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Review: As the mighty UK stalwart that is Freerange fast approaches its 300th EP it looks to Toronto Hustle for its latest deep house transmission. As always these are smooth and sophisticated sounds with 'Deep In This' kicks off with rippling synth sequences and dusty house drums staying low under some subtle vocal sounds that bring an intimate edge. The Late Night dub reduces things into even more quiet and unassuming territory and 'Fall In Love' then brings vamping chord energy and clouds of whispering vocals and a Demuir God Speaks remix jacks it up a little with some extra house swing.

Review: Spanish label MATE host a four track, two artist 12" that stretches across the Atlantic to take in top house music talents from both sides. The Belgian duo Chasse follow their releases on Robsoul and Exploited take on the A-side, with 'Viola' proving a chunky but emotive offering held together by rhythmic sax stabs and suspended strings and 'Deep Link' a jazzier affair, the sax let properly loose as a plaintive piano loops atmospherically. The prolific Detroit producer Javonntte, a regular on the label, offers up the fantastic Moog improv wigout of 'Sunday Brunch Cocktail', registering some impressively original high frequency operations. 'When Music Feels' boasts a spoken word vocal from Javonntte's own sister and a more classic deep house sound with an uplifting, spiritual vibe. Maximum value for money via four very playable tunes.

Review: Capturing the essence and feels of the long-standing event he runs in his Swiss hometown of Lausanne, veteran digger and selector Attias presents a brand new compendium of sweet compositions that sum up he's at creatively and spiritually. Gems on gems on gems: highlights that we guarantee will appeal to your good tastes and dancefloor include the hypnotic vibraphone wash of Cro-Magnon's "Midnight Magic", the slept-on jittering funk of Tatham, Mensah, Lord & Ranks's "Cascade" and Material and Nona Hendrix's ludicrously funky, ultimately sleazy slinker "Over & Over". We suspect you'll be playing this record over and over, too...

Review: Those who've followed Alex Attias' career over the last two decades will tell you that he's always been capable of crafting the kind of jazzy, soulful, life-affirming fare more readily associated with UK broken beat producers. He's at it again on "I Wanna Know", a deliciously warm and sultry slab of dancefloor soul rich in samba-fired house beats, fluid piano lines (provided, we think, by Kid K), drowsy chords and a killer lead vocal from Georgia Anne Muldrow. Over on side B, Attias strips out most of Muldrow's vocal on a Dub Mix that rightly layers up the beats, emphasizes the track's jazzy horns and virtually bathes in the liquidity of its jazz-funk synths.

Review: Veteran producer, selector and all round champion of impeccable grooves Alex Attias is back on BBE with a second volume of his "Lillygood Party" collection. These are some seriously tasteful jams skirting house but with an emphasis on soul. Peven Everett sounds resplendent on Stacy Kidd's "How Bad I Want Ya" while The Elements Of Life's "Children Of The World" is a soaring slice of jazz funk strapped to a smooth house beat. There's even Pharoah Sanders jamming his sax over a peppy rhythm section and spiritually charged house meanderings from Universal Tongues featuring Elle. It's a collection that surprises and satisfies at every turn.

Review: Before relocating to New York City last year, Pontchartrain invited the legendary Javonntte over to record some material at his east-side Detroit studio. The result was the deep, down and dirty late night groove of 'Keep Dancing' (Detroit mix) while the NYC mix is a more pumping, heads-down affair on an old school electronic disco vibe with a nice dose of 303 acid for good measure. Over on the flip, 'Cirrus' is a deeper, cloudy and synth-heavy house track, which is backed by Delano Smith's dubby and hypnotic Motor City Re-Rub.

Review: Isaac Prieto is Mexico-born but Detroit based and that is presumably where he hooked up with the Motor City's assured house auteur Javonntte. The pair take a trip through scuffed-up deep house brilliance here with the chattery claps and blurting bass of spaced-out opener 'One Take' before 'Brothers In Rhythm' is a more dance-y cut with pinging kicks and detuned synths stumbling about the mix to make for a brilliant sense of mechanical funk. 'High Energy' brings edgy chord stabs over busted beats and bass and 'Lost & Found' is more kinetic analogue madness with hurried techno hi-hats, spangled pads and punchy kicks all bringing an utterly fresh type of sound.

Review: 'Wanna Dance' is the new jam by deep house heavyweight Sean McCabe (Good Vibrations) and Last Forever chief Turbojazz. Said to be conceived during the lockdown period, the track recalls the energy of classic Detroit deep house and even features one of the city's favourite voices in the form of Javonntte. On the flip, the spiritual vibe of Moondance's rework calls to mind the work of Motor City legend Alton Miller, while EVM128 aka Evermean Beats really soaks up the vibe of his new hometown - London - on his nu-jazz broken beat perspective that would make even Kaidi Tatham stand up and notice.

Review: Alex Attias is the man behind the El Mustang Project and here he teases his upcoming album with a couple of new tunes on Visions Inc. As always, they find him fusing the organic with the synthetic to make for deep and silky house tunes that straddle genres and ages. 'Love Me Better' opens with a gorgeous vocal and rickety drums that ooze charm. 'Dream Drumz' gets a little more raw and edgy with pixelated melodic spirals and 'Life' gets old school. Cowbells ping about the mix as distorted bass and frazzled pads add texture to this subtle throwback jam.

Review: Here two of Situationism's compilation strands combine on one 12": 2up 2down, which focuses on high-grade deep house, and the In The Bag series of floor-friendly catalogue favourites. There's naturally plenty to get the blood pumping throughout, from the thrillingly off-kilter Afro-house rhythms of Mike Agent X Clark's 'My Journey Thru Africanism', and Javontte's sensational 2021 single 'Soul People', to the liquid jazz-funk/deep house fusion of BRS' fantastic 'A Night To Remember' - all rubbery bass guitar, huggable chords, glistening guitars, fluttering flutes and swinging beats - and the driving, gospel-influenced peak-time brilliance of Laroye's 'Best Girlfriends (Soulful Mix)'. To cite an old cliche, this genuinely is "all killer, no filler".

Review: It's silly but true that anything which has the words Detroit on it will immediately get more attention than something that doesn't. 99% of the time though the music lives up to that reputation as is the case here with a fourth offering from Detroit Sound Odyssey. It's a four-tracker that sees Isaac Prieto hook up with different collaborators on each tune. Moppy and 'Double Bass' open up with a well-swung house kick and deep bass combo while the machines get a little more unhinged on 'What Do You Want' with G&J. Javonntte brings his signature depth to 'Imperfections' and Ali Orlandi adds a heavyweight downbeat headiness to 'I Like That'.

Review: Having dropped his Lagarius album earlier this year, Detroit mainstay Gary Martin is back on his Teknotika label with a collaborative EP with fellow Motor City legend Javonntte. The story goes that Martin had planned a break from the studio, but instead wound up connecting with Javonntte to lend his considerable keyboard talents to one of Martin's beats, which wound up in two different versions of 'The Infinite Time', now found on the B-side of this single. In both mixes, Javonntte's keys soar high and Martin's beats move with a broken flex that only adds to the jazziness. A-side track 'Zurvan' came after, balancing the record out with an Eastern-tinged melodic scale which gives the record an enchanting, mysterious quality.