiser, powerful digital oscillators with dual analogue filters
With Mathematically Generated Oscillators with a Pure Analogue Signal Path
A Modernised Design Architecture based on the WASP with an OSCar style filter designed by the late, great Chris Huggett
Duophonic - Two Fully Independent Voices each with 2 Oscillators plus Sub-Oscillator per voice
Dual Filters - Multi-Mode State Variable VCF's with Overdrive per voice that can be combined in Series or Parallel with Width Control
Keyboard - 37-Note Full-Size Semi-Weighted Keybed with Aftertouch plus Joystick
Fully featured Keyboard, Joystick and USB-MIDI Control for Easy Integration with any Studio or Live Environment